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22 Sentences With "not appreciative"

How to use not appreciative in a sentence? Find typical usage patterns (collocations)/phrases/context for "not appreciative" and check conjugation/comparative form for "not appreciative". Mastering all the usages of "not appreciative" from sentence examples published by news publications.

When they're not appreciative to me, they're not appreciative to the Army Corps of Engineers, they're not appreciative to FEMA.
When they're not appreciative to me, they're not appreciative to the Army Corps [of Engineers], they're not appreciative to FEMA.
"When they're not appreciative to me, they're not appreciative to the Army Corps, they're not appreciative to FEMA," Trump said.
She also was not appreciative of how smartphones had affected other children around him.
Still, Mossack was not appreciative of the recent data leak that has been dubbed the Panama Papers by the international media.
"I can never say that I don't love 'Party in the USA.' and that I'm not appreciative of it," Cyrus said.
" Darcy adds: When Diamond got a chance to ask his question, he pressed Trump on last Friday comments about not phoning governors who are not "appreciative.
I mean, Ukraine, I'm sure, is not appreciative of the fact that their business is all out there in the open like this, especially after the transcript was released.
Speaking Friday, Wang Zhonglin, party chief of Wuhan, the virus-hit capital of Hubei province, said that people in the city -- much of which remains on lockdown -- were not appreciative enough.
That's not to say he's not appreciative of everything the hospitals have done, from the surgeons at Montefiore who operated on them to the staff at Blythedale who worked tirelessly to get Jadon and Anias to this point.
"When I saw things like, 'Well, we were never friends,' and, 'She's not appreciative,' and things like that, I'm thinking all the things that we did together – like all the time at the mansion, from all the traveling around the world," Marquardt tells Wilkinson.
The institutional expression of Sufism became illegal in Turkey; a politically neutral form of Sufism, functioning as social associations, was permitted to exist. The abolition of the caliphate and other cultural reforms were met with fierce opposition. The conservative elements were not appreciative, and they launched attacks on the Kemalist reformists.
The government was not appreciative and the NCP members were suspended. In October 2013, the 31 signatories, led by Dr. Atabani, announced that they were resigning from the NCP, to found a new party. The key figures, alongside Dr. Atabani, included former Sports Minister Hassan Osman Riziq and the assembly- member Fadlallah Ahmed Abdallah.
A bather (played by Willy Mullens) who is lounging in a beach chair is surprised by a sudden onset of water. He quickly pulls his pants off to keep them dry. A policeman is not appreciative and trouble grows, witnessed by a growing crowd. The bather tries to escape by disguising himself as a woman, and flees across the village but is eventually caught by the collar.
She passed SLC in 2029 BS but did not continue her studies. She started acting at age 11, as a child actor in stage performances in Pashupati. She married in 2030 BS. She was employed at Nepal Rastra Bank for 16 years, before she resigned to pursue acting full-time. Her family was not appreciative of her choice to leave a secure government job to pursue a career in acting.
Schweikart tells Kim HHM is not appreciative of her talents and offers her a position at his firm. Kim considers the offer while sitting at a bar, and begins talking to a man she recognizes as a potential mark. She calls Jimmy to join her, and they successfully complete another con, followed by another night together. Kim decides to leave HHM and establish her own solo practice, with Jimmy forming a solo practice in the same office so they can share expenses.
The critics acknowledged the historical research she did on dance in ancient Egypt, but they were not appreciative of her choreography as staged for this production. Subsequently, Dunham undertook various choreographic commissions at several venues in the United States and in Europe. In 1966, she served as a State Department representative for the United States to the first ever World Festival of Negro Arts in Dakar, Senegal. In 1967 she officially retired, after presenting a final show at the famous Apollo Theater in Harlem, New York.
After the script was ready, Nagi Reddy approached C. Pullaiah to direct the remake after considering B. N. Reddy. Pullaiah was not appreciative of Narasa Raju's treatment of the script and Nagi Reddy met his partner Aluri Chakrapani to develop the script further. Chakrapani decided to retain only the background of Gundamma's family from the original and rewrote the remaining script, taking inspiration from William Shakespeare comedy, The Taming of the Shrew. Chakrapani killed the character of Gundamma's cowardly husband because he felt that a husband who cannot answer his wife's questions was not eligible for inclusion.
While parents were concerned with negligence and harsh treatment of children, Sara Riel who was a Grey Nun involved in the school, wrote to her brother Louis Riel that she felt parents were not appreciative of the teaching services especially language training. English lessons were dropped from curriculum in 1876. The school temporarily was relocated to the Beauval Indian Residential School at Lac la Plonge, but returned in 1917 where the Grey Nuns renamed the operation the School of the Holy Family. Fires would subsequently occur in both 1920 and 1921, however, instruction continued in the following years.
For instance, in order to simulate the protagonist walking, John Arnold, executive head of photography at MGM, developed a new kind of camera dolly, with four independent wheels, allowing the dolly to walk through doors and up stairs. A seat was also attached to the front of the dolly for Montgomery to sit in, so that the actors could see and play off of him as filming took place. For the fight scenes, Paul Vogel, the director of photography, used a modified Eyemo camera with a flexible shoulder harness. Reviews of the film were not appreciative of the new approach.
The actor said that Liam and Jen are "very close" and he has "looked out for Jen forever"; however Jen is not "appreciative" of Liam getting involved in her and Tilly's relationship as it does not concern him. Farrar said that his chemistry with Downham "is buzzing" and that "a few of the directors have said that we've got quite a natural click between us". E4's official Hollyoaks website described Liam as someone who has "come to Hollyoaks in search of fun and adventure" and is "Laid-back, easy-going, charming, sporty, with a close bond to his sister Jen. Lives for today".
In about 1918 Villa-Lobos abandoned the use of opus numbers for his compositions as a constraint to his pioneering spirit. With the piano suite Carnaval das crianças (Children's carnival) of 191920, Villa-Lobos liberated his style altogether from European Romanticism: the suite, in eight movements with the finale written for piano duet, depicts eight characters or scenes from Rio's Lenten Carnival. In February 1922, a festival of modern art took place in São Paulo and Villa-Lobos contributed performances of his own works. The press were unsympathetic and the audience were not appreciative; their mockery was encouraged by Villa-Lobos's being forced by a foot infection to wear one carpet slipper.

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