I don't want a design statement or an abstract objet.
|
|
In it, test subjects were given a small objet d'art.
|
|
Large stones hanging from costumes make them resemble an objet d'art.
|
|
" Ms. Demure of Objet d'Émotion said, "Nadia is developing her brand awareness.
|
|
"We like when people consider our jewelry as an objet," Susanna Sent said.
|
|
The beautiful Newson-designed objet has, in its ubiquity, become plain and neutered.
|
|
What separated them, however, boils down to this: where Support/Surface viewed the painting as an object of knowledge, of learning (objet de connaissance), to be analyzed and deconstructed, Bonnefoi and Dunoyer viewed it as an object of thought (objet de pensée).
|
|
When you do, you learn that the box was a royal toilet — an objet d'fart.
|
|
"It's an objet d'art, with these wheels like bicycle wheels, this huge box," he said.
|
|
Awaglass Objet D'Art | $75 Most hourglasses track the time; this one helps you forget about it.
|
|
Like the Flyer, and like many other great inventions, Harwood's prototype is also an objet d'art.
|
|
Mme Faux établit un inventaire des vieilles maisons de Joinville qui détaille chaque objet du patrimoine.
|
|
Others lean a few novels on a shelf, or make a vignette with an objet d'art.
|
|
I wanted to take the most basic piece of jewelry and ennoble it into a spectacular objet.
|
|
Friends from all over came to see the latest treasures we'd brought into our little objet d'art emporium.
|
|
Modern-day netsuke, by contrast, mostly hang from cell phones or exist as objet d' art for desks.
|
|
Auerbach isn't the first to turn the pop-up book, usually found on children's shelves, into an objet d'art.
|
|
"Each piece from MB&F is more of an objet d'art than a design," said Mr. Rohr of TimeZone.
|
|
MAISON&OBJET ASIA is an interior-design-focused event, curating high-end concepts and interior solutions for today's modern spaces.
|
|
As an objet d'art and design, the Voyager Record represents deep insights about communication, context, and the power of media.
|
|
It had seemed ridiculous, but perhaps it was no more ridiculous than the objet d'art standing unused in the museum.
|
|
Awaglass Objet D'Art | $75 The most distinctive smartwatch got an upgrade this year, making it faster, brighter, and easier to use.
|
|
This cabinet of curiosities gives the impression of a collection of natural and artificial objects, or items of re-contextualised objet trouvé.
|
|
You'll take home a Perle au Trésor, a "precious objet d'art that opens to reveal a necklace, a bracelet, and two brooches."
|
|
This fall, Objet Singulier — Van Gend's line of sculptural lacquer jewelry — will debut at Le Bon Marché in Paris and at Matches Fashion in London.
|
|
They can flank a window frame, divide a room into two distinct spaces, hang as a tapestry/objet d'art — or just replace some hippie doorway beads.
|
|
Truly, the 20-teens (or whatever we're calling this bizarre time in history) have raised the humble fleshy pad on which we sit to objet d'art status.
|
|
At last year's Maison & Objet design fair, Mr. Iratzoki won plaudits for designing one of the world's first bioplastic chairs made of a biodegradable plant-based polymer.
|
|
Archival photos on the wall depict one of Araeen's first performances, the burning of bicycle tires to recreate the twisted infinity shape of his beloved objet trouvé.
|
|
The objet d'art that caught his eye was an enamel brooch depicting a "demon" with a large diamond in its mouth and a pearl in its belly.
|
|
They're aesthetic elements, not narrative ones; they exist not to convert the show into a puzzle-box but to make it an objet d'art, successfully or not.
|
|
Certainly it is considered a complimentary companion to her "God" (1917) objet trouvé sculpture that she was assisted in making by painter and photographer Morton Livingston Schamberg.
|
|
Dasha Zhukova was once photographed in Duma's publication Buro 24/7 sitting on an objet d'art chair sculpted in the form of a Black woman (she later apologized).
|
|
Visitors to Paris' Maison & Objet design fair in can wander an otherworldly kingdom of light, courtesy of Tokyo-based techno-art collective teamLab's new installation, Forest of Resonating Lamps - One Stroke.
|
|
In 1922, Hausmann published a text about his optophone idea in Veshch-Gegenstand-Objet, a trilingual magazine edited by Ilja Ehrenburg and El Lissitzky, but never had enough money to build it.
|
|
Not only does its Van Gogh Highlighter look ridiculously similar to the original painting, the powder illuminator is also being auctioned off to the public as we speak — like a real objet d'art.
|
|
The organizers are noting that it is concurrent with Paris Design Week and the design fair Maison & Objet, the idea being that the whole city is a hub for lovers of fine things.
|
|
Les sept planches de la ruse (2008) featured acrobats scaling giant, geometric boards, and Sans Objet (2012) was an alternately scary and delightful pas de troix between two dancers and a huge, industrial robot.
|
|
Its other major decorative choice is a large painting of a man's blurry silhouette as he shouts or screams — an eye-of-the-beholder objet d'art that would have Dr. Jennifer Melfi nodding in approval.
|
|
Commemorating the centennial anniversary of Marcel Duchamp's breakthrough "Fountain" (1917), the objet trouvé urinal that stunned the world with its blatant potty humor, Readymades intends to do the same for JPEGs, street performers, and security gates.
|
|
"So, companies that would otherwise outsource for a really expensive Objet print or would be purchasing a $100,000 to $1 million machine from our parent company [Stratasys], we're seeing them call on desktop 3D printing more often."
|
|
The national football-watching consciousness had invested so much energy in Colin Kaepernick as the Afro'd civil rights protestor, social justice warrior, and objet d'hate that we'd utterly forgotten about the football player he used to be.
|
|
If it seems incongruous to juxtapose an ancient objet d'art with an image that disappears in a blink of an eye, that's exactly what the Los Angeles County Museum of Art has been doing — to much fanfare.
|
|
Whether appearing on our Instagram feeds or in front of our faces at various fashion weeks, this functional objet is usually dangling from the arm of an individual whose moodboard-worthy outfits have us hitting the "save" button.
|
|
So she designed a bracelet that resembles a stack of slender bangles when on the wrist, but when taken off and placed on a table, turns into a ball, like an objet d'art or a piece of sculpture.
|
|
We're not tone-deaf: The Hurom H-AI Slow Juicer is a heavy ticket item, and Wired is right: If you're not a juice head, this "very capable belle objet" and "Maserati of juice machines" isn't necessary for you.
|
|
I'm still haunted by the 2012 Sans Objet, in which performers Olivier Alenda and Olivier Boyer interacted with a huge, industrial robotic arm, their acrobatics emphasizing both the strength and fragility of the human body against the colossal machine.
|
|
In addition to his work in Belize, he just introduced a collection of furniture at DeLorenzo Gallery in New York, and will receive a Rising Talent award at Maison&Objet Americas, the design fair running from May 2212 to 2871 in Miami Beach.
|
|
But the image of a giant disco ball hung in the firmament—that icon of humanity at its silliest and most joyful—raised questions that won't go away: Why are we indignant over an orbiting objet d'art but not over, say, yet another TV satellite?
|
|
Sculptures particularly reveal Munari's polymathic approach: The echoes of architecture resound in his abstract geometric sculptures on pedestals from the '20183s and '60s, and a chair from the '80s with a precipitously slanting seat announces itself as an objet d'art rather than a functional one.
|
|
I've used tons over the years (the Zune HD is still the best) and I'm glad to see they live on in some fashion, even if it's as an objet d'art jammed with audiophile knick-knacks and a $700 price tag: Astell&Kern's A&norma SR15.
|
|
It was all art, of course — the rubble handmade by the Swiss artists Fischli/Weiss, the box an objet from the New Museum's gift shop, and the mousetrap, one of several trompe l'oeil pieces by Doug Padgett, whose stopped clock and faux light switch also trip up Mr. Waters regularly.
|
|
Feminist sex-toy shops long ago discovered that women prefer to buy dildos and vibrators if they are displayed like Brancusi sculptures, the kind of objet d'art that you might find on a coffee table at West Elm rather than at an XXX peepshow den in pre-Giuliani Times Square.
|
|
As a result, Vautier fuses the boundaries of his art with media not previously considered art, broadening what can be used to make art, from writing, painting, performance, and assemblage sculpture — such as "Sculpture objet suspendu et boîte mystère" ("Suspended Sculptural Object and Mysterious Box," 2200/2400) — to happenings, mail art, radio, film, typography, chat room net art, book art, and DIY publishing.
|
|
In an interesting reversal, after rejecting the Nouveaux Réalistes' use of the objet-trouvé when he was in Paris, and after discovering that abstraction and the ready-made could not mingle in the New York art world of the 21923s (the mechanics of which have been thoroughly examined by Thierry de Duve in his landmark 21946 essay collection Kant after Duchamp), Mosset became the most Duchampian of abstract painters.
|
|
It held patents on a number of associated printing materials that are used in PolyJet and PolyJet Matrix polymer jetting technologies. It distributed 3D printers worldwide through wholly owned subsidiaries in the United States (Objet Geometries Inc), Europe (Objet Geometries GmbH), and Hong Kong. Objet Geometries owned more than 50 patents and patent-pending inventions.
|
|
A Sratasys Objet Eden 260v 3D poly jet printer from 2015. While a predecessor to New Lab's Objet 30, it is indicative of the additive manufacturing technologies employed at New Lab's prototyping lab.
