64 Sentences With "oil pastel" | Random Sentence Generator

Oil pastel illustrations accompany the text in what has become a classic Christmas tale.

It was an oil pastel on paper, a multicolored abstraction with a center axis that reminded me of an electric fan.

Lichtenheld's cartoony oil-pastel illustrations are radiant and capture the grandeur of the construction site as well as the trucks' determination and pride.

Street artist Willow took Acker's oil pastel works and magnified them against the 117 Suffolk Street building so the billionaire brothers now leer at passersby.

In addition to her expressionist-inspired oil pastel portraits of the early 281s, Gross has made other significant bodies of work where drawing is the defining process.

The tape strips meticulously abut one another, edge to edge, forming a solid surface, which is then covered in a single color — yellow, purple, red, or black — of oil pastel.

In the brightly colored acrylic, charcoal, and oil pastel image "Numbers" (2017) by Derek Fordjour, an athlete weighs himself in a room in which men in suits peruse information on sheets of paper.

It's the color of purple velvet in a black-walled nightclub and goes on like an oil pastel, and I rub it a little outside my lip line so my mouth doesn't look too hard.

Beneath these "Runners" (all of which are dated 220), van Dalen is exhibiting oil paintings, painted wood cut-outs arranged on tables, works on paper (in graphite, colored pencil, India ink and graphite, and oil pastel).

The right half is oil pastel over narrow, vertical strips of what could be drafting tape, while the left is composed of broader bands of horizontally aligned tape facing us from the obverse side of the Plexiglas.

There were black-and-white photographs, with each print measuring 40 by 40 inches; large collages made of cut-and-pasted pieces of paper; mixed-media works in charcoal, graphite, pastel, oil pastel, acrylic paint, and cutouts on hand-dyed paper.

Powerful Expressionist works in the show, such as Kirchner's sensational touchstone, "Street, Dresden" (1908), perform like an honor guard for forty-seven Munchs, including not the original "The Scream"—which was done in oil, pastel, casein, and crayon—but the artist's calmer, even elegant, 1895 copy of it, in pastels.

In two stiff charcoal and oil-pastel drawings made in the mid-1920s, while Gabritschevsky was studying the transmission of color in mimetic insects at Columbia, you can see, at least with the clarity of hindsight, the ominous fragility of his ability to organize experience coherently and the deadening effect of the attempt.

Some of the most unexpected works on view include the mixed-media, anatomically accurate dinosaur sculptures of the German artist Julia Krause-Harder (born 1973) and the circular-form abstractions in oil pastel and pencil on paper by the Austrian Sigrid Reingruber (born 1980), which bring to mind featureless faces or strange fruits.

In "Pulse" (2019), which is done in charcoal, graphite, pastel, oil pastel, cut-and-pasted paper, and acrylic paint on a large sheet of hand-dyed paper measuring 66 7/8 by 83 ½ inches, he locates the viewer on the edge of a geometrically patterned floor stretching back until it reaches a blue wall, which spans the upper third of the painting.

Ahuva Sherman (; born 1926) is an Israeli artist who works in oil, pastel, and wall tapestries.

Sunset is a mid-19th-century drawing by Eugène Delacroix. Done in oil pastel on lined paper, the work depicts a sunset.

Oil Painting on toile, wood and cartouline paper. Pastel, oil pastel, charbon, crayon. Drawing, china ink, colors ink, he developed a personal technic : acuarela ink. Fresco and ceramic painting.

Rolf Nerlöv, painting. Bird, oil pastel. Rolf Ingvar Nerlöv (January 4, 1940 - June 27, 2015) was a Swedish sculptor, painter and stonemason. He was born in Malmö, in Southern Sweden.

Oil pastel, acrylic, colored pencil, collage and image transfer on paper, mounted on wooden panel. 44 3/8 x 66 1/2 x 2 3/4 in. Jellies, 2018. © Mary Curtis Ratcliff.

The Museum holds 150 pieces from American Modernist Henry Botkin in oil, pastel, and collage produced from the 1930s to the 1960s. It is considered one of the most important single collections held at the Hilliard.

Williams studied art at Washington University in St. Louis, the Parsons The New School for Design, Syracuse University and the Otis Art Institute. Much of her artwork is created with brush pens, colored pencils, oil pastel and oil paint sticks.

