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638 Sentences With "musical accompaniment"

How to use musical accompaniment in a sentence? Find typical usage patterns (collocations)/phrases/context for "musical accompaniment" and check conjugation/comparative form for "musical accompaniment". Mastering all the usages of "musical accompaniment" from sentence examples published by news publications.

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Why is the musical accompaniment an EDM version of Ravel's "Boléro"?
Also, please note that there is no musical accompaniment in this video.
Her husband Kanye West's song "Street Lights" was the #InTheMirror video announcement's musical accompaniment.
There's no obvious musical accompaniment to D'Souza's career, but this is better, I promise.
She is surrounded by other outstanding actors, a sparkling nautical set and fine musical accompaniment.
Rather, it looks like a show of Germany's future might, even with the ragtime musical accompaniment.
The musical accompaniment felt somewhat excessive, like something out of a strangely political haunted house ride.
The musical accompaniment here is a delicate piano cover of Oasis' "Wonderwall," with a female vocal.
Brown choreographed many works without musical accompaniment, of which Glacial Decoy was one of the last.
His works for the troupe were a long way from the musical accompaniment used in conventional dance.
Told partly in color and partly in black and white, the film contains long stretches that are virtually silent, with musical accompaniment (composed by Carter Burwell) that sometimes adds atmosphere, and sometimes punctuates what's happening on screen, similar to how musical accompaniment worked during the silent-movie era.
That contrast of darker thoughts and words with tender musical accompaniment show a more profoundly individual relationship exploration.
Dance flourishes, a drum-heavy musical accompaniment and the noise of the surrounding city complete the package. (1:30).
Known today for their fascistic sympathies, the Italian Futurists developed a rowdy theatrical tradition of declamation and noisy musical accompaniment.
Who knows if it'll live up to Finding Nemo, but at the very least, it's got some great musical accompaniment.
Although the score, like much postmodern dance, doesn't require any musical accompaniment, you can respond to noises in your environment.
Ennio Morricone's powerful musical accompaniment to The Hateful Eight took home the Academy Award for Best Original Score on Sunday night.
Jackson doesn't need much in the way of musical accompaniment; she's backed by a piano and a softly played upright bass.
He pared these down into 60 separate monologues, which he recorded himself with musical accompaniment from Chattanooga-based ensemble Prime Lens.
It's a biographical documentary about the venerable string group Kronos Quartet, designed to be played with musical accompaniment by … Kronos Quartet.
An actor at the bar played a riff on Thandie Newton's character, Maeve Millay, while another player piano provided the musical accompaniment.
These are popular filming locations for amateur drone videographers who like uploading the footage onto the internet with patriotic or uplifting musical accompaniment.
There were no instruments and no singing, and the musical accompaniment came from others' recordings — how could anyone make records out of that?
Throughout Phillips's performance, Moor Mother supplied a musical accompaniment: a fuzzy radio-electronic set that hypnotically traversed space, time, and the present reality.
At the Kitchen, choreographer Bárbara Foulkes will perform an improvised aerial dance with Cruzvillegas's suspended sculpture, with musical accompaniment by Andrés García Nestitla.
All involve double or triple projections that create a strong spatial experience, as do cutting-edge sound effects alternating with well-chosen musical accompaniment.
Each screening will be accompanied by a different musical accompaniment — sometimes by the original soundtrack by Simone Giuliani and other times by contemporary improvisations.
The new track, "Signs," with a distinctly Caribbean beat, was the perfect musical accompaniment to a collection filled with breezy and tropical Hawaiian shirts.
By the eighties, however, she was moving toward the mainstream, making works for big stages, with musical accompaniment (another thing that she had eschewed).
Jarmusch and Logan's SQÜRL — which they describe as an "enthusiastically marginal rock band" — weaves a trippy musical accompaniment to four silent films by Man Ray.
Hinton's layered musical accompaniment triggers any and all of these, which is a key part of why he's one of his generation's best electronic artists.
Rice paper screens part to expose geishas in kimonos, and the musical accompaniment is as soothing as a cup of tea on a snowy day.
Yet, from the first, Mr. Neenan's touch is slightly off: The dynamics he keeps asking of his dancers are always more emphatic than their musical accompaniment.
The four works after the intermission, dating between 1993 and 2016, are tied tight to their (taped) musical accompaniment: It's as if musicality were a Sudoku.
To extend the activity, you might have musically inclined students set poems they have studied in school to music — and read lyrics aloud without musical accompaniment.
Providing musical accompaniment is Fred Johnson, who sits in a back corner of the stage and plays percussion and, briefly, a singular West African stringed instrument.
Once I entered the Perfect Beach app, I could pick which scene I preferred (beach daytime, beach sunset, pier daytime, or pier sunset) and the musical accompaniment.
The Saturday highlights include appearances by the Story Pirates and the ensemble Joshua David Stein and the Band Books, which gives musical accompaniment to tales for children.
The Childs is a study in cool minimalism, arranged above and below a two-tiered set designed by Frank Gehry, with shimmering musical accompaniment by John Adams.
On Thursday, Friday, and Saturday, choreographer Bárbara Foulkes will perform an improvised, aerial dance, a duet of sorts with Cruzvillegas's suspended sculpture, with musical accompaniment by Andrés García Nestitla.
In addition to Williams' work, Morricone's Hateful Eight score beat out Thomas Newman's musical accompaniment to Bridge of Spies, Carter Burwell's contributions to Carol and Jéhann Jéhannsson's work on Sicario.
In "The Art of the Benshi," UCLA will be screening a program of silent films along with musical accompaniment (including a shamisen) and live narration provided by modern Japanese benshi.
If the LTE-enabled Apple Watch rumors prove true, that could potentially cut into a significant piece of Mighty's niche, by playing to runners looking for musical accompaniment beyond the phone.