|
|
Objet décoratif carré avec dieux tahitiens (Square Ornament with Tahitian gods) is an 1893-1895 terracotta sculpture by Paul Gauguin, now in the Musée d'Orsay, Paris."Objet décoratif carré avec dieux tahitiens". Musée d'Orsay. Retrieved 12 September 2015.
|
|
Objet is one of the brands of Stratasys, a maker of 3D printers. The brand began with Objet Geometries Ltd, a corporation engaged in the design, development, and manufacture of photopolymer 3D printing systems. The company, incorporated in 1998, was based in Rehovot, Israel. In 2011 it merged with Stratasys.
|
|
In the discourse of the Master, one signifier attempts to represent the subject for all other signifiers, but a surplus is always produced: this surplus is objet petit a, a surplus meaning, a surplus of jouissance. Slavoj Žižek explains this objet petit a in relation to Alfred Hitchcock's MacGuffin: "[The] MacGuffin is objet petit a pure and simple: the lack, the remainder of the Real that sets in motion the symbolic movement of interpretation, a hole at the center of the symbolic order, the mere appearance of some secret to be explained, interpreted, etc." (Love thy symptom as thyself).
|
|
In 2002 a sculpture trail – Ars Natura- was initiated; local artists have put various pieces of objet d'art along a path around the Heiligenberg.
|
|
The Coupe (cup), an objet d'art valued at 10,000 francs, was to be given to the first aircraft builder who won three consecutive competitions.
|
|
'In Lacan's seminars of the late 1950s and early 1960s, the evolving concept of the objet (petit) a is viewed in the matheme of phantasy as the object of desire sought in the other...a deliberate departure from British Object Relations psychoanalysis'.Mary Jacobus, The Poetics of Psychoanalysis (Oxford 2005) p. 26n In 1957, in his Seminar Les formations de l'inconscient, Lacan introduces the concept of objet petit a as the (Kleinian) imaginary part-object, an element which is imagined as separable from the rest of the body. In the Seminar Le transfert (1960–1961) he articulates objet a with the term agalma (Greek, an ornament).
|
|
Objet was founded in 1998 by Rami Bonen, Gershon Miller and Hanan Gothait. In September 2000 it announced the completion of a second private placement, securing it $15 million at a post-money company value of $36 million. Participants in this round were the Templeton Foreign Fund, private investors from Europe and the United States and Scitex Corporation, which acquired an initial 18.7% stake in the company, which was subsequently increased.Scitex Announces Investments in Objet Geometries, BUSINESS WIRE -June 28, 2000 In June 2005, Scitex sold all its interest, then standing at 22.9%, to the other shareholders of Objet for $3.0 million in cash.
|
|
On April 16, 2012, Stratasys announced that it agreed to merge with privately held Objet Ltd., a leading manufacturer of 3D printers based in Rehovot, Israel, in an all-stock transaction. Stratasys shareholders were expected to own 55 percent of the combined company, and Objet shareholders would own 45 percent. The merger was completed on December 3, 2012; the market capitalization of the new company was approximately $3.0 billion.
|
|
Castle Island Co.. (2002, June 22). Solid Ground Curing. Retrieved from Though Objet Geometries Ltd. of Israel retains intellectual property of the process after the closure of Cubital Ltd.
|
|
Managed by Viparis, Paris Nord Villepinte Convention and Exhibition Centre hosts many international professional and consumer exhibitions and conventions, such as All4pack, Europain, Eurosatory, Expofil, Intermat, Maison & Objet, SIAL, Silmo and IPA.
|
|
Objet Geometries has partnered with SolidWorks to interface their computer-aided design software with Objet’s Connex500 system. The co-developed software add-in allows significantly more control over end to end modelling preferences.
|
|
Original location of the Tectosages in Gaul. A Galatian's head as depicted on a gold Thracian objet d'art, 3rd century BC. Istanbul Archaeological Museum. Galatian bronze horse bit, 3rd century BC, Hidirsihlar tumulus, Bolu. Istanbul Archaeological Museum.
|
|
These have produced models of protein adhesive and other biopolymer deteriorations and the concurrent pore system development. Forensic science can use this technique to estimate the age of a cadaver or an objet d'art to determine authenticity.
|
|
In English, means a temporary structure (often made of canvas or similar material) which is erected to host an event outdoors, especially in the UK, where such events can often be affected by weather conditions (pronounced mar-key). ; : "yearning for the mud"; attraction to what is unworthy, crude or degrading. Though grammatically correct, it is not used in French. ; objet trouvé: an ordinary object, such as a piece of driftwood, a shell, or a manufactured article, that is treated as an objet d'art because it is aesthetically pleasing.
|
|
In 1984 he began what was to be an extremely successful partnership with Villeroy&Boch;/Heinrich–Porzellan in Selb which ended in 1997. During this time Trauth left his mark decisively on the range of products. The exclusive table settings and dinnerware were looked after by Trauth and Paloma Picasso whose objet d’art (collectors’ piece) “Paloma Picasso-Suite de Vase” was decorated by Trauth. Moreover, he designed bone china dinner services (Vie Sauvage, Arabian Fantasy und Happy Seasons). Numerous articles show his style, among others the exclusive objet d’art (collectors’ piece) “Magnum” (1990).
|
|
He was educated at St. George's School (Vancouver) and trained at the Paris atelier of French poster artist Paul Colin. He was production trainee on Cet obscur objet du désir, the final film of Spanish-born director Luis Buñuel.
|
|
In January 2020, Takada announced that he would be launching a new lifestyle brand named K3. The brand made its first appearance on 17 January 2020 at the Maison et Objet trade show, as well as in a Parisian showroom.
|
|
Hirado Mikawachi porcelain with clear glaze, Edo period, 19th century Jizai okimono figure of a dragon made of iron, by Myochin Muneaki in 1713 is a Japanese term meaning "ornament for display; objet d'art; decorative object", typically displayed in a tokonoma alcove or butsudan altar.
|
|
Just as the agalma is a precious object hidden in a worthless box, so objet petit a is the object of desire which we seek in the Other. The "box" can take many forms, all of which are unimportant, the importance lies in what is "inside" the box, the cause of desire. In the Seminars L'angoisse (1962–1963) and The Four Fundamental Concepts of Psychoanalysis (1964), objet petit a is defined as the leftover, the remnant left behind by the introduction of the Symbolic in the Real. This is further elaborated in the Seminar The Other Side of Psychoanalysis (1969–1970), where Lacan elaborates his Four discourses.
|
|
MAN-MACHINE FROM THE GREEKS TO THE COMPUTER, from Dictionary of the History of Ideas (1973) This theory is now strongly challenged.Georges Chapouthier, "Le respect de l’animal dans ses racines historiques : de l’animal-objet à l’animal sensible", Bull. Acad. Vet. France, 2009, vol. 162 (1), p.
|
|
Marcel Duchamp, Fountain, 1917. Photograph by Alfred Stieglitz Found object is a loan translation from the French objet trouvé, describing art created from undisguised, but often modified, objects or products that are not normally considered materials from which art is made, often because they already have a non-art function.definition of Objet trouvé at the MoMA Art Terms page Pablo Picasso first publicly utilized the idea when he pasted a printed image of chair caning onto his painting titled Still Life with Chair Caning (1912). Marcel Duchamp is thought to have perfected the concept several years later when he made a series of ready-mades, consisting of completely unaltered everyday objects selected by Duchamp and designated as art.
|
|
His student Eduald Serra was also involved in this exposition. During these years, Ferrant started his investigation about objects, trying out new artistic material within the aesthetic of the objet trouvé. He also made contact with Alexander Calder, which had his Circo en miniatura exhibited by Amigos de las Nuevas Artes.
|
|
Act finale: Duet and ensemble, first Pauline: Si tu m'aimes, silence! / "Silence, if you love me!"; then Polyeucte: Objet de ma constance, amour de ton époux/ "You are the object of my constant love as your husband"; Néarque and the Christians: "God is our defense; God will watch over us".
|
|
Carola Unterberger-Probst (born 1978), aka [cup] or Carola Unterberger, is an Austrian media artist and philosopher of art. In addition to video installations and experimental films, her work contains Objet d'art, paintings and digital art. She specializes in the postmodern discourse, deconstruction, and questions on media and the arts.
|
|
Neither conventional costume drama nor abstract objet d'art, this visually ravishing, surprisingly beguiling gamble won't fit any standard arthouse niche. Still it could prove the Polish helmer's belated international breakthrough.” A new edition of The Mill and the Cross (The University of Levana Press) is now available in English, French and German.
|
|
An alleged assassination attempt against him also occurred on the same day."Pety Rakotoniaina; Elu maire et objet d'un attentat manqué", Madagascar Tribune, N° 4529, December 12, 2003 . General Andrianafidisoa (Fidy), to whom Rakotoniaina is considered close, allegedly attempted a coup in November 2006, two weeks before the December 2006 presidential election.
|
|
" In his design work, he focuses on traditional Thai construction techniques and materials. For example, his Loft Lounge Chair (2002) design incorporates sustainable, local materials such as water hyacinth and rattan. In 2007, Maison et Objet published Inspirations Book n°11, which features Pairot's Cell armchair. "The Cell collection is produced using special craft techniques.
|
|
In the US and Canada, distribution is coordinated by the subsidiaries Wusthof Trident of America Inc. (WUSA), headquartered in Norwalk, Connecticut, and Wusthof Trident of Canada (WCAN), located in Ottawa. Wüsthof regularly exhibits at international trade fairs such as Maison et Objet (Paris), Ambiente (Frankfurt), International Home + Housewares Show (Chicago) or Spring Fair (Birmingham).
