102 Sentences With "nature morte" | Random Sentence Generator

Picasso's "Nature morte" and "Nature morte aux volets verts", from Dec.

Titled "Nature Morte," the painting depicts a newspaper next to a glass of absinthe.

Pablo Picasso's "Nature Morte à la Pastêque" (1962), a color linoleum cut, led the sale at $39,000.

The sale's top lot, Paul Cézanne's "Nature morte de pêches et poires" (1885–1887), sold for £6413,203,750 (~$28,196,000).

Reena Saini Kallat's Porous Passages continues at Nature Morte (A-1 Neeti Bagh, New Delhi, India) through January 9.

The government has reason to believe that DiCaprio's Picasso painting, Nature morte au crâne de taureau, was a gift from Low.

She has exhibited at galleries including Nature Morte in New Delhi, Fernando Alcolea in Barcelona, and White Columns in New York.

In addition to directing Nature Morte gallery, Jain runs Saat Saath Arts, a foundation devoted to bringing international curators to India.

Picasso took the lead on this one, with his "Nature morte – Journal, verre et paquet de tabac" (1921) going for £431,250 (~$547,872).

The series is part of a body of work first shown at Gallery Chemould in Mumbai and currently on view at Nature Morte in New Delhi.

"Nature morte: buste, coupe et palette" ("Still Life: Bust, Bowl, and Palette"), painted at Boisgeloup on March 3, 1932, looks to me like the work of a schlockmeister.

PH: People in their mid-20s, just out of school — I don't know why, it just happened at the same time: International With Monument, Nature Morte, Cash/Newhouse.

Unfortunately, with works like the drawn-and-painted "Portrait of Pablo Picasso" (1936) and "Nature Morte" (1941), the exhibition also spotlights Maar's 40 years working as a derivative painter.

In a $21946 million sales agreement found in the Mossack Fonseca files for one of the Goulandris paintings, Van Gogh's "Nature Morte aux Oranges," there is a section about confidentiality.

Both dealers opened galleries in the East Village during its short season as an art center, along with the directors of Gracie Mansion, Civilian Warfare, Fun Gallery and Nature Morte.

Gmurzynska will be presenting a collection of early modernist paintings that explore the links between abstract and figurative art, centered on Fernand Léger's "Nature Morte au Compas" from 1929, priced at $4.5 million.

While some of his textural, white-on-white Cubist paintings from the following year are quite strong ("Still Life with Pipe" and "Peinture," both 1929, and "Nature Morte," 1929-1930), they barely deviate from Picasso's style.

Mr. DiCaprio, too, has relinquished his gifts, including Picasso's "Nature Morte au Crâne de Taureau" (Still Life With Bull's Head) and a collage called "Redman One" by Jean-Michel Basquiat, both of which he had stored in Switzerland.

Earlier this year the New Delhi art gallery Nature Morte hosted what was billed as India's first exhibition of work made entirely by AI, including works by Mr. Klingemann, Tom White, Memo Akten, Jake Elwes and Anna Ridler.

Poem Still life, nature morte: two names from the art world for the depiction of inanimate objects, time arrested in the image of a pear just before it tips to rot, roses plucked at the height of their blossoming.

Sotheby's also had third-party guarantees for Pablo Picasso's 1963 painting "Le Peintre et Son Modèle," estimated at $153 million to $18 million, and Vincent van Gogh's 1886 flower still life, "Nature Morte: Vase aux Glaïeuls," at $5 million to $7 million.

Also on offer are a number of Picasso still lifes spanning three different decades of the artist's life: "La cafetiere" (estimate 1-1.5 million pounds), "Interieur au pot de fleurs" (estimate 7-10 million pounds) and "Nature morte au chien" (estimate 4-6 million pounds).

Apart from Ariadne's marble head, there were no confirmed sales of artworks at Masterpiece marked at more than $1 million, such as the museum-quality 1916 Cubist painting, "Nature Morte," by Juan Gris on the booth of the London and New York dealers Dickinson, priced at $8.5 million.

Many galleries in the East Village (International With Monument, Nature Morte and Cash/Newhouse, among others) were opened and operated by visual artists showing the work of like-minded peers, all categorized under short-lived names (Neo-Geo, Neo-Conceptualism, Commodity Art) that offered an alternative to Neo-Expressionism.

"Ten years ago, museums were not looking at us at all," says Aparajita Jain, who directs Delhi's renowned Nature Morte gallery and works with many increasingly prominent South Asian artists, including Benitha Perciyal, Reena Saini Kallat and Gauri Gill, whose dreamlike photographs exploring indigenous communities and social class were on display at MoMA PS1 this summer.

Curated by Peter Nagy, director of Nature Morte in New Delhi, the 2019 edition of the Sculpture Park features artworks by 23 artists including Harold Ancart (Belgium), Hemali Bhuta (India), Lynn Chadwick (United Kingdom), Tanya Goel (India), Vikram Goyal (India), Michael Joo (United States), Mark Prime (UK), Ayesha Singh (India), Chrysanne Stathacos (Canada), L.N. Tallur (India), Asim Waqif (India), and Sebastiano Mauri (Italy) among others.

The works on view largely take the form of installations (for example, a mirrored veterinarian table, Jónsi's "With my dying friend" [2019], a thatched hut with a blue door, Mark Dion's "Bureau of Censorship" [2019]) and photographs (a nature morte of a bowl of dry cereal, Mat Collishaw's "Jeffrey Barney," [213]; a boy in Bethlehem holding a bird cage, Phil Collins's "Bethlehem #1" [2003]).

Living Still Life (French: Nature Morte Vivante) is a painting by the artist Salvador Dalí.Dali, Salvador. Nature Morte Vivante (Living Still Life). 1956. Oil on canvas.