Felton rocked a Slytherin sweatshirt and green baseball cap while blending in with the other costumed muggles who came to see Harry Potter and the Chamber of Secrets with live musical accompaniment.
It's doubtful Midge cares which Babs-sang musical accompaniment is most appropriate, since she is now a single mother of two officially living with her parents, in her pink-drenched childhood bedroom.
The difference is that Snap Judgment, which is produced by NPR and hosted by Glynn Washington, adds musical accompaniment to stories, usually making for an experience more along the lines of slam poetry.
Rather than hire a whole cast of musicians and composers, the invention allowed them to churn out affordable musical accompaniment made by a solo composer, or in many cases, the film's directors themselves.
On the American side, pop-star wannabes write narcocorridos, songs that celebrate the murderous exploits of vainglorious cartel killers, who, in turn, pay quite handsomely to have their deeds chronicled to musical accompaniment.
He found his creative big break when providing musical accompaniment to Carolyn Hester, a fellow Greenwich Village folk artist, on her third album, and from there, would go on to sign with Columbia Records.
Kate Carr, a 38-year-old Australian now living in London, has released records featuring the sounds of rural Thailand and Icelandic fishing villages, with an occasional guitar strum as the only musical accompaniment.
They can be brilliant backdrops for dance, as in the new work "Fruits Borne out of Rust," a multimedia dance performance conceived and directed by Tabaimo and choreographed by Morishita, with live musical accompaniment.
In his performances, most of these Rube Goldberg machine-like installations, which string together found materials, become percussive instruments or dynamic objects that spin into motion with the help of choreography and musical accompaniment.
Along with musical accompaniment from singer Niia, what follows are scenes of the Keeping Up with the Kardashians star in the shower wearing only a drenched white T-shirt as her rapper beau joins her.
We hear it at the end of "The Gathering Storm," where Burton—who sounds an awful lot like Richard Burton and nothing like Winston Churchill—gets a musical accompaniment, whether he likes it or not.
Cunningham, whom she greatly admired, had made dance independent from music and design; she in turn helped to make it independent of technical rigor and, in the 1970s, to present it with no musical accompaniment.
While in view Bute's work seems ethereal, aerial flights of fancy performed by whips of light and cascades of moving shapes synchronized in perfect time to musical accompaniment, the making of them was far from esoteric.
Mr. Hindi offers musical accompaniment — at one point, he plucks an amplified wire running from the ceiling to an LP on the floor to produce an ominous drone — and sumptuous floral curtains dazzle as both backdrops and costumes.
In the rangers welcoming returning visitors, in the full campgrounds, in the climbers walking along the trails in the glorious late-afternoon light, their carabiners clinking a musical accompaniment on the approach to the great walls of granite.
This pummeling composition was originally conceived as the musical accompaniment to the 15-minute film, but due to their differences, eventually the filmmakers and composer chose to let their creations evolve separately (although the film credits always included Antheil).
Like meditation, "music has its own power to calm us down or help us tap into deeper levels of feeling or even consciousness," says Patricia Karpas, co-founder of the app Meditation Studio, which has guided meditations that include musical accompaniment.
On Wednesday, the Metropolitan Museum of Art hosted the New York premiere of "The Colorado" in its Grace Rainey Rogers Auditorium, with live musical accompaniment by the percussionist Glenn Kotche, the cellist Jeffrey Zeigler and the vocal ensemble Roomful of Teeth.
That's true also of the one full piece shown here, "Eight Jelly Rolls" (1971), the first piece she made to fit its musical accompaniment (old jazz recordings by Jelly Roll Morton and Charles Luke), and one of her greatest comedies.
We were instructed to tune them to 92.5 FM, which would provide a harpsichord-heavy musical accompaniment to the baritone Christopher Dylan Herbert's rendition of Schubert's "Winterreise," a melancholy song cycle set to 24 poems of heartbreak by Wilhelm Müller.
After Meunier asked what his day "was like," Google's knowledge cylinder responded with the current time, local weather, and information about his commute—before launching into a 15-second ad for Beauty and the Beast complete with musical accompaniment and sound effects.
With kaleidoscopic and surreal imagery that dances across the screen in perfect succession to its musical accompaniment, the film and animation of Mary Ellen Bute puts the viewer in an alluring dreamlike world where music is not only heard but also seen.
This episode is cleverly tied into Peter and the Wolf, with all of the above characters getting identities from the classic (and not coincidentally) Russian fairy tale and musical accompaniment to match with a voice over from Fargo season 1 alum Billy Bob Thornton.
This evening will translate its prose into music, with readings not only by the authors, who are married, but also Jonathan Demme, Nona Hendryx, Carl Hancock Rux and others — and actual musical accompaniment by a jazz hero from New Orleans, the saxophonist and composer Donald Harrison.
Ms. Jungreis (pronounced YOUNG-rice), a Hungarian Jew who spent several months in the Bergen-Belsen concentration camp as a child, was often called "the Jewish Billy Graham," and her artfully staged rallies, with theatrical lighting and musical accompaniment, were in fact inspired by Mr. Graham's Christian crusades.
Ken Nordine, who improvised poetry in a silky voice to cool, vibrant musical accompaniment, creating a form of storytelling that he called "word jazz," and that brought him renown on radio and led to collaborations with Fred Astaire, Tom Waits, Jerry Garcia of the Grateful Dead and other artists, died on Feb.
Working with cinematographer Mauro Fiore (a veteran of Avatar and several Antoine Fuqua movies), Kinberg creates a look that veers from dreamy (particularly in a lovely school party scene where a previously unseen comic book favorite provides musical accompaniment) to nightmarish in scenes of friends turning against each other and powers spinning out of control.
