Several suspects identified Carpenter as one of the orchestrators of the crimes.
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If you're Minister Louis Farrakhan, it's that Jews were the secret orchestrators of the trans-Atlantic slave trade.
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As season two opens, the orchestrators of the massive "5/9" attacks have been disconnected, so to speak.
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A newly released audio tape by members of Montazeri's family implicates the key orchestrators of the 1988 mass murders.
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It's a complex process, but the key orchestrators of the handedness of life are beginning to come into clearer focus.
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All we'll know about the orchestrators of Gilead is that they drank the same cocktail of fear, loathing, and conservatism.
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"Kubernetes and other container orchestrators benefit from reliable, community-driven container runtimes, like rkt," said CNCF director Dan Kohn today.
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But whatever steps are authorized, the Guards are likely to be involved, although as orchestrators more than direct participants, experts say.
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"It's about more than the sign," Tay Anderson, one of the orchestrators of the protest, told MUNCHIES over phone Monday afternoon.
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In 1930s post-slavery Brazil, Ms. de Oliveira notes, women were the orchestrators of what are now known as samba circles.
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No doubt a host of key Trump orchestrators and luminary actors were making ample use of auxiliary entrances and exits, sneaking in and out.
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On Tuesday night, a helicopter rained bombs and gunfire down on the Supreme Court building and the orchestrators are calling for the president to resign.
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Orchestrators like Mr. Brohn determine the flavor of a musical's score by assigning the instruments and deciding which ones the musicians will play and when.
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Vance Pearson was once the deputy to the former union president Gary Jones, who has been portrayed as one of the orchestrators of an embezzlement scheme.
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When Williams -- who was severely punished for being one of the alleged orchestrators of "Bountygate" back in 2012 -- was asked about the allegations Friday, he clapped back.
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In order for the scheme to work, she would need to arrange for the test to be administered at a location specified by one of the scheme's orchestrators.
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The latest big name is to quit is Sherif Marakby — its vice president of global vehicle programs, and one of the orchestrators of its self-driving vehicle program.
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"David and I had long had a fascination for Stan Kenton and Gil Evans," Mr. Visconti added, referring to two prominent jazz orchestrators of the mid-20th century.
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Led by Heinrich Himmler, one of the chief orchestrators of the Holocaust, a team of archaeologists set out to investigate ancient sites and dubiously claim their link to the so-called Aryans.
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William Brohn, one of musical theater's top orchestrators, who worked on more than a dozen Broadway shows and won a Tony in 1998 for "Ragtime," died on May 11 in New Haven.
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Mr. Pearson was a onetime deputy to the former U.A.W. president Gary Jones, who has not been charged but is portrayed in documents filed by prosecutors as one of the orchestrators of the embezzlement scheme.
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That museum is renowned in part because of what isn't on display: In 1990, thieves stole 13 works of art valued at $500 million, and to date, the orchestrators of the heist have not been caught.
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To use the language of Hamilton, we don't have many concrete details about the "room where it happened," aside from the fact that Commander Fred (Joseph Fiennes) and Serena Joy (Yvonne Strahovski) were two of Gilead's primary orchestrators.
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If the schedule is too demanding, a team of orchestrators (ranging from two to eight) will work on a film. The lead orchestrator decides on the assignment of cues to other orchestrators on the team. Most films can be orchestrated in one to two weeks with a team of five orchestrators. New orchestrators trying to obtain work will often approach a film composer asking to be hired.
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The server component is a Java Application that reads from the Process Library and executes the processes. The Orchestrators can be scaled horizontally by adding more Orchestrators to handle the workload.
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An orchestrator is a trained musical professional who assigns instruments to an orchestra or other musical ensemble from a piece of music written by a composer, or who adapts music composed for another medium for an orchestra. Orchestrators may work for musical theatre productions, film production companies or recording studios. Some orchestrators teach at colleges, conservatories or universities. The training done by orchestrators varies.
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The Tony Award for Best Orchestrations is awarded to acknowledge the contributions of musical orchestrators in both musicals and plays. The award has been given since 1997.
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Others have become orchestrators-for-hire, and work with many different composers over the course of their careers; examples of prominent film music orchestrators include Pete Anthony, Jeff Atmajian, Brad Dechter, Bruce Fowler, John Neufeld, Thomas Pasatieri, Conrad Pope, Nic Raine and J.A.C. Redford. Once the orchestration process has been completed, the sheet music is physically printed onto paper by one or more music copyists and is ready for performance.
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Brohn was one of the few theatre orchestrators to use the E-bow attachment to the electric guitar, which can be heard in his orchestrations for Wicked and Mary Poppins.
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Most have completed formal postsecondary education in music, such as a Bachelor of Music (B.Mus.), Master of Music (M.Mus.) or an artist's diploma. Orchestrators who teach at universities, colleges and conservatories may be required to hold a master's degree or a Doctorate (the latter may be a Ph.D. or a D.M.A). Orchestrators who work for film companies, musical theatre companies and other organizations may be hired solely based on their orchestration experience, even if they do not hold academic credentials.
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The dean of musical orchestrators, Robert Russell Bennett, remembered Royal as "one of Broadway's very special arrangers."Robert Russell Bennett (ed. George Joseph Ferencz), The Broadway Sound, University of Rochester Press, 1998, p. 181.
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Russell Bennett p. 197 & notes. Steven Suskin has confirmed that at least Lang's version of Anything You Can Do survived and was used in the final show, to which many other orchestrators eventually contributed.Suskin p. 321.
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During the war years, Lang along with Robert Russell Bennett, Don Walker, and Ted Royal were recognized as the busiest orchestrators on Broadway.Steven Suskin, The Sound of Broadway Music, Oxford University Press, New York, 2009, pp. 7 & 15.
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The most substantial difference was that Snow used MIDI files to save his musical scores and pieces, which would afterward be sent to a copyist who would take it through one of their programs and eventually give it to the orchestrators.
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Network Orchestrators Companies are considered as more profitable companies, which have a faster growth, higher return on assets, lower marginal costs and larger profit margins. The authors also mentioned that as of 2013, Network Orchestrators Companies received valuations regarding their stock exchange shares or their value between two and four times higher, on average, than traditional companies. This reflects the calculations based on companies' market valuation and revenues, which are values difficult to manipulate with accounting, reflecting investor expectations for future cash flows. This kind of companies shifted from physical to digital, enabling a digitally platform in which people can congregate.
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He established a company policy under which composers, lyricists and librettists were all in partnership with the publishing company. He insisted on exclusive contracts for many of his writers and orchestrators working on Broadway shows, with the result that "through the thirties and forties, Dreyfus had a virtual stranglehold on the Broadway musical, with almost all of the most successful songwriters (except Berlin) under contract. And the best and most knowledgeable theatrical orchestrators as well." He remained in control of Chappell & Co. after World War II, with new writers including Alan Jay Lerner and Frederick Loewe, whose My Fair Lady he published.
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The album's orchestrators, Joseph Glover and Ralph Norman Wilkinson, were both experienced music arrangers, and Buster Davis, who conducted the orchestra and chorus, had worked on such Broadway musicals as High Button Shoes, Gentlemen Prefer Blondes, Top Banana and Make a Wish.
