Democrats pushed back on the bias allegations, with top committee Democrat Rep.
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Transfer sausages to a cutting board and thinly slice on the bias. 2.
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So, Republicans also walked away with a strong talking point on the bias question.
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"Everything was twisted on the bias to give it a trailing fluidity," he explained.
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Republicans have indicated they are not pleased with how Twitter is handling their concerns on the bias front.
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She favored dresses cut on the bias, tunics and slip-over smocks that stopped just below the knee.
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After reading our report on the bias in health algorithms, my father reminded me an episode from my childhood.
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Tea dresses bristled with three-dimensional posies of baby's breath, and negligee gowns cut on the bias bloomed with embroidered poppy appliqués.
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And there was some promise in a few sheer, black styles pleated on the bias, even if it did not really go anywhere.
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When a pattern calls for material to be cut on the bias, it is to be cut on a 45-degree angle (slanted!).
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If you're doing a "Lean," above this entry at 25A, you're on the BIAS, but if you're the "most askew" then you're the WRIEST.
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His on-the-bias posture is as dramatically italicized as the affirmative font his editors favor, and his hands slice the air with a conjurer's commanding strokes.
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Republicans hammered Horowitz on the bias issue and pointed to politically charged texts that were exchanged by a senior FBI official involved in the investigation, Peter Strzok.
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Longer skirts, ideally on the bias or with a dropped waist so they don't add width at the hips, are also good, and don't read as overly dressy.
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A supple black jersey dress, cut on the bias to drop to the floor, featured long, ballooning sleeves and a slice taken out at the nape of the neck.
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His flowing chiffon and silk silhouettes were often cut on the bias from a single piece of fabric to encourage movement and make them easy to slip on and off.
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Inside the addition, all floors are open-plan offices with rows of desks arranged on the bias; the triangulated walls offer circumferential views of the city and the vast Scheldt estuary.
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Ribbed knits and silver chain mail were cut asymmetrically on the bias in tops and skirts, sometimes paired with leotard-like stretch jersey, all of it grounded by crisp white shirting and tailored trousers.
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Instead, the academics behind ethical design for have lifted the curtain on the bias in computer systems, the way the digital world distorts personal information, how technologists can design for free speech, autonomy, and accountability online.
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And finally, she closed out the night onstage with the rest of her family following her mom's performance wearing a black long-sleeved Michael Kors Collection dress with stripes of sequins on the bias and caped sleeves.
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And it had to do with elongated tweed knits lavishly fringed on the bias and hem, complete with matching bags (plus cat-faced nappa medallions hung around the neck) and evening wear dangling "sleeves" of looped metallic chains.
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John Ratcliffe of Texas said that Strzok told the committees Wednesday that he was removed from the special counsel's team after a 15- to 30-minute conversation in which he was not asked about whether he acted on the bias exhibited.
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Hawley's argument on the bias front is multi-pronged: It's happening, but if it's not it could someday, and since the companies say it's not let's make them prove it by having them open up their books for outsiders to look and see.
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Critics of the service have seized on the bias allegations, launching a campaign last week in which a woman who identifies herself as black speaks in a voice-over about how hard it is to find lodging on the home-sharing website.
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Shortly after Facebook launched the review, Republican National Committee Chairwoman Ronna McDaniel and Brad Parscale, campaign manager for Donald Trump's re-election campaign, doubled down on the bias narrative, writing to Twitter and Facebook to complain of "suppression of conservative speech" and "rampant political bias" on the platforms.
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Dodo is the word in Yoruba for fried ripe plantains, and the cut of the plantain determines its place at the table: Nice thick slices on the bias are typically served as a main course with stewed meat, while smaller diced cubes or rounds are served as a side dish.
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Suits made with Savile Row-quality wools and silks were cut on the bias, the lines of the wool's window panes running at distorted diagonals, while extravagant feathers dotted collars and hemlines and a leather cape with rows of hand-cut incisions was made to look like the peck of a bird's beak.