Boasting a single onstage pianist (the splendid Nigel Lilley) by way of musical accompaniment and conspicuously lacking the self-contained songs that audience members might take home, the result is best described as a chamber opera with one foot in some sort of Stephen Sondheim-Benjamin Britten hybrid and the other in melodrama that almost derails the second act.
ZANE: Every one of these albums deserves their place and could easily win the award … but in the end, for me, I feel like it will come down to the Apple Music album of the year Golden Hour by Kacey Musgraves which I absolutely love and the Black Panther soundtrack, which was the perfect musical accompaniment to the groundbreaking film.
He separated dance from musical accompaniment; in an art otherwise shaped solely by the creators' intentions, he dared to used chance procedures as part of his compositional process; he employed a technical rigor as austere as any other in dance, opening up new possibilities of spinal movement, spatial address and rhythm; and he created startling polarities of slowness and speed.
The many Canadian redneck jokes in this inexplicable action-adventure fantasy starring a pickup-driving, beer-guzzling hick named Rowsdower all culminate in one wonderful song about this nation's ongoing beef with our neighbor to the north: And if that weren't enough, Rowsdower ends up with his own theme song in the closing credits, here edited into a fittingly Rowsdower-filled fanvid: Say what you will about Werewolf (episode 904), but the music's actually not terrible — and it's instantly made 3000 times better by the tour de force musical accompaniment Mike and the bots give it in the closing credits.
All wore protective clothing. Capuçon provided the sole musical accompaniment.
Musical accompaniment is provided by traditional instruments such as the piri, haegeum and janggu.
It provides musical accompaniment for the annual Armed Forces Day parade on Ujazdów Avenue.
Today, much popular music, particularly rap music, consists of chanting rhythmic speech with musical accompaniment.
The song's only musical accompaniment is Lynn's voice and an acoustic guitar played by White.
The event is a spectacular combination of fireworks exploding in harmony with a musical accompaniment.
Irish lilting is usually performed without musical accompaniment. Scottish Gaelic songs were also typically sung unadorned.
The album was written in Bankstown, and features musical accompaniment by several locals to the area.
No instrument or musical accompaniment is found with the dance, but special fugdi songs are innumerable.
The musical accompaniment for the ondel-ondel performance varies with regions, occasions and groups of performances.
During the Service, the text to the Mikagura-uta is sung together with dance movements and musical accompaniment.
Musical accompaniment is provided by the combined massed bands of the Ghana Armed Forces Central Band and school marching bands.
Microsoft Research Songsmith is a musical accompaniment application for Microsoft Windows, launched in early 2009. Songsmith immediately generates a musical accompaniment after a voice is recorded. The user can adjust tempo, genre (such as pop, R&B;, hip-hop, rock, jazz, or reggae), and overall mood (e.g. to make it happy, sad, jazzy, etc.).
1 had been issued earlier in 1939. Victor Young and His Concert Orchestra provided the musical accompaniment to all of the tracks.
Episcopalians installed organs and hired musicians, following the practice in English parish churches. Catholic worship was deliberately low key, with musical accompaniment prohibited.
Because of its similarity to modern staff music notation, Benesh notation can be displayed alongside (typically below) and in synchronization with musical accompaniment.
In 2013, Solomon provided musical accompaniment for Tisha B'Av services at The Brownstone in East Village, Manhattan, alongside Neshama Carlebach, Basya Schechter, and Naomi Less.
The women dancers stand in a line holding hands and move to the rhythm of the madol where the men santals provide the musical accompaniment .
Meaning Dance of Grace, was traditionally a dance where a few men would stand in a row and perform rhythmic steps to the musical accompaniment, with the number of dancers increasing; over the past ten years women have also started performing this dance. Typically, the musical accompaniment is the Thavil and the performers have coloured handkerchiefs tied to their fingers[3] and wear ankle bells.
Composer, text writer, arranger of musical works. With the musical accompaniment of the bands The 50s and Rock’n’roll. These bands have been created by himself in 1994.
Just Friends: Original Motion Picture Soundtrack is the musical accompaniment to the film of the same name. It was released November 22, 2005 on New Line Records.
Music for Two in Love is a Patti Page LP album, issued by Mercury Records as catalog number MG-20099. Musical accompaniment was by Jack Rael's Orchestra.
Just Patti was a Patti Page LP album, issued by Mercury Records as catalog number MG-25196 in 1954. Musical accompaniment was provided by Jack Rael's Orchestra.
Animation historian Greg Ford praised the musical accompaniment to the horse chase, and author Piotr Borowiec describes it as "Probably the funniest cartoon starring Bugs Bunny and Yosemite Sam".
By the beginning of the 19th century, slaves provided most of the musical accompaniment for plantation festivities, such as the Harvest Home, while the white elites participated in dignity balls.
Tap dancing can also be done using an a cappella method, in which no musical accompaniment is provided and dancers creating their own "music" through the sounds of their taps.
Here, he first identified the importance of musical accompaniment, and spent the rest of his tenure as manager improving the sonic qualities of film exhibition. He was one of the first exhibitors to treat his orchestra as an integral component of the production. Through discussions with his patrons, Hyman realized that musical performance was one of the most compelling theatrical draws. The sentiment was rather clear, the audience had much more interest in films that featured a strong musical accompaniment.
He was an accomplished mandolinist, and also frequently played the piano at dances, hotels, and social events. He also played piano as the live musical accompaniment to silent movies in the local movie hall.
But Beautiful is a 1971 studio album by Nancy Wilson, with musical accompaniment by the Hank Jones Quartet. It entered the Billboard Top 200 chart on July 17, 1971, and remained for five weeks.
O' Cracker Where Art Thou? is a compilation album containing bluegrass versions of Cracker songs. The songs are played by two members of Cracker, David Lowery and Johnny Hickman, with musical accompaniment by Leftover Salmon.