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Green participated in the Great Escape. The orchestrators were British officers. The prisoners escaped Stalag Luft III by methodically digging a tunnel. Of the 76 who escaped, 3 men got away, 50 were executed, and 23 were returned to Stalag Luft III.
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Sachin–Jigar is an Indian music composer duo consisting of Sachin Sanghvi and Jigar Saraiya. They compose for Hindi and Gujarati language films. They have scored a number of successful soundtracks. Before working independently as music directors, they were orchestrators of Pritam.
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Schrader and the filmmakers interviewed more than 60 composers, directors, orchestrators, agents, executives and experts for the documentary. Schrader says he started with the idea of having only three composers featured, but realized the diversity of musical opinions present in the film composing world.
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341 and Goodtime Charley Suskin, Steven. The Sound of Broadway Music: A Book of Orchestrators and Orchestrations, p.350, New York: Oxford University Press, 2009 and in collaboration with theatre legend Harold Prince, A Doll's Life and Grind for which he received Tony nominations.
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In commercial music, especially musical theatre and film music, independent orchestrators are often used because it is difficult to meet tight deadlines when the same person is required both to compose and to orchestrate. Frequently, when a stage musical is adapted to film, such as Camelot or Fiddler on the Roof, the orchestrations for the film version are notably different from the stage ones. In other cases, such as Evita, they are not, and are simply expanded versions from those used in the stage production. Most orchestrators often work from a draft (sketch), or short score, that is, a score written on limited number of independent musical staves.
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In the next few years, he arranged for Charlie Barnet and was involved in the orchestration of the musicals Too Many Girls and Best Foot Forward.Steven Suskin, The Sound of Broadway Music: A Book of Orchestrators and Orchestrations. Oxford: Oxford University Press 2011, pp. 338, 377.
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Final Report, p. 40 During March 1945 and November 1947 he became secretary-general of the "Council of Ministers"' presidency, being in charge of secret intelligence services.Final Report, p. 38 From this position he was one of the orchestrators of the electoral fraud of 1946Final Report, p.
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There was consideration that Beltrami was forced to hire multiple orchestrators to complete the score to meet the film's deadline. Beltrami took inspiration from other composers for the score, again incorporating excerpts of the score to Broken Arrow by Hans Zimmer in the track "Sid Wears a Dress".
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Beal is noted for composing most of his music at his home, without assistants or orchestrators, playing most of the instruments himself. For the music from House of Cards, he added strings through recording a 17-piece string ensemble, which he invited to record in the living room of his home.
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The composer, Strouse, called in Marvin Hamlisch to write the arrangement for the title song "Applause", which was sung at the opening of the show by Franklin as waiters danced on tables.Steven Suskin. The Sound of Broadway Music: A Book of Orchestrators, 2011. The song was reprised at the end of the show.
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In jazz big bands, the composer or songwriter writes the lead sheet, which contains the melody and the chords, and then one or more orchestrators or arrangers "flesh out" these basic musical ideas by creating parts for the saxophones, trumpets, trombones, and the rhythm section (bass, piano/jazz guitar/Hammond organ, drums).
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NetApp Trident software provides a persistent volume plugin for Docker containers with both orchestrators Kubernetes and Swarm and supports ONTAP, SolidFire, E-Series, Azure NetApp Files (ANF), Cloud Volumes and NetApp Kubernetes Service in Cloud. Also, NetApp with Cisco sells CI architectures which incorporate Trident plugin: FlexPod Datacenter with Docker Enterprise Edition and ONTAP AI.
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The soundtrack album was released on February 14, 2013 digitally and in retailers by Sony Classical. Five orchestrators were involved: Pete Anthony, Jon Kull, Dana Niu, Rossana Galante, Andrew Kinny. The orchestra was conducted by Pete Anthony. The score was programmed by Buck Sanders, with additional music composed by Marcus Trumpp and Brandon Roberts.
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" The recording sessions started on 14 August 2010. Conrad Pope, one of the orchestrators on the first three Potter films and the supervising orchestrator on Deathly Hallows, commented that Desplat's music is "exciting and vigorous". He added on his Facebook profile that "Harry flies, fights and conjures. All accompanied by the distinctive, definitely non-generic voice of Desplat.
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Obituary, The New York Times, 25 February 1986. Russell Bennett, the dean of musical orchestrators, remarked that the original arrangements Lang had prepared for Annie Get Your Gun (1946), which utilized a modern technique of orchestral scoring, were beautifully done.Robert Russell Bennett (ed. George Joseph Ferencz), The Broadway Sound, University of Rochester Press, 1998, p. 197.
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For Scream 3, Beltrami employed seven orchestrators to aid in scoring the extensive orchestral accompaniment featured in the film's score. Additionally, he experimented with new styles of sound production by recording instruments in abnormal circumstances such as inserting objects into a piano and recording at various velocities to create a distorted, unnatural sound and modifying the results electronically.
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Network Orchestrators Companies' competences rely on: #Intangibles knowledge, for example companies as Gerson Lehrman Group, AlphaSights, Third Bridge or Coleman Research. #Relationships, for example companies as Facebook, Pinterest, or Instagram. #Assets required by people, for example Uber, Airbnb, TripAdvisor, Red Hat, Lyft, or Instacart. #New “non- management” and “non-ownership” competencies related to facilitating a network of individuals, their individual assets and relationships.
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"Messager, André (Charles Prosper)", Baker's Biographical Dictionary of Musicians, vol. 4, Schirmer Reference, New York, 2001, accessed 18 March 2018 and composition with Eugène Gigout, Gabriel Fauré and (after leaving Niedermeyer's school) Camille Saint-Saëns.Duteurtre, pp. 42 and 83 The musicologist Jean-Michel Nectoux comments that after his studies Messager developed into one of the finest orchestrators of the period.
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Ian Ernest Gilmore Evans (born Green; May 13, 1912 – March 20, 1988) was a Canadian-American jazz pianist, arranger, composer and bandleader. He is widely recognized as one of the greatest orchestrators in jazz, playing an important role in the development of cool jazz, modal jazz, free jazz, and jazz fusion. He is best known for his acclaimed collaborations with Miles Davis.
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In 2015, it was predicted that there would be over 2,000 crowdfunding sites to choose from in 2016. Fundamental differences exist in the services provided by many crowdfunding platforms. Curated crowdfunding platforms serve as "network orchestrators" by curating the offerings that are allowed on the platform. They create the necessary organizational systems and conditions for resource integration among other players to take place.
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When news of the abduction spread, the 1st Bengal Lancers ransacked Mostafa's and took his whole family prisoner. They also set up check posts all over the city searching for Major Dalim and the abductees. Some officers lost their jobs as a result. The officers involved, including Shariful Haque Dalim, were later orchestrators of the coup on 15 August 1975 and the assassination of Sheikh Mujibur Rahman.
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When news of the abduction spread, the 1st Bengal Lancers ransacked Mostafa's and took his whole family prisoner. They also set up check posts all over the city searching for Major Dalim and the abductees. Some officers lost their jobs as a result. The officers involved, including Shariful Haque Dalim, were later orchestrators of the coup on 15 August 1975 and the assassination of Sheikh Mujib.