|
|
If one can surmise that objet petit a is the object of desire, it is not the object towards which desire tends, but the cause of desire. For desire is not a relation to an object but a relation to a lack (manque). Then desire appears as a social construct since it is always constituted in a dialectical relationship.
|
|
In English, it may be italicised as a foreign word, or not; either may be considered correct. Incorrect forms such as "objet-d'art" and "object(s) d'art" are sometimes seen,Indeed, 19th century wills and inventories of the Rothschild family include many "Objects d'art" and "objects of virtue". and the term should not be capitalized in running prose.
|
|
Kristeva's understanding of the "abject" provides a helpful term to contrast to Lacan's objet petit a (or the "object of desire"). Whereas the objet petit a allows a subject to coordinate his or her desires, thus allowing the symbolic order of meaning and intersubjective community to persist, the abject "is radically excluded and," as Kristeva explains, "draws me toward the place where meaning collapses" (Powers 2). It is neither object nor subject; the abject is situated, rather, at a place before we entered into the symbolic order. (On the symbolic order, see, in particular, the Lacan module on psychosexual development.) As Kristeva puts it, "Abjection preserves what existed in the archaism of pre-objectal relationship, in the immemorial violence with which a body becomes separated from another body in order to be" (Powers 10).
|
|
The presence of these works of the same foreign origin in two churches so close to each other has so far not been explained. The Nailloux Altarpiece is classified "Monument historique" as an objet since 1914. After the renovation of the church, completed in 2011, the altarpiece has been restored in 2013 following a subscription to the Fondation du Patrimoine.
|
|
Competition winners were chosen from among 92 interior design studios from 32 countries worldwide. The dreamlike quality of the “Aile et la Plume” project presented by Jorge Cañete charmed the International Interior Design Association. This award was presented at the Salon Maison et Objet in Paris in January 2012. The Society of British Interior Design (SBID) offered him honorary membership in 2012.
|
|
The company annually participates in exhibitions on design innovations and consumer electronics: IFA (Berlin), Housewares (Chicago), Ambiente (Frankfurt), and Ornaris (Zürich and Bern). Products of Stadler Form have won design awards, such as Complimenti (Zürich/Bern), NYIGF (New York), Maison & Objet (Paris). Some products (like the Max heater) can be found at the Museum of Modern Art in New York.
|
|
Cher Burundi, héritage sacré de nos aïeux, Reconnu digne de te gouverner Au courage tu allies le sentiment de l'honneur. Chante la gloire de ta liberté reconquise. Cher Burundi, digne objet de notre plus tendre armour, A ton noble service nous vouons nos bras, nos cœurs et nos vies. Veuille Dieu, qui nous a fait don de toi, te conserver à notre vénération.
|
|
During a stay in New York he bitterly criticises the service at the Cosmopolis Hotel, thus making an enemy of its owner, Daniel Brewster. On a subsequent trip to Miami he meets, falls in love with and marries Brewster's daughter Lucille. Brewster is not delighted. Archie's attempts to make amends by finding employment and by purchasing a valuable objet d’art for Brewster end in disaster.
|
|
Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objet d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. In addition to his figurative works, which include allegories and portraits, he painted landscapes.
|
|
André Salmon, Artistes d'hier et d'aujourd'hui, L'Art Vivant, Paris, Sixième Édition, Les Édition G. Crès, Paris, 1920, pp. 136-137 According to Salmon, Metzinger's reference to "touching" (toucher) the objects they attempted to represent, was a means by which to show all the sides, every aspect, each view-point, each element of the surface of the object simultaneously ("toutes les faces d'un objet à la fois").
|
|
Philippe Zawieja is a French psychosociologist, essayist and researcher in occupational health at Mines ParisTech,Entreprise & Carrières, 18 February 2014 : 8 Paris, known for his research on occupational burnoutWierzbicki B. La terminologie concernant les RPS est un objet évolutif- Interview with Philippe Zawieja. Personnel. June 2014: 80-81. and other forms of fatigue,Maillard C. Risques psychosociaux: le vécu subjectif du travailleur prime. Le Concours médical.
|
|
The altered perspective required to see the image reflects the contemporary practice of painting skulls on the reverse of otherwise tranquil paintings. Four centuries later, the painting inspired the psychoanalyst Jaques Lacan to note in ‘Of the Gaze as Objet Petit a’ (1973) that the use of anamorphism, particularly in this painting, is one of the few methods for making viewers aware of their gaze.
|
|
Many of them had the feel of objet trouvé artifacts. The pieces of her Cycladic Series featured polished shapes of brass and copper designed as oversized bracelets, brooches, and necklaces. For a time, she believed her metalwork was "serious art" and her experimentation with other media, far less important. Thanks to its lightweight, pliable qualities, she experimented with papier-mâché, as a means of extending forms away from the body.
|
|
He made use of procedures adapted from pre-war Dada and Surrealism with hypnagogic abstract photographs, often produced with the help of distorting mirrors. In 1948, he opened his first exhibition, “hypnagogical photographs“, at the Gallery Colette Allendy in Paris. In 1952, he published “Graphism in Photographs. When photography becomes the object” in the fifth issue of Photo Almanach Prisma,« Graphisme en photographie. Quand la photographie devient objet ».
|
|
Before long Lévitan became co-organiser. He began a drive to recruit as many sponsors as he could, sometimes accepting prizes in kind if he could not get cash. 1976 first prize included a seaside apartment given by the businessman Guy Merlin, sometimes with extra money but not always. In 1988 Pedro Delgado of Spain won not only an apartment but a car, an "objet d'art" and only then cash: €82,000.
|
|
Lacan also distinguishes between desire and the drives: desire is one and drives are many. The drives are the partial manifestations of a single force called desire.Lacan, J. The Seminar: Book XI. The Four Fundamental Concepts of Psychoanalysis, 1964 (W. W. Norton & Company, 1998), Lacan's concept of "objet petit a" is the object of desire, although this object is not that towards which desire tends, but rather the cause of desire.
|
|
Duchamp eventually tired of creating the boxes himself and hired assistants to aid in their construction, including Xenia Cage and Joseph Cornell. Series F were produced until 1966 and are in a red leather box. In addition to the standard 68 works in the previous series, the F series contains 12 additional works, including the Wedge of Chastity and Objet-dart. The Large Glass is reproduced on Rhodoïd (cellulose acetate).
|
|
In the psychoanalytic theory of Jacques Lacan, objet petit a stands for the unattainable object of desire. It is sometimes called the object cause of desire. Lacan always insisted that the term should remain untranslated, "thus acquiring the status of an algebraic sign" (Écrits). 'The "a" in question stands for "autre" (other), the concept having been developed out of the Freudian "object" and Lacan's own exploitation of "otherness".
|
|
In his later years, his work is completely abstract, employing expressive lines and exploring the boundaries of collage, objet trove, shading, texture and color. He was trained at the School of Fine Arts, Barcelona, where he was taught by Angel Ferrant and Felix Mestres. With his works being influenced by artists such as Bonnard, Vuillard and Roualt. He is best known for his lyrical abstractions, works which combine paint with collage.
|
|
In “The Work of Art in the Age of Mechanical Reproduction” (1935), Walter Benjamin addresses the artistic and cultural, social, economic, and political functions of art in a capitalist society.“The Work of Art in the Age of Mechanical Reproduction” (1935), by Walter Benjamin, is an essay of cultural criticism which proposes and explains that mechanical reproduction devalues the aura (uniqueness) of an objet d’art.Elliott, Brian. Benjamin for Architects (2011) Routledge, London, p. 0000.
|
|
The core specialisation and primary business of ELM is in crafting Orders, Decorations and Medals for States and Military groups. Through this business, other opportunities were created to develop various types of communicative gifts. At present, the company has extended their range of products to include bespoke object d'art objet d'art, ceremonial swords, custom commemorative medallions & plaques and ornate presentation cases. Custom Luxury Gifts are the second most important business for ELM.
|
|
Since 2006 he has concentrated on developing his bronze sculpting and furniture design. Some of Wolfe's more renowned art and design works were presented in 2014 and 2015 at art trade fairs in Geneva, Berlin and Paris, among them the French Maison & Objet. In 2017 and 2018 private commissions from various European art collectors have further advanced his artistic reputation. Wolfe continues to refine his sculpting and drawing style at his Berlin-based studio.
|
|
Vera Meyer also works as a visual artist, using the pseudonym V. meer. She puts a strong emphasis on sculpting and creating objects from chance finds like forest mushrooms, decaying wood and scrap metal. Inspired by her scientific work with fungi in microbiology, she combines these materials in the sense of an Objet trouvé. Through her art work she wants to enhance the awareness for fungi and their potential in biotechnology and for a sustainable bioeconomy in general.
|
|
Diana confesses to the nymph that she is in love with a mortal and tells her that Orion has told her about her love for someone, which she is in favor of. Alphisa, believing that Diana wants to grant her Orion, accepts Diana's proposition. She is struck by surprise when she learns that it is Pallantus (5). Left alone, Alphisa has no doubt that the mortal that Diane loves is Orion and laments ("Objet de tous mes vœux...") (6).
|
|
According to contemporary chronicle, Juan Aldana took the sword as a spoil of war on 25 February 1525 after the Battle of Pavia. In 1585, his son sold it to King Philippe II. In 1808, as France occupied Spain, Napoléon ordered Murat to bring the sword back to France, where he put it on display in his study at the Tuileries Palace.« Fiche objet : L'épée de François Ier prise à Pavie », sur le site du musée de l'armée.