A unique and grandiose affair of the festival became the screening of Sergei M. Eisenstein's masterpiece "Battleship Potemkin" shown in the open air on the Potemkin Steps with live musical accompaniment by a symphonic orchestra.
TORT has its own pit orchestra, also composed entirely of law students, which provides musical accompaniment for the show. Executive Board members for the following year are elected on the night of each final performance.
Byrnes, Lyndsey (June 8, 2010). An interview with Amber Benson, Afterellen.com. Retrieved on June 13, 2010. The episode is a tribute to the silent films that were played in theaters with musical accompaniment,Attinello et al.
The form of this work consists of three acts: a play with incidental music, a concert accompanying a slideshow of Muybridge's work, and a dance with musical accompaniment. In total, the piece lasts about 90 minutes.
Guest vocalists include Dan Gocek, Kirk Stevens, and Andy Martin. Other musical accompaniment includes whistling, finger snapping, and beatboxing. I Wrote These was mastered by Steve Forney at the studios at Linden Oaks, in Rochester, New York.
The Hamilton Fine Arts Center seats 750 people. It contains a full-fly stage, orchestra pit for live musical accompaniment, ticket booth, dressing rooms, new music rooms, costume-prop storage, control booth area, and art display area.
In her recent book The Elocutionists: Women, Music, and the Spoken Word (University of Illinois Press, 2017), Marian Wilson Kimber addresses the oft-forgotten, female- dominated genre of elocution set to musical accompaniment in the United States.
He inspired other singers such as Joe Holmes, Len Graham, and Frank Harte, as well as a younger generation of musicians, most notably Andy Irvine and Paul Brady who added musical accompaniment to some of his songs.
Charles Paul (August 23, 1902 in New York City – September 18, 1990 in Milford, Connecticut) was an American composer and organist, most known for his musical accompaniment on radio and television. Originally providing musical accompaniment to such old-time radio programs as The Adventures of Ellery Queen and Young Doctor Malone, he transitioned to television in the 1950s. His music accentuated the TV version of Martin Kane, Private Eye with an organ and horn combo. His first known soap opera was Love of Life which he began accompanying in 1953.
Levy, pp. 867, 871, 874 For others, secular, socialist and temperance halls became the community center where bands could include women.Levy, p. 874 Musical accompaniment includes the accordion, violin, guitar, bass guitar, piano, harmonica, organ, banjo and mandolin.
Poverty Bay Herald Volume XL, Issue 13234. 17 November 1913. p 7. Accessed 5 October 2015 The film has survived and was presented, with live musical accompaniment by Ben Model at the Museum of Modern Art in New York.
The Small One is a studio album of Deccalite phonograph records by Bing Crosby of a Charles Tazewell story. It was produced and directed by Paramount Pictures producer Robert Welch with musical accompaniment from Victor Young and His Orchestra.
The song is included on several Johnson compilation albums, such as The Complete Blind Willie Johnson (1993) and The Soul of a Man (2003). "Soul of a Man" has been recorded by various artists, usually with variations in the musical accompaniment.
The Coral Sea is a book by Patti Smith, published in 1996. In 2008 Smith released The Coral Sea as an album with musical accompaniment by Kevin Shields of My Bloody Valentine, recorded during two live performances of the duo.
Around 1919, musical accompaniment cue sheets start suggesting the tune "a la burlesque" to mock-dramatic scenes.Cue sheet to "That's Good," prepared by S. M. Berg, from "Musical Cue Sheets of Current Releases." Moving Picture World, 12 April 1919, P. 248.
Being a direct parody of the aforementioned scene, Abraham Simpson receives the opportunity to select his final vision and musical accompaniment: 1960s-era footage of "cops beatin' up hippies" to the tune of "Pennsylvania 6-5000" by the Glenn Miller Orchestra.
The Glee Club has often provided musical accompaniment to public observances in honor of the founder of the University of Virginia, Thomas Jefferson, and his home, Monticello. They presented musical accompaniment to a visit to Monticello by the French Ambassador to the United States, Jules Jusserand, in 1904, and sang for the ceremony honoring the creation of the Thomas Jefferson Memorial Foundation in 1923.Leepson, 225. At one of the group's concerts in Washington, DC in 1912, the then-owner of Monticello, Jefferson Monroe Levy, was in attendance and was publicly baited for not turning Monticello over outright to the United States government.
Rapping (or rhyming, spitting, emceeing, or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular", which is performed or chanted in a variety of ways, usually over a backing beat or musical accompaniment. The components of rap include "content" (what is being said), "flow" (rhythm, rhyme), and "delivery" (cadence, tone). Rap differs from spoken-word poetry in that it is usually performed in time to musical accompaniment. Rap being a primary ingredient of hip hop music, it is commonly associated with that genre in particular; however, the origins of rap precede hip-hop culture.
Oyilattam (; meaning: dance of grace) is a folk dance with origins in the Madurai region of Tamil Nadu. The dance has its origins in southern Tamil Nadu and is primarily performed in Madurai district, Tirunelveli district and Tiruchirapalli district. It was traditionally a dance where a few men would stand in a row with two kerchiefs perform rhythmic steps to the musical accompaniment, with the number of dancers increasing; over the past ten years women have also started performing this dance. Typically, the musical accompaniment is the Thavil and the performers have coloured handkerchiefs tied to their fingers and wear ankle bells.
On October 26, 2012, King's College and the Luzerne County Historical Society cosponsored a screening of the films Her Fractured Voice, His Neglected Wife, and Flesh and Spirit. The films were shown with live musical accompaniment at the King's College Burke Auditorium.