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Servings: 21Prep: 10 minutesTotal: 20 minutes 1 teaspoon cornstarch 2 tablespoons canola oil 1 ½ pounds|675 grams Japanese eggplant, sliced on the bias 13 tablespoons soy sauce 2 tablespoons rice vinegar 1 tablespoon sesame oil 2 teaspoons toasted white sesame seeds 1 red chili, stemmed and thinly sliced 2 scallions, trimmed and thinly sliced 1.
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Servings: 22Prep: 21 minutesTotal: 23 minutes 22 cups|25 grams diced pancetta 22 tablespoons olive oil, plus more for serving 4 garlic cloves, sliced 2 ribs celery, sliced on the bias 1 shallot, diced 1/2 cup|125 ml white wine 53 pounds|1.36 kg cleaned little neck clams 1/4 cup|15 grams chopped parsley 3 sprigs thyme, leaves picked 1 lemon, zested freshly ground black pepper, to taste 1/2 cup celery leaves 1.
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A knitted object will unravel easily if the top has not been secured. Knitted objects also stretch easily in all directions, whereas woven fabric only stretches on the bias.
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Its uses in menswear include the lining of jackets and slacks, handkerchiefs, ties, and underwear such as charmeuse boxer shorts. The look of charmeuse is prized for dressy garments, especially when cut on the bias, a technique used to create garments that flow well on the body.
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It also drapes well. The bindings create a herringbone effect parallel to the warp, which make this weave suitable for creating faint diagonal stripe effects for ties, for which the fabric is cut on the bias. Patterns on this base are often made with supplementary weft. The fabric has also been used for mufflers, scarves and robes.
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They are usually cut on the bias, making them naturally stretchy. Stretch is important when pants are closefitting. They are also longer than the leg and sometimes finish with a tightly fitting buttoned cuff at the ankle. The excess length falls into folds and appears like a set of bangles resting on the ankle (hence 'churidar'; 'churi': bangle, 'dar': like).
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She regarded these travels as her "university of life". She travelled through Papua New Guinea, Asia and onto Europe and England. Jackson returned to Sydney in 1972 after working as a dressmaker in London. She visited workshops and collecting the fashions of Parisian couturiers, studying how to cut on the bias, drape and other intricacies of hand-made clothing such as hand-rolled silk hems.
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The "pin-tucked plisse" dress was "cut on the bias and mixed with signature drapes", and "the White Rose of York was embroidered on both the shoulder and back which held together the cape". Biddle Sawyer Silks provided the silk for the gown. Eugenie adorned her hair with a hair slide that belongs to the Queen. It was originally commissioned by King William IV in 1830 for Queen Adelaide.
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In addition to his work on the bias-attenuating versus bias-amplifying effects of accountability, Tetlock has explored the political dimensions of accountability. When, for instance, do liberals and conservatives diverge in the preferences for "process accountability" that holds people responsible for respecting rules versus "outcome accountability" that holds people accountable for bottom-line results? Tetlock uses the phrase "intuitive politician research program" to describe this line of work.
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Three dresses sketched by Augusta Bernard Born in Provence in 1886, Bernard began her career as a dress-maker by copying the designs of other couturiers. After first opening a studio in Biarritz, she moved to Paris in 1922, establishing a studio there the following year. She specialized in creating long, pale- coloured evening dresses, often cut on the bias. In order to achieve asymmetry, the simple, unadorned designs were often put together piecemeal.
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They are held up by a drawstring or elastic belt, which causes them to become pleated around the waist. The pants can be wide and baggy, or they can be cut quite narrow, on the bias, in which case they are called churidars. The kameez is a long shirt or tunic. The side seams are left open below the waist-line, (online; updated February 2015)), which gives the wearer greater freedom of movement.