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Although Woman Obsessed is not a musical film, in addition to Hugo Friedhofer, nine additional top- name musicians were involved in the creation of the score. They include Earle Hagen, orchestrator; Lionel Newman, conductor; David Buttolph, Leigh Harline and Alfred Newman, composers of additional music; and Alexander Courage, Gus Levene, Arthur Morton and Edward B. Powell, orchestrators. The film was shot in Big Bear Lake, California.
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Among the key figures to arrive was the Grand Mufti of Jerusalem, Haj Amin al-Husseini, the Palestinian Arab nationalist leader of the failed revolt. The Golden Square coup was launched on 1 April 1941, overthrowing the Regent and installing Rashid Ali al-Gaylani as Prime Minister. Haj Amin al-Husseini was one of the orchestrators of Rashid Ali's coup d'état, with Nazi support and funding.
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While in Los Angeles Giroux studied with several composers and orchestrators including Bill Conti, Jack Eskew and Greg McRitchie. From 1985 to 1997, Julie Giroux orchestrated for television and films including April Fool's Day, Dynasty,The Television series Dynasty at www.imdb.com North and South,The Mini Series North and South at www.imdb.com North and South Book II,The Mini Series North and South Book II at www.imdb.
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"Extravagant Crowd: Mary Martin" , Beinecke Library, Yale University, accessed December 9, 2011. Young actress Julie Andrews was "discovered" and cast as Eliza after the show's creative team went to see her Broadway debut in The Boy Friend. Moss Hart agreed to direct after hearing only two songs. The experienced orchestrators Robert Russell Bennett and Philip J. Lang were entrusted with the arrangements, and the show quickly went into rehearsal.
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He reputedly studied mathematical musical progressions under the influential theorist Joseph Schillinger, whose other students included George Gershwin, and major Broadway/Hollywood orchestrators such as Ted Royal, Edward B. Powell, and Herbert W. Spencer.Marion Evans quoted in Steven Suskin, The Sound of Broadway Music, Oxford University Press, p. 80. Salinger employed a somewhat smaller orchestra than usual, but nevertheless achieved a rich, elaborately constructed sound in his arrangements.
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In the late 1950s, Wilson became the new television branch of MCA, Inc's. Revue Studios unit as head of creative activities, taking charge of creating music behind all of the studio's productions, hiring and assigning different composers, arrangers, orchestrators and conductors, which were often rolled into a single job. Wilson was one of the first to hire composers and musicians without regard to their cultural diversity. Wilson integrated television music.
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Occasionally Ginzler might receive assistant credits at the back of the Playbills for these shows. In 1948 Ginzler was invited by Sid Ramin to arrange for TV on the phenomenally-successful The Milton Berle Show, where the two found steady, lucrative work under the musical direction of Alan Roth and Victor Young until June 1956. This was the foundation of a long- standing productive and artistic partnership between the two orchestrators.
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The Scream 3 score was again helmed by Marco Beltrami who employed seven orchestrators and experimented with the recording of instruments in unusual circumstances such as physically and electronically altering the traditional sound of a piano while continuing to include a heavy vocal orchestra in his tracks There was consideration that Beltrami was forced to hire multiple orchestrators to complete the score to meet the film's deadline. Like previous scores in the series, the Scream 3 score was released by Varèse Sarabande on February 29, 2000 with a total length of 33 minutes of music, though the album was again found to be missing certain sections of the score utilized within the film. Beltrami took inspiration from other composers for the score, again incorporating excerpts of the score to Broken Arrow by Hans Zimmer in the track "Sid Wears a Dress". Music guide Allmusic awarded the Scream 3 score 2.5 out of 5.
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As cited in The Fourth Reich: Klaus Barbie and the Neo-Fascist Connection, by Magnus Linklater, Isabel Hilton, and Neal Ascherson, Delle Chiaie was one of the orchestrators of the "Cocaine Coup" in Bolivia, along with the German war criminal Klaus Barbie, that brought General Luis García Meza to power in the early 1980s. Linklater, Magnus; Hilton, Isabel; Ascherson, Neal. The Fourth Reich: Klaus Barbie and the Neo-Fascist Connection. Hodder and Stoughton, 1984.
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He or his collaborator would think of these routines earlier and save them for the right situation. They would spend weeks creating all the dance sequences in a secluded rehearsal space before filming would begin. They would work with a rehearsal pianist (often the composer Hal Borne) who in turn would communicate modifications to the musical orchestrators. His perfectionism was legendary, but his relentless insistence on rehearsals and retakes was a burden to some.
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Dictionary of American Classical Composers, Routledge (2005) p. 251 In 1946 he composed an opera, Die Stumme Serenade, which he recorded privately hoping to attract interest in making a full production. On the never-released private recording, he can be heard humming as he played the piano. In the studio during the day, he worked with orchestrators, such as Hugo Friedhofer, with whom he would make elaborate sketches marking out exactly what he wanted.
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Set during the reign of King Sukjong in the Joseon dynasty, the series is based on real-life historical figure Choi Suk-bin. Dong-yi's father and brother are members of the Sword Fraternity, which is wrongfully accused of murdering noblemen. She hides her identity and enters the palace as a servant for the Bureau of Music, determined to reveal her family's innocence and find the true orchestrators of the noblemen's deaths.
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When Leonard Bernstein commissioned Kay to orchestrate his musical comedy On the Town in 1944, Kay became one of the most sought after orchestrators on Broadway. Later collaborations with Bernstein include Peter Pan (1950) and Candide (1956). Kay also did orchestrations for Marc Blitzstein (Juno), Harvey Schmidt (110 in the Shade), Cy Coleman (Barnum) and Andrew Lloyd Webber (Evita). In 1954, George Balanchine commissioned Kay to compose the score for his ballet Western Symphony, set in the American West.
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Sondheim said of Tunick's work: "'I think he's tops'..." and further noted that "Tunick is a standout in his field not only because of his musicianship and imagination, but primarily because of 'his great sensitivity to theatrical atmosphere'".Sharbutt, Jay. "Orchestrators", The Associated Press, May 23, 1982 (no page number) Tunick also has a band, the "Broadway Moonlighters", which played at Birdland in March 2012 and in 2008 with Barbara Cook as his special guest.Gans, Andrew.
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As a colonel in 1967, he was in charge of the Greek Military Police stationed in Athens and ordered the arrest of several prominent politicians and military personnel not allied to the orchestrators of the coup d'état. He first served in the resulting regime as general secretary in the ministries of public order and tourism. In the summer of 1968, Ladas stormed into the office of the magazine Eikones and personally beat up it editor Panayiotis Lambrias.
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Historically, the distinction between the innate and adaptive immune system focused on the innate system’s nonspecific nature and lack of memory. As information has emerged about the functions of NK cells and other ILCs as effectors and orchestrators of the adaptive immune response, this distinction has become less clear. Some researchers suggest that the definition should focus more on the germline-coding of receptors in the innate immune system versus the rearranged receptors of the adaptive immune system.
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Conrad Salinger was the most prominent orchestrator of MGM musicals from the 1940s to 1962, orchestrating such famous films as Singin' in the Rain, An American in Paris, and Gigi. In the 1950s, film composer John Williams frequently spent time with Salinger informally learning the craft of orchestration. Robert Russell Bennett (George Gershwin, Rodgers and Hammerstein) was one of America's most prolific orchestrators (particularly of Broadway shows) of the 20th century, sometimes scoring over 80 pages a day.