8 While Nature morte "shows the artist's mastery of abstraction and geometry", writes Sotheby's in their Lot notes, "all of the compositional elements combine to create a remarkable evocation of the still-life subject". In this way, Nature morte achieves the artist's goals "of engaging with and enveloping the viewer".

His "Manuel annuaire de la santé 1834" is portrayed in the painting "Nature morte avec oignons/Still life with a plate of onions" by Vincent van Gogh (1889 Kroller-Muller).

Works by contemporary artists are on rotational display, including those by Luke Jones, Francis Bacon, Frank Auerbach and Rachel Whiteread. Pablo Picasso's Nature Morte au Poron was acquired in 2009.

Jean Metzinger, c.1911, Nature morte (Compotier et cruche décorée de cerfs); Juan Gris, 1911, Study for Man in a Café; Marie Laurencin, c.1911, Testa ab plechs; August Agero, sculpture, Bust; Juan Gris, 1912, Guitar and Glasses, or Banjo and Glasses. Published in Veu de Catalunya, 25 April 1912 Nature morte, signed "JMetzinger" (lower right), is an oil painting on canvas with dimensions 93.5 x 66.5 cm (36 3/4 by 26 1/4 in.), representing a still life.

Nature Morte, New Delhi interior Gallery Nature Morte is an art gallery in New Delhi India. It was first started by Peter Nagy and Alan Belcher on East Tenth Street in New York City.Richard Milazzo, "Peter Nagy: Entertainment Erases History. Works 1982 to 2004 to the Present" Brooklyn, Eisbox Projects (2014) Among the important postmodern neo-conceptual artists that showed there were Gretchen Bender, Steven Parrino, Joseph Nechvatal, Joel Otterson, Kevin Larmon, Cady Noland, Haim Steinbach, Barbara Bloom, Keith Sonnier, and Louise Lawler.

Baden, E., "Dali, Salvador. Salvador Dali: The Late Work," CHOICE: Current Reviews for Academic Libraries, (2011), 1070. The painting, done in 1956, currently resides at the Salvador Dali Museum in St. Petersburg, Florida. The name Nature Morte Vivante translates in English to "living still life".

Nature Morte: Contemporary Artists Reinvigorate the Still Life Tradition, Petry's 2013 book was adapted into a touring exhibition which was presented at Ha gamle prestegard, Norway, 2015; Konsthallen-Bohusläns Museum, Sweden, 2016; National Museum, Wrocław, Poland, 2017; The Guildhall Art Gallery, London, 2017–18.

Julia Wachtel (; born 1956) is a contemporary American painter. Wachtel's early work included mixed media installation, now primarily working as a painter. In the 1980s, Wachtel was represented by the seminal East Village gallery, Gallery Nature Morte, and is often associated with The Pictures Generation artists.

1\. Civilization and the Landscape of Discontent. Curated by Collins & Milazzo, Gallery Nature Morte, New York, March 1984. Text by Tricia Collins and Richard Milazzo. Artists: Stephen Aljian, Ross Bleckner, Stephan Gantenbein, Mark Innerst, Peter Nadin, Louis Renzoni, Susan Beschta-Springfield, James Welling, Michael Zwack. 2\.

Otterson received his BFA at Parsons School of Design, New York, NY in 1982. In 1983, Otterson exhibited for the first time at Gallery Nature Morte in Manhattan. He would have exhibitions with other notable artists together with artists like Richard Prince, Jeff Koons, and Haim Steinbach.McKenna, Kristine.

This work, portraying a chance conversation between two strangers at a traffic intersection, used separate, non-diegetic sound feeds to represent the setting and the dialogue of the characters. Fiona Bowie has created several works using this template including 'deliverance' (1998), 'Phenotypes'(ongoing), Nature Morte (2005) and 'Sliphost' (2006).

Abrahams first networked performance from the UK, If Not You Not Me, took place at the HTTP gallery in London in 2010. It incorporated previous projects such as the One the Puppet of Other (2007) and The Big Kiss (2008) with its central communicative medium entitled Shared Still Life/Nature Morte Partagée. The exhibition held the event entitled Shared Still Life/Nature Morte Partagée which was centralized with a telematic still life for mixed media and LED message board. Participants were given the opportunity to communicate with those at Kawenga – territoires numériques, situated in the media arts centre in Montpellier, France where they played and rearranged objects in still life whilst sending messages between each other.

Franoszek starred opposite Jiří Menzel in Joint Venture,"Joint Venture" Variety. November 6, 1994 by Cathy Meils and also performed in The Party-Nature Morte and in Murderous Decision. Kevin Spacey cast her as Patty Duke in Beyond the Sea"Beyond the sea - Kevin Spacey, Kate Bosworth, Bob Hoskins, John Goodman".

Still Life with Apples (1872) Still-Life with Fruits (French - Nature morte aux fruits) is a series of still life paintings produced between 1871 and 1872 by Gustave Courbet, marking his return to painting after the silence forced on him by the Franco-Prussian War, the Paris Commune, imprisonment and illness.

Amédée Ozenfant, 1920-21, Nature morte (Still Life), oil on canvas, 81.28 cm x 100.65 cm, San Francisco Museum of Modern Art Amédée Ozenfant (15 April 1886 - 4 May 1966) was a French cubist painter and writer. Together with Charles- Edouard Jeanneret (later known as Le Corbusier) he founded the Purist movement.

Anita Dube (born 28 November 1958) is an Indian contemporary artist whose work has been widely exhibited in India, including at the Lakeeren Gallery, Mumbai including the Kiran Nadar Museum of Art (New Delhi); the Dr. Bhau Daji Lad Museum (Mumbai); Gallery Nature Morte (New Delhi), KHOJ International Artists' Association (New Delhi).