|
|
Las Meninas (The Ladies-in-waiting, 1656), by Diego Velázquez. (Museo del Prado, Madrid) The Order of Things (1966) is about the “cognitive status of the modern human sciences” in the production of knowledge — the ways of seeing that researchers apply to a subject under examination. Foucault’s introduction to the epistemic origins of the human sciences is a forensic analysis of the painting Las Meninas (The Ladies-in-waiting, 1656), by Diego Velázquez, as an objet d’art.Gutting, Gary.
|
|
Louise Leblanc (born June 10, 1942) is a Canadian writer living in Quebec. She was born in Montreal and studied education at the Université de Montréal. Leblanc taught French and history and later worked as a researcher for television, as a freelance journalist for various magazines and as an advertising copywriter. In 1980, she published a collection of humorous observations 'l'Homme objet; that was followed by a novel 37½ AA in 1983 which won the Prix Robert-Cliche.
|
|
Wiseman collaborated with Haley Alexander Van Oosten, an LA-based scent designer and founder of artisan perfumery L’Oeil du Vert, to create a scent-diffusing objet d'art with three separate custom scent options. Together, they also created a spherical, pebble-textured gold- or silver-plated box containing “gems” of scent-soaked ebony. Wiseman created the Lost Valley Grotto in which the monkey holds out his hand which serves as a well for a custom fragrance made with essential oil.
|
|
Ahmed Soultan (أحمد سلطان; born June 17, 1978) is a Moroccan singer artist, considered as one of the leaders of the "Nayda".(new urban Moroccan scene). Often called the OSNI (Objet Sonore Non Identifié),which could be translated "USO",for "Unknown Sounding Object",for his very particular style. Afro- Arabian soul music of which head titles are to represent this universality the artist stands for : "Achkide" blends Berber and French;and "Ya Salam" is sung in Arabic and English.
|
|
McAlpine had been a passionate collector of a wide range of objet d'art and ephemera since his youth. He had a "cupboard of curiosities" as a child, including a snake in a bottle, and a piece of a Zeppelin air ship. Later objects collected by McAlpine included beads, books, furniture, police truncheons, dolls, textiles, ties, sculpture, rare breeds of chicken, Renaissance tapestries, a five-legged lamb in formaldehyde, and a dinosaur penis. He was an early collector of the American painter Mark Rothko.
|
|
Fernand Dorais (March 8, 1928 – January 16, 2003) was a Canadian writer, Jesuit priest and academic."Fernand Dorais fit de l'Ontario français un objet d'études". L'Express, April 17, 2012. A professor of French literature and translation at Laurentian University in Sudbury, Ontario from 1969 to 1993, he was noted for his work as a key builder of Franco-Ontarian cultural identity, through both his academic research and his role in the development of many of the Franco-Ontarian community's contemporary cultural institutions.
|
|
The liquid polymer is then drained from the vat, leaving the solid model. The EnvisionTEC Perfactory is an example of a DLP rapid prototyping system. Inkjet printer systems like the Objet PolyJet system spray photopolymer materials onto a build tray in ultra-thin layers (between 16 and 30 µm) until the part is completed. Each photopolymer layer is cured with UV light after it is jetted, producing fully cured models that can be handled and used immediately, without post-curing.
|
|
Together, they appropriated the courtroom as a space for artistic production and debate on the meaning of art. Akasegawa recorded his thoughts and experiences as the trials were proceeding in a series of essays published in 1970 in the collection called Obuje o motta musansha ("The Proletarian Carrying an Objet"). The case hinged on two difficult questions. First whether Akasegawa's model thousand-yen note constituted "art," and second, whether that art was protected free expression and therefore not a crime.
|
|
To add the stereoscopy for the 3D release, the animators shot each frame from two slightly apart camera positions. Every object on screen was made for the film. The crew used three 3D printing systems from Objet in the development and production of the film. Thousands of high-quality 3D models, ranging from facial expressions to doorknobs, were printed in 3D using the Polyjet matrix systems, which enable the fast transformation of CAD (computer- aided design) drawings into high-quality 3D models.
|
|
Coignet proposed her idea of evolving independent morality, which reflected the issues addressed in the philosophical discussions of her time. Her main argument was that morality should not be grounded in science or religion since it is produced by humans. She primarily explored this theory in the published work called La Morale independante dans son principe et son objet (1869), which was also partly influenced by Immanuel Kant. This work emerged out of her writings for the La Morale independante newspaper.
|
|
Bonito Oliva has written many books and authored monographs on the work of artists such as Marina Abramovic, Francis Bacon, Georg Baselitz, Joseph Beuys, Alighiero Boetti, James Lee Byars, Giorgio de Chirico, Braco Dimitrijević, Marcel Duchamp, Giuseppe Ducrot, Alex Katz, Georgia O'Keeffe, Frida Kahlo, Paul Klee, Nam June Paik, Joan Mirò, Pino Pascali, Jackson Pollock, Robert Rauschenberg, Mario Schifano, Nancy Spero, Andy Warhol, Wolf Vostell Gewalttätigkeit als objet trouvé. Retrospektive Wolf Vostell 1958–1974. Neue Nationalgalerie Berlin, Berlin, 1974. and Robert Wilson.
|
|
The mask image is then projected onto a photocurable liquid resin surface and light is projected onto the resin to cure it in the shape of the layer. The technique has been used to create objects composed of multiple materials that cure at different rates. In research systems, the light is projected from below, allowing the resin to be quickly spread into uniform thin layers, reducing production time from hours to minutes. Commercially available devices such as Objet Connex apply the resin via small nozzles.
|
|
At the edge of Lake Clifton, rock-like structures called thrombolites (similar to stromatolites) can be seen, built by tiny micro-organisms believed to resemble the earliest forms of life on Earth. Scientists have suggested their presence here may be due to upwellings of fresh groundwater high in calcium carbonate. An observation walkway has been constructed to allow visitors to view these fragile structures. An action has been started by the French artists "Art Orienté objet" in 2011 to list Lake Clifton as a World Heritage Site.
|
|
London: Thames & Hudson, p. 820. Tatlin's tower started a period of exchange of ideas between Moscow and Berlin, something reinforced by El Lissitzky and Ilya Ehrenburg's Soviet- German magazine Veshch-Gegenstand-Objet which spread the idea of 'Construction art', as did the Constructivist exhibits at the 1922 Russische Ausstellung in Berlin, organised by Lissitzky. A Constructivist International was formed, which met with Dadaists and De Stijl artists in Germany in 1922. Participants in this short-lived international included Lissitzky, Hans Richter, and László Moholy-Nagy.
|
|
Of the four concepts mentioned, three were developed between 1953 and 1963. As to drives, whose importance has increased since the study of objet a in the 1963 Seminar L'angoisse, Lacan considers them as different from biological needs in that they can never be satisfied. The purpose of the drive is not to reach a goal (a final destination) but to follow its aim (the way itself), which is to circle round the object. The real source of jouissance is the repetitive movement of this closed circuit.
|
|
Spanish objeto, French objet). Accordingly, they stopped being written in BP (compare Italian spelling standards), but continued to be written in other Portuguese-speaking countries. For example, we had EP acção / BP ação ("action"), EP óptimo / BP ótimo ("optimum"), and so on, where the consonant was silent both in BP and EP, but the words were spelled differently. Only in a small number of words is the consonant silent in Brazil and pronounced elsewhere or vice versa, as in the case of BP fato, but EP facto.
|
|
This is followed (1774 only) by a solo which celebrates happiness in eternal bliss ("Cet asile"), sung by either an unnamed Spirit or Euridice, and repeated by the chorus. Orfeo arrives and marvels at the purity of the air in an arioso ("Che puro ciel"/"Quel nouveau ciel"). But he finds no solace in the beauty of the surroundings, for Euridice is not yet with him. He implores the spirits to bring her to him, which they do (Chorus: "Torna, o bella"/"Près du tendre objet").
|
|
Authenticity of provenance: The Yellow Dragon jar from the Jiajing period (1521–1567) of the Ming dynasty (1368–1644); a practical item in the 16th-century, and an objet d’art in the 21st century. The art of forgery: The Supper at Emmaus (1937), by Han van Meegeren, a Dutch master forger who deceived the Nazi leader H. Göring that the painting was a genuine Vermeer painting. Mechanical reproduction of art: Facsimile of a 1611 woodcut of the Renaissance French composer Josquin des Prez (1450–1521) copied from an oil painting, the authentic work of art. The authenticity of provenance of an objet d’art is the positive identification of the artist and the place and time of the artwork’s origin; thus, art experts determine authenticity of provenance with four tests: (i) verification of the artist’s signature on the work of art; (ii) a review of the historical documentation attesting to the history of the artefact; (iii) scientific evidence (x-rays of the canvas, infrared spectroscopy of the paint, dendrochronological analysis of the wood); and (iv) the expert judgement of a conoisseur with a trained eye.
|
|
Julien Goetz works at the beginning of the 2000's for the very one multimedia editorial board of Radio France as a freelance web developer during six or seven years. Then, he joins the OWNI company (acronym of "Objet web non identifié", in English : "Unidentified Web object") during two years to make data journalism in 2011. In 2011, he takes part in other projects like Nuit sujet (in English : "Night subject") with Radio Nova where debates are approached. From September 2012 to June 2013, he is co-author in C Politique on France 5.
