He also took a swipe at the "Fake News Media" for not crediting him.
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Trump criticized the couple and other celebrities for not crediting him for signing criminal justice reform legislation.
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There was also an issue with the McGill scoreboard operator not crediting WSU with earned points on three separate occasions.
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The fan artwork wasn't credited to anyone in particular, and people started calling out Musk for not crediting the artist.
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Facebook on Friday apologized for not crediting the role of rights groups in Myanmar in combating hate speech on the social media platform.
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In October, Ofcom fined EE's rival Vodafone a record 4.6 million pounds for customer service failures, including not crediting accounts when mobile phone users topped up.
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Legend and Teigen fired back at the president last September after Trump had attacked them and others for not crediting him for passing criminal justice reform legislation.
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Fordin is careful about not crediting the sentimental Mr. Hammerstein with wit and sophistication," Mel Gussow wrote in his 1977 review in The New York Times, "but he does acknowledge his humor.
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The Association of Feminist Gitanas for Diversity in Spain also accused her of "appropriating" gypsy culture and for not crediting them for the "fundamental contribution" that they made to flamenco, according to PRI.
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If you do a search on Instagram now with #cliteracy, you will find a large number of works there using my lexicon, especially the word "cliteracy" but also "solidgoldclit" or clit puns like "cliterati"—projects building on the force of these words but not crediting their source whatsoever.
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Celebrity couple John Legend and Chrissy Teigen fired back at President TrumpDonald John TrumpTrump conversation with foreign leader part of complaint that led to standoff between intel chief, Congress: report Pelosi: Lewandowski should have been held in contempt 'right then and there' Trump to withdraw FEMA chief nominee: report MORE on Monday after he attacked them and others for not crediting him for passing criminal justice reform legislation.
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Chaplin lost a lawsuit to Padilla (which took place in Paris, where Padilla lived) for not crediting him. Some modern editions released for video include a new recording by Carl Davis.
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As a result, Xseed revealed their policy of not crediting staff members in games if they are no longer employed at the company at the time it releases. The practice, also done by some other companies in the industry, was widely criticized.
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The confusion between the directing credits stems from the industry practice of not crediting the film directors, even in studio news releases. Q. David Bowers says that the attribution of these early directors often comes from a collection of contemporary publications or interviews.
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The development of Road Rash spanned a total of approximately 21 months. Breen took advantage of EA's policy of not crediting producers on box art by removing Mey's name and inserting his own. This incident led to EA abolishing the practice of box-printed credits altogether. Mey would be presented with EA's in-house "Fireman of the Year" award, an accolade given to employees with the most impact on troubled projects.
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According to Apple Vice President of User Interface Design Alan Dye, emoji redesigns were due to the advent of Animoji, Memoji, and higher resolution screens. 157 new emoji were added to iOS in October 2018. The designers of the Apple Color Emoji typeface in versions after the initial release have not been publicly credited, following Apple's standard practice of not crediting work to individuals. Former Apple employees have offered accounts of who created various designs.
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In June 2015, Priscilla Frank at The Huffington Post and Sarah Cascone at artnet made accusations of plagiarism against Dolezal. A Dolezal painting titled The Shape of Our Kind was alleged to be nearly identical to J. M. W. Turner's 1840 work, The Slave Ship. Frank accused Dolezal of plagiarism for not crediting Turner. Cascone obliquely accused Dolezal of plagiarism for declining to mention Turner's painting while offering her own painting for sale.
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Private pictures and a wedding video of Seeta Qasemie were uploaded on YouTube allegedly by her former husband. Seeta went on an interview to clarify the issue and stated her husband had put the material on Internet as a way of attacking her. Valy Hedjasi was criticised for not crediting Seeta Qasemie for the songs "Bia Tu" and "Dilbare Mehrabanam". Seeta had stated in an interview she did the singing, writing and composing of the songs.
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In October 2005, it was discovered that DR-DOS 8.1 included several utilities from FreeDOS as well as other sources, and that the kernel was an outdated version of the Enhanced DR-DOS kernel. DR DOS, Inc. failed to comply with the GNU General Public License (GPL) by not crediting the FreeDOS utilities to their authors and including the source code. After complaints from FreeDOS developers (including the suggestion to provide the source code, and hence comply with the GPL), DR DOS, Inc.
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City Lights marked the first time Chaplin composed the film score to one of his productions and it was written in six weeks with Arthur Johnston. The main theme, used as a leitmotif for the blind flower girl, is the song "La Violetera" ("Who'll Buy my Violets") from Spanish composer José Padilla. Chaplin lost a lawsuit to Padilla for not crediting him. City Lights was immediately successful upon release on January 30, 1931, with positive reviews and worldwide rentals of more than $4 million.