Nature morte Vilhelmine "Ville" Jais Nielsen (née Oppenheim; 1 May 1886 – 7 November 1949) was a Danish painter and sculptor. She is remembered for the many portraits of women she painted while in Sweden during the Second World War, marked by strong brushstrokes and sensitive lighting effects. Her husband was the artidst Jais Nielsen.

It comes from the French nature morte which literally translates to "dead nature". By appending "vivante", which implies "fast moving action and a certain lively quality", Dali was essentially naming this piece "dead nature in movement".Kropf, 2000, p.48. This plays into his theme of Nuclear Mysticism which combined elements of art, physics, and science.

Stone has been featured in many media articles including Artdependence, Elephant and Wall Street International Magazine. In 2018, a documentary entitled Hard Beauty screened on Sky Arts in the United Kingdom. The documentary featured Stone discussing his mentor Helaine Blumenfeld's sculptural practice. In 2017, Stone appeared on London Live, where he spoke about the exhibition Nature Morte.

"Reaping What They Sew," Los Angeles Times, August 22, 2008. Retrieved May 17, 2019. Her 2013 show, "Still Life," incorporated taxidermy animals (a bird and deer) and graphite drawings on wood paneling of the same animals; together they functioned as contemporary memento mori or nature morte depicting images of nature as lifeless, still, and dislocated.Liz Young.

In 1942, still in his workshop in the Grands-Augustins, he produced a sculpture of a painted bronze head but also his paintings L'Aubade and Nature morte au crane de taureau (Still Life with the Skull of a Bull), a tribute to his friend Julio González who had recently died. This last painting serves as a poster for the exhibition.

The top auction price for a Gris work is $57.1 million (£34.8 million), achieved for his 1915 painting Nature morte à la nappe à carreaux (Still Life with Checked Tablecloth). This surpassed previous records of $20.8 million for his 1915 still life Livre, pipe et verres, $28.6 million for the 1913 artwork Violon et guitare and $31.8 million for The musician's table, now in the Met.

Works by Stone were included in Sweep~Landskip (2018), an exhibition of international artists whose work use landscape as a concept. In 2018, Stone exhibited marble works and a series of abstract paintings at Art Brussels. He was included in the exhibition Nature Morte, which toured museums in Norway, Sweden and Poland before returning to London's Guildhall in 2017. Recent solo exhibitions include everywhen (2017) and gleam (2014).

Still Life with Apples and Grapes by Paul Gauguin (1889) Fruits on a Table or Still Life with Apples and Grapes (Nature Morte a la Comptesse de N) is a still life painting by French artist Paul Gauguin painted in 1889. It was one of two works stolen from the private collection of Terence F. Kennedy in London in June 1970 and recovered by the Carabinieri in Italy in April 2014.

In 1912 Deltombe's marriage to a woman from Nantes drew him to the Loire estuary. The following year he painted the Portrait de Madame Paul Deltombe à Pornichet. Meanwhile, he spent a few months in Italy, where he discovered the old masters. A token of this voyage of discovery and rite of passage is his Nature Morte au Buste de Donatello, which remains a composition without equal in his career.

Michel Faré, Le grand siècle de la nature morte en France: le 17e siècle, Office du livre, 1974, p. 94 The Flemish painter Philippe de Champaigne and the French flower painter Nicolas Baudesson as well as magistrates and officers appear in various notarial deeds relating to Picart. This confirms the social rise of the artist. In 1651, Picart became a member of the Académie royale de peinture et de sculpture.

Le Corbusier, 1921, Nature morte (Still Life), oil on canvas, 54 x 81 cm, Musée National d'Art Moderne, Paris Le Corbusier, 1922, Nature morte verticale (Vertical Still Life), oil on canvas, , Kunstmuseum Basel Le Corbusier, 1920, Guitare verticale (2ème version), oil on canvas, , Fondation Le Corbusier, Paris Le Corbusier moved to Paris definitively in 1917 and began his own architectural practice with his cousin, Pierre Jeanneret (1896–1967), a partnership that would last until the 1950s, with an interruption in the World War II years In 1918, Le Corbusier met the Cubist painter Amédée Ozenfant, in whom he recognised a kindred spirit. Ozenfant encouraged him to paint, and the two began a period of collaboration. Rejecting Cubism as irrational and "romantic", the pair jointly published their manifesto, Après le cubisme and established a new artistic movement, Purism. Ozenfant and Le Corbusier began writing for a new journal, L'Esprit Nouveau, and promoted with energy and imagination his ideas of architecture.

Nature morte (Still Life), or Compotier et cruche décorée de cerfs, is a Cubist painting by the French artist Jean Metzinger. It was exhibited at Exposició d'Art Cubista, Galeries Dalmau, Barcelona, 20 April – 10 May 1912 (no. 44). During this show—the first exhibition of Cubism in Spain—Metzinger's painting became one of the preferred targets of the press.Mercè Vidal i Jansà, 1912, l'Exposició d'art cubista de les Galeries Dalmau, Volume 6 of Les Arts i els artistes: Breviari, Edicions Universitat Barcelona, 1996 It was exhibited again 1 – 15 April 1917 at Nya Konstgalleriet (The New Art Gallery) founded by the Italian Futurist Arturo Ciacelli in Stockholm (reproduced in the catalogue).Jean Metzinger, Nature Morte, Nya Konstgalleriet, Flamman, Katalog Över Konstverk, Ur Samling Tillhörande, Flammans redaktion, 1 – 15 April 1917 Nya Konstgalleriet was one of the three main galleries in Sweden responsible for promoting national and international modernism between 1915 and 1925.

