Which gives TMCM that magical "nonstory aspect of Seinfeld,' " Hack reasons.
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I disagree with people who say that the server was a nonstory.
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Here's an edited version: Julian Zelizer: The biggest nonstory comes to an end.
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One reporter trying to distort 18 yr old nonstory to sow seeds of division.
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Does the Tchaikovsky ballet "The Sleeping Beauty" tell a story, or is it just a nonstory?
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In the end, it turned out to be a nonstory, as the "fake" artists were aliases for real musicians.
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Part of me wonders if this would have been a nonstory if Google had just announced this in advance.
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We&aposll also callout the media for yet another pathetic display of their misplaced anti-Trump outrage in a scare over a nonstory.
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She thought using a private email was another nonstory ('the biggest nothing burger') started by the Times and amplified by her political rivals.
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While she rejects the Clinton campaign's insistence that the private email server was a nonstory, she regrets that Emailgate became a dominant narrative of the campaign.
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It's difficult to report on a negative, and the fact that Clinton's campaign hasn't been the scene of staff turmoil, semi-public infighting, and damaging leaks is in some ways the definition of a nonstory.
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"This is a nonstory because to the best of our knowledge, no contacts took place, so it's hard to make a comment on something that never happened," Sarah Huckabee Sanders, a White House spokeswoman, said on Monday.
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"After all of this phony, fake, Russia-collusion nonstory, the number one thing that voters in America stand with Donald Trump on, it's the idea that they want the pause button hit on immigration from Islamic countries because of the problems that are coming into this country," Bachmann said at a forum for GOP candidates running for governor of Minnesota, the Pioneer Press reported Wednesday.
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Castro Street (1966) is a visual nonstory documentary film directed by Bruce Baillie.
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US News and World Report reported that the nature of the coverage of the protests has become part of the story. On CNN's Situation Room, journalist Howard Kurtz commented that "much of the media seems to have chosen sides". He says that Fox News portrayed the protests "as a big story, CNN as a modest story, and MSNBC as a great story to make fun of. And for most major newspapers, it's a nonstory".
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In September 2013, the Office of Congressional Ethics recommended further review of an August 2012 incident in which Bishop was accused of soliciting a campaign contribution from hedge fund magnate Eric Semler in exchange for acting in an official capacity to obtain a fireworks permit for Semler's son's bar mitzvah on Long Island. Bishop denied the allegations as "outrageous, unfounded attacks on my character and my family". After the incident was picked up by the media, Semler called the allegations a "nonstory". The Federal Bureau of Investigation investigated the incident.
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Lucas saw many inspiring films in class, particularly the visual films coming out of the National Film Board of Canada like Arthur Lipsett's 21-87, the French-Canadian cameraman Jean-Claude Labrecque's cinéma vérité 60 Cycles, the work of Norman McLaren, and the documentaries of Claude Jutra. Lucas fell madly in love with pure cinema and quickly became prolific at making 16 mm nonstory noncharacter visual tone poems and cinéma vérité with such titles as Look at Life, Herbie, 1:42.08, The Emperor, Anyone Lived in a Pretty (how) Town, Filmmaker, and 6-18-67. He was passionate and interested in camerawork and editing, defining himself as a filmmaker as opposed to being a director, and he loved making abstract visual films that created emotions purely through cinema. After graduating with a bachelor of fine arts in film in 1967, he tried joining the United States Air Force as an officer, but he was immediately turned down because of his numerous speeding tickets.
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It declares cinema to be its own independent art form that should not borrow from literature or stage. As such, "pure cinema" is made up of nonstory, noncharacter films that convey abstract emotional experiences through unique cinematic devices such as camera movement and camera angles, close-ups, dolly shots, lens distortions, sound-visual relationships, split-screen imagery, super-impositions, time- lapse photography, slow motion, trick shots, stop-action, montage (the Kuleshov Effect, flexible montage of time and space), rhythm through exact repetition or dynamic cutting and visual composition. Cinéma pur started around the same period with the same goals as the absolute film movement and both mainly concerned dadaists. Although the terms have been used interchangeably, or to differentiate between the German and the French filmmakers, a very noticeable difference is that very few of the French cinéma pur films were totally non-figurative or contained traditional (drawn) animation, instead mainly using radical types of cinematography, special effects, editing, visual effects and occasionally some stop motion.
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