Patrick Chukwuka Onyejiaka (born 17 March 2000), professionally known as Patrick Chuka or ArtistChuka, is a Nigerian artist who primarily works with charcoal and ballpoint pen. He also paints with oil, pastel and acrylic, largely focusing his art on realism and some aspect of hyperrealism.

Chuka works primarily with charcoal and ballpoint pen. He paints with oil, pastel, acrylic and also sculpt. He has drawn attention to trending topics such as feminism, marriage rights for minorites, LGBTQ rights and gender equality with his art. In 2018, he explained why he gets angry when reading the Bible.

This art piece by Garza consists of acrylic, wool, embroidery string, and oil pastel on canvas. It is held in the VI Gallery at the Mine II show. This piece displays a woman who appears to be enjoying her solitude in her own space. The color scheme is a soft pink, and a dark blue.

This art piece by Garza consists of acrylic and oil pastel on paper. This piece by Garza displays a woman, specifically a woman of color, laying on a red rectangular object. The woman in the painting is nude, with a blue rectangular object adjacent to the red object. Fruit is also displayed in the painting, above the woman.

The company started as a crayons manufacturer in 1921. By 1924, Sakura invented the first-ever oil pastel that combined oil and pigment, which was patented globally as the "" trademark. In 1982, the firm launched its famous Pigma marker pen lines. In 1984, Sakura invented the first gel-based ink, featured in its new ballpoint pens lines.

Gray-scale image of Berjon's pastel Self-Portrait, late 1790s. The original suggests his accomplishment with color and light. Antoine Berjon (17 May 1754 – 24 October 1843) was a French painter and designer, among the most important flower painters of 19th-century France. He worked in a variety of media including oil, pastel, watercolour, and ink.

Born in Colombia in 1957, he dedicated himself to art at an early age and completed formal studies at Bellas Artes Institute in 1981. In his art, he employs oils, watercolors, oil-pastel, pastel, pencil, ink, and, most recently, sculpture in bronze and stone. Guilloume maintains a studio and fine art gallery in Sandia Park near Santa Fe, New Mexico.

This can also be achieved by using oil pastels for the first layer and black ink for the top layer. Sometimes a first coat of paint is not needed, and the wet coat scraped back reveals the canvas. This cannot be achieved by using the oil pastel method. This technique is often used in art classes to teach the sgraffito technique to novice art students.

Her paintings are often made with layered oil pastel on gessoed, textured masonite. She creates ethereal light by using many thin applications of color in many layers. Her paintings and monotypes are represented in the permanent collections of the Smithsonian Institution, the Carnegie Institute, and the Hirshhorn Museum and Sculpture Garden among others. In 2009 Anthony participated in the exhibition, Best of The West: Southwest, representing artists in the New Mexico.

He founded a painting school called Sylvestre, taught amateurs and young Brazilian modernists. In 1947 they returned to Paris, regained the boulevard Saint Jacques studio and Szenes continued to teach. At that time he started working on perhaps his most significant series of geometric and organic shapes, repetitive motifs called 'Bankett' made of various techniques (watercolor, gouache, oil, pastel and chalk). Meanwhile, he painted portraits of Vieira da Silva, making hundreds of paintings altogether.

Bracha Turner has given slide presentations of her works at 42 communities and institutions. The artist is the granddaughter of Rabbi Shmuel Schulman, the self-taught artist in 19th century Eretz Israel, whose works are at the Israel Museum in Jerusalem and the Jewish Museum in Paris, France. Bracha Turner was born in the old Jewish quarter of Jerusalem and, like her grandfather, was self- taught. Her media include oil, pastel, and pen-and-ink.

Mary Agnes Yerkes, ( ; August 9, 1886 – November 8, 1989), was an American Impressionist painter, photographer and artisan. She was skilled in the media of oil, pastel and watercolor. Her professional career was cut short by the Great Depression, but she still continued to paint well into her nineties with a passion for her craft and nature. She is noted for her plein-air painting while camping the American West and its National Parks.

Later, Howlett And Bailey won "The Public Suite", a competition for a series of performance halls. In 1993, Howlett survived a major stroke. The stroke caused him serious damage making him unable to continue practicing as an architect though he eventually learned to work with his left hand on small tray-bound paper which was later assembled into larger sheets. He used oil pastel as paint with a rich surface and startling colours.

