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39 Sentences With "opens on to"

How to use opens on to in a sentence? Find typical usage patterns (collocations)/phrases/context for "opens on to" and check conjugation/comparative form for "opens on to". Mastering all the usages of "opens on to" from sentence examples published by news publications.

In "Cranes in the Sky," the singer delivers one conceptual, avant garde look after the next, from the fluffy pink insulation meets Shar-Pei coat that the video opens on, to a custom gold-spangled coat made in collaboration between Tina Knowles and Tim White, and even outfits she made herself out of palm leaves, pink plastic bags and a spool of purple yarn.
The restaurant opens on to a terrace which is set by the side of a lake which has been created on the site of a pond/wetland area..
The park opens on to the Ormeau Road, the Ormeau Embankment, Park Road, and the Ravenhill Road. Access to Belfast city centre is available on Metro bus routes 7A - 7D.
The infraorbital canal is a canal found at the base of the orbit that opens on to the maxilla. It is continuous with the infraorbital groove and opens onto the maxilla at the infraorbital foramen. The infraorbital nerve and infraorbital artery travel through the canal.
Lewisporte is a town in central Newfoundland Island, Canada, with a population of 3,409. It is situated in Burnt Bay which opens on to the Bay of Exploits. Lewisporte has a deep water port and related facilities that serve many communities in the region.
It opens on to the beer garden and, internally, a portion of the higher, boarded ceiling remains. Adjoining these buildings is a complex of rooms, under shallow skillion roofs, surrounded by parapets. The public bar contains a series of miniature wall paintings depicting local historical events.
Arabako Kutxa. . The tower, square in plan, consists of three tiers, the last of which dates to 1884. The interior is rectangular, and divided into three sections: the first of these opens on to small chapels on either side. The village contained hermitages, now vanished: San Cristóbal, San Cristóbal Zarra and San Sumate.
It is surrounded on six sides by chapels. The seventh side opens on to the vestibule, that is flanked by two more chapels. The side chapels are connected with an ambulatory, that enables pilgrims to walk round without entering the central space. On the opposite side of the vestibule stands the unfinished bell tower.
The front entranceway opens on to the expansive Ticket Lobby, informally known as the "Great Hall". This part of Union Station runs the entire length of the main section. It is long and high at its highest point. Like the outside facade, enduring materials such as bronze, limestone, marble, tiles, and translucent glass create a sense of enduring quality.
The addition is sided in shake as well. Behind a metal storm door is a wood paneled door. It leads to a side hall that opens on to living and dining rooms. They retain many original finishes, including wideboard flooring, hand-hewn ceiling beams, two fireplaces with Federal style mantels and marble surrounds, and both sawn and hand-hewn floor joists.
On the south side of the building, there is a narrow walkway between the store and the neighboring brick structure. It provides access to an open stairway that leads to the second floor apartment. The back of the warehouse opens on to an alleyway called Brooks Street. The Smith store is a good example of the western false front type commercial structure.
Partial view of Davidka Square at night, with the Davidka memorial at center and vertically- lit stone columns fronting the shopping arcade. Davidka Square is one of the few commercial squares in the city. It is surrounded on three sides by shops, and opens on to Jaffa Road, a major commercial artery. For decades it stood as a dreary, gray corner.
The Château de Carrouges is rectangular in plan, surrounded by a moat. The central courtyard opens on to a terrace to the south-west. Although elements survive from the 15th and 16th centuries, the majority of the architecture is in the Henri IV and Louis XIII styles. The frontage is constructed of red brick and granite, the roofs are of blue slates.
It is constructed of timber with exposed studs. The gambrel roof is clad with corrugated iron. The verandah to the front and north eastern side has balustrading formed of cast iron panels, that on the south west has been built in to create a bedroom, bathroom and toilet. The central entrance opens on to a hall from which bedrooms open out on either side.
In Depression-era Chicago, a drifter named Harper Curtis finds a key to a house that opens on to other times. But it comes at a cost. He has to kill the shining girls: bright young women who burn with potential. He stalks them through their lives across different eras until, in 1989, one of his victims, Kirby Mazrachi, survives and starts hunting him back.
Altar columns The church (outer dimensions 35.00 x 20.70 meters) is a domed cruciform structure. The dome over the central square bay rests on four free- standing piers, each having a diameter of about two-meters. The eastern cross- arm is extended with an apse that has a unique arrangement. A horseshoe-shaped arcade whose arches rest on eight monolithic columns with decorated cubic capitals opens on to a rectangular ambulatory.
Conway Hall—which is the home of the South Place Ethical Society and the National Secular Society—opens on to the Square. On 15 June 1974 a meeting by the National Front in Conway Hall resulted in a protest by anti-fascist groups. The following disorder and police action left one student—Kevin Gately from the University of Warwick—dead. The square today is home to the Royal College of Anaesthetists.
In the yard there is one tall tree and a marble seat; in the wall, a door that leads to the street; above the wall, a terrace supported by arches. The second floor door opens on to the said terrace, which can also be reached by a staircase in front. To the right of the street is the very high wall of the garden and a side of the Ceprano palace. It is night.
