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614 Sentences With "musics"

How to use musics in a sentence? Find typical usage patterns (collocations)/phrases/context for "musics" and check conjugation/comparative form for "musics". Mastering all the usages of "musics" from sentence examples published by news publications.

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A musics' linguistic and syntactical comprehensibility isn't significant in the clickbait era.
"Country music at its Big Bang was two different musics," says Burns.
MOG: Beats Music might be Apple Music's precursor, but Beats Musics' precursor was MOG.
Snouted, declawed, castrated probably, he danced on hind feet to the musics of a short whip.
The voice is wholly his own — dissonant, offbeat, whiplash, wry — even as it whispers to musics past.
In 2015, he was an honorable mention at Ars Electronica in Linz for Digital Musics and Sound-Art.
There might not be a great amount of recorded history of these musics, but there is a huge oral one.
House and techno are inherently politicised musics that arose from the pressures and struggles faced by minority groups facing systematic oppression.
Orphaned Land started in the early 22015s and pioneered a style that fuses metal with Arabic and other Near-Eastern musics.
"I mix musics; I don't stick to one thing," Mr. Worrell said in a 22007 interview at the Red Bull Music Academy Festival.
"Minamitsu 'The Captain' Murasa encrypted your precious data like documents, musics [sic], pictures, and some kinda project files," a pop-up from the malware, called Resenware, reads.
"I actually think the average person is more open-minded musically than ever before, in terms of many [listeners] digging both underground and mainstream musics," Walmsley says.
Her hand is reaching for a vine, which has become the superimposed Landsat image of the Nile River that was used on the cover of Possible Musics.
Mr. Sanders, 76, played with John Coltrane near the end of his life, seeming to inherit Coltrane's affinity for global folk musics, Eastern spirituality and caterwauling expressionism.
Jazz Mr. Sanders, 76, played with John Coltrane near the end of his life, seeming to inherit Coltrane's affinity for global folk musics, Eastern spirituality and caterwauling expressionism.
Ray Charles' Modern Sounds in Country Music is one of the most essential country albums of all time, in which he really is demonstrating the historical crossover of these musics.
And in 0003, different linguistic groups concerned with endangered languages formed the Digital Endangered Languages and Musics Archives Network, a consortium dedicated to digitizing the diffuse linguistics archives around the world.
So the knowledge that he initially came from elsewhere served as a useful reminder that this American music, like so many American musics before it, wouldn't sound the same without immigrants.
In this emerging world, it's not just diasporas listening to their respective musics, though those groups play an enormous part, especially the substantial chunk of the US that speaks Spanish as their first language.
The distinctions between traditional folk musics and drum and bass seem self-evident, but decades of dodgy mislabeled torrents, and experimentally minded pranksters have—intentionally or otherwise—eroded the boundaries between forms and scenes.
Yet somehow there's not a tuneout in the bunch, and I'm amazed that I've pursued these musics for so long without ever registering Senegalese legend Pape Fall's "Boul Topato" or running across Togo queen Afia Mala.
Possible Musics, a collaborative project with Eno, featured a worldly cast: Welsh guitarist Percy Jones (Soft Machine), Senegalese drummer, Aïyb Dieng (Yoko Ono, Bob Marley, Mick Jagger), and the great Brazilian percussionist, Naná Vasconcelos (Brian Eno, Pat Metheny).
Finally, as the dawn crept up the sky and the clatter and boom of commuter trains ousted the night musics, I posted the whole thing to Facebook—a dozen bibliophile and war history groups—and rolled into my bed.
If an AI were to look back and craft a recombinant version of the musics of human history, it might sound something like Age Of. It is like little other music I have ever heard, and the beautiful thing is that Lopatin knows as much.
Papa Wemba, the internationally renowned Congolese singer known as "the king of rumba rock" for his upbeat, vibrantly danceable numbers that fused African pop with a welter of world musics, died on Sunday after collapsing onstage early that morning while performing in Abidjan, Ivory Coast.
As in the film, the music's African tinge bears down on electronic decibelizations of the ensemble percussion to which Americans of all races still reduce the continent's many musics, but with the saving grace that the wealth of cameos doesn't stop with the multiple star turns.
Since Possible Musics, Hassell has worked with iconic Burkina Faso group, Farafina, folk musician, Ani DiFranco, Ry Cooder (director of the Cuban ensemble Buena Vista Social Club and the eighth greatest guitarist of all-time, as ranked by Rolling Stone), and 11-time Grammy-winning producer Daniel Lanois (Bob Dylan, Neil Young, U2).
His study of Indian and West African classical musics has helped to furnish his toolbox, and on "Ali" he pays homage to an inspiration, the Malian guitarist Ali Farka Touré, though Dingman's playing here is as influenced by the sound of the kora, a different West African stringed instrument, as by the guitar.
Dylan Jones: The making of a male style icon "You took the musics of immigrant America, the ballads, the blues, the rambles of Woody Guthrie and The Clancy Brothers and Dominic Behan, the cadences of gospel, the imagery of William Blake and Bessie Smith, the amphetamine-fuelled poetry of bebop Greenwich Village and the windblown mournfulness of the lonesome prairie, and fired them in the kiln of the most extraordinary single imagination ever to work in popular music," O'Connor wrote.
The studio owned completely by 4 Musics. Situated in Girinagar, cochin, one of the best facilities for sound recording and music production. 4 Musics personal space where all the pre-production and major Recordings and Production of 4 Musics happens here. A true creative Space.
Both have a dynamic energy which radiates from the pages - in Musics perhaps almost reaching perfection. (Liberation later reverted to the standard model and it continues in name only.) Musics came out six times a year, with occasional exceptions. Musics proposed the destruction of artificial boundaries and linked jazz, the music of composers such as John Cage, and indigenous and non-European musics. It was significant in the discussion of traditional Asian instruments (Clive Bell) as paths of equal value for the performance of musics, a term that discarded the use of the word "jazz".
The language musics were an early discovery of Braxton's, first used as an approach to solo improvisation performance. By limiting the music to a single parameter (for example, trills), Braxton was able to explore beyond the surface particulars of a given parameter. The language musics are oftentimes signaled by hand cues in other later musical systems, such as the Ghost Trance Musics.
The Falling River Musics feature extensive graphic notation, often using colorful paints.
Peter Manuel, Popular Musics of the Non-Western World, Oxford University Press, 1988.
Sharon Joseph was recommended to 4 Musics by composer Mejo Joseph for writing the Hindi lyrics for "Pala Naallayi". Sharon Joseph sings and records her compositions, and when 4 Musics heard her Hindi recording she was invited to sing the original as well.
Nonetheless modal concepts are employed in African music. This predates exposure to Western and Arab musics.
Music 2005 Princess (band) CD (Sickroom Records) 2007 Welcome Song CD (Sickroom Records) 2008 Flight of the Liophant CD (Sickroom Records) Animated Video Operas 2008 Video Musics Video Musics (also known as Video Musics I). Thematically based in Hungarian folk tales, the work combines a number of drawing and animation techniques with recorded music and live performance. Gideon toured the 20-minute piece for two months throughout the United States and Europe, including performances at The Baltimore Museum of Art and Fleche D’Or (Paris, France). 2010 Video Musics II: Sun Wu-Kong Video Musics II: Sun- WuKong is an hour-long piece is based on the 16th Century Chinese novel Journey to the West. It has been performed live over 100 times in nine countries at venues including SUNY Stony Brook, Kawenga (Montpellier, France) and Sudpol (Luzerne, Switzerland).
The soundtrack for the film includes six songs (including 1 promotional song) with no copy musics included.
As an ethnomusicologist, Hall is principally interested in issues of ethnicity, identity, and temporality; popular musics of the world; music as protest and resistance; and musics of both the African continent and the African Diaspora. His dissertation is a historical ethnography of Philly Soul during the Black Power Movement.
Musics was launched with Issue No. 1 April/May 1975 with the banner "MUSICS an impromental experivisation arts magazine". The journal was distributed in the UK and worldwide. Mandy Davidson edited the first issue. Soon afterwards she moved to the US, and it was decided there would be no permanent editor.
There are 3 different facets of the musics in this album: 3 originals, 3 classical pieces, and 8 standards.
Others studied Italian music in the United States and Australia, and the folk musics of recent immigrants to Italy.
"Music of the Alaskan Eskimos", Musics of Many Cultures: An Introduction, p.339. May, Elizabeth; ed. University of California. .
The soundtrack was composed by Arjun Janya and 4 Musics. Janya composed all songs except "Rekkeya", which 4 Musics composed; that song has two versions, a duet and a solo. The film features a remix of the song "Hosa Belaku Moodutidde" from Hosa Belaku (1982), but that does not appear on the soundtrack.
Korean court musics include A-ak, Dang-ak and Hyang-ak. Korean music is still played and sung a lot.
Lyrics and musics are traditionals arranged by Alan Stivell except "The Wind of Keltia" written by Alan Stivell and Steve Waring.
Musics for the film were composed by Pintu Ghosh. The lyrics were written by Ramesh Shil, Tauquir Ahmed and Pintu Ghosh.
The Department of Music folklore was created in 2011 and joined to Ashik art and saz mastery. Naila Rahimbayli leads the department. The main action spheres of the department are assembling ancient folk musics and Ashik musics and restoring them. At the same time, the department analyses mugham art and defines theoretical classification regarding to the investigations.
Aside from being a poet, Jiang was also a musicologist of classical Chinese musics. He was best known for his lyric poems. Jiang tried to restore the lost tunes of ancient times but was scoffed by the officials of Taichang Si (Office of Great constancy, a government department of ancient China in charge of ritualistic affairs as well as classical musics).
Eldhose Alias is a composer, singer and lyricist in Malayalam films. He is one of the founders of the Malayalam Music composers group, 4 Musics.
In art and musics, France and Indonesia has mutual cultural ambassador, Anggun an Indonesian French-naturalised singer- songwriter, is popular in both France and Indonesia.
Various forms of concertini are used for classical music, for the traditional musics of Ireland, England, and South Africa, and for tango and polka music.
The film's six-song soundtrack was composed by 4 Musics (a group consisting of Jim Jacob, Biby Matthew, Eldhose Alias, and Justin James). The soundtrack album was released on the Satyam Audios label on 17 August 2016. Composer Ron Ethan Yohann made his Malayalam-film debut with the score, and composed the theme music based on character descriptions. 4 Musics began work in December 2015.
There has been some confusion about how to categorize the many Indian music systems. The widely used great-little traditions dichotomy (great for "classical" and little for local or "folk" systems) or – their Indian variation – margi-desi sangit - seems unsuitable to be forced upon Kerala's musics. Many criteria for the 'great traditions', like professional status and training of the musicians, could be applied to the majority of the kavu and kshetram musical genres. Kerala musics – like Indian musics in general – consist of complex and interrelated traditions, established on a secular–sacred, and canonised–less canonised continuum, performed by professional, semi-professional and/or amateur musicians.
Biby Mathew is a composer, singer, and lyrics writer in Malayalam films. He is one of the founders of the Malayalam Music composer's group, 4 Musics.
Ulrich continues to be heavily influenced by folk, world and early musics, and draws many elements of these into his distinctive style of songwriting and arranging.
1978 edition: .Novotney, Eugene D. (1998: 155). Thesis: The 3:2 Relationship as the Foundation of Timelines in West African Musics , UnlockingClave.com. Urbana, IL: University of Illinois.
Jim Jacob is a composer, singer, sound engineer and guitarist in Malayalam films. He is one of the founders of the Malayalam Music composers group, 4 Musics.
Lal Matir Sorane or Lala Matir Sarane is a 2003 Bengali song album of Silajit Majumder. This album was manufactured and marketed by Sagarika Musics Pvt Ltd.
Traditional ancient Shona musics consist of Mbira dzavadzimu played by multiple players, Hosho and Ngoma drums. Ancient shona music is mainly played at spiritual ceremonies called Bira.
Allmusic awarded the album 4 stars noting "This set is a good example of Herbie Mann's early style before he started exploring various types of world musics".
Koly grew up between three different continents, Africa, Europe And North America. He was born in Abidjan and is of Guinean and Malian decent. He began to study music at an early age through his mother the Malian vocalist and World Music Grammy award nominee Awa Sangho and his father Souleymane Koly the Franco-Guinean impresario and playwright. He was primarily exposed to jazz, contemporary musics and African musics.
C. Mackenzie. and the influence of traditional Asian and other world musics may be traced back to Cowell.Yang, Mina (2008). California Polyphony: Ethnic Voices, Musical Crossroads, p.34. .
Wesleyan University Press; Music/Culture Series, 2004. Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music Making. Co-edited with Ajay Heble. Montreal: Black Rose Books, 2003.
The Confucius Institute of Portland State University sponsored multiple performances. Gideon was awarded a project grant from the Regional Arts & Culture Council of Oregon to create the piece. 2012 Video Musics III: Floating Oceans Video Musics III: Floating Oceans is a reworking of the metaphysical works of Lord Dunsany and draws from An Experiment with Time by J. W. Dunne, both early 20th century Irish writers. The piece uses stop-motion animation exclusively.
A repeating vertical hemiola is known as polyrhythm, or more specifically, cross-rhythm. The most basic rhythmic cell of sub-Saharan Africa is the 3:2 cross-rhythm. Novotney observes: "The 3:2 relationship (and [its] permutations) is the foundation of most typical polyrhythmic textures found in West African musics."Eugene D. Novotney, "The Three Against Two Relationship as the Foundation of Timelines in West African Musics", thesis (Urbana, IL: University of Illinois.
Alfred Geist Zantzinger (April 6, 1936 - February 16, 2007) was an American documentary filmmaker specializing in documentaries about traditional musics of the world. He directed and produced films about the musics of Mozambique, Zimbabwe, Cape Verde, Lesotho, South Africa, and Brittany. He was the grandson of noted Philadelphia architect Clarence C. Zantzinger. He graduated from Westminster School in Connecticut and earned bachelor's and master's degrees in folklore and anthropology from the University of Pennsylvania.
The songs were recorded, mixed, and mastered at Jacob's Noise Headquarters in Kochi. The songs were well-received and a breakthrough for 4 Musics. Alias and James were abroad while composing, and the team worked on the music via WhatsApp and Skype. Producer Antony Perumbavoor suggested 4 Musics, who had only one film credit (Just Married), to Priyadarshan; the director gave them three situations and one week to return with three options for each.
Together, Belasco and Whipper published Calypso Rhythm Songs: Authentic Tropical Novelty Melodies in 1944.Guilbault, J. (2007). Governing sound: The cultural politics of Trinidad's carnival musics. University of Chicago Press.
Patrick Moutal Patrick Moutal is a French sitarist and musicologist. He has been teaching north Indian classical music at the Paris Conservatoire (CNSMDP) since 1984 (Jazz & Improvised Musics and Pedagogy dpts).
The Clave Matrix; Afro- Cuban Rhythm: Its Principles and African Origins. Redway, CA: Bembe Inc. . This pattern is heard throughout Africa, and in many diaspora musics,Peñalosa, David (2009: 41–42).
1 p. 102. London: Oxford University Press. Novotney observes: "The 3:2 relationship (and [its] permutations) is the foundation of most typical polyrhythmic textures found in West African musics."Novotney, Eugene D. (1998).
Mission statement on Magic Circle Musics' website Apart from releasing band merchandise, the label is also responsible for organizing the Magic Circle Festival, which first took place in 2007 in Bad Arolsen, Germany.
Güzel (English: Beautiful) is the eleventh studio album by Turkish pop music singer, Yıldız Tilbe. The album includes 16 songs. Lyrics and musics are by Yıldız Tilbe. The album was released in 2008.
Atton has been a music critic and performer for thirty years, specialising in electronic, improvised and traditional musics. He has been a member of the live electronics group Certain Ants since its formation.
The Olympia Experimental Music Festival, also known for a time as The Olympia Festival of Experimental Musics,Christopher Delaurenti, Classical, Jazz, & Avant: Experimental Music Festival, The Stranger, June 26 – July 2, 2003 issue.
There are two sides to this globalization of music: on one hand it would bring more cultural exchange globally, but on the other hand it could facilitate the appropriation and assimilation of musics. Ethnomusicologists have approached this new combination of different styles of music within one music by looking at the musical complexity and the degree of compatibility. This Westernization and modernization of music created a new focus of study; ethnomusicologists began to look at how different musics interact in the 1990s.
Noise Headquarters is the seedbed and the playground of 4 MUSICS. NHQ is one of the best-equipped recording studios in South India. Part of an internationally affiliated institute for sound engineering, this state- of-the-art studio is located in the heart of Kochi city. Owned by Jim Jacob, one of the pillars of 4 MUSICS, this studio has been recognized by singers, music directors, producers and movie directors as a top-notch facility in Kerala for the fast-growing music industry.
Over time, the definition broadened to include study of all the musics of the world according to certain approaches.Merriam, Alan. 1960. "Ethnomusicology: A Discussion and Definition of the Field." Ethnomusicology 4(3): 107-114.
This is a list of chordophones used in the Caribbean music area, including the islands of the Caribbean Sea, as well as the musics of Guyana, Suriname, French Guiana, Belize, Garifuna music, and Bermuda.
The Lungi Panchi Dance is the dancing style among the Santal people of West Bengal.. This dancing is performed with traditional musics and songs. both males and females participate in the Lungi Panchi Dance.
Peter Rehberg (a.k.a. Pita) (born 29 June 1968) is an author of electronic audio works and head of Editions Mego. In 1999 he received Prix Ars Electronica Distinction Award for Digital Musics, alongside Christian Fennesz.
Lake Symphony is a 10,000 square meter man made lake with water fountains. The main fountain can shoot water up to a height of 18 metres. At night, there are lights, musics and fountains daily.
Soon they joined in a devotional band formed by Sanil Peter, where they met Jimson James (PRESENT MEMBER OF 4 MUSICS) who brought the idea of starting a western Band named (9-1-B-C).
Purono Guitar (1995) is a Bengali song album of Anjan Dutt. This album had popular songs like Purono Guitar, Mary Anne, Tumi Ashbe Bole. This album was manufactured and marketed by Sagarika Musics Pvt Ltd.
Triangles represent synthesis logics, which are special compositions attached to certain GTM compositions. These are almost always trio compositions. Finally, circles represent mutable logics, which are invitations to freely improvise or use Braxton's language musics.
During this period, popular Italian musicians traveled abroad and learned elements of jazz, Latin American music and other styles. These musics influenced the Italian tradition, which spread around the world and further diversified following liberalization after World War II. Under the isolationist policies of the fascist regime, which rose to power in 1922, Italy developed an insular musical culture. Foreign musics were suppressed while Mussolini's government encouraged nationalism and linguistic and ethnic purity. Popular performers, however, travelled abroad, and brought back new styles and techniques.
The album included covers of some musics such as: Hallelujah (Leonard Cohen); Kiss From A Rose (Seal), I Won't Back Down (Tom Petty). Later he and "The New Guitar Buddies" regrouped in 2009 and made a second tour and a second album (Hallelujah Vol.2). This album includes musics such as: With Or Without You (U2), 50 Ways To Leave Your Lover. In 2010, his song "Hell If I" reached 1st in the Norwegian TOPS and in 2012 his last album All My Life was released.
In 1994/95 Andrew Hugill composed Island Symphony, an electro-acoustic piece utilising sampled sounds sourced over the net plus recorded natural sounds from the island itself.Dawe, Kevin (2004). Island musics. pp. 207–208. Berg Publishers .
The expression "jazzical" was first used by Charles Mingus as the title of his two-part album Jazzical Moods (1955). "Jazzical" connotes a blend of jazz and classical musics, as does the musical theory third stream.
The soundtrack of this film launched by Puneeth Rajkumar in 18 August. Audio jukebox of Pailwaan contains 6 songs and 3 theme musics. All 5 language jukebox released presented through Lahari Music and T-Series (company).
Local Legends talks about the unique heritages of local foods, arts, musics, and cultural icons. The segment airs every Fridays with a replay every Tuesday mornings. It premiered on May 3, 2019 replacing TNT: Tapatan ni Tunying.
Academic study of Barbadian music remains limited. Some song collections and other activities have been conducted, but there remain significant holes in scholarship, such as the musics of recent immigrants from China and India, who presumably have brought with them styles of Indian and Chinese musics. Due to a lack of archaeological and historical records, the island's indigenous music is unknown. Since the 1970s, an increase in general interest in Barbadian culture has spurred greater study of music, and given an incentive to radio and television stations to create and maintain archives of cultural practices.
Jon Jang (; born March 11, 1954) is an American jazz pianist, composer, and bandleader. Of Chinese ancestry, he is active in the Asian American jazz movement and specializes in music which combines elements of jazz and Asian musics.
To reduce pain during the orthodontic treatment, low level laser therapy (LLLT), vibratory devices, chewing adjuncts, brainwave musics or cognitive behavioral therapy can be used. However, the supporting evidence is of low quality and the results are inconclusive.
Eldhose was in Saudi Arabia during the time of Oppam and by the End of 2016 he joined back with the team in India, but Justin is still settled in New Zealand and the 4 Musics music journey continues.
Violet was awarded honourable mentions, category Small companies of the DME Award 2007 for Nabaztag. Nabaztag/tag was awarded for Netxplorateur of the Year in 2008. Nabaz'mob was awarded by Prix Ars Electronica Digital Musics 2009 (Award of Distinction).
Senn Kreol (In English: Creole Channel, French: Chaîne Créole) is a TV Channel in Mauritius, owned by the Mauritius Broadcasting Corporation, which broadcasts Creole shows such as, Cooking shows, Musics, Documentaries and more. The Channel also broadcasts Pre-recorded Radio Shows.
In 2003 he co-organized an international conference at ITU on spectral music, the first of its kind, culminating in an edited volume with two audio CDs, published in 2008. Spectral World Musics: Proceedings of the Istanbul Spectral Music Conference by Ian Whalley, Spectral World Musics: Proceedings of the Istanbul Spectral Music Conference, Vol. 34 Issue 2 Working with digital art collective NOMAD, Snapper helped to organize ctrl_alt_del, the first international sound art festival in Turkey, held in 2003 and 2005. In 2004 =e appeared as a musical judge on the Turkish television series Akademi Türkiye.
The title was proposed by Paul Burwell at the first meeting in the Davidsons' house and unanimously adopted. Musics, headquartered in London, has not been published since 1979. In 2016 the Ecstatic Peace Library published Musics: A British Magazine of Improvised Music & Art 1975–79, a facsimile reprint of all issues of the magazine with a foreword by Steve Beresford, an introduction by David Toop, and afterword by Thurston Moore. Eva Prinz and Thurston Moore hosted an exposition on the magazine and the book, covering it at the Red Gallery on Rivington Street in London in July of 2017.
Traditional Vietnamese musical instruments are the musical instruments used in the traditional and classical musics of Vietnam. They comprise a wide range of string, wind, and percussion instruments, used by both the Viet (Kinh) majority as well as the nation's ethnic minorities.
Grande also sings "Even though we gave up that 90%", referencing the fact that she had to give up 90% of the royalties for "7 Rings" to Rodgers and Hammerstein due to interpolating the melody of The Sound of Musics "My Favorite Things".
Big FM plays only Hindi musics. The channels' programs are hosted in both English and Konkani. The channels have featured Goan artists, like tiatrist Prince Jacob and musician-singer Remo Fernandes. Radio Indigo programming is contemporary international music and international hit music.
The later Konami game Castlevania: Portrait of Ruin for the Nintendo DS reuses the stage musics "In Search of the Secret Spell" and "Sandfall" for the Egyptian area of the game."Portrait of Ruin Weirdness Page" . The Castlevania Dungeon. Retrieved 31 January 2010.
The 1999 Billboard Music Awards ceremony, presented by Billboard, honored the best musics of 1999 and the chart toppers of the year from December 1998 to December 1999 and took place on December 8, 1999, at the MGM Grand Garden Arena, Las Vegas.
Tresillo is the rhythmic basis of many African and Afro-Cuban drum rhythms, as well as the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz.Peñalosa (2009: 40)."Alza los pies Congo," Septeto Habanero. (CD: 1925).
Translated by Carolyn Abbate (1990), p.56. . Traditionally, "Eskimo songs seem to have been intended to be heard as parts of a whole--a series of auditory experiences."Koranda, Lorraine D. (1983). "Music of the Alaskan Eskimos", Musics of Many Cultures: An Introduction, p.358.
Ken Hunt, "Richard Shulberg", The Independent, 23 March 2009, online at Highbeam. He is similarly a part of Margot Leverett's fusion quintet The Klezmer Mountain Boys.Jon Kalish, "Mixing Mountain Musics; How One Band Combines Klezmer and Bluegrass", The Forward, 14 November 2003, online at Highbeam.
Ramette output includes six symphonies, several chamber musics, choral and vocal works and many organ and piano pieces. Almost all his works have been recorded on CD (Navona Records, USA). The American concert pianist Eric Himy has performed and recorded many of Ramette's piano works.
Steelwork Maschine is an independent record label based in Brest, France, specialising in producing, and distributing through their mail-order, extreme musics from the industrial and post-industrial genres, such as Martial industrial, Dark Ambient, Neo-classical, Neo-folk, Power Electronics, Noise, and Experimental.
The tresillo pattern is the rhythmic basis of the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz.Peñalosa, David (2009: 40). The Clave Matrix; Afro-Cuban Rhythm: Its Principles and African Origins. Redway, CA: Bembe Inc. .
There are examples of tresillo-like rhythms in a few African American folk musics such as the foot stomping patterns in ring shout and the post-Civil War drum and fife music.Kubik, Gerhard (1999: 52). Africa and the Blues. Jackson, MI: University Press of Mississippi.
Following the collapse of the Unschooled Records label in 2007, Decomposure created his own Blank Squirrel Musics label and released Vertical Lines A, an ambitious multi-genre album made from the first eleven hours of a 23-hour timespan recorded on cassette. It featured heavily abstracted songwriting, complex unconventional time signatures, a bonus DVD full of special features and handmade album art bound together with string. It is expected that he will follow this album with Horizontal Lines B some time in the future. In 2008, the full-length Humidity Patient Guide, his second release for Blank Squirrel Musics, was made available as a free download on the record label's website.
The phone has a Li-ion battery which has a capacity for 1200 mAh which lasts for 2 days without any musics playing and only messaging done. It is also available with Bluetooth 3.0, Wi-Fi (802.11b, 802.11g, 802.11n). This has a 3.5 mm headphones connector.
His music is a portrait of the marginal. Many of his used the theme of the "tukang" (meaning handyman in Indonesian), such as "Tukang Solder", "Tukang Becak", and "Tukang Kredit". His musical style was various. He used some blues, soul, and funk musics in his works.
Like Clayson,Clayson, p. 439. music journalist Chris Ingham sees the most obvious example of Wonderwall Musics legacy in the raga rock sound of Kula Shaker,Ingham, p. 162. who also adopted lyrical influences from Harrison's work.Stephen Thomas Erlewine, "Kula Shaker", AllMusic (retrieved 19 July 2014).
Scott Yanow of Allmusic stated, "The leader wrote eight of the ten songs (including a remake of his biggest hit 'Four Brothers'), several of which show off his growing interest in both folk and classical musics. Fine performances, but this album will be difficult to find".
Arrington de Dionyso (founder of the Olympia Strange Music Society), Aerick Duckhugger, and Domenica Clark.Program, 14th Olympia Experimental Music Festival, p. 10. During de Dionyso's tenure as chief organizer (festivals 9–12) the festival was primarily known by the alternate name The Olympia Festival of Experimental Musics.
Wilmer has contributed to a vast array of publications, including Melody Maker, Down Beat (she was its UK correspondent, 1966–70), Jazz Journal, Musics, Double Bassist, Mojo, The Wire,Val Wilmer at The Wire. and regularly contributes obituaries of musicians to The Guardian.Val Wilmer at The Guardian.
Music in the Twentieth Century series. Cambridge, UK; New York, New York: Cambridge University Press. p. 76 Other mentors include prominent avant-garde composers Terry Riley and Robert Ashley. He has also studied the musics of Africa and Japan – and studied raga with the Hindustani master Pandit Pran Nath.
The video is included on the Directors Label volume, The Work of Director Chris Cunningham. The video was also named the number one video of the 1990s by Pitchfork. The video won the Golden Nica (main award) in the Digital Musics category at the Prix Ars Electronica in 1999.
V.3 Center for Latin American and Caribbean Studies (1987),Dover, Robert V.H. and John Holmes McDowell, eds. 1987. Andean Musics. Bloomington: Center for Latin American and Caribbean Studies, Indiana University. Andean Cosmologies through Time: Persistence and Emergence (1992),Dover, Robert V.H., Katherine Seibold, and John Holmes McDowell. 1992.
Selvin and Keta Bill were active in Thunder Road, a youth-oriented alcohol and drug rehabilitation center. Selvin is an important contributor to H.E.A.R. and is a board-member-at-large for the Arhoolie Foundation, an organization branched from Arhoolie Records to support "traditional and regional vernacular musics".
Gideon began producing music as a solo artist in 2006, and released two solo albums. He is a multi-instrumentalist, and regularly switches between guitar, percussion, horns, harp and electronic instruments while performing. He has toured nationally with Dan Deacon. In 2008, Gideon released his multimedia opus, Video Musics.
Exploring various Latin American musical influences, including folklore music, reggae, cumbia sonidera, Colombian cumbia and Peruvian cumbia, Chancha Vía Circuito has been producing instrumental musics by fusing electronic music with acoustic instruments and voices since 2005. Since 2010 Chancha Vía Circuito is one of favorite artists of NPR's Alt.Latino.
Cambodian musical instruments, mid 1800s. By Emile Gsell Traditional Cambodian musical instruments are the musical instruments used in the traditional and classical musics of Cambodia. They comprise a wide range of wind, string, and percussion instruments, used by both the Khmer majority as well as the nation's ethnic minorities.
The three notes above are the secondary beats. Typically, the dancer's feet mark the primary beats, while the secondary beats are accented musically.Polyrhythm 3:2 Novotney observes: "The 3:2 relationship (and [its] permutations) is the foundation of most typical polyrhythmic textures found in West African musics."Novotney, Eugene D. (1998).
The school was established on 19 July 1910 by Rama Varma XV, Maharaja of Cochin aiming to teach Indian classical musics to the ladies of Cochin Royal Family and it was later taken over by the government. Of late, it was attached to the Government Model Girls’ Higher Secondary School.
Hooker's playing and recordings have embraced a wide range and combination of musics, including free jazz, noise rock, electronics, contemporary classical, and experimental electronic. The Down Beat reviewer of Hooker's Symphonie Of Flowers album wrote "Hooker uses history to enliven a suite of music that bounds through subgenres and percussive ideas".
A composer who thinks on his feet and perhaps more than anyone approaches Adorno's notion of a 'musique informelle', Blake draws as much on the visual arts of Africa and the West — African weaving, abstract painting, underground cinema, silent films — as he does on African musics and American and English experimental music aesthetics.
Nick Castro was raised in California. His musical training started early although much of his accomplishment was self-taught. Nick Castro has had three periods now of his brand of acoustic-based musics. Firstly as a solo artist, then with recording ensemble The Poison Tree and currently with touring band The Young Elders.
Huffington Post. Satoh has written arrangements for recordings led by, among others, Merrill, Kimiko Itoh, and Nancy Wilson. He also arranged for strings and quartet on Art Farmer's 1983 album Maiden Voyage. In 1990 Satoh formed a large group, named Rantooga, that combined various forms of folk musics from around the world.
She teaches Composition at Trinity Laban Conservatoire of Music and Dance. Her research interests centre on ethnomusicology with a particular emphasis on the politics of gender and sexuality, post-colonialism and the music industry and postmodernism in electronic musics. She is researching at City University for a PhD on contemporary composition in Iran.
By the end of 2015, they got the chance to meet Antony Perumbavoor and thus opened the door to OPPAM, Mohanlal as the central character, directed by Shri Priyadarshan under the big banner AAshirvad Cinemas. The movie got released in 2016 and the songs of the movie went Viral all over the world. 4 Musics won many awards for the songs in Oppam, followed by the hits in VILLAIN 2017 again with Mohanlal and now in 2019 with 2 super hits “ ITTIMANY MADE IN CHINA” with Mohanlal and BROTHERS DAY with the young superstar/Director Prithviraj Sukumaran. At the time of Juzt married the Music director given name was “THE FOUR” but during Oppam they changed the name from THE FOUR to “4 MUSICS”.
The process of transplanting music between cultures is not without criticism. The folk revival of the mid-20th century, for example, appropriated the musics of various rural peoples, in part to promote certain political causes, which has caused some to question whether the process caused the "commercial commodification of other peoples' songs ... and the inevitable dilution of mean" in the appropriated musics. The use of African American musical techniques, images, and conceits in popular music largely by and for white Americans has been widespread since at least the mid-19th century songs of Stephen Foster and the rise of minstrel shows. The American music industry has actively attempted to popularize white performers of African American music because they are more palatable to mainstream and middle-class Americans.
488–498 Mande include the Mandinka, Maninka and Bamana Dances: bansango – didadi – dimba – sogominkum.Turino, pp. 172–173; Bensignor, François, Guus de Klein, and Lucy Duran, "Hidden Treasure", "The Backyard Beats of Gumbe" and "West Africa's Musical Powerhouse" in the Rough Guide to World Music, pp. 437–439, 499–504, 539–562; Manuel, Popular Musics, p.
This has culminated with his most recent release, Mac Gollehon & The Hispanic Mechanics, All About Jazz said the record, "focuses on the grooves and rhythms that are at the forefront of both Latin musics like salsa and EDM." With other critics assenting - some going so far as to label him a pioneer of Latin EDM.
Popular Musics of the Non-Western World. New York: Oxford UP. Theodor Adorno defined popular music by contrasting it from serious music, which is purposeful and generally cooperates within strictly structured rules and conventions. Popular music can operate less deliberately and focuses on creating a general effect or impression, usually focusing on emotion.Adorno, Theodor.
The Allmusic review by Scott Yanow stated "The unusual trio perform five adventurous group improvisations that are surprisingly concise and largely self-sufficient despite the lack of any rhythm instruments. Still, this is not a release for the beginner and it is most highly recommended to collectors already quite familiar with Anthony Braxton's explorative musics".
In 2015 he published The Alvin Curran Fakebook, an atypical autobiography that includes photos, writings, and sketches alongside more than 200 scores and fragments ranging from raw sonic materials to conceptual musics and completed compositions. His articles have been published in the New York Times, Leonardo, The Contemporary Music Review, and Musiktexte, among others.
Europeans brought polkas, waltzes, schottisches and quadrilles, while Africans brought numerous instruments and percussion-based musics, including marimba. African culture resulted in the creation of brukdown music in interior logging camps, played using banjo, guitar, drums, dingaling bell, accordion and an ass' jaw bone played by running a stick up and down the teeth.