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When it came to court, magistrates treated women's involvement in gangs differently to that of men. The concern over female crime related to the deviation from typical notions of femininity and morality, thus women typically received lesser sentences than men. Due to the conventional idea of femininity that saw women as weaker than men, many courts would have believed it impossible to view women as orchestrators of such crime. Most women were assumed to have played a supporting role.
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The job went instead to Baxter's friend Bronisław Kaper. Baxter said that he would give his compositions to orchestrators to orchestrate to deal with a hectic schedule. Baxter's frequent conductor and orchestrator Hall Daniels also said the criticisms were the result of "sour grapes" who held a grudge against Baxter for one reason or another. Skip Heller spent time working for and studying under Baxter where he witnessed various score sheets of original Baxter compositions, including Yma Sumac's "Xtabay" and "Tumpa".
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Powell was also a leading member of a close group of Hollywood orchestrators whom Levant identified as “the boys”—principally Friedhofer, Salinger, Spencer and Raksin—that met in each other's homes or lot bungalows to listen to latest overseas symphonic records, break down instrumentations chosen and analyze the effects various combinations produced on the texture and transformation of a theme, phrase or leitmotif (the works of Hindemith, Ravel and Sibelius being particular favorites).Levant p.122 after Rosar editorial p.3 n.19.
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The Bali Nine case in 2005 resulted in six death sentences being imposed either at trial or on appeal. Four of these were struck down on further appeal. In January 2015, Indonesian President Joko Widodo refused to grant clemency for Andrew Chan and Myuran Sukumaran, the two remaining Australians facing death sentences after their convictions as the orchestrators of the enterprise. Australia pleaded with Indonesia not to execute the two Australians and some Australian tourists chose to boycott Bali in protest.
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In Hollywood, Martin was one of the team of orchestrators contributing to Singin' in the Rain (1952) and Guys and Dolls (1955). He frequently shared arrangement credits with Conrad Salinger, such as on Summer Stock (1950), Kiss Me Kate (1953) and Funny Face (1957). He was the sole credited orchestrator for Judy Garland's comeback vehicle A Star Is Born (1954), which contains many arrangements by him of Harold Arlen and Ira Gershwin ballads, principally "The Man that Got Away" and "It's a New World".
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CVac is an ex vivo dendritic cell priming technology involving MFP, or mannan fusion protein, where a fusion protein of MUC1 and Glutathione S-transferase is coupled to oxidized polymannose. The dendritic cells are the orchestrators of the immune system. ‘Priming’ dendritic cells involves exposing those cells to disease antigens in order to get the immune system to properly recognise the antigen and mount an appropriate response. With CVac this takes place outside the body of the patient (ex vivo), with dendritic cells obtained by leukapheresis.
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He wrote one of the first textbooks on scoring, Scoring for Films: A Complete Text. In 2000, he published his autobiography, Memoirs of a Famous Composer Nobody Ever Heard Of. Two of his students were fellow Emmy-winning composers and orchestrators Bruce Babcock and Harvey Cohen Hagen was married for 59 years to Elouise "Lou" Sidwell, a former big-band singer, until her death in 2002. They had two sons, James and Deane Hagen. He married his second wife, Laura (Gunn) Roberts, in 2005.
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In 1936, Stoloff moved over to Columbia Pictures, where he took the title of music director, a new position unique to the studio system. As music director, he was the chief executive responsible for providing musical production support to every film the studio released. This meant matching up composers, orchestrators, conductors, musicians and recording facilities to meet the creative scope of each project as well as its schedule and budget. Stoloff often took partial credit for a picture's score when he worked closely with a particular composer to work out a theme, motifs, and melodies.
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Due to the score's length, Steiner had help from four orchestrators and arrangers, including Heinz Roemheld, to work on the score. Selznick had asked Steiner to use only pre-existing classical music to help cut down on cost and time,Bartel, Pauline. The Complete "Gone with the Wind" Trivia Book, Rowman & Littlefield (1989) p. 92 but Steiner tried to convince him that filling the picture with swatches of classic concert music or popular works would not be as effective as an original score, which could be used to heighten the emotional content of scenes.
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Hip hop producers may be credited as the record producer or songwriter, they may also supervise recording sessions. Hip hop instrumentals are colloquially referred to as beats or musical compositions, while the composer is called either a programmer, songwriter or beat maker. In the studio, the hip hop producer often functions as both the composer and as a traditional record producer. They are sometimes called Orchestrators, P. Diddy is an example of one, and they are ultimately responsible for the final sound of a recording and providing guidance to the artists and performers.
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The first Broadway musical that Starobin provided the orchestrations for was Sunday in the Park with George in 1984, for which he won the 1984 Drama Desk Award for Outstanding Orchestration.Sunday in the Park with George Playbill, retrieved October 26, 2017 He has provided the orchestrations for 21 Broadway musicals, 2 special concerts, including the benefit concert of Sunday in the Park with George, and was the Musical Director for The Mystery of Edwin Drood (1985).Drood Playbill, retrieved October 26, 2017Matthews, Nathan. “Orchestrators in Their Own Words”.
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Christopher Francis Palmer (9 September 194622 January 1995) was an English composer, arranger and orchestrator; biographer of composers, champion of lesser-known composers and writer on film music and other musical subjects; record producer; and lecturer. He was involved in a very wide range of projects and his output was prodigious. He came to be regarded as one of the finest symphonic orchestrators of his generation. He was dedicated to the conservation, recording and promotion of classic film scores by composers such as Bernard Herrmann, Dimitri Tiomkin, Franz Waxman, Miklós Rózsa, Elmer Bernstein and others.
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Marco Beltrami returned to score Scream 3, having scored the previous two films in the series. For the film, Beltrami employed seven orchestrators to aid in scoring the extensive orchestral accompaniment featured in the film's score. He experimented with new styles of sound production by recording instruments in abnormal circumstances such as inserting objects into a piano and recording at various velocities to create a distorted, unnatural sound and modifying the results electronically. Beltrami continued to incorporate a heavy vocal orchestra throughout the score as he had with the previous films.
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Classical Notes Had he survived, it would have been the first complete recording of the symphonies. He had completed only 40 (or 45)Oxford Journals symphonies when he died suddenly at the end of 1962, aged only 51.Steven Suskin, The Sound of Broadway Music: A Book of Orchestrators and Orchestrations Some of these recordings were later released on CBS's Odyssey label, but the sound was poor due to the centre channel being held back.Haydn House The horn playing on Symphony No. 48 Maria Theresia is still renowned.
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Arnell had left sketches for a Seventh Symphony, dedicated to Nelson Mandela, at the time of his death, and it has since been realised and completed by Martin Yates. It was recorded in the summer of 2010 by Yates and the RSNO and was issued by Dutton Epoch. The String Quartets have recently been released on the Dutton Epoch label played by the Tippett Quartet. Arnell is acknowledged as being one of the most masterly orchestrators of the twentieth century, Sir Thomas Beecham describing him as the best orchestrator since Berlioz.