|
|
In 2004, the Japanese portrait photographer Eichiro Sakata, included Lunkina in his photo gallery called "Piercing the Sky" as an outstanding contemporary personality. In 2013, Lunkina became the main attraction and the “objet d'art” of a European art exhibit, created by the artist Anna Gaskell. Lunkina joined the National Ballet of Canada as a principal guest artist in August 2013 and as a permanent principal dancer the following year. In 2014, she was invited as a guest dancer in South Korea, and in April 2015 she performed in Taiwan.
|
|
For over 225 years of uninterrupted fabrication, this small objet de vertu has captivated generations of people of all paths and walks of life, from kings and aristocrats to bourgeoises, middle-class people, etc. Many feel particularly fascinated by its purely mechanical operating intricate movement, without any electronic component. Others may prefer the cases' artistic and aesthetic values with a wide variety of designs to collect. It has become a collector's item, especially those by the Swiss Jaquet-Droz & Leschot, Jacob Frisard, Frères Rochat, or the Bruguier family.
|
|
Robert and Mary were childless, as was Alexander, and with no heirs they had an understanding that their estates would be left to each other. Robert had amassed a great collection of books, fine art and objet d'art during his lifetime. These were on display in his house and included 11,888 books, 1,963 pamphlets, 240 paintings and cabinets for natural history - rock, minerals and archaeological fragments. After his death, Mary made her will leaving the collection and a bequest of $50,000 to the American Museum of Natural History.
|
|
Alessandra Benedicty points out that Western scholars are led by their postmodern intellectual framework into trying to explain Vodou art in terms of "intellectual truths". Vodou is open-ended and sometimes purposely dissimulates. Benedicty writes that in "the Vodou/Haitian aesthetic system, the objet d'art nurtures ambivalence and demands that the reader or the spectator interpret and thus participate in the production of an artistic text's meaning." If there is a veve in the work, there is a possibility that the lwa the work was made for will possess the viewer.
|
|
The magazine was created with the Objet Connex26 with VeroClear (a transparent material) so the rounds and feeding action could be observed.3D-printed 30-round AR magazine brings us ever closer to a fully 3D-printed gun, Extreme Tech, January 14, 2014. (archive) It was not a success, in trials they managed to fire five rounds before the magazine failed. The main problem was feeding the gun, to solve the issue, the team added graphite to the inside of the magazine’s body, modified the catch slot, and sanded the magazine once again.
|
|
The Fountain Archive (also called The Fountain Archives or Fountain Archive Project) is a processual art project of the French conceptual artist Saâdane Afif which started in 2008/ 2009. The project includes an ongoing series of framed pages which contain one or several reproductions of the work Fountain by Marcel Duchamp. Here Afif uses the concept of the Objet trouvés (found object) and tears off the pages from different publications. For each publication and pages Afif normally makes only one piece for the Fountain Archives, which is created as a work of art.
|
|
Scève's chief works are Délie, objet de plus haulte vertu (1544); five anatomical blazons; the elegy Arion (1536) and the eclogue La Saulsaye (1547); and Microcosme (1562), an encyclopaedic poem beginning with the fall of man. Scève's epigrams, which have seen renewed critical interest since the late 19th century, were seen as difficult even in Scève's own day, although Scève was praised by Du Bellay, Ronsard, Pontus de Tyard and Des Autels for raising French poetry to new, higher aesthetic standards. Scève died sometime after 1560; the exact date of his death is unknown.
|
|
The drives are partial, not in the sense that they are a part of a whole (a genital drive), but in that they only represent sexuality partially: they convey the dimension of jouissance. "The reality of the unconscious is sexual reality – an untenable truth," much as it cannot be separated from death. Objet petit a is something from which the subject, in order to constitute itself, has separated itself off as organ. This serves as symbol of the lack, of the phallus, not as such, but in so far as it is lacking.
|
|
For a collage of black and white photographs entitled Swanage, Nash depicts objects found in, or connected to, locations around Dorset within a surrealist landscape. On Romany Marsh Nash found his first surrealist object, or Objet trouvé. This piece of wood retrieved from a stream was likened by Nash to a fine Henry Moore sculpture and was shown at the first International Surrealist Exhibition in 1936 under the title Marsh Personage. By the time of the exhibition Nash had come to dislike Swanage and in mid-1936 moved to a large house in Hampstead.
|
|
49-54 his Fifties exploration of the Imaginary and the Symbolic; his concern with the Real and the lost object of desire, the objet petit a, during the Sixties; and a final phase highlighting jouissance and the mathematical formulation of psychoanalytic teaching. As the fifties Lacan developed a distinctive style of teaching based on a linguistic reading of Freud, so too he built up a substantial following within the Société Française de Psychanalyse [SFP], with Serge Leclaire only the first of many French "Lacanians".Élisabeth Roudinesco, Jacques Lacan (Cambridge 2005) p.
|
|
After several devastating experiences with beautiful girls he had decided to restrict his choice of girl friends to those less attractive whom he would not find adrift with saxophone players. :Bill entertained Peggy and me with distinction. His bar was an open wardrobe trunk fitted with shelves, planted, as if it were an objet d'art, beside his chair. While Shorty, the silent dwarf who was his valet and assistant on the stage, went about preparing our drinks, Peggy and I would dance around Bill who sat at his make-up shelf, listening to our nonsense with gracious attention.
|
|
Process art is an artistic movement where the end product of art and craft, the objet d’art (work of art/found object), is not the principal focus; the process of its making is one of the most relevant aspects if not the most important one: the gathering, sorting, collating, associating, patterning, and moreover the initiation of actions and proceedings. Process artists saw art as pure human expression. Process art defends the idea that the process of creating the work of art can be an art piece itself. Artist Robert Morris predicated “anti-form”, process and time over an objectual finished product.
|
|
"Bad Art Finds a Good Home at This Anti-Museum". Ottawa Citizen, February 26, 2000. K6 As stated in the introduction to The Museum of Bad Art: Masterworks, the primary attribute of an objet d'art to be acquired by MOBA is that it must have been seriously attempted by someone making an artistic statement. A lack of artistic skill is not essential for a work to be included; a prospective painting or sculpture for the collection ideally should "[result] in a compelling image", or as honorary curator Ollie Hallowell stated, the art must have an "Oh my God" quality.
|
|
Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction” (1935) p. 4. In emphasising exhibition value, “the work of art becomes a creation with entirely new functions”, which “later may be recognized as incidental” to the original purpose for which the artist created the objet d’art.Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction” (1935) p. 4. As a medium of artistic production, the cinema (moving pictures) does not create cult value for the motion picture, itself, because “the audience’s identification with the actor is really an identification with the camera.
|
|
Pierre Yovanovitch received the Talent of Elegance in 2007 at the Talents du Luxe ceremony organized by the Center for Luxury and Creation. He has given several lectures including the Pavilion of Arts and Design on Swedish furniture and Maison & Objet on renovations in the hotel industry. In 2010, Pierre Yovanovitch is the only French to appear in the "AD100" ranking of the best interior designers and decorators in the world, published by the American magazine Architectural Digest. In January 2017, and 2018 the interior designer is again hailed in this ranking by the magazine of reference American.
|
|
For the spectator, the listener, and the viewer, the authenticity of experience is an emotion impossible to recapture beyond the first encounter with the work of art in its original setting. In the cases of sculpture and of painting, the contemporary visitor to a museum encounters the work of art displayed in a simulacrum of the original setting for which the artist created the art. To that end, the museum visitor will see a curated presentation of the work of art as an objet d’art, and might not perceive the aesthetic experience inherent to observing the work of art in its original setting — the intent of the artist.
|
|
Johann Dieter Wassmann (Jeff Wassmann), Vorwarts! (Go Forward!) , 1897 A toy from Southern Mount Hebron, on loan to Israel Museum from a private collection The tradition of reusing found objects (objet trouvé) in mainstream art came of age sporadically through the 20th century, although it has long been a means of production in folk art. The Amish quilt, for example, came about through reapplication of salvaged fabric. Simon Rodia's Watts Towers (1921–1954) in Los Angeles exemplifies upcycling of scrap metal, pottery and broken glass on a grand scale; it consists of 17 structures, the tallest reaching over 30 meters into the Watts skyline.
|
|
Marcel Duchamp, L.H.O.O.Q. or La Joconde, 1964 (replica of 1919 original) Norton Simon Museum, Pasadena. The readymade involves taking mundane, often utilitarian objects not generally considered to be art and transforming them, by adding to them, changing them, or (as in the case of his most famous work Fountain) simply renaming and reorienting them and placing them in an appropriate setting.Rudolf E. Kuenzli, Dada and Surrealist Film, MIT Press, 1996, p. 47, In L.H.O.O.Q. the objet trouvé ("found object") is a cheap postcard reproduction of Leonardo da Vinci's early 16th-century painting Mona Lisa onto which Duchamp drew a moustache and beard in pencil and appended the title.
|
|
You can judge the importance > of this asiatic representation [...] we will own one of the most important > prehistoric monuments, if not more. It is, in definitive, in tangible and > summary form, the first chapter of the history of Egypt (emphasis in the > original).Letter of G. Benedite to C. Boreux, Département des Antiquités > Egyptiennes, Louvre At the time of purchase, its blade and handle were separated, as the seller did not realise that they fitted together.G. Bénédite: Le couteau de Gebel el-'Arak, Étude sur un nouvelle objet préhistorique acquis par le musée du Louvre, Fondation Eugène Piot, Monuments et mémoires, XXII, 1916 p.
