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"nonsynchronous" Definitions
  1. not synchronous : not happening, moving, or existing at the same time

5 Sentences With "nonsynchronous"

How to use nonsynchronous in a sentence? Find typical usage patterns (collocations)/phrases/context for "nonsynchronous" and check conjugation/comparative form for "nonsynchronous". Mastering all the usages of "nonsynchronous" from sentence examples published by news publications.

A repetitive, regularly accented pulse-group is called a metre. Varied pulse groups equals non- isochronal multiple level . Pulses can occur at multiple metric levels - see figure. Pulse groups may be distinguished as synchronous, if all pulses on slower levels coincide with those on faster levels, and nonsynchronous, if not.
The stalking nature of the shots reveals the inhumanity of the camera. The film does not make a claim to realism or objective expertise regarding the collapse of Communism but instead examines the individual stories of characters in intimate ways, surveying their fear of the surrounding political opacity. Akerman presents a continuous, nonsynchronous montage of images and sounds, provoking unfiltered optical and auditory impressions. The smoothness of the visual continuity is used as a tactic to accentuate the effects of narrative disjunction and discontinuity.
In nonsynchronous operation, the transfer of data between the channel and the storage control is not synchronized with the transfer of data between the storage control and the device. Channel programs can be executed such that channel and storage control activities required to end execution of one command and advance to the next do not have to occur during the inter-record gap between two adjacent fields. An intermediate buffer in the storage control allows independent operations between the channel and the device. A major advantage of ECKDs is far longer cables; depending upon application it may improve performance.
Prior to the 1981 introduction of the 3880 director, CKD records were synchronously accessed, all activities required that one CCW be ended and the next initiated in the gaps between the CKD fields. The gap size placed limitations on cable length but did provide for very high performance since complex chains of CCWs could be performed by the subsystem in real time without use of CPU memory or cycles. Nonsynchronous operation provided by the Extended CKD ("ECKD") set of CCWs removed the gap timing constraint. The five additional ECKD CCWs are Define Extent, Locate Record, Write Update Data, Write Update Key and Data, and Write CKD Next Track.
Buñuel has been hailed as a pioneer of the sound film, with L'Age d'Or being cited as one of the first innovative uses of sound in French film. Film scholar Linda Williams has pointed out that Buñuel used sounds, including music, as nonsynchronous counterpoint to the visual image, rather than redundant accompaniment, in accordance with theories that had been advanced by Sergei Eisenstein and others in a 1928 manifesto on the sound film. Critic Marsha Kinder has posited that Buñuel's years as a film dubber in Europe and Hollywood put him in the position of "mastering the conventions of film sound, to subvert them more effectively". In his later years, Buñuel was almost completely deaf, but he continued to assert control over the sound effects in his films, such as The Discreet Charm of the Bourgeoisie, in which seemingly important speech, especially political discourse, is often drowned out by the noise of urban life, in such a systematic manner that Kinder has identified Buñuel as one of the first professional sound designers in cinema.

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