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18 Sentences With "no big thing"

How to use no big thing in a sentence? Find typical usage patterns (collocations)/phrases/context for "no big thing" and check conjugation/comparative form for "no big thing". Mastering all the usages of "no big thing" from sentence examples published by news publications.

"We do this in the movie, so it's like no big thing at this point," Bell says.
It's Tom Hanks, though, so are we really surprised that he's remaining upbeat and handling this like it's no big thing?
It had always been accepted when I was playing piano with Iggy in the '70s—no big thing was made of it.
There's even a chance Falcon 9 will prove everyone wrong and land itself neatly onto the droneship like it was no big thing at all.
If you were planning to give the gift of travel to a loved one this Valentine's Day but kept putting off the purchase, it's no big thing.
This time I had to scratch out the northeast corner, having tossed down "tonne", instead of GROSS, for "shipping quantity" like it was no big thing (that being what we hipsters do).
Simmons stopped by for an installment of our garden-fresh cooking column Dirty Work and whipped up Marcona almond gazpacho with grilled shrimp, grilled lamb with summer vegetables, and even a ground cherry cocktail like it was no big thing.
For instance, she asserts that graphic crotch pictures have become such "a fact of life for both adults and teens" that Representative Anthony D. Weiner's sending of an explicit photo of himself to a college student over Twitter — which led to his disgrace and resignation in June 2011 — might now "be viewed as no big thing."
While it can feel like no big thing to pay a little extra for oat milk when you're already dropping money on a latte or cappuccino at your local coffee shop, the price difference between almond milk and oat milk may be enough to deter people from purchasing the milk alternative when they spot it in the dairy aisle right next to the other options.
He met with success performing "Ain't No Big Thing Bruddah", "The Days of My Youth" and "I'll Remember You". Lee convinced Ho to let him perform as a singer at the club. He also appeared at Kalia Gardens and Kanaka Pete's in Waikiki during 1965. By October, Lee was performing exclusively at Waikiki's Queen's Surf club.
The follow-up, "Ain't No Big Thing", was also a hit. Caston left the group in 1965, replaced by James Jameson. This lineup recorded only one single, "Baby You Got It", before McAlister departed. At this time, Chess had another group, The Confessions, led by Mitchell Bullock, on its roster, who had recorded the single "Don't It Make You Feel Kinda Bad" but broken up before the album's release.
He then underwent radiation therapy at Queens Hospital. While being treated for the disease, in March, he appeared at the Bora Bora club in San Francisco. He then went to New York City for a recording session with Columbia Records, which released his debut single, "Ain't No Big Thing", paired with "All I Want To Do" in May. Around that time, Lee expressed to childhood friend Douglas Mossman his regret at not graduating high school.
Produced by Don Gilmore, the album was released on February 23, 1999, by RCA Records. It was the band's first release through a major label. The song "No Big Thing", which originally appeared on their previous album Tripping the Light Fantastic, was re-recorded for this album. On December 9, 2013, the band announced on its Facebook page that it would perform a special 15th anniversary show for A Place in the Sun, when the band would play the entire album from start to finish on February 28, 2014, at the House of Blues in Anaheim, California.
At NME, the songs "My Own Worst Enemy" and "No Big Thing" were described as having "a hook as sharp and persistent as a leech". It went on to say, "Gonzoid trash fun maybe, but how we got from The Dead Kennedys to here remains a mystery." NME listed the album as one of "20 Pop Punk Albums Which Will Make You Nostalgic". The album was a massive influence on Eve 6's Horrorscope (2000), Good Charlotte's Good Charlotte (2000), American Hi-Fi's American Hi-Fi (2001), The All-American Rejects' Move Along (2005) and Zebrahead's Broadcast to the World (2006).
Viollet-le-Duc's work at the Château de Coucy, The Louvre and particularly at the Château de Pierrefonds is echoed at Castell Coch, Burges's Drawing Room roof drawing heavily on the octagonal, rib-vaulted chambre de l'Imperatrice at Pierrefonds. Burges's other main source was the Château de Chillon, from which his conical, and conjectural, tower roofs are derived. Severely damaged during Welsh rebellions in the early fourteenth century, Castell Coch fell into disuse and by the Tudor period, the antiquary John Leland described it as "all in ruin no big thing but high." A set of drawings for the planned rebuilding exists, together with a full architectural justification by Burges.
"End of Time" was lauded by music critics, who appreciated its production, especially the beat; many of them noted it to be the outstanding track on the record. Noting that the song has "Fela Kuti vibes", Entertainment Weeklys Brad Wete commented that "End of Time" "sounds more like the new sound [Knowles] described" than "Run the World (Girls)". Likewise, Adam Markovitz of the same publication commended the song's "off-balance harmonies", before noting that "[it is] exactly the kind of genre-busting risk that few other current pop stars would even attempt, let alone pull off flawlessly with a no-big-thing shrug." Similarly, Charley Rogulewski of AOL Music wrote that "End of Time" reuses the "post-apocalyptic vibe" of "Run the World (Girls)", however with "more originality and a two- faced delivery".
William Burges's plans for the reconstruction, showing the surviving medieval features (bottom) and his intentions for the new building (top) Castell Coch remained derelict; the antiquarian John Leland, visiting around 1536, described it as "all in ruin, no big thing but high". The artist and illustrator Julius Caesar Ibbetson painted the castle in 1792, depicting substantial remains and a prominent tower, with a lime kiln in operation alongside the fortification. Stone from the castle may have been robbed and used to feed the kilns during this period. A similar view was sketched by an unknown artist in the early 19th century, showing more trees around the ruins; a few years later, Robert Drane recommended the site as a place for picnics and noted its abundance in wild garlic. The ruins were acquired by the Earls of Bute in 1760, when John Stuart, the 3rd Earl and, from 1794, the 1st Marquess, married Lady Charlotte Windsor, adding her estates in South Wales to his inheritance.
The Nite-Liters had a few hits before the formation of New Birth proper, including "K-Jee" (No. 17 R&B; & No. 39 Pop), in 1971. In 1969, Vernon Bullock had thought of creating an ensemble of groups for a touring company and Harvey Fuqua and Tony Churchill soon took an interest. After discovering a male vocal group, The Now Sound, which featured Bobby Downs, Ron Coleman, Gary Young (deceased 2018) and George "Slim" House and also a female vocal group, known as Mint Julep, which featured Londee Loren, Tanita Gaines, Janice Carter and Pam Swent, they brought them together with The Nite-Liters plus additional vocalist, Alan Frye, calling the newly formed ensemble, New Birth. The band came together in 1970 with their self-titled debut on RCA. Their second album, Ain't No Big Thing, But It's Growing, yielded a minor hit with their cover of Perry Como's "It's Impossible", in 1971.

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