66 Sentences With "open endedness" | Random Sentence Generator

Go ahead and ENJOY the open-endedness of your present situation.

I don't mind open-endedness, but there are a couple of elephants in the room.

The open-endedness of "strange dowry" is matched, in this book, by a grim determinism.

Some viewers will find this open-endedness bracing; others may see it as fancy obfuscation.

In addition to speed, the pandemic is different in terms of its open-endedness, Rieder said.

But in a gallery, this open-endedness feels profoundly liberating, like an inexhaustible well of fresh experience.

Unfurling with a dreamy open-endedness, that story has, in recent years, dealt more directly with life events.

The ending may throw readers for a loop with its ambiguity, even if the open-endedness is compellingly provocative.

And perhaps the most beautiful thing about "Moonlight" is its open-endedness, its resistance to easy summary or categorization.

One pianist, Sarah Nicolls, said that she was delighted by the open-endedness of "Investigations," but also mildly anxious.

I kind of like the open-endedness of not knowing whether or not he actually saw it and liked it.

You could respect that as a desire to play fair with the real-life characters, or to replicate the podcast's open-endedness.

Biographically speaking, Holmes points out, the dead are immortal, the more so if you acknowledge the essential open-endedness of the exercise.

It certainly looks like there's a great deal of open-endedness in the way you can tackle these challenges, but time will tell.

The game itself allows for one to four players, and it embraces the same sense of open-endedness that Fallout is known for.

Local artists have criticized Mass Individualism rather scathingly, partly because of its hetereogeneity and its theoretical open-endedness, but Zaferani's curatorial gestures are quite solid.

The beauty of the phrase was — and remains — its open-endedness, its focus on community and the way one immediately becomes implicated as an agent of change.

I enjoyed reading Kevin Der's Constructor Notes last week, where he classified some ways to make a clue end-of-week difficult: misdirection, vagueness, open-endedness, and trivia.

Genevieve: I'm right there with you on being impressed with this series' handling of Renée, Libby, particularly for how it contributes to that sense of satisfying open-endedness you mention.

The experience of re-immersion is satisfying, and the open-endedness of the game leaves plenty of room to insert myself and whatever personal narrative I bring to the table.

The open-endedness of it all is an intentional lean back toward the original Legend of Zelda, in which players started off with nothing more than a sword and that's it.

For those that haven't been able to get into the LEGO-inspired construction game because of its open-endedness, Dragon Quest Builders offers up a more guided experience without completely robbing players of freedom.

She's excellent on "the censorial function of curating itself," which might value "ambiguity, open-endedness, even dissension" on the one hand, but will always — by definition — entail some form of exclusion on the other.

While no one's sure what the definition of "significance" looks like, legal experts all agree: Because of the law's open-endedness, the right to an explanation won't be clarified until it reaches European courts.

Instead the curators have placed a host of objects in dialogue with one another, reflecting the general notion of a "sky," which somehow holds everything together, duly reflecting the artist's affinity for open-endedness.

That open-endedness, I suspect, is what left room for the bugs in the original game (I have to imagine that strategy game design is about reducing variables as playing the games is, and more).

Part of what makes this year's Oscar race so intriguing is its open-endedness — there's no clear frontrunner for Best Picture among the nine nominees, which span an unusually wide field of films and performances.

The open-endedness of the bank's guidance seemed to be a welcome surprise, with the euro falling by around 0.5% against the dollar immediately after the announcement, though the effect unwound later in the day.

The open-endedness has prompted some concerns among members of Trump's national security team, who fear his penchant for distraction and distaste for extensive preparation could allow the calculating Russian leader to drive the agenda instead.

I don't buy the now over-a-decade-old line that the future of gaming is total freedom of choice and true open-endedness, nor that open worlds necessarily provide the most immersive possible gaming experiences.

If the power of the songs and lyrics are what draw musicians to initially start playing, it's the open-endedness that keeps both musicians and fans coming back to them repeatedly, sometimes for decades on end.

The curators of Olafur Eliasson: In Real Life have highlighted the the open-endedness of his practice by allowing the exhibition to spill out over the boundaries of the ticketed space into corridors, the terrace outside, and other places.

The open-endedness of that finale, with questions remaining about Madeline's affair, Celeste and Jane's shared trauma, and the assumed aftermath of Perry's death wrapped the story in a dreamy, what-if haze that hovered satisfyingly over the grey Monterey shore.

I didn't get for myself firsthand just how much it can change on repeat playthroughs — more on why in a bit — but from what I did see there's a lot of open-endedness in how you interact with various beings and the order in which you investigate various leads.

It expands to a handful of a new cities and suburbs this weekend and has one rhapsodic review from A.O. Scott, the co-chief film critic for The Times, who wrote: Perhaps the most beautiful thing about 'Moonlight' is its open-endedness, its resistance to easy summary or categorization.