Atmospheric pads and samples may be added over the fundamental drum and bass to provide different feels. These have included "light" elements such as ambient pads as found in ambient electronica and samples of jazz and world musics, or "dark" elements such as dissonant pads and sci-fi samples to induce anxiety in the dancer.
The Clave Matrix; Afro-Cuban Rhythm: Its Principles and African Origins. Redway, CA: Bembe Inc. . The clave pattern originated in sub-Saharan African music traditions, where it serves essentially the same function as it does in Cuba. The pattern is also found in the African diaspora musics of Haitian Vodou drumming and Afro-Brazilian music.
AILLA was founded in 2000 by Joel Sherzer, professor emeritus in the Department of Linguistics at The University of Texas at Austin. The archive is a member of the Digital Endangered Languages and Musics Archives Network (DELAMAN). AILLA is an archive of record for the Documenting Endangered Languages program of the National Science Foundation.
Criton became interested into ethnomusicology as well, taking part in the activities of the "Groupe de Recherche sur la Tradition Orale" (Abidjan 1979). Her works are created in France and abroad: Darmstadt, American Festival of Microtonal Music (New York), Ircam, Radio France, Manca, Today Musics, Midem, Presences, Intermusica, Ars Electronica, Ijsbrecker Institute, Archipelago Festival, Ilkhom XX (Tashkent), Simn (Bucharest).
He was born and raised in Senegal, West Africa. By the age of 14 he was playing professionally in a band that consisted of nine relatives. Dieng received his first album credit on Brian Eno and Jon Hassell's 1980 Fourth World, Vol. 1: Possible Musics, playing percussion on conga drums and a clay drum called ghatam.
The Little Band scene is the name given to an experimental post-punk scene which flourished in Melbourne's inner suburbs from 1978 until early 1981.Knowles, Julian (2008). "Liminal Electronic Musics: Post-Punk Experimentation in Australia in the 1970s-1980s". Proceedings 'Sound : Space', Australasian Computer Music Conference, 2008, Sydney Conservatorium of Music, University of Sydney. p.
A shaman uses various ways of making sounds to which different ritual purposes are ascribed. Of particular importance are the shaman's song and shaman's drumming. Recently in Siberia, music groups drawing on a knowledge of shamanic culture have emerged. In the West shamanism has served as an imagined background to musics meant to alter a listener's state of mind.
Cedrik Fermont (also known as C-drík Fermont or Kirdec) is a vegan artist, academically trained musician, DJ, singer, composer and drummer. He is a former student of electro-acoustic composer Annette Vande Gorne (Royal Conservatory of Mons, Belgium). In 2017, he was co-awarded the prestigious Golden Nica Prix Ars Electronica in digital musics and sound art.
On 18 May 2001, the TPI name was used but only using the simple word "TPI" instead. TPI began to expand more programs that related to musics, sports, and cartoons. Since 2004, it has focused on dangdut programs. The most successful dangdut contest, Kontes Dangdut TPI (KDI, later Kontes Dangdut Indonesia), is a version of RCTI's Indonesian Idol.
It provided two singles : "Et si en plus y'a personne" (#19 in France, #12 in Belgium) and "La Vie Théodore" (#68 in France). The album was almost entirely written by the singer himself, while the musics were composed by Laurent Voulzy and Souchon's son, Pierre Souchon, according to the songs. The album's name is a tribute to Théodore Monod.
Krall's version of "Almost Blue" divided critics. On a positive note, Thom Jurek of AllMusic enjoyed its blues roots and called the cover "striking". Agreeing, BBC Musics Kathryn Shackleton appreciated Krall's "sultry and raw" vocals, which Creative Loafings Hal Horowitz called "beautifully muted". However, Noel Murray of The A.V. Club questioned its overall composure for not "do[ing] much".
Today, there are more than 250 Pinpeat songs being researched based on a document found in the street of Phnom Penh in 1979 after Khmer Rouge collapsed. These songs narrated various stories such as describing love, nature, Khmer daily life and its neighbors, and else. While some specific musics are used to accompany in Khmer traditional dances and theaters.
Mark Izu is an American jazz double bass player and composer. He is of Japanese ancestry and frequently combines jazz with Asian traditional musics (particularly the ancient Japanese court music known as gagaku) in his compositions. He has performed with Anthony Brown and Jon Jang. Izu is a seminal leader in the Asian American Jazz movement.
Since then, he has worked with many other musicians, including session work for Michel Berger, France Gall, Richard Cocciante, Bonnie Tyler, Eurythmics, Ray Charles, Céline Dion as well as live playing and musical direction for shows, including Johnny Hallyday and Starmania. In association with Serge Perathoner, keyboardist, he has also done a variety of film and advertisement musics.
As is the case throughout the Caribbean, Lesser Antillean musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India.
Live in Brazil is an EP by Brazilian hard rock band Dr. Sin. It was released only in Japan with the album Double LIVE! by Yngwie Malmsteen. The Swedish guitarist loved the opening show in Brazil, and he decides to launch the Japanese version of 'Double LIVE!' with one EP with four musics of Dr. Sin live.
In some sub-Saharan music and music of the African diaspora, the bell pattern embodies this definition of period."The time span of the bell rhythm and its division into beats establish meter, a concept that implies a musical period" Locke, David "Improvisation in West African Musics" Music Educators Journal, Vol. 66, No. 5, (Jan., 1980), pp. 125–33.
Published by: MENC: The National Association for Music Education. The bell pattern (also known as a key pattern,Novotney, Eugene N. (1998: 165) Thesis: The 3:2 Relationship as the Foundation of Timelines in West African Musics, UnlockingClave.com. Urbana, IL: University of Illinois.Peñalosa, David (2012: 255) The Clave Matrix; Afro-Cuban Rhythm: Its Principles and African Origins.
Ivory Coast's national anthem is L'Abidjanaise. French is the official language taught and spoken by Ivorians but many Ivorians have their own ethnicie tribe's language. There are many music genres in Ivory Coast, music from different tribes Couper Decaler, Zouglou, Pop, Arabic musics etc. Ivory Coast have different varieties of music based on the population race living there.
The lyrics and musics were written by Mario Panzeri, Daniele Pace, Lorenzo Pilat and Corrado Conti. It was sung in Italian by Gigliola Cinquetti. During the preview programmes, Cinquetti sang the song alone in a dark room. The music video was broadcast in black and white as RAI did not move to full color broadcasts until 1977.
Influenced by Johnny Cash, Waylon Jennings and Hank Williams, The Railbenders overall sound has been described as country, alt-country, outlaw country, and hard country. The members of The Railbenders all listened to punk rock growing up which they believe explains their musics harder edge. Many of the band's songs include the common themes of whiskey, women and Colorado.
Jocelyne Guilbault. "The Politics of Labelling Popular Musics in English Caribbean" Trans 3, 1997 Shorty's 1974 Endless Vibrations and Soul of Calypso brought Soca to regional and international attention and fame and helped to solidify the rapidly growing Soca Movement led by Shorty. Soca developed in the early 1970s and grew in popularity in the late 1970s.
1\. Traditional Thai Music: Piphat, Mahoree, Kruangsai Ancient repertoire and selected compositions from famous Thai composers. 2\. Folk-Pop music Variety of songs; ranging from Thai folks to international popular music. 3\. Fusion Jazz music Variety of Thai songs rearranged in fusion style. 4\. Asian-mix Musics of Southeast Asian; rearranged in flexible performance style including stage movements. 5\.
Crabb concentrated on his ambient side project Golden Claw Musics. After the rest of the band split in 1996, March and Townshend went on to form the big beat band Bentley Rhythm Ace. Townshend also released two solo albums and Mansell wrote a number of film scores, including Requiem for a Dream, π, Doom, The Fountain, The Wrestler, Moon, and Black Swan.
Ghanaian iron gankoqui bells. A bell pattern is a rhythmic pattern of striking a hand-held bell or other instrument of the idiophone family, to make it emit a sound at desired intervals. It is often a key patternNovotney, Eugene N. (1998: 165) Thesis: The 3:2 Relationship as the Foundation of Timelines in West African Musics, UnlockingClave.com. Urbana, IL: University of Illinois.
He still composes electronic musics with his friend Tolga Enilmez, who is a member of that collective. In 1997, he became a member of Mor ve Ötesi, replacing Alper Tekin, who left the band. In January 2009, the album Astronot of Ayça Şen was released, whose producer is Burak Güven. He is also the uncle of the famous Deniz Güven.
Baidu Wangpan supports preview of files of photos, musics, videos and documents on each of its client terminal without downloading them as local files. The videos can be viewed directly on the web browsers, Android system, and iOS system. It provides file synchronization, enabling users to upload and download files of different types. It supports file sharing between different users, and different devices.
Bruno Blum (born October 4, 1960, Vichy, France) is a French singer songwriter, guitar player, music producer and musicologist sometimes nicknamed "Doc Reggae." He is mostly known for his work in the reggae, Caribbean music, rock music and African musics fields, and also works as a comic book artist, illustrator, painter, photographer, video director, writer, journalist, music historian, interpreter and speaker.
A musical argument is a means of creating tension through the relation of expressive content and musical form: Experimental musics may use process or indeterminacy rather than argument.LaBelle (2006), p.7. The musical argument may be characterized as the primary flow and current idea being presented in a piece: Thus one may hear of a musical argument being interrupted, extended, or repeated.
At the age of five, Hauschild received his first piano lessons, later he took up theatre. Looking back he remembered Käthe Reichel, Reimar Johannes Baur and Dieter Franke with whom he had played in Greiz. Early he began composing, among others he wrote a . From the age of fifteen he composed incidental musics for the theatre of his home town.
Yoruba cultural dancers Music and dance have always been an important part of their culture; used in the many different forms of entertainment.Musical instruments includes Bata, saworo, sekere, gangan etc. Musics varieties include Juju, Fuji etc with artists including King Sunny Ade, Ebenezer Obey, Wasiu Ayinde KWAM 1 etc.Ruth M. Stone (ed.), The Garland encyclopedia of world music, Routledge, 1997.
McCollum, Jonathan and Hebert, David (2014) Theory and Method in Historical Ethnomusicology Lanham, MD: Lexington Books / Rowman & Littlefield Through use of "a broad spectrum of geocultural examples, the volume includes several engaging strategies for using and writing about history in order to understand the world's musics".Justin R. Hunter (2016). Theory and Method in Historical Ethnomusicology. "NOTES", 72(3), pp.534-537.
Massimo Bubola at the "Folkclub" of Turin in 2008 with Erika Ardemagni and Simone Chivilò. Massimo Bubola (15 March 1954) is an Italian singer- songwriter, record producer and arranger. During his career, he cooperated with lot of Italian musicians in writing lyrics and musics, and his most significant cooperation was with Fabrizio De André. Discography of Massimo Bubola Massimo Bubola on viadelcampo.
Folk music: Europe has a wide and diverse range of indigenous music, sharing common features in rural, travelling or maritime communities. Folk music is embedded in an unwritten, oral tradition, but was increasingly transcribed from the nineteenth century onwards. Many classical composers used folk melodies, and folk has influenced some popular music in Europe. See the list of European folk musics.
Francis Wong () is an American jazz saxophonist, flutist, and erhu player. He is of Chinese descent; his father is from Shanghai and his mother is Cantonese. He specializes in the fusion of free jazz and Asian musics, and is a central member in the Asian American jazz movement. His distinctive saxophone playing incorporates very high, shrill notes amidst much squeaking.
In November 1973, Jenkins and Ratledge participated in a live-in-the-studio performance of Mike Oldfield's Tubular Bells for the BBC. It is available on Oldfield's Elements DVD. Jenkins has created advertising music, twice winning the industry prize in that field. From the 1980s, he developed a relationship with Bartle Bogle Hegarty, starting with composing musics for their Levi's jeans "Russian" series.
The music video sees Girls Aloud seduce guests at a dinner party in elaborate costumes inspired by Marie Antoinette and 18th century French fashions. "Can't Speak French" was promoted through numerous live appearances and has since been performed on all of Girls Aloud's subsequent tours. The "sultry" song received praise from most contemporary musics, cited as an example of Xenomania's creativity.
In 2014, he played the role of Mangesh Kadam and Leena Bhagwat's son in the play Goshta Tashi Gamtichi, for which he won the Best Supporting Actor (Commercial Plays) at the 2015 Akhil Bhartiya Natya Parishad Awards. In 2015, his first single "Yaara" was released by Sagarika Musics. The romantic-single is co-sung by Deepika Jog and the video also features Ketkar.
Naughty Jatts () is a Punjabi romantic comedy film directed by Pankaj BatraNaughty Jatts Exclusive Report and produced by Multiline Entertainment (Satish Katyal and Sandeep Bhalla). The film stars Arya Babbar, Roshan Prince and Binnu Dhillon opposite Neeru Bajwa. It was released to theaters on 2 August 2013.Naughty Jatts Satish Katyal has recently launched its own music company in name of FH Musics.
The first opening theme from episodes one to twenty-six is an instrumental version of and the second theme for the remaining episodes is the same music sung by Yōko Maekawa and Luna Arumonico. The ending theme is by Yōko Maekawa and Young Fresh. The musics used in original Japanese films including opening themes and ending theme were composed by Isao Tomita.
Laurence Ernest Rowland Picken (16 July 1909 – 16 March 2007) was an ethnomusicologist and scientist.Music and tradition : essays on Asian and other musics presented to Laurence Picken / edited by D.R. Widdess and R.F. Wolpert, Cambridge : Cambridge University Press, 1981, i-ix. He had a wide research interest, and published works on cytology, biochemistry, musicology, Turkish musical instruments, and ancient Chinese and Japanese music.
The Champion Hotel in Fitzroy was a popular venue among the little bands, hosting monthly "Little Band Nights" throughout much of 1979 and 1980. The Little Band scene was an experimental post-punk scene which flourished in Melbourne, Australia from late 1978 until early 1981.Knowles, Julian (2008). "Liminal Electronic Musics: Post-Punk Experimentation in Australia in the 1970s–1980s".
At university, he studied with George Crumb, Richard Wernick, and George Rochberg. After college, Levinson went to study composition with Olivier Messiaen at the Paris Conservatory. He was inspired by Messiaen's use of birdsong and his unique harmonic ideas, as well as the musics of Bali and India. Levinson has also worked with Simon Rattle, Ralph Shapey, and Seiji Ozawa.
Onur Özsu (born 17 December 1982) is a Turkish pop music artist, singer, songwriter, musician, performer. Özsu worked with eminent musicians in his first album named Onur Duydum. This album is released under the production of Murat Engin and Meya Music record label. All the lyrics and musics are the singer's own production and all the arrangements are done by Murat Engin.
Ithaca is the home of the Cayuga Chamber Orchestra. The Cornell Concert Series has been hosting musicians and ensembles of international stature since 1903. For its initial 84 years, the series featured Western classical artists exclusively. In 1987, however, the series broke with tradition to present Ravi Shankar and has since grown to encompass a broader spectrum of the world's great musics.
The Three Against Two Relationship as the Foundation of Timelines in West African Musics Urbana, IL: University of Illinois. UnlockingClave.com. 3:2 is the generative or theoretic form of sub-Saharan rhythmic principles. Agawu succinctly states: "[The] resultant [3:2] rhythm holds the key to understanding … there is no independence here, because 2 and 3 belong to a single Gestalt."Agawu, Kofi (2003: 92).
Balkan jazz is an umbrella term for jazz from different parts of the Balkan peninsula in southeastern Europe. Jazz in the region may incorporate various types of Balkan music, especially folk musics (including "gypsy style"). It has embraced improvisation and originality, much like jazz traditions in the Americas and elsewhere. Characteristic features can include use of unusual meters ("odd rhythms"), sometimes played very fast.
Jon Hassell (born March 22, 1937) is an American trumpet player and composer active since the 1960s. He is best known for developing the concept of "Fourth World" music, which describes a "unified primitive/futurist sound" combining elements of various world ethnic traditions with modern electronic techniques. The concept was first articulated on Fourth World, Vol. 1: Possible Musics, his 1980 collaboration with Brian Eno.
Harald Weiss (2009). Harald Weiss (surname also spelled "Weiß") (born 26 May 1949 in Salzgitter) is a German composer, director, screenwriter, and free- lance artist. Weiss's compositions are influenced by minimalism, as well as jazz and rock musics. Numerous trips (in the context of theater workshops and tours) to Africa, Asia, Europe, and South America have also had a significant influence on his music.
In the first chapter of his book Popular Music of the Non-Western World,Manuel, Peter. 1988. "Perspectives on the Study of Non-Western Popular Musics." In Popular Music of the Non-Western World, 1-23. New York: Oxford UP. Peter Manual examines the effect technology has had on non-western music by discussing its ability to disseminate, change, and influence music around the world.
This change weakened traditional culture in many parts of society; a similar process occurred in other European countries, but unlike them, Italy had no major initiative to preserve traditional musics. Immigration from North Africa, Asia, and other European countries led to further diversification of Italian music. Traditional music came to exist only in small pockets, especially as part of dedicated campaigns to retain local musical identities.
The word Ji- qing means "to play Biangqing" in Chinese. Traditionally, the musical instrument Biangqing is used in the China's ritual and court ceremonies. Ji- ching Hall is the classroom for traditional Chinese and traditional Chinese musics. The Classroom for Indigenous Taiwanese Cultures was completed in 2016, it is the classroom of which pupils could learn about the various kinds of Taiwanese indigenous people.
Bird Seed is the seventeenth album by power electronics group Whitehouse released in 2003 by their own record label, Susan Lawly. It was given an "honourable mention" in the digital musics category of Austria's annual Prix Ars Electronica awards. It was reissued on double vinyl through Very Friendly on July 2009. The title track was recorded by Steve Albini and written by Peter Sotos.
Brother's Day is a 2019 Indian Malayalam-language family thriller film written and directed by Kalabhavan Shajohn in his directorial debut. Produced by Listin Stephen, the film stars Prithviraj Sukumaran, Prasanna, Aishwarya Lekshmi, Madonna Sebastian, Prayaga Martin and Miya George. The film marks the debut of Prasanna as actor and Dhanush as singer and lyricist in Malayalam cinema. Music for the film was composed by 4 Musics.
Among the musics that really succeeded, are detached: # Vou botar teu nome na macumba (I am going to put your name in the macumba); # Posso até me apaixonar (I might even fall in love); # ...São Jorge, Anastácia e as crianças (...Saint George, Anastsia, and the children); # Água da Minha Sede (Water of my thirst); # Pro Amor Render (For love to surrender); # Chegue Mais (Come closer).
Some accordions have all buttons for both hands. Accordions are used in Zydeco, hot jazz (a type of swing), and many folk and traditional musics. Accordions are becoming less common in North America but they remain popular in Europe. acid rock : A style of rock music from the late 1960s and early 1970s which emphasized psychedelic imagery, unusual sound effects, and distorted guitar playing.
" The magazine later named it the tenth best album of 2015. Sam Shepherd of MusicOMH said, "Beach Music will almost certainly push Alex G into the wider consciousness, and rightly so." The Guardians Kate Hutchinson thought the album sounds "familiar, yet impossibly charming." Sophie Weiner of Rolling Stone stated, "By the time you've gotten used to Beach Musics relaxed melancholy, it's become a much-needed refuge.
The Drastics are a roots-oriented dub reggae group hailing from Chicago. Though primarily classified as a reggae group, The Drastics embrace many styles of music both live and in the studio. This can be heard in their songs which draw from roots reggae, hip hop, jazz (mostly hard-bop), afro-beat, dancehall, as well as folk musics from Asia, Africa, the Middle East and South America.
The saloma and mejorana feature a distinctive vocal style said to derive from Sevillians. The most important native instruments used to play these musics are the mejoranera, a five-stringed guitar accompanying songs called mejoranas as well as torrentes, and the rabel, a violin with three strings used to play cumbias, puntos and pasillos in the central provinces of Coclé, Herrera, Los Santos and Veraguas.
The Reactable received much attention from the bloggers and was featured in major TV shows and popular magazines. Rolling Stone Magazine claimed that the Reactable was the hot instrument of 2007. The device has also received several awards including Prix Ars Electronica Golden Nica for Digital Musics, the MIDEM Hottest Music Biz Start-Up Award, and two D&AD; Yellow Pencil Awards in 2008.
DeRose has been the Vocal Professor and Head of Jazz Vocals at the University of Music and Dramatic Arts in Graz, Austria, since 2006. A regular teacher at the Stanford Jazz Workshop for the past 20 years, she also teaches periodically at other summer camp and workshop programs including the Litchfield Summer Camp, Taller de Musics in Spain and the Prince Claus Conservatoire in Groningen, Holland.
All Metal Max games and some Metal Saga titles were created by Hiroshi Miyaoka. Miyaoka is a friend of Yuji Horii － who created the Dragon Quest series － and joined the first three Dragon Quest games' development as a scenario assister and dungeon designer. He launched company Crea-Tech in 1988. Atsuji Yamamoto, Hiroshi Miyaoka's secondary schoolmate, designed for characters; and Satoshi Kadokura contributed musics.
Continuing to explore classical, jazz and original musics throughout her teenage years, her musical path became more defined when she moved to Melbourne in 1993 to attend the Victorian College of the Arts. Since 1996 Keller has been an active educator in Melbourne's tertiary jazz and improvisation departments, including the Faculty of the VCA and MCM University of Melbourne, Monash University and Melbourne Polytechnic (formerly NMIT).
Timothy Laurie argues that, since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects". Musicologists have sometimes classified music according to a trichotomous distinction such as Philip Tagg's "axiomatic triangle consisting of 'folk', 'art' and 'popular' musics".Tagg, Philip. "Analysing Popular Music: Theory, Method and Practice".
Large numbers of African slaves and European, mostly Spanish, immigrants came to Cuba and brought their own forms of music to the island. European dances and folk musics included zapateo, fandango, paso doble and retambico. Later, northern European forms like minuet, gavotte, mazurka, contradanza, and the waltz appeared among urban whites. There was also an immigration of Chinese indentured laborers later in the 19th century.
Cervantes was called by Aaron Copland a "Cuban Chopin" because of his Chopinesque piano compositions. Cervantes' reputation today rests almost solely upon his famous forty-one Danzas Cubanas, which Carpentier said, "...occupy the place that the Norwegian Dances of Grieg or the Slavic Dances of Dvořák occupy in the musics of their respective countries". Cervantes' never-finished opera, Maledetto, is forgotten.Carpentier, Alejo 2001 [1945].
RPG Maker 3 features a music system containing around 40-50 premade pieces of music. There are 8 game themes, several nature sounds, many tracks, and several different battle musics. These pieces were later remastered and released as in the RPG Maker 3 Music Pack add-on for the PC based RPG Maker engines. It can be purchased at the English RPG Maker website.
Tresillo is generated through cross-rhythm: 8 pulses ÷ 3 = 2 cross-beats (consisting of three pulses each), with a remainder of a partial cross-beat (spanning two pulses). In other words, 8 ÷ 3 = 2, r2. Tresillo is a cross- rhythmic fragment. Because of its irregular pattern of attack-points, "tresillo" in African and African-based musics has been mistaken for a form of additive rhythm.
Sebebim (My Reason) is the debut studio album by Turkish singer Demet Akalın. It was released in 1996 by Elenor Müzik. The lyrics and musics were provided by a number of different individuals, including Seda Akay, Niran Ünsal, Hakkı Yalçın, Murat Yerinli, Naşide Göktürk, Tolga Turan, Engin Kuduğ, Özlem Ekşioğlu, Metin Özülkü, and Ayhan Çakar. Tarık Sezer, Metin Özülkü, and Selim Çaldıran served as the album's arrangers.
Mercan Dede (born Arkın Ilıcalı, 1966, Bursa, Turkey), also known as DJ Arkin Allen, is a Turkish composer, ney and bendir player, DJ and producer. He divides his time between Turkey, Europe and North America. He is a world music artist, playing a fusion of traditional acoustic Turkish and other oriental musics with electronic sounds. His best known albums include Seyahatname, Su ( water), and Nar.
Pungmul There is a genre distinction between folk music and court music. Korean folk music is varied and complex in different ways, but all forms of folk music maintain a set of rhythms (called 장단; Jangdan) and a loosely defined set of melodic modes. Korean folk musics are Pansori (판소리) performed by one singer and one drummer. Occasionally, there might be dancers and narraters.
The loud and piercing sound it produces has kept it confined mostly to Korean folk music (especially "farmer's band music") and to marching bands, the latter performed for royalty in the genre known as daechwita. It is, however, also used sparingly in other genres, including Confucian, Buddhist and Shamanist ritual musics, neo-traditional/fusion music and kpop, included in works such as Lalalay by Sunmi.
Levels can also be found in Asian, Celtic folk musics, Arab, and in European Renaissance music. Eventually, levels and other musical traits found their way into American jazz harmony and blues tonality through spirituals. Levels can be compared to a traditional root progression in western music with a tonic - subdominant - dominant relationship. Levels give way to familiar classical chords and chord changes in Baroque music.
107 A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America.John H. Baron.
The diverse world of Indonesian music genres was the result of the musical creativity of its people, and also the subsequent cultural encounters with foreign musical influences into the archipelago. Next to distinctive native form of musics, several genres can traces its origin to foreign influences; such as gambus and qasidah from Middle Eastern Islamic music, keroncong from Portuguese influences, and dangdut with notable Hindi music influence.
Oppam () is a 2016 Indian Malayalam-language crime thriller film written and directed by Priyadarshan from a story by Govind Vijayan. It was produced by Antony Perumbavoor for Aashirvad Cinemas and starred Mohanlal, Anusree, Samuthirakani, Vimala Raman, Nedumudi Venu, and Baby Meenakshi. The film contains songs composed by the group 4 Musics, and the score was composed by Ron Ethan Yohann. N. K. Ekambaram was the cinematographer.
The French boy band Alliage recorded a cover of the song on their second album Musics. It proved popular on French radio reaching #1 in airplay charts in France. "Je l'aime à mourir" was the third and last single from the album after "Je sais" and "Cruel Summer" a bilingual take on the Ace of Base classic done by Alliage and Ace of Base.
Ayoung was born in 1944 at Maraval Road, Port of Spain, Trinidad, one of eleven children to a Chinese Trinidadian father and an Afro-Venezuelan mother.Thompson, Dave (2002) Reggae & Caribbean Music, Backbeat Books, , pp. 81–83Guilbault, Jocelyne (2007) Governing Sound: The Cultural Politics of Trinidad's Carnival Musics, University of Chicago Press, , pp. 119–120 As a youth he showed promise as a cricketer, but chose a career in music.
Over the course of the piece the intervals between these sounds deviate increasingly from this average, following a systematic process . These sounds mark off segments of the music similar to the colotomic percussion signals used in some Asian musics, such as Japanese gagaku. Stockhausen had used this device previously in Mantra and Telemusik . There are 33 of these smaller subsections, grouped into six large sections, with a clear evolutionary process .
Under the elaborate plan, ballerinas and circus acrobats were armed with grenades and pistols and ordered to assassinate German generals if they attempted to organise concerts and other celebrations upon taking the city. Lev Knipper was charged with the responsibility of killing Hitler if he got the opportunity. Knipper was prolific. He wrote 5 operas (including one on The Little Prince), 20 symphonies, ballets, pieces for piano and other film musics.
In 2005, she was awarded the Prix Ars Electronica (the Golden Nica) in the "Digital Musics" category for her project "TEO! A sonic sculpture". At the time of her death she had been working three years on a 40-channel piece commissioned by the Experimental Media and Performing Arts Center in Troy, New York. Maryanne Amacher has been an important influence for composers such as Rhys Chatham and Thurston Moore.
This term 'improvised music' may, of course, be used in the common dictionary sense, and it is particularly useful in references to the pan-genre eclecticism which has characterized much music-making from the 1980s onwards, as musicians draw freely from, or meld together, not only jazz and contemporary art music but also aspects of various mainstream popular musics (blues, rock, soul, pop) and world music (ethnic traditions).
As the result retail businesses will try to attracts shoppers with special Lebaran discounts, Lebaran-themed decorations, and playing joyous Lebaran-themed or Islamic musics in their stores. The festive shopping feel is quite similar with Christmas for Christians, however the things bought (usually fashion apparels), is rather for oneself, not as a gift. Many banks, government and private offices are closed for the duration of the Lebaran festivities.
In the 1950s, Medellín, Antioquia, was a middle-sized city in a fast process of industrialization. Elvis Presley and Chuck Berry were the first ambassadors of American rock music. The society of the region, more familiar with one of the main folk musics of Colombia, bambuco, received it with mixed opinions until it became established as part of youth culture.Identidad desde el caos, el caos de la identidad.
Hawaiian music has had an enormous impact on the music of other Polynesian islands; according to Peter Manuel, the influence of Hawaiian music a "unifying factor in the development of modern Pacific musics". Native Hawaiian musician and Hawaiian sovereignty activist Israel Kamakawiwoʻole, famous for his medley of "Somewhere Over the Rainbow/What a Wonderful World", was named "The Voice of Hawaii" by NPR in 2010 in its 50 great voices series.
Technological developments allowed for easy dispersion of western music, causing the dominance of western music into rural and urbanized areas across the globe. However, because popular music assumes such a corporatized role and therefore remains subject to a large degree of standardization, ambiguity exists whether the music reflects actual cultural values or those only of the corporate sector seeking economic profit.Manuel, Peter. 1988. Popular Musics of the Non-Western World.
Professional female singers perform dirges similar in style to those elsewhere in Europe. Yodeling exists in northern Italy, though it is most commonly associated with the folk musics of other Alpine nations. The Italian Carnival is associated with several song types, especially the Carnival of Bagolino, Brescia. Choirs and brass bands are a part of the mid-Lenten holiday, while the begging song tradition extends through many holidays throughout the year.
Apart from her music career, Erçetin has been involved in various other projects. In 1994, she started working as a TV presenter, and in 2007 she produced her own program Candan Erçetin'le Beraber ve Solo Şarkılar. In 2005, she was cast in a leading role in the musical Yıldızların Altında. She also composed the musics for the movies Gölgesizler (2008) and Kaptan Feza (2009) and served as a producer as well.
Reflecting the cultures that settled North America, the roots of old-time music are in the traditional musics of the British Isles (primarily Great Britain and Ireland), and Europe. African influences are notably found in instruments such as the banjo. In some regions French and German sources are also prominent. While many dance tunes and ballads can be traced to European sources, many others are of North American origin.
He started his career as a solo singer since 1983. His first album was Huay Taleang (), and he has been popular since. Included in his first album, there were several popular songs such as Tang Kae (), Ton Kab Kee (), Fon Nang Jang Hay (), Ko Ra Cha (), Khon Kab Maa (), Kid Tueng Ban (), Nam Ta Hoy Tak (), Lom Ram Poey (), etc. Most of his musics were composed by him.
During the 20th century, composers started drawing on an ever wider range of sources for inspiration and developed a wide variety of techniques. Debussy became fascinated by the music of a Vietnamese theatre troupe and a Javanese gamelan ensemble and composers were increasingly influenced by the musics of other cultures. Schoenberg and the Second Viennese School developed the dodecaphonic system and serialism. Varèse, Stockhausen, and Xenakis helped pioneer electronic music.
Anandabhairavi or Ananda Bhairavi (pronounced ānandabhairavi) is a very old melodious rāgam (musical scale) of Carnatic music (South Indian classical music) music. This rāgam also used in Indian traditional and regional musics. Ānandam (Sanskrit) means happiness and the rāgam brings a happy mood to the listener. It is a janya rāgam (derived scale) of the 20th Melakarta rāgam Natabhairavi,Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub.
Sati Nik was Farzin and Aref hangout lovers. From that time musics, we can pointed to 'Dam Begirim' (Persian: دم بگیریم) at that time, it became famous. Farzin left Iran and immigrated to the U.S.A. after 8 years silence in artwork in Iran and then He released his first album called "Gerye Nakon" (Persian: گریه نکن). He left the Los Angeles artwork and immigrated to Germany for some reason.
Joel Hoffman (born 1953 in Vancouver) is a Canadian/American composer of contemporary classical music and pianist living in New York, New York. Hoffman's music draws much of its richness and variety from such diverse sources as Eastern European folk musics, Chinese traditional music and American bebop, yet these sources seem to be seamlessly woven into a unique musical language that is pervaded by a sense of lyricism and rhythmic vitality.
It is Prigent's first experience combining Breton lyrics and electronic music. Quimper Cathedral, one of the stops of Tro Breizh. Prigent released his second album, Me 'zalc'h ennon ur fulenn aour (I keep in myself a golden spark), in 1997. He wrote all the lyrics except for the traditional song Ar rannoù that appears in the Barzaz Breiz, and most of the musics, using both traditional instruments and electronic sounds.
Burke "summed up the underlying connection between the musics of the black and white South: 'Gospel is the truth. And country music is the truth.'"Craig Hansen Werner, A Change is Gonna Come: Music, Race & the Soul of America (University of Michigan Press, 2006):59–60. In 2003 Burke's recording of "Just Out of Reach" was ranked No. 223 on a list of country music's 500 greatest singles.
New Mind was formed as a solo project of Jonathan Sharp in 1990. Jonathan was a classically-trained musician who was inspired by experimental guitar oriented music in the vein of Swans, as well as early industrial and electronic music including Neu! and Helden. Prior to creating New Mind, Jonathan played guitar and sampler in an experimental band and thought of electronic and industrial musics as being distinct.
No editors, writers, designers, or photographers were ever paid. Limiting expenditure was only part of the financial model. From the beginning the Musics collective took the position that they would not accept paid advertising or grant aid, and the only income came from subscriptions and sales through (mostly alternative) bookshops. In addition there were associates in cities such as Bristol and Glasgow who sold copies through local outlets and at performances.
Huaihai opera (simplified Chinese: 淮海戏, traditional Chinese: 淮海戲) is a form of local traditional Chinese theatre which combines musics, vocal performance, and dance. Some plays contain mime, acrobatics, and Kung fu. It was created in the 19th century and fully developed in the World War II. The form is popular in Shuyang, Suqian, Lianyungang and Yancheng, with the dialect of Shuyang as the standard pronunciation.
Rumelia (or Trakya) refers to the region of Turkey which is part of Southeast Europe (the provinces of Edirne, Kırklareli, Tekirdağ, the northern part of Çanakkale Province and the western part of Istanbul Province). Folk songs from this region share similarities with Balkan, Albanian and Greek folk musics, especially from the ethnic minorities and natives of Thrace. Cypriot folk music also shares folk tunes with this region, e.g. the Çiftetelli dance.