Back in Werder, Hagemeister increasingly gave up his oil paints and began to work with oil pastel chunks. Although he never formally became an art teacher at any academy, he never rejected anyone who sought out his artistic advice. He later became one of the founding members of the Berlin Secession. In 1912, he gave private art lessons to seventeen-year-old Prince Friedrich Leopold of Prussia (1895-1959) at the Prince's request.

There are also some forms of highlighters that have a wax-like quality similar to an oil pastel. "Dry highlighters" (occasionally called "dry line highlighters") have an applicator that applies a thin strip of highlighter tape (physically similar to audio tape) instead of a felt tip. Unlike standard highlighters, they are easily erasable. They are different from "dry mark highlighters", which are sometimes advertised as being useful for highlighting books with thin pages.

This is to be understood as a production process that puts the notions of authenticity and original in question and expanded. In 2006, Adler inverted this process and now displays the original drawings, but always in relation to the intervention of media. For example, in her oil pastel drawings entitled, Location, from 2014, she uses location shots as source material for her drawings. In her drawings and photographs, Amy Adler has always worked intensively with the medium of film.

She was trained in painting and music under the ducal auspices, before which she trained with Livio Mehus and Pietro Dandini. Her works consist of oil, pastel, miniature enamel and chalk.Jeffares, Neil, "Louis Vigée", Dictionary of pastellists before 1800, London, 2006; online edition , accessed/update 01-24-2014/12-01-2013. She is primarily renowned for her portrait works but she also painted fables, bacchanals and historical subjects, such as the Death of Lucretia (untraced).Answers.com.

Donald Bailey described Howlett as a specially talent and creative designer. In 1992, there was an exhibition, held by University of Western Australia, named Howlett: Architectural projects. After suffering from a major stroke in 1993, his life was rely on the wheelchair and he mainly using oil pastel and paper to keep expressing his creativity through forms and colours. An exhibition at Perth Galleries in 2002 displayed his art works and told the story of his memories, past and present.

Pier Augusto Breccia (12 April 1943 20 November 2017) was an Italian artist, philosopher and short story writer. Breccia's artistic works explore the human being with a hermeneutic approach (in the sense of the modern hermenutic philosophy, Jaspers, Heidegger, Gadamer) and engage in a variety of philosophical themes. Breccia's oeuvre consists of oil paintings, pencil and oil pastel drawings, 7 books, 10 short stories and numerous other works. Breccia has held around 80 one-man shows all over the world.

Side view of the entrance The complex contains m² of gallery space displaying the L. S. Lowry and other collections. The Lowry collection includes about 400 works in oil, pastel and watercolours from all periods of his career. It was collected by Salford Museum and Art Gallery from the 1930s. The Artworks Creativity Gallery, designed and implemented by architects Reich-Petch (responsible for developing the National Museum of Natural History in Washington D.C.), uses multimedia to encourage visitor participation and interaction with exhibits to transform gallery space.

Jean Valade was very popular as a portraitist, and also as a specialist in pastel, which earned him a large clientele of nobles and bourgeois. During the 1760s, he produced both oil pastel at the portrait of Mr. and Mrs. Faventines Fontenille playing music as well as those of Peter and Elizabeth Faventines, the portrait of Joseph Balthasar Gibert, and one of Mr. Carré de Cande. Two museums on permanent display several works Valade: the Musée des Beaux-Arts d'Orléans and the Musée Rupert-de-Chièvres.

Return from fishing (1907) After his death, Tuke's reputation faded, and he was largely forgotten until the 1970s, when he was rediscovered by the first generation of openly gay artists and art collectors. He has since become something of a cult figure in gay cultural circles, with lavish editions of his paintings published and his works fetching high prices at auctions. Elton John is a keen collector of Tuke's works and in 2008 loaned eleven of his own pieces, including works in oil, pastel and watercolour, for an exhibition in Falmouth.

