52 Sentences With "non realistic" | Random Sentence Generator

But today you're getting non-realistic vibrators that don't even look like sex toys.

We used the musical parts to drive the environment in the form of non-realistic massive celestial events.

Confalonieri told Mediaset's annual shareholder meeting on Wednesday that forming a pan-European player was "seen as something non-realistic" until recently.

There's the same sense of remixing objects in an existing toybox to deconstruct and subvert a popular franchise, and a lot of the humor is the same mix of very specific lore references and the general juxtaposition of serious scenarios with inherently silly-looking characters and non-realistic world design.

The Metro Exodus demo involved sunlight from a window entering a room through a window in real time, with Nvidia's RTX rendering the light inside a room far more accurately so that game developers can hide enemies and other objects out of a view without having to light up the entire room in a non-realistic fashion.

Finnish law specifically prohibits either real or realistic imagery which sexually depicts children. The illegality thus excludes non- realistic imagery.

Specifically, Black Children's Day draws on elements of Metatheatre and surrealism to explore non-realistic characters in a chaotic sense. Many of Kennedy's plays are "autobiographically inspired".

He began writing plays in the late 1950s. His theatrical works belong to the genre of absurdist fiction, intended to shock the audience with non-realistic elements, political and historic references, distortion, and parody.

They are blinded by the ideology of a utopian life preventing them of seeing the reality behind such scheme. A non-realistic world created in their heads by promises and the desire to have a better life.

In the 19th century, the sculptors Auguste Rodin and Edgar Degas created a more personal and non-realistic style, which led the way to modernism in the 20th century, and the sculpture of Pablo Picasso, Georges Braque, Marcel Duchamp and Jean Arp.

Her best-known novel Ice has been described as slipstream, a non-realistic fiction that crosses conventional genre boundaries, where Borges' Fictions, Calvino's Invisible Cities or Ballard's Crash are cited as 'canon of slipstream writing'.A Working Canon of Slipstream Writing compiled in Readercon 18, 2007.

The play was successfully staged by The Theater Studio of the Moscow Art Theater in 1905. This production was directed by Vsevolod Meyerhold and designed by Nikolai Sapunov and Sergei Sudeikin. The production was marked by non-realistic scenery and planned still pictures and poses instead of movement.

The opera is non-realistic in its presentation, with only one through-character, the Art Banker. Indeed, when Goya does appear, it is not the result of cloning, but a purely fantastical device. Four other performers play different roles in each section who are thematically connected. In addition, two actors are called for in non-speaking roles.

It premiered in 2001 produced by Teesri Duniya and directed by Jack Langedijk. It used a non-realistic, live music, minimalist set and a chorus. It was translated into Hindi as Zahreeli Hawa in 2003 by translator/director Habib Tanvir. It was produced by Cahoots Theatre Projects in 2003 at the Theatre Centre in Toronto, directed by Guillermo Verdecchia.

However the material, Pentalic marble from north of Athens, and the rigorous composition settle the question in favour of an Attic origin. The Kore of Lyons is evidence of a stylistic syncretism. Its hesitant proportions, the stiff awkward robustness and the non-realistic details allow the statue to be dated to the "mature" Archaic period, around 550-540 BC.

It was a non-realistic presentation, using giant slides and specially designed music, the first production of the kind in the country. Baqi Itihas was followed by a wide range of plays in translation from English, Bengali, Marathi, Kannada, in addition to those originally in Hindi; Andha Yug, Suno Janmejaya, Adhe-Adhure, The Cave Dwellers, Antigone, Garbo, Candida, Father, Sleuth, Barefoot in Athens, The Caretaker etc.

Players can choose to play as one of nine classes in these teams, each with different strengths and weaknesses. Unlike most other Source-powered games, Team Fortress 2 features a cartoon art style and non-realistic graphics. Team Fortress 2 was very well received by critics; it was particularly praised for its unique artistic direction and graphics. It is the only multiplayer game to appear in the collection.

Saward, p. 163 Rubens painted a scene of the event in a more heroic nature rather than showing the accuracy of realistic elements. According to historical records of the Queen's escape, this painting is not truthfully reflecting the moment of the occurrence. Rubens did not include many of the negative aspects of the event, fearing that he would offend the Queen, which resulted in the paintings non-realistic nature.

But Green had begun to shift from the realistic style of his early work. In 1928–29 he traveled to Europe on a Guggenheim Fellowship and was impressed by the non-realistic productions that he saw there. He began to experiment with expressionism and the Epic theatre of Bertolt Brecht and Erwin Piscator. In the 1930s Green largely abandoned the New York theatre, whose commercialism he found distasteful.

