How to use object on display in a sentence? Find typical usage patterns (collocations)/phrases/context for "object on display" and check conjugation/comparative form for "object on display". Mastering all the usages of "object on display" from sentence examples published by news publications.
Sometimes I just want to make small talk and leave without feeling like an object on display.
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At the same time, every object on display was a reminder that all relationships are doomed to fail.
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Mr. Dorgerloh has said that where a claim for restitution has been made, it would be noted along with any object on display.
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A common object on display is a book open to its title page — historically significant, yes, but not terribly interesting to look at.
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Mr. Hristeas recalled one night when Sinatra, known for his "$240, $2450 tips," asked a manager how much he'd have to pay for a certain crystal object on display.
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Although their work is very different in subject matter and technique, it shares two features: it is brimming with anxiety and it acknowledges itself as a surface (Fueki's windshield), an object on display (William's figures on stage), and as a reality we might want to grasp (Worth's transparent boxes).
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The scooter was presented to the press at Rome Golf Club, where journalists were apparently mystified by the strange, pastel coloured, toy-like object on display. However, the road tests were encouraging, and even with no rear suspension the machine was more manoeuvrable and comfortable to ride than a traditional motorcycle. Following its public debut at the 1946 Milan Fair, the first fifty sold slowly. With the introduction of payment by installments, sales took off.
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Many museums install UV filters when poles are on display indoors. Other recommendations for indoor storage include a climate-controlled environment, no food or beverages in the vicinity of any poles, a 24-hour security system and having active security guards on duty. Last, museums typically have a barrier between the visitor and the object on display. Continual touching of a pole can cause irreversible damage such as the absorption of skin oil into the wood.
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Its foundation dates back to the Spring of 2002, when its founder, Fitra Ismu Kusumo had just arrived in Mexico. Seeing that the gamelan of the Indonesian Embassy was not used as such, but was merely a decorative object on display, along with former Darmasiswas Miguel Piñeda and Carolina Malgarego decided to seize the opportunity and use the Javanese slendro owned by the Embassy. During the Summer of that year, other Darmasiswa grantees returned from Indonesia: Ilse Peralta and Shawn Callahan (American). Shawn, Fitra, Miguel, Carolina and Ilse had known each other since 2000 while in Indonesia.
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