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Allen disregarded this advice, instead opting to place the dorm, along with Lathrop, in "two long unbroken rows of buildings on the bias". Davison was ultimately placed north of Raymond, across the quad to the west of Lathrop, and diagonally across from Strong. Standing a total of five stories tall with an additional basement level, Davison is an Elizabethan brick building. It is capped with a pitched Pennsylvania slate roof and five chimneys, each multiple wythes thick.
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On April 19, 1799 Dr. William Thornton wrote to George Washington, "Mr. J. Tayloe, of Virginia, has contracted to build a house in the City near the President's Square of $13,000 value." Thoronton was a self-trained architect who had won the United States Capitol competition. His first problem was to plan a house that would fit the lot, the south side of which was cut away on the bias by the diagonal of New York Ave.
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During this time, in France, Vionnet opened a salon in the Grand Casino at Biarritz. in 1925, the house launched its first limited edition perfume comprising four fragrances named alphabetically: 'A', 'B', 'C' and 'D'. The geometrical bottle was designed by Boris Lacroix while the scent was made in collaboration with the House of Coty. In 1927, Vionnet opened a school within her couture house to teach apprentices how to create clothing on the bias cut.
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Later on the same week, defense attorney Samuelsson submitted allegations to the appeal court of Ihrfelt and another professional judge being biased for their membership in the same interest groups judge Norström was investigated for. In the court's opinion, the judges' memberships did not constitute bias, whereas the lay judges's impartiality was questionable and he was dismissed. The court's decision was appealed, and in May 2010 the supreme court affirmed the appeal court's decision on the bias question.
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Cotton day dress edged with contrasting piping, 1836–40, Victoria and Albert Museum. In sewing, piping is a type of trim or embellishment consisting of a strip of folded fabric so as to form a "pipe" inserted into a seam to define the edges or style lines of a garment or other textile object. Usually the fabric strip is cut on the bias. It may be made from either self-fabric (the same fabric as the object to be ornamented) or contrasting fabric, or of leather.
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Research report no.4 (210p.), January (1993). These Sequential Monte Carlo methodologies can be interpreted as an acceptance-rejection sampler equipped with an interacting recycling mechanism. From 1950 to 1996, all the publications on Sequential Monte Carlo methodologies, including the pruning and resample Monte Carlo methods introduced in computational physics and molecular chemistry, present natural and heuristic-like algorithms applied to different situations without a single proof of their consistency, nor a discussion on the bias of the estimates and on genealogical and ancestral tree based algorithms.
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For example, a full-skirted dress cut on the bias will hang more gracefully or a narrow dress will cling to the figure. Bias-cut garments were an important feature of the designs of Madeleine Vionnet in 1920s and 1930s and bias-cut styles are revived periodically. Before her time, bias cut was rare in women's clothing and in garments for men, to the extent that the specially-designed clothing of the dandy and celebrity chef Alexis Soyer were remarked on by George Augustus Sala, on meeting Soyer in the Hungerford Market: > "...an extraordinary oddity was added to his appearance by the circumstance > that every article of his attire, save, I suppose, his gloves and boots, was > cut on what dressmakers call a "bias", or as he himself, when I came to know > him well, used to designate as à la zoug-zoug."Sala 1894, II, 240-241, > quoted by Michael Garval "Romantic Gastronomies: Alexis Soyer and the Rise > of the Celebrity Chef" In the Middle Ages, before the development of knitting, hose were cut on the bias in order to make them fit better.
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Although sometimes credited with its invention, Vionnet claimed to have applied the technique, already used in skirts, trims, and embellishments, to full-body dresses. As an expert couturier, Vionnet knew that textiles cut on the bias could be draped to match the curves of a woman's body and express fluidity of motion. She used the cut to promote the potential for expression and motion, integrating comfort and movement as well as form into her designs. Vionnet's apparently simple styles involved a lengthy preparation process, including cutting, draping, and pinning fabric designs on miniature dolls.