There are a lot of ways to increase clue difficulty including: ■ Misdirection (the clue appears to have one specific meaning, but actually means something else) ■ Vagueness (the clue could mean a lot of different things) ■ Open-endedness (the clue reads one way, but there are a lot of possible answers; i.e.

This is certainly something that the curators of Olafur Eliasson: In Real Life — Tate's Mark Godfrey and Emma Lewis — are aware of, and they seem to have taken some pains to avoid giving into what Solnit describes as "that desire to secure, to stabilize, to render certain" the open-endedness of the artist's practice.

Richard Saunders Dartmouth-Hitchcock Medical Center White River Junction, Vt. Talbot highlights many of the causes driving America's opioid epidemic, such as the purposelessness that accompanies economic exclusion and the spiritual crisis of "life's confounding open-endedness," but most of the solutions mentioned in the article—increased access to detox and rehab, greater availability of naloxone and Suboxone—treat only the symptoms.

Since her recent solo exhibitions in 2013 and 2014, which concentrated on personal narratives built around a collection of found objects, the artist has begun to move in the direction of much larger questions, without giving up on the open-endedness of an aesthetic process: looking from a window into another window, or gazing into a fragment of a window that once belonged to the artist's grandmother's house in İzmir — perhaps a reference to İhsan Naif and the theme of flight and liberation that punctuates the new work.

He likes the open-endedness of this, after the straitjacketing rigours of mechanical engineering.

At the outset, the project attracted the attention of Almaty's writers, actors, and artists. It promised prestige and high wages in the post-Soviet era, when jobs were hard to come by. After joining, the Kazakhstanis were "trained in costumes, makeup, props, sound, production, lighting, directing, film editing, acting, assisting, and cost accounting". The writers were introduced to staples of British soap opera such as the "cliff-hanger, story-lining, narrative, [and] open-endedness".

Stanisław Brzozowski has an established position as one of the most important intellectuals in modern Polish history. His cultural and philosophical activity has been regularly debated throughout the last century in Poland. He became the point of reference for subsequent generations of Polish intellectuals. Although identified mainly with the political left, the subtlety and open-endedness of his thought allowed some groups from the right to identify themselves with Brzozowski's ideas as well.

Further, the account allows for the open- endedness of metaphor without succumbing to the view that metaphor is non- cognitive. In later work, Tirrell decisively undermines the view that metaphor should be understood as elliptical simile (“Reductive and Non-Reductive Simile Theories of Metaphor”(J. Phil, 1991). Her work brings inferential role semantics, as developed in the Pittsburgh School, to bear on alternative theories of metaphor, and shows the importance of interpretive practices.

Teachers who use educational toys in classroom settings try to identify toys that will be appropriate to a child's developmental level, existing skills, and interests. They try to engage children with toys in ways that support cognitive development. Many educators emphasize the importance of open-ended imaginative play, exploration and social engagement. Toys with the quality of open- endedness can be used by children in a variety of ways and at different ages and developmental levels.

Being willing to risk exposure to such transformational objects was for Bollas an essential part of a healthy life: the readiness to be metamorphosed by one's interaction with the object world.Elliott, p. 149. The contrast was a refusal of development and self-invention, of open- endedness: the state of psychic stagnation. Bollas saw in what he called the anti-narcissist a willed refusal to use objects for the development of his/her own idiom, and a consequent foreclosure of the true self.

There are no enemies to fight throughout the course of the game, with the exception of boss fights, each requiring a unique strategy to defeat. The gameplay of Robbie Swifthand and the Orb of Mysteries allows for some open- endedness as well as some order of difficulty. The player starts in a central hub, from which four worlds can be accessed. These worlds consist of a world map comprising dozens of levels, which can be selected from in order to gradually reach a final boss level.

" The latter echoes the ambivalent prompting of Banksy's noted "Kissing Coppers" wall painting, and is indicative of FAILE's consistent prioritization of ambivalence and open- endedness over more explicitly prescriptiveness. There are both socially and institution-critical strands in FAILE's work and its public or alternative- space staging and execution. FAILE's work is overarchingly characterized by an open approach that allows the interpretation and meaning of their work to ramify once it enters the public sphere. Of their outdoor work, FAILE argues that "it gives a person the sense that it is there just for them.

Most conceptualizations of group development are predicated on the belief that the group is closed, with unchanging membership (Schopler & Galinsky, 1990). The findings of an exploratory study conducted by Schopler and Galinsky (1990) concluded that movement beyond beginnings is possible. However, the impact of open membership is likely to result in a more cyclical pattern of group development with regression occurring when members enter and/or leave the group (Schopler & Galinsky, 1990). As a concept, open-endedness exists along a continuum dependent upon the duration of the group (Gitterman, 1989; Schopler and Galinsky, 1995a; Shulman, 2006).

This is intended to convey that world views are not hermetically closed, since their leading concepts have an "ambiguity" - better, an open- endedness - which enables people from other cultures to engage with them. [...] It follows that relativism, understood as the doctrine that truth is relative to closed systems, can get no purchase. [...] For Feyerabend, both hermetic relativism and its absolutist rival [realism] serve, in their different ways, to "devalue human existence". The former encourages that unsavoury brand of political correctness which takes the refusal to criticise "other cultures" to the extreme of condoning murderous dictatorship and barbaric practices.