"The Consecutive-Semitone Constraint on Scalar Structure: A Link between Impressionism and Jazz", Intégral, v.11, (1997), p. 135-179. Some authors, however, do not include anhemitonic scales in their definition of ancohemitonic scales. Examples of ancohemitonic scales are numerous, as ancohemitonia is favored over cohemitonia in the world's musics: diatonic scale, melodic major/melodic minor, Hungarian major scale, harmonic major scale, harmonic minor scale, and the so-called octatonic scale.
There were rumours that several prisoners, including Güney, watched much of Gören's footage on a wall at the prison. Güney later broke out of prison to edit Yol in Switzerland. Zulfu Livaneli made the musics for the movie, but due to political atmosphere then in Turkey, he used a nickname Sebastian Argol in order to avoid possible sanctions from Turkish courts which were then operating under 1980 Turkish coup d'état.
Acts like Murk, aka Funky Green Dogs, Planet Soul, and DJs like Robbie Rivera, were all getting air play not just in Florida but around the world. Clubs like Space, Crobar, and Mansion also attracted first class international DJ as well increasing the musics popularity. Miami would wind up allowing its night clubs to stay open 24 hours on the weekend. Thus increasing the demand for dance music.
Tim Risher (born 1957) is an American composer. Risher received his B.A. in Music at the University of Central Florida and his M.M. in music composition from Florida State University. While living in Tallahassee, Florida, Risher was a member of the new music ensembles Paragaté and Tallahassee Camerata. Risher's output is typically tonal, with primary influences being minimal music, American and Brazilian popular musics, early music, and American shape note hymnody.
Tejano and New Mexico music, heard throughout the American Southwest and South Texas, is rooted in the musics of the Native American and Hispanic/Latino communities of the regions. Tejano music is also heavily influenced by Regional Mexican and Country music, while New Mexico music is much more influenced by Hispano folk and Western music. Both styles have influenced one another over the years, and incorporated American popular music styles.
All these battles (and diseases brought from Europe) decimated the native tribes, with entire cultures wiped out. Thus the Caribbean was colonized as part of the various European empires. the native culture was further eroded when the Europeans imported African slaves to work the sugar and coffee plantations on their island colonies. in many cases, the native cultures -and the native musics- were replaced with those brought over from Africa.
Vasconcelos was born in Recife, Brazil. Beginning from 1967 he joined many artists' works as a percussionist. Among his many collaborations, he contributed to four Jon Hassell albums from 1976 to 1980 (including Possible Musics by Brian Eno and Hassell), and later to several Pat Metheny Group works and Jan Garbarek concerts from early 1980s to early 1990s. In 1984 he appeared on the Pierre Favre album Singing Drums along with Paul Motian.
The VMC provides a range of presentations, consultation, in-service professional development resources for Fine Arts specialists: locally, regionally, and across the country. VMC teaching staff and affiliates include expert pedagogues specializing in folk and traditional music and dance from: northern and eastern Europe; northern, western, and southern Africa; the Americas; the Indian subcontinent; and Polynesia, in addition to film music and a very wide range of popular and vernacular musics from the USA.
Nisan music players are dancing in the festival A dancer is dancing to the rhythm of dhol The festival is celebrated for 2–4 days. The organizers attempt to bring the cultural associations from every part of the district together as this festival aim to popularize the traditional culture, songs, dances and musics. Several tribal and non-tribal communities showcase their rich heritage in this festival. In addition, various rural communities sell their products viz.
The duo also performed Berg's Seven Early Songs (1905–08) and Four Songs, Op. 2 (1908–10). Monod also promoted other musics in addition to the music of the Second Viennese School on 24 January 1954, the Three Japanese Lyrics, composed by Igor Stravinsky in 1912–13, received their Carnegie Hall premiere in Carnegie Recital Hall (now Weill Recital Hall) with Ms. Beardslee, soprano; the pianist Russell Sherman; and a chamber ensemble conducted by Monod.
Some of the features or examples of neo traditional music are gong musics. Gong music are from Filipino traditional that has a basis in Islamic culture. Examples of neo traditional style influencing gong music occurring in the United States are the Samahan Percussion Ensemble of San Diego and the 1957 Cumbancero Percussionaires of Seattle. The Cumbancero Percussionaires was an organized effort by the Filipino community in Seattle in order to solidify the young Filipinos identity.
Blue Danube in 1980Blue Danube was an Austrian band that has represented their country in Eurovision Song Contest 1980. The group has sung the entry "Du bist Musik" (You are music), which told us about famous musicians and types of musics. The band was the first to participate and ended in 8th place with 64 points. The band was composed by Marty Brem, Wolfgang 'Marc' Berry, Sylvia Schramm, Rena Mauris and Wolfgang Weiss.
By the late 1980s, the field of ethnomusicology had begun examining popular music and the effect of media on musics around the world. Several definitions of popular music exist but most agree that it is characterized by having widespread appeal. Peter Manuel adds to this definition by distinguishing popular music by its association with different groups of people, performances by musicians not necessarily trained or intellectual, and dispersion through broadcasting and recording.Manuel, Peter. 1988.
Two steps of seven-tone equal temperament form an interval of 342.8571 cents, which is within 5 cents of 347.4079 for the undecimal (11:9) neutral third. This is an equal temperament in reasonably common use, at least in the form of "near seven equal", as it is a tuning used for Thai music as well as the Ugandan Chopi tradition of music.Morton, David (1980). "The Music of Thailand", Musics of Many Cultures, p.70.
Humon has also worked with avant-garde vocalist and composer Diamanda Galás, providing samples for her album The Divine Punishment, as well as percussionist Z'EV. He has served on the Digital Musics jury of the Ars Electronica festival in Linz, Austria every year and is the founder of Recombinant Media Labs and was head of A&R; for Asphodel Records, both based in San Francisco. He is featured in the 2001 documentary film Scratch.
Hirshberg (1995), p 25. The orchestra was a wind band, located in the town of Rishon LeZion, and played light classics and marches. Avraham Zvi Idelsohn, a trained cantor from Russia and a musicologist, settled in Jerusalem in 1906, with the objective of studying and documenting the musics of the various Jewish communities there. At the time, there were a number of Jewish enclaves in Jerusalem, for Yemenites, Hassids, Syrians and other Jewish ethnic groups.
Any Minute Now is an album by Trinidadian Soca artist Machel Montano and his band Xtatik released in 1999. Machel Montano Discography at Official Website The album features guest appearances from Beenie Man (on "Outa Space"), Burning Flames (on "Showdown (Band Meet Band)"), and Red Rat (on "Rubber Waist").Thompson, Dave (2002) Reggae & Caribbean Music, Backbeat Books, , p. 301Guilbault, Jocelyne (2007) Governing Sound: The Cultural Politics of Trinidad's Carnival Musics, Chicago University Press, , p.
Odisha is a state of India, one of the musical centres of South Asia. Travelling bards are a historic part of the country's heritage. In the 11th century, Odissi music was codified into a classical style, related to other styles of Indian classical music. It has been noted that the Odissi music is a type of ancient Indian classical music known as Odramagadhi music, different from the more famous Hindustani & Karnatik musics.
Players also had an unlimited amount of ground force bombs that would increase in firing speed with the vulcan. The player's bomb weapon was a weapon called "The Forcer" that fired a large fireball straight forward. While the arcade original featured a second player to join in, the 2 player addition was removed from the Mega Drive port. A bootleg version of the game exists and it uses musics from Seibu Kaihatsu's Raiden.
2, p.966 Involvements with experimental rock musics and open-form song included extensive work in duo with Annette Peacock 1983-5, with whom he toured in Europe and Scandinavia. They recorded the album I have no feelings for Ironic. In 1984-5, he was invited for workshop residences at Alan Silva's Institute Art Culture Perception in Paris, where long-term collaborations with Alan began, culminating in The Tradition Trio with Johannes Bauer.
Her aunt, who was housekeeper to the music hall star Harry Lauder, made arrangements for Helder to train at the Guildhall School of Music with Charles Tinney. Helder also later trained with Charles Santley. Santley described her voice as a "natural, pure tenor voice of great beauty and power."Patricia O'Toole, "Why Don't I Feel Included in these Musics, or Matters" in Praxial Music Education : Reflections and Dialogues: Reflections and Dialogues, p. 302.
Carriacou and Grenada are home to Carnival celebrations that feature distinct form of calypso, canboulay feasts, calinda stick- fighting songs and the steelband accompanied jouvert, as well as the Big Drum dance, which is also found in Saint Vincent and the Grenadines. Grenada and Saint Vincent and the Grenadines share other musics as well including the funereal music of the saraca rite, a call-and-response form with both European and African lyrics.
Spouge is a style of Barbadian popular music created by Jackie Opel in the 1960s. It is primarily a fusion of Jamaican ska with Trinidadian calypso, but is also influenced by a wide variety of musics from the British Isles and United States, include sea shanties, hymns and spirituals. Spouge instrumentation originally consisted of cowbell, bass guitar, trap set and various other electronic and percussion instruments, later augmented by saxophone, trombone and trumpets. Millington, pg.
Member Graham Crabb quit the band to focus on his ambient project Golden Claw Musics. Members Richard March and Robert "Fuzz" Townshend went on to form the big beat band Bentley Rhythm Ace. Townshend also released two solo albums, while Clint Mansell would end up signing onto Nothing Records as a solo artist. Mansell stated: Only two songs from the sixth album's recording sessions were released at the time, both on compilations.
Miles Ahead is an album by Miles Davis that was released in October 1957 by Columbia Records. It was Davis' first collaboration with arranger Gil Evans following the Birth of the Cool sessions. Along with their subsequent collaborations Porgy and Bess (1959) and Sketches of Spain (1960), Miles Ahead is one of the most famous recordings of Third Stream, a fusion of jazz, European classical, and world musics. Davis played flugelhorn throughout.
University of Massachusetts > Press, 1999, p. 141. Schloss relates this to the ambiguity common to African musics, including looping (as of a sample), for "it allows individuals to demonstrate intellectual power while simultaneously obscuring the nature and extent of their agency ... It allows producers to use other people's music to convey their own compositional ideas".Joseph G. Schloss, Making Beats: The Art of Sample-Based Hip-Hop. Wesleyan University Press, 2004, p. 138.
In the final months there was an imminent financial crisis, but this was resolved through a successful jumble sale. The policy of financial independence was copied from Libération, the French daily paper which had no paid ads. The two publications shared a vibrant pluralism, due to their freedom from the influence of advertisers or funding bodies. Musics and Libe were informally affiliated, as can be seen from occasional mutual references in archived copies.
Ramayana dance drama, performed in Sarasvati Garden in Ubud. Historically, Indonesian archipelago was heavily influenced by dharmic civilization of India. For example, Ramayana is a major theme in Indonesian dance drama traditions, especially in Java and Bali. The cultural ties still continue, with popular Indonesian Dangdut music displaying the influence of Hindustani musics very popular within the people of Indonesia especially middle-class to lower-class people that enjoy the tabla-beat music.
The Guangdong Chinese Orchestra () is a large orchestra of traditional Chinese musical instruments, based in Guangzhou, Guangdong. Many of the works the orchestra performs are based on the traditional musics of Guangdong and Guangxi, including Chaozhou and Han opera music. At the 10th Guangdong Art Festival in 2008, the orchestra won two first prizes, in the Music Award and Performance Award categories. In early 2009 it gave a concert tour in five European nations.
According to research, listening to music has been found to affect the mood of an individual. The main factors in whether it will affect that individual positively or negatively are based on the musics tempo and style. In addition, listening to music also increases cognitive functions, creativity, and decreases feelings of fatigue. All of these factors lead to better workflow and a more optimal result in the activity done while listening to music.
Morris has written music for a wide diversity of musical forms and media. He has composed over 160 works including computer and improvisational music. Much of his output from the 1970s is influenced by non- Western music and uses structural principles from Arabic, Indian, Indonesian, Japanese, and early Western musics. While such influences are less noticeable in his more recent works, the temporal and ornamental qualities of Eastern music have permanently affected Morris's style.
It was shown on Cartoon Network's Toonami and YTV's Bionix programming blocks. Sony Pictures Entertainment collected the episodes in a total of twelve DVD volumes, each containing four episodes, between January 1 and December 7, 2005. The English adaptation of these dub was released between twenty-first and thirty-second DVD volumes released by Viz Media, while various compilations were later released. The theme musics for the Japanese version include two openings and four endings.
The Logos Foundation is a professional artistic organisation founded in 1968. It focuses on the promotion of new musics and audio related arts by means of new music production, concerts, performances, composition, technological research projects and other contemporary music related activities. The Logos Foundation (and its concert hall, the Logos Tetrahedron) is based in Ghent, Belgium (Flanders region). Godfried-Willem Raes is the founder and major driving force behind the Logos Foundation.
"Nueva canción" is a type of music which is committed to social good. Its musical and lyrical vernacular is rooted in the popular classes and often uses a popularly understood style of satire to advocate for sociopolitical change.Socially Conscious Music Forming the Social Conscience: Nicaraguan música testimonial and the Creation of a Revolutionary Moment. In From Tejano to the Tango: Popular Musics of Latin America, Walter A. Clark, editor, pp. 41-69. New York: Routledge. 2002.
The new era brought newer styles of dance: Zapin dances of the Malay people and Acehnese Tari Saman adopted dance styles and musics typical of Arabia and Persia, and combined them with indigenous styles to form a newer generation of dance in the era of Islam. The adoption of Persian and Arab musical instruments, such as rebana, tambur, and gendang drums that has become the main instrument in Islamic dances, as well as chant that often quotes Islamic chants.
Like comparable MCs old and new (including Litefoot, RezOfficial, Joey Stylez, and War Party, among many others), RedCloud raps about Native issues, politics, and social consciousness. He also fuses traditional native musics to contemporary hip hop style and provides workshops and performances to raise the indigenous consciousness of tribal youth. In 2014, RedCloud broke the Guinness World Record for freestyle rapping that was previously set at 17 hours, and he went 18 hours one minute and 14 seconds.
Besides his daily blog, Birgé writes in many magazines and teaches the relation between sound and pictures. He designed the sound of Nabaztag, the smart rabbit. His last artworks are Les Portes (Doors, interactive video installation with Nicolas Clauss) and Nabaz'mob (opera for 100 smart rabbits with Antoine Schmitt for which they receive Ars Electronica Award of Distinction Digital Musics 2009). After CD Etablissement d'un ciel d'alternance, a duo with writer Michel Houellebecq, he produces dozens of online albums.
He has also accompanied artists such as flutist T. Viswanathan and vocalist K. V. Narayanaswamy. Furthermore, he has engaged in cross cultural performances with prominent musicians of other genres such as the Irish fiddler Martin Hayes and the Finnish composer Eero Hämeenniemi. Subramanian later turned his focus to education, exploring ways to make music accessible to everyone regardless of their background. In 1989, he founded the institute 'Brhaddhvani – Research and Training Centre for Musics of the World' in Chennai.
Harrison commented: "I decided ... I'm not going to be a great sitar player ... because I should have started at least fifteen years earlier.": (primary source); : (secondary source). Harrison continued to use Indian instrumentation occasionally on his solo albums and remained strongly associated with the genre. Lavezzoli groups him with Paul Simon and Peter Gabriel as the three rock musicians who have given the most "mainstream exposure to non-Western musics, or the concept of 'world music'".
Influenced by traditional Mexican, folk, Tejano, conjunto, and country musics, Hinojosa considers her music to be music of the US/Mexico border. Hinojosa has charted twice on the Billboard country charts and has recorded several albums, primarily for Rounder Records. Her 1992 album Culture Swing won the NAIRD Indie Folk Album of the Year. Using music to bring awareness to cultural issues, Hinojosa hopes to bring into focus the plight of migrant workers and children of the poor.
The second Lilium record, 2003's Short Stories, found the duo composing and performing music with guest musicians, singers and lyricists, including Edwards, Kal Cahoone, Daniel McMahon, Jim Kalin, and Dana Colley and Billy Conway of Morphine. The material on the album reflected the pair's interest in American folk musics as well as their European musical heritage. 16 Horsepower disbanded in 2005. Following this, Lilium expanded into a full band with the addition of Bruno Green and singer Cahoone.
Musicians have to be thoroughly involved with focused minds and bodies so they are engaged in the same way the dancers are. The traditions of gagaku and bugaku are the oldest known surviving court dance and music in the world. Other court dances/musics, including the original influences on bugaku, have long since died out. With all of the new, modern culture flourishing in Japan, one may be surprised that such an ancient and slow tradition has survived.
In Luri dialects, mass dance styles that are mainly based on leg movements are said Čupi (چووپی, Choupi). Mixed male and female dancers hold hands to form rings, hearing the vibrant musics by musicians, they perform different styles of čupi. The leader performer (Sarčupi or Čupikeš) is a skillful dancer whose duty is to lead others and warm up them in accordance with dance music rhythms. Other performers should coordinate the movements and body rhythms with the leader.
In 2008, Tan Dun (best known for the score for Crouching Tiger, Hidden Dragon) was commissioned by Google to compose Internet Symphony No. 1—"Eroica" to be performed collaboratively by the YouTube Symphony Orchestra. This work used the internet to recruit orchestra members and the final result was compiled into a mashup video, which premiered worldwide on YouTube. Ludovico Einaudi is one other notable composer still working in the 21st century, blending classical, folk, pop, rock and world musics.
As explained by La Spada during an interview, the music video is a "sort of escape from the world we live in, a jailbreak made of pictures, musics at the piano, water. Because water is the fundamental element that leads us back to the principle of life." A backstage "making-of" video was later released to Mengoni's YouTube channel on 28 March of that year. While promoting the single and launching #prontoacorrere, Mengoni performed the song several times.
During the last few decades, Gnawa music has been modernizing and thus become more profane. However, there are still many privately organized lilas that conserve the music's sacred, spiritual status. Within the framework of the Gnaoua World Music Festival of Essaouira ("Gnaoua and Musics of the World"), the Gnawa play in a profane context with slight religious or therapeutic dimensions. Instead, in this musical expression of their cultural art, they share stages with other musicians from around the world.
The song wheel is now circular rather than vertical, similar to the one in Dance Dance Revolution. 2 new modes are presented; Premium Free Mode, a mode where the player plays for 8 minutes as opposed to 2 stages, and DJ Order Mode, a mode which is similar to Pop'n Musics Challenge Mode, where a player can select missions (similar to pop'ns Normas) and earn DELLAR POINTS. Other than that, all of the gameplay remains the same.
In 1988, Rossy was a bassist for Tete Montoliu's And Orquestra Taller De Musics recording. In 1993, Rossy played on the albums New York-Barcelona Crossing, Volumen 1 and New York-Barcelona Crossing, Volumen 2, with saxophonist Perico Sambeat, pianist Brad Mehldau, and drummer Jorge Rossy, Mario's brother. A further recording from that year, When I Fall in Love, without Sambeat, was credited to the Mehldau & Rossy Trio. Mario Rossy is an instructor at the Berklee College of Music.
The newly independent state of Guinea established a number of music groups, competitions and festivals throughout the country to play the traditional musics of Guinea rather than the European styles that were popular in the colonial period. The government also set up the Syliphone label to record the ensuing music and thus preserve and enhance the culture of the new nation. Balla et ses Balladins were one of the most popular groups arising from these initiatives.
The styles incorporated into Juluka's music are maskanda and mbaqanga, popular musics native to South Africa, and western folk and rock. The band employed various instruments besides the guitar and traditional Zulu instruments, such as the saxophone and, later, synthesizers. Juluka's music undermined the stereotypic correlations of 'traditional' and 'primitive' on the one hand, and 'Western' and 'civilised' on the other.Nhlanhla Ngcobo, 'Glimpses into South Africa – A Perspective Through Juluka Music', Reality 14.1 (1982), 4–6, p.6.
Afropop Worldwide is a radio program that presents the musics of Africa and the African diaspora. The program is produced by Sean Barlow for World Music Productions in Brooklyn, New York City, New York. It is hosted by the veteran Cameroonian broadcaster Georges Collinet, who previously attained renown for his work with Voice Of America. Afropop Worldwide launched in 1988 as Afropop, a weekly public radio series, in response to widespread interest in international pop music.
Ethnomusicology, formerly comparative musicology, is the study of music in its cultural context. It is often considered the anthropology or ethnography of music. Jeff Todd Titon has called it the study of "people making music". Although it is most often concerned with the study of non-Western musics, it also includes the study of Western music from an anthropological or sociological perspective, cultural studies and sociology as well as other disciplines in the social sciences and humanities.
French musician Valentin Clastrier (born 1947) is one of the few performers in the world specializing in contemporary music for the hurdy-gurdy; before Clastrier, the instrument was used primarily in the performance of European Medieval and folk musics. He began his career as a guitarist, and was introduced to the hurdy-gurdy in 1970. His instrument has 27 strings rather than the conventional six. Since 2006 Clastrier works together with Wolfgang Weichselbaumer on a new prototype.
Unterberger, pgs. 465 - 473 In addition, the music which began to be played by Puerto Ricans in Hawaii in the early 1900s is called cachi cachi music, on the islands of Hawaii. Music of Hawaiian people is largely religious in nature, and includes chanting and dance music. Hawaiian music has had a notable impact on the music of other Polynesian islands; Peter Manuel called the influence of Hawaiian music a "unifying factor in the development of modern Pacific musics".
539 - 562; Manuel, Popular Musics, pg. 95; World Music Central have produced a vibrant popular music scene alongside traditional folk music and that of professional performers called jeliw (sing. jeli, French griot) The Mande people all claim descent from the legendary warrior Sunjata Keita, who founded the Mande Empire. The language of the Mande is spoken with different dialects in Mali and in parts of surrounding Burkina Faso, Ivory Coast, Guinea-Bissau, Guinea, Senegal and The Gambia.
Dar es Salaam's Kwanza Unit is the first Tanzanian hip hop crew, but technical limitations hindered commercial success. Mr. II and Juma Nature are the most famous Tanzanian rappers; Mr II's (then known as 2-Proud) "Ni Mimi" (1995) is the first major hit for the field. Groups like X Plastaz have moved away from American-style hip hop and incorporated Maasai vocal styles and other Tanzanian musics. Tanzanian hip hop is often called as Bongo Flava.
Some have an associated instrumental piece known as a märghul ("decoration") following it. Although each named piece has its characteristic rhythmic pattern, the melodies differ, so each piece is generally known by the muqam and the piece: for example, "the Rak nuskha" or "the Segah jula". There are about 20 to 30 pieces of songs and musics, which might take approximately 2 hours to finish performing. It will take about 24 hours to perform all pieces of 12 muqams.
Some notable Sundanese has gained positions in Indonesian government as governor, municipal major, vice president and state ministers, also as officers and general in Indonesian military. Sundanese also popularly known as cheerful and mercurial folks, as they love to joke and tease around. The wayang golek artform of Cepot, Dawala, and Gareng punakawan character clearly demonstrate Sundanese quirky side. Some Sundanese might find art and culture as their passion and become artists, either fine art, musics or performing art.
Her first book, Rationalising Culture: IRCAM, Boulez, and the Institutionalisation of the Musical Avant-Garde, combined ethnography with cultural history in an analysis of the crisis in twentieth-century art music through the example of IRCAM, the computer music research institute founded by Pierre Boulez. The book (edited with David Hesmondhalgh) Western Music and Its Others: Difference, Representation and Appropriation in Music (2000) integrates approaches from musicology, anthropology and post-colonial theory to address how music can be employed to represent social identities and cultural differences, and the techniques whereby both art and popular musics appropriate other musics. Born's second ethnography, Uncertain Vision: Birt, Dyke and the Reinvention of the BBC (Secker and Warburg, 2004; Vintage, 2005), analyses the transformation of the BBC in the preceding decade. It describes the effects on the corporation of Director General John Birt's implementation of the ‘new public management’: marketisation and market research, audit and accountability procedures – all intended to boost efficiency and increase the BBC's democratic functioning by effecting greater responsiveness to its audiences.
Later, the concept was more fully explained in the lectures of Ewe master drummer and scholar C.K. Ladzekpo, and in the writings of David Locke. Jones observes that the shared rhythmic principles of Sub-Saharan African music traditions constitute one main system. Similarly, Ladzekpo affirms the profound homogeneity of sub-Saharan African rhythmic principles. In Sub- Saharan African music traditions (and many of the diaspora musics) cross- rhythm is the generating principle; the meter is in a permanent state of contradiction.
From a technical viewpoint, Bashung was very careful about the sophistication of musics, arrangements, and even ambiance noises, using the computer technology as a recording tool and not for a question of technical quality.L'Imprudence de Bashung - Comme un acteur dans le décor interview by Bertrand Dicale for RFI musique, 25 October 2002 The album is often spoken more than sung, like in the music of Serge Gainsbourg or Léo Ferré like for the singing of Desnos' poem or "Faisons envie" by Miossec.
Westwind is a musical project from the French post-industrial scene, created by Kris G. (pseudonym of Christophe Gales). It mixes influences from musics such as Martial industrial, Post-industrial, Dark ambient, Neofolk and Neoclassical music. Westwind started in 1999 by releasing self-produced and handmade CD-R's on its own label Black Sun Rising, which was dissolved in 2002. In 2003 Kris G. created the new label Steelwork Maschine together with Serge Usson of the bands Neon Rain and Storm Of Capricorn.
Born in Paris in 1967, he began composing in 1989 and his first works were broadcast on the national French radio France Culture in 1994. In 1995, he composed the first sound design for an Internet provider, Infogrames. The same year, he started working for theatre, composing sounds & musics for Victor Haïm. From 1996 to 1999, he worked in Luc Ferrari's studios La muse en circuit, and was assistant to Composers such as Gavin Bryars, Luc Ferrari and Brunhild Ferrari.
The great diversity of musics found across the world has necessitated an interdisciplinary approach to ethnomusicological study. Analytical and research methods have changed over time, as ethnomusicology has continued solidifying its disciplinary identity, and as scholars have become increasingly aware of issues involved in cultural study (see Theoretical Issues and Debates). Among these issues are the treatment of Western music in relation to music from "other," non-Western culturesKolinski, Mieczyslaw. 1957. "Ethnomusicology, Its Problems and Methods." Ethnomusicology 1(10): 1-7.
Until the end of his life, Treibmann was actively involved in composition. Most of his works were published by Leipzig publishing houses such as Breitkopf & Härtel/Deutscher Verlag für Musik, Ebert Musik Verlag, Hofmeister and Edition Peters. His oeuvre comprises three operas (Der Idiot, Der Preis and Scherz, Satire, Ironie) and seven symphonies as well as chamber music and choral pieces, but also song cycle and instrumental musics. His international breakthrough came in 1973 with the Warsaw Autumn with the 3rd Symphonic Essay.
When you listen to her music, you can go to the quest for the different musics which have had a strong influence on her style. Of course, there is the jazz – since her debuts with the records of her parents, up to her first jazz-band. Her compositions, even today leave a big part to improvisation. Oft one could find on her partitions For example, on Pianoscope, published by Ricordi only an indication of chord on which she will improvise during the concert.
Tulve belongs to the younger generation of Estonian composers who, in contrast to the neo-classicist tradition of rhythm-centeredness, create music which focuses on sound and sonority. Tulve’s works give a fair idea of the richness and variety of her cultural experience: the French school of spectral music, IRCAM’s experimentalism, Kaija Saariaho and Giacinto Scelsi, echoes of Gregorian chant and Eastern musics. Deriving from her refined sound processing, Tulve’s approach to form is “fluid” – more process based than architectonic.
"The Commandant's Own" The United States Marine Drum & Bugle Corps with then President George W. Bush while in France. The history of the unit can be traced to the early days of the Marine Corps. In the 18th and 19th centuries, military musicians ("field musics") provided a means of passing commands to Marines in battle. The sound of various drum beats and bugle calls that could be heard over the noise of the battlefield signaled Marines to attack the enemy or retreat.
S.Bach from Cantata BWV80 "Ein' feste Burg ist unser Gott", Aria for soprano with oboe obbligatoJ.S.Bach from Cantata BWV 80 "Ein' feste Burg ist unser Gott", Aria for soprano with oboe obbligato. \- and Mozart :Mozart K491 first movement, bars 211-14 Mozart, Piano Concerto in C minor, K491, first movement, bars 211-214. However, it is frequently encountered in the music of early modernist composers such as Debussy, Enescu and Stravinsky, who were directly influenced by non-Western (and largely heterophonic) musics.
Judith O. Becker (born September 3, 1932) is an American academic and educator. She is a scholar of the musical and religious cultures of South and Southeast Asia, the Islamic world and the Americas. Her work combines linguistic, musical, anthropological, and empirical perspectives. As an ethnomusicologist and Southeast Asianist, she is noted for her study of musics in South and Southeast Asia, including Javanese gamelan, Burmese harp, music and trance, music and emotion, neuroscience, and a theoretical rapprochement of empirical and qualitative methods.
The score is a culmination of the marvellous musics—in > whose making Michael's vision, Lucifer's technical skills, and the > inspiration of Eve's love seem to have conspired—that have poured from > Stockhausen during the last thirty years. ... But what matters most now is > the excitement of entering this huge, ambitious work, responding to its > sounds and sights, trying to understand it, and feeling, perhaps, that it > is—by intention at least—something like a Divine Comedy and a Comédie > Humaine in one.
David Hatch and Stephen Millward define pop music as "a body of music which is distinguishable from popular, jazz, and folk musics".D. Hatch and S. Millward, From Blues to Rock: an Analytical History of Pop Music (Manchester: Manchester University Press, 1987), , p. 1. According to Pete Seeger, pop music is "professional music which draws upon both folk music and fine arts music". Although pop music is seen as just the singles charts, it is not the sum of all chart music.
He is a charter member of the Atlantic Canadian Composers Association and producer of its chamber music recording. Tittle is also a member of SOCAN and the Canadian League of Composers. Now retired from teaching, he lives in Nelson, B.C. Tittle is a prolific composer, primarily in smaller forms. Drawing on influences from jazz, minimalist, and non-Western musics, he creates in each piece an original statement that is subtle, novel, and engaging both for the performer and the listener.
However, on his review of GHV2, Cinquemani felt the track was "largely lost amid the conventional sonics of Musics final single" and called it that compilation's least dynamic offering, giving a C– rating. Eric Henderson, from the same magazine, wrote that "occasionally, and only occasionally, Madonna’s reach exceeds her grasp. “What It Feels Like for a Girl” is one of those cases. Its intentions feel more fully fleshed out in the controversial music video than they do in the song itself".
The tuk sound has evolved over the years, as has the instrumentation, with the bow-fiddle used before being most commonly replaced by the pennywhistle flute. Tuk bands are now most common in Landship events, but are still sometimes independent. On their own, tuk bands are generally accompanied by a range of iconic Barbadian characters, including "shaggy bears", "mother sally", "the steel donkey" and "green monkeys". The upbeat modern sound of tuk ensembles are a distinctly Barbadian blend of African and British musics.
Devotional music is perhaps the most flourishing musical stream in many parts of the world, especially India, where one's life and his faith are inseparably entwined. 4 MUSICS has a special department for this genre – David's Harp. Just like the famous King David's legendary Harp, it is revolutionising the concept and percept of devotional albums. David's Harp aims at reimagining the tastes of our devotional listeners by offering cutting-edge quality music that relaxes their bodies and soothes their minds.
In 1979 his collection of ethnic music of Western Africa was published by the cultural association and music group Futuro Antico, which he co-founded with Walter Maioli and Riccardo Sinigaglia. The group used synthesized electronic tonalities matching the traditional musics from around the world. Their work was realised in the self-titled recording Futuro Antico in 1980.Soundcenter page dedicated to Futuro Antico Also he formed the group ‘Yelbuna’ with some musician friends and performed in several Italian cities.
Kim first came to prominence as the composer of the tune "Achim Isul" (, literally "Morning dew"), which was written in 1970 and performed by Korean folk singer Yang Hee-eun. The song was a major pop music hit in Korea in the 70s, and Kim became a prominent figure in blending Korean folk and pop musics, as well as an outspoken political activist and representative of youth culture.Provine, Hwang, and Hershaw. Korea. The Rough Guide to World Music, vol.2.
Musics was a music-related magazine that was published from 1975 to 1979. In 1975 Derek Bailey, Steve Beresford, Max Boucher, Paul Burwell, Jack Cooke, Peter Cusack, Hugh Davies, Mandy and Martin Davidson, Richard Leigh, Evan Parker, John Russell, David Toop, Philipp Wachsmann and Colin Wood came together and agreed to produce a magazine. It was independently published and dedicated to the coverage of free improvised music. Its need was suggested in a conversation between Evan Parker and Mandy and Martin Davidson.
David Park McAllester (6 August 1916 - 30 April 2006) was an American ethnomusicologist and Professor of Anthropology and Music at Wesleyan University, where he taught from 1947-1986\. He contributed to the development of the field of ethnomusicology through his studies of Navajo and Comanche musics, and he helped to establish the ethnomusicology department and the World Music Program at Wesleyan. His recordings of Navajo and Comanche music led to the establishment of the World Music Archives at the University.
The film's score was composed by Sushin Shyam and the original soundtrack consists of five tracks composed by the music group 4 Musics (Jim Jacob, Biby Matthew, Eldhose Alias, and Justin James). All of the songs—except "Angakale Chengathiraniye", which was written by Engandiyur Chandrasekharan—were written by B. K. Harinarayanan. The music rights of Villain were bought by the label Junglee Music for a Malayalam-film-record amount of 50 lakh. Dubbing rights to the songs were sold for 1 crore.
Talented Tito Paris dança mami Criola (1994) is a good example; this CD featured music close to Haiti Tabou Combo, Caribbean Sextet, Tropicana and French Antilles Kassav, etc. Cape Verdeans artists have been exposed to konpa in the US and France....Acculturation has been further promoted by the growth of overseas communities (especially in New England) whose population now exceeds that of Cape Verde itself (around 300,000). Peter Manuel, Popular Musics of the Non-Western World, p. 95. Oxford University Press, 1988.
Dragon Quest II's musics were also collected in music compilations, like Symphonic Suite Dragon Quest Best Selection Vol.1 ~Roto~ (1997), Dragon Quest Game Music Super Collection Vol. 1–3 (2001–2002), Symphonic Suite Dragon Quest Complete CD-Box (2003) and Symphonic Suite Dragon Quest Scene-Separated I~IX (2011). "Only Lonely Boy", the background music in the game's name and password input interface, was arranged as a vocal promotional song and released as a single by Anna Makino named “Love Song Sagashite”.
The film harbors qualitative musics, sung through the beautiful voice of the lead character Iko. It also brings to notice the cultural dance of the people it explores. Speaking on the movie, the writer Vivian Chiji describes it as a magical fusion cultural film. This description comes from the fact that when Iko sings in Prince Daraima's dreams, flowers blossom, and birds gather, coupled with the fact that Iko is having the same resemblance and genius as Ihuoma in real life.