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However, it is for her tumultuous love life that she is primarily known from the Renaissance. Her reputation was based on the bias of the Romans to the Eastern princesses, like Cleopatra or later Zenobia. After a number of failed marriages throughout the 40s, she spent much of the remainder of her life at the court of her brother Herod Agrippa II, amidst rumors the two were carrying on an incestuous relationship. During the First Jewish-Roman War, she began a love affair with the future emperor Titus Flavius Vespasianus.
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Jane Leeves wearing a blue slip-dress in 1995 A slip dress is a woman's dress that closely resembles an underslip or petticoat. It is traditionally cut on the bias, with spaghetti straps. The slip dress looked like an undergarment, but was intended to be seen, and through the use of lace and sheer elements, offer glimpses of the body beneath. Designers associated with slip dresses include John Galliano, whose debut design for Dior was a lace-trimmed slip dress worn by Diana, Princess of Wales in 1996; Calvin Klein and Narciso Rodriguez.
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Circumstantial ad hominem points out that someone is in circumstances (for instance, their job, wealth, property, or relations) such that they are disposed to take a particular position. It constitutes an attack on the bias of a source. As with other types of ad hominem attack, circumstantial attack could be fallacious or not. It could be fallacious because a disposition to make a certain argument does not make the argument invalid; this overlaps with the genetic fallacy (an argument that a claim is incorrect due to its source).
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As viewings of such films as The Gilded Lily (1935) and Desire (1936) reveal, his costume designs were marked by form-flattering cuts (often on the bias), rich fabrics (such as satin and lamé), and extravagant textures (beads, fur, and feathers). He collaborated closely with directors and actresses in order to fulfil their vision. When designer Howard Greer left Paramount, Banton was promoted to Head Designer and was responsible for dressing the studio's most illustrious stars. Because of his worsening alcoholism, and according to some commentators also at the instigation of his assistant Edith Head, Banton was forced to leave Paramount.
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The angled bends seen in figure 10 are common to stripline designs and represent a compromise between a sharp right angle, which produces a large discontinuity, and a smooth bend, which takes up more board area which can be severely limited in some products. Such bends are often seen in long stubs where they could not otherwise be fitted into the space available. The lumped-element equivalent circuit of this kind of discontinuity is similar to a stepped-impedance discontinuity. Examples of such stubs can be seen on the bias inputs to several components in the photograph at the top of the article.
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In some cases, adsorbed molecules are chemically bonded to the surface/material, providing a strong adhesion and limiting desorption. If this is the case, desorption requires a chemical reaction which cleaves the chemical bonds. One way to accomplish this is to apply a voltage to the surface, resulting in either reduction or oxidation of the adsorbed molecule (depending on the bias and the adsorbed molecules). In a typical example of reductive desorption, a self-assembled monolayers of alkyl thiols on a gold surface can be removed by applying a negative bias to the surface resulting in reduction of the sulfur head-group.
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Participants frequently assign a higher likelihood of occurrence to whichever outcome they have been told is true. Remaining relatively unmodified, this method is still used in psychological and behavioural experiments investigating aspects of the hindsight bias. Having evolved from the heuristics of Tversky and Kahneman into the creeping determinism hypothesis and finally into the hindsight bias as we now know it, the concept has many practical applications and is still at the forefront of research today. Recent studies involving the hindsight bias have investigated the effect age has on the bias, how hindsight may impact interference and confusion, and how it may affect banking and investment strategies.
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The Milwaukee Irish and German religious, (there were many Irish born and Gaelic speaking priests in the Wisconsin territory), worked on the bias towards the Irish by the American bishops. A Swiss German priest, Father Martin Kundig, pushed the idea of the parade. According to Father Leo Johnson, in his 1942 book, Stuffed Saddlebags - The Life Of Father Martin Kundig, Priest - 1805-1879, "His was a life filled with character." The original parade started at what is today East Wells Street and Van Buren, went north on Van Buren, west on what is today State Street, then south on Jackson Street and back to Wells Street.