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The host of the podcast On Purpose, Shetty reached 52 million downloads in his first year. On Purpose became the number one health podcast in the world according to Forbes. In April 2019, Shetty was honoured with the Outstanding Achievement Online Award at The Asian Awards and in May 2019 won Best in Health & Wellness at the 11th Shorty Awards. In 2019, after criticism surfaced online about Jay Shetty not crediting sources of quotes properly, 113 questionable posts were removed from his social media profiles.
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In March 2011, the Supreme Court of the United States declined to hear the case. In October 2013, Eminem sampled Chicago-based rap group Hotstylz's 2008 viral hit, "Lookin' Boy", for his 2013 hit single "Rap God". The group claims that Eminem did not receive permission to use the sample, nor did he credit or compensate them. In November 2013, Hotstylz released a diss track towards Eminem titled "Rap Fraud", where they sample several of his songs and criticize him for not crediting them.
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It is not known for certain who directed or if both them played a directorial a role in the production. Barry O'Neil was the stage name of Thomas J. McCarthy, who would direct many important Thanhouser pictures, including its first two-reeler, Romeo and Juliet. Lloyd B. Carleton was the stage name of Carleton B. Little, a director who would stay with the Thanhouser Company for a short time, moving to Biograph Company by the summer of 1910. The confusion between the directing credits stems from the industry practice of not crediting the film directors, even in studio news releases.
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The union was founded in the aftermath of a strike at the Adelphi Theatre in London in 1890, as the United Kingdom Theatrical and Music Hall Operatives' Union. By the turn of the century, it had become a national organisation, and in 1901 renamed itself the National Union of Theatrical Stage Employees. In 1902, it affiliated to the Trades Union Congress. In 1904, the union began recruiting workers in cinemas, and renamed itself the National Association of Theatrical Employees, not crediting its cinema staff in the union name until 1936, when it became the National Association of Theatrical and Kine Employees.
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Suikoden III was developed by the same team as Suikoden II, for the most part. In June 2002, just a month before its release, some of Suikoden III's team left Konami, including series creator Yoshitaka Murayama. Programmer Keiichi Isobe took over as Senior Director after Murayama's departure. With the removal of Murayama and the other's names from the end-credits, fans speculated that a case of corporate meddling had caused him to leave, but Murayama himself denies this and claims their relations remain amicable, and that the omission of credits were due to a Konami company policy of not crediting former employees.
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In 2013, Detroit-based rapper Eminem, sampled "Lookin' Boy", for his 2013 hit single, "Rap God".The group claims Eminem did not receive permission to use the sample, nor did he credit or compensate them. In November 2013, Hotstylz released a diss track towards Eminem titled "Rap Fraud", where they sample several of his songs and criticize him for not crediting them. In January 2015, TMZ reported Hotstylz were suing Eminem and Shady Records, for the amount of $8 million, for using the 6-second sample of "Lookin' Boy" on his song "Rap God", without their permission.
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In January 2020, a special look trailer credited Eric Pearson as the screenwriter for the film, with Schaeffer and Benson receiving story credit. Additionally, Jeff Sneider of Collider pointed out that the trailer's credit block did not include a cinematographer for the film. He revealed that earlier reports suggesting that Rob Hardy was hired as cinematographer had been correct, but Hardy had left the production before filming began and instead Gabriel Beristain had served as the cinematographer for the film. Sneider wondered if contractual obstacles were to blame for Marvel not crediting Beristain so far, but felt he would be credited in marketing materials leading up to the film's release.
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Art Gillham remained in St. Louis, Billy Smythe went to Louisville, Smythe's brother-in-law Scott Middleton went to Chicago. In 1915 Billy Smythe published their musings as "Hesitation Blues" but not crediting Gillham. A dispute over the credits was resolved a few years later when Gillham and Smythe began writing other songs as a team with the sheet music stating "by the writers of Hesitation Blues". One of the first popular recordings of this song was an instrumental version by the Victor Military Band, with authorship attributed solely to Smythe. It was made on September 15, 1916 at the Victor Talking Machine Company in a Camden, New Jersey factory.
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The day after Channel 4's exposé, Blair's office issued a statement admitting that a mistake was made in not crediting its sources, but did not concede that the quality of the document's content was affected. The claims contained in the September and 'Iraq' Dossiers were called into question when weapons of mass destruction (WMD) were not found in Iraq, and the dossiers were encompassed by House of Commons Foreign Affairs Select Committee inquiry. The Committee subsequently reported that the sources should have been credited, and that the dossier should have been checked by ministers before being released. The dossier had only been reviewed by a group of civil servants operating under Alastair Campbell.
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The issue of plagiarism in folk music is problematic as copying and not crediting songs was common. Noted blues author and producer Robert Palmer states "It is the custom, in blues music, for a singer to borrow verses from contemporary sources, both oral and recorded, add his own tune and/or arrangement, and call the song his own". Folklorist Carl Lindahl, refers to these recycling of lyrics in songs as "floating lyrics". He defines it within the folk-music tradition as "lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics".