At the 'Art Theater Hanmadang', opened as a theater dedicated to Korean traditional play (CEO Yoo In-taek), the festival led by Park Chi-um was the first musical accompaniment to Korean traditional music. 'Sorisawi' performed all accompaniment music as Korean traditional music.
Selma begins crying hysterically and Brenda cries with her, but Cvalda rushes to inform her that the operation was successful and that Gene will see. Relieved, Selma sings the final song on the gallows with no musical accompaniment, although she is hanged before she finishes.
A Page of Madness was first screened in Tokyo on 10 July 1926. Screenings would have included live narration by a storyteller or as well as musical accompaniment. The famous benshi Musei Tokugawa narrated the film at the Musashinokan theater in Shinjuku in Tokyo.
Something to Take the Edge Off is the third comedy album by Doug Stanhope, released in 2000 by Stand Up! Records and recorded live at The Laff Stop comedy club in Houston, Texas. The album features a musical accompaniment by Henry Phillips on acoustic guitar.
Multitude of professional and non-professional storytellers participate during the event telling stories, either alone or accompanied, with or without musical accompaniment, singing or narrating, interpreting history without more, dressed especially for it or even camouflaged behind puppets or puppets, any option is possible.
This show is a musical cabaret, which features Bowen along with Derek Daniels Boogaloo Stu and the musical accompaniment of Ronnie Hazelnut Jason Peg on piano. Offering a mash-up of a Shakespearean game of musical bingo, classic 1970s tunes and largely fictional showbiz anecdotes .
Dandiya is a dance-oriented folk music that has also been adapted for pop music worldwide, popular in Western India, especially during Navaratri. The present musical style is derived from the traditional musical accompaniment to the folk dance of Dandiya called by the same name.
The record presents an unknown organ concert by Ottorino Respighi to the public.Website Amazon.de Other DVD productions are available. Outstanding in the history of the Reuss Chamber Orchestra is the musical accompaniment of the first two services of the consecration of the rebuilt Dresden Frauenkirche.
Troops of dancers followed to musical accompaniment performed on auloi, a type of woodwind instrument, and the lyre. The dancers were divided into age classes, men, youths, and children. Wearing purple tunics, they wielded swords and short spears in war dances similar to the Cretan pyrrhics.
Musical accompaniment provides a metronome to indicate the rhythm of motion. For example, the beat of a drum might signify an attack. Those not aware of the combative nature of these moves often mistake the forms for dancing rather than the formalized training of fighting techniques.
Mesdag's last wish was to sing the works of Jacques Brel. Friends helped him to record an album in summer 1988. The best Dutch translator of Brel songs, Ernst van Altena, translated a number of new songs. Nico van der Linden handled the arrangements and musical accompaniment.
He became the house poet of a Boston coffee house, reading haiku and other poetry to jazz musical accompaniment. By 1961 he was reading haiku at a New York City coffeehouse. In 1971 he joined the Haiku Society of America and became its president in 1978.
Sanam is a popular folk dance among the Uyghur people. It is commonly danced by people at weddings, festive occasions, and parties. The dance may be performed with singing and musical accompaniment. Sama is a form of group dance for Newruz (New Year) and other festivals.
His breakthrough was in the TV show "Hit med Sangen" and has later had shows himself. Among others: Sigurds Bjørnetime, a children's program with musical accompaniment; Sigurd og Symfoniorkestret(Sigurd and the symphony orchestra), a program teaching classical music to children; Sigurds Ulvetime, a musical TV show for adults.
Curtis had earlier experimented with multimedia. In 1911 he created a stage show with slides, a lecture, and live musical accompaniment, called The Indian Picture Opera. He used stereopticon projectors, where two projectors dissolved back and forth between images. This was his prelude to entering the motion picture era.
Cokes's artwork concerns popular culture and mass entertainment. In the 1990s, he was part of the band X-PRZ. His videos often take the form of essays in which Cokes displays fragments of found texts on brightly-colored backgrounds, set to popular music. They are essays with musical accompaniment.
Bhangra (Punjabi: ਭੰਗੜਾ) is a form of dance- oriented folk music of Punjab. The present musical style is derived from non traditional musical accompaniment to the riffs of Punjab called by the same name. The female dance of Punjab region is known as Giddha (Punjabi: ਗਿੱਧਾ). Navneet Aditya Waiba.
In 1999, the pipe band lead the parade from Maple Leaf Gardens to the Air Canada Centre, when the Maple Leafs moved there for their area of operations. The regimental pipe and drums provided musical accompaniment for the G7 summit in 1988 and for Queen Elizabeth II in 1998.
To Sikhs, the harmonium is known as the vaja or baja. It is also referred to as a peti (literally, box) in some parts of North India and Maharashtra. The harmonium plays an integral part in Qawwali music. Almost all Qawwals use the harmonium as their sole musical accompaniment.
However, the act of shooting images with other visual media, such as with a digital camera, is still called "filming" and the resulting works often called "films" as interchangeable to "movies," despite not being shot on film. "Silent films" need not be utterly silent, but are films and movies without an audible dialogue, including those that have a musical accompaniment. The word, "Talkies," refers to the earliest sound films created to have audible dialogue recorded for playback along with the film, regardless of a musical accompaniment. "Cinema" either broadly encompasses both films and movies, or it is roughly synonymous with film and theatrical exhibition, and both are capitalized when referring to a category of art.
Teejan Bai, noted exponent of Pandavani Pandavani (lit.: Songs and Stories of the Pandavas) is a folk singing style involving narration of tales from the ancient Indian epic Mahabharata. The singing also involves musical accompaniment. Bhima, the second of the Pandava is the hero of the story in this style.
It became a hit in US reaching number 28 on the US Billboard Chart. As with most of his recordings, Stan Applebaum provided the musical accompaniment. The lyrics take the Biblical story of Samson and Delilah adapting it to a modern love affair and comment on relationship between men and women.