|
|
Illustration from a 1764 edition of the score A chorus of nymphs and shepherds join Orfeo around the tomb of his wife Euridice in a solemn chorus of mourning; Orfeo is only able to utter Euridice's name (Chorus and Orfeo: "Ah, se intorno"/"Ah! Dans ce bois"). Orfeo sends the others away and sings of his grief in the aria "Chiamo il mio ben"/"Objet de mon amour", the three verses of which are preceded by expressive recitatives. This technique was extremely radical at the time and indeed proved overly so for those who came after Gluck: Mozart chose to retain the unity of the aria.
|
|
Initially he supported himself in LA by moving furniture and objet d'art. Although he had no previous experience as an actor, Diehl's interest turned to acting after he arrived in Los Angeles. He took a three-hour scene studies class in Hollywood twice a week, and in 1979 he was cast in Action, a one act play written by Sam Shepard. In 1980, he became an acting member of Murray Mednick's Padua Hills Playwrights Festival, an annual event which brought young playwrights from throughout the United States together to live and work with such playwrights as Mednick, Shepard, Maria Irene Fornes, John O’Keefe, John Steppling, and Robert Glaudini.
|
|
Meystyle's peculiar approach to design often makes use of complex layering of shapes and textures to create an illusion of dimension as opposed to the two-dimensional surface of the wall. In 2008 professor Marie O'Mahony of the Faculty of Design, Architecture & Building of the University of Technology Sydney selected Meystyle to participate at the IFAI Design Exhibition in Charlotte, US, as part of the IFAI Expo 2008 on advanced textiles for health and safety. In 2014 Meystyle was awarded the prestigious Maison & Objet Projects Award for the Lattice Systems LED Wallpaper collection in recognition of the highly innovative contribution given to the interior design industry.
|
|
Since May 1984 his work have been exhibited (Le Mans congress centre, Vittel,...), and they appeared for the first time in galleries in 1986 (Galerie Art Objet in Angoulême, Galerie Artitude in Paris). Yves Jumeau explored many fields in contemporary art. He made sculptures, installation art, organized events (Tree of knowledge est mort,, J-F.H., « On achève bien les idées..., Salvador Dali n'aurait pas renié la cérémonie loufoque qui s'est déroulée samedi devant le Palais des Congrès de la ville du Mans. », Ouest-France, A ma Lulu forever « Cachez ce phallus que je ne saurais voir... », Ouest-France, ...), and he also contributed to stage lightning for the movie art industry.
|
|
Paul Gauguin, 1893–1895, Objet décoratif carré avec dieux tahitiens, terre cuite, rehauts peints, 34 cm, Musée d'Orsay, Paris Gauguin's posthumous retrospective exhibitions at the Salon d'Automne in Paris in 1903 and an even larger one in 1906 had a stunning and powerful influence on the French avant-garde and in particular Pablo Picasso's paintings. In the autumn of 1906, Picasso made paintings of oversized nude women, and monumental sculptural figures that recalled the work of Paul Gauguin and showed his interest in primitive art. Picasso's paintings of massive figures from 1906 were directly influenced by Gauguin's sculpture, painting and his writing as well. The power evoked by Gauguin's work led directly to Les Demoiselles d'Avignon in 1907.
|
|
The Consultative Assembly () of Luxembourg was established in 1945 towards the end of World War II, when it became clear that the Chamber of Deputies could not fulfill its constitutional role. The point of the Consultative Assembly was to exercise those rights accorded to the Chamber by the constitution and laws, with the exception of legislative powers.Arrêté grand-ducal du 22 février 1945 ayant pour objet l´institution d'une assemblée consultative, published in Mémorial Nr 8 of 27 February 1945, p. 65 After World War II ended in Luxembourg on 10 September 1944, a session of the Chamber was called for 6 December 1944. Out of the 55 Deputies of the pre-war Chamber, only 25 were present.
|
|
She considers any practice of archaic-motherhood blaming as an obstacle, as "hystericizing" and even momentarily "psychoticizing" (in the sense of leading to internal splits rather than recognition of differences,) when such "cause" is brought as "explanation" by the analyst, a "cause" attributed to the unremembered early period of life where I and non-I are transconnected. Ettinger agrees with Lacan that the "ultimate" cause is in principle lacking: objet a. She calls for a delicate process of differentiation, coemergence, and cofading between the generations, especially in analysing the same-sex (daughter-mother, son-father) relationships, with emphasize on transmission, not split. Thus, the process itself helps to negotiate and articulate delicately sexual difference, in the present.
|
|
The collection of 1,400 objet d'art is displayed at the museum as the Wendy and Emery Reves Collection in a reconstruction of five rooms from La Pausa. The villa's central courtyard and patio were reconstructed at the museum along with the villa's dining room, library, salon, bedroom, and hall, situated in a purpose built 16,500-square- foot wing designed by architect Edward Larrabee Barnes. Wendy Reves also donated $3 million to the College of William and Mary in Williamsburg, Virginia, to establish the Reves Center for International Studies, and directed that the Reves Foundation benefit that college with 40 percent of annual endowment funding. She also arranged for herself and her husband to be buried at William and Mary.
|
|
Born , Kenneth Cobonpue is a Filipino industrial designer known for his unique designs integrating natural materials through innovative handmade production processes. He began his design career after his studies in Industrial Design in New York, which led him to apprenticeships and further studies in Italy and Germany. Cobonpue pioneered the integration of design, manufacturing and global distribution as well as branding in Cebu, operating from his headquarters on the island. Awards to his credit include Hong Kong's Design for Asia Award, the Japan Good Design Award, the American Society of Interior Designers Selection, the French Coup de Coeur Award, and the first Asian Designer of the Year title given by the Maison et Objet in Paris.
|
|
The design team works from their company base in Paris, Atelier Bouroullec, for clients including Cappellini, Ligne Roset, Habitat, Domeau & Peres, Authentics, EandW, Magis, Vitra, HAY, and Gallery Kreo.ronan + erwan bouroullec Design Boom They received the 1998 grand prix du jury international at the Maison et Objet furniture fair in Paris, the best new designer award in New York in 1999, a Compasso d'Oro nomination in 2001 in Milan, and designed the interior for Issey Miyake’s APOC shop in Paris. In 2006, the CneaiCneai (National Center for Art, Edition and Image) invited them to design the "Floating House", an artist residence. In 2011, the Centre Pompidou-Metz hosts a major retrospective on the Bouroullec brothers.
|
|
In the late-twentieth-century television program Ways of Seeing (1972), John Berger proceeded from and developed the themes of “The Work of Art in the Age of Mechanical Reproduction” (1935), to explain the contemporary representations of social class and racial caste inherent to the politics and production of art. That in transforming a work of art into a commodity, the modern means of artistic production and of artistic reproduction have destroyed the aesthetic, cultural, and political authority of art: “For the first time ever, images of art have become ephemeral, ubiquitous, insubstantial, available, valueless, free”, because they are commercial products that lack the aura of authenticity of the original objet d’art.Berger, John. Ways of Seeing.
|
|
The Cuomo Mag is a 3D printed AR-15 semi automatic rifle magazine named after the Governor of New York, Andrew Cuomo, who signed the NY SAFE Act into law banning magazines capable of holding more than 10 rounds of ammunition.. (archive) It was created by Defense Distributed and made public around January 2013 (archive) The initial prototype was created using the Objet Connex26 using VeroClear printing material (a transparent material) in order to show the magazine’s round count and feeding action3D-Printed Gun's Blueprints Downloaded 100,000 Times In Two Days (With Some Help From Kim Dotcom), forbes.com, August 5, 2013. (archive) via the Fused deposition modeling (FDM) method.A Printed AR-15 Magazine, Ammoland.
|
|
Following Kitson's death it was auctioned by Sotheby's in December 1962 for £2,400, and bought by a buyer's agent, named Drager. The egg was subsequently owned by a private collection in the United Kingdom from 1962 to 1977, and was held by a private collection in London in 1983. The Diamond Trellis egg is currently owned by Artie McFerrin, a successful businessman in the Houston chemical and petroleum industry, who with his wife, Dorothy, has collected one of the largest private collections of Fabergé objet d'art in the United States. As well as the Diamond Trellis egg, the McFerrins own Fabergé eggs made for the Russian nobleman Alexander Kelch, and the Swedish-Russian oil baron Emanuel Nobel.
|
|
An example of a more Dada influence can be found in Cet obscur objet du désir, when Mathieu closes his eyes and has his valet spin him around and direct him to a map on the wall. This was his last film, where the title was translated as That Obscure Object of Desire—made 48 years after his first silent film—which won him Best Director awards from the National Board of Review and the National Society of Film Critics. Buñuel never explained or promoted his work, remaining true to his and Dalí's early insistence on the completely irrational and defying symbolic interpretation. On one occasion, when his son was interviewed about The Exterminating Angel, Buñuel instructed him to give facetious answers.
|
|
The French psychoanalyst Jacques Lacan's exposition of sublimation is framed within a discussion about the relationship of psychoanalysis and ethics within the seventh book of his seminars.The Ethics of Psychoanalysis 1959-1960 - The Seminar of Jacques Lacan - Book VII. Lacanian sublimation is defined with reference to the concept Das Ding (later in his career Lacan termed this objet petit a); Das Ding is German for "the thing" though Lacan conceives it as an abstract notion and one of the defining characteristics of the human condition. Broadly speaking it is the vacuum one experiences as a human being and which one endeavours to fill with differing human relationships, objects and experiences, all of which are used to plug a gap in one's psychical needs.