Wario jumps between platforms on the Monsoon Jungle level of the Emerald Passage. Ahead of him lie four blue crystals; behind him, an enemy crocodile has jumped out of the water in an attempt to bite him. The gameplay of Wario Land 4 (which is generally similar to that of Wario Land II and Wario Land 3) allows for some open-endedness as well as some order of difficulty. After an Entry Passage that serves as a tutorial for the game, there are four main passages: the Emerald, Topaz, Ruby, and Sapphire Passages, in order of difficulty.

In 2012, GamesRadar ranked him as the 12th "most memorable, influential, and badass" protagonist in games. Complex ranked him as having the tenth best fighting game cameos for his guest appearances in Street Fighter X Tekken in 2012. Joystick Division cited his rivalry with Dr. Wily as seventh of the ten greatest in video games, adding giving "great credit to this rivalry for its open-endedness" and GamesRadar listed him and Proto Man as having one of the best brotherly rivalries in gaming. UGO Networks have placed Mega Man as the eighth character who most deserves his own movie. 1UP.

A 2006 investigation by a group from the Parliament of the United Kingdom found there was not enough support in the UK for CFS patients in terms of access to government benefits and health care. Sufferers describe the struggle for healthcare and legitimacy due to what they consider to be bureaucratic denial of the condition because of its lack of a known etiology. Institutions maintain the exclusion of patient support by rhetorical arguments of the open- endedness of science to delay new findings of fact. This has resulted in an expensive and prolonged conflict for all involved.

Given the open-ended aspect of gameplay and the ability to play through multiple character scenarios, heavy emphasis is placed upon the replay value of SaGa games. Since the original Makaitoushi SaGa, much of the series has relied on loosely connected stories and sidequests rather than an epic narrative. Makaitoushi SaGa allowed players to travel through different worlds. Romancing SaGa expanded the open-endedness by offering many choices and allowing players to complete quests in any order, with the decision of whether or not to participate in any particular quest affecting the outcome of the storyline.

The 2011 Guinness World Records Gamer's Edition lists Mega Man as the 23rd most popular video game character. In 2012, GamesRadar ranked him as the 12th "most memorable, influential, and badass" protagonist in games. Complex ranked him as having the tenth best fighting game cameos for his guest appearances in Street Fighter X Tekken in 2012. Joystick Division cited his rivalry with Dr. Wily as seventh of the ten greatest in video games, adding giving "great credit to this rivalry for its open-endedness" and GamesRadar listed him and Proto Man as having one of the best brotherly rivalries in gaming.

The game presents the player with various assassination opportunities, many of which are unconventional. IO Interactive introduced a "live component" to the game with new content being regularly delivered in downloadable form. Square Enix set up a Montréal studio to work on the next Hitman game, but IO Interactive returned to lead the game's development following the under-performance of Absolution. The title was conceived as a soft reboot and a re-imagining of the franchise as the team attempted to integrate the gameplay of Absolution with the open-endedness of earlier installments of the series.

The fourth game in the series was released for both PlayStation and PC under Windows 2000 and XP. This game returns to the previous formula, although its open-endedness has decreased and the engine has been updated. This title is plot-wise unrelated to the series that ended in Gaiden. Porto Estado is known for its fine art and high-quality illustrations. The story evolves on the search of the seven Proof of the Conqueror, which are seven ancient artifacts, in seven areas around the world (Northern Europe, Mediterranean, Africa, New World, Indian Ocean, South Asia and East Asia).

Rolston said that he was asked to incorporate an element of intrigue and open-endedness into the commercial that could serve as a cross-reference to other facets of the With Love... Hilary Duff promotional campaign. Rolston responded by including allusions to films in which "women use hair and makeup and wardrobe to change their identities", citing Vertigo (1958) and La Femme Nikita (1990) in that respect. He also included a cliffhanger designed to generate discussion among young people--"It gives them something to blog about and be viral about", he said-- and adult elements that would help to introduce Duff to an older audience.Elliot, Stuart.

Educational toys vary widely in terms of their open- endedness and their potential for exploration, imaginative play, and social engagement. Play theorist Brian Sutton Smith, who advocates for free play, has asserted that "the plans of the playful imagination dominate the objects or the toys, not the other way around." Toys whose design is more heavily specified and restricted may be less intuitive for children to use, and require more engagement and support from adults. Many studies of educational toys report that the effectiveness of a toy is more related to the involvement and guidance of adults, or to the child's intellectual level, than to the toy itself.