The placement of the fig leaf in Dali's painting could allude to his reemergence back into Catholicism. Dali took inspiration from Dutch painter Floris van Schooten and his painting Table with Food for his own painting Nature Morte Vivante.Kropf, 2000, p.53. Van Schooten's painting, which was a very common type of painting for its time, was a very typical still life that depicted food and drinks on a table with a crisp white tablecloth.

Stone has been referred to as "one of the most talented emerging artists working in the UK today" and his practice seen as seen as "intrinsic to consider our place and purpose within an ever-changing world". Stone was also included in Michael Petry's Nature Morte which explored the timeless tradition of still life, bought up to date by international contemporary artists including Matt Collishaw, Elmgreen & Dragset, Gabriel Orozco and Gerhard Richter.

Nature morte à la nappe à carreaux (Still Life with Checkered Tablecloth), 1915, oil on canvas, 116.5 x 89.3 cm, Metropolitan Museum of Art, New York After October 1925, Gris was frequently ill with bouts of uremia and cardiac problems. He died of kidney failureGreen, Oxford Art Online: "Juan Gris" in Boulogne-sur-Seine (Paris) on 11 May 1927, at the age of 40, leaving a wife, Josette, and a son, Georges.

By 1910, she was fairly well-known in Russian art circles. She moved to St. Petersburg and joined Soyuz Molodyozhi (Union of Youth) in 1911; two of her canvases, Nature- morte and The Cafe debuted at the second Soyuz Molodyozhi exhibition in April 1911. She would submit her canvases to their group exhibitions until 1913. Razanova briefly studied at the art school of Elizabeta Zvantseva, which housed many Russian art nouveau artists.

With artist Alan Belcher opened Gallery Nature Morte in East Village, Manhattan, New York City in 1982. Peter Nagy was a part of a generation of the East Village artist-gallery owners who established a small and rough but trendy avant-garde alternative to the established SoHo art scene. The gallery was open for six years, until 1988. They combined Conceptualism and Pop Art exploring the relationship between the art and the commodity.

There he displays a genuine audacity in terms of colour. His Nature morte à l’aubergine, for example, probably would not look out of place in the ‘lions’ den’ of Fauvist artists. Against the picture's intense colours, he sets the restraint of the layout and the rigour of the composition. This way of constructing his works led one critic of the time to compare his still lifes to earlier ones by Paul Cézanne.

Vogel, Carol (October 26, 2005), Museums Set to Sell Art, and Some Experts Cringe The New York Times. In 2011, it auctioned two Picassos (Sur l'impériale traversant la Seine (1901) and Verre et pipe (1919)), Henri Matisse's Femme au fauteuil (1919), and Georges Braque's Nature morte à la guitare (rideaux rouge) (1938) at Christie's in London.Viera, Lauren (January 11, 2011), Art Institute paintings to fetch $10-$16 million at auction Chicago Tribune.

Some of her works include: Portrait of Lady Smythe, three-quarter-length, Portrait of a lady, half- length, in a silver white gown, Nature morte aux huitres et aux crabs, Portrait of Duke of Marlborough, Portrait of a woman, Lady Middleton, Portrait of a lady in a yellow dress seated, with a wooded landscape beyond, Portrait of a Lady with a Country Estate in the Distance, and Duke of Chandos in the dressing room.

Nature morte au poron (Still life with porrón) is a 1948 painting by Pablo Picasso. Picasso painted three versions of the work on 26 December 1948; one is in the collection of the Welsh National Museum of Art, Cardiff, Wales. The painting is an oil painting on canvas and measures 50.3 × 61 cm. Picasso created few oil paintings during 1948, instead concentrating on his ceramics at the Madoura Pottery in Vallauris on the French Cote d'Azur.

175 In Catholic Italy and Spain, the pure vanitas painting was rare, and there were far fewer still-life specialists. In Southern Europe there is more employment of the soft naturalism of Caravaggio and less emphasis on hyper-realism in comparison with Northern European styles.Ebert- Schifferer, p. 173 In France, painters of still lifes (nature morte) were influenced by both the Northern and Southern schools, borrowing from the vanitas paintings of the Netherlands and the spare arrangements of Spain.

In her Monument (2006), Constantine explores themes that are at once personal and timeless. The composition alludes both to the symbolic nature morte of the Baroque era and to the still lifes of Chardin. Her own sensibility adds poetry as well as an edge of modern anxiety and sadness. In her Swan Pond (2002), the amount of thinner, oil, and so forth added to the paint has a profound effect on the quality of the brush calligraphy and the details in a painting.

The first was titled La Natura morta al tempo di Caravaggio, Roma at the Musei Capitolini during December 1995 to April 1996.See Catalogue of Musei Capitolini exhibition, Page 160. The second, L'incantesimo dei sensi was at the Museo Accorsi - Ometto of Turin in 2005, where he was displayed alongside relative contemporaries such as Maestro Acquavella, Pietro Paolo Bonzi, Fede Galizia, Panfilo Nuvolone, Giuseppe Recco, and Giambattista Ruoppolo.Mostre, Torino: una collezione di nature morte del Seicento at the Museo Accorsi, 15.11.2005.

While the Japanese and non- European collections remain intact,Izabella Scott (June 8, 2018), Langen Foundation: Tadao Ando’s building is an artwork in its own right Financial Times. in 2014 the Langen consigned ten works of art to be auctioned at Christie’s in New York, including Fernand Léger’s Grande Nature Morte (1939), George Braque’s Le Modèle (1939), Picasso’s Portrait de femme (Dora Maar) (1942) and Wassily Kandinsky's Strandszene (1909).Katya Kazakina (April 3, 2014), Monet Water Lilies, Picasso Lovers Star in $360 Million Auction Bloomberg.