|
|
Matter and Perception 1970: Mono-ha and the Search for Fundamentals. Yomiuri Shimbun Sha, 1995, p.15 In a series of commentaries that appeared in various art magazines from 1969 to 1970, Lee claimed to have identified the emergence of “a new structure” revealing “the world as it is.” Lee’s theory privileged “things or substances” arranged in a “site” which together produce an “encounter with being,” vividly real and free of subject/object bifurcation. “Sekine’s act, then, does not mean to turn the world into an object of cognition as with the case of objet,” Lee wrote, “but to liberate it amidst non-objective phenomena, into the realm of perception; that is, to let the world be in its own being.”Monroe, Alexandra.
|
|
Jacques Lacan, The Ethics of Psychoanalysis (1992) p. 194 In his seminar "The Other Side of Psychoanalysis" (1969–1970) Lacan introduced the concept of "surplus-enjoyment" (French plus-de-jouir) inspired by Marx's concept of surplus-value: he considered objet petit a is the excess of jouissance which has no use value, and which persists for the mere sake of jouissance. Lacan considered that jouissance is essentially phallic, meaning that it does not relate to the "Other" as such. In his seminar "Encore" (1972–1973), however, Lacan introduced the idea of specifically feminine jouissance, saying that women have "in relation to what the phallic function designates of jouissance, a supplementary jouissance...a jouissance of the body which is...beyond the phallus".
|
|
Cover by Salvador Dali: Pierre Mabille, Notes sur le Symbolisme [Notes on Symbolism]; E. Tériade, La Peinture surréaliste [Surrealist Painting]; André Breton, D'une Décalcomanie sans objet préconcu (Décalcomanie du Désir) [Of a decalcomania without preconceived object (Decalcomania of Desire)]; Benjamin Péret, Entre Chien et Loup [Between Dog and Wolf]; Decalcomania Illustrations by Jacqueline Breton, Oscar Dominguez, Georges Hugnet, Marcel Jean, and Yves Tanguy; André Breton, Le Château Étoilé [Starry Castle]; Dessins de Max Ernst [Drawings of Max Ernst]; Maurice Heine, Regards sur l'Enfer anthropoclasique [Perspectives on anthropoclastic Hell]; Salvador Dalí, Le Surréalisme spectral de l'Éternel Féminin préaphaélite [Spectral Surrealism of the Pre-Raphaelite Eternal Feminine]; Georges Bataille, Montserrat; Edward James, Trois sécheresses [Three Droughts]; Dessins de Salvador Dali [Drawings of Salvador Dali].
|
|
3 According to Ben Youssef, his adversary was capable of practicing a "policy of denial and betrayal" of the Tunisian People and concerning the Algerian War. Having returned to Tunisia from Cairo on September 13, he began to organize unrest throughout the country. Arrival of Salah Ben Youssef to Tunis September 13, 1955. Though aligned with Bourguiba, the "Bourguibists", and those aligned with Ben Youssef, the Youssefists, began to have numerous meetings to denounce and strike down the position of the opposing party... Les accords : objet de discorde entre les directions daltoïdiennes (50e anniversaire de l'indépendance) Convened on October 8, under Bourguiba's leadership, the Neo- Destour caucus decided to open session and thereupon demand that Ben Youssef be expelled from the party.
|
|
Masha Natasha (2015), co-directed with Fred Burle, Janin Halisch, and Cécile Tollu-Polonowski L'Oiseau de la nuit (2015) Peaches and Jesper Fell in the water, who Stays Afloat (2014), with Peaches and Jesper Just Bim, Bam, Boom, Las Luchas Morenas! (2014), with Cynthia, Esther, Alda, and Rossy Moreno Alan Vega, Just a Million Dreams (2013), with Alan Vega Byun, Objet Trouvé (2012), with Byun Chong and Kiya Chong Cet Air La (2010), with April March Slap the Gondola! (2010), with April March, Tony Conrad and Genesis P-Orridge Papal Broken Dance (2009), with Genesis P-Orridge, Tony Conrad DreaMinimalist (2008), with Tony Conrad Jaye Lady Jaye (2008), with Lady Jaye and PTV3 Snow Beard (2008), with Mike Kuchar Manuelle Labor (2007), collaboration with Guy Maddin Flying Saucey! (2006), with Flux Factory.
|
|
It is possible that it came about as a response to avoiding mixing contaminated snow-ice directly in wine, as it was known that this could cause illness, but this is unlikely as the alcohol in wine has useful sterilizing properties. Even proportionately to other wine utensils of its time it is comparatively rare, with few examples being found. Although the psykter did have its specific function, nevertheless, it was almost certainly something of a whimsical device, an objet du jour, which will have given the symposion’s guests some aesthetic titillation and the host kudos for good taste. Because the process of cooling wine could be achieved in a number of other ways, none of which required the psykter, its redundancy appears to have quickly made it obsolete.
|
|
The aura of a work of art derives from authenticity (uniqueness) and locale (physical and cultural); Benjamin explains that “even the most perfect reproduction of a work of art is lacking in one element: Its presence in time and space, its unique existence at the place where it happens to be” located. That the “sphere of [artistic] authenticity is outside the technical [sphere]” of mechanised reproduction. Therefore, the original work of art is an objet d’art independent of the mechanically accurate reproduction; yet, by changing the cultural context of where the artwork is located, the existence of the mechanical copy diminishes the aesthetic value of the original work of art. In that way, the aura — the unique aesthetic authority of a work of art — is absent from the mechanically produced copy.
|
|
Headingley Castle - his home and place of death A love of music remained a constant factor in Fulford's life; he had been a skilled viola player from a young age and he composed the music for the Bile Bean March, part of the marketing campaign of the company, in 1898. While studying in Leipzig he began collecting modern and classical chamber music from all over the world; the collection was donated to the library at Leeds University in 1936 after ill health meant he was unable to play instruments. A founder member of Leeds Art Collections Fund, Fulford was also a collector of Chinese jade and other objet d'art. He donated several items to be displayed in the Blue Drawing Room at the Temple Newsam museum in 1939.
|
|
Patinoire royale de Bruxelles Pierre Yovanovitch creates exhibition scenographies: He took part in the AD Intérieurs events organized by the French magazine AD from 2010 to 2014, at Artcurial (2010, 2011, 2012), at the Clos des Bernardins (2013), then at the Decorative Arts (2014) in Paris each time creating a play around a given theme. He also designed the Puiforcat stand for the Hermès group at Maison & Objet in January 2011, the Galeries Aveline and Christophe de Quénetain stands at the TEFAF in Maastricht in 2014, and in 2016, and that of the Galerie Neuse at the last Biennale des Antiques then at TEFAF 2017, for the third year in a row. In 2013, he staged the content of the sale "Scandinavian Design vs. Brazilian" for the house of sales Piasa Rive Gauche.
|
|
From the seventeenth century onwards, the ark was considered a fine objet d'art in Brescia, especially in catalogues of Brescian saints, that is to say, from the time of its emplacement in the Old Cathedral. Bernardino Faino, for instance, praised the beautiful depiction of the saint (istorie picole del istesso Santo, bellissime), adding that its author is unknown, being from antiquity. Francesco Paglia's Giardino della Pittura (written between 1675-1713), in the chapter on the old Cathedral, admired the carved ark with beautiful white marble figurines, that is, the ark of Sant'Apollonio. The ark in front view In 1822, the work was selected from among the historical monuments of Brescia to be included in the Le tombe e i monumenti illustri d'Italia, and given a full page engraving.
|
|
After study at the New School for Social Research in Manhattan, where he was the valedictorian of the first graduating class, and at the London School of Economics, Palley made his fortune in art and real estate in Atlantic City. In 1957 he opened a gallery on the Boardwalk, selling the porcelain figures of animals and birds produced by Edward Marshall Boehm and where he exhibited his "least artistically important artists", John Lennon and Yoko Ono. He helped develop the SoHo, Manhattan area of New York into a stronghold for New York- based contemporary artists. From 1959 to 1979 he owned and operated Objet d'Art Galleries in Atlantic City, NJ, SoHo/NYC, Paris, San Francisco and Palm Beach, FL, specializing in Danish furniture, Boehm porcelains and Fine Art.
|
|
According to the artist: > This explosion of activity [of group Ongaku] was characteristic of our > insatiable desire for new sound materials and new definitions (redefinition) > of music itself. Every week we discovered some new technique [or] method for > playing a previously unthought of 'objet sonor,' and argue endlessly about > how to extend its use, and what relationships of sound structure could be > created between each performer. We experimented with the various components > of every instrument we could think of, like using the inner action and frame > of the piano, or using vocal and breathing sounds, creating sounds from the > (usually unplayable) wooden parts of instruments, and every conceivable > device of bowing and pizzicato on stringed instruments. At times we even > turned our hands to making music with ordinary objects like tables and > chairs, ash trays and a bunch of keys.
|
|
Yolande BALDEWECK, "Des patrons rachètent le Racing Club de Strasbourg", Le Figaro, 15 mai 2003. The club became a "Société Anonyme à Objet Sportif" and then a "Société Anonyme Sportive Professionnelle", a status very similar to the general corporate status, albeit with restrictions like the impossibility to enter the stock market and the obligation to keep ties with the original association. Proisy became the chairman of the board with full control over the professional section but not the omni-sport structure that still possessed the club's name and its affiliation to the French Football Federation (FFF). This was evidenced in 2002 when Proisy and Bord, still a chairman of the omni-sport, entered a dispute that led to the inability for the pro players to wear the name "Racing club de Strasbourg" on their jerseys for some time.