Example of a modern cartoon. The text was excerpted by cartoonist Greg Williams from the Wikipedia article on alt=A cartoon shows a bearded man with a red bow tie holding numerous items. He holds the hat from Dr. Seuss's "The Cat in the Hat" and balances a fishbowl on his left index finger. A cartoon is a type of illustration, sometimes animated, typically in a non-realistic or semi-realistic style.

He emigrated to London in 1966, then to Paris in 1968 and wrote primarily in French, often with themes condemning the Francoist State. He died in Paris of cancer. In his early years in Spain he wrote a number of plays, notable for their bizarre themes and highly innovative and non-realistic theatrical technique (see S.G. Feldman's study, referenced below). After emigrating to France he wrote many novels, all in French and listed below.

Taverner is an opera with music and libretto by Peter Maxwell Davies. It is based on the life of the 16th-century English composer John Taverner, but in what Davies himself acknowledged was a non-realistic treatment.Davies, Peter Maxwell, "Taverner: Synopsis and Documentation" (1972). Tempo (New Ser.), 101: pp. 4-11. The gestation for the opera dated as far back as 1956 during Davies's years in Manchester, and continued when he went to Princeton University in 1962.

For example: bunny hopping or strafe jumping can be used to move faster than normal, while rocket jumping enables the player to reach otherwise-inaccessible areas at the cost of some self-damage. The player can start and stop moving suddenly, jump unnaturally high, and change direction while moving through the air. Many of these non-realistic behaviors contribute to Quakes appeal. Multiplayer Quake was one of the first games singled out as a form of electronic sport.

Just as in the description of the theatre's initial performance, the majority Lugné-Poe's stage settings were simple, non-realistic representations of line and color on canvas backdrops. He sought to create a theatre of poetry and dreams while staying true to his motto, "The word creates the decor." The staging was atmospheric and the acting stylized; costumes were usually simple and “timeless.” Some designers included Henri de Toulouse-Lautrec, Maurice Denis, Odilon Redon, Pierre Bonnard, and Vuillard himself.

Despite the game's apparent old west setting, its storyline sent the hero, Buck, into some noticeably non-realistic settings. For example, at one point Buck walks through a cave and ends up in a prehistoric jungle populated with dinosaurs. Also, the game provided Buck with three lives. As he lost those lives, the player would see him limp by humorously on crutches, or be humorously carried away on a stretcher — a noticeable break from the game's otherwise dark and mature themes.

His experiments in non-realistic drama, Tread the Green Grass (1932) and Shroud My Body Down (1934), both premiered in Chapel Hill. They were never professionally produced in New York. During the summer of 1936, Green, Cheryl Crawford, Kurt Weill and Weill's wife Lotte Lenya rented an old house in Nichols, Connecticut, near the summer rehearsal headquarters of the Group Theatre at Pine Brook Country Club. Green returned to the Group Theatre to write his pacifist musical play, Johnny Johnson, with a score by Kurt Weill.

A photorealistic 3D render of 6 computer fans using radiosity rendering, DOF and procedural materials Rendering is the final process of creating the actual 2D image or animation from the prepared scene. This can be compared to taking a photo or filming the scene after the setup is finished in real life. Several different, and often specialized, rendering methods have been developed. These range from the distinctly non-realistic wireframe rendering through polygon-based rendering, to more advanced techniques such as: scanline rendering, ray tracing, or radiosity.

Ultimately, Siegel answered the question about his move to the political right and the religious left through the concept of realism: > The besetting error of liberal political thinking is the tendency to see > issues in non-realistic terms. To make real and meaningful political choices > is to make choices between real alternatives, not desired alternatives. You > choose between real options; not imagined or idealized ones....So the more > realistic moralist would seek options other than the trendy sloganeering of > the liberals. The same is true regarding the halakhic problems facing us.

Others stated that the intended law would limit artistic expression, patrol peoples' imaginations, and that it is safer for pedophiles' fantasies "to be enacted in their computers or imaginations [rather] than in reality". The current law was foreshadowed in May 2008, when the Government announced plans to criminalise all non-realistic sexual images depicting under-18s. These plans became part of the Coroners and Justice Act 2009, sections 62–68,Coroners and Justice Act 2009 - 2009 c. 25 - Part 2 - Chapter 2 - Prohibited images and came into force on April 6, 2010.