This was followed by a guest-star performance, often a singer. Musical accompaniment was generally provided by the show's orchestra and led by its well-known bandleader, David Rose. He was also the composer of the show's familiar signature tune, "Holiday for Strings"(U.S. Copyright Registration Date 26-3-1942).
It included newly composed songs in Irish and in English. The album is co-produced by Máire Breatnach. The latter also provides some musical accompaniment along with musicians Mary Bergin, Johnny McDonagh, Bill Shanley and Lasairfhíona's brother, MacDara. Also in 2006, Lasairfhíona was nominated for a Meteor Irish Music award.
The celebration of the Stations of the Cross is especially common on the Fridays of Lent, especially Good Friday. Community celebrations are usually accompanied by various songs and prayers. Particularly common as musical accompaniment is the Stabat Mater. At the end of each station the Adoramus Te is sometimes sung.
United Artists had the movie "Coquette" with Mary Pickford at Loew's Palace the week of April 15, 1929. Tal Henry was billed with Mary Pickford on stage with "Coquette." Thomas Meighan played with Mary Pickford in early movies with no sound. Tal Henry and his North Carolinians provided the musical accompaniment.
Host Joya Sherrill would engage viewers in games, craft-making, hobby segments, and storytelling. There were comedy skits with the puppet Seymour the Bookworm, created and manipulated by cartoonist Brumsic Brandon, Jr., a.k.a. Mr. B.B., and songs with musical accompaniment by the show's musical director, Luther Henderson a.k.a. the Professor.
All hymns that were not direct quotations from the Bible fell into this category. Such hymns were banned, along with any form of instrumental musical accompaniment, and organs were ripped out of churches. Instead of hymns, Biblical psalms were chanted, most often without accompaniment. This was known as exclusive psalmody.
The band was founded in 1991, when the NYPD decided that it needed a ceremonial unit to provide musical accompaniment. It was originally founded with 12 members. The band had originally existed from 1901 to 1955 in order for the NYPD to be represented during official functions of the city.
The stereo version didn't involve much stereo, as almost all the tracks originated as mono singles. One exception was "Born to Be With You," intended for a single release which never took place. Vic Schoen and his Orchestra provided the musical accompaniment. He was also the musical director, recording supervisor and engineer.
All hymns that were not direct quotations from the Bible fell into this category. Such hymns were banned, along with any form of instrumental musical accompaniment, and organs were removed from churches. Instead of hymns, biblical psalms were chanted, most often without accompaniment, to very basic melodies. This was known as exclusive psalmody.
As with legong dances, condong is accompanied by the semar pangulingan style of gamelan. This musical accompaniment takes the form of a series of short 16-beat melodies, in the gegaboran metre. In the condong dance performed as a preface to legong kraton, the music concludes with a shift to batel metre.
To the upper left, an orchestra on a balcony provides musical accompaniment. The chamberlain (the man with the staff of office) examines a paper addressed "To the worſhipl Fras Goodchild Eſq Sher[...] Lond" while a crowd of people mills at the bar. This is the first time we find out his first name.
Each track includes spoken word extracts from the series. In many cases, these are manipulated to fit with the musical accompaniment. "The Bestest in the Barn" was released as a single on 12 March 2007. It features Lola and Lotta teaching various animals on their farm how to sing, dance and play music.
The end of "Rock the Party" is seen being performed by Jemaine at the Travel Expo. Bret is not present, but he provides musical accompaniment and back-up vocals via a pre-recorded cassette tape. This song, whose lyrics consist mostly of the words "rock the party", makes an appearance in several future episodes.
Ulderico Marcelli, also known as Rico Marcelli (October 3, 1882 – August 17, 1962), was a 20th-century Italian composer who became known in the United States for writing operas and musical accompaniment for dramatic performances, and for his skill as an orchestra conductor.Music Library Association, Northern California Chapter. MLA NCC Newsletter, Vol. 16, no.
The film was generally well received by critics, but the faults of story for the sake of a moral lesson were noted. Adrift, like all other American silents of the day, had no musical accompaniment, but a letter written into a trade publication provides a score for the drama. The film is presumed lost.
"I Dreamed I Saw St. Augustine" is a pensive ballad. Like the rest of the John Wesley Harding album, the music of "I Dreamed I Saw St. Augustine" uses spare, unobtrusive musical accompaniment. The primary instruments are an acoustic guitar and drums. The lyrics describe a dream that is enigmatic and subject to interpretation.
Their repertoire is extremely varied and includes both shanties and other nautical songs, some of which are fairly lewd. With the addition of Jason & Toby (accordion and guitar) the group have added more musical accompaniment to their set. Billy and Toby are both supported by Vintage Guitars and regularly use their instruments on stage.
The film followed the much longer Riefenstahl films of 1933 and 1934 and the reason for the smaller movie is not known. Many of the film sequences follow Riefenstahl quite closely, such as the introduction using aerial shots of the city of Nuremberg. The score uses Richard Wagner's Die Meistersinger von Nürnberg for musical accompaniment.
Fauve collective, sometimes stylized as FAUVE, is a French arts collective of music and videography established in 2010 in Paris. The band also uses the not equal to sign ≠. The act depends mostly on story telling through acting, through spoken word and musical accompaniment. The collective has its own record label called FAUVE CORP.
' (born 1941) is a Japanese hayashi musician, one of a long line of Tōsha school musicians specializing in providing musical accompaniment in the kabuki theatre. Born in 1941, he began studying under his father, Tōsha Shūhō, from around the age of six.Kabuki techō: Kabuki Official Data Book 2008. Nihon Haiyū Kyōkai (Japan Actors' Association).