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You can learn pattern drafting on many fashion design courses either on a short further education course or as part of a Fashion degree at a university. The draping method involves creating a muslin mock-up pattern by pinning fabric directly on a form, then transferring the muslin outline and markings onto a paper pattern or using the muslin as the pattern itself.What is Draping Technique and its Process?. Style2Designer.com. Retrieved on 2016-11-29.. Designers drafting an evening gown or a sculpted dress which uses a lot of fabric, typically cut on the bias, will use the draping technique, as it is very difficult to produce with a flat pattern.
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In the 1920s, Vionnet had created a stir by developing garments utilizing the bias cut, a technique for cutting cloth diagonal to the grain of the fabric, enabling it to cling to the body while stretching and moving with the wearer. While Vionnet herself did not invent the method of cutting fabric on the bias, she was the first to utilize bias cuts for the entirety of a garment. Her work contrasted existing garments that utilized bias cutting for trims and embellishments placed on fabric pieces cut along the straight-of-grain. Vionnet's use of the bias cut to create a sleek, flattering, body-skimming look revolutionized women's clothing and carried her to the top of the fashion world.
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To use the example again, a man with a 40-inch chest will likely buy a jacket advertised as size 40, but the actual measurements of the garment will almost always be somewhat larger. Ease is most important for woven garments cut on the straight or crossgrain, because fabric in this orientation has little or no stretch. This is in contrast to woven garments cut on the bias and knit garments, both of which can stretch to accommodate movement. A sloper pattern or block pattern is a simple pattern with very little or no ease made for the purpose of fitting the body accurately, from which more finished or stylized patterns may be developed.
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A garment made of woven fabric is said to be "cut on the bias" when the fabric's warp and weft threads are on one of the bias grains. Woven fabric is more elastic as well as more fluid in the bias direction, compared to the straight and cross grains. This property facilitates garments and garment details that require extra elasticity, drapability or flexibility, such as bias-cut skirts and dresses, neckties, piping trims and decorations, bound seams, etc. The "bias-cut" is a technique used by designers for cutting clothing to utilize the greater stretch in the bias or diagonal direction of the fabric, thereby causing it to accentuate body lines and curves and drape softly.
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The charge density of the ions depends on the charge state Z, but quasineutrality allows one to write it simply in terms of the electron density as en_e. Using these results we have the current density to the surface due to the ions. The current density at large negative voltages is due solely to the ions and, except for possible sheath expansion effects, does not depend on the bias voltage, so it is referred to as the ion saturation current density and is given by j_i^{max} = q_{e}n_ec_s where q_e is the charge of an electron, n_e is the number density of electrons, and c_s is as defined above. The plasma parameters, in particular, the density, are those at the sheath edge.
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Simplified MCSR connection diagram Due to the fact that ac flow of power winding is superimposed on the bias flux, the net flux is offset to the saturation domain of magnetic system cores. Respectively, saturation of the cores is resulted in occurrence of current in the power winding. In case of energy input to or output from the control circuit, the transient process of increase or decrease of network current and, respectively, of reactive power consumed by reactor is ensured. MCSR processes during power increase/reliefReactor power winding current is regulated according to proportional control mode, when control angle of rectified current source thyristors is changed according to proportional mode depending on mismatching between the prescribed voltage setting and the voltage at the point of reactor connection.
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For costumes, flat storage may create more problems than it solves, since it is impossible to store them in this manner without forming folds and creases. Therefore, unless the costume is so weakened that it cannot support its own weight, hanging storage is perhaps the best option. Costumes which are unusually heavy (heavily beaded gowns, for instance), or those whose fabric may distort easily (such as some stretch fabrics, or those cut on the bias) should also be stored in flat storage. Garments suitable for hanging should be placed on plastic hangers which have been padded to mimic the shape of human shoulders, and covered with a plastic or cloth cover with an open bottom to allow air circulation while keeping the costume clean.