Fordham described Mehldau's compositions as "miniature tapestries of taut lyricism and surprising turns". Mehldau himself indicated that some of his compositions address a specific need, such as integrating a particular rhythm into his trio, while others emerge from something he has played while improvising. In the latter case, Mehldau likened the difficulty of the composition process to that of a game of chess: "The opening is always easy for me, the middle gets more difficult, more of an intellectual process, more trial and error at work, and the end is always difficult for me." These struggles to find satisfactory endings stem from the tension between needing to close a piece and his desire to leave a sense of open-endedness – "an escape duct of possibility".

Religion, too, was not the answer, but rather an escape. Yovel has shared from the start Nietzsche's radical drive to existential lucidity, which can be emotionally taxing but also liberating. It was, in particular, Kant's program of critical reason (though not its actual execution), and the concept of finite rationality that provided Yovel with the terms for a constructive critique of rationalism, one that recognizes rationality as indispensable for human life and culture, even while taking its finitude more radically than Kant's, by admitting its fallibility, open-endedness, and non-absolute nature. Yovel holds that the history of philosophy is embedded in most philosophical discourse, and that often it contains issues and insights that can be fruitfully contemporized by a method of immanent reconstruction.

In trying to read and understand all of this information, you'll find yourself with the feeling that your head will burst open from the information overload." However, he lauded the campaign for its "sublime pacing", and complimented it for its non-linear storyline and superior organization. He concluded by giving the book a top score of 10 out of 10, saying, "This remains one of roleplaying's finest moments, the standard by which all other campaigns should be judged. Its intricacy and open-endedness ... make it a shining example of the dizzy heights to which roleplaying can and should aspire... If ever there was a campaign - for any roleplaying system - that could be described as a work of art, this is it.

Vega Strike, a space flight simulator game: a Llama class ship docks on a mine base (2008) The seeming decline of the space flight simulators and games in the late 1990s also coincided with the rise of the RTS, FPS and RPG game genres, with such examples as Warcraft, Doom and Diablo. The very things that made these games classics, such as their open-endedness, complex control systems and attention to detail, have been cited as reasons for their decline. It was believed that no major new space sim series would be produced as long as the genre relied on complex control systems such as the keyboard and joystick. There were outliers, however, such as the X series (1999–2016) and Eve Online.

I am seeking ways to emphasize this open-endedness, to document it with video, make it available not just for the duration of a presentation, but also as representation that can exist in conjunction with a diagram later, as a mode of its use. By opening up my ways of making sense for public scrutiny, by mingling my points of view with those of others, I am framing myself as an artist who explores contemporary techniques of learning and of teaching through the arts. These techniques emphasize not to teach "down", but to respect and in turn learn from those one encounters. I am not an activist who supports a particular subject, but an artist who supports a particular mode of being in the world—respect, responsibility and, as much as possible, fearlessness.

In the album's original liner notes, Shorter explains that the album was conceived as an attempt to depict the meaning of life, existence and the nature of God and the universe. In the long interview with Nat Hentoff, the saxophonist mentions the meanings of each piece, which will be hereby shortly summarized: "The All Seeing Eye" depicts the ubiquitous eye of God; "the solos, moreover, depict the machinery involved in the process of creation". "Genesis" obviously refers to the creation of all things; if the first part mostly consists in free tempo phrases, it "goes into 4/4 straight time to indicate that everything is beginning to settle down". Shorter further explains that he tried to give "Genesis" an open-endedness feeling "because, once begun, the creative process keeps going".

The album received positive reviews from critics, including PopMatters, AllMusic, and Local Spins. On premiering the album eight days prior to its release, NPR's Jewly Hight noted the album's "equal interest in the focused musical forms of indie rock and pop and the expansive potential of orchestral arrangements, jam band open-endedness and impressionistic singer- songwriter expression" and stated, "The Accidentals know all about using finesse, and fun, to make an impact." In December 2017, ABC News named Odyssey one of the best albums of 2017, and Michael Blalas of Huffington Post put the Accidentals at Number 2 on his "Best of Music List in 2017", after Aimee Mann. In January 2018, the Accidentals released the music video for the song "Earthbound" from Odyssey, and Michigan Radio named them one of the "Top West Michigan musicians of 2017".

The game also allowed players to choose from eight different characters, each with their own stories that start in different places and offer different outcomes. Romancing SaGa thus succeeded in providing a very different experience during each run through the game, something that later non-linear RPGs such as SaGa Frontier and Fable had promised but were unable to live up to. It also introduced a combo system where up to five party members can perform a combined special attack, and required characters to pay mentors to teach them abilities, whether it is using certain weapons or certain proficiencies like opening a chest or dismantling a trap. While in the original Romancing SaGa, scenarios were changed according to dialogue choices during conversations, Romancing SaGa 2 further expanded the open-endedness by having unique storylines for each character that can change depending on the player's actions, including who is chosen, what is said in conversation, what events have occurred, and who is present in the party.