|
|
The philosophers of authenticity: Jean-Paul Sartre and Simone de Beauvoir at the memorial to Honoré de Balzac. Authenticity in art is manifest in the different ways that a work of art, or an artistic performance, can be considered authentic. The initial distinction is between nominal authenticity and expressive authenticity. In the first sense, nominal authenticity is the correct identification of the author of a work of art; of how closely an actor or an actress interprets a role in a stageplay as written by the playwright; of how well a musician’s performance of an artistic composition corresponds to the composer’s intention; and how closely an objet d’art conforms to the artistic traditions of its genre. In the second sense, expressive authenticity is how much the work of art possesses inherent authority of and about its subject, and how much of the artist’s intent is in the work of art.
|
|
The company hired peddlers to sell the knives and opened a small shop near the Chambéry railway junction, where the knives became popular with PLM railroad workers, who in turn spread word of the brand throughout France.Serraz, Gabrielle, (2009), Opinel: plus qu’un couteau, un objet culte Les Echoes, 8 July 2009 By 1909, Opinel had registered his first trademark for the Opinel knife, choosing the main couronnée ("crowned hand") as his emblem. A few years later Opinel annual sales were in the hundreds of thousands, and by the start of World War II as many as 20 million knives had been sold.Opinel in the World, Musee De L'Opinel, retrieved 4 July 2011 The Opinel Virobloc or safety twistlock mechanism was invented by Marcel Opinel in 1955, increasing the safety and versatility of the knife by allowing the blade to be locked in the open position.
|
|
He was also the writer of successful novels: Happiness (Original title : Le bonheur), an erotic book written in 2000 and translated into 14 languages; Une ville, published in 2004, which was adapted as a TV series; and La domination du mode, which appeared in 2006. The same year, he also published a novel on football Le milieu du terrain which resulted in several lawsuits, and an investigative book, Clearstream, l’enquête; the latter is very rare, because its sale was prohibited and it was removed from bookstores for almost a month. In late 2006, in collaboration with a painter friend, Robert published an art book, Dominations : 'étrange objet de peinture et de littérature, in parallel with a contemporary art exhibition in Paris. In 2009 he published Dunk, a social science fiction novel. He is also the author of a successful four- volume comic strip, L’affaire des affaires.
|
|
Sociological Art aimed to develop a critical analysis of art and society through interventionist artistic practices and associated writing that drew on the methods and theories of sociology. It envisioned art in terms of interaction, animation, pedagogy, and the creation of structures of exchange, provocation, and disruption of conventional social behaviors with a view to denouncing all and any forms of conditioning. As summarized by Fred Forest: “The practical aim of Sociological Art is to provide the necessary conditions of existence for various devices that frame a given efficient and effective questioning or investigation, thereby establishing the optimal conditions for a situation of intersubjectivity.”L'art sociologique a pour objet pratique de réunir les conditions necessaires à la mise en oeuvre de " dispositifs" de nature diverses, à partir desquels une fonction de questionnement et d'interrogation pourra être développée efficacement en vue d'établir les conditions optimum d'une situation intersubjective. .
|
|
During this time she was influenced by and an influence on the "abstract-Surrealist" artists and Linien co-founders Ejler Bille, Vilhelm Bjerke-Petersen, and Richard Mortensen. Her early sculptural assemblages of branches and organic materials (Objet trouvés) were influenced by the Dada sculptures of Hans Arp and Kurt Schwitters. In 1936 she exhibited, among other works, the sculpture The Owl (destroyed). In 1937 she settled in Paris, where she met and socialized with the Surrealist artists Max Ernst and Alberto Giacometti, whose studio was in the same building as hers. It was at this time that she met Ernest Mancoba, whom she married in 1942; their son Wonga (1946–2015) would eventually also become a respected artist."Sonja Ferlov Mancoba, Ernest Mancoba & Wonga Mancoba, 11 June – 3 JULY 2010", Exhibitions past, Galerie Mikael Andersen.Phindile Xaba, "South Africa: Artist Wonga Mancoba Dies in Paris", The Journalist, 10 March 2015.
|
|
The analyst's role is to allow the drive "to be made present in the reality of the unconscious": he must fall from the idealized position so as to become the upholder of objet a, the separating object. The appearance during its course of what he called 'the newly published, posthumous work of my friend Maurice Merleau-Ponty, Le Visible et l'invisible" led Lacan however – "free as I am to pursue...the way that seems best to me" – into a long detour midway upon "the eye and the gaze – this is for us the split in which the drive is manifested at the level of the scopic field."Jacques Lacan, The Four Fundamental Concepts The French edition contained Lacan's 1965 "Report" on the Seminar" and a "Postface" penned in 1973 on the occasion of the French publication. Both were omitted from the 1977 English-language translation in favour of a specially written "Preface".
|
|
A fifth trademark "Nabilla allô t'es une fille t'as pas de shampooing c' est comme si t'es une fille t'as pas de cheveux" was registered by Benattia herself. The trademarks are registered across ten categories covering a wide range of products including scientific instruments, jewellery and linen but not shampoo. In April 2013, a French Wikipedia article about her was deleted after a debate resulted in the decision that she lacked encyclopedic interest, being merely the object of a "buzz" instead of proper "information";:fr:Discussion:Nabilla Benattia/Suppression this decision on the French-language Wikipedia generated some media attentionNabilla n'est pas «un objet de savoir» pour Wikipédia, Le Figaro, 29 April 2013Nabilla censurée sur Wikipédia, Le Point, 1 May 2013 The page was redirected to that of Les Anges de la téléréalité.; in January 2014, it was ultimately recreated and kept after another debate, which concluded that her notability had proved sufficiently durable. On 12 November 2013, her own TV Reality show started on NRJ 12.
|
|
An arguably more precious variant is objet de vertu (usually italicised), in which vertu is intended to suggest rich materials and a higher standard of refined facture and finish, and would typically exclude objects with a practical function, being restricted to "collector's pieces" that are purely decorative. Objets de vertu reflect the rarified aesthetic and conspicuous consumption characteristic of court art, whether of the late-medieval Burgundian dukes, the Mughal emperors, or Ming and later imperial China. Examples could be adduced from Antiquity as well,The Lycurgus Cup, a Roman glass cage cup now in the British Museum, the Byzantine agate "Rubens vase", among many objets d'art in the Walters Art Gallery, the Roman glass "Portland Vase" and many ancient onyx or sard cameos, for instances. whilst the pre- World War I production of Peter Carl Fabergé, epitomized by the famous Fabergé eggs, made in the style of genuine Easter eggs, but using precious metals and gemstones rather than more mundane materials, are late examples of objets de vertu.
|
|
Several poets of the period—Jean Antoine de Baïf (who founded an "Académie de Poésie et Musique" in 1570), Blaise de Vigenère and others—attempted to adapt into French the Latin, Greek or Hebrew poetic meters; these experiments were called "vers mesurés" and "prose mesuré" (for more, see the article "musique mesurée"). Although the royal court was the center of much of the century's poetry, Lyon – the second largest city in France in the Renaissance – also had its poets and humanists, most notably Maurice Scève, Louise Labé, Pernette du Guillet, Olivier de Magny and Pontus de Tyard. Scève's Délie, objet de plus haulte vertu - composed of 449 ten syllable ten line poems (dizains) and published with numerous engraved emblems - is exemplary in its use of amorous paradoxes and (often obscure) allegory to describe the suffering of a lover. Poetry at the end of the century was profoundly marked by the civil wars: pessimism, dourness and a call for retreat from the world predominate (as in Jean de Sponde).
|
|
The Basket of FlowersFabergé himself referred to this egg as an "Easter egg, white enamel, with bouquet of wild flowers" (emphasis not in original— see Lowes and McCanless, 2001), suggesting that the egg should be titled, "Basket of Wildflowers egg", but this ignores the fact that several of the flowers depicted are not, in fact, "wild" flowers; modern reliable sources do not mention the "wild" characteristic of the egg in its name, which is most often given as "Basket of Flowers egg." egg is a jewelled enameled Easter egg made under the supervision of the Russian jeweller Peter Carl Fabergé in 1901. The egg was made for Nicholas II of Russia, who presented it to his wife, the Empress Alexandra Feodorovna. If the egg originally came with a surprise (as the majority of Imperial Easter eggs) is unknown. There is no evidence on the objet d'art that it ever had another piece attached or with it and no document or photograph has been found proving the existence of an accompanying surprise.
|
|
Two years later, while the newly incorporated Kimberly & Clark was building a third mill in Appleton, the family moved in with the interior still largely bare plaster walls. Ultimately the first house in Neenah fitted with electricity (the Kimberly & Clark generator serving as the power source), the interior decoration was completed under Babcock's watchful eye in 1888, with the parlor carefully replicating decorations he and his wife had seen and admired at the Centennial Exhibition in 1876. At the time William Morris, Charles Eastlake, Henry Hudson Holly and other leaders of the Aesthetic Movement were encouraging the use of instructive narratives in fireplace tiles, advice which Babcock subtly extended to whole rooms through his choices not only of tiles but stained glass, wall coverings, and even the placement of selected paintings and objet d'art. Principal among the stories were those of the Etruscan goddess Pomona (mythology) and William Morris' "The Defence of Guenevere," both of which challenge the conventional roles and identities of men and women, and which taken together Babcock wove into a devotional to the love he and his wife Frances shared.
|
|