" R. Stevie Moore and Martin Newell were earlier artists who anticipated Pink's sound. Matthew Ingram of The Wire recognized Moore's influence on Pink and hypnagogic pop: "through his disciple ... he has unwittingly provided the [genre's] template". Another precursor to the genre was Nick Nicely and his 1982 single "Hilly Fields (1892)". Red Bull Musics J.R. Moore wrote that Nicely's "uniquely haphazard DIY aesthetic" and contemporary take on 1960s psychedelic pop "basically invented the sound of the 2000s Hypnagogic Pop movement decades beforehand.
In 1995 Chithra established the Audiotracs Music Company in Chennai. AUDIOTRACS is the brand name of AT MUSICS a music label promoted by the well known singer CHITHRA known as the nightingale of the south in 1995. Audiotracs is one of the most respected music label of south India producing albums in the non film space such as devotional music, classical music, light songs, traditional music etc. Some of the most prominent music directors of Malayalam films like M.Jayachandran, Deepak Dev, Viswajith etc.
Now, it balances of a mix of Western classical music, traditions from around the world, jazz, and new musics in these genres. In a single season, Cornell Concert Series presents performers ranging from the Leipzig Tomanerchor and Danish Quartet to Simon Shaheen, Vida Guitar Quartet, and Eighth Blackbird. The School of Music at Ithaca College was founded in 1892 by William Egbert as a music conservatory on Buffalo Street. Among the degree programs offered are those in Performance, Theory, Music Education, and Composition.
The case concluded on 12 May 2017; Justice Helen Cull reserved her decision.It's a rap: Eminem lawsuit against New Zealand party ends New Zealand Herald, 12 May 2017 On 25 October, the High Court ruled that the National Party and its co defendants ( Stan3 Ltd, Sale St Studios Ltd, Amcos NZ Ltd, Australasian Mechanical Copywright Owners Society Ltd, Beatbox Music Pty Ltd, Labrador Entertainment Inc and the sound alike musics creator Michael Alan Cohen ) had breached copyright and ordered them to pay $600,000 plus interest.
Since they announced their breakup in 2011 and their last appearance together in 2012, several rumors about them reuniting and making new musics have appeared. On 23 September 2018, several Irish news outlets started reporting that the group has been signed to Universal Music Group and Virgin EMI Records for a new music record deal. On 3 October 2018, the group announced that there would be new music coming soon. This song is set in the key of B major, in a moderate 4/4 time signature.
Jack Hammer then wrote the English version of a song by Baron "Cabot" which renamed "Perfume". 1980: At the Palais des Sports in Paris, Robert Hossein staged the works of Victor Hugo: Les Miserables. In agreement with the composer of the musics, Claude-Michel Schoenberg, he gave René Baron aka René-Louis Baron, the role of Combeferre (student revolutionary and Marius's friend). 1980: He received at the Olympia de Paris, the Top prize of Artistic Vocation from Le CLub des Onze created by Bruno Coquatrix.
During its early development from comparative musicology in the 1950s, ethnomusicology was primarily oriented toward non-Western music, but for several decades it has included the study of all and any musics of the world (including Western art music and popular music) from anthropological, sociological and intercultural perspectives. Bruno Nettl once characterized ethnomusicology as a product of Western thinking, proclaiming that "ethnomusicology as western culture knows it is actually a western phenomenon"; in 1992, Jeff Todd Titon described it as the study of "people making music".
Italian opera became immensely popular in the 19th century and was known across even the most rural sections of the country. Most villages had occasional opera productions, and the techniques used in opera influenced rural folk musics. Opera spread through itinerant ensembles and brass bands, focused in a local village. These civic bands (banda communale) used instruments to perform operatic arias, with trombones or fluegelhorns for male vocal parts and cornets for female parts. Regional music in the 19th century also became popular throughout Italy.
Born in Gorizia, Italy to Slovenian parents, Mozetich moved to Hamilton, Ontario in 1952, where his father found work as a machinist.Schulman, Michael. "A composer straightens out the confusions in his life". page 14 He started his musical training by studying piano, and later studied composition with Lothar Klein and John Weinzweig at the University of Toronto, from which he received an Associate of the Royal Conservatory of Toronto Diploma in 1971Influences of Many Musics and a Bachelor of Music degree in 1972 in composition and piano.
Jackie-O Motherfucker began as a duo consisting of multi-instrumentalist Tom Greenwood and saxophonist Nester Bucket. The group has had more than forty members drawn from the U.S. experimental scene. As of 2008, the core of the group is founding member Greenwood. Jackie-O Motherfucker's music draws from a variety of subgenres including various folk musics of the world (American folk and blues, Native American song, Traditional English folk ballads, etc.), drone, free jazz, and space rock, and is heavily improvisational in its nature.
Ken Hunt (born 11 April 1951) is an English music critic, journalist, broadcaster and translator who specialises in world music, folk and improvised musics. He has written for Mojo, Q, The History of Rock and AllMusic, has contributed to titles in Rough Guides' Music Reference Series, and is a musical consultant on the Oxford Dictionary of National Biography. He is also an obituarist for The Guardian, The Independent, The Scotsman, The Sydney Morning Herald and The Times."Ken Hunt", Rock's Backpages (retrieved 21 April 2017).
Birmingham Jazz presents music across the spectrum of contemporary jazz. This includes artists of international and national standing as well as musicians from the region. The Birmingham Jazz programme is noted for its eclectic nature – mixing contemporary jazz with classical music, folk, world musics and urban and hip- hop based jazz. Birmingham Jazz use venues in the central Birmingham area, including: the CBSO Centre, The Jam House, mac and the Medicine Bar, ArtsFest, The Rainbow in Digbeth, as well as The Glee Club and The Drum.
With other musicians, Bailey was a co-founder in 1975 of Musics magazine, described as "an impromental experivisation arts magazine". In 1976, Bailey started the collaborative project Company, which at various times included Han Bennink, Steve Beresford, Anthony Braxton, Buckethead, Eugene Chadbourne, Lol Coxhill, Johnny Dyani, Fred Frith, Tristan Honsinger, Henry Kaiser, Steve Lacy, Keshavan Maslak, Misha Mengelberg, Wadada Leo Smith, and John Zorn. Bailey organized the annual music festival Company Week, which lasted until 1994. In 1980, he wrote the book Improvisation: Its Nature and Practice.
"Shebeens" resemble the American speakeasies of the prohibition era where American Jazz was very popular. Marabi is characterised by a few simple chords repeated in varying vamping patterns that could go on for a long time; repetitive harmonic patterns being typical of traditional African musics. This was the case so people could dance for extended periods of time without having to know the songs well. People were able to pick up the feel and rhythm of the song after a few times through the progression.
Druga godba Festival was established in 1984 in Ljubljana. Its programme was primarily concerned with different kinds of varieties in music: alternative rock, rock in opposition, adventurous new jazz, improvised music and experimental music, as well as rediscovered Slovenian folk music. Druga godba was the first festival in the former Yugoslavia to introduce popular musics and styles from the Third World, including reggae and various styles of African music. In 1990 the Druga Godba organisation became a member of the European Forum of Worldwide Music Festivals (EFWMF).
This music is perceived as a type of old-time music, which also developed from the area's German, Irish, English, Polish, Czech, and other Northern and Central European musics. Bob Dylan in 1980 Norwegian folk dance (bygdedanser) includes participatory social dances and dances performed for an audience like springar, gangar and halling.Levy, pp. 866, 869 The Norwegian gammeldans tradition, and those of other ancestries, continues in ethnic communities in Minnesota, where waltzes, schottisches or reinlander, and polkas are newer forms of old-time music.
Nelson was educated at the Wakefield College of Art, where he developed an interest in the work of poet and filmmaker Jean Cocteau. At this time, he was also developing as a musician, drawing upon Duane Eddy as a primary guitar influence. His first record was a brief contribution on the album A-Austr: Musics from Holyground, with Brian Calvert, Chris Coombs, Ted Hepworth, Mike Levon and Brian Wilson. Levon recorded and produced the album which appeared on Levon's own Holyground Records label in 1970.
His compositions the Falling River Musics were documented on 2+2 Compositions (482 Music, 2005). In 2005, he was a guest performer with the noise group Wolf Eyes at the FIMAV Festival. Black Vomit, a recording of the concert, was described by critic François Couture as sympathetic and effective collaboration: "something really clicked between these artists, and it was all in good fun." One of his children, Tyondai Braxton, is also a professional musician, and formerly a guitarist, keyboardist and vocalist with American math rock band Battles.
Saturday at the Symphony is a sheet music collection arranged by John O'Reilly. It consists of arrangement of themes from Brahms' First Symphony, Jean Sibelius' Finlandia and Jean-Joseph Mouret ("Masterpiece Theatre" theme). It makes excavation into some of the most famous musical classics, combining techniques of baroque and romantic musics together, yet at the same time remaining quite simple in terms of level of playing. As a result, this collection is used by many music teachers as a beginner's practice piece for especially string students.
Indonesian regional folk pop musics reflects the diversity of Indonesian culture and Indonesian ethnicity, mostly use local languages and a mix of western and regional style music and instruments. Indonesian folk music is quite diverse, and today embraces pop, rock, house, hip hop and other genres, as well as distinct Indonesian forms. There are several kinds of "ethnic" pop music, generally grouped together as Pop Daerah (regional pop). These include Pop sunda, Pop Minang, Pop Batak, Pop Melayu, Pop Ambon, Pop Minahasa and others.
He co-founded an artist-owned record label called "Bead Records" which has released many previously unavailable pieces in 1972. It had released more than 30 albums, as of 2007. In 1975 Derek Bailey, Steve Beresford, Max Boucher, Paul Burwell, Jack Cooke, Peter Cusack, Hugh Davies, Madelaine and Martin Davidson, Richard Leigh, Evan Parker, John Russell, David Toop, Philipp Wachsmann and Colin Wood formed the journal MUSICS, later described as "an impromental experivisation arts magazine". Cusack produces the monthly radio program "Vermilion Sounds" with Isobel Clouter.
Finn Peters is a flautist and saxophonist. "After the best part of a decade immersed in dance, hip hop, Afro-Cuban, electronica and contemporary classical musics, flautist and saxophonist Finn Peters returned to his jazz roots with Su-Ling (Babel, 2006)." This was followed by Butterflies, which added "strings, a Balinese gamelan ensemble, kora, synths, a few choruses of birdsong and some inventive sound processing". The Finn Peters Quintet (or 'Finntet') won the best jazz group category of the BBC Jazz Awards in 2007.
There, she worked in collaboration with , Francis Mayor, Bernard Lauzanne... She wrote numerous articles on music and a biography of Erik Satie for Éditions du Seuil.Anne Rey on babelio.com. For le Monde de la musique, she proposed to open the editions of the monthly magazine specialized in classic music to jazz, rock, song, dance, musical theatre. In the 1980s, she worked in the culture department of the newspaper Le Monde, and created the supplement Arts et spectacles, open to rock, contemporary dance, world musics.
Peter Manuel, Popular Musics of the Non-Western World, p95. Oxford University Press 1988 During the 60s-80s, Haitian artists and bands such as Claudette & Ti Pierre, Tabou Combo, and especially Gesner Henry alias Coupe Cloue, and the Dominican group Exile One, were very popular in Africa. Exile One was the first to export cadence or compas music to the Cape Verde islands. Cape Verdeans artists have been exposed to compas in the USA and France....Acculturation has been further promoted by the growth of overseas communities (especially in New England) whose population now exceeds that of Cape Verde itself (around 300,000). Peter Manuel, Popular Musics of the Non-Western World, p95. Oxford University Press 1988 In addition, the French Antilles band Kassav' and other French Antillean musicians, whose main music is compass, toured the islands on various occasions. Today, the new generation of Cape Verdean artists features a light compas close to Haitian and French Antillean compas music. Tito Paris's "Dança mami Criola", from 1994, is a good example; this CD features music close to Haiti's Tabou Combo, Caribbean Sextet, Exile One, Tropicana and the French Antilles' Kassav'.
"Art music" is mostly used to refer to music descending from the tradition of Western classical music. Authors associated with the critical musicology movement and popular music studies, such as Philip Tagg, tend to reject the elitism associated with art music; he refers to it as one of an "axiomatic triangle consisting of 'folk', 'art' and 'popular' musics".Philip Tagg, "Analysing Popular Music: Theory, Method and Practice", Popular Music 2 (1982): 41. He explains that each of these three is distinguishable from the others according to certain criteria.
Seamus McGuire is an Irish fiddle player born in County Sligo now residing in County Donegal. In 1966, he won Sligo's prestigious "Fiddler of Dooney" competition.Fiddler of Dooney Competition Winners Sligo Town Branch CCÉ Homepage He is a founding member of "Buttons and Bows" (with Manus McGuire, Jackie Daly and Garry O'Briain), as well as "The West Ocean String Quartet" (with Niamh Crowley, Kenneth Rice, and Neil Martin).Seamus McGuire bio at Compass Records The quartet reflects his classical training and his love of exploring spaces where classical and traditional musics can meet.
Roland Douatte (7 December 1921, in Paris – 16 December 1992, in Paris) was a French classical violinist and conductor. A self-taught violinist, he founded his own chamber orchestra, the "Collegium Musicum of Paris""Collegium Musicum of Paris" (Discogs) in 1952. Roland Douatte is one of the first conductors to be interested and to make Vivaldi's The Four Seasons and other musics of the Baroque era known, including Delalande's Simphonies pour les soupers du Roi.Simphonies pour le Souper du Roy (IMSLP) In 1967, he became music director of the .
Paul Dean Burwell (24 April 1949 – 4 February 2007) was a British thaumaturge and percussionist, influential in the fields of free improvisation and experimental art. Born in Ruislip, he studied at Ealing Art College and in the workshops organised by drummer John Stevens.The Independent, Obituary Through the 1970s, he played in a duet with David Toop, sometimes extended to a trio with the sound-poet Bob Cobbing. He was also a founder member of the London Musicians Collective, holding membership card no 1, and wrote for the magazine Musics among others.
Although they were short-lived, they influenced many other musicians. Guitarist Salman Ahmad gained fame for his unique style of playing Sufi-style and neoclassical musics in heavy metal form. The second wave of heavy metal artists, including bands such as Dhun, which was Fawad Baloch's more conventional metal project, Blackhour, Ehl-e-Rock, Inferner, and Black Warrant, which still continues to promote the genre. The most notable and productive work on heavy metal genre was bestowed and carried out by Mizraab, whose Panchi album was an ultimate success in this genre.
After completing his doctoral studies in 1986, he worked at University of Madras from 1986 to 2002, first as reader and later as Professor of Music. In 1989, Subramanian and Dr. S. Seetha – the former head of the department of Music at University of Madras, founded Brhaddhvani – Research and Training Centre for Musics of the World. Subramanian has made academic visits to numerous universities around the world. He has had visiting positions at Amherst College (Valentine Professor of Music), Leeds College of Music, York University, University of Michigan, University of Limerick, University College Cork.
As a member of the Popular Front and People's Songs in the 1940s, Alan Lomax promoted what was then known as "One World" and today is called multiculturalism.Ironically, perhaps, the phrase originated in an article , later a best-selling 1943 book by Republican candidate Wendell Willkie. In the late forties he produced a series of concerts at Town Hall and Carnegie Hall that presented flamenco guitar and calypso, along with country blues, Appalachian music, Andean music, and jazz. His radio shows of the 1940s and 1950s explored musics of all the world's peoples.
The "Jazz Age" symbolized the popularity of new musics and dance forms, which attracted younger people in all the large cities as the older generation worried about the threat of looser sexual standards as suggested by the uninhibited "flapper." In every locality, Hollywood discovered an audience for its silent films. It was an age of celebrities and heroes, with movie stars, boxers, home run hitters, tennis aces, and football standouts grabbing widespread attention.Paula Fass; The Damned and the Beautiful: American Youth in the 1920s (Oxford University Press, 1977)George Mowry, ed.
Born in Rochester, New York (February 8, 1985), Allen was attuned to music from early years of childhood, responding intensely to local church bells as an infant and writing his first songs shortly thereafter. Allen moved to Turkey at the age of 7, at which point he undertook the study of cello and piano. He began playing guitar before attending boarding school in Germany at age 13. At boarding school Allen was introduced to a plethora of more modern music, which he incorporated into his vast knowledge of classical musics.
Walter Zimmermann (born Schwabach, Germany, April 15, 1949) is a German composer associated with the Cologne School. Zimmermann studied composition in Germany with Werner Heider and Mauricio Kagel, the theory of musical intelligence at the Institute of Sonology in Utrecht (now located in The Hague), and computer music at Colgate University in New York. Zimmermann's works are infused by a personal adaptation of minimal technique. Whereas many early American minimalist composers were influenced in their works by rock, jazz, and world musics, Zimmermann has drawn a great deal of inspiration from his Franconian heritage.
In "The Universal Language." In The Study of Ethnomusicology: Thirty-One Issues and Concepts Bruno Nettl asserts that music is not a universal language and is more of a dialect because of the influence of culture on its creation and interpretation.Nettl shares the belief with his colleagues that trying to find a universal in music is unproductive because there will always be at least one instance proving that there is no musical universals. Nettl asserts that music is not the universal language, but musics are not as mutually unintelligible as languages.
Since ethnomusicology evolved from comparative musicology, some ethnomusicologists' research features analytical comparison. The problems arising from using these comparisons stem from the fact that there are different kinds of comparative studies with a varying degree of understanding between them.Nettl, Bruno. The Study of Ethnomusicology: Thirty-one Issues and Concepts. Chapter 6. Urbana: University of Illinois, 2005. Print. Beginning in the late 60s, ethnomusicologists who desired to draw comparisons between various musics and cultures have used Alan Lomax's idea of cantometrics.Lomax, Alan. 1978 [1968] Folk Song Style and Culture.
1921), and Trịnh Công Sơn (b. 1939), known as the "Bob Dylan of Vietnam" whose songs were sung by Khánh Ly.John Shepherd Continuum encyclopedia of popular music of the world: Volumes 3-7 - 2005Phạm Duy. 1975. Musics of VietnamOlsen Popular Music of Vietnam 5 Sep 2010 – Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting by Dale A.Olsen Routledge, New York, London, 2008 Other notable songwriters include Văn Cao (b. 1923), a Vietnamese composer whose works include "Tiến Quân Ca", which became the national anthem of Vietnam, Dương Thụ (b.
Eddie Allen is an American folk musician. To date, he has produced two albums, The Trempealeau Hotel (1985) and Faith in Gravity (1990), both released by Weary Wolf Records, a division of Folked Up Musics (BMI). His musical style is firmly rooted in the folk tradition of the midwestern United States, and many of his songs describe the trials and tribulations of the lives of people in the working class. Both of his albums are out of print, and he has stated that he has no intention of producing a third.
Muaré (pronounced moo-ah-REH) is an album by María Rivas. The name is a Spanish term which is originated from moiré, is a proper title to define the intention of this album. For more over a decade, María Rivas has been evolving in a parallel manner to the multiform styles of pop, folk and jazz musics. One of the most intriguing and versatile Venezuelan vocalists, Rivas performs now a blend of jazz and Latin standards from the 1930s to the 1970s in a creative and sophisticated Latin jazz combo style arranged by Alberto Naranjo.
This area's music is characterized by extreme vocal tension, pulsation, melodic preference for perfect fourths and a range averring a tenth, rhythmic complexity, and increased frequency of tetratonic scales. The musics of the Arapaho and Cheyenne intensify these characteristics, while the northern tribes, especially Blackfoot music, feature simpler material, smaller melodic ranges, and fewer scale tones.Nettl, 1956, p. 112 Nettl Arapaho music includes ceremonial and secular songs, such as the ritualistic Sun Dance, performed in the summer when the various bands of the Arapaho people would come together.
Since they announced their breakup in 2011 and their last appearance together in 2012, several rumors about them reuniting and making new musics have appeared. On 23 September 2018, several Irish news outlets started reporting that the group has been signed to Universal Music Group and Virgin EMI Records for a new music record deal. On 3 October 2018, the group formally announced on their official social media accounts that there would be new music coming soon. According to reports they've been preparing for the comeback for the past twelve months.
Ned McGowan (born 1970) is an American composer and flutist based in Amsterdam. Ned holds degrees in composition from the Royal Conservatory Den Haag and in flute from the Cleveland Institute of Music and the San Francisco Conservatory of Music. “McGowan’s music strives for an idiom in which various musics – American popular, European classical and avant-garde, Carnatic, a fascination with proportionally intricate rhythms, the use of microtones in the search for new subtleties of melody – and many others, rub against each other and generate new meanings.” \- musicologist Bob Gilmore.
The series was both highly acclaimed and commercially successful throughout its first five seasons. Many consider this to be the greatest Teenage Mutant Ninja Turtles show ever made. The praise went towards the faithfulness to the source material, the storytelling, character development, action, darker tone, humor, the theme song, background musics, voice acting, animation and appeal to all ages. 4Kids was known for its controversial history of censoring anime, but the series was a most popular and critically acclaimed for trying to follow the dark and gritty tone of the original Mirage comics.
According to the Record of the Court Entertainment Bureau (教坊記) of Tang dynasty, the dance "Great mask" was one of the court musics to be performed with the emperor's audience. The song and the dance are long lost in China, however, it was introduced into Japan during the Tang Dynasty and is still being performed in some ceremonies today. After the death of Gao Zhan, Gao Changgong's cousin Gao Wei ascended the throne. Gao Changong's reputation, competence and influence over the army upset the young emperor.
In October 1999, after a 6-month hiatus, (following the birth of his son Azul,) he returned to KPFK with a new sound and vision: Spaceways Radio. On this program he explored Psychedelic, Electronic, Folk, New Age, and World Musics, and created specials dedicated to individual artists and bands, phases of the Zodiac, and years past. Spaceways Radio aired: Sundays 10:00pm - Midnight 1999 - 2003, Fridays 8:00pm – 10:00pm 2004 - 2009, and Sundays 10:00pm - Midnight 2010 - 2015. The last Spaceways Radio broadcast was Sunday, March 22, 2015.
In 1996, Elias auditioned and was selected as a member of Alliage and became its lead singer. Alliage was composed of Quentin, Steven Gunnell, Roman Lata Ares and Brian Torres and they recorded two albums, Alliage, l'album in 1997 and Musics in 1998. The group had many singles in France including six singles that charted in the Top 5. The band's most famous singles included "Baïla" in 1996, "Lucy", "Le temps qui court" and "Te garder près de moi" (in collaboration with Boyzone) in 1997 and "Je sais" in 1998.
In 1958, Léo Chauliac recorded the song with his Orchestra for the album 25 ans de succès. In 1960, Roland Bourque recorded the song on the piano for the album Piano Moods à la Française. In 1963, Henri Leca recorded a medley of music with his Orchestra for the album Surprise-Partie Monstre where he also recorded a medley of three other musics composed by Henri Betti: "La Polka des Barbus", "C'est si bon", and "Maître Pierre". In 1965, Raymond Berthiaume recorded the song with Roger Gravel and his Orchestra for the album L'inoubliable.
Blectum from Blechdom is an electronic music duo, formed in 1998 by Kristin Erickson (Kevin Blechdom) and Bevin Kelley (Blevin Blectum). Erickson and Kelley met at Mills College in Oakland, California. They initially performed locally, in the San Francisco Bay Area and recorded their first EP, titled Snauses and Mallards, in March 2000, followed by their first full-length album The Messy Jesse Fiesta (that won second prize for Digital Musics at Ars Electronica in 2001) later that year. Both artists retain their noms de plume when working on solo projects.
There is no specific musical style that characterizes the music of the New Venice movement: their musics are varied and include influences from serialism (e.g., the music of Rubin de Cervin and his disciple, Sinopoli); and musical elements from jazz are evident (e.g. the music of Baratello) with a strong emphasis on modern polyphony. Certainly, their influences include the indigenous history of Venetian music, including the influence of Arnold Schoenberg and the Second Viennese School; and experimental serial and post-serial developments at Darmstadt, specifically the music of Karlheinz Stockhausen.
Coleman's musical style is self described as trying to move on from his roots in late modernism. He often concentrated on developing and promoting interdisciplinary works involving students from all the creative fields. The wide range of styles and genres of his music are influenced by his own history, including performance (on piano and trombone), and conducting new music and writing prose about many types of music (traditional chamber and symphonic music, Jazz, Rhythm and Blues and a variety of non-western musics) for NOTES (MLA Journal), Fine Arts and other journals.
The organisation of the soundtrack is built up in a segmented way in four parts. Estève uses certain musics originally composed in a different way from Atlantis II. In this regard, the track entitled "Highlands" was written during a trip recently undertaken in Ireland and illustrates a part of the episode of the game situated in this country. Atlantis II and its soundtrack are launched in November 1999. Once again, the soundtrack comes with a multimedia application including, between other things, artwork by Thomas Boulard, the main designer of the game.
Initially, the claim was that the new disc had only rewrites, but some unpublished musics finished part of this (as "Malandragem" and "ECT"). Highlights the initial range, "Partners", that had some differences with respect to the original recording, made by the group RPM in the 80's. It was the first Cássia Eller album to sell more than one hundred thousand copies, in addition to being the last to be released in the LP format. Nowadays, this LP copies are few, because the dissemination of this disc was very small in vinyl disc.
Of Basque ancestry by his father, their surname originated in Hasparren, France, where their surname was spelled "Samacoys" at 18th century. He is known as a novelist, he also wrote about 12 theater pieces, including Les Bouffons, created by Sarah Bernhardt, and is author of musical livrets and opera comic musics, tales and fantastical poems. He wrote L'Arche de Noé (1911), a book of poems about animals, and La Française (1915), military march with Camille Saint-Saëns for the music. At 65, on 15 December 1931, he married Marie Thérèse Ozanne in Versailles.
There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries. Intelligent dance music (IDM) is a form of art music based on DnB and other electronic dance musics, exploring their boundaries using ideas from science, technology, contemporary classical music and progressive rock, often creating un-danceable, art gallery style music. Pioneered by Aphex Twin, Squarepusher and other artists on Warp Records. Recently created in the United States is a genre called ghettotech which contains synth and basslines similar to drum and bass.
He continued to pursue his musical interests, playing in ensembles led by drummers E. W. Wainwright and Donald Bailey. In 1994 he started working with Steve Coleman and George E. Lewis. In 1995, concurrently with his composing, recording and touring, he left the Berkeley physics department and assembled an interdisciplinary Ph.D. program in Technology and the Arts, focusing on music cognition. His 1998 dissertation, Microstructures of Feel, Macrostructures of Sound: Embodied Cognition in West African and African-American Musics, applied the dual frameworks of embodied cognition and situated cognition to music.
The music of Cuba, including its instruments, performance and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music.Orovio, H. Cuban Music from A to Z. Duke University Press Books, 2004. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional musics of the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms.
Logo Prix Ars Electronica The Prix Ars Electronica is one of the best known and longest running yearly prizes in the field of electronic and interactive art, computer animation, digital culture and music. It has been awarded since 1987 by Ars Electronica (Linz, Austria). In 2005, the Golden Nica, the highest prize, was awarded in six categories: "Computer Animation/Visual Effects," "Digital Musics," "Interactive Art," "Net Vision," "Digital Communities" and the "u19" award for "freestyle computing." Each Golden Nica came with a prize of €10,000, apart from the u19 category, where the prize was €5,000.
The Bollywood Brass Band is a brass band playing Bollywood and traditional Indian music, based in London, England. The band was formed in 1992 to perform with the Shyam Brass Band from Jabalpur, India, at the International Festival of Street Music in London. They have continued to perform and record in a wide variety of musical styles, including Hindi film hits, Bhangra, qawwali, Punjabi folk songs, and wedding songs, tinged with influences from jazz, other world musics, and modern dance music. They perform at weddings, world-music and street-music festivals, and cultural festivals.
Claude Ledoux is a Belgian composer, born in 1960. Claude Ledoux, photograph by Nao Momitani For many years now, the composer has explored the idea of "musical crossing borders" as he attempts to reflect our fragmented world in his musical processes. As a result, his works has been marked by interactions between contemporary sounds and popular musics, non-European idioms and technology. His recent works, accordingly, demonstrate this interest in the "cultural porosity" in which emotion arises from geographical and historical encounters, linking spirituality to the most sensual aspects of our material existence.
In the late-90s, Aroeste was working for the Foundation for Jewish Culture in New York, where she created The New Jewish Musics Initiative. She was disappointed that, while there was a revival of Ashkenazi klezmer music, there was no similar revival for Sephardic music. Unable to find any modern Judaeo-Spanish ("Ladino") music, she started her own Judaeo-Spanish rock band in 2001. At the time, there were very few people playing Ladino music.Emma Alvarez Gibson, “You Just Don’t Do That: Sarah Aroeste and Ladino Rock,” Jack Move Magazine, September 13, 2012.
The participants of the 2nd Oxcars were Duquende, the playwright Rodrigo García, the creators of the Internet series Malviviendo, Derivart, the Taller de Musics Original Jazz Orquesta, the writer Alberto Vázquez-Figueroa, Electronic Frontier Foundation, Riot Cinema Collective, Jamendo, Illegal Art, FreeCinema, the publishers Alqua, the artist Evan Roth, the comedian Rémi Gaillard, psst!3 (collaborative film project), Shelios, short film maker David O'Reilly, Compartir Dòna Gustet, Xavier Theros and Martín Fernández (MotionGraphics). The evening ended with a concert and live DJ set by Daedelus and Martin Vallejo.
Beginning in the 17th century, immigrants from the United Kingdom, Ireland, Spain, Germany, and France began arriving in large numbers, bringing with them new styles and instruments. African slaves brought their own musical traditions, and each subsequent wave of immigrants contributed to a melting pot. Much of modern popular music has roots in the emergence in the late 19th century of African American blues and the growth of gospel music in the 1920s. The African American basis for popular music used elements derived from European and indigenous musics.
In the following years he would perform more concerts between Europe and Argentina. In 2002 Cides decided to withdraw his CDs from the market, anticipating the record crisis that would happen some years later and dedicated himself solely to live concerts. In the same year he left Argentina and moved permanently to Barcelona to create the Stick Center in Spain that was officially presented on March 7 in the school Aula de Musics de Barcelona. There he began a new musical career in a country where his music was still unknown.
In 2010, Ozomatli released their fifth full-length album, "Fire Away", which was recorded by a stripped-down lineup, featuring the six constant members plus Carire on drums. Justin Porée, in addition to his percussion duties, also became the band's only MC on the album and also sang some lead vocals as well. Bassist Abers also got his first lead vocal spot on the song 'Caballito.' While the band's sound remained an eclectic mix, there was a noticeable drop in the influence of Latin musics, and not many lyrics in Spanish.
Nelly Goitiño), "El sueño y la Vigilia" (El Galpón - Dir. Nelly Goitiño), "En la casa de campo" (Dir. Nelly Goitiño) by prizes winner of the EMAD with which she worked as "audio space" professor. From November 24, 2001, there were simultaneously at least 4 works with musics of her composition on the scenes of Montevideo. She also presented in 2001 her new CD Mutabile published by Ayuí / Tacuabé and Fonam of Montevideo with her works for piano, her compositions of Chambe and Symphonicr Music interpreted by prestigious musicians of Uruguay and foreigners.
Jean-Pierre Robert (Tours, France) is a French double bass player and author. In 1979, first prize of double bass of Conservatoire de Paris, he becomes a musician of Ensemble l'Itinéraire steered by Michaël Lévinas. He stays there until 2003, and has numerous collaborations with Ensemble Intercontemporain of Pierre Boulez, while claiming a " almighty need to dislearn ". It is in 1983 when he shows itself by his soloist play, creator of contemporary musics, on the scenes of Centre Georges Pompidou (Paris ) and festivals of Avignon, La Rochelle, Darmstadt playing Georges Aperghis, Iannis Xenakis, Horațiu Rădulescu.
Although they were short-lived, they influenced many other musicians. Guitarist Salman Ahmad gained fame for his unique style of playing Sufi-style and neoclassical musics in heavy metal form. The second wave of heavy metal artists, including bands such as Dhun, which was Fawad Baloch's more conventional metal project, Blackhour, Ehl-e-Rock, Inferner, and Black Warrant, which still continues to promote the genre. The most notable and productive work on heavy metal genre was bestowed and carried out by Mizraab, whose Panchi album was an ultimate success in this genre.
He has written several volumes to explain his theories and pieces, such as the three-volume Triaxium Writings and the five-volume Composition Notes, both published by Frog Peak Music. In the twenty-first century, he performs with ensembles of varying sizes and has written well over 350 compositions. After the Ghost Trance Music compositions, he became interested in three other music systems: The Diamond Curtain Wall Trio, in which Braxton implements the aid of the computer audio programming language SuperCollider; Falling River Musics; and Echo Echo Mirror House Music.
Danny Eccleston from Q, also saw similarities to Crow, calling the track "Musics closest cousin to the sonic landscapes of Ray of Light", while also pointing out its "masterful ending – as a rhythm of insectoid whirrs and bendy ARP-style 'wowp!'s join the guitar while Colombier's strings ape the peal of church bells". Digital Spys Justin Harp felt that "the comparisons [to Sheryl Crow] actually did a disservice to a track that stands out as particularly unique in Madonna's massive catalogue of hits". Louis Virtel, from TheBacklot.
The Sundanese Degung gamelan performance in Museo Nacional de las Culturas Mexico, Indra Swara group. Gamelan xylophone solo. The musical identity of Indonesia as we know it today began as the Bronze Age culture migrated to the Indonesian archipelago in the 2nd-3rd century BC.Asia Sound Traditional musics of Indonesian tribes often uses percussion instruments, especially gendang (drums) and gongs. Some of them developed elaborate and distinctive musical instruments, such as sasando string instrument of Rote island, angklung of Sundanese people, and the complex and sophisticated gamelan orchestra of Java and Bali.
Jocelyne Guilbault. "The Politics of Labelling Popular Musics in English Caribbean" Trans 3, 1997 Shorty's 1974 Endless Vibrations and Soul of Calypso brought Soca to regional and international attention and fame and helped to solidify the rapidly growing Soca Movement led by Shorty. Soca developed in the early 1970s and grew in popularity in the late 1970s. Soca's development as a musical genre included its early fusion of calypso with Indian musical instruments, particularly the dholak, tabla and dhantal, as demonstrated in Lord Shorty's classic compositions "Ïndrani", "Kalo Gee Bull Bull" and "Shanti Om".
If the term "folk music" is taken to mean music genres that have flourished without elite support, and have evolved independently of the commercial mass media, the realm of Puerto Rican folk music would comprise the primarily Hispanic-derived jíbaro music, the Afro-Puerto Rican bomba, and the essentially "creole" plena. As these three genres evolved in Puerto Rico and are unique to that island, they occupy a respected place in island culture, even if they are not currently as popular as contemporary musics like salsa or reggaeton.