Many Hokkien-speaking immigrants entered Taiwan during the 1750s, and with them they brought puppet theatre. The stories were based mainly on classical books and stage dramas and were very refined. Artistry focused on the complexity of the puppet movements. Musical accompaniment was generally Nankan (南管, Nanguan) and Hokkan (北管, Beiguan) music.
Performances were simple. Actors were often peasants who would perform between busy agricultural seasons. They often had no costumes and only a few props, though sometimes rented simple costumes from larger local opera troupes. Musical accompaniment was sparse consisting of only a pair of drums and a wooden clapper played by a performer offstage.
Windspeaker, Volume 23, No. 8, November 2005 In 1880 Lavigueur's patriotic song, "O Canada, beau pays, ma patrie" was published. In 1881, he moved to Lowell, Massachusetts to be with one of his sons. He participated in the local music scene there, presenting a play with musical accompaniment."Lowell - A center of French culture".
The original WorkJuice Players were Dave 'Gruber' Allen, Paget Brewster, Craig Cackowski, Mark Gagliardi, Marc Evan Jackson, Hal Lublin, Annie Savage and Paul F. Tompkins. In episode six, Eban Schletter performed live musical accompaniment. Schletter wrote the theme song to "Sparks Nevada, Marshal on Mars". In episode seven, the show was joined by Andy Paley.
Dandiya or Raas is a form of Gujarati cultural dance that is performed with sticks. The present musical style is derived from the traditional musical accompaniment to the folk dance. It is practiced mainly in the state of Gujarat. There is also another type of dance and music associated with Dandiya/Raas called Garba.
In addition, he did musical accompaniment for singers like: David Pabon, Pedro Conga, Paquito Guzman, Luisito Carrion, Jose Bello, Mariano Civico, Roberto Blades among others. They also regularly perform in private parties, birthdays, Embassies (i.e. Panama, Australia, Peru, Mexico, Spain) and weddings, as for example Mr. Martin Campbell's wedding, Director of Casino Royal 007, in Geneva, Switzerland.
In former times, championship bouts were held in which the objective was to blind the opponent's eye. The winner is required to happily sing a quatrain while the loser replies in a low voice to show despair. Participants must be agile, physically fit and able to sing local songs. Women playing a drum as musical accompaniment for Caci fighting.
The first place of worship in the village was a mission church built in 1880. The corrugated iron building was originally used for an infant school. After the First World War, the building began to house the village Sunday School and weekly Evensong service. The church lacked an altar and organ; musical accompaniment was played on a harmonium.
Performer with fire poi Modern poi coexists with traditional Maori poi and enjoys a broader, worldwide audience. Traditional Maori poi is generally performed in group choreography at cultural events, with vocal and musical accompaniment. By contrast, modern poi is generally performed by individuals, without singing and with less structured choreography. The tools and styles used are more varied.
Mbaku 189. Musical accompaniment may be as simple as clapping hands and stomping feet,Mbaku 191. but traditional instruments include bells worn by dancers, clappers, drums and talking drums, flutes, horns, rattles, scrapers, stringed instruments, whistles, and xylophones; the exact combination varies with ethnic group and region. Some performers sing complete songs by themselves, accompanied by a harplike instrument.
A son had noted that the family could never play with the hand-crafted marionettes because they were stage props and not children's toys. The performances in the first years had musical accompaniment from 78-rpm records. The sound effect techniques improved later and included music tapes. Paul and his wife were the voices for their marionette characters.
Retrieved 14 March 2015. The American premiere was held on 28 March 2009, in Long Beach, California, staged and performed by the Long Beach Opera with musical accompaniment by Musica Angelica directed by David Schweizer and conducted by Andreas Mitisek.Ng, David (March 22, 2009). "Vivaldi's 'Motezuma,' lost, found, restored, re-imagined", Los Angeles Times. Retrieved 14 March 2015.
The Man Without a Country is a studio album of phonograph records by Bing Crosby of the famous Edward Everett Hale story released September 15, 1947. The story had been adapted as a poetic narrative by Jean Holloway. The album was produced and directed by Paramount Pictures producer Robert Welch with musical accompaniment from Victor Young and His Orchestra.
The museum shows a collection of different pieces, like some dance, cafe, street and fair organs. Het Kunkels Orgel is a concert organ and the biggest of its type in Europe. There are also theater organs, like Lady Compton, that were used for the musical accompaniment of silent films. The eldest organ in the museum dates from 1900.
This can either be done with music and follow the beats provided or without musical accompaniment, otherwise known as a cappella dancing. Tap dancers often work with musicians to weave rhythm and musical composition, usually jazz music, to create improvisation. Improv jams take place in communities around the world where tap dancers and musicians exchange and experiment with improv.
Surviving chapels from this period are generally austere and simply furnished. Typical worship consisted of a sermon, long vernacular prayers and Low Mass in Latin. Musical accompaniment was prohibited until the nineteenth century, when organs began to be introduced into chapels.N. Yates, Preaching, Word and Sacrament: Scottish Church Interiors 1560–1860 (A&C; Black, 2009), , p. 94.
El Señor Bing is a long-playing vinyl album recorded in June 1960 by Bing Crosby for his own company, Project Records. It was released by MGM Records (E-3890P) in October, 1961. The album consists of ten tracks each consisting of two songs set to a Latin American rhythm. Billy May & his Orchestra provided the musical accompaniment.
He has edited and contributed to an original, liturgical composition for the Hebrew in Harmony series. A multi-instrumentalist, Rank is also a composer. His music includes both original settings to traditional Jewish liturgy and musical comedy. Notable musical collaborations include Rank’s work with Ghanaian rapper Osekre and his musical accompaniment to dancers Phillip Askew and Lydia Walker.