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From 1950 to 1996, all the publications on particle filters, genetic algorithms, including the pruning and resample Monte Carlo methods introduced in computational physics and molecular chemistry, present natural and heuristic-like algorithms applied to different situations without a single proof of their consistency, nor a discussion on the bias of the estimates and on genealogical and ancestral tree based algorithms. The mathematical foundations and the first rigorous analysis of these particle algorithms are due to Pierre Del Moral in 1996. The article also contains a proof of the unbiased properties of a particle approximations of likelihood functions and unnormalized conditional probability measures. The unbiased particle estimator of the likelihood functions presented in this article is used today in Bayesian statistical inference.
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Throughout scholarship of the Trotula, historians, researchers, and philologists have dismissed her authorship, gender, and medical knowledge on various grounds. For example, in 1773, Gruner dismissed Trota's possible authorship of the texts because she was mentioned within the text, not specifically as the author; instead, he referred to the author as a masculine unknown. Often, the time period, gender, author attribution, and/or Trota's believed level of education are downplayed, upgraded, or dismissed based on the bias of the scholar or the purpose of their research. Although Trota is not frequently connected to Hildegard of Bingen, another female author and practitioner of medicine in the 12th century, in academic writing, Green draws parallels between their lives and the future of their texts.
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Triangular cross-cut sail panels are designed to meet the mast and stay at an angle from either the warp or the weft (on the bias) to allow stretching along the luff, but minimize strutting on the luff and foot, where the fibers are aligned with the edges of the sail. Radial sails have panels that "radiate" from corners in order to efficiently transmit stress and are typically higher-performance than cross- cut sails. A bi-radial sail has panels radiating from two of three corners; a tri-radial sail has panels radiating from all three corners. Mainsails are more likely to be bi-radial, since there is very little stress at the tack, whereas head sails (spinnakers and jibs) are more likely to be tri-radial, because they are tensioned at their corners.
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In the past 25 years, Goble’s work has been largely focused on the legacies of war, specifically the Second World War and how military families are affected by it. Elaine Goble has been an active artist in contemporary military art by researching alternative perspectives on war life as she transitions from traditional, documentary depictions of war to further question the military’s activities and critically examine the problems of military life on the soldiers and their families. Challenging old views on history with new perspectives allows for an increased limitation on the bias since there are more diverse views on the subject being depicted. There have been gallery guidelines that sometimes prohibit the acceptance of these types of artworks due to the type of narrative they are trying to display, which is a struggle the artists under this movement experience.
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The phenomenon also exists for personalities on television – partisans in a study were found to perceive significantly less bias in a host they perceive as like-minded. > Consistent with a hostile media effect, issue partisans perceived less bias > in opinionated news hosts whose viewpoints cohered with their own than did > non-partisans and especially partisans on the opposing side of the issue. In > most cases, these partisan differences were as big as—if not bigger than—the > differences seen in response to non-opinionated news, indicating that even > blatant deviations from journalistic norms do not quell partisan selectivity > in news perceptions, at least when it comes to perceived bias in the host of > opinionated programs. While partisans can agree on the bias of a particular source, the reasons for that bias appears to account for the difference; that is, consumers on both sides of an issue may see bias in a particular story, but are more likely to attribute that story to a host they perceive as hostile to their own particular cause.
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Although still in relatively common use, there is limited relevance of these device-specific power supply designations in circuits that use a mixture of bipolar and FET elements, or in those that employ either both NPN and PNP transistors or both n- and p-channel FETs. This latter case is very common in modern chips, which are often based on CMOS technology, where the C stands for complementary meaning that complementary pairs of n- and p-channel devices are common throughout. These naming conventions were part of a bigger picture where, to continue with bipolar transistor examples although the FET remains entirely analogous, DC or bias currents into or out of each terminal may be written IC, IE, and IB. Apart from DC or bias conditions, many transistor circuits also process a smaller audio-, video-, or radio-frequency signal that is superimposed on the bias at the terminals. Lower case letters and subscripts are used to refer to these signal levels at the terminals, either peak-to-peak or RMS as required.
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