Go ahead and ENJOY the open-endedness of your present situation. from Vice
I don't mind open-endedness, but there are a couple of elephants in the room. from Vice
The open-endedness of "strange dowry" is matched, in this book, by a grim determinism. from New Yorker
Some viewers will find this open-endedness bracing; others may see it as fancy obfuscation. from The New York Times
In addition to speed, the pandemic is different in terms of its open-endedness, Rieder said. from Business Insider
But in a gallery, this open-endedness feels profoundly liberating, like an inexhaustible well of fresh experience. from The New York Times
Unfurling with a dreamy open-endedness, that story has, in recent years, dealt more directly with life events. from The New York Times
The ending may throw readers for a loop with its ambiguity, even if the open-endedness is compellingly provocative. from New Republic
And perhaps the most beautiful thing about "Moonlight" is its open-endedness, its resistance to easy summary or categorization. from The New York Times
One pianist, Sarah Nicolls, said that she was delighted by the open-endedness of "Investigations," but also mildly anxious. from The New York Times
I kind of like the open-endedness of not knowing whether or not he actually saw it and liked it. from Vice
You could respect that as a desire to play fair with the real-life characters, or to replicate the podcast's open-endedness. from The New York Times
Biographically speaking, Holmes points out, the dead are immortal, the more so if you acknowledge the essential open-endedness of the exercise. from The New York Times
It certainly looks like there's a great deal of open-endedness in the way you can tackle these challenges, but time will tell. from Mashable
The game itself allows for one to four players, and it embraces the same sense of open-endedness that Fallout is known for. from Mashable
Local artists have criticized Mass Individualism rather scathingly, partly because of its hetereogeneity and its theoretical open-endedness, but Zaferani's curatorial gestures are quite solid. from Hyperallergic
The beauty of the phrase was — and remains — its open-endedness, its focus on community and the way one immediately becomes implicated as an agent of change. from Mashable
I enjoyed reading Kevin Der's Constructor Notes last week, where he classified some ways to make a clue end-of-week difficult: misdirection, vagueness, open-endedness, and trivia. from The New York Times
Genevieve: I'm right there with you on being impressed with this series' handling of Renée, Libby, particularly for how it contributes to that sense of satisfying open-endedness you mention. from Vox
The experience of re-immersion is satisfying, and the open-endedness of the game leaves plenty of room to insert myself and whatever personal narrative I bring to the table. from Hyperallergic
The open-endedness of it all is an intentional lean back toward the original Legend of Zelda, in which players started off with nothing more than a sword and that's it. from Mashable
For those that haven't been able to get into the LEGO-inspired construction game because of its open-endedness, Dragon Quest Builders offers up a more guided experience without completely robbing players of freedom. from Mashable
She's excellent on "the censorial function of curating itself," which might value "ambiguity, open-endedness, even dissension" on the one hand, but will always — by definition — entail some form of exclusion on the other. from The New York Times
While no one's sure what the definition of "significance" looks like, legal experts all agree: Because of the law's open-endedness, the right to an explanation won't be clarified until it reaches European courts. from Vice News
Instead the curators have placed a host of objects in dialogue with one another, reflecting the general notion of a "sky," which somehow holds everything together, duly reflecting the artist's affinity for open-endedness. from Hyperallergic
That open-endedness, I suspect, is what left room for the bugs in the original game (I have to imagine that strategy game design is about reducing variables as playing the games is, and more). from Vice
Part of what makes this year's Oscar race so intriguing is its open-endedness — there's no clear frontrunner for Best Picture among the nine nominees, which span an unusually wide field of films and performances. from Vox
The open-endedness of the bank's guidance seemed to be a welcome surprise, with the euro falling by around 0.5% against the dollar immediately after the announcement, though the effect unwound later in the day. from Economist
The open-endedness has prompted some concerns among members of Trump's national security team, who fear his penchant for distraction and distaste for extensive preparation could allow the calculating Russian leader to drive the agenda instead. from CNN
I don't buy the now over-a-decade-old line that the future of gaming is total freedom of choice and true open-endedness, nor that open worlds necessarily provide the most immersive possible gaming experiences. from Vice
If the power of the songs and lyrics are what draw musicians to initially start playing, it's the open-endedness that keeps both musicians and fans coming back to them repeatedly, sometimes for decades on end. from Vice
The curators of Olafur Eliasson: In Real Life have highlighted the the open-endedness of his practice by allowing the exhibition to spill out over the boundaries of the ticketed space into corridors, the terrace outside, and other places. from Hyperallergic
The open-endedness of that finale, with questions remaining about Madeline's affair, Celeste and Jane's shared trauma, and the assumed aftermath of Perry's death wrapped the story in a dreamy, what-if haze that hovered satisfyingly over the grey Monterey shore. from Mashable
I didn't get for myself firsthand just how much it can change on repeat playthroughs — more on why in a bit — but from what I did see there's a lot of open-endedness in how you interact with various beings and the order in which you investigate various leads. from Mashable