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Although composer Jule Styne was actively involved in writing the overture,McLamore, Alyson, Musical Theater: an appreciation, 2004, p. 183. he has acknowledged that the final result was greatly helped by the thrilling orchestrations created by Ramin and Ginzler: “So I wrote this [overture] with Sid Ramin and Robert Ginzler, the orchestrators. We worked it out so that, at the end, the trumpet player stood up and blew the rafters off. It was just the most exciting thing.”Guernsey, Otis L. Broadway Song and Story: Playwrights, lyricists and composers discuss their hits, 1985, p. 71.
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Dreyfus signed Royal as a house orchestrator and in 1939 he moved into the same building with Robert Russell Bennett, Don Walker and Hans Spialek. His legitimate Broadway start was assisting Spialek and Walker with the orchestration duties for the George White Scandals of 1939, featuring Ella Logan, Ann Miller and The Three Stooges. Quickly followed high-profile collaborations with Russell Bennett on Buddy DeSylva's DuBarry Was a Lady and Mike Todd's Mexican Hayride. He was also a valued "hot jazz" and swing exponent for the team of orchestrators who worked on Annie Get Your Gun and Leonard Bernstein's breakthrough On the Town.
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Quinto praised the positive experience in the recording studio, and said that "it was nice to be able to play the character and not have to do all this physical stuff". The game was scored by Chad Seiter, who had previously worked with Michael Giacchino, the composer for the music in the 2009 film and Star Trek Into Darkness. The duo had worked together on the Star Trek film, with Seiter being one of Giacchino's additional orchestrators. For the video game, Seiter used Digital Performer, a Digital Audio Workstation/Sequencer software package published by Mark of the Unicorn.
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Some orchestrators, particularly those writing for the opera or music theatres, prefer to work from a piano vocal score up, since the singers need to start rehearsing a piece long before the whole work is fully completed. That was, for instance, the method of composition of Jules Massenet. In other instances, simple cooperation between various creators is utilized, as when Jonathan Tunick orchestrates Stephen Sondheim's songs, or when orchestration is done from a lead sheet (a simplified music notation for a song which includes just the melody and the chord progression). In the latter case, arranging as well as orchestration will be involved.
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Another case of note was that of Eric Fenby, who worked as amanuensis for the blind Frederick Delius. Delius would dictate the notes and Fenby would transcribe them. While Fenby was himself a composer, these works on which he and Delius worked together were a collaboration in terms of the labour involved in writing them down, but not in terms of the musical ideas, which were entirely Delius's own. Film scores over the years have tended to be collaborative projects in various ways, from the simple matter of orchestrators working with the sketches by the composer, to multi-composer collaborative efforts.
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85–92: 'Sid Ramin and Irwin Kostal: Orchestrating the Show' Ramin, Kostal and Bernstein are billed as orchestrators for the show. The original orchestra consisted of 31 players: a large Broadway pit orchestra enhanced to include 5 percussionists, a guitarist and a piano/celesta player. In 1961, Bernstein prepared a suite of orchestral music from the show, titled Symphonic Dances from West Side Story. It consists of nine movements: Prologue (Allegro Moderato), "Somewhere" (Adagio), Scherzo (Vivace e Leggiero), Mambo (Meno Presto), Cha-Cha (Andantino Con Grazia), Meeting Scene (Meno Mosso), "Cool", Fugue (Allegretto), Rumble (Molto Allegro), Finale (Adagio).
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Let My Children Hear Music is an album released by Columbia Records in 1972 of music by composer Charles Mingus, produced by Teo Macero. The music is scored for large jazz orchestra and Mingus worked with several arrangers, orchestrators and conductors, most notably Sy Johnson and Alan Raph, to realize some of his most ambitious compositions. In the original liner notes, Mingus described it as "the best album I have ever made". Mingus was nominated for the 1973 Grammy Award for Best Album Notes (Non-Classical) for the album, losing to Tom T. Hall for Tom T. Hall's Greatest Hits.
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Marie later contacts Conklin and Mo, who arrive in Hong Kong and confront Under-Secretary McAllister and Ambassador Havilland, the orchestrators of the plan to manipulate Webb. Mo and Conklin keep Marie safe and away. Webb, tracking the impostor Bourne on land, water and air, through Kowloon and Macau, encounters D' Anjou alias Echo, another former Medusa operative, who is also tracking down the impostor Bourne, whom he had personally trained to be like Bourne. They join forces and track the impostor to mainland China, where they realise that a trap was laid by Sheng who was anticipating them following the impostor, and Echo is unfortunately captured.
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In modern classical music, composers almost invariably orchestrate their own work. However, in musical theatre, film music and other commercial media, it is customary to use orchestrators and arrangers to one degree or another, since time constraints and/or the level of training of composers may preclude them orchestrating the music themselves. The precise role of the orchestrator in film music is highly variable, and depends greatly on the needs and skill set of the particular composer. In musical theatre, the composer typically writes a piano/vocal score and then hires an arranger or orchestrator to create the instrumental score for the pit orchestra to play.
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Paul Mounsey (born 15 April 1959) is a Scottish musician, composer, arranger and record producer. A graduate of Trinity College, London, where he studied with Richard Arnell, Mounsey has composed for film, television, theatre, and television commercials, as well as the concert hall and the Latin American pop market. He has written pop hits for Mexican boy bands, received commissions for concert and multimedia works, lived with and recorded the music of indigenous communities in the Amazon rainforest, and to date released five solo albums. He is currently based in Los Angeles, California, United States, working as composer, orchestrators and programmer in the film industry.
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St. Peter church, Bijelo Polje He built the Monastery of Saint Peter on Lim. He married a sister of Ban Kulin of Bosnia. Following the death of Emperor Manuel, Miroslav put the Narentine Kačić family under his protection, the orchestrators in the murder of Rajneri, Bishop of Split and kept the Bishopric's money for himself also reluctant to allow Catholicism prosper in his region which made him excommunicated by the Papacy in 1181, as a gesture, the Bishop of Ston abandoned his seat and since then the Bishopric of Ston has remained vacant.Steven Runciman, The medieval Manichee: a study of the Christian dualist heresy, p.
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A gunfight ensues and Sartana comes out on top. It is later revealed that Granville and Belle, who were having an affair behind Johnson's back, were the orchestrators of the entire scheme. When Belle secretly attempts to shoot Granville with her hidden derringer pistol, the same weapon that murdered Plonplon (thus revealing her as the mysterious figure), Granville shoots her first, having seen through her double-cross. Upon his arrival at the casino, Sartana deduces Granville's scheme: Johnson had never betrayed him but was played for a fool by Granville himself, who later killed him after hiding the loot in separate locations, with the gold being at the gambling house.
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During the dictatorship in Greece, in 1969, Colonel Georgios Papadopoulos imposed compulsory issue of the Short stories Anthology of Heracles N. Apostolidis in the Athenian Press, under condition of not being censored. Thus, in this way texts belonging to dissidents were published like those of the politically exiled Demetris Hantzis. However, the publication in two newspapers part of Renos Apostolidis's novel The A2, written in 1968 about the Greek Civil War, provoked the intervention of censorship and the suspension of the publishing after direct interference of Ioannes Ladas, the general secretary of the Ministry of Public Order and one of the orchestrators of the 1967 coup d'état.