La Mar Enfortuna is the Sephardic side project from the alt rock group Elysian Fields, Oren Bloedow and Jennifer Charles. La Mar Enfortuna is a modern interpretation of lost or forgotten music, mostly of the Sephardim, from the 11th to the 16th century, with songs sung in Ladino, Arabic, Aramaic, Spanish, Greek, and English. They incorporate the sounds of jazz, folk, rock, Middle Eastern, and Latin musics. Besides Charles and Bloedow, the core group as it now stands includes Doug Wieselman, Ted Reichman, Robert DiPietro, and Brahim Fribgane.
It received funding from various sources, including a loan from the Bank of the Industry. Emem Isong says it's a high budget film, and in an interview, she disclosed her reasons of investing so much on it. A website was launched with the film's title on 11 August to promote it. Adesua Etomi who played the lead role had to learn some of the culture of the Ibibio people, majorly their dance steps and musics in other to interpret the role properly since she was one not from the Ibibio.
He has received many awards and scholarships and completed his PhD, supervised by Michael Finnissy at the University of Southampton in 2006. The composer explored writing contemporary music theatre which escapes both ‘opera’ and ‘music theatre’ traditions, and aims at a wider audience than most contemporary music. His dramatic work is in the growing field of ‘physical theatre’, inspired by companies like Frantic Assembly, Gecko, Complicité, Theatre O and Ridiculusmus. Current musical interests are in South African traditional musics, particularly Xhosa and Zulu bow music, and jazz and electronica.
Kwan added, "This concert was one for the books". The Musics Madelyn Tait praised the concert, writing; "Mars was able to leave a diverse, all-ages crowd [that was] satisfied with his funk and soul-infused pop and proved how capable he is of putting on a fun, entertaining arena show". Leticia Madrigal of The Clovis Roundup lauded Mars "do[ing] more than enough entertaining through his choreographed performance with his band and with his unmissable radio hits". Some critics found the performance of "When I Was Your Man" to be the highlight in the performances they commented on.
His idea of adding Nelly to the record also helped propel it to the top of the charts. The song peaked at number 2 on iTunes and at number 4 on the Billboard Hot 100 and has amassed over 2.5 million in sales. In 2013, Nevins, along with Florida Georgia Line and Nelly won the award for Song of the Year at the American Musics Award for the remix of "Cruise". In 2013, Nevins produced the main version of Ariana Grande and Mika's "Popular Song", which was certified Gold in the US by the RIAA (500,0000 copies).
He was a composer of music and published several of his compositions. He co-authored a biographical study of composer Lou Harrison with Dr. Leta Miller and authored numerous other publications. Lieberman's early research focused on East Asian musics (especially Chinese music, but his geographic areas of interest included Japan, Korea, Bhutan, Tibet, and South India), then American vernacular music (from Tin Pan Alley to contemporary rock), as well as his work on theories of organology and copyright law (as applied to music and intellectual property). He was an avid collector of traditional musical instruments from around the world.
Today, article subjects include book reviews about modern musicians and groups like Johnny Cash or Nine Inch Nails, as well as classical composers such as Béla Bartók or Chopin. Book reviews have become so numerous that they have been divided into sections: Times, Places, Peoples; American Highways and Byways; Twentieth Century Musics; Late Romantics; and Composers. Furthermore, the journal continues to publish articles pertaining to its focus and concern for issues related to the field of music librarianship, including collection development, concerns about digital media, scholarship in the field and bibliographies of musical and music-related works.
Semmangudi Srinivasa Iyer at the inauguration of Brhaddhvani Subramanian and Dr. S. Seetha founded the research institute 'Brhaddhvani – Research and Training Centre for Musics of the World' in 1989 with the main purpose of making music and music education accessible to everyone regardless of their background. Brhaddhvani has been considered an alternative to the traditional gurukula way of learning. Subramanian's work is aimed towards bridging the gap between tradition and modernity, global and local, and thus finding meaning for tradition in a modern world. He has developed novel techniques intended to make the music learning process effective and holistic.
The New Musical Express (NME) chart was the first in the United Kingdom to gauge musics' popularity by physical sales - previously sheet music sales were used. NMEs co-founder Percy Dickins imitated the chart produced by American Billboard magazine and began to compile Britain's first hit parade in 1952. For the first chart, Dickins telephoned a sample of around 20 shops asking for a list of the 10 best-selling songs. These results were then aggregated to give a Top 12 chart (with 15 entries due to tied positions) that was published in NME on 14 November 1952.
Milliyets Özay Şendir believed that there were only two veteran actors in the series and criticized the existence of too many sexual scenes. Sabahs writer Ayşe Özyılmazel praised the series by saying: "Musics, filming, acting, tempo, excitement, all are 10/10". Another Milliyet author, Nazlı Mengi, criticized the series and believed that "The film series of Mr. Grey's sex and love life remained even more innocent" compared to this series. A scene in the first season's finale was also subject to criticism, during which the character Duru gets out of the shower with make-up on her face.
Hassell coined the term "Fourth World" to describe his work on "a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques." He uses extensive electronic processing of his trumpet playing. In addition to nonwestern traditional musics, critics have noted the influence of Miles Davis on Hassell's style, particularly Davis' use of electronics, modal harmony, and understated lyricism. Both on record and during live performances, Hassell makes use of western instruments—keyboards, bass, electric guitar, and percussion—to create modal, hypnotic grooves, over which he plays microtonally-inflected trumpet phrases in the style of Nath's Kiranic vocals.
The first Musicircus featured multiple performers and groups in a large space who were all to commence and stop playing at two particular time periods, with instructions on when to play individually or in groups within these two periods. The result was a mass superimposition of many different musics on top of one another as determined by chance distribution, producing an event with a specifically theatric feel. Many Musicircuses have subsequently been held, and continue to occur even after Cage's death. The English National Opera became the first opera company to hold a Cage Musicircus on March 3, 2012 at the London Coliseum.
Soul Flower Union, also known as SFU, is a Japanese musical group that incorporates Asian styles and world music styles into a rock and roll band. They are known for their blend of psychedelic, rock, Okinawan music, Celtic music, chindon (a kind of Japanese street music), swing jazz, as well as Japanese, Chinese and Korean folk musics. Most of their songs are written and performed in Japanese, although they are fond of using phrases from a number of other languages, including English, French, Italian, Korean, Arabic and Ainu (the language of the native people of Hokkaido, Japan).
Cantometrics involved qualitative scoring based on several characteristics of a song, comparatively seeking commonalities between cultures and geographic regions. Mieczyslaw Kolinski measured the exact distance between the initial and final tones in melodic patterns. Kolinski refuted the early scholarly opposition of European and non-European musics, choosing instead to focus on much-neglected similarities between them, what he saw as markers of "basic similarities in the psycho-physical constitution of mankind." Kolinski also employed his method to test, and disprove, Erich von Hornbostel's hypothesis that European music generally had ascending melodic lines, while non-European music featured descending melodic lines.
The most noticeable change in the version 4.00 released on 30 November 2011 was the added support for the PlayStation Vita handheld game consoles. For example, [PS Vita System] was added as an option and [PS Vita System Application Utility] has been added as a feature under [Game]. With this update, the PlayStation 3 also gained the ability to transfer videos, images, musics, and game data to and from the PlayStation Vita. Version 4.10 released on 8 February 2012 also added improvements to the Internet Browser including some support for HTML5 and its display speed and web page layout accuracy.
On the stage, the role of the main character, Paula Spencer, was also split between the soprano Claron McFadden and the actress Jacqueline Blom, with all other characters being represented by pre-recorded video and projected texts. In 2003, Defoort worked again with McFadden and Dreamtime in ConVerSations/ConSerVations, a project to synthesise Renaissance and contemporary musics. His second opera, again with Cassiers, was The House of Sleeping Beauties based on the eponymous novella by Yasunari Kawabata. It received its world premiere at La Monnaie, in May 2009, as part of the kunstenFESTIVALdesArts, before touring the Netherlands, Belgium, Luxembourg and France.
The song channels the melody of The Sound of Musics "My Favorite Things" in the verses: "Breakfast at Tiffany's/And bottles of bubbles/Girls with tattoos who like getting in trouble/Lashes and diamonds, ATM machines/Buy myself all of my favorite things". The song also interpolates The Notorious B.I.G.'s "Gimme the Loot" in the bridge. Grande described the song as a "friendship anthem" that "evolves" from previous single "Thank U, Next", while embracing a new chapter. She opens up about how her break-up with Pete Davidson led her to "treating her friends instead".
The group released their first album in 1998, Nirvana or Lunch?, and in 2006 won Digital Music Honorary Mention from Prix Ars Electronica."2006 PRIX WINNERS: DIGITAL MUSICS & SOUND ART" In this same year they won a Qwartz Award and performed in “Le Japon À La Cité de la Musique, Expériences limites” at Cité de la Musique, Paris. "Le Japon À La Cité de la Musique, Expériences limites” Cité de la Musique, Paris" In 2007, they performed at Experimentaclub'07, an experimental music festival in Madrid.Experimentaclub In 2010, the group signed with Some Bizzare Records and released the album “Arkhaiomelisidonophunikheratos”.
Art music (or serious musica b "Music" in Encyclopedia Americana, reprint 1993, p. 647 or erudite music) is an umbrella term used to refer to musical traditions implying advanced structural and theoretical considerations and a written musical tradition. Denis Arnold, "Art Music, Art Song", in The New Oxford Companion to Music, Volume 1: A-J, (Oxford and New York: Oxford University Press, 1983): 111. The notion of art music is a frequent and well-defined musicological distinction – musicologist Philip Tagg, for example, refers to art music as one of an "axiomatic triangle consisting of 'folk', 'art' and 'popular' musics".
Born the ninth of ten children; Hammond grew up listening to his father's collection of American soul and jazz music; including Sam Cooke and Otis Redding. He was further influenced by the native musics of ska and rocksteady, in particular Alton Ellis. Hammond began participating in local talent contests from 1972 to 1973, which led to his first recording, of Ellis' "Wanderer". In 1975 he joined the band, Zap Pow, as lead singer,Larkin, Colin (1998) The Virgin Encyclopedia of Reggae, Virgin Books, , p. 118-9 leading to the hit 1978 single, "The System" under the Aquarius Records label.
Unlike other opening ceremonies of previous games, Palembang presented an artistic vehicle parade and breathtaking theatrics in the lighting of the flame.Dazzling SEA Games opens The artistic vehicles represented the participating nations and featuring famous symbols and landmarks of each nations, such as Komodo and Borobudur float representing Indonesia, Wat Phra Kaew chedi and giant's head representing Thailand, Petronas towers and Putra Mosque representing Malaysia, and Angkor Bayon temple representing Cambodia. The national floats were leading in front of parading athletes of each respected countries. The parading athletes were accompanied by the traditional Indonesian musics from distinct archipelagic regions.
He made a career in the 1950s and 1960s during which he explored all repertoires, from medieval musics and troubador and trouvères songs to contemporary creation, through Baroque musicThe "baroque phenomenon" promoted in the 1970s stems from the research of Antoine Geoffroy-Dechaume, organist and musicologist, who published in 1955 "Secrets of Early Music": research on interpretation, 16th-17th-18th centuries. With this organist, Rondeleux gave a concert recorded on 23 June 1962 at Saint-Sulpice-de-Favières, and broadcast on 1 October 1962. On the program: Pérotin -Lully and mélodies. From 1970 to 1989 he was a singing teacher.
Kaipuleohone is a digital ethnographic archive that houses audio and visual files, photographs, as well as hundreds of textual material such as notes, dictionaries, and transcriptions relating to small and endangered languages. The archive is stored in the ScholarSpace repository of the University of Hawai‘i at Mānoa and maintained by the Department of Linguistics of the University's College of Languages, Linguistics and Literature. Kaipuleohone is a member of the Digital Endangered Languages and Musics Archiving Network (DELAMAN). The term kaipuleohone means 'gourd of sweet words' and symbolizes the impression of an accumulation of language material.. Kaipuleohone in ScholarSpace.
Chord from just Bohlen–Pierce scale: C-G-A, tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation. Same chord in Ben Johnston's notation for just intonation The Bohlen–Pierce scale (BP scale) is a musical tuning and scale, first described in the 1970s, that offers an alternative to the octave-repeating scales typical in Western and other musics, specifically the equal tempered diatonic scale. The interval 3:1 (often called by a new name, tritave) serves as the fundamental harmonic ratio, replacing the diatonic scale's 2:1 (the octave).
Despite garnering local popularity, the band dissolved after a short career due to internal tensions stemming from age divides and alcohol abuse within the band. (Although the band never released an album, 2001's Wreckage album repackages their demo with live tracks from 1987 recorded during Korthe's tenure with the group.) In 1988, Korthe began the Dimestore Hoods, a group interested in both hardcore and rap musics. In the group, Korthe acted as lead vocalist and primary songwriter. Around this same time, Korthe also became heavily involved in Southern California gang culture, leading to problems with drugs and the law.
The second sequel, , concludes the anime's plot. It consists of three episodes released directly to DVD and Blu-ray on November 23, 2011, June 20, 2012, and October 24, 2012. All three episodes had early screenings: the first was screened between September 23 and September 25, 2011 by Cinema Sunshine in Ikebukuro; the second on May 3, 2012 in Tokushima by Ufotable; and the third is on September 29, 2012 by Cinema Sunshine in Ikebukuro. The episodes use four pieces of theme musics: an opening theme by Misono and three ending themes, , , and , all by Akiko Shikata.
Though Western classical and other musics play an important role in Anglican church services on Barbados, religion and folk music are closely intertwined in the everyday lives of most Barbadians. The basis for religious folk music is the Anglican hymn, a kind of praise song mostly sung on Sundays, a day when Christian Barbadians come together with family members to sing and praise God to ask for strength for the next week's work.Millington, pg. 817 Millington refers to the hymn as the "basis for Barbadians' religious experience" Pentecostal music has become a part of Barbadian religious and musical traditions since the 1920s.
Njé Mo Yé, Douala, 2007 Koko Komégné was born in 1950 in Batoufam. In 1956 he moves to Yaoundé where he attends school and he starts drawing and listening to all sorts of musics. In 1960–62 he produces his first sculpture Le Boxeur and in 1965, after many ups and downs, he moves to Douala where he meets Jean Sabatier, an amateur painter who will draw him to paint. In 1966 Komégné opens his first atelier: as a training, he starts reproducing art works by major painters (Van Gogh, Picasso, etc.) and for living he makes advertising billboards.
A Thai xylophone measured by Morton (1974) "varied only plus or minus 5 cents," from 7-TET. According to Morton, "Thai instruments of fixed pitch are tuned to an equidistant system of seven pitches per octave ... As in Western traditional music, however, all pitches of the tuning system are not used in one mode (often referred to as 'scale'); in the Thai system five of the seven are used in principal pitches in any mode, thus establishing a pattern of nonequidistant intervals for the mode."Morton, David (1980). "The Music of Thailand", Musics of Many Cultures, p.70.
So they got split again. After completing Sound engineering and Music technology from the prestigious Windmill Lane Recording Studios/Pulse college from Ireland in 2010, Jim started NHQ studios in Panampilly Nagar Cochin, which marked the turning point in 4 Musics life. They got a chance to perform in Asianet youth club program where the band reunited and done a few own compositions. The program director Jibin and the sound engineer Mr. Sony identified the talent in guys and recommended them to their first movie “JUZT MARRIED” in 2012 directed by Shri Sajan Johny and written by Benny Esthac.
After working as arranger for composers Michel Magne then François de Roubaix (including on Le Samouraï) he scored L'Armée des ombres (aka Army of Shadows) in 1969 then Le Cercle rouge (aka The red circle) in 1970, both by director Jean-Pierre Melville. After that, he scored numerous movies for other great directors like Jean-Pierre Mocky, Costa-Gavras or Patrice Leconte. Éric Demarsan also composed many songs, the Pop Symphony album under pseudonym Jason Havelock, as well as some musics for sound and light shows. Since 2000 he works frequently with director Guillaume Nicloux and then Hervé Hadmar.
The track is remarkable for little else; it is simply Western film music with the sitar playing the melody. However, this session, and that of film composer Shankar Jaikishan (1968), were connected the film industry, for Indian film music surely contributes the most considerable corpus of music that combines Indian and Western musics. However, both Ravi Shankar and Ananda Shankar are important figures with regard to Jazz because it was primarily through their music that John Coltrane and others became aware of Indian music. Tony Scott recorded a track entitled "Portrait of Ravi" on his Dedications album, as early as 1957.
Brady Watt's music career started around age 14, playing bass in various groups in the New England punk scene. Before this he was a hip hop head, growing up on Wu-Tang Clan, A Tribe Called Quest, Gang Starr, and others. His musicality evolved at a very fast rate under the tutelage of a few mentors and as he discovered and assimilated new styles such as various world musics, funk, and fusion. He moved to Brooklyn where he began mastering his craft by playing with a who's who of legendary musicians and artists in the city and around the world.
A lăutar from the Damian Draghici band, who also played Jazz, said that the lăutărească music is a kind of Jazz. Because of its characteristic of improvising on a certain basic framework the lăutărească music has been compared with other Desi musics such as the Rāg.India — Bharat — Tenjiku: one reality, more perspectives Yehudi Menuhin considered the music of the lăutari as a necessary step towards India. The music of the lăutari establishes the structure of the elaborate Romanian peasant weddings, as well as providing entertainment (not only music, but magic tricks, stories, bear training, etc.) during the less eventful parts of the ritual.
These include allowing them to better problem solve issues, providing a means to control or influence other humans, encouraging cooperation and contribution within a society or increasing the chance of attracting a potential mate. The use of imagination developed through art, combined with logic may have given early humans an evolutionary advantage. Evidence of humans engaging in musical activities predates cave art and so far music has been practised by all human cultures. There exists a wide variety of music genres and ethnic musics; with humans musical abilities being related to other abilities, including complex social human behaviours.
In 1997, Douglas started a quartet featuring trumpet, violin, accordion, and bass (with Guy Lucevsek, Mark Feldman, and Greg Cohen) which recorded Charms of the Night Sky, incorporating sounds of Eastern European and Argentinian folk musics as well as jazz influences on the music, which is generally mellow and relaxed. The album included a number of tracks with Douglas and accordionist Guy Klucevsek performing as a duo. A second album by the Charms of the Night Sky group, A Thousand Evenings was released in 2000. Also in 1997, Douglas founded a jazz quartet with Chris Potter, James Genus, and Ben Perowsky.
Formed in 2003, Nomad is made up of trumpet, clarinet, cello, tuba, and drums. With this band, Douglas performed his suite Mountain Passages, commissioned for the Italian Sound of the Dolomites Festival, and released as the first album on Douglas' record label Greenleaf Music in 2005. The suite features a variety of different influences including Italian Ladino music, New Orleans jazz, and other musics, and is to be played from 9 to 12,000 feet above sea level. Douglas also started a new band called Keystone, which performs works influenced by the silent film actor and director Roscoe 'Fatty' Arbuckle.
She also inaugurates in first world her works "Con los niños" (Musical Youths - Orchestra Ars Musicæ of Montevideo, under her direction), "Proyección 2001" for 2 percussionists and orchestra, facing the Orchestra OSSODRE of Montevideo with a sharp success and "Señales y elaboraciones" for piano as pianist, in a concert of national composers of the group Núcleo Música Nueva. She was in this year the 2001, the national composer which composed the most musics for works of theatre in Uruguay: "Top Dogs" (national Comedy - Dir. Ruegger), "El hermano olvidado" (El Galpón - Dir. Nelly Goitiño), "Tres Mujeres altas" (national Comedy - Dir.
Popular music studies, known, "misleadingly", p. 2n2: "'Popular musicology' should be read as the musicological investigation of popular music, rather than the accessible investigation of music!" as popular musicology, emerged in the 1980s as an increasing number of musicologists, ethnomusicologists and other varieties of historians of American and European culture began to write about popular musics past and present. The first journal focusing on popular music studies was Popular Music, which began publication in 1981. The same year an academic society solely devoted to the topic was formed, the International Association for the Study of Popular Music.
In 1976 he established Harvard's first formal collection of audio material relating to non-Western music. Initially consisting entirely of commercial and field recordings Ward had acquired in his travels, the Archive of World Music moved to the Eda Kuhn Loeb Music Library in 1992 and continues to develop in support of ethnomusicological research at Harvard. The collection's principal areas of coverage are the musics of the Middle East, Asia and Africa.Elliott Forbes, A Report of Music at Harvard from 1972 to 1990 (1993) Upon retirement John Ward concentrated his energies on building and curating an important collection for Harvard University.
There is a strong compas influence in Cape Verdean music.In the 1960s the coladeira emerged as a more lively, upbeat counterpart to the morna The coladeira is performed in fast duple meter, accompanying informal pop-style couple dancing. its primary influences appear to be an obscure folk processional music by the same name, Afro-American commercial music, the morna, and most important, modern French Caribbean pop...more often it is played by a modern dance band, that is, with drums, bass, electric guitars, and the like. Peter Manuel, Popular Musics of the Non-Western World, p. 95.
The substance of the work consists of recordings of a variety of traditional ethnic musics from around the world, together with electronically generated sounds . More than twenty of these recorded fragments are intermodulated on tape with electronic sounds and with each other to produce "odd hybrid-types"—modulating, for example, "the chant of monks in a Japanese temple with Shipibo music from the Amazon, and then further impos[ing] a rhythm of Hungarian music on the melody of the monks. In this way, symbiotic things can be generated, which have never before been heard" . Only seven of the work's thirty-two moments—nos.
In 1997 the label then issued a brand new 14-track album called Histoires de France, which included lyrics that Robin wrote during his convalescence. Later that year, Franck, Catherine and Eric, with support from Carine Grieg (Collection d’Arnell Andréa), came to Brazil for two concerts, playing musics from their recent and new albums. In 1998, the band recorded 11 tracks for a new album, titled Eternelle Tourmente, at "Studio du Rempart de la Miséricorde" in Dijon, France. Four of these tracks were new versions of very old songs from limited edition K7 tapes, and seven were new compositions.
There is also "Cadence-lypso", the Dominica kadans, which has set the stage for some of the region's most significant musical developments such as zouk and bouyon (another Dominican creation). Like the other Francophone musics of the Lesser Antilles, Dominican folk music is a hybrid of African and European elements. The quadrille is an important symbol of French Antillean culture, and is, on Dominica, typically accompanied by a kind of ensemble called a jing ping band. In addition, Dominica's folk tradition includes folk songs called bélé, traditional storytelling called kont, masquerade, children's and work songs, and Carnival music.
Taikoz's performs predominantly original Australian compositions composed by members of the group and commissioned composers. The work is contemporary, often collaborations with other performing art mediums and draws influence from western art music, traditional musics and sound design . When originally formed, Taikoz performed traditional pieces passed on from groups such as Ondekoza and performers such as Eitetsu Hayashi, more modern pieces also developed by Japanese groups, as well as pieces the group has developed on their own. Some of the more traditional pieces include Yatai-bayashi and Hachijo, whereas some of their own, unique pieces include Asobibachi and Knots.
"Mâche, François-Bernard", Living Composers Project. Mâche's Music, Myth and Nature, or The Dolphins of Arion (Musique, mythe, nature, ou les Dauphins d'Arion) (1983, 1992 ), which as a whole argues for a return in composition to mythic thought, includes a study of "ornitho-musicology" using a technique of Nicolas Ruwet's Langage, musique, poésie (1972) paradigmatic segmentation analysis, shows that birdsongs are organized according to a repetition-transformation principle. One purpose of the book was to “begin to speak of animal musics other than with the quotation marks”,Mâche (1992). Music, Myth and Nature, or The Dolphins of Arion, p.114. .
This aspect of swing is far more prevalent in African-American music than in Afro-Caribbean music. One aspect of swing, which is heard in more rhythmically complex Diaspora musics, places strokes in-between the triple and duple-pulse "grids". New Orleans brass bands are a lasting influence, contributing horn players to the world of professional jazz with the distinct sound of the city whilst helping black children escape poverty. The leader of New Orleans' Camelia Brass Band, D'Jalma Ganier, taught Louis Armstrong to play trumpet; Armstrong would then popularize the New Orleans style of trumpet playing, and then expand it.
The song is linked to the ending of the previous album track, "Sanctuary", and starts with its chords. The ending of the track has a pulsating beat and a mix of the lead synth, with Madonna's voice whimpering and uttering "Ha-ha-aahs". It ends abruptly saying "And all that you've ever learned, try to forget, I'll never explain again" making the listener believe that it was all the part of a dream. According to Victor Amaro Vicente in his book The aesthetics of motion in musics for the Mevlana Celal ed-Din Rumi, the song's music bears many resemblances to new age-era music and different forms of Sufi music.
An important custom of pettathullal is that 'Kanni Ayyappas', who are the first timers to Sabarimala must participate in the thullal by holding a wodden made arrow. The thullal is accompanied by various instrumental musics such as Chenda melam, Nagaswaram, Pambamelam and mantras and hymns which is commenced from the Petta Sree Dharmasastha temple (Kochambalam) adjacent to the Vavar masjid. The pilgrims then proceeds to the Vavar mosque and are harmoniously welcomed by the Mahallu Jamaat committee members. After taking a round of the mosque, a representative of Vavar accompanies the group to the Sastha temple (Valiyambalam) which is about 0.5 km from the mosque.
'Interview with Bram Dijkstra, conducted by Ron Hogan, for beatrice.com. (Accessed Aug. 17, 2006) High modernism is exemplified in the writings of Clement Greenberg, who described an opposition between "avant-garde" art and "kitsch" in his essay Avant-Garde and Kitsch.Clement Greenberg, Avant-Garde and Kitsch Composer Milton Babbitt's well-known essay "Who Cares if You Listen" describes "efficiency", an increase in "the number of functions associated with each component", "a high degree of contextuality and autonomy", and an "extension of the methods of other musics" as being among the traits possessed by contemporary serious music,Milton Babbitt, "Who Cares if You Listen" (originally in High Fidelity, Feb.
Upon its release A Winged Victory for the Sullen received positive reviews. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 83, based on 10 reviews, indicating "universal acclaim". BBC Musics David Sheppard called the album a "meditative and cinematic set" that "is a victory for subtlety [and] sensitivity" and "rich in melody", praising in particular its "genuinely haunting, numinous atmosphere". AllMusic reviewer Ned Ragget awarded the album a four-out-of-five-star rating and said there was "a knowing playfulness with the conventions of moodily beautiful 21st century drone/ambient".
He has collaborated with Ekkehard Ehlers under the name Autopoieses and with Israeli audio-visual artist Ran Slavin as b.Z_ToneR. For his project Not By Note he received in 2011 an honorary mention in the category Digital Musics & Sound Art at Prix Ars Electronica. His album "Walking in Jerusalem" was included by The Wire magazine in their list of top 15 electronic records of the year 2002. Meissner performed at many notable music and sound art festival like CTM in Berlin, MUTEK in Montreal, Sónar in Barcelona, Unsound in New York, Sonic Acts in Amsterdam, Jewish Culture Festival in Kraków and Steirischen Herbst in Graz.
This area's music is characterized by extreme vocal tension, pulsation, melodic preference for perfect fourths and a range averring a tenth, rhythmic complexity, and increased frequence of tetratonic scales. The musics of the Arapaho and Cheyenne intensify these characteristics, while the northern tribes, especially Blackfoot music, feature simpler material, smaller melodic ranges, and fewer scale tones. Nettl Arapaho music includes ceremonial and secular songs, such as the ritualistic Sun Dance, performed in the summer when the various bands of the Arapaho people would come together. Arapaho traditional songs consist of two sections exhibiting terraced descent, with a range greater than an octave and scales between four and six tones.
But perhaps his most important recent contribution to the story of Jazz and improvised musics, The Long View, was completed at a residency in Harvard. The composition (scored for an ensemble of both strings and horns) is inspired from abstract paintings by Oliver Jackson, and has been hailed as "one of a handful of integral long-form works in jazz, standing beside those of the likes of Hemphill, Mingus, and Ellington" (Boston Phoenix). Ehrlich currently lives in New York City, commuting to teach at Hampshire College, and devoting much energy to his duo with pianist Myra Melford, and trio with Mark Dresser (contrabass) and Andrew Cyrille (drums).
AOL Musics Marina Galperina called the video "mod-tastic" and the editing "funky" and "collaged". Leah Collins of Dose magazine wrote that the director "has taken everything to concoct a technicolour rainbow of retro throw-back set-pieces". Colleen Nika of Rolling Stone commented, "Already one of the year's most acclaimed pop singles, [the video] will also go down as one of the year's most stylish clips, though it didn't pull any slick maneuvers to earn that distinction", and described it as "brilliant and bright". Nika also said that the video contrasted with Lady Gaga's style and that it was another "pop art effect" for Knowles.
Blum received a bachelor's degree from Oberlin College in 1964,and then a PhD in music at the University of Illinois at Urbana–Champaign. As a PhD student, Blum worked with music scholars including Alexander Ringer, Charles Hamm, and Bruno Nettl. His first publications were co-authored with Nettl, a pioneering historical musicologist and ethnomusicologist,, Retrieved February 11, 2014 and supervising his dissertation, Musics in Contact: The Cultivation of Oral Repertoires in Meshed Iran, University of Illinois at Urbana–Champaign, 1972. Blum was to later co- edit the 1991 festschrift for Nettl, Ethnomusicology and Modern Music History, along with former Nettl students Philip Bohlman and Daniel M. Neuman.
Besides his extensive work as a lyric writer, Blum has completed a master's degree in music, musicology, creation and society and speaks worldwide on the history of reggae music, African musics and other rock and blues culture-related subjects as well as veganism. His reggae lectures come with his reggae photography exhibition. Written in a lively style, several of his books on music history give him an authority status in the French-speaking world. These include Lou Reed, Bob Marley and John Lennon biographies, best-seller Le Reggae, a fully illustrated Jamaican travel journal autobiography and a major contribution to best-selling Le Dictionnaire du Rock.
The Austin Chronicle: The Continuing Story of Daniel Johnston - Genius of Love, Ken Lieck Not only the lyrical but also the musical theme of the song has been alluded to in later works. The word "grievances" has also been reused in other song titles, like on More Songs of Pains "Mabel's Grievances" and Yip/Jump Musics "Don't Let the Sun Go Down on Your Grievances". Other themes on the album are premarital sex ("Joy Without Pleasure" and "Premarital Sex"), Christianity ("A Little Story") and cannabis ("Pot Head"). Between some of the songs are recordings of Johnston's mother screaming at him that he will never make anything of himself.
The guitar styles of Highlife music in British colonial West Africa were also highly influenced by these records, as were the stylings of the Dakar sound in Senegal. African guitar playing in general, and the electric guitar in particular, was popularised in part by the music distributed in the G.V. Series records. The music of East Africa was also influenced by the G.V. series, sold through East African Music Stores in Nairobi as its agents in Lourenço Marques and Dar-es-Salaam. But here too, the Cuban musics of the G.V. series quickly had to complete with domestic music produced by EMI and specialist labels like Odeon Swahili.
It is characterized, in its rhythm, by the "tibwa" (two wooden sticks) played either on a length of bamboo mounted on a stand or on the sides of the tambour bèlè."Biguine" Encyclopedia of Popular Musics of the World, The Continuum International Publishing Group, 2008 Added to the tambour bèlè and tibwa are the maracas, more commonly referred to as the chacha. The cinquillo is beat out by the tibwa, but it translates very well to the chacha when the rhythms are applied for playing biguine. The tibwa rhythm plays a basic pattern and the drum comes to mark the highlights and introduce percussion improvisations.
Betawi traditional dress known as Baju Demang or Ujung Serong The culture and artform of the Betawi people demonstrate the influences experienced by them throughout their history. Foreign influences are visible, such as Portuguese and Chinese influences on their musics, and Sundanese, Javanese and Chinese influences in their dances. Contrary to popular perception, which believed that Betawi culture is currently marginalized and under pressure from the more dominant neighbouring Javanese and Sundanese culture—Betawi culture is actually thriving, since it is being adopted by immigrants who has settled in Jakarta. The Betawi culture also has become an identity for the city, promoted through municipal government patronage.
The regime promoted its own palette of "popular stars", while authentic performers of traditional musics were totally ignored (except a very few that were able to adapt to the new requirements). One of the most important changes done by the communist regime was the creation of large popular ensembles. This current started in the Soviet Union and spread in all the countries of the communist bloc, as it was seen as a "superior way of rendering the folklore". Some of the most important artists of this era are Ion Dolănescu, Maria Ciobanu, Irina Loghin, Sofia Vicoveanca, Nicolae Furdui Iancu and instrumentalists like Gheorghe Zamfir, Dumitru Fărcaş and Dumitru Zamfira.
From 1977 he played in John White's Garden Furniture Music Ensemble alongside Mason and Gavin Bryars: his close association with the music of White, Bryars and Cardew has continued ever since. In the 1980s he was a founder-member of the English Gamelan Orchestra and Liria, the first British groups to specialise in, respectively, Javanese classical and Albanian folk musics. Up to 1977 his music was largely minimalist (process music or systems music). His style quickly developed into a highly eclectic pool of ideas ranging musically from the abstract to the markedly referential and which on occasion is informed by a political consciousness and commitment reminiscent of the later Cardew.
Among his compositions are: Three Musics (1965) for French horn, strings and harp; Sonata Movement (1969) for piano; Winter Garden (1988) for wind quintet; A String of Clichés (1996) for French horn and piano; Zuweilen (2000), six short pieces for piano; Three Lejjoon Poems (2000), a short song cycle to poems by Niel Wright; Little Blue Peep (2002) for harmonica and piano; A Wild Garden of Doggerel (2003), settings of nonsense poems by the composer for unaccompanied choir; Play On A Debussy Motif (2004) for piano; Spinning Jenny (2005) for piano duet, and a song cycle For One Who Went Away (2004), a setting of seven poems by Peter Jacobson.
The relevance and implications of insider and outsider distinctions within ethnomusicological writing and practice has been a subject of lengthy debate for decades, invoked by Bruno Nettl, Timothy Rice, and others. The question that causes such debate lies in the qualifications for an ethnomusicologist to research another culture when they represent an outsider, dissecting a culture that doesn't belong to them. Historically, ethnomusicological research was tainted with a strong bias from Westerners in thinking that their music was superior to the musics they researched. From this bias grew an apprehension of cultures to allow ethnomusicologists to study them, thinking that their music would be exploited or appropriated.