Much of his work is a non-realistic but contains depictions or signs of recognizable faces or objects. More recently he has done more in an abstract mode. However, the line between representation and abstraction is often a difficult one in his work, such as his more recent "Firmament Series" – abstract canvases that can also be read as referring to constellations or stars, or groups of rocks. Besides paintings Brown has also produced sculptures and series of prints at various points in his career, and in the 1990s started to heavily utilize collage.

The novel is usually interpreted by critics as either a criticism of fascist Italy, disguised by the use of allegoric figures and by the adoption of a non-realistic style, or as the chronicle of a dream-like voyage. Themes revolving around social injustice, which will be central in Vittorini's future work, are already present. The protagonist and author share many of the same experiences - growing up in a railway family, travelling widely by rail around Sicily and Italy, working in northern Italy as a typesetter, and illness.

However, many other writers have chosen to use science fiction and non-realistic formats in order to explore cultural conventions, particularly gender roles. This article discusses works that have explored or expanded the treatment of gender in science fiction. In addition to the traditional human genders, science fiction has extended the idea of gender to include transgender humans and hypothetical alien species and robots, and imagined trans-real genders, such as with aliens that are truly hermaphroditic or have a "third" gender, or robots that can change gender at will or are without gender.

The Garden of Earthly Delights in the Museo del Prado in Madrid, c. 1495–1505, by Hieronymus Bosch Fantastic art is a broad and loosely defined art genre. It is not restricted to a specific school of artists, geographical location or historical period. It can be characterised by subject matter – which portrays non-realistic, mystical, mythical or folkloric subjects or events – and style, which is representational and naturalistic, rather than abstract – or in the case of magazine illustrations and similar, in the style of graphic novel art such as manga.

Critical reception of Arreola’s short stories in general was largely divided. Though Arreola is considered one of Mexico’s premier historical writers today, his stories did not deal with the usual type of social commentary on Mexican life. Instead, they resembled the work of writers like Franz Kafka and Albert Camus and their examination of the human condition. Though some consider him to be a pioneer in the field on non-realistic literature, critics of him felt that social conditions in Mexico demanded a more realistic examination of the inequalities.

A new form of political theatre emerged in the twentieth century with feminist authors like Elfriede Jelinek or Caryl Churchill, who often make use of the non-realistic techniques detailed above.. During the 1960s and 1970s, new theatres emerged addressing women's issues. These theatres went beyond producing feminist plays, but also sought to give women opportunities and work experience in all areas of theatrical production which had heretofore been dominated by men. In addition to playwright, producers, and actors, there were opportunities for women electricians, set designers, musical director, stage managers, etc.

Frantic Assembly was formed in 1994 by Scott Graham, Steven Hoggett and Vicki Middleton, students from Swansea University. None of the three studied drama or any of the arts, but were inspired by theatre and wanted to create their own unique company. They wanted to create non-realistic pieces through the use of much movement and music, although they have always said that this should never stray away from the storyline. Their most notable production, in co-operation with The National Theatre, is The Curious Incident Of The Dog In The Night-Time, which won a Tony award for Best Play in 2016.

The construction of Johann Dieter Wassmann trades heavily on the aesthetic philosopher Samuel Taylor Coleridge's notion of suspension of disbelief to justify the use of certain fantastic or non-realistic elements. Coleridge asserts that if the author can bring a "human interest and a semblance of truth" into a fantastic tale, the reader/viewer will withhold judgement on any improbability that might normally render the story doubtful, a contention the artist is reliant on for his audience to fully engage.Tomko, Michael. "Politics, Performance, and Coleridge's 'Suspension of Disbelief'," Victorian Studies, Volume 49, Number 2, Winter 2007.

Historicisation is also employed in order to draw connections from a historical event to a similar current event. This can be seen in the plays Mother Courage and Her Children and The Good Person of Szechwan, both written by Brecht, which comment on a current social or political issue using historical contexts. Brecht, too, advised treating each element of a play independently, like a music hall turn that is able to stand on its own. Common production techniques in epic theatre include a simplified, non-realistic scenic design offset against a selective realism in costuming and props, as well as announcements or visual captions that interrupt and summarize the action.

Cosgrove "Living" 59 Like other Living Newspapers to follow, it employed the "Voice of the Living Newspaper," a disembodied voice which commented on and narrated the action; shadows; image projections; elaborate sound design, with sound effects and music; abrupt blackouts and scene changes; and other non-realistic devices to keep the audiences' attention and support the message of the play. A minor Living Newspaper, Events of 1935, followed Triple-A Plowed Under. A collage of scenes from many 1935 news events, ranging from celebrity gossip to major legal cases, 1935 ran for only 34 performances. Cosgrove identifies it as the "least successful" of all the Living Newspapers.