In 1921, brothers-in-law Rinzō Satake and Shōkō Sasaki consulted with Kanae to develop a pastel crayon with an oil binder; development took three years and resulted in the world's first oil pastel, marketed under the name Cray-Pas through the Sakura Color Products Corporation. The peasant art movement had success in intellectual and government circles. A show at Mitsukoshi of works by sixteen youths was well received. In 1923 Kanae established the Japan Peasant Art Institute which expanded throughout the country with the help of increased government funding in 1925.

A lifelong experimenter with media, Ryman painted and/or drew on canvas, linen, steel, aluminum, plexiglas, lumasite, vinyl, fiberglass, corrugated paper, burlap, newsprint, wallpaper, jute sacking, fiberplate, a composite material called gator board, feather board, handmade paper, and acrilivin. He used painted and/or drew with oil, acrylic, encaustic, Lascaux acrylic, casein, enamel, pastel, oil pastel, graphite, guache, and enamelac. By the time Ryman began working, older artists like Barnett Newman, Mark Rothko, and Philip Guston had already reduced painting to its essences.Roberta Smith (1993), [] New York Times.

This collection of drawings is made up of oil pastel on standard A4 paper which are exhibited on a metal board held up by magnets. They are an experiment of what happens to a form when it is repeated by hand to the point of exhaustion? Henrot repeats this drawing of a Sphinx onto dozens of sheets of paper until it almost becomes like a structured abstract pattern instead of a drawing. This brings up the question of where is the borderline between repeated decorative and narrative which might cause an object to have no meaning and simply becomes a decorative pattern.

Ironman is a 1995 novel by young adult writer Chris Crutcher who studied art and literature at the University of Notre Dame in his twenties. He created the novel's cover image himself using the medium of oil pastel. The novel is the story of Bo Brewster, a high school student training for a triathlon while also in disputes with his father and English teacher, both of whom exhibit portentous views of masculine authority. The book is written as a combination of traditional third person narrative and epistolary novel through a series of informal letters written by the protagonist to CNN personality Larry King.

Originally this publication was planned as a collection of Sabine Moritz’ charcoal and oil pastel drawings of flowers. She has returned to this theme time and time again and explains “Sometimes I draw to relax or when coming down from completing a painting.” Sabine Moritz, Lilies and Objects, Heni Publishing, London, 2011, Although she has drawn asters, orchids and roses, it is the lily and its almost architectural nature that pulls her in time and again and has helped her explore different methods. During the development of this compilation the artist herself suggested including drawings of objects.

After his student days in Paris, he moved to St. Ives in 1890 where he lived, between there and his London home at 89 Guntherstone Road, West Kensington, until his death. Williams was a medallist at the Paris Salon in 1908 (3rd class), and 1911 (2nd class), and also won a 2nd class medal in Balcelona of the same year. He exhibited, not only in Europe, but also at the Carnegie Institute in Philadelphia. The Jetty St Ives Evening, an oil painting by Williams Williams focussed on landscape and marine subjects and painted in oil, pastel and watercolour.

López became an international celebrity for her iconic Virgen de Guadalupe series of drawings, prints, collage, assemblage, and paintings. The series, which depicted "ordinary" Mexican women (including her grandmother, her mother and López herself) with Guadalupan attributes (such as the mandorla), attracted praise for "sanctifying" average Mexican women, who were depicted performing domestic and other labor. The 1978 triptych oil pastel drawings depict herself and her family members as reimagined Virgin de Guadalupe figures, wherein López depicts herself clutching a snake while stepping on an angel, a symbol of the patriarchy. The Virgen De Guadalupe series depicted the range of domestic womanhood to Chicana womanhood, to intersectionality.

Her blonde hair is unkempt and according to Tsuchimikado, she has the silhouette of a lion. She is a master of Kabbalah Statue art and utilizes oil pastel or chalk to draw a spell to summon a golem Sherry refers to as "Ellis". :Sherry appears in Academy City with the intention of attacking a person of importance to either Academy City or Necessarius in order to cause a conflict and eventually, war between the two factions. During her assault, she reveals to Tōma that she seeks to keep science and magic divided as revenge for her late friend Ellis, an esper from Academy City.