Amédée Ozenfant, Charles-Édouard Jeanneret, Après le cubisme, quoted > in Paul Mattick, Art In Its Time: Theories and Practices of Modern > Aesthetics, Routledge, 2003, pp. 77-77, Amédée Ozenfant, 1920-21, Nature morte (Still Life), oil on canvas, 81.28 cm x 100.65 cm, San Francisco Museum of Modern Art Ozenfant and Jeanneret felt that Cubism had become too decorative,Philip Speiser, Villa La Rocca, Fondation Le Corbusier, September 2009, p. 10 practiced by so many individuals that it lacked unity, it had become too fashionable.

Nature morte à la branche de prunier suspendue à un mur, grenades et vase de lys sur un entablement sculpté (1663). Title unknown; still life, melons and plums, Pierre Dupuis, 17th century Pierre Dupuis or Pierre Dupuys (March 3, 1610 in Montfort-l'Amaury - February 18, 1682 in Paris) was a French painter. He lived in Italy, where he met Pierre Mignard (1612–1695) in 1637. He was a specialist of still lifes and his style was influenced by Northern Europe painting and Protestant religion.

In 2004, Chhachhi came up with a series of portraits of women ascetics in India. Titled 'Ganga's Daughters: Meetings With Women Ascetics, 1992-2004' it was exhibited in Nature Morte, New Delhi. She spent more than a decade in getting to know these women sadhus and documenting their lives. She was fascinated with the poetry of women ascetics dating back to ancient and medieval India and was introduced to a world in which these women broke free of codified confines of the social order.

William Hamilton Mitchell Acton was born on 16 August 1906, the son of Arthur Acton (1873–1953), an art collector and dealer, and Hortense Lenore Mitchell (1871–1962), the heiress of John J. Mitchell, President of the Illinois Trust and Savings Bank. Harold Acton was his older brother. He attended Chateau de Lancy, Geneva, and Eton College; at Eton his contemporaries were Robert Byron, Brian Howard, Alfred Duggan and Anthony Powell, who remembers William fondly in his memoirs. In 1922 a reproduction of his painting, Nature Morte, appeared in the Eton Candle.

The Salon des Indépendants was held 19 March through 18 May, the Cubist works were shown in room 46. Metzinger exhibited three works: Paysage, Nature Morte, and his large L'Oiseau bleu, number 2087 of the catalogue — Albert Gleizes exhibited three works: Paysage, Le port marchand, 1912, Art Gallery of Ontario, and Les Joueurs de football (Football Players) 1912–13, National Gallery of Art, Washington D.C. m. 1293 of the catalogueSociété des artistes indépendants. 29, Catalogue de la 29e exposition, 1913, Gleizes — Robert Delaunay, L'équipe du Cardiff F.C., 1912–13, Van Abbemuseum, Eindhoven, n.

Le Corbusier (Charles-Édouard Jeanneret), 1920, Nature morte (Still Life), oil on canvas, , Museum of Modern Art, New York Charles-Édouard Jeanneret was born on 6 October 1887 in La Chaux-de-Fonds, a small city in the French-speaking Neuchâtel canton in north- western Switzerland, in the Jura mountains, across the border from France. It was an industrial town, devoted to manufacturing watches. (He adopted the pseudonym Le Corbusier in 1920.) His father was an artisan who enameled boxes and watches, and his mother taught piano. His elder brother Albert was an amateur violinist.

Colette Giraudon, Paul Guillaume et les Peintres du XXe Siècle (La Bibliothèque des Arts, 1993). Picasso exhibited four works : Tête, Buste, Nature Morte, and Nu de Femme. Modigliani exhibited twelve : La Demoiselle du dimanche, Portrait de Jean Cocteau, La Dame au médaillon, La Collerette blanche, La jolie Fille rousse, Le Liseré noir, Madam Pompadour, Femme au fauteuil, Beatrice, L’Enfant gras, La Rouqine, Tête de Femme, and Raymond. Matisse exhibited one painting, Les Trois sœurs, and four bronze sculptures : Le Serf, Femme accroupie, Tête de femme, and Torse de fillette.

His younger artistic years were coloured by radical political expressions influenced by the turbulent political times that existed in Europe. During his time in Düsseldorf he embraced the idea, so present at the academy, that art should mean something. (Paintings from this time: Situation (Ulrike M), from 1976 and Fargelagt idyll from 1979) This has resulted in a few symbols he has immersed himself in over the years, such as: The boat (endless journey), Car wrecks (Nature morte), Eagle in flight, Tree trunks (Homestead), Lighthouse (Sentimental journey), and the Munch moon (Homage to Edvard Munch).

"My homeland exists only in my soul", he once said. He continued painting Jewish motifs and subjects from his memories of Vitebsk, although he included Parisian scenes—- the Eiffel Tower in particular, along with portraits. Many of his works were updated versions of paintings he had made in Russia, transposed into Fauvist or Cubist keys. Marc Chagall, 1912, Still-life (Nature morte), oil on canvas, private collection Chagall developed a whole repertoire of quirky motifs: ghostly figures floating in the sky, ... the gigantic fiddler dancing on miniature dollhouses, the livestock and transparent wombs and, within them, tiny offspring sleeping upside down.

On 20 May 2010, the Musée d'Art Moderne de la Ville de Paris reported the overnight theft of five paintings from its collection. The paintings taken were Le pigeon aux petits pois (The Pigeon with the Peas) by Pablo Picasso, La Pastorale by Henri Matisse, L'Olivier Près de l'Estaque (Olive Tree near Estaque) by Georges Braque, ' (Woman with a Fan) by Amedeo Modigliani and Nature Morte aux Chandeliers (Still Life with Chandeliers) by Fernand Léger and were valued at ( ). A window had been smashed and CCTV footage showed a masked man taking the paintings. Authorities believe the thief acted alone.