Production, possession, distribution of child pornography in all its forms is illegal in Italy. Italian law clearly designates child pornography as "portraying or visually depicting any minor engaged or involved in sexually explicit activities, as well as the simple lascivous exhibition or genitals or of the pubic region". From 2 March 2006, prohibition also extends to simulated child pornography in a specific legal designation that defines virtual imagery as "images realized through the modification of real photographs or images of minors, or parts thereof, with graphic elaboration techniques ... whose quality makes non-real situations appear as real". This excludes drawings, cartoons, and other non-realistic simulated child pornography.

87 Besides the films' popularity within Germany, by 1922 the international audience had begun to appreciate German cinema, in part due to a decreasing anti-German sentiment following the end of World War I. By the time the 1916 ban on imports was lifted, Germany had become a part of the international film industry. Various European cultures of the 1920s embraced an ethic of change and a willingness to look to the future by experimenting with bold, new ideas and artistic styles. The first Expressionist films made up for a lack of lavish budgets by using set designs with wildly non- realistic, geometrically absurd angles, along with designs painted on walls and floors to represent lights, shadows, and objects.

Boime asserts that while Van Gogh never mentioned astronomer Camille Flammarion in his letters, he believes that Van Gogh must have been aware of Flammarion's popular illustrated publications, which included drawings of spiral nebulae (as galaxies were then called) as seen and photographed through telescopes. Boime interprets the swirling figure in the central portion of the sky in The Starry Night to represent either a spiral galaxy or a comet, photographs of which had also been published in popular media. He asserts that the only non-realistic elements of the painting are the village and the swirls in the sky. These swirls represent Van Gogh's understanding of the cosmos as a living, dynamic place.

Raj Bisaria invited Delhi groups to produce, under TAW’s auspices, plays in Hindi with a view to making local groups conscious of the potentialities and challenges of Hindi theatre. TAW’s first Hindi play was Baqi Itihas, a translation of Badal Sircar’s Bengali play on a thrust stage. It was a non-realistic presentation, using giant slides and specially designed music, the first production of the kind in the country. Baqi Itihas was followed by a wide range of plays in translation from English, Bengali, Marathi, Kannada, in addition to those originally in Hindi; Andha Yug, Suno Janmejaya, Aadhe-Adhure, The Cave Dwellers, Antigone, Garbo, Candida, Father, Sleuth, Barefoot in Athens The Caretaker, The Public Eye etc.

Dr. Seuss's story had originally appeared on a children's record, scored by Billy May, issued by Capitol Records, and read by radio veteran Harold Peary as "The Great Gildersleeve".Gerald McBoingBoing artwork This film was the first successful theatrical cartoon produced by UPA after their initial experiments with a short series of cartoons featuring Columbia Pictures stalwarts The Fox and the Crow. It was an artistic attempt to break away from the strict realism in animation that had been developed and perfected by Walt Disney. Cartoons did not have to obey the rules of the real world (as the short films of Tex Avery and their cartoon physics proved), and so UPA experimented with a non- realistic style that depicted caricatures rather than lifelike representations.

His first novel Liadhen was shortlisted in the 1994 Angus and Robertson Bookworld First Novel Award,The Journal of Commonwealth Literature, Vol. 31, No. 3, 3-43 (1996) and published by Wakefield Press in 1995. Although heralded as part of the first wave of the Australian Grunge Lit movement, Liadhen is in fact a dreamlike and non-realistic story set in a fictional town in the Australian Alps, and incorporating few of the traits of urban-based dirty realism that characterised that movement.Kirsty Leishman, 'Australian grunge literature and the conflict between literary generations', Journal of Australian Studies, 23:63,94 — 102 (1999) / 'Lit Grit Invades Oz-Lit', Murray Waldren, Rolling Stone (1995) Winch's next novel, My Boyfriend's Father (Wakefield Press, 1996), was closer to the grunge mould.

The personal, innovative and creative traditions of Western European religious art were largely lacking in Russia before the 17th century, when Russian icon painting became strongly influenced by religious paintings and engravings from both Protestant and Catholic Europe. In the mid-17th-century changes in liturgy and practice instituted by Patriarch Nikon resulted in a split in the Russian Orthodox Church. The traditionalists, the persecuted "Old Ritualists" or "Old Believers", continued the traditional stylization of icons, while the State Church modified its practice. From that time icons began to be painted not only in the traditional stylized and non-realistic mode, but also in a mixture of Russian stylization and Western European realism, and in a Western European manner very much like that of Catholic religious art of the time.