Man-made objects such as needles and hairnets can sometimes be seen in her sculptures, but utilized in ways that call attention to their basic form; their individual structure utilized just as sensitively and individually as the seeds, stalks, or animal hair. Löhr also creates drawings on paper inspired by the same elements of nature, using pencil, ink, or oil pastel to continue her reorganization of the natural substances in her vocabulary. Löhr has exhibited extensively in Europe and Asia, including at the 49th Biennale di Venezia. Her solo exhibition at the in Varese, Italy, in 2010, was the last exhibition conceived by the acclaimed collector Giuseppe Panza.

" Throughout much of his career Sprinchorn's floral paintings in oil, pastel, and watercolor also attracted critical attention. Reviewing watercolors exhibited in 1928, a critic praised a "subtle relation of colors" in a floral work and said that "if colors could sing," these would "chant melodiously." Sprinchorn made extensive visits to camps and hamlets in the North Maine Woods and the paintings and drawings he made there came to be his most celebrated works. Regarding a cluster of posthumous exhibitions held in 2002, a critic wrote, "In Sprinchorn's hands, the Maine woods come alive through the actions of men who are most comfortable among the trees: hunters, trappers, lumberjacks and river drivers, mostly.

In this assessment, a person is asked to select a card from a deck with different mandalas (designs enclosed in a geometric shape) and then must choose a color from a set of colored cards. The person is then asked to draw the mandala from the card they choose with an oil pastel of the color of their choice. The artist is then asked to explain if there were any meanings, experiences, or related information related to the mandala they drew. This test is based on the beliefs of Joan Kellogg, who sees a recurring correlation between the images, pattern and shapes in the mandalas that people draw and the personalities of the artists.

The house was listed on the National Register of Historic Places in 1989. The house was also the childhood home of the renowned Swedish-American artist, Magnus Colcord Heurlin (July 5, 1895 – March 10, 1986). Colcord Heurlin attended the Fenway School of Illustration in Boston, MA, where he studied under Harold Mathews Brett (1880-1955), the director of the newly-opened school. Heurlin began illustrating covers for pulp magazines in the 1920s and 1930s and later joined the WPA Federal Arts Project, creating two murals for the Bedford Elementary School in Westport, CT. But he is best known for his vivid, oil-pastel depictions of Alaskan natives and early settler life in northern Alaska.

The American Academy of Arts and Letters (New York), the Art Institute of Chicago, the Baltimore Museum of Art, the Contemporary Arts Center (Cincinnati, Ohio), the High Museum of Art (Atlanta, Georgia), the Honolulu Museum of Art,You Can't Always Get What You Want, 1978, oil pastel on paper with painted frame, accession 2017-31-11 the Indianapolis Museum of Art, the National Gallery of Art (Washington, DC); the National Museum of Women in the Arts (Washington, DC), the Madison Museum of Contemporary Art, the Museum of Contemporary Art, Chicago, the Seattle Art Museum and the Spencer Museum of Art (University of Kansas) are among the public collections holding work by Hollis Sigler.

The bulk of the drawing is heavily on the right side with much more open urban space depicted on the left. Though Shinn is often associated with portrayals of more elegant settings (notably, theater interiors), this drawing is typical of his equally pronounced interest in working-class subjects and is a classic example of Ashcan realism. Spoiling for a Fight, New York Docks (1899), Barges on the East River (1899), Cross Streets of new York (1899), The Docks, New York City (1901), The Laundress (1903), Eviction (1904), and Night Life: Accident (1908) are other examples of work produced by Shinn through his walks about the city, observing intently and sketching on the spot. Theater Scene, 1906 (oil pastel on canvas).

If the works created in Paris and above all in Berlin are rather linear, in the most recent work series produced in Vienna and China the colours are stronger and purer, the dialectic between and within them sharper, the three-dimensionality more daring, as voluptuous as Art Nouveau and Rococo art. Concentrating the protruding dynamic in the center of the canvas, Li Hua controls the exuberance of her own creation and frames it in a decent way, that pleasures the eye without overloading it with more that it can experience. The early, often small-format works on paper have a formal strictness, both in terms of the material and the arrangement of the image planes. Ink and pencil were the base, oil pastel or oil paint were only used occasionally.