In 2005 the National Trust acquired the large (175.3 × 269.2 cm) composition An Extensive Landscape with Exotic Flowers, Fruit and Vegetables and a 'Noli me Tangere' in the Garden Beyond, which is on view at Rufford Old Hall. The composition combines a landscape, still life, animal painting with a religious scene in the background where there is a formal garden in which the risen Christ appears to Mary Magdalene. A landscape, very comparable to this painting, is recorded by E. Greindl in Les Peintres Flamands de Nature Morte au XV11e Siecle, 1983 as in a private collection in Rio de Janeiro.

The Morses originally housed their Dalí collection in a specially built wing of A.R. Morse's engineering firm in Beachwood, Ohio. However, the size of their collection—both in number and dimensions—outgrew the facilities. The City of St. Petersburg, Florida offered to build a museum to house and manage all the pieces. It opened as the Salvador Dalí Museum in 1982, with 95 paintings, including other Dalí masterworks (the museum considers unusually large pieces taking two years to complete as masterpieces) such as The Hallucinogenic Toreador (1970), Galacidalacidesoxyribonucleicacid (1963), Nature Morte Vivante (1956) and The Discovery of America by Christopher Columbus.

51, 73, 202, pl. 46 Author and critic James Thrall Soby wrote of Nature morte à la nappe à carreaux in the catalogue for a 1958 exhibition at the Museum of Modern Art in New York, in which the painting was reproduced but not included in the exhibition: > ...for sheer variety his work of 1915 is outstanding. The strange, lovely > fluorescence of The Checked Tablecloth is a long cry from the splintered > complexity of the Still Life. And in connection with the compositional > arrangement of the former picture, mention should be made of Gris' passion > for triangles.

Autoportrait en chasseur (Self-portrait as hunter) Nature morte au gibier et a la coupe de porcelaine by François Desportes, an example of Chinese porcelain in European painting, circa 1700–1710 Alexandre-François Desportes (24 February 1661 — 20 April 1743) was a French painter and decorative designer who specialised in animals. Desportes was born in Champigneulle, Ardennes. He studied in Paris, in the studio of the Flemish painter Nicasius Bernaerts, a pupil of Frans Snyders. During a brief sojourn in Poland, 1695–96, he painted portraits of John III Sobieski and Polish aristocrats; after the king's death Desportes returned to Paris, convinced that he should specialise in animals and flowers.

In the 1980s, Halley's practice and career developed amid the artistic and intellectual discourse that arose in East Village artist-run galleries like International with Monument, Cash/Newhouse, and Nature Morte. These spaces were a community for artists such as Halley, Jeff Koons, Haim Steinbach, Sherrie Levine, Ashley Bickerton, and Richard Prince, who "shared a focus on the role of technology in postmodern society and rejected nature as a touchstone of meaning." (Bob Nickas, Dan Cameron, and the curatorial team Tricia Collins and Richard Milazzo were curators and critics associated with this scene.)David Carrier, "Baudrillard as Philosopher, or, The End of Abstract Painting," Arts Magazine (Sep 1988): 52–53.

The Chahut [Rijksmuseum Kröller-Müller, Otterlo] was called by André Salmon "one of the great icons of the new devotion", and both it and the Cirque (Circus), Musée d'Orsay, Paris, according to Guillaume Apollinaire, "almost belong to Synthetic Cubism".Robert L. Herbert, 1968, Neo- Impressionism, The Solomon R. Guggenheim Foundation, New York Paintings by Albert Gleizes, 1910-11, Paysage, Landscape; Juan Gris (drawing); Jean Metzinger, c.1911, Nature morte, Compotier et cruche décorée de cerfs. Published on the front page of El Correo Catalán, 25 April 1912 The concept was well established among the French avant-garde that painting could be expressed mathematically, in terms of both color and form.

In 1989, he and his German partner settled in Cologne. Nabatov made his name with a series of inventive trio albums with Mark Helias and Tom Rainey; he also often works with the trombonist Nils Wogram in duet or in larger ensembles. His most important work so far, however, has been a series of albums on Leo devoted to jazz tone-poem responses to Russian authors. Nature Morte is based on a poem by Joseph Brodsky; The Master and Margarita is a suite inspired by the novel of the same name by Mikhail Bulgakov; and A Few Incidences contains octet settings of the enigmatic texts of the poet Daniil Kharms.

His book Golden Rain Volumes I & II is part of his project of the same name for Ha gamle prestegard's exhibition On the Edge for Stavanger 2008, European Capital of Culture. His work is included in the Contemporary Glass book by Black Dog Publishing. Petry's book The Art of Not Making: the new artist/artisan relationship (Thames & Hudson, 2011) looks at artists who have work produced for them by artisans. Petry's 2013 book Nature Morte: Contemporary Artists Reinvigorate the Still Life Tradition (Thames & Hudson) revealed how leading artists of the 21st century are reinvigorating the still life, a genre previously synonymous with the 16th- and 17th-century Old Masters.

"Le Corbusier (second version)" by Beppe Devalle, 1988 Suddenly, towards the end of 1983, Devalle dropped photography, which he had begun to find too restrictive a partner and reverted to drawing with a model, recovering pre-avant grade historical movements working techniques, thus trying to find his personal position between traditional and modernity. He then began a new cycle of work: Ritratti (portraits) and Nature morte (still-lives) from life, executed in coloured pencils and pastel crayons. In 1983 he had a solo exhibition at the Galleria Lorenzelli. From 1985 to 1987 he made the designs for the Cultura inserts of the Corriere della Sera, the Milanese daily.