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When creating the music for The X-Files film, Snow had a couple of months to write and to produce the music while he also created the music for the television show. The first film marked the first time the music for the franchise was composed and recorded with help from an orchestra. According to Snow, the recording and writing process didn't change during the making of the film. The biggest difference was that he used MIDI files to save his musical scores and pieces, which would go to a copyist who would take it through one of their programs and eventually give it to the orchestrators.
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The musical opened in Philadelphia, Pennsylvania at the Shubert Theatre on August 19, 1970 in its out of town tryout and then had tryout performances in Los Angeles (Civic Light Opera) and San Francisco.Suskin, Steven. Lovely Ladies, Kind Gentlemen The Sound of Broadway Music: A Book of Orchestrators and Orchestrations, Oxford University Press, 2011, , page number unknown The musical premiered on Broadway at the Majestic Theatre on December 28, 1970 and closed on January 9, 1971 after 19 performances and three previews. Directed by Lawrence Kasha and choreographed by Marc Breaux, the cast included Kenneth Nelson as Sakini, David Burns, Ron Husmann as Capt.
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According to D. Strauss, the Beach Boys were also the first major rock group "to look music trends firmly in the eye and declare that rock really didn't matter. Rock is supposed to be about, you know, fucking, and Brian Wilson was recording a song ('I Know There's an Answer') that was originally entitled 'Get Rid of Your Libido'." "I Just Wasn't Made for These Times" was the first piece in popular music to incorporate the Electro- Theremin as well as the first in rock music to feature a theremin-like instrument. In rock music, Pet Sounds marked the first occasion in which doubling was used for virtually every instrument, a technique previously limited to classical composers and orchestrators.
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A large team of orchestrators lent their expertise to the complex musical arrangements recorded for the soundtrack: Nelson Riddle, Herbert W. Spencer, Earle Hagen, Edward B. Powell (responsible for "If I Loved You"), Bernard Mayer and Gus Levene. Three editions of the soundtrack album were issued on compact disc, all in stereo. The first, issued in 1986 by Capitol, was an exact duplicate of the 1958 stereo release. The rights then were obtained by Angel Records, who issued a second edition of the album, this time featuring the complete "Carousel Waltz" in stereo for the first time, along with all of the other songs included on the previous CD and vinyl incarnations.
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With talented orchestrators like Red Callender, Hal Mooney, Sammy Lowe and David Carroll, Ram produced all recordings by The Platters, from their signing with Mercury Records until his death, and wrote their biggest hits including "Only You (And You Alone)", "The Great Pretender". "(You've Got) The Magic Touch", "Twilight Time", and "Enchanted". When Mercury announced that they would release "Only You" on their purple "race music" label, Ram insisted that the records be relabeled, stating that The Platters had worked too hard to have their (and his) market limited by a record label. Mercury agreed, and the records were re-labeled, thereby breaking down racial barriers and laying the groundwork for the black groups of the 1960s and beyond.
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Tansey is a pioneer in the exploration of how chronic inflammation predisposes and perpetuates neurological disease. Contrary to previous reports, the immune system does exist in the central nervous system, and the major orchestrators of this immune response are the innate immune cells of the brain called microglia. Short term activation of inflammation in the brain is present in disease, injury, or infection, and is useful in response to disease states, but if this inflammation is prolonged, it can lead to neuronal death. Tansey has helped to educate the field on the concept of acute versus chronic brain inflammation, the purposes and roles of this inflammation, and its relation to chronic neurological diseases.
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Williams at the Boston Symphony Hall after conducting the Boston Pops, May 2006 Although skilled in a variety of 20th-century compositional idioms, Williams's most familiar style may be described as a form of neoromanticism, inspired by the late 19th century's large-scale orchestral music—in the style of Tchaikovsky or Richard Wagner and their concept of leitmotif—that inspired his film music predecessors. After his studies at Juilliard and the Eastman School of Music, Williams returned to Los Angeles, where he began working as an orchestrator at film studios. Among other composers, Williams worked with Franz Waxman, Bernard Herrmann, and Alfred Newman, and also with his fellow orchestrators Conrad Salinger and Bob Franklyn.Films & Filming, vol. 24, 1977, p.
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1998: 2-CD set from Varèse Sarabande Records. This release is a re-recording of Williams' score, conducted by John Debney and performed by the Royal Scottish National Orchestra, including the first release of additional music from the film in any form. As detailed in the liner notes, the project was hampered when it was discovered that the existing scores and parts for the Superman: The Movie score had been lost. When extensive efforts to locate them failed, a team of orchestrators reconstructed the music from John Williams' 8-12 stave composer sketches—thus there are subtle differences which may be noted in a number of the cues when compared to their original counterparts.
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The second Prom for the John Wilson Orchestra in 2012 was devoted to Broadway's best musicals. This was a tribute not just to the composers of Broadway's golden age from the 1920s to the 60s but also to the arrangers and orchestrators who created the rich orchestral textures.BBC Prom 59: The Broadway Sound The authentic sound of Broadway was revived in the ballet sequences from Richard Rodgers' On Your Toes and Leonard Bernstein's On the Town, featuring the brass and woodwind sections. Contrast was provided by romantic songs from Frank Loesser's The Most Happy Fella, a ballad from Rodgers's Allegro and a comic routine delivered by a quartet from the Maida Vale Singers, from Jerry Bock's Fiorello.
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Barry Libert, Yoram (Jerry) Wind and Megan Beck also state that the Generally Accepted Accounting Principles (GAAP) usually categorize plant property and equipment as "assets" and all other costs such as people, trainings, and intellectual property as "others expenses", but this usual model does not include others important "assets" such as customers, sentiment, and networks relationships. This leads many companies to under-allocate capital to intangible assets. This situation brings advantages to Network Orchestrators Companies because intangible assets make up approximately 80% of corporate market value. Besides of that, Wharton University of Pennsylvania stated that: Intangible assets dominate the current market with over 80% of its value, when by 1975 it consisted of only 17%, reflecting an obvious and significant change from tangible (physical) to intangible assets.
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There are several trends expected for the Social commerce from 2018 on, mainly for those companies named as Network Orchestrators Companies. For the marketing manager of Yotpo, Melanie Koss, "Today’s most successful eCommerce brands are not seeking just to grab attention on social, but to join the conversation". This happens due to the fact that Social commerce is growing year after year, an example of that is Facebook that had 1.13 billion daily active users in 2016 and in the end of 2017 had more than 2 billion active users. Instagram is another good example of that, because it had around 500 million active users in 2016 and in the end of 2017 it had more than 800 million users.
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Although many of the films that Salinger worked on were Oscar-nominated for the adaptation of the music featured in them, according to industry practices at the time, nominations usually went to the musical directors/conductors of the music (such as Adolph Deutsch or André Previn), and not to orchestrators. Only once was Salinger nominated, for his Show Boat orchestrations. Ironically, the film An American in Paris, which Salinger also orchestrated, was nominated for the same award that year, so the two films were competing against each other in the Oscar race. But in the case of An American, the nomination went only to Johnny Green, who conducted the George Gershwin music heard in the film, and not to Salinger.