Soon, it was sorted out when Balaji Telefilms apologized for it stating it unintentional. In January 2002, the company Proctor & Gamble, for advertising their detergent brand Tide aired the spoof version of the series consisting of the cast Smriti Irani, Aparna Mehta and Muni Jha of the series which was telecast on a rival channel. Both Star and Balaji Telefilms reported it as a copyright violation considering the advertisement which uses the same sets, backdrop, announcement fonts and musics along with the cast of the series. Star filed a case against Leo Burnett (Star India v Leo Burnett) and the case was heard before Bombay court in 2003.
He never went back to work making industrial films and all of his films were independently produced, often with the assistance of grants from cultural agencies, both governmental and non- governmental. Most of his films focused on American traditional music forms, including (among others) blues, Appalachian, Cajun, Creole, Tex-Mex, polka, tamburitza, and Hawaiian music. Many of these films represent the only filmed documents of musicians who are now deceased. Blank's films focusing on musical subjects often spent much of their running time focusing not on the music itself but on the music's cultural context, portraying the surroundings from which these American roots musics come.
ABBA, who had a total of eleven number-one singles between 1974 and 1982 – nine of which topped the official charts, and an additional two not recognised in the Official Charts Company's canon. The New Musical Express (NME) chart was the first in the United Kingdom to gauge musics' popularity by physical sales - previously sheet music sales were used. NMEs co-founder Percy Dickins imitated the chart produced by American Billboard magazine and began to compile Britain's first hit parade in 1952. Other periodicals produced their own charts and The Official Charts Company and Guinness' British Hit Singles & Albums regard NME as the canonical British singles chart until 10 March 1960.
In 2000, Livingston created his own company, Texas Music International, an organization dedicated to bringing different musics of the world together for human and cultural harmony. His first venture was to create a multi-cultural group of musicians from Texas and India called Cowboys & Indians. Cowboys & Indians is supported by the Texas Commission on the Arts and the Economic Development Department of Austin, give public performances and give educational and entertaining workshops and performances in Texas schools and theaters. Mixed instrumentation, music and cultural lore fuse with Native American, Texas folk and Indian themes that include Bharatanatyam dance, Native American flute and story song, Hindu mythology and cowboy yodeling.
This mix of American influence with Slavic tradition is also perceptible in the rhythm of the "alla Polacca" third movement, and in the last movement's themes native to the Far East, played by flute and oboe in unison, where the orchestra passes easily from the minor theme to the major one. Far from any exoticism, the art of Dvořák's orchestral work is in the field of pure music, and it is undoubtedly for this reason that Brahms appreciated it. Even in New York, when Dvořák encouraged his pupils to work on their own folk melodies, it was authentic recreation of the popular folk musics that he called for.
We don't, for instance, count a bus ride as one of the coaches if we only know during the action that she had ridden the bus that morning. The title 'Nine Coaches Waiting' is derived from the play The Revenger's Tragedy by Thomas Middleton - Oh, think upon the pleasure of the palace: Secured ease and state, the stirring meats, Ready to move out of the dishes, That e'en now quicken when they're eaten, Banquets abroad by torch-light, musics, sports, Bare-headed vassals that had ne'er the fortune To keep on their own hats but let horns [wear] 'em, Nine coaches waiting. Hurry, hurry, hurry! Ay, to the devil.
Cynthia Star (Paranorman, Adult Swim, Coraline (film)), who co-animated Video Musics II with Gideon, was Artistic Director. The 40-minute film toured as a live performance nationally and internationally. It has been performed 70 times including at Manhattan's New Museum for Contemporary Art, and Museum of Contemporary Art, Chicago. The Regional Arts & Culture Council of Oregon awarded Gideon his second project grant to create the piece. 2015 The Crumbling The Crumbling is a 21-minute stop-motion animation video opera set in a dream-like mythic town following the trials of an apprentice librarian as she tries to save her city from crumbling down around her.
Born uses ethnography to study cultural production, particularly music, television and information technologies, and is a leading exponent both of institutional ethnography and of anthropology's application to the critical study of Western modernity. In relation to music, television and IT her work has ranged from studies of cultural production and cultural politics, to intellectual property, authorship and subjectivity, to materiality, technology and mediation. She is an international authority on computer music and musical modernism in the twentieth century, and also on contemporary media policy, the BBC and public service broadcasting in the United Kingdom and Europe. Born's earlier research involved anthropological and sociological studies of art and popular musics.
The album likewise drew praise from American publications. AllMusic's Greg Prato was impressed by the band's ability to "cover a lot of ground convincingly" on a debut album, concluding that "the praise [it] received is definitely not hype". David Stubbs of Spin wrote that it transcends pastiche to become a successful "product of '90s simultaneism—these days, musics from different eras and places are all equally accessible and therefore all equally contemporary... a damn beautiful record". Critic Robert Christgau gave the album a three-star honourable mention rating, naming "Whippin' Piccadilly" and "Love Is Better Than a Warm Trombone" as highlights and quipping, "Really the roots-rock—they mean it, man".
Some of the songs, like "That's All Right", were in what one Memphis journalist described as the "R&B; idiom of negro field jazz"; others, like "Blue Moon of Kentucky", were "more in the country field", "but there was a curious blending of the two different musics in both". This blend of styles made it difficult for Presley's music to find radio airplay. According to Neal, many country-music disc jockeys would not play it because he sounded too much like a black artist and none of the rhythm-and-blues stations would touch him because "he sounded too much like a hillbilly." The blend came to be known as rockabilly.
The music of the lăutari is called muzica lăutărească. There is not a single music style of the lăutari, the music style varies from region to region, the best known being that from southern Romania. The lăutărească music is complex and elaborated, with dense harmonies and refined ornamentations, and its execution requires a good technique The lăutărească music should not be confounded with the Romanian peasant music. The lăutari drew inspiration from all the musics they had contact with: the pastoral music of Romania, the Byzantine music played in the church, as well as foreign music, most notably Turkish, but also Russian and Western European.
In the 16th century, the musical form of the Italian madrigal greatly influenced secular music throughout Europe, which composers wrote either in Italian or in their native tongues. The extent of madrigalist musical influence depended upon the cultural strength of the local tradition of secular music. In France, the native composition of the chanson disallowed the development of a French-style madrigal; nonetheless, French composers such as Orlande de Lassus (1532–1594) and Claude Le Jeune (1528–1600) applied madrigalian techniques in their musics. In the Netherlands, Cornelis Verdonck (1563–1625), Hubert Waelrant (1517–1595), and Jan Pieterszoon Sweelinck (1562–1621) composed madrigals in Italian.
Due to his passion for Asian sounds, he travelled in several eastern countries in order to undertake researches and to learn the traditional art of music. In 1992, he first went through India where he learned traditional musics from the Himalayan slopes to the Rajasthan desert. In 1996, he received a grant from the SPES Foundation to pursue his studies about oriental music in Vietnam, Cambodia and Indonesia. Afterwards, he travelled many times in Japan (from 2004 until now) where he went deeper into the knowledge of traditional musical practices and instruments of that country which counts as one of the most important for the composer.
The vocal tone or timbre was probably similar to the pungently nasal sound of the narrow-bore reed pipes, and most likely shared the contemporary "typically" Asian vocal quality and techniques, including little dynamic changes and more graces, shakes, mordents, glides and microtonal inflections. Singers probably expressed intense and withdrawn emotion, as if listening to themselves, as shown by the practice of cupping a hand to the ear (as is still current in modern Assyrian music and many Arab and folk musics) . Two silver pipes have been discovered in Ur with finger holes, and a depiction of two reeds vibrating. This instrument would be close to the modern oboe.
Usage of the London Community Gospel Choir in the song was received positively by critics. Writing for USA Today, Brian Mansfield complimented the optimistic and "self- assured" nature of the song, adding that "it's the sort of determined dance anthem Madonna does so well". The Dallas Morning News Hunter Hauk described the song as a "solid melding" of different club musics and appreciated the dance break, and Madonna's singing attitude, calling it "less prickly or defiant than we see on Instagram these days". Jeff Miers from The Buffalo News compared "Living for Love" to earlier club anthems, songs which had become commercial success for Madonna.
The manga was adapted into a 28-episode live action series, which was broadcast on TV Asahi between September 1, 1980 and March 30, 1981. Produced by Toei, the drama was directed by Kimio Hirayama and Takahashi Masaharu, with the script written by Masaki Tsuji and Ryō Nakahara and Takeyuki Suzuki and Yoshiaki Koizumi as producers. The series' theme musics, , with lyrics by Kayoko Fujimori and , with lyrics by Yōko Shōji, were both composed by Asei Kobayashi, arranged by Masahisa Takeichi and performed by Satoko Yamano. A live action television special, produced by Production Reed, was broadcast on Fuji TV on February 23, 1986.
In 1971, he was awarded the Rockefeller Prize from the Columbia Princeton Electronic Music Center and in 1978 won a scholarship from the Dutch government. He worked with electronic music at the Institute of Sonology in Utrecht, at the electronic studio at the Technischen Universität in Berlin, at the Columbia Princeton Electronic Music Center in New York (1971–72) and at Studio NHK (Nippon Hōsō Kyōkai) in Tokyo. In 1978 Shinohara was a visiting professor of composition at McGill University in Montreal, Quebec, Canada . Since the 1970s, he has been best known for combining Western and traditional Japanese musics, as well as versatile experimentation with Western acoustic and electronic music .
In an andalusian orchestra, those communities played side by side, so that only lyrics allowed to distinguish every group origin. These musics performed with long poignant nostalgic vocalises on a very slight background of strings and drums. All parts blow up in a tremendous festival of ornamented arabesques. In 2001, Françoise Atlan was involved in the creation of the composer Florence Baschet work, Femmes, a commission from Radio France, with the participation of the Ensemble Fa under the direction of Dominique My. That same year, accompanied by the Armenian Ensemble Goussan, she offered a program of classical and traditional Armenian Music (5th to 19th century) at the Festival d'Ambronay.
Media Business such as Radio and Television. The radio stations are composed of 3 different target groups "COOL Fahrenheit 93" Thai string music with easy listening style. "COOL Celsius 91.5" perform with the 50 minutes Music Freeze your mind concept and "Sabaidee Radio" Thai country music station that building on the success of Sabaidee TV. Television consisting of 1 Digital Free TV "Channel 8" free TV variety with the first run drama and the popular variety show and 4 leading satellite TV channels including "Sabaidee TV" Thai country music channel with the No. 1 ranking in satellite TV rating. "YOU Channel" music channel for teenagers who love musics.
219 During his lifetime, he served as a tutor to the Abbasid caliphs, al-Mu'tadid (861–902) and his son, al-Muktafi (878–908). Ibn Abi al-Dunya's treatise on music, Dhamm al-malālī ('Condemnation of the malāhī'), is believed by Amnon Shiloah (1924–2014) to have been the first systematic attack on music from Islamic scholarship, becoming 'a model for all subsequent texts on the subject'. His understanding of malāhī, as constituting not just "instruments of diversion" but also musics forbidden and for the purposes of amusement only, was an interpretation that 'guided all subsequent authors who dealt with the question of the lawfulness of music'.
Zouk is a fast jump-up carnival beat originating from the Caribbean islands of Guadeloupe and Martinique, popularized by the French Antillean band Kassav' in the 1980s. Very rapid in tempo, the style lost ground in the 1980s due to the strong presence of kadans or compas, the main music of the French Antilles. Today, zouk is the French Antilles compas,Peter Manuel, Musics of the Non- Western World, Chicago press University 1988p74 also called zouk-love In Africa, Kassav's zouk and the Haitian compas they featured, gained popularity in francophone and lusophone countries. It is also particularly popular in North America in the Canadian province of Quebec.
In 1963, Henri Leca recorded a medley of music with his Orchestra for the album Surprise- Partie Monstre where he also recorded a medley of three other musics composed by Henri Betti : La Polka des Barbus, C'est si bon and Mais qu'est-ce que j'ai ?. In 1966, Les Trois Ménestrels sang the song with Raymond Lefèvre and his Orchestra at the TV show Le Palmarès des chansons hosted by Guy Lux. In 1974, Marcel Amont sang the song at the TV show Toutankhamont. In 1980, Jacqueline François and Jacques Martin sang the song with Robert Quibel and his Orchestra at the TV show Thé Dansant.
"Minungum Minnaminuge", "probably the best of the lot", "tenderly expresses the sweet relationship between a father and daughter". Srivatsan said for India Today, "Oppam has some extraordinary tracks ... though the song 'Chinnamma Adi' makes you tap your foot, it is 'Minungum Minnaminuge' that becomes an instant addiction". Padmakumar K. of Malayala Manorama wrote about "Chinnamma Adi", "The rhythm, milieu and the camera work complemented the whole mood of the song ... 4 Musics successfully fused melody with a blend of folk and the classical styles". Anu James of the International Business Times wrote, "The party song, 'Pala Naalayi', is colourful, with good choreography and visuals".
The theme song, "Ikaw Ay Ako", composed by songwriter Vehnee Saturno, was sung by The Voice of the Philippines runner-up Klarisse de Guzman and semifinalist Morissette Amon. The song was originally composed for the television series Doble Kara. A second rendition of the song was covered by The Voice Kids grand champions Lyca Gairanod and Elha Nympha for the series' second book. The songs, from different Dreamscape Productions such as Ang Probinsyanos "Wag Ka Nang Umiyak" and "Basta't Kasama Kita", On the Wings of Love and And I Love You Sos own title musics, and Nathaniels "Lupa Man Ay Langit Na Rin", were compiled into one album.
Indeed, many pipers are from non-Scots backgrounds: from Ukrainians to the Chinese. In later years, the Irish folk-pop band the Irish Rovers established the first in their onetime worldwide chain of Irish pubs in Vancouver, partly because of the popularity of that style of music in the city (still to be found today at the Gastown pubs the Irish Heather, the Blarney Stone and elsewhere). World musics remain popular in Vancouver today, and are part of both the highly successful annual Vancouver Folk Music Festival at Jericho Beach and the Commercial Drive countercultural/alternative district. Recently, Gandharva Loka World Music Instruments opened a store on Granville Island, with music and instruments from around the world.
The Southern Folklife Collection is an archival resource for the study of American folk music and popular culture. Its holdings document all forms of southern musical and oral traditions across the entire spectrum of individual and community expressive arts, as well as mainstream media production. Centered around the John Edwards Memorial Collection, the SFC is rich in materials documenting the emergence of old- time, country-western, bluegrass, blues, folk, gospel, rock and roll, Cajun and zydeco musics. The SFC contains over 300,000 sound recordings, 3,000 video recordings and eight million feet of motion picture film as well as tens of thousands of photographs, song folios, posters, manuscripts, books, serials, research files and ephemera.
Since 2002, Thich Nhat Tu set up a Buddhist Music Club in Ho Chi Minh city, with the participation of many famous songwriters, singers and actors to propagate the Buddhist philosophy and practice for general public. He is the editor and publisher of more than 150 CD, VCD, DVD of Buddhist music since 2002.Buddhist Musics edited by Thich Nhat Tu Being a secretary general of Cultural Department, HCMC Buddhist Sangha (2002–2007) and chairman of the Cultural Department of HCMC Buddhist Sangha (since 2012), every year he organises many Buddhist cultural performances at Lan Anh theatre and Hoa Binh theatre. On top of that, many Buddhist exhibitions, calligraphy, and arts have been organised by him too.
An important development in the popular music happened with the arrival of the communist regime, that took an interest in the popular music (for its tie with the masses) and imposed its own aesthetics.Interview with Speranţa Rădulescu Part 1 Part 2 The music become standardized with short and simple structures as opposed to the longer and more irregular song structures that frequently occur in the traditional music. Improvisation, that plays an important part in both the peasant and the lăutărească music, was completely left out. The performers were required to have formal musical studies and were required to sing and play in a "nice and easy" manner in contrast to the coarser styles found in traditional musics.
He befriends a grad-student there who admires his nascent constructions and arranges to allow him unlimited access to the largely abandoned classical electronic music studio and tape machines where, driving up from Philadelphia, he creates his first works for the medium in after-hours sessions. In 1976, after a 5-year, break Halkin returns to Philadelphia. Halkin and First begin playing together once again. Soon, after years of mostly playing free-improv, First begins creating song-structures for the two of them inspired by what he had been listening to in the ensuing years- minimalist composers, long-time hero John Fahey, free jazz, funk music, reggae & various world musics and the emerging punk rock movement.
Sao Sao Sao's first sang together on public in 1977 at Music Square of Channel 3. In 1981 Raya, the founder of Rod fai don tri (Music Train) tried to find girl groups for the label so he asked the singer trainer's school for find their singers but the school couldn't find any girl singers but the school introduced Chantana's daughter (Amp Saowaluk) and granddaughter (Pum Orawan) and Suda Chunbarn's daughter (Mam Patcharida) for Music Train's girlgroup. Sao Sao Sao made first album "Ruk Puk Jai" in 1981 and released in 1982 but the album is bad-selling because the musics are too elder to their ages. In 1983 they released second album "Pra Tu Jai".
Hyderabad city as the former capital of Hyderabad State had received the royal patronage for arts, literature and architecture by the former rulers, also attracting men of letters and arts from different parts of the world to get settled in the city. Such multi-ethnic settlements popularised multi cultural events such as Mushairas, literary and stage drama. Besides the popularity of Western and other Indian popular musics such as the filmi music, the residents of Hyderabad play city based Marfa Music which had become an integral part of every event. The Osmania University and University of Hyderabad offers Masters and Doctoral (PhD) level programs in classical languages, modern languages, dance, theatre arts, painting, fine art and communication.
When the major record labels withdrew their support for music that did not comply with commercial trends, Grace was expected to shift to a more market driven sound in order to survive the music business. She, however, remained steadfast in her musical vision. Without corporate support, she independently co-produced other award-winning solo albums: Hulagpos: Women’s Music and Poetry (with prominent women poets Marra Pl. Lanot, Elynia Mabanglo, Luisa Igloria, among others, Arugaan ng Kalakasan 1999), Diwa (Tao Music 2008), and Dalit (Tao Music 2009). Grace also went deeper in her study of oral traditional musics, learning the performance of a few traditional chants from elderly singers in different parts of the Philippines.
He likens music to having an out of body experience, religion, and sex. It is music's ability to transport people mentally, that is in his opinion a near universal that almost all musics share. In response to McAllester's Universal Perspectives on Music, Klaus P. Wachsmann counters that even a near universal is hard to come by because there are many variables when considering a very subjective topic like music and music should not be removed from culture as a singular variable. There is a universal understanding that music is not the same everywhere, and a conversation of the universality of music can only be held when omitting the word "music", or "universals", or both.
The organizers have renamed a number of awards that cover generally the same umbrella electronic music genre for example between 1998 and 1999 they introduced a category for Ambient Experimental DJ in 2000 the previous nominees from the former category then appeared in a new category for Chillout DJ, this category was dropped and a new one introduced for Best Eclectic/Experimental DJ until 2002 again some of the previous DJ's appeared in this category this then ceased and a similar new category begins called Best Downtempo and Eclectic in 2008. The confusion in the naming process selected by the organizers also appeared to happen for the musics genres Bass, Break Beat, Drum & Bass and Trip Hop.
Goehr's interest in these musics is surely part of his Schoenbergian heritage. Just like Schoenberg, Goehr refuses to view current composition as a practice that is independent of any musical tradition, but rather, he seeks in tradition the elements for the innovation of musical language. Alexander's search for a means of controlling structure and harmony in music led him in the late seventies to an innovating interpretation of the late baroque practice of figured bass in conjunction with his personal blend of modality and serialism. This is exemplified in his setting of Psalm IV and the ensuing correlated works: Fugue and Romanza on the notes of the fourth Psalm (1976 and 1977, respectively).
The Delightful Bars is the title of the second album by the North Carolina rapper Rapper Big Pooh. It was released for digital and retail versions on March 24, 2009, followed by other four versions, with different track lists and songs: "North American Pie" (included two different covers), "Belgian Chocolate", "Japanese Daifoku" and the iTunes exclusive track list. Produced by 9th Wonder and Khrysis, that helped in the production of his last album, Sleepers, added production of IllMind and others. Pooh also collaborated in the production, and wrote all the sounds, the musics with collaborations, has these parts in the song, written by the guest, these include Chaundon, Jay Rock, Darien Brockington, Torae among others.
Mbalax instrumentation includes keyboards, synths and other electronic production methods. However, it is the Nder (lead drum), the Sabar (rhythm drum), and the Tama (talking drum) percussion, and widely influenced African and Arabic vocalistic stylings that continue to make Mbalax one of the most distinctive forms of dance music in west Africa and the diaspora. Jazz, Funk, Latin (especially Cuban) and Congolese pop music influenced the early sounds of Mbalax, today it is also influenced by RnB, Hip-Hop, Coupé-Décalé, Zouk and other modern Caribbean, Latin, and African pop musics. Mbalax artists frequently collaborate with artists from other genres, such as Viviane Ndour's work with Zouk star Philip Monteiro and French/Malian rap star Mokobé.
Rock and roll is a kind of popular music, developed primarily out of country, blues and R&B.; Easily the single most popular style of music worldwide, rock's exact origins and early development have been hotly debated. Music historian Robert Palmer has noted that the style's influences are quite diverse, and include the Afro- Caribbean "Bo Diddley beat", elements of "big band swing" and Latin music like the Cuban son and "Mexican rhythms". Another author, George Lipsitz claims that rock arose in America's urban areas, where there formed a "polyglot, working-class culture (where the) social meanings previously conveyed in isolation by blues, country, polka, zydeco and Latin musics found new expression as they blended in an urban environment".
He collaborated with him for the song "Aathichudi" for the soundtrack of the film TN 07 AL 4777 (2008) in 2009 which is a remake of Surangani, a song from his first independent album, Tamizha Back in Sri Lanka, he did a cross-culture album in 2005 which includes songs in Tamil, Sinhala and English. His next throughout in cinema industry was "Magudi", which was his first collaboration with A. R. Rahman for the Mani Ratnam-directed film Kadal (2013). He was featured along with Anirudh Ravichander for the song "Mun Sellada" in the film Manithan (2016), composed by Santhosh Narayanan. Kanagaratnam and rapper Sri Rascol formed a record label called Rap Machines and have done other rap musics.
Bharucha spent most of his academic career at Dartmouth College, where he was John Wentworth Professor and rose from Associate Dean for the Social Sciences to Deputy Provost to Dean of the Faculty of Arts & Sciences. He was the first Indian American dean of a school at an Ivy League institution. While in the Dartmouth administration, he established the Dartmouth Brain Imaging Center \- the first teaching and research MRI facility outside a medical school, accessible to undergraduates, graduate students and faculty. His principal faculty appointment was in the Department of Psychological & Brain Sciences, but he also taught in the Program in Linguistics & Cognitive Science and the Program in Electroacoustic Music (now called Digital Musics).
It has been suggested that "timbral listening is an ideal sonic mirror of the natural world".Levin, T., Where Rivers and Mountains Sing, Sound, Music and Nomadism in Tuva and Beyond (Bloomington: Indiana University press, 2006) p58 It is often (but not always) used in association with musics that are based in mimicry of sounds in the natural environment. Valentina Suzukei suggests that 'it was the nomadic way of life and its focus on the timbral qualities of natural sounds that created this kind of musicality'.Süzükei, V., Listening The Tuvan Way in Levin, T., Where Rivers and Mountains Sing, Sound, Music and Nomadism in Tuva and Beyond (Bloomington: Indiana University press, 2006) p51.
In Sotelo's hands, flamenco is no longer an exotic musical style linked to the conventional topics of the Spanish touristic image or a bourgeois approach of a strictly academic composer. Flamenco is today, with his work, an art that can be naturally integrated in the avant-garde expressions of contemporary art and music. Many other artists have felt the attractive power of flamenco sound or, by extension, of other music traditions rooted in the memory of a specific culture. From Manuel de Falla and Béla Bartók to Klaus Huber and Toshio Hosokawa, from the music Nationalism to the postmodernist artists, we could find many examples of stylized ways to insert oral traditional musics into academic catalogues.
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India.
In 1952, Jacobs returned to Chicago and began experimenting with reel to reel tape recorders, taking particular advantage of the ease with which they made it possible to manipulate sound directly. Ambient, everyday sound, and especially the structural variety of apparently spontaneous sounds, interested him; at one point he ventured to Haiti to make street recordings. While attending graduate courses at the University of Illinois, he also produced a regular program on the campus radio station (WILL) entitled Music and Folklore, which is believed by some to be one of the first presentations of "world music" to an American audience. Jacobs often brought experts in certain ethnic musics onto the show to provide background information.
Blum, Stephen, "Sources, Scholarship and Historiography" in the Garland Encyclopedia of World Music. These researchers included Robert W. Gordon, founder of the Archive of American Folk Song, and John and Alan Lomax; Alan Lomax was the most prominent of several folk song collectors who helped to inspire the 20th century roots revival of American folk culture.Unterberger, Richie with Tony Seeger, "Filling the Map With Music" in the Rough Guide to World Music, p. 531–535. alt= Early 20th scholarly analysis of American music tended to interpret European-derived classical traditions as the most worthy of study, with the folk, religious, and traditional musics of the common people denigrated as low-class and of little artistic or social worth.
In contrast, country music derives from both African and European, as well as Native American and Hawaiian, traditions and has long been perceived as a form of white music.Wolfe, Charles K. with Jacqueline Cogdell DjeDje, "Two Views of Music, Race, Ethnicity and Nationhood" in the Garland Encyclopedia of World Music. Economic and social classes separates American music through the creation and consumption of music, such as the upper-class patronage of symphony-goers, and the generally poor performers of rural and ethnic folk musics. Musical divisions based on class are not absolute, however, and are sometimes as much perceived as actual;McLucas, Anne Dhu, Jon Dueck, and Regula Burckhardt Qureshi, pp. 42–54.
The most distinctly American musics are a result of cross-cultural hybridization through close contact. Slavery, for example, mixed persons from numerous tribes in tight living quarters, resulting in a shared musical tradition that was enriched through further hybridizing with elements of indigenous, Latin, and European music.Cowdery, James R. with Anne Lederman, "Blurring the Boundaries of Social and Musical Identities" in the Garland Encyclopedia of World Music, pp. 322–333. American ethnic, religious, and racial diversity has also produced such intermingled genres as the French- African music of the Louisiana Creoles, the Native, Mexican and European fusion Tejano music, and the thoroughly hybridized slack-key guitar and other styles of modern Hawaiian music.
Peter Manuel, in the context of an analysis of the Flamenco soleá song form, refers to the following figure as a horizontal hemiola or "sesquialtera" (which he translates as if it were Spanish rather than Latin: "six that alters"). It is "a cliché of various Spanish and Latin American musics ... well established in Spain since the sixteenth century", a twelve-beat scheme with internal accents, consisting of a bar followed by one in , for a 3 \+ 3 \+ 2 \+ 2 \+ 2 pattern.Peter Manuel, "Flamenco in Focus: An Analysis of a Performance of Soleares", in Analytical Studies in World Music, edited by Michael Tenzer, 92–119 (Oxford and New York: Oxford University Press, 2006): 102. Horizontal hemiola.
The album featured the band's trademark eclectic mix of musics, including folk, ska, Eastern European music, Americana, psychedelic rock, and Middle-Eastern music. Despite this, it has a considerably slicker and more mainstream sound than the band's previous, more garage-rock oriented albums, largely due to Herring's production. The reunited Camper Van Beethoven features a number of tracks from the album in its setlists, including most of the first side, as well as "Waka", "Tania", and "Life is Grand" from the second side. Lowery described the inclusion of the folk song "O Death" as a tribute to the American 1960s psychedelic band Kaleidoscope, who included their version of the song on their album Side Trips.
In the meantime, Stratos continued with Cramps and Gianni Sassi as a solo artist, releasing Cantare la Voce. In February, representing Greece, he did a concert at the Musée d'Art Moderne de la Ville de Paris, organized by the Atelier de Création Radiophonique for the X Internationals Biennale of Young Artists, entitled "Musics at an Exhibition" created by Daniel Caux. Then, he performed live as a solo artist at the Pre- Art Gallery of Milan and went on tour in Portugal with Area. His international fame grew when, at the invitation of John Cage, he took part in concerts given at the Roundabout Theatre in New York City on 18 and 19 March.
David F. Ford points out in Musics of Belonging (Carysfort Press, Dublin 2007) how "beside the new architectonics since the move to full-time writing there has also been an alternation between more personal and more public themes". Ford lists the characteristic themes in O'Siadhail's work which emerge from early on as: "despair, women, love, friendship, trust, language, school, vocation, music city life, science, Irish and other cultures and histories". He adds that "there is a wrestling for meaning, with no easy solutions – both the form and the content are hard-won". Several critics have highlighted how O'Siadhail uses a vast variety of classic forms including sonnets, terza rima, villanelles, haikus etc.
The last track on the album, "Cars in the Garden", is a cover of The Blue Nile singer Paul Buchanan's song from his 2012 solo album Mid Air. Peel created a music box version of the song which she sings with fellow fan of The Blue Nile, Hayden Thorpe from the band Wild Beasts. Peel has spoke frequently across all press and radio on the importance of music and the mind and has featured on panels at Cheltenham Science Festival, Wellcome collection on BBC Radio 6, BBC Radio 4 and BBC Radio 3. In 2016 The Guardian featured Peel in an article entitled 'Awakenings - Hannah Peel on how she harnessed Musics Power to Cut Through Dementia'.
SPORT CRIME musics are produced by Walter Dal Farra, frequent session-man with former "Le Orme" Tolo Marton and Deep Purple Ian Paice that also features in the TV series trailer. The first episode of Sport Crime has been extensively rehearsed in Rijeka (Fiume) e Opatija (Abbazia), with Tramontin e Scalia in most of the real location of the effective shooting that Tramontin gave for "nearly imminent" in a long interview in the Novi List. The plot runs around the alleged kidnapping of a waterpolo star shortly before Primorje has to face the Champions League semifinals. Tramontin also revealed the surprising connection he has with the Kvarnar area and with Croatian language and culture.
While repetition is used in the musics of all cultures, the first musicians to use loops, as early as 1944, were electroacoustic music pioneers such as Pierre Schaeffer, Halim El-Dabh , Pierre Henry, Edgard Varèse and Karlheinz Stockhausen . In turn, El-Dabh's music influenced Frank Zappa's use of tape loops in the mid-1960s . Terry Riley is a seminal composer and performer of loop- and ostinato-based music who began using tape loops in 1960. For his 1963 piece Music for The Gift he devised a hardware looper that he named the Time Lag Accumulator, consisting of two tape recorders linked together, which he used to loop and manipulate trumpet player Chet Baker and his band.
Crack in the Cosmic Egg: Encyclopedia of Krautrock, Kosmische Musik and Other Progressive, Experimental and Electronic Musics from Germany Audion Publications Raggett, Ned "[ Featuring the Human Host and the Heavy Metal Kids]" allmusic Retrieved 2010-10-24Shirley, Ian (2007) Can Rock and Roll Save the World?: An Illustrated History of Music and Comics (pp.45-46) Wembley: SAF Their posters remain highly sought after. The original artwork for a poster advertising Jimi Hendrix's 1967 concert at the Fillmore Auditorium in San Francisco – depicting the guitarist as a psychedelic Native American chief with a hunting bow in one hand and a peace pipe in the other – was sold in 2008 by Bonhams for $72,000.
" Albright cited Tristano as an influence on the pianists Paul Bley, Andrew Hill, Mal Waldron, and Taylor. After Tristano's death, jazz piano increasingly adopted aspects of his early playing, in Ted Gioia's view: "younger players were coming to these same end points not because they had listened to Tristano ... but because these developments were logical extensions of the modern jazz idiom." In Ind's opinion, Tristano's legacy "is what he added technically to the jazz vocabulary and his vision of jazz as a serious musical craft". Grove Musics summary is that "Tristano's influence is felt most strongly in the work of his best pupils ... and in his example of high-mindedness and perfectionism, characteristics which presupposed for jazz the highest standards of music as art.
It features performances of traditional Carnatic music by many artists in and around the city. The main folk music in Chennai is Gaana, a combination of various folk musics sung mainly sung in the working-class area of North Chennai. An arts festival called the Chennai Sangamam, which showcases not only various art of Tamil Nadu, but also from the neighbouring states, like kalari (from Kerala), which is a major attraction, is held in January every year. The Speciality of Chennai Sangamam is that the various programmes are held near or at the various famous landmarks in the city so that everyone in the city has access to the programmes and there is no fee charged for entry for any of the programmes.
According to Walter Zev Feldman, the klezmer dance repertoire seems to have been relatively uniform across the areas of Jewish settlement in the Russian Empire."Bulgareasca/Bulgarish/Bulgar: The Transformation of a Klezmer Dance Genre" by Walter Zev Feldman in American Klezmer p.84 Much of the traditional klezmer repertoire was created by professional klezmer musicians in the style of their region or tradition, and much co-territorial music such as non-Jewish folksongs, especially Romanian music (mainly from Moldavia), as well as Ukrainian music and Ottoman music, and the musics of other minorities living in the same areas as Jews in Southeastern Europe such as Crimean Tatars. Historically, young klezmorim learned tunes from their family and their elders in bands.
" AllMusic editor Stephen Thomas Erlewine complimented her "eager[ness] to dive into the muck of grown-up emotions, expanding and deepening her music without succumbing to stuffy pretension", and called it "weird and willfully, proudly human, a big pop album about real emotions and one of P!nk's wildest rides." Caryn Ganz of Spin called Pink "charmingly unhinged" and wrote that, despite some "objectionable moments" of "rock'n'roll karaoke", "her songs have enough heart, grit, and energy to stand on their own." MSN Musics Robert Christgau viewed that, apart from its last two songs, the album "hit[s] every time" and quipped, "Pink (!) and her 21 collaborators fashion a recorded image of her feisty, heartfelt, all-over-the- place love/sex life.
The recordings on the first "Cyber Punk Rock" disk were two full length cover versions of songs by the Ramones: "Beat on the Brat" and "I Don't Care", chosen because of the minimal lyrical variation between the verses. All the Lucifer floppy disk releases were reissued as "Cyber Punk" album and a double album "Cyber Zone" as Internet-only downloads alongside more recent recordings made under the name Lucifer In 1996, Jowitt's Mockingbone studio project with Shaun Vincent Gair also self-released two limited edition CD albums "Mockingbone" and "A Mix Bag". and the compilation "A Very Mixed Bag Indeed" in 1997. Mockingbone's "musics" were remastered, repackaged and re-released in 2014 as five separate EPs and albums: "Mockingbone", "Trance", "Mentell", "EnTrance" and "Song Cycle".
