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9 Sentences With "omnisciently"

How to use omnisciently in a sentence? Find typical usage patterns (collocations)/phrases/context for "omnisciently" and check conjugation/comparative form for "omnisciently". Mastering all the usages of "omnisciently" from sentence examples published by news publications.

Those kids deserved it, but who could say that a candy executive somewhere wasn't omnisciently judging the rest of us to determine that we deserved the same fate?
Again, he omnisciently darts in and out of his characters' lives, swerving away and then returning a few pages later, using this repetitive construction to build his gradual collage.
Above us clubbers, hovering omnisciently and malevolently, ready to pounce, are the property developers and licensing boards, the local politicians and the high courts, police forces and the force of the mass culture industry.
In "As Close to Us as Breathing," her novel about a sprawling but close-knit Jewish family, Elizabeth Poliner sets herself a dual challenge: to tell a story in a first-person voice that omnisciently inhabits the minds of its many participants while also using a recursive narrating style that flows back and forth across a nearly hundred-year span of time.
Blood on the Moon (1984) is a crime novel by James Ellroy. It is the first installment of the Lloyd Hopkins Trilogy. It was followed by Because the Night (1984) and Suicide Hill (1985). Although the novels are written in multiple perspectives and narrated omnisciently, the main character in all three is Lloyd Hopkins.
Narrated omnisciently, the novel opens with Cincinnatus C., a thirty-year-old teacher and the protagonist, being sentenced to death by beheading for the crime "gnostical turpitude" in twenty days' time (though this timescale is undisclosed to Cincinnatus). After being taken back to a "fortress" by the cheerful jailer Rodion, Nabokov, 1959, p. 11. Cincinnatus talks to his lawyer and dances with Rodion, before inscribing his thoughts on paper, as a spider dangles from the ceiling. Throughout the plot, Cincinnatus repeatedly inquires of various characters about the date of his execution, but to no avail.
Harold Crick, an agent for the Internal Revenue Service, is a lonely man who lives his life by his wristwatch. He is assigned to audit an intentionally tax-delinquent baker, Ana Pascal, to whom he is attracted. He begins hearing the voice of a woman omnisciently narrating his life as if he were a protagonist in a novel, but cannot communicate with it. Harold's watch stops working and he resets it using the time given by a bystander; the voice narrates, "little did he know that this simple, seemingly innocuous act would result in his imminent death".
In January 1978, he went on a rampage at a Chi Omega sorority house at Florida State University, beating several women (two of whom later died). In The Stranger Beside Me, this incident is narrated in third person, but not omnisciently, as the perpetrator is not identified as being Bundy, thus keeping the documentation of these events in-sync with the knowledge available to officers at the time Rule wrote. Bundy went on to kill another adult woman and rape and kill a 12-year-old girl whom he snatched from outside her school. It is not until Bundy's capture in February 1978, and his subsequent trials in Florida when Bundy represented himself in court, that Rule fully accepts that Bundy is a serial killer.
The original German title is "". The story is also known as "The Window on the Street" The story is a two sentence long passage written by Kafka. The Narrator of this passage omnisciently takes perspective of life through a window overlooking our character's street. The character is a man who lives a life of solitude, but occasionally wants to have human interaction, and by looking out the window and seeing the people on the street, he fulfills his desire to have human interaction. In the second sentence of the passage, the Narrator discusses the times when the man does not want to look out the window, but the desire (“the horses”) then overwhelms him and in looking out the window, he attains the happiness he desired. The imagery of “horses ... drag[ing] ... him into the train or their wagons ... towards the harmony of man” show the break of our solitude character's life being ripped through the window he will never cross.

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