Afterwards, Auberjonois realised some of his most significant works as a colourist inspired by Delacroix and then Rembrandt, including Hommage à l'Olympia (1943), Baigneuses dans la forêt (1944, Museum zu Allerheiligen, Schaffhausen), Clown et petite écuyère (1946), Portrait de l'artiste (1948, Kunsthaus Aarau), Fille dans la chambre rouge (1948, Museum zu Allerheiligen), Nature morte au crâne (1950) and L'arène jaune (1953–54). Auberjonois' paintings reflect a slow maturation, reaching their artistic apogee at around 1948 when he was 76 years old. Often disappointed with himself, he destroyed many of his works. His drawings, both formal studies and caricatures, are largely independent of his pictorial work.

Her father's family is originally from Mexico. Her mother's family immigrated to America from England, Scotland (by way of Northern Ireland), Germany and France. Formerly the singer and a musician in the band Darling Hate, she is now credited as the co-producer (with her husband) of the soundtrack derived album "London Voodoo" (the original soundtrack to the British independent supernatural thriller) and joint composer, again with her husband, of Beauty and the Beast; a score originally created for performances by dancer/choreographer Shakti. Arban and Steven Severin's soundtrack for the film Nature Morte, was released on their Subconscious music label on 16 October 2006.

Nature Morte was adapted into a touring exhibition which visited several European galleries and museums. He has also contributed chapters to various books and journals, including Pornographic Art and the Aesthetics of Pornography (Palgrave Macmillan, 2013), Sculpture and Touch (Routledge, 2014) and Global Mobilities: Refugees, Exiles and Immigrants in Museums and Archives (Routledge, 2016). In Petry's 2018 book, The Word is Art (Thames & Hudson) he asserts the value of text in art by examining the use of text by artists from around the world, including Bruce Nauman, Julien Breton, Jeremy Deller, Takashi Murakami, Tracey Emin, Christian Boltanski, Joe Ovelman, Jenny Holzer, Ed Ruscha, Glenn Ligon and more. Petry also writes regularly for The Huffington Post..

Joseph Nechvatal birth Of the viractual 2001 computer-robotic assisted acrylic on canvas Full viral symphOny cover: art by Joseph Nechvatal Joseph Nechvatal was born in Chicago and went to Hinsdale Central High School. He then studied fine art and philosophy at Southern Illinois University Carbondale, Cornell University and Columbia University, where he studied with Arthur Danto while serving as the archivist to the minimalist composer La Monte Young. He exhibited his artwork in the 1980s in New York City at The Kitchen, Jack Tilton, Semaphore Gallery, and Gallery Nature Morte. He too had multiple solo exhibitions with, and artist represention by, Brooke Alexander Gallery, Universal Concepts Unlimited and Galerie Richard (current).

After attending Brown University, Robbins was employed in the early 1980s by Andy Warhol, George Plimpton, and Diana Vreeland, during which years he educated himself about art by interviewing emerging artists such as Richard Prince, Jenny Holzer, Keith Haring, and Allan McCollumD.A. Robbins, "Interview with Allan McCollum by D. A. Robbins", Arts Magazine, Summer 1989. Robbins began exhibiting his art in the mid-1980s in New York, where he was closely associated with the neo-conceptual Gallery Nature Morte. In contrast to the Pictures generation (his immediate predecessors who maintained a critical distance from the mass advertising and entertainment imagery that fascinated them), Robbins pioneered an approach to art that unapologetically embraced entertainment culture.

James Brown has shown in many galleries from the early 1980s to the present. He has shown across the United States and Europe, as well as other places in the world, and since 1999 increasingly in Mexico. Several of his prints and paintings are included in the collection of the Museum of Modern Art in New York. Selected shows include: 1983 Tony Shafrazi, "Champions," New York (Group Show with Donald Baechler, James Brown, Jean- Michel Basquiat, Keith Haring, Kenny Scharf, Futura 2000), 1983 Nature Morte, New York 1985 Bruno Bischofberger, Zurich, Switzerland 1986 Leo Castelli, New York, New York 1994 "Terrae Motus" collection, Royal Palace of Caserta 1995 Leo Castelli, February, New York 2001 Pace Prints, February, Catalogue raisonne graphic work.

As early as 1981 he detached the canvas from the stretcher in places to create rough, folded, cleft surfaces, thus achieving a literal deconstruction of painting. Parrino first showed his paintings of deep-seated pessimism at Gallery Nature Morte, an East Village gallery, in 1984, when he emerged as part of a strain of postmodernism called Neo-Geo. Neo-Geo artists, including Peter Halley, Ashley Bickerton, Haim Steinbach, John Armleder and Olivier Mosset, mixed modernist abstraction with a more cynical form of Pop Art worldliness by adding references to commerce, design, music or the movies.Steven Parrino, 46, an Artist and Musician in a Punk Mode, Dies by Roberta Smith Parrino called his mauled canvases “misshaped paintings,” in response to the shaped paintings of the sixties.

Part of the Neo-Impressionist collection, The Channel of Gravelines, Petit Fort Philippe by Georges Seurat was one of the first works to be donated by Caroline Marmon Fesler in the 1940s. Fesler would go on to donate a number of important works, including her bequest in 1961 of notable 20th-century modernism pieces that included Pablo Picasso, Chagall, and Matisse. Pieces in the American collection represent American Impressionism and Modernism, including works by Georgia O'Keeffe and George Inness. Significant pieces include Hotel Lobby (1943) by Edward Hopper and Boat Builders by Winslow Homer. Katsushika Hokusai, Fine Wind, Clear Morning (about 1800-1849) Pablo Picasso, Ma Jolie, Nature Morte (Musique) (1913-14), oil on canvas, 53.7 × 65.1 cm The museum has a substantial Asian art collection, with more than 5,000 pieces spanning 4,000 years.