In 2017 Karan was Traditional Artist in Residenceat University College Cork, toured the UK with the Transatlantic Sessions, performed at Glasgow's Celtic Connections, and toured in the US both with her own band and with Lúnasa, including a performance at New York's Carnegie Hall. In 2018 Karan helped to found FairPlé which is an organization aimed at achieving fairness and gender balance for female performers in Irish traditional and folk musics. In 2019 she released her latest album Hieroglyphs That Tell the Tale on the Vertical Records Label. Produced by renowned Scottish producer and BAFTA-nominated composer Donald Shaw, the album also features Karan's long-time musical collaborators Sean Óg Graham & Niamh Dunne (Beoga), Kate Ellis (The Crash Ensemble) and Niall Vallely (Buille).
Musical 101 explains: "The Main "I Want" Song comes early in the first act, with one or more of the main characters singing about the key motivating desire that will propel everyone (including the audience) through the remainder of the show. It is often followed by a reprise. In many cases, these songs literally include the words "I want", "I wish" or "I've got to". Classic examples include My Fair Ladys "Wouldn't It Be Loverly", Carnivals "Mira", The Sound of Musics "I Have Confidence", Wicked "The Wizard and I", The Book of Mormon "You and Me (But Mostly Me)", Hamilton "My Shot" and "The Room Where It Happens", The Producers "King of Broadway" and Dear Evan Hansen "Waving Through a Window.
During his tenure as president of the New England Conservatory of Music (NEC) in Boston, Gunther Schuller established a Third Stream Department with associated degree programs, appointing pianist-composer Ran Blake as department chair in 1973. Blake would continue to lead this unique department (eventually renamed Contemporary Improvisation) until his retirement in 2005, meanwhile broadening the concept to center on the "primacy of the ear", development of personal style, and improvisation, drawing on inspiration from all musics of the world. Faculty members have included a number of highly influential performer- composers including Jaki Byard, George Russell, and Hankus Netsky (who later became chair). Notable alumni include performers and ethnomusicologists, including Don Byron, Christine Correa, Dominique Eade, Matt Darriau, and many others.
For the TV channel TF1, he has been composing since 1998 several TV generics: 50 ans de tubes, C'est la même chanson, Le Grand Soir, Les coups d'humour, Les sosies, the broadcast of Mister France's contest and Retour gagnant. For the Theater, he has composed opening and scenes musics for Anthony Kavanagh's One man show, for the humorist Maxime but also several songs for "Ma femme s'appelle Maurice" by Raffy Shart, played in 24 countries and adapted thereafter in a film directed by Jean-Marie Poiré. In 2001, he got the role of the Comte Pâris in the musical Roméo et Juliette, which he played until 2002. The same year, he was asked by Anne Barrère, TV producer, to compose the song of the "Pièces Jaunes" Operation.
The Boston Herald cites it as one of Davis' "last truly great albums" and as "some of the most powerful and influential jazz-rock ever played." Critics in retrospective appraisals also note the uniqueness of Davis' playing and the crucial contributions of his band and producer on the album. AllMusic's Thom Jurek highlights its "funky, dirty rock & roll jazz" and "chilling, overall high-energy rockist stance". He also calls it "the purest electric jazz record ever made because of the feeling of spontaneity and freedom it evokes in the listener, for the stellar and inspiring solos by McLaughlin and Davis that blur all edges between the two musics, and for the tireless perfection of the studio assemblage by Miles and producer Macero".
This led to work with collaborators such as Pat Metheny, John Zorn, Lee Konitz, David Sylvian, Cyro Baptista, Cecil Taylor, Keiji Haino, tap dancer Will Gaines, Drum 'n' Bass DJ Ninj, Susie Ibarra, Thurston Moore of Sonic Youth and the Japanese noise rock group Ruins. Despite often performing and recording in a solo context, he was far more interested in the dynamics and challenges of working with other musicians, especially those who did not necessarily share his approach. As he put it in a March 2002 article of Jazziz magazine: Bailey was also known for his dry sense of humour. In 1977, Musics magazine sent the question "What happens to time-awareness during improvisation?" to about thirty musicians associated with the free improvisation scene.
He participated in the artistic direction of the label Shandar, created by Chantal Darcy. The Shandar catalogue, which was entitled "Tomorrow's music today", includes Albert Ayler, Sun Ra and Cecil Taylor as well as the known American minimalists Terry Riley, Steve Reich, Phil Glass, and also several records of French musicians (Intercommunal Music François Tusques – Intercommunal Music on Discogs by François Tusques, the duet ' by Vincent Le Masne and Bertrand Porquet, Obsolete by Dashiell Hedayat with the group Gong). A radio man, Daniel Caux directed, during thirty years from 1970 to 1999, numerous musical programs on France Culture and France Musique. In 1971, he travelled through Kabylia and in 1972, in the region of Oran, where he recorded traditional musics of Algeria.
Further examples of the subgenre in 1968 were the Rolling Stones' "Street Fighting Man", with its use of tambura and shehnai over distorted acoustic rhythm guitars, and Harrison's final Indian-style composition for the Beatles, "The Inner Light", which he recorded in January with Indian classical musicians in Bombay. These Bombay sessions also yielded part of Harrison's first solo album, a raga rock soundtrack to the 1968 film Wonderwall, titled Wonderwall Music. Music journalist Chris Ingham has noted Wonderwall Musics influence on the later raga rock sound of 1990s indie band Kula Shaker. In addition to using Indian elements in their single "Dark Star", Garcia's band the Grateful Dead incorporated raga rock, among several other styles, into the extended jams they performed in concert in 1968.
The song Hent-eon (foam path) describes the wish of a man from Lesconil to be buried in such a path so that he will be watched over by nature. This idea of a link between two worlds, between life and death, also appears in Daouzek huñvre, where seven lost spirits clothed in flesh walk in line on a foam path. Like in Me 'zalc'h ennon ur fulenn aour, Denez Prigent wrote all the lyrics, except those of the traditional song E ti Eliz Iza, on the bonus CD, and most of the musics, again using both traditional instruments and electronic sounds. The latter are more discreet than on the previous album; Irvi thus sounds less jungle and more new age.
Since each rotating pitch-class may also be transposed through octave displacement, the resultant harmonic implications of three or more parts rotating in different directions at separate speeds can be quite complex and rich. "Nodal" points are reached when two or more parts reach either a pure unison, or an octave, or some other simple consonance such as a perfect fifth, and these lend his music an unexpectedly clear sense of cadence at crucial structural points. In some pieces, such as the string quartet Speed/1969 (1986) the natural overtones of a rotating pitch may also be incorporated into the work's harmony. In others, such as the saxophone quartet The Street (1982) the pitch-construction may incorporate elements from pre-existent popular or traditional musics.
Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its own right. Free improvisation, as a genre of music, developed in the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and modern classical musics. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann and John Zorn, composer Pauline Oliveros, drummer Christian Lillinger, trombonist George Lewis, guitarists Derek Bailey, Henry Kaiser and Fred Frith and the improvising groups Spontaneous Music Ensemble, The Music Improvisation Company, The Art Ensemble of Chicago and AMM.
The United States is home to a wide array of regional styles and scenes. The United States is often said to be a cultural melting pot, taking in influences from across the world and creating distinctively new methods of cultural expression. Though aspects of American music can be traced back to specific origins, claiming any particular original culture for a musical element is inherently problematic, due to the constant evolution of American music through transplanting and hybridizing techniques, instruments and genres. Elements of foreign musics arrived in the United States both through the formal sponsorship of educational and outreach events by individuals and groups, and through informal processes, as in the incidental transplantation of West African music through slavery, and Irish music through immigration.
Z has received numerous awards including the United States Artists fellowship (2020), the American Academy of Arts and Letters Walter Hinrichsen Award (2020), the Rome Prize (2019), the Guggenheim Fellowship (2004); Doris Duke Performing Artist Award in theater (2015); the CalArts Alpert Award in the Arts (1998); the Creative Capital Fund (2002); the ASCAP Music Award (2000-2017); the MAP Fund (2009 and 2012); a SEAMUS Lifetime Achievement Award (2016), and the NEA and Japan/US Friendship Commission Fellowship (1998). In 2008 she was honored as Alumna of the Year by the University of Colorado at Boulder College of Music, and she received a Prix Ars Electronica honorable mention (Linz, Austria) in the Digital Musics Category. In 2017, she was a Robert Rauschenberg Foundation Artist in Residence.
He was exposed at an early age to a variety of musics and instruments and began playing clarinet at age nine before switching to what became his primary instrument, the tenor saxophone, one year later. Redman cites John Coltrane, Ornette Coleman, Cannonball Adderley, his father Dewey Redman, as well as the Beatles, Aretha Franklin, the Temptations, Earth, Wind and Fire, Prince, the Police and Led Zeppelin as musical influences. Redman graduated from Berkeley High School, class of 1986, after having been a part of the award-winning Berkeley High School Jazz Ensemble for all four years of high school. After graduation, Joshua frequented the classroom jam sessions of Bay Area pianist and professor of music (at Laney College in Oakland, California), Ed Kelly.
The project was initiated in September 1900 by the psychology professor Carl Stumpf, after the visit to Germany of a music theater group from Siam, which Stumpf recorded on Edison cylinders with the assistance of the Berlin physician Otto Abraham. The archive's first director was Erich von Hornbostel, serving from 1905 to 1933. Its recordings, which comprise Edison cylinders and 78-rpm records of the traditional musics of the world, were first used for studies in comparative musicology, and now used for studies in ethnomusicology. The archive comprises approximately 350 collections, containing music from Africa (30%), North America (20%), Asia (20%), Australia and Oceania (12%), and Europe (10.4%), as well as multiregional collections (7.4%), which contain material from several continents.
Tracey returned to Africa, first in the British military, but then later came to South Africa to join brother Paul and his father at "The Farm", the property in Krugersdorp outside of Johannesburg where Hugh Tracey started ILAM and AMI. While Paul oversaw the production of kalimbas at AMI, Andrew began working with his father, seeking to understand and document the musics of south eastern Africa. The mbira (left) and the karimba or mbira nyunga nyunga in Tracey's hands The spiritual center of the African lamellophone world is Zimbabwe. The instrument that Hugh Tracey had fallen in love with when he arrived in Africa in the 1920s was the mbira, a complex 24-note lamellophone used by the Shona people of Zimbabwe.
Popularity was brief, however, and hip hop quickly receded to the French underground. Hip-hop was adapted to French context, especially the poverty of large cities known as banlieues ("suburbs") where many French of foreign descent live, especially from the former colonial countries (West Africa and Caribbean). If there is some influence of African musics and of course American hip hop, French hip-hop is also strongly connected to French music, with strong reciprocal influences, from French pop and chanson, both in music and lyrics. Paname City Rappin (1984, by Dee Nasty) was the first album released, and the first major stars were IAM, Suprême NTM and MC Solaar, whose 1991 Qui Sème le Vent Récolte le Tempo, was a major hit.
Original Mambazo songs (such as "Iqome Kanjani", "Shintsha Sithothobala", and "Angimboni Ofana Naye") as well as SABC Choir standards (like "Plea for Africa", "Uhembelinye", and "Buya Lindiwe") are included on the album, which melds both Zulu vocal music (isicathamiya) – made famous by Mambazo – and gospel choral musics by having both groups sing each song together. The one exception is "Okuhle Hle", sung entirely by Mambazo. The album came together when Mambazo were on tour in the US in March 2007; South African Broadcasting Corporation executive Joyce Dube saw the group in a New York City performance and approached them with the idea of recording a gospel/traditional album with the SABC Choir.Sowetan Online, Magical fusion of dream African sounds (12 December 2008).
Born in Cleveland, Ohio, Alcorn started playing guitar at the age of twelve and quickly immersed herself in folk music, blues, and the pop music of the 1960s. A chance encounter with blues musician Muddy Waters steered her towards playing slide guitar. By the time she was twenty-one, she had immersed herself in the pedal steel guitar, playing in country and western swing bands in Texas. Soon, she began to combine the techniques of country- western pedal steel with her own extended techniques to form a personal style influenced by free jazz, avant-garde classical music, Indian ragas, Indigenous traditions, and various folk musics of the world. By the early 1990s her music began to show an influence of the holistic and feminist “deep listening” philosophies of Pauline Oliveros.
Apart from the rockin' and rollin' development which was considered as 'heavy and exotic' musics in our country for that time, the birth of the fastest and latest brutal musical sensation in America and Europe, known as speed/thrash metal has also landed in Malaysia. The earliest heavy and extreme band was Blackfire from the north of Malaysia, formerly known as Metal Ghost playing hardrock/heavy metal in 1982 before morphing into Blackfire in 1984 and their music direction turned to black metal! Starting from 1987 to the late eighties, a lot of thrash band popping out such Punisher, Nemesis, Saxo, Picagari, Rator, Bacteria, Sil Khannaz, Brain Dead themselves and much more. They only doing cover songs from Venom, Metallica, Slayer, Megadeth, Metal Church, Anthrax, Destruction, Sodom, Kreator and others thrash masters.
Deborah Pacini Hernández noted that due to the majority of Latino immigrants living in New York City mostly being of Puerto Rican and Cuban descent and the area being dominant in the music industry during the 1950s, "Latin music" had been stereotyped as music simply originating from the Spanish Caribbean. She also observed that even the popularization of bossa nova and Herb Alpert's Mexican- influenced sounds in the 1960s did little to change the perceived image of Latin music. Since then, the music industry classifies all music sung in Spanish or Portuguese as Latin music, including musics from Spain and Portugal. Following protests from Latinos in New York, a category for Latin music was created by National Recording Academy (NARAS) for the Grammy Awards titled Best Latin Recording in 1975.
Initially Celtic rock replicated electric folk, but naturally replaced the element of English traditional music with its own folk music. It was rapidly evident in all areas of the Celtic nations and regions surrounding England (both Goidelic (Ireland, Scotland, Isle of Man) and Brythonic (Wales, Cornwall, and Brittany), saw the adoption and adaptation of the electric folk model.N. McLaughlin and Martin McLoone, ‘Hybridity and National Musics: The case of Irish rock music’ Popular Music, 9, (April, 2000), pp. 181–99. Through at least the first half of the 1970s, as Celtic rock held close to folk roots, with its repertoire drawing heavily on traditional Celtic fiddle and harp tunes and even traditional vocal styles, but making use of rock band levels of amplification and percussion it can be considered part of the electric folk movement.
These two ethnomusicologists in practice emphasized different things in what they believed ethnomusicology should accomplish. Hood was more interested in creating a graduate student body that could accomplish the egalitarian purpose of ethnomusicology in spreading world musics and preserving them. In contrast, Merriam’s priorities lay in proposing a theoretical framework (as he does in The Anthropology of Music) for studying musical data and using that analysis for application towards solving musical problems. Merriam’s contribution to ethnomusicology was felt past his death but especially in the works of Tim Rice of UCLA in the 1980s as he himself was trying to propose a more composed and exact model for conducting work in ethnomusicology. He deconstructed Merriam’s method as stated in The Anthropology of Music and described it as consisting of three analytical levels.
The band started as a free improvising jazz group with avant- garde and experimental electronic leanings; when Vitouš left Weather Report (due mostly to creative disagreements), Zawinul increasingly steered the band towards a funky, edgy sound incorporating elements of R&B; and native musics from around the world. Zawinul utilized the latest developments in synthesizer technology, and took advantage of a large variety of sounds and tone colors to make the band stand out. During the first half of their career, Weather Report were seen as one of the defining acts in modern jazz, winning the DownBeat "best album award" five times in a row. Alongside Mahavishnu Orchestra, Return to Forever, and Herbie Hancock's the Headhunters, Weather Report are widely considered one of the defining bands of the fusion era.
Red Cardell cross over roots musics from Brittany, Ukraine or North Africa with Rock and French realistic song. Many times they play on stage with guests as Dave Pegg (Fairport Convention, Jethro Tull), Jimme O'Neill (The Silencers), Dan Ar Braz, Dr Das (Asian Dub Foundation) or Stéfane Mellino (Les Négresses Vertes)... Their album "soleil blanc" have been recorded and mixed by the English producer Clive Martin (Queen, Sting, David Byrne...) Similarly, EV combined Finnish influences in their Breton folk-rock style, calling it Celto- Finnic rock. Gérard Jaffrès at the Festival des Terre-Neuvas in Bobital, France, 2008 Since then, a new scene of Breton songwriters appeared in Brittany (Gérard Jaffrès, Nolwenn Korbell, Dom Duff). Les Ramoneurs de menhirs do Celtic punk, playing original songs, traditional ones and cover versions mostly in Breton.
Man Jumping was formed by Andy Blake (saxes, flute), Martin Ditcham (percussion, drums), Orlando Gough (keyboards), John Lunn (bass, keyboards), Glyn Perrin (keyboards, cello), Charlie Seaward (keyboards, flute) and Schaun Tozer (keyboards). Their music drew on world and ethnic musics, electronics and funk to create an alternative world dance music. Orlando Gough said in an interview, in March 1985: "I suppose there is some kind of nebulous central core of ideas, which may be to do with us all having come out of systems music and our interest in foreign music but actually we are influenced by Frank Zappa, James Blood Ulmer, Bach". A demo produced by Mike Hedges led to a contract with Bill Nelson's Cocteau Records, who released their first album Jump Cut in early 1985.
In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations. The term (coined by Archilochus) was initially introduced into systematic musicology to denote a subcategory of polyphonic music, though is now regarded as a textural category in its own right. Heterophony is often a characteristic feature of non-Western traditional musics—for example Ottoman classical music, Arabic classical music, Japanese Gagaku, the gamelan music of Indonesia, kulintang ensembles of the Philippines and the traditional music of Thailand.
In European traditions, there are also some examples of heterophony. One such example is dissonant heterophony of Dinaric Ganga or "Ojkavica" traditions from southern Bosnia, Croatia and Montenegro that is attributed to ancient Illyrian tradition. Another remarkably vigorous European tradition of heterophonic music exists, in the form of Outer Hebridean Gaelic psalmody. > Thai music is nonharmonic, melodic, or linear, and as is the case with all > musics of this genre, its fundamental organization is horizontal... Thai > music in its horizontal complex is made up of a main melody played > simultaneously with variants of it which progress in relatively slower and > faster rhythmic units... Individual lines of melody and variants sound in > unison or octaves only at specific structural points, and the simultaneity > of different pitches does not follow the Western system of organized chord > progressions.
In 2009, COTFG created a festival, originally called the Modern Aural Sculpture Symposium South, to provide opportunities to explore music through workshops, lectures on compositional techniques, improvisation demonstrations, interviews with musicians, art installations, experimental musics, and performances of local artists at both the festival location and throughout the city of Austin. In 2010, COTFG expanded the festival into a three-day event and renamed it the New Media Art and Sound Summit, or the "NMASS Fest." The yearly festival emphasizes collaboration and creation with the intention of attracting attention to Austin's creative community. NMASS Fest and the COTFG series of performances are made possible by community patrons, and through their partnership with Salvage Vanguard Theater COTFG is also funded and supported in part by the City of Austin through the Cultural Arts Division.
The Allmusic review by Thom Jurek stated "Of the Braxton House recordings, the Sextet (Istanbul, 1996) issue is the best of the instrumental recordings released by the label. Recorded at the Akbank Jazz Festival in October of 1995, the sextet Braxton employs to perform the first compositions in his Ghost Trance Musics series is made of veteran improvisers rather than students ... Make no mistake, this ensemble isn't nearly as capable of careening through Braxton's music as the classic quartet was, but they don't have to be because this music is far more structured and doesn't lend itself as much to individual improvisational voice or to fiery pyrotechnics. Instead the sextet is a unit that relies of nuance and the trace elements in the composition that lend themselves to acts of surprise and spontaneity".
However, the VMB didn't neglected the pop artists and web hits, keeping categories as Hit of the Year, Web Hit of the Year and Best International Act, and adding a new category: Best Web Video (Video musics made for internet). For the first time, the VMB was held in a television studio (Quanta Studios), unlike the other editions, which were held in auditoriums such as Credicard Hall and Parque de Convenções do Anhembi. MTV Brasil considers that its structure was the largest in the history of the awards. And it was still divided into three stages: one for the main show, other for the VMBB (The B-side of VMB) and other for the VIP party - which this time took place simultaneously with the main show, and not after it.
Along with Aaliyah's burgeoning film career, the album was a part of her rising mainstream success in 2001. In a retrospective review, Steve Huey from AllMusic called it her most consummate record and said it "completed the singer's image overhaul into a sensual yet sensitive adult". Erlewine, the website's senior editor, regarded the album as "a statement of maturity and a stunning artistic leap forward", while BBC Musics Daryl Easlea felt it made Aaliyah's two previous accomplished albums "look like exercises in juvenilia".; According to PopMatters journalist Quentin B. Huff, she had never used her singing to complement her music's innovative production before with as much variety, conviction, and success as on Aaliyah, which he said was also known as "The Red Album" because of its red artwork.
Billboards Melinda Newman gave the song overall praise, labeling it "swoon-worthy", and stating: "If 'easy listening' were still a bonafide genre, the languid '7 Summers' would go straight to the top of the charts as the melody, Wallen's wistful vocals, Joey Moi's pitch-perfect production and the yearning for a time and love long gone pack a gentle wallop". Allie Clouse of The Knoxville News Sentinel deemed it a "nostalgic summer soundtrack". Think Country Musics Jamie Gard declared it "the country soundtrack of the season", opining that the "breezy, sun-kissed reminiscer, loaded with twilight sonics" will captivate listeners with its "irresistible sway". Rolling Stones Jon Freeman called the song "dreamy", complimenting producer Joey Moi's "atmospheric" production, stating that it "perfectly fits the mood of Wallen's story".
In 1984 Fletcher was appointed Director of the Welsh College of Music and Drama in Cardiff. He attempted to dismiss a number of members of staff: disapproval by the governing body led to the termination of his contractThe Guardian, 7 June 1996 [Classical Music magazine carried a headline 'early bath for Fletcher']. From 1990 to 1993 Fletcher held the post of Dean of Music at the Hong Kong Academy for Performing Arts, after which he retired to a cottage in North Wales to focus on the writing of his book "World Musics in Context", which was edited and prepared for publication after his death by John Hosier. He had also been the author of the earlier book "Roll over Rock"[1981], a study of the position of music in contemporary culture.
Of the traditional musics of non-Ukrainian ethnic minorities living in Ukraine possibly the richest and most developed is that of Jewish Klezmer music which can trace most of its origins to the Jewish Pale of Settlement and to South- western Ukraine. It is estimated that one third of the total Jewish population of Europe lived on Ukrainian ethnic territory at the turn of the 19th century Russian music has also had a strong base for development in Ukraine. Many of the early performers on Russian folk instruments came from Ukraine and these performers often included Ukrainian melodies in their repertoire. The 4 string Russian domra continues to be used and taught in Ukraine despite the fact that it has been replaced by the 3 string domra in Russia proper.
Saluzzi later played with 'Haden's Liberation Music Orchestra', and the 'Rava Saluzzi Quintet' also toured. In 1991, Saluzzi recorded an album with his brothers Felix and Celso and his son José María on guitar, kicking off his "family project", which has since toured many countries. Mojotoro drew upon the full range of South American musics: tango, folk, cantina music, candombe, the milonga music of the la Pampa province... Anja Lechner and Dino have toured widely as a duo, too and US jazz magazine "Down Beat" declares the album that recorded together, Ojos Negros album of the year (best of 2007 list). In 2015 he won the Diamond Konex Award, one of the most prestigious awards given in Argentina, as the most important musician of the last decade in the country.
The 2 hour Heresy was presented as part of 'Project 50', a season of work celebrating 50 years of Project Arts Centre in November 2016. The opera is based on episodes from the life and works of Giordano Bruno. It was broadcast on RTÉ Lyric fm in September 2017 and released as a double album on Heresy records on 2018. Recent album releases are: The Thousand Year Old Boy (explorations in imagined world musics - 2013); Time Machine (music composed around telephone messages from the 1980s - 2015); Frail Things In Eternal Places (electronic sounds with the scored and/or improvised vocal collaborations of 8 singers - 2016), The Heresy Ostraca (a remix album which fragments audio files of the Heresy opera and makes new pieces from the re- assemblage - 2019).
The songs cover a bewildering range of musical styles: garage punk on "Shut Us Down"', acid-rock jamming on the Pink Floyd cover "Interstellar Overdrive", bluegrass jamming on "Hoe Yourself Down", folk-ska on "Good Guys and Bad Guys", gentle tabla beats on "Une Fois" and "Folly", psychedelic pop on "We Saw Jerry's Daughter", ominous desert-rock spoken word on "Peace and Love" and grinding raga-rock on "Stairway to Heavan" (sic). While earlier CVB albums had featured influences of Eastern European and Mexican musical styles, this album has more noticeable elements of Indian and Arabic musics, done in the usual irreverent Camper style. These combine with the elements of psychedelic music that dominate the album. There are also more elements of Americana than on their previous albums.
Post-progressive is a type of rock music: "The term ‘post-progressive’ is designed to distinguish a type of rock music" : post-progressive as a subgenre of progressive rock (see index) : post-progressive as a style of music distinct from the neo-progressive movement : "A number of new bands have cultivated what might be termed a post-progressive style ..." distinguished from vintage progressive rock styles, specifically 1970s prog. Post- progressive draws upon newer developments in popular music and the avant-garde since the mid-1970s. It especially draws from ethnic musics and minimalism, elements which were new to rock music. It is different from neo-progressive rock in that neo-prog pastiches 1970s prog, while "post-progressive" identifies progressive rock music that stems from sources other than prog.
Interested in learning more about the musics of other cultures but aware that this would not be possible in Korea, Kim emigrated in August 1980 to the United States, where she immersed herself in world music. She first attended the San Francisco Conservatory of Music and studied composition with John Adams for one year then transferred to Mills College in Oakland, California, where she studied with Lou Harrison, Terry Riley, David Rosenboom, and Larry Polansky and received an MFA in electronic music and recording media in 1985. She was awarded Paul Merrit Henry Prize upon graduation. While in California, she also studied the Chinese guqin (an ancient 7-stringed zither) and Indian bansuri (bamboo flute) from G. S. Sachdev, and began to investigate the possibility of cross-cultural creative music.
Under this view, the diverse racial and ethnic background of the United States has both promoted a sense of musical separation between the races, while still fostering constant acculturation, as elements of European, African, and indigenous musics have shifted between fields. Gilbert Chase's America's Music, from the Pilgrims to the Present, was the first major work to examine the music of the entire United States, and recognize folk traditions as more culturally significant than music for the concert hall. Chase's analysis of a diverse American musical identity has remained the dominant view among the academic establishment. Until the 1960s and 1970s, however, most musical scholars in the United States continued to study European music, limiting themselves only to certain fields of American music, especially European-derived classical and operatic styles, and sometimes African American jazz.
It has sold 1,845,400 copies in the US as of October 2019. Amongst the 36 tracks on the compilation are two songs that feature Cash prominently but never appeared on any of his albums: "Girl from the North Country" from Bob Dylan's 1969 album Nashville Skyline, and "The Wanderer" from U2's 1993 album Zooropa. As a testimony to Cash's wide sphere of influence on country, rock, and other modern musics and his wide fan base, the liner notes feature testimonials and 70th birthday greetings from a wide array of artists – from friends and collaborators like Willie Nelson, Kris Kristofferson, Tom Petty, ex-stepson-in-law Nick Lowe, and wife June Carter Cash, and also from Keith Richards, Elvis Costello, Corey Taylor and Shawn Crahan of Slipknot, Metallica's Kirk Hammett, and Henry Rollins.
Early issue covered audio soundscape work, reviewing performance events from a cliff-top piano hurling festival or burning pianos, trap set improvisation against a rising sea tide that drowned cymbals and floated and retuned toms, or drummer Han Bennink's inclusion of saws and power tools in his percussion set. Electronics were explored as micro-environments at a level of equality with acoustic instruments in the precursors of glitch, such as the STEIM experiments with the cracklebox or the circuit board work of Hugh Davies (1943–2005), and an attack on the possibilities of brass instruments, notably by Steve Lacy and Evan Parker. Lindsay Cooper in her essay Women, Music, Feminism – notes in Musics #14 (October 1977) analyzed how to overcome gender roles in music. Tensions and unresolved contradictions accumulated.
The Chamber Music III, The Nocturnal Dances of Don Juanquixote (sometimes Juanquijote or Juan Quixote; in Finnish: ''''', '''''), Op. 58, is a concertante composition for cello and string orchestra by the Finnish composer Aulis Sallinen, who wrote the piece from 1985–86 on commission of the Naantali Music Festival. The piece was first performed by cellist Arto Noras (the dedicatee) on 15 June 1986 in Naantali, Finland, with Vladimir Ashkenazy conducting the English Chamber Orchestra. The pseudo-literary title—a compound of iconic, fictional characters Don Juan (the libertine and seducer) and Don Quixote (the bumbling knight-errant)—recalls, but does not quote, the Op. 20 and Op. 35 tone poems of Richard Strauss, respectively. The piece is the most popular and recorded of Sallinen's series of nine (as of 2018) Chamber Musics.
" David Amidon of PopMatters views that the album provides a "sort of semi- autobiographical character arc", while MSN Musics Robert Christgau writes that Lamar "softspokenly" enacts a "rap-versus-real dichotomy". The album features naturalistic, vérité-like skits that dramatize the characters' limitations. Jon Caramanica of The New York Times finds them to be a part of the album's "narrative strategy", with "prayers and conversations and different voices and recollections and interludes, all in service of one overarching story: Mr. Lamar's tale of ducking Compton's rougher corners to find himself artistically." Pitchforks Jayson Greene feels that they reinforce the album's theme of "the grounding power of family", interpreting "family and faith" to be "the fraying tethers holding Lamar back from the chasm of gang violence that threatens to consume him.
He has collaborated with: Aphex Twin, Jake and Dinos Chapman, Florian Hecker, Earth, Popol Vuh, Kjetil Manheim, Carsten Höller, Mika Vainio, Carl Michael von Hausswolff, Masami Akita, Peter Rehberg, Zbigniew Karkowski, Gescom, Yasunao Tone and Whitehouse. In 2002 his debut compact disc Live Salvage 1997–2000 (Mego) received Prix Ars Electronica Honorable Mention for Digital Musics. In 2005 and 2006 he curated two London-based All Tomorrow's Parties club events, entitled 'Easy to Swallow', intended for the "broad-minded" the events showcased: Carl Michael von Hausswolff, Yasunao Tone + Hecker, Mark Stewart and the Maffia, Aphex Twin, Whitehouse, Surgeon + Regis Present: British Murder Boys, Lee Dorrian, Pita, Earth, Autechre, Robert Hood (ex- Underground Resistance). In 2009 he contributed a cover of the Wild Planet song "Cabasa Cabasa" to the Warp20 (Recreated) compilation.
His venture into composer-scripted music-theatre, Biggs V Stompp Does It Again (1982) combines characteristic political, emotional, and mystical concerns by personifying them. Stompp, the want-it-now tycoon, rants and has no music in him; Carey's full heart is conveyed by tonal lyricism, and the Greek waiter (actually Tyreseus the blind seer) resonates with spiritual authority. At the same time, Poole's irritation with political aggression, mechanised lifestyles, and the cramped ethos of the 'New Music Scene' in the early 1980s was a spur to not only absorb foreign elements (such as polyrhythmic drumming from West Africa, and inflected melody from Asian musics) but also to travel further afield to learn about them. A two-year residence at Kenyatta University in Nairobi 1985-87 was to prove seminal.
From 1959 through 1963 Hovhaness conducted a series of research trips to India, Hawaii, Japan and South Korea, investigating the ancient traditional musics of these nations and eventually integrating elements of these into his own compositions. His study of Carnatic music in Madras, India (1959–60), during which he collected over 300 ragas, was sponsored by a Fulbright fellowship. While in Madras, he learned to play the veena and composed a work for Carnatic orchestra entitled Nagooran, inspired by a visit to the dargah at Nagore, which was performed by the South Indian Orchestra of All India Radio Madras and broadcast on All-India Radio on February 3, 1960. He compiled a large amount of material on Carnatic ragas in preparation for a book on the subject, but never completed it.
As a musical educator he also hosted the classical music educational radio program Schickele Mix, which aired on many public radio stations in the United States (and internationally on Public Radio International). The program began in 1992; lack of funding ended the production of new programs by 1999, and rebroadcasts of the existing programs finally ceased in June 2007. Only 119 of the 169 programs were in the rebroadcast rotation, because earlier shows contained American Public Radio production IDs rather than ones crediting Public Radio International. In March 2006, some of the other "lost episodes" were added back to the rotation, with one notable program remnant of the "Periodic Table of Musics", listing the names of musicians and composers as mythical element names in a format reminiscent of the periodic table.
O'Brien wrote that "'Bedtime Story' was a vivid track that foreshadowed Madonna's move towards electronica". Author Victor Amaro Vicente wrote in his book, The Aesthetics of Motion in Musics for the Mevlana Celal Ed-Din Rumi, that the song's "complex rhythmic texture" made it a "dance hall favorite in the mid-1990s". Rikky Rooksby wrote in The Complete Guide to the Music of Madonna, that the track was similar to the music of English alternative band Everything but the Girl, and claimed that "in contrast to most other songs of the album, this is one track that could have been longer and more trippy than it is". Writing for Idolator, Bianca Gracie called "Bedtime Story" the highlight of the album, adding that "It sucks you in with its quivering drum patterns taken directly from trance music, which creates an ethereal ambiance".
There are two different background musics, which alternate between the levels. Although there are essentially only a few different types of enemy in each level, there is a further and more frustrating distinction to be made by the player, in terms of location on the level. In level 5 for example, it may be required to kill an antelope, but it isn't possible to tell from the mugshot alone where in the level it is (an enemy carrying a scroll will flash on the 8-bit versions, or have an arrow on top of it on the Amiga and Atari ST versions). It has also been discovered that there is a maximum amount of money to get in any level, assuming that the player kills enough enemies on each part of the screen, though with the stringent time limit this is inadvisable.
He has made concert music pieces, works with video, and installations with acoustic instruments and, in some recent pieces, computer- generated electronics, drawing inspiration from investigations of the sounding and perception of small number relations (Just Intonation), American folk and experimental musics, Minimal Art. His work is presented internationally in radio broadcasts and at festivals of new music including the Bludenzer Tage zeitgemäßer Musik, Donaueschinger Musiktage,Donaueschingen Archive at SWR Radio MaerzMusik,MaerzMusik Artist Archive Darmstadt and Carnegie Hall.Berlin In Lights Festival Program, Carnegie Hall His works do not fall into a single personal style, but they generally share a crystalline clarity of texture and a seek to focus listeners' perception of sounding structures into a process of musical 'thinking'. Sabat is a frequent collaborator, having worked often with visual artists and other composers, including brother painter and filmmaker Peter Sabat.