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As commander-in-chief of Fighter Command, Douglas was responsible for rebuilding the command's strength after the attrition of the Battle of Britain, but also for bringing it on the offensive to wrest the initiative in the air from the German Luftwaffe. He was therefore one of the main orchestrators of the only partially successful Circus offensive whereby large wings of fighters accompanied by bombers would take advantage of good weather to sweep over Northern France. Douglas was promoted to temporary air chief marshal on 1 July 1942. On 28 November 1942 Douglas was replaced at Fighter Command by Trafford Leigh-Mallory and was transferred to Egypt, becoming Air Officer Commanding in Chief of RAF Middle East Command in January 1943.
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In 2014, director Schrader left his career as an investigative journalist for CBS News to pursue a feature documentary about film composers. Bankrolling budget camera lenses and editing equipment from his own savings, Schrader recruited friends to join his team, including producers Trevor Thompson, Jonathan Willbanks and Nate Gold, and former KOVR- TV news photographer, Kenny Holmes. In February 2015, SCORE launched a campaign on the crowdfunding website Kickstarter, which garnered attention and raised $120,930 in 30 days — more than triple the initial goal of $40,000. Former President of Fox Music Robert Kraft joined after hearing about the project, and by early 2016, Schrader had completed more than 60 interviews with composers, directors, orchestrators, agents and more in the film music industry.
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His program was greatly received by critiques and viewers in the Arab world and won the second place at the 1998 Cairo Radio and Production Festival. In April 2002, Fouda interviewed Khalid Sheikh Mohammed, who admitted his involvement, along with Ramzi bin al-Shibh, in the September 11 attacks. Fouda does not consider his interview with the 9/11 orchestrators as a turning point in his career; instead he believes it introduced him to an international audience. It has been suggested that Fouda gave away the hideaway location of bin al‑Shibh to Aljazeera's chairman Hamad bin Thamer Al Thani, a cousin of the Emir of Qatar, and that CIA director George Tenet received the location tip-off from the Emir, resulting in bin al‑Shibh's capture.
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A campaign organised by the European Grouping of Societies of Authors and Composers collected over 32,000signatures in 2018 from creators including David Guetta, Ennio Morricone, Jean-Michel Jarre, and the band Air. Other supporters in 2018 include musicians Paul McCartney and James Blunt, author Philip Pullman (as head of the Society of Authors), the Independent Music Companies Association, and German publisher Axel Springer. Publishing trade bodies similarly claim that a "bad-faith" "misleading campaign", is being carried out. They specifically name Wikipedia and Google as orchestrators, claiming that Wikipedia and other platforms engaged in " misleading campaigns [...] to influence MEPs" and pointing out that Google spent lobbying in Europe during 2016, is among the sponsors of the Electronic Frontier Foundation, another leading opponent, and was seen asking its partners to lobby against the reform.
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Bursting with Song-Review of I Love My Wife Although Miller won an acting award, he has done very few acting roles since, instead choosing to work as a musical contractor and later musical coordinator on stage, and in films and television. As a musical coordinator, he not only finds and hires musicians, but also musical directors, orchestrators, and copyists for productions. He also provides the same service to film companies when they hire out of New York City.University of Michigan alumni site Over the past thirty years, Miller has worked as the musical coordinator for more than 75 Broadway shows including Young Frankenstein, Les Misérables, Jersey Boys, Sweeney Todd, Caroline, or Change, Little Shop of Horrors, Big River, Thoroughly Modern Millie, The Producers, The Who's Tommy, Little Women, and Barnum.
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Lefevere is from Flanders, the Dutch-speaking region of the north and was a professional racer from 1976 to 1979, winning Kuurne–Brussels–Kuurne and the fourth stage in the Vuelta a España, both in 1978. When his sports career ended, Lefevere began a new enterprise as a directeur sportif (Team Coach). In 1980 he was sports director at Marc Superia and then spent time at Capri Sonne (1981–1982). From 1985 to 1987 he was with Lotto; in 1988 he joined Tvm and from 1989 until 1991 he was with Weinnman. From 1991 to 1994, Lefevere was one of the orchestrators behind team MG-GB, with riders such as Franco Ballerini and Mario Cipollini. Lefevere became sporting director of Mapei in 1995, a team which was known for its success in one-day races.
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According to the memoirs of Grigory Besedovsky, a Soviet Diplomat who defected to France, Voykov and his accomplices used bayonets and pierced the breasts of the still living daughters of Nicholas II, as bullets ricocheted off from their corsets. After the killings, Voykov allegedly removed a ring from a corpse with a large ruby. Voykov himself claimed that the ring was taken from the hand of one of the Grand Duchesses and liked to show it off, though such a ring is not mentioned in any official documents or testimony given by the other executioners. Besedovsky also claimed that Voykov was one of the primary orchestrators of the killing of the Imperial Family, and insisted particularly to the Ural Soviet that the entire family, including all five of the Tsar's children, must be killed.
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The film's orchestral score, including its main theme, was composed and conducted by Elmer Bernstein, a veteran of many western film scores such as The Magnificent Seven. The score mainly follows the western genre's symphonic tradition, while at times also acknowledging the film's anachronistic playfulness by employing a more contemporary music style with notable rock percussion and electronic organ. The score also briefly incorporates Richard Markowitz's theme from the television series in one cue (uncredited in the film and not included on the album) – ironically, this was one of the few elements to be faithful to the original television series, which also didn't credit Markowitz for the theme. Additional parts of the score were composed by Bernstein's son Peter while his daughter Emilie served as one of the orchestrators and producers.
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The task of adapting a composition for different musical ensembles is called arranging or orchestration, may be undertaken by the composer or separately by an arranger based on the composer's core composition. Based on such factors, composers, orchestrators, and arrangers must decide upon the instrumentation of the original work. In the 2010s, the contemporary composer can virtually write for almost any combination of instruments, ranging from a string section, wind and brass sections used in a standard orchestras to electronic instruments such as synthesizers. Some common group settings include music for full orchestra (consisting of strings, woodwinds, brass, and percussion), concert band (which consists of larger sections and greater diversity of woodwind, brass, and percussion instruments than are usually found in the orchestra), or a chamber group (a small number of instruments, but at least two).
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Steven Suskin, The Sound of Broadway Music: A Book of Orchestrators and Orchestrations, Oxford University Press, 2011 Harms sold his share in the family publishing firm in 1904 to Max and his younger brother Louis Dreyfus (1877-1967), who had joined him in the US. The two brothers retained the company name T. B. Harms, and established a partnership with the London firm of Francis, Day & Hunter, allowing them to market their songs in Britain. They also encouraged young new songwriters in New York, most notably Jerome Kern, who soon achieved success and became a partner in the company. After the First World War, the company had commercial success with songs such as "Poor Butterfly", and more songwriters joined the company, including George Gershwin, Richard Rodgers, Lorenz Hart, Rudolf Friml, Vincent Youmans, Irving Caesar, and Cole Porter. Biography at Allmusic.com.