It expands to a handful of a new cities and suburbs this weekend and has one rhapsodic review from A.O. Scott, the co-chief film critic for The Times, who wrote: Perhaps the most beautiful thing about 'Moonlight' is its open-endedness, its resistance to easy summary or categorization. from The New York Times
There are a lot of ways to increase clue difficulty including: ■ Misdirection (the clue appears to have one specific meaning, but actually means something else) ■ Vagueness (the clue could mean a lot of different things) ■ Open-endedness (the clue reads one way, but there are a lot of possible answers; i.e. from The New York Times
This is certainly something that the curators of Olafur Eliasson: In Real Life — Tate's Mark Godfrey and Emma Lewis — are aware of, and they seem to have taken some pains to avoid giving into what Solnit describes as "that desire to secure, to stabilize, to render certain" the open-endedness of the artist's practice. from Hyperallergic
Richard Saunders Dartmouth-Hitchcock Medical Center White River Junction, Vt. Talbot highlights many of the causes driving America's opioid epidemic, such as the purposelessness that accompanies economic exclusion and the spiritual crisis of "life's confounding open-endedness," but most of the solutions mentioned in the article—increased access to detox and rehab, greater availability of naloxone and Suboxone—treat only the symptoms. from New Yorker
Since her recent solo exhibitions in 2013 and 2014, which concentrated on personal narratives built around a collection of found objects, the artist has begun to move in the direction of much larger questions, without giving up on the open-endedness of an aesthetic process: looking from a window into another window, or gazing into a fragment of a window that once belonged to the artist's grandmother's house in İzmir — perhaps a reference to İhsan Naif and the theme of flight and liberation that punctuates the new work. from Hyperallergic
He likes the open-endedness of this, after the straitjacketing rigours of mechanical engineering.
At the outset, the project attracted the attention of Almaty's writers, actors, and artists. It promised prestige and high wages in the post-Soviet era, when jobs were hard to come by. After joining, the Kazakhstanis were "trained in costumes, makeup, props, sound, production, lighting, directing, film editing, acting, assisting, and cost accounting". The writers were introduced to staples of British soap opera such as the "cliff-hanger, story-lining, narrative, [and] open-endedness".
Stanisław Brzozowski has an established position as one of the most important intellectuals in modern Polish history. His cultural and philosophical activity has been regularly debated throughout the last century in Poland. He became the point of reference for subsequent generations of Polish intellectuals. Although identified mainly with the political left, the subtlety and open-endedness of his thought allowed some groups from the right to identify themselves with Brzozowski's ideas as well.
Further, the account allows for the open- endedness of metaphor without succumbing to the view that metaphor is non- cognitive. In later work, Tirrell decisively undermines the view that metaphor should be understood as elliptical simile (“Reductive and Non-Reductive Simile Theories of Metaphor”(J. Phil, 1991). Her work brings inferential role semantics, as developed in the Pittsburgh School, to bear on alternative theories of metaphor, and shows the importance of interpretive practices.
Teachers who use educational toys in classroom settings try to identify toys that will be appropriate to a child's developmental level, existing skills, and interests. They try to engage children with toys in ways that support cognitive development. Many educators emphasize the importance of open-ended imaginative play, exploration and social engagement. Toys with the quality of open- endedness can be used by children in a variety of ways and at different ages and developmental levels.
Being willing to risk exposure to such transformational objects was for Bollas an essential part of a healthy life: the readiness to be metamorphosed by one's interaction with the object world.Elliott, p. 149. The contrast was a refusal of development and self-invention, of open- endedness: the state of psychic stagnation. Bollas saw in what he called the anti-narcissist a willed refusal to use objects for the development of his/her own idiom, and a consequent foreclosure of the true self.
There are no enemies to fight throughout the course of the game, with the exception of boss fights, each requiring a unique strategy to defeat. The gameplay of Robbie Swifthand and the Orb of Mysteries allows for some open- endedness as well as some order of difficulty. The player starts in a central hub, from which four worlds can be accessed. These worlds consist of a world map comprising dozens of levels, which can be selected from in order to gradually reach a final boss level.
" The latter echoes the ambivalent prompting of Banksy's noted "Kissing Coppers" wall painting, and is indicative of FAILE's consistent prioritization of ambivalence and open- endedness over more explicitly prescriptiveness. There are both socially and institution-critical strands in FAILE's work and its public or alternative- space staging and execution. FAILE's work is overarchingly characterized by an open approach that allows the interpretation and meaning of their work to ramify once it enters the public sphere. Of their outdoor work, FAILE argues that "it gives a person the sense that it is there just for them.
Most conceptualizations of group development are predicated on the belief that the group is closed, with unchanging membership (Schopler & Galinsky, 1990). The findings of an exploratory study conducted by Schopler and Galinsky (1990) concluded that movement beyond beginnings is possible. However, the impact of open membership is likely to result in a more cyclical pattern of group development with regression occurring when members enter and/or leave the group (Schopler & Galinsky, 1990). As a concept, open-endedness exists along a continuum dependent upon the duration of the group (Gitterman, 1989; Schopler and Galinsky, 1995a; Shulman, 2006).