The style of music is the hybrid of traditional Irish, Scottish Gaelic, Welsh and Breton musical forms with rock music.N. McLaughlin and Martin McLoone, ‘Hybridity and National Musics: The case of Irish rock music’ Popular Music, 9, (April, 2000), pp. 181-99. This has been achieved by the playing of traditional music, particularly ballads, jigs and reels with rock instrumentation; by the addition of traditional Celtic instruments, including the Celtic harp, tin whistle, uilleann pipes (or Irish Bagpipes), fiddle, bodhrán, accordion, concertina, melodeon, and bagpipes (highland) to conventional rock formats; by the use of lyrics in Celtic languages and by the use of traditional rhythms and cadences in otherwise conventional rock music.Johnston, Thomas F. 'The Social Context of Irish Folk Instruments ', International Review of the Aesthetics and Sociology of Music, 26 (1) (1995) pp. 35-59.
His career in Sanremo continued with "Abbracciami forte (Strong hug)" (1965 Udo Jurgens - Ornella Vanoni), " Gli occhi miei (My eyes)" (1968 Wilma Burgess - Dino), " La spada nel cuore (The sword in the heart)" (1970 Patty Pravo - Little Tony) and "La folle corsa (The crowds race)" (1971 Little Tony - Formula 3). During his career, Carlo Donida composed musics and scores for documentaries, commercials and movies. Donida established itself as a composer of songs on texts in Milanese dialect as “Mi no, ghe vegni no”, “Cing ghei de pu, ma ross” and “Quand el coeur el s’innamora” that participated and won several editions of the Song Festival Milanese. Luigi Tenco played the songs of Donida: "Serenella", "Quasi sera (Almost evening)", "Sempre la stessa storia (Always the same story)" and "Più mi innamoro di te (The more I fall in love with you)".
In addition to his composition and performance schedule, he is a faculty member in the Department of Information Media, School of Information Science and Technology at Chukyo University in Japan. Stone utilizes a laptop computer as his primary instrument and his works often feature very slowly developing manipulations of samples of acoustic music, speech, or other sounds. Because of this, as well as his preference for tonal melodic and harmonic materials similar to those used in popular musics, Stone's work has been associated with the movement known as minimalism. Prior to his settling on the laptop, in the 1980s, he created a number of electronic and collage works utilizing various electronic equipment as well as turntables. Prominent works from this period include Dong Il Jang (1982) and Shibucho (1984), both of which subjected a wide variety of appropriated musical materials (e.g.
Nowadays, the Music Online Records portal has a respected place in their niche, improving the visits for 1.5 million unique visitors per month (50 thousand per day) and is working a lot to improve the quantity of followers on pages in the social networking sites (Facebook, Orkut, Linked In and Twitter). The content was increased too and compounded for 10 another websites (Grátis Música, Ouvir Músicas Grátis and others), and some of them provide part of the content of the portal (include Online Games channel). As of September 27, 2012, the portal contains: 110,000 artists, 110,000 users registered, 1,7 million lyrics, 189 thousand chords, 5,000 playlist radios, 60,000 artists pictures, 3,000 garage bands and a complete channels with shows, music news. It's included a million of musics to be listened online and online music videos from YouTube API and other partners.
Aka Gündüz Kutbay (August 17, 1934, Istanbul - August 27, 1979, Istanbulaka gunduz kutbay - Private Sozluk), a leading Turkish ney (oblique rim-blown reed flute) player of the 1960s and 1970s, was known for his traditional sound, deep tones (dem sesleri), and interest in jazz, Tibetan, Indian, and other world musics. Kutbay was a staff musician for many years at Radio Istanbul, where he considered himself a follower of Ulvi Erguner (Director of Turkish Music) and Ulvi's father, the noted Süleyman Erguner ("Dede"). Kutbay taught ney at the prestigious Turkish Music National Conservatory in Istanbul (İstanbul Teknik Üniversitesi Türk Musiki Devlet Konservatuarı) from about 1973 to 1979. He served as Head Ney Player (Neyzenbaşı) at the Mevlana Festival in Konya in the early 1970s and led the first North American tour of the Mevlevi Dervishes in 1972 together with Ulvi Erguner.
After his decade of active fieldwork, Lowry worked with renowned ethnomusicologist Alan Lomax over two years at the Folklife Archives of the US Library of Congress on a project that later became "The Deep River of Song" series of CDs, a comprehensive collection of African American musics that was later commercially issued by Rounder Records in their "Alan Lomax Collection". The complete collection of Lowry's own field recorded material is copied and held in the permanent collection of the Library of Congress American Folklife Center Archive of Folk Culture. More recently, his tapes have been deposited with the Southern Folklife Collection in the Wilson Library of the University of North Carolina at Chapel Hill. It will be possible for interested members of the public to listen to any of them at either location for research purposes.
African American musicians borrowed elements of European and Indigenous musics to create new American forms. As Oregon's population was more homogeneous and more white than the United States as a whole, the state did not play a significant role in this history. The state's main contributions to American popular music began in the 1960s, when The Kingsmen and Paul Revere & the Raiders established Oregon as a minor center of frat rock and garage rock. This led in one direction to the blues rock tradition of the Robert Cray Band and Curtis Salgado, and in another direction to the hardcore punk scene of the early 1980s Pacific Northwest, led by the Wipers in Portland and like-minded bands in Seattle and Vancouver, BC. Over the next twenty years, punk rock evolved into grunge, riot grrrl, alternative rock, and, eventually, indie rock.
The Irish bouzouki has also become integrated into some other western European musical traditions over the past forty years. Popularly used in the music of Asturias, Galicia, Brittany, Spain, and even the Scandinavian countries (in fact, there is even now a new Nordic branch of the instrument, having been modified further to suit the unique requirements of those musics). The instrument's role is usually a combination of interwoven accompaniment (usually a mix of open-string drones, two note intervals, bass lines and countermelody) and melodic play. Instrumental arrangements by musicians such as Ale Möller from Sweden, Jamie McMenemy of the Breton group Kornog, Elias Garcia of the Asturian groups Tuenda and Llan de Cubel, and Ruben Bada of the Asturian group DRD, typify the complex admixture of melody and chordal accompaniment to be found amongst skilled continental players.
Vong Co is the most " The term vọng cổ is used to mean:Peter Manuel Popular Musics of the Non-Western World: An Introductory Survey Page 202 - 1990 "Thus, the term vọng cổ denotes: (1) a particular mode, equivalent to the óan nuance of the nam mode; (2) a particular song, dating from around 1919; and (3) any piece in the vọng cổ mode which employs the pitches of the original vọng cổ song as structural cadential points. The last and most general sense of the term is perhaps the most common; commercial cassette labels, for example, generally cite the two composers of Western music (tan nhac) and vong co', that is, Vietnamese music. In most cases the vqng co' is preceded by a nói loi. Although un- metered, this is usually sung in even note values, in a syllabic style.
Everywhere polyrhythmic strategies, multivalent pop textures, and smoky roots musics fold into one another, sometimes clashing but more often just touching and caressing one another before they move on to get Rux's poetic depth of field across, and that field never cancels anything out of its articulation, except perhaps hopelessness. Apothecary RX is indeed a prescription: musically it opens wide the current closed scene of alliteration, endless insider referencing, and production conceits by sounding organic and visceral without ever bogging down in its own ambition. Lyrically, it offers voices, many of them, sometimes speaking simultaneously, sometimes out of the depths of solitude, and they speak from reportorial detachment as well as from pain and joy and the desire to transcend as well as be delivered. Rux has created something off the boards here, unclassifiable, truly beautiful and moving.
Daniel Caux's efforts in favor of the "postmodernern" musical trend continued in Paris at the Théâtre de la Ville with the cycle D'autres musiques ("other musics") which allowed the Estonian composer Arvo Pärt to be discovered in 1986, and welcomed, until 1989, many outstanding musicians such as the Americans Jon Hassell, Michael Galasso and Glenn Branca. In 1995, after devoting several radio broadcasts to the American composer Harry Partch, with whom he had a correspondence in the early 1970s with a view to organize a concert in France, he could finally realize this twenty-five-year-old project at the "Festival America" of Lille. The instruments built by Harry Partch were played there - for the first time in France - by Dean Drummond's "Newband". For twenty years, from 1970 to 1990, Daniel Caux was a lecturer at the Paris 8 University (in Vincennes, then Saint-Denis).
Brian Eno in the 1970s Post- progressive's beginning may be located after 1978. Author Bill Martin argues that Robert Fripp, Bill Laswell, and Peter Gabriel could all be considered transitional figures in post-progressive rock, crediting Brian Eno as the music's most important catalyst, and explaining that his 1973–77 solo albums merged "warped aspects of progressive rock" with "a strange premonition of punk" and "the first approximations of new wave". Additionally, Talking Heads expanded new wave by combining the urgency of punk rock with the sophistication of progressive rock, as Martin writes: "A good deal of the more interesting rock since that time is clearly 'post-Talking Heads' music, but that means it is post-progressive rock as well." After the 1970s, the post- progressive style followed in the traditions of King Crimson's 1981 album Discipline, with its introduction of minimalism and ethnic musics, elements which were new to rock.
Nicolas Vatomanga Andrianaivo Rakotovao (born 24 September 1975), known as Nicolas Vatomanga is a Malagasy saxophonist, flutist, bandleader and composer. His music combines elements of jazz, blues and traditional musics of Madagascar, including: the hira gasy of the Centre, the beko from the South and the salegy from the North of the Great Island. He is also recognized as one of the heirs Clairefeuille Sylvie, "The sodina" Afrisson,May 12, 2007 of the malagsy flute sodina tradition and of its last great master: Rakoto Frah (Philibert Rabezoza Rakoto)."Death of flutist Rakoto Frah" inLiberation, "Culture", October 3, 2001, daily Nicolas Vatomanga has played and/or recorded in Europe, Africa (Senegal and Madagascar), as well as in the United States with: Miriam Makeba, Rakoto Frah, Paco Sery, Eric Le Lann, Regis Gizavo, Solorazaf, Lionel Loueke, Mokhtar Samba, Tony Rabeson, Serge Rahoerson, Linley Marthe, Idrissa Diop, Hanitra Ranaivo, Silo Andrianandraina and Jaojoby Eusèbe.
Now working as a semi- instrumental project, with an increased interest in film and site-specific work, the band performed at the Imaginary Musics festival in Switzerland in May 2017 (playing an audio-visual "Music for Kopfkino" set) and at a combined sound-art installation and concert ('Under the Blossom That Hangs On The Bough') in Birmingham's Martineau Gardens as part of the for-Wards project and festival for June 2017. In 2018 the band released a new album, Across the Meridian, on Domino Records "Pram announce new album 'Across the Meridian'" (Domino Records news page, 13 June 2018 (with Sam Owen now handling vocals). The album was launched at a Club Integrale Midlands concert at the Edge, on 20 July 2018, followed by concerts at The Lexington, London, on 22 July and the Soup Kitchen, Manchester, on 26 July (with Fliss Kitson of The Nightingales playing drums).
Other (also stylized as [O T H E R] and other variations) is a 2008 studio album by Brian "Lustmord" Williams, released on Hydra Head Records. [ O T H E R ] was also released as a two disc set on Japanese label Daymare Recordings with the second disc featuring the Lustmord release "Juggernaut" in its entirety. Eric Duboys CAMION BLANC: INDUSTRIAL MUSICS Volume 1 2357796286 Le dernier album de Lustmord paru à ce jour semble confirmer quant à lui le chemin pris avec Juggernaut, et l'on retrouve d'ailleurs sur (Other) (Hydra Head Records, 2008) une version différente du titre “Prime” qui figurait sur celuici, et donc la présence de King Buzzo des Melvins. (Other) est pour sa majeure partie imprégnée de guitares, car Lustmord s'est également adjoint les services de Adam Jones, leader du groupe de postmétal Tool, et de Aaron Turner, qui officie lui au sein ...
Shook magazine did not have a set slogan, but it basically covered Jazz music at the center, with other black musics from around the world—especially soulful electronic music—forming the core of its focus. While some of the magazine contained charts from eminent DJs on the scene or articles on underground music scenes around the world, it also had an eye on contemporary artwork, and underground fashionable trends in and outside various music communities usually not generally well-known about outside of the world's big urban centres (London, Paris, Tokyo, New York, San Francisco, et al.). The magazine has sometimes been compared with both the US magazine publication Wax Poetics which has been around many years and continues both publication (both physical, and later, digital), and also to the—perhaps even more comparable—now defunct British magazine Straight No Chaser, to which there were clear design and content parallels.
The Allmusic review by Michael G. Nastos stated "Oud master Rabih Abou-Khalil has been known to mix and match various ethnic strains, but in the case of Em Portugues, he's outdone himself. The music has the obvious Middle Eastern tinge you would expect, but also sounds more like a head-on collision of fado and Hasidic or klezmer music underneath heavily sexual Brazilian sounds. What is most striking is that what Abou-Khalil has concocted sounds nothing like any of these distinct musics individually, but more a brand-new hybrid that only he could provide a definition for. It's a powerful, driving, feverish sound that speaks a strong emotional language .... A recording for specific tastes and the leader's fans, it certainly gives food for thought as to what will be the next move from the brilliant bandleader and single-minded world musician, who continues to be in a class by himself".
Much of the music on these apps provide a similar sound to American rap music, which is popular not only for American teenagers but teenagers abroad as well. There is also room for more experimentation on music platforms such as Souncloud because artists are able to upload their own work and express their creativity in a way they could not in the Korean idol system and form a deeper connection with their audiences with their work, as well as promote their solo work. The emergence of bilingual Korean rappers also helps bridge the gap between Korean and American hip hop music along with social media. They can communicate with American fans in a way most non-English speaking Korean rappers cannot. Korean rapper DPR live explained his newfound presence in the US with his first-ever concert, by saying “I always thought, you know, me being bilingual, just looking at the quality of both musics, it’s both up to par.
Swim began by publishing "understated, neo-minimalist electronic music", its first two releases being Rosh Ballata by Spigel and Tree by Oracle. Billing itself as a "post-everything" label it boasted what Dusted Magazine described as "a diverse group of musicians working primarily at the atmospheric, melodic end of the electronic spectrum [...], often operating at the interface of digital and organic musics, bringing traces of a rock sensibility – as well as traditional rock instrumentation – to bear on their electronica"; their musical output ran "the stylistic gamut from beatless soundscapes to relatively conventional song-based pop to beat-heavy grooves". The label published several samplers of its work, beginning with Water Communication in 1997, which was followed by Swim Team #1 in 2000 and Swim Team #2 in 2003. These featured Swim acts such as Symptoms (Klaus Ammitzbøll), Ronnie and Clyde, Lobe, and Danish trio Silo in addition to Newman and Spigel and their son Ben a.k.a. "Bumpy".
After a year at the University of Miami (1970–71), he transferred to Kent State where he earned a BFA in painting, and also studied literature, poetry and other humanities, and began writing poetry in earnest, having attended workshops with Robert Creeley, Robert Duncan and Galway Kinnell. He especially became interested in French Symbolist art and poetry, post-war American poetry, and Russian and Japanese literature. Jones was also able to travel to the Soviet Union with a group led by KSU president Glenn A. Olds,Photographs in private collection of Mark Jones and spend time living in the jungles of rural Jamaica.Photographs and drawings in personal collection of Mark Jones During this period, after being exposed to the music of John Coltrane, Pharoah Sanders, Oscar Peterson, Larry Coryell, John McLaughlin, Chick Corea and Cecil Taylor, he caught the jazz bug and began teaching himself how to play jazz piano and studying Indian ragas and other world musics, as well as deepening his skills on guitar.
Allmusic said "From Jewish and other Middle Eastern folk musics to soundtrack atmospherics, exotica-tinged jazz, Latin rhythms, and contemporary classical inquiries into minimalism, tone, space, color, and counterpoint, all are on display in this wonderfully musical, meditative, hypnotic, and "mystical" work. The accessibility factor in Mount Analogue is high; what begins as a musical question eventually resolves, usually through a circular method that is deeply satisfying".Jurek, T. Allmusic Review, accessed November 8, 2013 Martin Schray commented "The musicians easily move between angular new classical music, restrained mumbling and panting, 1950s film noir soundtracks, Jewish or Middle Eastern folk, the typical John Zorn exotica, jazz, lonely piano tunes, or minimalist approaches. Every note is exactly at the right place, there is not one bell tone too much, which creates a lush atmosphere on the one hand but the spooky and creepy elements refer to a dark world also inherent in this music".
The group was named after their leader trumpet player Balla Onivogui, who was born in 1938 in Macenta, a small town in south-east Guinea and was a student at a conservatory in Senegal before being recruited to play in the Guinea independence celebrations in 1959. He quickly became a member of the state's leading orchestra, the Syli Orchestre National, who were tasked with working with music groups throughout Guinea to train them to play the traditional musics of the country. In order to expand this programme the government split the orchestra into smaller units, one of which under the leadership of Balla became Balla et ses Balladins and held a residency at the Conakry nightspot Jardin de Guinée. (The other group emerging from the split was the equally renowned Keletigui Et Ses Tambourinis.) Les Balladins made a number of recordings for the state-owned Syliphone label, which was founded in 1968.
The music for the song was written primarily by KMFDM frontman Sascha Konietzko, who asked returning band member Raymond Watts to write the lyrics for "Juke Joint Jezebel" as well as a few other tracks from Nihil. Also credited as authors are En Esch and Günter Schulz. When mixing the song, Konietzko thought it sounded too "awful" to be included on Nihil, but TVT Records, to whom KMFDM were signed at the time, wanted to put it on the album, certain it would become a hit. In KMFDM's profile for Trouser Press, Neil Strauss highlights Watts' lyrics and looped guitar riffs and electro-funk beats as the song's main features In a 2013 book Assimilate: A Critical History of Industrial Music, musician and scholar S. Alexander Reed called the song "iconic", citing it as an example of industrial music's "use of gestures from traditional African-derived musics...", and notes "a massive gospel choir" of backup singers in the chorus.
Musically classified as a coloratura mezzo-soprano, she's one of Malaysia's best singers for winning 13 times the award for the "Best Vocal Performance in an Album/Single" from Anugerah Industri Muzik, Malaysia's equivalent of Grammy Awards. Adjie Esa Poetra, an Indonesian vocal instructor described her voice as "She is very careful and never fails in the tone production and she's able to produce the most artistic and beautiful tone as possible.... In any songs, she can sing it with ease but powerful other than possessing more than four-octave vocal range." M.Nasir, music critic and music composer has praised Siti's voice as saying, "When we talk about her, she is the voice...Give her any songs, she can deliver it very well and it is not a problem to find a suitable song for her." He further praised Siti for her brave efforts to experiment her voice melisma with new musics or songs.
The importance of music in Hornby's novels, and in his life, is evidenced by his long-standing and fruitful collaborations with the rock band Marah, fronted by Dave and Serge Bielanko. Hornby has even toured in the United States and Europe with the band, joining them on stage to read his essays about particular moments and performers in his own musical history that have had a particular meaning for him. Hornby's music criticism (most notably for The New Yorker and in his own Songbook) has been widely criticised by writers such as Kevin Dettmar (in his book Is Rock Dead), Curtis White (in an essay at www.centreforbookculture.org, titled "Kid Adorno"), Barry Faulk and Simon Reynolds for his embrace of rock traditionalism and conservative take on post-rock and other experimental musics (exemplified in Hornby's negative review of the Radiohead album Kid A). Hornby has also had extensive collaboration with American singer/songwriter Ben Folds.
As a researcher, he is particularly interested in the notions of virtuosity (direction of the collective Le concerto pour piano français à l'épreuve des modernités, Actes Sud & Palazzetto Bru Zane, 2015) and musical academism (codirection with Julia Lu of the Concours du prix de Rome for music. 1803–1968, Symétrie & Palazzetto Bru Zane, 2011). Since 2009, through his activity at the Palazzetto Bru Zane,La lettre du musicien.fr which consists of rediscovering unknown works and forgotten composers,Forum Opéra Posterity does not always retain the best works of composers He participates in productions or co-productions leading to the (re) creation of French works in concert and on the stage, extended in general by the publication of recordings. In this context, Alexandre Dratwicki has been conducting the series "Musics of the Prix de Rome" launched at Glossa and continued in the series of record-books of Palazzetto Bru Zane since 2010 (Debussy, Saint-Saëns, Charpentier, d’Ollone, Dukas).
Smithsonian Folkways has released traditional New Mexico music on the following albums: Spanish and Mexican Folk Music of New Mexico (1952), Spanish Folk Songs of New Mexico (1957), Music of New Mexico: Native American Traditions (1992), and Music of New Mexico: Hispanic Traditions (1992). These albums feature recordings of songs like "Himno del Pueblo de las Montañas de la Sangre de Cristo" (lit. "Hymn of the Pueblo of the Sangre de Cristo Mountains") as performed by Cleofis Vigil and "Pecos Polka" as performed by Gregorio Ruiz and Henry Ortiz, "It's Your Fault That You're Looking for Your Horses All Night" as performed by The Turtle Mountain Singers, "Entriega de Novios" as performed by Felix Ortega, "Welcome Home" by Sharon Burch, as well as other classic New Mexico folk songs. The albums also include takes on other New Mexico folk musics by multiple New Mexico musicians ranging from Al Hurricane, Al Hurricane, Jr., and Sharon Burch.
Having founded the graduate program in electro-acoustic music at Dartmouth College with composer David Evan Jones in 1989,History of Dartmouth Digital Musics Program Appleton devoted most of his teaching to the graduate students in this program. The purpose of the program was to combine the study of composition, acoustics, computer-science and music cognition. He came to believe this was his greatest contribution during his forty-five years as a teacher. He continues to maintain friendships with many of his former students: Gerald Beauregard, Martin McKinney, Ray Guillette, John Puterbaugh, Ted Coffey, Anu Kirk, Yuri Spitsyn, Ted Apel, Kojiro Umezaki, Steve Berkley, Vanderlei Lucentini, Courtney Kennedy, Ileana Perez, Kevin Parks, Colby Leider, Matthew B. Smith, Leslie Stone, Tae Hong Park, Sean Peuquet, Andrew Tomasulo, Paul Botelho, Iroro Orife, Bruno Ruviaro, Masaki Kubo, Will Haslett, Irina Escalante Chernova, Michael Chinen, Kristina Wolfe, Rob Auten, Aki Onda, Bill Brunson and Russell Pinkston.
Since after the completion the building aroused vivid admiration and critics, for its technical aspect. Giacomo Devoto defined the main controls cabin, with its 280 levers to manage railswitches and signals: the most perfect, most complex and complete, the most beautiful that exists in Italy and maybe in the World."La più perfetta, più complessa e completa, la più bella che esista in Italia e forse in Europa" in Devoto 1935 Filippo Tommaso Marinetti, who already praised another Mazzoni work Littoria's Post Office, enthusiastically appreciated the "avant-garde" formalism and especially admired the iron spiral stairs that becomes a catwalk to reach the chimneys, becoming an elegant promenade dangling in space; the stairs and the catwalk give agility to the whole building, remembering some flighty and elastic musics by Debussy.in "Gazzetta del Popolo" 1933 Also was sharply bashed, defined as an hideous booth painted in red,In italian orrendo baraccone tinto di rosso and only from the 1970s the project has been reviewed in the general reevaluation of Mazzoni's work.
After 1950, scholars sought to define the field more broadly and to eradicate these notions of ethnocentrism inherent to the study of comparative musicology; for example, Polish scholar Mieczyslaw Kolinski proposed that scholars in the field focus on describing and understanding musics within their own contexts. Kolinski also urged the field to move beyond ethnocentrism even as the term ethnomusicology grew in popularity as a replacement for what was once described by comparative musicology. He noted in 1959 that the term ethnomusicology limited the field, both by imposing "foreignness" from a western standpoint and therefore excluding the study of western music with the same attention to cultural context that is given to otherized traditions, and by containing the field within anthropological problems rather than extending musical study to limitless disciplines within the humanities and the social sciences. Throughout critical developmental years in the 1950s and 1960s, ethnomusicologists shaped and legitimized the fledgling field through discussions of the responsibilities of ethnomusicologists and the ethical implications of ethnomusicological study, articulations of ideology, suggestions for practical methods of research and analysis, and definitions of music itself.
In the pivotal documentary movie Salsa: Latin Pop Music in Cities (1979), the history of salsa is explained as a mixing of African, Caribbean, and New York cultures and musics, with no mention of Cuba. In one scene, the Afro-Cuban folkloric genres of batá and rumba are shown being performed in Puerto Rico, implying that they originated there. In advancing the concept of salsa as a musical "sauce", containing many different ingredients from various cultures mixed together, some point to the occasional use of non-Cuban forms in salsa, such as the Puerto Rican bomba. The percentage of salsa compositions based in non-Cuban genres is low though, and despite an openness to experimentation and a willingness to absorb non-Cuban influences, - such as Jazz and of Rock and Roll, with regards to formal structure, and many other informal influences from talented musicians of a broad range of musical and ethnic backgrounds; such as Puerto Ricans, Dominicans, Italians and Jews: anyone with talent and the will to experiment \- salsa has remained consistently wedded to its Cuban templates.
Namtchylak is an experimental singer, born in 1957 in a secluded village in the south of Tuva. She is proficient in overtone singing; her music encompasses avant-jazz, electronica, modern composition and Tuvan influences. In Tuva, numerous cultural influences collide: the Turkic roots and culture it shares with Central Asian states, the Xinjiang Uyghur Autonomous Region, Bashkortostan and Tatarstan; the strong Mongolic cultural influence and traditions it shares with Mongolia, Inner Mongolia, Buryatia and Kalmykia; the cultural influences from the various Siberian nomadic ethnic groups such as Samoyeds, Yeniseians, Evenks and from the Russian Old Believers, the migrant and resettled populations from Ukraine, Tatarstan and other minority groups west of the Urals. All of these, to extents, impact on Namtchylak's voice, although the Siberian influences dominate: her thesis produced while studying voice, first at the University of Kyzyl, then in the Gnesins Institute in Moscow during the 1980s focussed on Lamaistic and cult musics of minority groups across Siberia, and her music frequently shows tendencies towards Tungus-style imitative singing.
Killick with Big Red harp guitar, Flicker Theatre, Athens GA, March 2007 Killick Hinds (born 1972) of Athens, Georgia is active as a composer, performer, and promoter of a wide range of music. He plays quartertone electric guitar, as well as Big Red harp guitar and the H'arpeggione, an 18-stringed upright acoustic instrument with sympathetic strings, both built by Fred Carlson. Equally influenced by improvisational music and "composed" sounds, Killick's style blends primitive folk, heavy metal, and sacred musics from around the world. Killick has played with improvisers including Susan Alcorn, Liz Allbee, Susie Allen, Brent Bagwell, Colin Bragg, Jeff Crouch, Chris Cutler, Jeremiah Cymerman, Brann Dailor, Ernesto Diaz-Infante, Lisle Ellis, Tony Evans, Drew Gardner, the Georgia Guitar Quartet, Vinny Golia, Frank Gratkowski, Mary Halvorson, Blake Helton, Carl Ludwig Huebsch, Henry Kaiser, Ben Kennedy, Harald Kimmig, Habib Koité, Peter Kowald, Craig Lieske, Marshall Marrotte, Jeff McLeod, Tatsuya Nakatani, Larry Ochs, Brian Osborne, Ravi Padmanabha, Dennis Palmer, Dave Rempis, Blaise Siwula, Carl Smith, Bob Stagner, Sándor Szabó, Ken Vandermark, Matthew Welch, and Eric Zinman.
Polish Night Music was originally released as a limited-edition CD in 2007 on David Lynch Music Company. It was reissued as a double LP and digital download on November 13, 2015 by Sunday Best in Europe and Sacred Bones Records in the U.S. Sacred Bones also issued a deluxe edition of the double LP as 250 hand-numbered copies in a gatefold sleeve with a full-color 11-inch×11-inch insert. Both Sunday Best and Sacred Bones LP reissues included a download code for a 43-minute bonus live album, Live at the Consulate General of the Republic of Poland, which features four previously unreleased tracks recorded in 2006. Lynch and Zebrowski performed together around the time of Polish Night Musics release, showcasing an improvised set at the Fondation Cartier pour l'Art Contemporain in Paris, France in March 2007 as part of an exhibition of Lynch's artwork called "The Air Is On Fire"; a 7-minute video of the performance was released online by Sacred Bones in 2015.
Algerian music: Beginning as early as 1964, gaining steam in the 1970s and continuing through the 1980s, a mainstream raï revival occurred, and pop-raï stars like Khaled and Chaba Fadela gained worldwide audiences; the same period saw similar trends occur among Kabyle musicians such as Idir, Ferhat and Lounis Ait Menguellet, who popularized the native sounds of their people Belgian music: Starting early in the 1960s, a wave of popular folk-based performers emerged, led by Wannes Van de Velde, who drew primarily on Flemish traditions. By the 1980s, popular bands included Brabants Volksorkest and the folk rock band Kadril. Beninese music: Artists like Tohon Stan have created a popular version of Benin's numerous styles of indigenous folk music, such as tchink-system, a derivative of the funeral genre of tchinkoumé Cambodian music: The early 1960s saw a revival of classical music and dance, inspired by Princess Norodom Buppha Devi and led by Sinn Sisamouth, though the rise of the Khmer Rouge largely ended this trend. Cameroonian music: Beginning with bikutsi in the 1950s and continuing with makossa into the end of the 20th century, Cameroon's popularized folk musics have become among the most prominent in Africa.
Had he not suffered an incapacitating stroke on the way to Notre Dame mass in 1990, it is likely that he would have continued to use his popularity as a performer of his own works to experiment in relative safety with even more audacious musical techniques, while possibly responding to the surging popularity of non-Western musics by finding ways to incorporate new styles into his own. In his musical professionalism and open- minded attitude to existing styles he held the mindset of an 18th-century composing performer such as Handel or Mozart, who were anxious to assimilate all national "flavors" of their day into their own compositions, and who always wrote with both first-hand performing experience and a sense of direct social relationship with their audiences. This may have resulted in a backlash amongst conservative tango aficionados in Argentina, but in the rest of the West it was the key to his extremely sympathetic reception among classical and jazz musicians, both seeing some of the best aspects of their musical practices reflected in his work.See Azzi and Collier, Le Grand Tango: The Life and Music of Astor Piazzolla, Oxford University Press, 2000.
Formed in November 2005, following the members' attendance at the first Black Banjo Gathering, held in Boone, North Carolina, in April 2005, the group grew out of the success of Sankofa Strings, an ensemble that featured Dom Flemons on bones, jug, guitar, and four-string banjo, Rhiannon Giddens on banjo and fiddle and Súle Greg Wilson on bodhrán, brushes, washboard, bones, tambourine, banjo, banjolin, and ukulele, with Justin Robinson as an occasional guest artist. All shared vocals. The purpose of Sankofa Strings was to present a gamut of African American musics: country and classic blues, early jazz and "hot music", string band numbers, African and Caribbean songs, and spoken word pieces. The Chocolate Drops' original three members: Giddens, Flemons, and Robinson, were all in their twenties when the group formed after Flemons' move from Phoenix (where he and Wilson lived), to North Carolina, home of Giddens and Robinson. Wilson, nearly a generation older than the other Drops, was occasionally featured with the group into 2010, including contributions to the recordings, Dona Got a Ramblin' Mind, CCD and Joe Thompson, Heritage (with songs culled from Sankofa Strings' independently-released CD, Colored Aristocracy) and nearly half of Genuine Negro Jig.
As a musician growing up listening to and performing vernacular American musics as well as classical music, Mackey's compositions are influenced by rock and jazz, though in an avant-garde vein. He favors the electric guitar and frequently performs his own compositions for the instrument, which include a concerto for electric guitar and orchestra (Tuck and Roll) and two works for electric guitar and string quartet (Physical Property and Troubadour Songs). As an electric guitar soloist, he has performed with the Kronos Quartet (Short Stories), the Arditti Quartet, New World Symphony, Dutch Radio Symphony, and London Sinfonietta. Among Mackey's notable awards include a Guggenheim fellowship, a Charles Ives Scholarship from the American Academy and Institute of Arts and Letters, two awards from the Kennedy Center for the performing arts, and the Stoeger Prize for Chamber Music by The Chamber Music Society of Lincoln Center, the Miami performing arts center acknowledged his contributions to orchestral music with a special career achievement award, the Koussevitzky Foundation at the Library of Congress, the Fromm Foundation, the 1987 Kennedy Center Friedheim Awards, and was chosen to represent the United States in the International Composers Rostrum in Paris, France.
With the success of his first single "Ya Salam", Ahmed Soultan reveals himself as the precursor of a new style he likes to name : the Afrobian Soul, for Afro-Arabian. His album Tolerance was given wide media coverage, so Ahmed Soultan soon became one of the figureheads of the "Nayda", the new Moroccan scene. After a second album, released in 2009, in which he asserts himself, his popularity in and over the Maghreb was confirmed. Singing in four languages ( Amazigh, Arabic, English and French), he took part in many international musical events, including the Kora Awards in South Africa, the opening of a Tiken Jah Fakoli concert in Dakar, his contribution to the People Power song (beside Talib Kweli, Angelique Kidjo or Zap Mama ), Fez's Sacred Musics Festival, Marrakech's Moonfest, Casablanca Music Festival and many other European scenes (Barcelona, Amsterdam, Paris) He became involved in various projects : he wrote the original soundtrack of Rhimou, a successful sitcom broadcast in Morocco and more ; he collaborated with the famous American singer Ne-Yo, on a song called "Amazing You" ; in 2011, his song "Jokko" was nominated as best North African song and best African reggae song of the year.
In addition to her work as artist and scholar, Grace is a devoted volunteer worker for Philippine cultural revitalization. She, together with friends in education, arts, and grassroots cultural work established the Tao Foundation for Culture and Arts in 1994. The Tao Foundation has published educational materials on Philippine traditional musics; organized school tours for Cultural Masters; mounted training programs for traditional performing arts, healing arts, and arts and crafts; and sponsored the schooling of selected indigenous scholars. In mid-2017, the Tao Foundation began to operate the Agusan del Sur- School of Living Traditions, a non-formal, community-based learning space where Cultural Masters transmit the knowledges and practices of indigenous languages, chants, dances, instruments-making and performance, traditional housebuilding, embroidery, grass weaving, pottery, traditional medicine, environmental regeneration, indigenous models of gender balance, inter-faith dialogue, leadership, and peace-building to the younger generations. In its over twenty years of existence, the Tao Foundation has collaborated with local, national and transnational groups (1994–present) and has received support from the National Commission for Culture and Arts (2000, 2007, 2015, 2016), the Cultural Center of the Philippines (2005), Give2Asia (2014, 2015), Sanctuary Fund (2014, 2015), Toyota Foundation (2004), UNESCO (2006), Advocates of Philippine Fair Trade (2006, 2007), and the Australia-Philippines Community Cooperation Program (2007), and the province of Agusan del Sur (2007).

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