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The "disco sound" was much more costly to produce than many of the other popular music genres from the 1970s. Unlike the simpler, four-piece- band sound of funk, soul music of the late 1960s, or the small jazz organ trios, disco music often included a large band, with several chordal instruments (guitar, keyboards, synthesizer), several drum or percussion instruments (drumkit, Latin percussion, electronic drums), a horn section, a string orchestra, and a variety of "classical" solo instruments (for example, flute, piccolo, and so on). Disco songs were arranged and composed by experienced arrangers and orchestrators, and record producers added their creative touches to the overall sound using multitrack recording techniques and effects units. Recording complex arrangements with such a large number of instruments and sections required a team that included a conductor, copyists, record producers, and mixing engineers.
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"The Stars and Stripes Forever" follows the standard U.S. military march form—of repeated phrasing of different melodies performed in sections called strains: a Sousa legacy. Performances vary according to the arrangements of individual band directors or orchestrators, especially regarding tempo and the number and sequence of strains employed. A typical performance of the march begins with the four-bar introduction, following with the first strain, which is repeated; then the second strain, which is also repeated; and sometimes both are repeated again if (the band is) marching in parade (or the breakstrain may be interjected and repeated). Now follows the dominant woodwinds in the first run of the famous Trio strain—familiar to many for the nonsense lyrics: "Be kind to your web- footed friends..."—which repeats, and later repeats again as the piccolos obligato.
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Five orchestrators were hired, including Hugo Friedhofer, Maurice de Packh, Bernard Kaun, Adolph Deutsch and Reginald Bassett. The score is characterized by two love themes, one for Ashley's and Melanie's sweet love and another that evokes Scarlett's passion for Ashley, though notably there is no Scarlett and Rhett love theme. Steiner drew considerably on folk and patriotic music, which included Stephen Foster tunes such as "Louisiana Belle", "Dolly Day", "Ringo De Banjo", "Beautiful Dreamer", "Old Folks at Home", and "Katie Belle", which formed the basis of Scarlett's theme; other tunes that feature prominently are: "Marching through Georgia" by Henry Clay Work, "Dixie", "Garryowen", and "The Bonnie Blue Flag". The theme that is most associated with the film today is the melody that accompanies Tara, the O'Hara plantation; in the early 1940s, "Tara's Theme" formed the musical basis of the song "My Own True Love" by Mack David.
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John Barry created the film's musical score, which became the most acclaimed aspect of the production and is considered by many to be one of the very best of Barry's career – closely following the style of his soundtrack for the James Bond film Moonraker the preceding year, with militaristic passages reflecting the Cold War aspects of the plot to the dark, cold, brooding compositions reflected in the underwater scenes. Though the original recordings of the music have been lost, Silva Screen Records, along with Nic Raine, one of Barry's orchestrators, commissioned a re-recording in 1999 of the complete score with the City of Prague Philharmonic Orchestra. In August 2014 Network On Air were to release Raise The Titanic on Blu-ray in the UK, with the only known available original Barry score. There are tapes from M&E; which contain the score plus sound effects.
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Working with producers Rudy Bednar and Betsy West, Turning Point would become the first of several news documentary series Brian scored for ABC News in the 1990s, and the musical approach developed for ABC News has been adopted in many subsequent news documentary series. Because of demand, Brian began hiring orchestrators, many of whom would go on to become successful in their own right like Michael Bacon, Richard Fiocca, Don Grady, Michael Terry, and others. Brian Keane Blue Note Records Press Photo 1992 Keane's prominence as a record producer was also rising with the release of the critically acclaimed, and commercially successful early nineties albums. Tibetan Bells: The Empty Mirror for Celestial, Firedance, and Beyond the Sky with Omar Faruk Tekbilek, John Boswell's Festival of the Heart, Celtic Twilight for Hearts of Space, and Song Of The Irish Whistle featuring Irish whistler Joanie Madden, among others.
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It called for Jordan rather than the PLO to represent the Palestinians; however, when Schultz contacted Hussein about the plan, he reversed his position and told him it was a matter for the PLO to decide. The orchestrators of the Intifada were the Unified National Leadership of the Uprising, which issued its 10th communiqué on 11 March 1988, urging its followers to "intensify the mass pressure against the [Israel] occupation army and the settlers and against collaborators and personnel of the Jordanian regime." West Bank Palestinians deviation from the Jordanian state highlighted the need for a revision in Jordan's policy, and Jordanian nationalists began to argue that Jordan would be better off without the Palestinians and without the West Bank. Adnan Abu Oudeh, a Palestinian descendant who was Hussein's political advisor, Prime Minister Zaid Al-Rifai, army chief of staff Zaid ibn Shaker, Royal Court chief Marwan Kasim, and mukhabarat director Tariq Alaeddin, helped the King prepare West Bank disengagement plans.
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Cutter was unusual among orchestrators who tended to specialize, in that he was adept in all genres: musicals (New Moon, Kismet, The Desert Song); romantic drama (Waterloo Bridge, A Summer Place); adventure (Northwest Passage, The Caine Mutiny); family/comedy (National Velvet, Sugarfoot); suspense (The Picture of Dorian Gray, Key Largo); epics ("Helen of Troy"); and westerns (The Treasure of Sierra Madre, Johnny Belinda and The Searchers). An early assignment were the vocal arrangements for the 1937 film version of Rosalie, which ten years before had been orchestrated for Broadway by Steiner. At MGM Cutter worked for Arthur Freed and Mervyn LeRoy on The Wizard of Oz. Under the loose musical direction of Herbert Stothart he contributed the "metallic sound" for the Tin Woodman's If I Only Had a Heart. Cutter told Oz historian Aljean Harmetz for "Over the Rainbow" he made it sound as pretty as he could with many strings and a touch of woodwind.
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A home studio A bedroom producer is an amateur musician who creates, performs, and records their music independently using a home studio, often considered a hobbyist opposed to a professional record producer in the recording industry that works in a traditional studio with clients. Typically bedroom producers use accessible digital technology that costs less than the equipment in a professional studio, such as MIDI controller-based instruments and virtual studio technology (software synthesized instruments and digital effects), to create music for release to the world. While a professional record producer oversees and guides the recording process, often working alongside multiple people such as studio musicians, singers, engineers, mixers, songwriters, arrangers, and orchestrators, a bedroom producer does everything independently: creating the ideas, recording them and processing them for release. Bedroom producers are often self-taught, learning sound design, mixing and music theory by reading music production blogs and watching tutorials on the internet.
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Following its successful Off-Broadway run, In The Heights transferred to the Richard Rodgers Theatre on Broadway. Lacamoire, along with Bill Sherman, won the 2008 Tony Award for Best Orchestrations and the 2009 Grammy Award for Best Musical Theater Album for their combined work on In The Heights. In 2012, Lacamoire and Tom Kitt were the Co-Orchestrators of Bring It On the Musical — another collaboration with Lin-Manuel Miranda — for which Lacamoire also served as Music Supervisor and Arranger. Additionally, Lacamoire wrote the dance arrangements for the 2012 Broadway revival of Annie. Lacamoire accompanies Lin-Manuel Miranda in a performance of "The Hamilton Mixtape" at the White House Evening of Poetry, Music, and the Spoken Word in May 2009 Lacamoire was the Music Director, Orchestrator, and Conductor for the Broadway production of Hamilton at the Richard Rodgers Theatre, continuing in the roles he held during the show's Off-Broadway production at The Public Theater, as well as the Co-Arranger (along with Lin- Manuel Miranda) of the show's score.
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