This is intended to convey that world views are not hermetically closed, since their leading concepts have an "ambiguity" - better, an open- endedness - which enables people from other cultures to engage with them. [...] It follows that relativism, understood as the doctrine that truth is relative to closed systems, can get no purchase. [...] For Feyerabend, both hermetic relativism and its absolutist rival [realism] serve, in their different ways, to "devalue human existence". The former encourages that unsavoury brand of political correctness which takes the refusal to criticise "other cultures" to the extreme of condoning murderous dictatorship and barbaric practices.
Wario jumps between platforms on the Monsoon Jungle level of the Emerald Passage. Ahead of him lie four blue crystals; behind him, an enemy crocodile has jumped out of the water in an attempt to bite him. The gameplay of Wario Land 4 (which is generally similar to that of Wario Land II and Wario Land 3) allows for some open-endedness as well as some order of difficulty. After an Entry Passage that serves as a tutorial for the game, there are four main passages: the Emerald, Topaz, Ruby, and Sapphire Passages, in order of difficulty.
In 2012, GamesRadar ranked him as the 12th "most memorable, influential, and badass" protagonist in games. Complex ranked him as having the tenth best fighting game cameos for his guest appearances in Street Fighter X Tekken in 2012. Joystick Division cited his rivalry with Dr. Wily as seventh of the ten greatest in video games, adding giving "great credit to this rivalry for its open-endedness" and GamesRadar listed him and Proto Man as having one of the best brotherly rivalries in gaming. UGO Networks have placed Mega Man as the eighth character who most deserves his own movie. 1UP.
A 2006 investigation by a group from the Parliament of the United Kingdom found there was not enough support in the UK for CFS patients in terms of access to government benefits and health care. Sufferers describe the struggle for healthcare and legitimacy due to what they consider to be bureaucratic denial of the condition because of its lack of a known etiology. Institutions maintain the exclusion of patient support by rhetorical arguments of the open- endedness of science to delay new findings of fact. This has resulted in an expensive and prolonged conflict for all involved.
Given the open-ended aspect of gameplay and the ability to play through multiple character scenarios, heavy emphasis is placed upon the replay value of SaGa games. Since the original Makaitoushi SaGa, much of the series has relied on loosely connected stories and sidequests rather than an epic narrative. Makaitoushi SaGa allowed players to travel through different worlds. Romancing SaGa expanded the open-endedness by offering many choices and allowing players to complete quests in any order, with the decision of whether or not to participate in any particular quest affecting the outcome of the storyline.
The 2011 Guinness World Records Gamer's Edition lists Mega Man as the 23rd most popular video game character. In 2012, GamesRadar ranked him as the 12th "most memorable, influential, and badass" protagonist in games. Complex ranked him as having the tenth best fighting game cameos for his guest appearances in Street Fighter X Tekken in 2012. Joystick Division cited his rivalry with Dr. Wily as seventh of the ten greatest in video games, adding giving "great credit to this rivalry for its open-endedness" and GamesRadar listed him and Proto Man as having one of the best brotherly rivalries in gaming.
The game presents the player with various assassination opportunities, many of which are unconventional. IO Interactive introduced a "live component" to the game with new content being regularly delivered in downloadable form. Square Enix set up a Montréal studio to work on the next Hitman game, but IO Interactive returned to lead the game's development following the under-performance of Absolution. The title was conceived as a soft reboot and a re-imagining of the franchise as the team attempted to integrate the gameplay of Absolution with the open-endedness of earlier installments of the series.
The fourth game in the series was released for both PlayStation and PC under Windows 2000 and XP. This game returns to the previous formula, although its open-endedness has decreased and the engine has been updated. This title is plot-wise unrelated to the series that ended in Gaiden. Porto Estado is known for its fine art and high-quality illustrations. The story evolves on the search of the seven Proof of the Conqueror, which are seven ancient artifacts, in seven areas around the world (Northern Europe, Mediterranean, Africa, New World, Indian Ocean, South Asia and East Asia).
Rolston said that he was asked to incorporate an element of intrigue and open-endedness into the commercial that could serve as a cross-reference to other facets of the With Love... Hilary Duff promotional campaign. Rolston responded by including allusions to films in which "women use hair and makeup and wardrobe to change their identities", citing Vertigo (1958) and La Femme Nikita (1990) in that respect. He also included a cliffhanger designed to generate discussion among young people--"It gives them something to blog about and be viral about", he said-- and adult elements that would help to introduce Duff to an older audience.Elliot, Stuart.
Educational toys vary widely in terms of their open- endedness and their potential for exploration, imaginative play, and social engagement. Play theorist Brian Sutton Smith, who advocates for free play, has asserted that "the plans of the playful imagination dominate the objects or the toys, not the other way around." Toys whose design is more heavily specified and restricted may be less intuitive for children to use, and require more engagement and support from adults. Many studies of educational toys report that the effectiveness of a toy is more related to the involvement and guidance of adults, or to the child's intellectual level, than to the toy itself.