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Of the ten nominated musicals, Be More Chill was the only one to not have a performance or segment on the telecast. Host Corden, with Josh Groban and Sara Bareilles, performed a parody of "Michael in the Bathroom", a song from the show. Joe Iconis, the show's composer and sole Tony nominee, praised the parody for giving the show exposure on a large scale, but the award ceremony was nevertheless criticized by fans for not crediting the source material. New York Post‘s Riedel noted Broadway League chief Charlotte St. Martin talked about the importance of getting young people to the theater, while the ceremony almost entirely ignored a show about teenagers whose target audience was mostly teenagers.
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In 2007 Hundley was nominated for Best Artist in the Austin Critics Table Awards. Though not initially mentioned in the credits, a few of his ideas were re-created in the music video “Heaven Can Wait” by Charlotte Gainsbourg featuring Beck. Eventually the director, Keith Schofield, contacted Hundley to apologize for not crediting his work as “inspiration” for portions of the video. Although most widely known for his photography, Hundley’s work also includes sculptures and installation and has been exhibited across the US and in Berlin. Recent works have focused on assembled collages and a series of tribal inspired masks with the idea of gathering objects from contemporary culture and using them in a “tribal” way.
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Many major American motion pictures have done away with opening credits, with many films, such as Van Helsing in 2004 and Batman Begins in 2005, not even displaying the film title until the closing credits begin. George Lucas is credited with popularizing this with his Star Wars films which display only the film's title at the start. His decision to omit opening credits in his films Star Wars (1977) and The Empire Strikes Back (1980) led him to resign from the Directors Guild of America after being fined $250,000 for not crediting the director during the opening title sequence. However, Hollywood had been releasing films without opening credits for many years before Lucas came along, most notably Citizen Kane, West Side Story, 2001: A Space Odyssey and The Godfather.
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Mayr noted that many English ornithologists believed that concepts of territory had been established by Eliot Howard only in 1920. Altum noted defence of territory using song, the relationship of territory size to food availability and examined how competition or the lack of it between species decided territorial conflict or overlap between two species. Altum was a diehard creationist, and when the book was printed, it was criticized by many including Alfred Brehm with whom he particularly clashed. At a meeting of Berlin ornithologists on 6 April 1868, Brehm had commented that Altum's work was theological and teleological and was opposed to a modern understanding of zoology and that he was making birds and animals into (instinct-driven) machines by not crediting them with intelligence, thereby debasing the study of birds.
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Sal Cinquemani of Slant Magazine stated that "Battlefield" is as catchy as "Halo" and Leona Lewis' "Bleeding Love" (2007), and noted that the song's production was similar to Pat Benatar's "We Belong" (1984). This was echoed by Caroline Sullivan of The Guardian, who wrote that "there's an inner Pat Benatar struggling to get out." Nate Chinen of The New York Times stated that on "Battlefield", Sparks' "sounds vexed but in control, and undaunted by the copyright interests of Pat Benatar, who preferred her battlefield metaphors in declarative form", referring to Benatar's "Love Is a Battlefield" (1983). Joanna Hunkin of The New Zealand Herald noted that the song's lyrics were similar to Benatar's "Love Is a Battlefield", and criticized Sparks for plagiarism and not crediting Benatar as an inspiration.
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Fanney Khan was initially scheduled for an Eid release on 15 June 2018, but it was postponed until 3 August 2018. After the release of Fanney Khan's trailer and poster in June 2018, Vashu Bhagnani sent a legal notice to its producers for not crediting him as the distributor and co-producer of the film. As per Bhagnani's claim, he had entered into an agreement with Prernaa Arora of KriArj Entertainment to acquire the all India distribution rights of the film, which also entitled him to be credited as co-producer of the film. Replying to this, Ankit Relan from the legal team of T-Series said that T-Series was never consulted or informed about this arrangement and since the movie is being jointly produced by multiple producers, KriArj Entertainment does not have the right to grant distribution rights to anyone without taking consent from them.
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Following a New York Times profile of Harmon revealing her as the original creator of the dance, D'Amelio received internet backlash for not crediting Harmon, which prompted D'Amelio to begin regularly crediting those who created the dances she performs. She joined the collaborative TikTok content house, The Hype House, in November 2019 alongside her sister, Dixie, but left in May 2020. In late 2019, former Sony Music executive Barbara Jones signed D'Amelio to her management company, Outshine Talent, and in January 2020, D'Amelio signed with United Talent Agency along with the rest of her family. Singer Bebe Rexha invited D'Amelio to perform alongside her during her opening performance for the Jonas Brothers in November 2019. That same month, she held her first meet-and-greet, which attracted a crowd of about 400 people, and began posting on her self-titled YouTube vlog channel. In February 2020, she appeared in a Super Bowl commercial for Sabra Hummus along with other celebrities.
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