This workshop level has two large entrances to each side of the building. The floor is concrete to the part of the workshop accessed by the west entrance; the balance of the floor is timber. The east opening accommodates a pair of substantial timber sliding doors. This level has offices and toilets and an enquiry counter near the rear entrance that opens on to a yard accessed from Antrim Street and Dodge Lane.
A shaft rises vertically , connects to the bottom of the surge tank, in diameter and deep, and opens on to a hilltop overlooking the village. The powerhouse was carved inside the mountain and is accessed through a tunnel. Inside the long, high and wide cavity were installed eight 150,000-horsepower Francis turbines, connected to 13.8 kilovolt generators. Parallel to the powerhouse, a tailrace tunnel discharges the water to the river channel below.
Its museum, which is open Tuesdays to Fridays every week, shows how medical care has developed over this time and explains the history of the hospital. Part-way around the exhibition is a door which opens on to the hospital's official entrance hall. On the walls of the staircase are two murals painted by William Hogarth, The Pool of Bethesda (1736) and The Good Samaritan (1737). They can only be seen at close quarters on Friday afternoons.
The building is organised as perimeter wings about a central square courtyard. Within the main entry porch, there is fine decorated timber panel work to the surrounds of the entry doors and restrained decorative plaster work within the porch. The porch opens on to the main vestibule and into the former waiting room overlooking the internal courtyard. Large surgery spaces and smaller rooms for teaching, service spaces and staff offices are organised about central corridors through each wing.
Above these scenes fictive ribbing divides the ceiling onto sections containing faux stucco mandolins of the first eight Caesars of Rome carried by winged putti, and in the center, an oculus that opens on to blue sky with putti that appear as if they are far above the viewer, playing on the balustrade, along with several women looking upon the gathering below them, a few men, and a large potted plant extending into the oculus with a crossbar support.
Representing the best surviving and most monumental of the Etruscan city gates it opens on to the cardo maximus of the city, corresponding to the modern Ulisse Rocchi Road. The arch is part of a massive set of walls which are tall and long made of travertine and set without mortar. It covers approximately a quarter of a square mile over three hills. The arch consists of an attractive facade with a single archway and two trapezoidal towers.
It lies about 210 km north-east of Darwin and opens on to the northern end of Bowen Strait, between the Cobourg Peninsula and Croker Island, and the Arafura Sea. It was the site of an abortive attempt to establish the British military outpost and settlement of Fort Wellington, which lasted only two years, from 1827 to 1829. The surrounds of the bay are largely uninhabited; it now lies within the Garig Gunak Barlu National Park.
Plan of Gol gumbazCircular dome from insideThe structure is composed of a cube, 47.5 m (156 ft) on each side, capped by a roof 44 m (144 ft) in external diameter. Eight intersecting arches created by two rotated squares that create interlocking pendentives support the dome. At each of the four corners of the cube, is a dome-capped octagonal tower seven stories high with a staircase inside. The upper floor of each tower opens on to a round gallery which surrounds the dome.
Another magpie sits on a rock at the base of the gallows, near the skull of an animal. The only people occupy the left foreground: a man defecates in the shadows to the left, while others watch the three dancers. To the right stands a cross with a watermill behind. The background opens on to a view of a river valley, with a town to the left and castle on a rocky crag above, and a tower on a rock outcrop to the right, and distant hills and the sky beyond.
The Plymouth Gin Distillery in The Barbican, Plymouth, England has been in operation since 1793 and used to be a significant manufacturer of gin in the UK. Also known as the Black Friars Distillery, it is the only gin distillery in the city. The original building opens on to what is now Southside Street. Local tradition has it that it is located in what was once a Dominican Order monastery, built in 1431, although there is no evidence to support this. There is no evidence that it was ever used as a friary (local tradition).
The two high towers with spire of slate, are neoclassical with stylistic influences of the school "El Escorial" and of northern Europe. There are 14 side chapels, one of which opens on to Calle de Judíos (Street of the Jews) and another on to the Patio de los Naranjos (Square of the Orange Trees, connected to the Cathedral). At the rear are two more entrances: Santa Apolonia and San Cristóbal. Set on the front facade are sculptures of the Apostles and in the middle, the Sacred Heart of Jesus.
Below the tapestry of the Great Hall is a removable division which opens on to the Members' Hall, which has a water feature at its centre. This is an area restricted to security-classified occupants of the building and special visitors. Directly ahead of the Members' Hall is the Ministerial Wing, housing the office suites of the Prime Minister and government Ministers. The Members' Hall has access to the House of Representatives and the Senate buildings to the left and right of the main entrance to the halls respectively.
The distance from nature that human beings and natural objects come to have through the effects of technology lessens their value, or brings them closer to evil. Gandhi's concept of passive force or nonviolence is an implication of his hypophysical commitment to nature. Dwivedi made a separation between metaphysics and hypophysics in her Royal Institute of Philosophy lecture, "While both seek to diagnose the 'west', each opens on to distinct futures: metaphysics to an "other thinking" than philosophy, hypophysics to the other of thinking itself". Gandhi and Philosophy identifies racism with caste practices and controversially ascribes a form of racism to Gandhi.