Under Rosenberg and Göring's leadership, the ERR seized 21,903 art objects from German-occupied countries. Albert Gleizes, 1911, Stilleben, Nature Morte, Der Sturm postcard, Sammlung Walden, Berlin. Collection Paul Citroen, sold 1928 to Kunstausstellung Der Sturm, requisition by the Nazis in 1937, and missing since Other Nazi looting organizations included the , the organization run by the art historian Hans Posse, which was particularly in charge of assembling the works for the Führermuseum, the Dienststelle Mühlmann, operated by Kajetan Mühlmann, which Göring also controlled and operated primarily in the Netherlands, Belgium, and a Sonderkommando Kuensberg connected to the minister of foreign affairs Joachim von Ribbentrop, which operated first in France, then in Russia and North Africa. In Western Europe, with the advancing German troops, were elements of the 'von Ribbentrop Battalion', named after Joachim von Ribbentrop.

Their film Leviathan was released theatrically in the United States, United Kingdom, Mexico, Canada, France, Germany, Austria, and Japan, and won the FIPRESCI (International Film Critics) Award, a Creative Capital Award, and the Los Angeles Film Critics' Circle Douglas Edwards Independent and Experimental Film Award. Still Life/ Nature Morte and twelve of their other moving image works were included in the 2014 Whitney Museum Biennial. In 2017, Paravel and Castaing-Taylor's film somniloquies, a feature-length film about dreams, desire, and the vulnerability of the human body, premiered at the Berlin International Film Festival. Also in 2017 Paravel and Castaing- Taylor's film Caniba, a feature-length film that reflects on the discomfiting significance of cannibalistic desire in human history and culture, premiered at the Venice International Film Festival where it was awarded the Special Orizzonti Jury Prize.

Jean Metzinger, Nature morte (Compotier et cruche décorée de cerfs), published in Nya Konstgalleriet, exhibition catalogue, 1–15 April 1917 The vertical composition is treated is a highly personal geometrically Cubist style with various planes, angles, layers and facets. The table upon which objects are placed is angled as if seen from above. The fruits, bowl, jug and other elements are depicted as if seen from a side view and from above simultaneously, giving an illusion of an overall flattening of the picture plain—a devise used by Cézanne, from which all of the Cubists drew inspiration.Christopher Green, MoMA, Cubism, Technical and stylistic innovations, From Grove Art Online, Oxford University Press, 2009 Cézanne's reduction of the visible world into fundamental shapes (cone, cube, sphere), the faceted reconstruction of nature through purely painterly forms, the fracture and flattening of space,Paul Cézanne, Still Life with Milk Jug and Fruit, c.

The show also starred Monica Zetterlund, Birgitta Andersson, Lissi Alandh, Sonya Hedenbratt, Gösta Ekman, Mille Schmidt, Stefan Böhm, Arild Eriksen, Gals and Pals and Gunnar Svenssons kvartett. The show was built up by sketches and songs, often with satirical humour. Among the more famous sketches are Flykten från Ålderdomshemmet (The escape from the Old Folks Home) in which Hans Alfredsson played a senile old man, the "Pitt" number, where Birgitta Andersson took her husband, played by Gösta Ekman, to the doctor because he couldn't stop saying the word pitt (Swedish slang for penis) and the Mahatma Ekman number, in which Gösta Ekman portrayed a kind of guru who claimed that we "have to be friends with the things" only to have every object on stage work against him in a slapstick number. The show also contained a number between Tage Danielsson and Lissi Alandh called I Friska Naturn (In The Healthy Nature) also known as Nature Morte.

In April 1919, the painting was with Léonce Rosenberg, Galerie de l'Effort Moderne, Paris.Collection de Léonce Rosenberg, marchand d'art, Jean Metzinger, Nature morte, Ministère de la Culture (France) – Médiathèque de l'architecture et du patrimoine A fragmentary label on the reverse, dated April 1919, bears the name of Léonce Rosenberg and the Galerie de l'Effort Moderne, which Rosenberg founded in 1918. A collector of contemporary French art, Rosenberg had signed a contract with Metzinger in 1916. In exchange for a regular income, the dealer was granted the exclusive rights to Metzinger's artistic production. Metzinger had a solo exhibit at Rosenberg's gallery January 1919. Jean Metzinger's show was followed by exhibitions by Fernand Léger (February), Georges Braque (March), Juan Gris (April), Gino Severini (May), Pablo Picasso (June), Henri Hayden (December 1919), Jacques Lipchitz (January – February 1920), along with several group shows in which Metzinger participated, such as Les Maitres du Cubisme 3 May – 30 October 1920; an exhibit by the same name May 1921; Du cubisme à une renaissance plastique, 1922, and another solo exhibition 16 April – 10 May 1928.

Arban Severin took responsibility for the odd-numbered tracks and Severin for the others. After a piece was substantially completed it was given over to the other partner to review and to make contributions. Only when both parties were satisfied was the track considered finished. This method of working was renewed for the following project, the soundtrack for director Paul Burrow's psychological thriller "Nature Morte" (Still Life). This film score recording was released on 16 October 2006, again under the Subconscious Music label. In the mid-2000s, Severin left London and moved to Scotland to reside in Edinburgh. In 2008, Severin started composing scores for silent films of the 1920s and 1930s, the first being Germaine Dulac’s The Seashell and the Clergyman: he also made scores for 6 short films and got in contact with Picturehouse, to play in their cinemas in the UK. The first "Music for Silents" show was done in May. In 2009, Severin and Arban scored director Matthew Mishory's film Delphinium: A Childhood Portrait of Derek Jarman, a tribute to Steven's old friend Derek Jarman.