Films that have attempted photorealistic human characters, such as The Polar Express, Beowulf,Digital Actors in 'Beowulf' Are Just Uncanny – New York Times, November 14, 2007 and A Christmas Carol have been criticized as "creepy" and "disconcerting". The goal of computer animation is not always to emulate live action as closely as possible, so many animated films instead feature characters who are anthropomorphic animals, legendary creatures and characters, superheroes, or otherwise have non-realistic, cartoon-like proportions. Computer animation can also be tailored to mimic or substitute for other kinds of animation, like traditional stop-motion animation (as shown in Flushed Away or The Lego Movie). Some of the long-standing basic principles of animation, like squash & stretch, call for movement that is not strictly realistic, and such principles still see widespread application in computer animation.

Destruction at Nahr al-Bared, 2007 Such accusations are believed, on the other hand, to be biased and non-realistic for numerous reasons, one of which is the fact that the Palestinian refugees are armed and the Lebanese Army is de-facto banned from entering into the camps due to the existence of heavy arms and balanced tensions between Lebanese communities, in which the Lebanese leftist and Islamic politicians wave out the option of having Lebanese Army control over the camps. The other reason why the critics, who most hold the Israeli citizenship live and work in Israel, criticize Lebanon, is that they ignored the critical Lebanese demography, having the 40% Christians holding the presidency, army and central bank, in addition to the Shiites (including Hezbollah) and Druze, not in favor of empowering the Sunni Palestinians.

Instead writing in the United States quickly returned to its realist orthodoxy and the term irrealism fell into disuse. In recent years, however, the term has been revived in an attempt to describe and categorize, in literary and philosophical terms, how it is that the work of an irrealist writer differs from the work of writers in other, non-realistic genres (e.g., the fantasy of J.R.R. Tolkien, the magical realism of Gabriel García Márquez) and what the significance of this difference is. This can be seen in Dean Swinford's essay Defining irrealism: scientific development and allegorical possibility. Approaching the issue from a structuralist and narratological point of view, he has defined irrealism as a "peculiar mode of postmodern allegory" that has resulted from modernity’s fragmentation and dismantling of the well-ordered and coherent medieval system of symbol and allegory.

Child pornography laws in the United States specify that child pornography is illegal under federal law and in all states and is punishable by up to 20 years' imprisonment or fine of $5000. The Supreme Court of the United States has found child pornography to be "legally obscene", a term that refers to offensive or violent forms of pornography that have been declared to be outside the protections of the First Amendment to the United States Constitution. Federal sentencing guidelines on child pornography differentiate between production, distribution, and purchasing/receiving, and also include variations in severity based on the age of the child involved in the materials, with significant increases in penalties when the offense involves a prepubescent child or a child under the age of 12. U.S. law distinguishes between pornographic images of an actual minor, realistic images that are not of an actual minor, and non-realistic images such as drawings.

Much of his production work continues to be screened on a regular basis and maintains a good public profile, including recent articles in The Guardian. Fero has directed a number of documentary films around social injustice and ethnic minority issues including commissions for the BBC, Channel 4 and Sky TV. He is also Senior Lecturer of Media Production at Coventry University's Department of Media as well as Lecturer at RSDFM (Regent's School of Drama, Film and Media) at Regent's University London, and Visiting Lecturer on the MA in Documentary Practice at Brunel University and a Visiting research Fellow at Goldsmith's College in the Centre for Cultural Studies. He also delivers lectures internationally. His background in Fine Art and time-based work has recently led to research interest in the practice of a "documentary of force" by engaging in experimental reimaging practices and an essayistic approach that are clearly non-realistic, manipulative and anti-narrative.

It is a non-realistic figure, not intended to describe its visual appearance or to serve in analytic speculation, but to allude, lyrically. To a general human condition in the midst of unreal and metaphoric scenes. These paintings move about in an atmosphere of deferred effusiveness, of watchfulness, of doubt, of silence, of coldness. Yet, inside, there is a burning fire perceived in the images, affording them a secret and intense underlying life.” Written by the art critic Peran ERMINY (Politano Art Catalog, Venezuela, 2002) ”Today is a great day for the artist that we have the honour to introduce to you; a great day for Politano, since it becomes visible that a new era of rewards to his efforts begins, his desire to project himself in an international way taking with him, as Italian-Venezuelan, the Italian and Venezuelan flags interweaved, with his message of humanity, faith and peace to the whole world.