The Frauenkirche is a hall church with two aisles and a tribune for the emperor. The church contains nine bays supported by four columns. The triforium, named the Imperial Loft or St. Michael's Loft, opens on to the nave by means of an arcade, the arches of which are filled with floating tracery, consisting of three rosettes supported by a segmental arch. Inside the Frauenkirche, numerous works of art from the Middle Ages are displayed, but they often only came to the church in the early 19th century, when it was re-established for Catholic worship after centuries of Protestant use.
One of the "Toll Gates" from Toll Bar corner later hung for many years below Mr Geo. Wilson's house where his property opens on to the road to Darraweit Guim (Stennings Lane). What other places of interest existed at the Toll Bar Hill is difficult to ascertain, but we have heard of a blacksmith, and possibly there would be others who lived there. It has been said that surplus butter from those living on the Deep Creek towards Darraweit Guim was carted to meet the transport wagons (either bullock or horse wagons) at the Toll Bar Corner for transport either to Melbourne or to the Goldfields in Bendigo.
The structure, built of grey basalt and decorated plaster, consists of a massive square chamber measuring nearly on each side and covered by a huge dome with thickness varying from near the base to near the top, and has a floor area of . The acoustics of the enclosed place make it a whispering gallery where even the smallest sound is heard across the other side of the Gumbaz. Each tower consists of seven storeys, and the upper floor of each opens on to a round gallery which surrounds the dome. In the centre of the chamber is a square raised podium approached by steps in the centre of each side.
One side of the Casa de Aldemán Ortiz faces onto the Calle Simón Bolívar; slightly down this road is the Cantero Palace (Palacio Cantero) one of the largest and most impressive of the houses surrounding the Plaza Mayor. Grander than most buildings nearby, it features a spacious entrance hall that opens on to a large galleried courtyard. Original frescoes survive on the plasterwork of the main hall, and a tower accessible from the courtyard gives views over the Plaza Mayor, the city of Trinidad, and the sea. The house is now used as the Municipal History Museum (Museo de Historia Municipal) which details the history of Trinidad.
In the process of the redevelopment, several detached structures were removed from the rear of the property including stables and an air raid shelter. The hotel has been renovated and some walls have been removed on the upper floor to create two function rooms. On the ground floor the entrance hall area has been little changed, but the dining room, kitchen, pantry and spirit room have been removed and the space is now used as a gaming area. The main bar on the other side of the hall has been reduced in size and now opens on to the courtyard area through glass folding doors Peter Cavill sold the hotel to Lasseters Hotel Group in 2006.
The organ gallery is above the entrance, whence it is > approached by a stair, and opens on to a gallery overlooking the nave. The > font is placed immediately opposite the entrance in a gap in the seating, > which leaves a few seats between it and the west wall for use at > christenings. The pulpit is in brick, and is placed in the south-east > corner... The windows have steel frames, and are glazed with heat-resisting > glass with a slightly greenish tinge, which helps to give a cool appearance > to the interior. The ceiling is of wall board, set out in panels, the sides > of the recesses being brilliantly coloured to tone with the windows and the > ceiling of the eastern apse.
Barlaston Hall was probably designed by architect Sir Robert Taylor for Thomas Mills, an attorney from Leek, in 1756-58, to replace the existing manor house that he had acquired through marriage. The hall has a red-brick exterior, and is one of a few of Taylor's buildings which retain his trademark octagonal and diamond glazing in the sash windows. From the entrance court, a flight from steps leads up to a central doorway with pilasters and segmental pediment. The doorway provides access to a central Doric hall which opens on to two of the three main reception rooms and an inner hall with domed skylight containing a cantilevered staircase leading to a galleried landing on the first floor, and further stairs giving access to the second upper floor and attic.
The F Street Church was established in 1803 with James Laurie as pastor by leaders of the Associate Reformed movement, known as Covenanters, who had seceded from the Church of Scotland in the mother country and retained a separate identity in North America. After holding initial worship services in the U.S. Treasury building, in 1807 the congregation began meeting, still under the leadership of Dr. Laurie, in an imposing brick building that stood where the F Street entrance to the Willard Hotel today opens on to Peacock Alley—just two blocks from the church's present location on New York Avenue between 13th and 14th Streets, NW. The F Street Church, or Willard Hall, was one of the first buildings erected in Washington for Protestant worship. In 1824 Laurie led the congregation out of the Associate Reformed Presbyterian group to join the Presbyterian Church in the United States of America (PCUSA), which represented the mainstream of American Presbyterianism descended from the state-established Church of Scotland. The Second Presbyterian Church, also a congregation of the PCUSA, was organized in 1820 by 16 families from the Bridge Street Presbyterian Church in Georgetown, at the time a separate town from Washington City.

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