Fordham described Mehldau's compositions as "miniature tapestries of taut lyricism and surprising turns". Mehldau himself indicated that some of his compositions address a specific need, such as integrating a particular rhythm into his trio, while others emerge from something he has played while improvising. In the latter case, Mehldau likened the difficulty of the composition process to that of a game of chess: "The opening is always easy for me, the middle gets more difficult, more of an intellectual process, more trial and error at work, and the end is always difficult for me." These struggles to find satisfactory endings stem from the tension between needing to close a piece and his desire to leave a sense of open-endedness – "an escape duct of possibility".
Religion, too, was not the answer, but rather an escape. Yovel has shared from the start Nietzsche's radical drive to existential lucidity, which can be emotionally taxing but also liberating. It was, in particular, Kant's program of critical reason (though not its actual execution), and the concept of finite rationality that provided Yovel with the terms for a constructive critique of rationalism, one that recognizes rationality as indispensable for human life and culture, even while taking its finitude more radically than Kant's, by admitting its fallibility, open-endedness, and non-absolute nature. Yovel holds that the history of philosophy is embedded in most philosophical discourse, and that often it contains issues and insights that can be fruitfully contemporized by a method of immanent reconstruction.
In trying to read and understand all of this information, you'll find yourself with the feeling that your head will burst open from the information overload." However, he lauded the campaign for its "sublime pacing", and complimented it for its non-linear storyline and superior organization. He concluded by giving the book a top score of 10 out of 10, saying, "This remains one of roleplaying's finest moments, the standard by which all other campaigns should be judged. Its intricacy and open-endedness ... make it a shining example of the dizzy heights to which roleplaying can and should aspire... If ever there was a campaign - for any roleplaying system - that could be described as a work of art, this is it.
Vega Strike, a space flight simulator game: a Llama class ship docks on a mine base (2008) The seeming decline of the space flight simulators and games in the late 1990s also coincided with the rise of the RTS, FPS and RPG game genres, with such examples as Warcraft, Doom and Diablo. The very things that made these games classics, such as their open-endedness, complex control systems and attention to detail, have been cited as reasons for their decline. It was believed that no major new space sim series would be produced as long as the genre relied on complex control systems such as the keyboard and joystick. There were outliers, however, such as the X series (1999–2016) and Eve Online.
I am seeking ways to emphasize this open-endedness, to document it with video, make it available not just for the duration of a presentation, but also as representation that can exist in conjunction with a diagram later, as a mode of its use. By opening up my ways of making sense for public scrutiny, by mingling my points of view with those of others, I am framing myself as an artist who explores contemporary techniques of learning and of teaching through the arts. These techniques emphasize not to teach "down", but to respect and in turn learn from those one encounters. I am not an activist who supports a particular subject, but an artist who supports a particular mode of being in the world—respect, responsibility and, as much as possible, fearlessness.
In the album's original liner notes, Shorter explains that the album was conceived as an attempt to depict the meaning of life, existence and the nature of God and the universe. In the long interview with Nat Hentoff, the saxophonist mentions the meanings of each piece, which will be hereby shortly summarized: "The All Seeing Eye" depicts the ubiquitous eye of God; "the solos, moreover, depict the machinery involved in the process of creation". "Genesis" obviously refers to the creation of all things; if the first part mostly consists in free tempo phrases, it "goes into 4/4 straight time to indicate that everything is beginning to settle down". Shorter further explains that he tried to give "Genesis" an open-endedness feeling "because, once begun, the creative process keeps going".
The album received positive reviews from critics, including PopMatters, AllMusic, and Local Spins. On premiering the album eight days prior to its release, NPR's Jewly Hight noted the album's "equal interest in the focused musical forms of indie rock and pop and the expansive potential of orchestral arrangements, jam band open-endedness and impressionistic singer- songwriter expression" and stated, "The Accidentals know all about using finesse, and fun, to make an impact." In December 2017, ABC News named Odyssey one of the best albums of 2017, and Michael Blalas of Huffington Post put the Accidentals at Number 2 on his "Best of Music List in 2017", after Aimee Mann. In January 2018, the Accidentals released the music video for the song "Earthbound" from Odyssey, and Michigan Radio named them one of the "Top West Michigan musicians of 2017".
The game also allowed players to choose from eight different characters, each with their own stories that start in different places and offer different outcomes. Romancing SaGa thus succeeded in providing a very different experience during each run through the game, something that later non-linear RPGs such as SaGa Frontier and Fable had promised but were unable to live up to. It also introduced a combo system where up to five party members can perform a combined special attack, and required characters to pay mentors to teach them abilities, whether it is using certain weapons or certain proficiencies like opening a chest or dismantling a trap. While in the original Romancing SaGa, scenarios were changed according to dialogue choices during conversations, Romancing SaGa 2 further expanded the open-endedness by having unique storylines for each character that can change depending on the player's actions, including who is chosen, what is said in conversation, what events have occurred, and who is present in the party.