Schneeman showed at the Holly Solomon Gallery from 1976 through 1982, and at the Donahue / Sosinski in 2002 and 2002. From 1982 till 1996, he mounted his own solo exhibitions every two years at his studio on the Lower East Side, showing paintings and collages along with his ceramics. In 2006, he had a retrospective exhibition in a private home on the Lower East Side, which included a comprehensive selection of his work and various media: large figures on canvas, egg tempera landscapes on board, oil pastel drawings, fresco portraits, collages, ceramics, and missed media collaborations with poets. He received several grants and awards, including the Rosenthal Award from the American Academy of Arts and Letters (1969), a National Endowment for the Arts grant (1980) and a grant from the Fund for Poetry (1996).

He established a professional contact with Bertha Urdang, director of the Rina Gallery, Jerusalem, who mounted an exhibition of his works during this year. In addition, he was appointed the Director of Cultural Affairs in the Foreign Ministry, where he remained until his retirement in 1971. While participating in a meeting in Rome, as part of his job with the Foreign Ministry, he acquired the concept of using "Panda" oil pastel chalk, and started to work on a large body of work using this technique, some of them on reproductions and magazine pages (Gideon Efrat states that it was Aroch who introduced the term “Panda” into Hebrew as the generic term for this kind of pastel chalk). In 1964 Aroch exhibited 34 of his paintings in the Israeli exhibition at the Biennale in Venice, some of them drawn using the technique of “Panda” colors.

Roselle Osk, Number Four in the Series of Hands: The Sailor, about 1935, drypoint, 8 x 10 inches Roselle Osk, Little Old Lady, 1937, etching, 10 x 7 1/2 inches Roselle Osk, The Sisters, about 1937, drypoint, 10 x 8 inches Roselle Osk, Six O'Clock, drypoint, 10 x 8 inches Osk began her career in 1920 as a painter. In 1917 she had begun spending the summer months in Bayport, New York on the south shore of Long Isand, and in 1927 she showed paintings for the first of many occasions in a group show held by the Associated Artists of Long Island in Patchogue. In this and other exhibitions of the late 1920s and early 1930s Osk showed portraits in oil, pastel, and crayon, as well as landscapes and a still life in oil. She began her career as a printmaker in 1932 and, while she continued to show oils from time to time, from the middle 1930s onward she mainly showed drypoints and etchings.

Although primarily known as a painter, the artist produces work in a wide variety of mediums (oil, acrylic, watercolour, coloured pencil and oil pastel) and on different supports (canvas, panel and paper). He often uses collage techniques. The first comprehensive monograph dedicated to his oeuvre, Piet Raemdonck, what I’ve seen and what I’ve dreamt, was published by Hannibal in November 2016. This illustrated publication contains essays by writers and art critics Leonard Koren, Abdelkader Benali, Els Fiers and Philip Feyfer. Of Raemdonck’s work, the film director Joachim Lafosse has said: “At the corner of an Antwerp district, I discovered the paintings, their vitality, their light, their welcome. I didn’t stop immediately and continued on my way. Driven by forgotten memories and a feeling that I was destined to miss the paintings, I turned around, I looked again, and I understood that this work was ‘a room in oneself’. I understood that, and never again shall I forget it.” Piet Raemdonck has been exhibiting with galleries in Belgium and the Netherlands since 1994.

During the 1950s, 1960s and 1970s, the work of the Ofakim Hadashim (New Horizons) influenced new artistic trends in Israel. Some artists, like Yechiel Shemi and Aviva Uri, continued the work of the group after it dissolved, mostly working in a non-objective abstract mode. New Horizons' last exhibit was in 1963. A number of young artists joined the exhibit, including Raffi Lavie, Moshe Kupferman and Igael Tumarkin. In 1964, a new group of about 30 artists formed, called "Tazpit" ("Outlook"), This group carried the torch of abstract art into the 1960s and 1970s.See: Gila Blass, New Horizons, pp. 95-96. Zvi Mairovich Panda, oil pastel/paper 39 x 39 cm 1971 One of the artists on the fringe of the "New Horizons" group who developed a new style was Arie Aroch. In contrast to the ideal of the rest of the group, Aroch's works showed, in addition to lyric abstraction, a tendency toward substantive content. For example, "Red House (How Are Things at Home?)" (1960),For an iconographic analysis of this painting, see: Gideon Efrat, "The Aftermath of Arie Aroch's 'Red House'", Studio: Journal of Art, 62, May 1995, p. 35 (In Hebrew).