Musical accompaniment was traditionally piano, now often augmented by a modern electric organ. There is usually an altar table on a slightly raised Dais, a pulpit, a font and a lectern. The walls are usually built of local stone unrendered externally, plastered internally and painted white. Roofs are corrugated "zinc" sheets, often painted red to hide the inevitable rust.
In 2007 he worked with dancer and choreographer David Ingram by performing live musical accompaniment for ballets produced by Empujon, an independent dance collective. Sollee and Ingram have continued to collaborate on various projects, particularly dance videos using Sollee's music, e.g., "It's Not Impossible," "Bible Belt," and "Embrace." Sollee has established a reputation for performing widely with other artists.
The Stiltman is another character that accompanies the Tuk Band, and is also seen on Bank Holidays. The Stiltman represents surviving hard times, and the effigy of Mr. Hardin. Tuk Bands perform during island festivals such as Crop Over, the Holetown Festival, and at Christmas and New Years. The trio provides musical accompaniment for The Landship.
Take It Easy with the Walker Brothers is the debut album by the American pop group the Walker Brothers. It is also commonly known as Take It Easy. The group's musical accompaniment was directed by Ivor Raymonde and produced by John Franz and Nick Venet. It was released in 1965 and reached number three on the UK Albums Chart.
The group's musical accompaniment was directed by Reg Guest and produced by John Franz. Receiving good to mixed reviews, the album was first released in both Mono and Stereo LP formats in March 1967. The album was later released on CD having been remastered and expanded in 1998. The sleeve notes were written by Alan Freeman.
On weekends, assemblies are held in which swamis and devotees deliver discourses on a variety of spiritual topics. During these assemblies, bhakti is offered in the form of call-and- response hymns (kirtans) with traditional musical accompaniment. Religious assemblies also take place for children and teenagers of various age ranges. Throughout the year, mandirs celebrate traditional Hindu festivals.
Paul Draper Jr. (October 25, 1909 – September 20, 1996) was a noted American tap dancer and choreographer. Born into an artistic, socially prominent New York family, the nephew of Ruth Draper was an innovator in the arts. His passion and unique style led him to international stardom. One signature piece was Sonata for Tap Dancer, danced without musical accompaniment.
Bill Laswell's band Material collaborated with Burroughs to produce the 1989 album Seven Souls, wherein Burroughs recites passages exclusively from this book to musical accompaniment. The album was reissued in 1997 with three bonus remixes. In 1998, an additional unreleased six remixes (plus one previously released) were introduced on the album The Road To The Western Lands.
Susanna". Charles provided the musical accompaniment. This was released by RCA Victor in 1955 as the A-side on a 7" single, with the B-side a medley of "Pat-a-Cake", "Three Blind Mice", and "Jingle Bells". The novelty record became a hit, reaching #22 on the US Billboard Pop Singles chart. The disc eventually sold over a million copies.
UkeCast 226, November 8, 2007 Podcast available UkeCast 226 She uploads YouTube videos under the name of SweetAfton23, an allusion to a Scottish poet Robert Burns' lyrical poem Sweet Afton. She was inspired by a rendition of Jonathan E. Spilman's 1837 musical accompaniment to the poem, as played by Chris Thile with Nickel Creek. The 23 refers to her birthday, November 23.
Musical accompaniment was also sometimes used to taunt the other team. Gambling could be done by players, or spectators of a match. Placing bets on teams, or individual matches within the game between one guess and the other teams bone hiders. Other games included some played by children, and some played specifically by the warriors to prepare and train themselves.
This dance is prevalent in the south districts and Kongu Nadu in particular. First a few people will stand in a row and start dancing with rhythmic steps with musical accompaniment. Intricate steps are used in martial arts, such as Silambattam. Then gradually the row will become longer as the newcomers and guests all join and dance along as they like.
After its invention in the Egyptian Alexandria, the organ arrived in Greece in the Hellenistic period. After its conquest by the Romans it was spread in the Roman Empire. There it was used for musical accompaniment in the competitions in the arenas and played by the wealthy as a domestic musical instrument. At the Byzantine court the hydraulis was a prestigious object.
It also follows the band on their testing journey to producing their first studio album release in 8 years. "Musical Accompaniment for the End of the World (Songs for Two Pianos, Tactful Synths and Voice)" contains the 10 songs unveiled in the documentary and was scheduled to be released on April 14, 2012 — the 100th anniversary of the sinking of the RMS Titanic.
29, 2007. This citation states, "In the annals of American poetry it is hard to picture a more neglected poet than James A. Emanuel." published more than 300 poems, 13 individual books, an influential anthology of African American literature, an autobiography, and more. He is also credited with creating a new literary genre, jazz-and-blues haiku, often read with musical accompaniment.
Cham dance during Dosmoche festival 2018 at Leh Palace There are indications that Indian Buddhists developed edifying dramas, perhaps with musical accompaniment. Aśvaghoṣa is known to have written a Buddhist drama, the Sariputra-Prakarana, which only survives in fragments.Winternitz, Moriz, A History of Indian Literature: Buddhist literature and Jaina literature, p. 266. It is the oldest dramatic work of Sanskrit literature yet discovered.
Lukas Murphy of Issuu magazine felt the album was "to be taken with a healthy dose of carefreeness" as exemplified by lyrics where "nonsense is rarely utilised in such a juxtapositional way, matched with both expertise and musical frivolity." From September 2014 Bomba worked with Melbourne Ska Orchestra to provide a musical accompaniment to the fireworks display for Melbourne's New Year's Eve celebrations.
Upon its release, Wide Eyed received a moderate amount of positive response to music critics. Nordeman's lyrics and vocal performance received particular praise, while criticism targeted the musical accompaniment. The album had a modest amount of commercial success. After entering the Billboard Christian Albums chart at number 16, Wide Eyed went on to sell over 130,000 copies in the United States.
The French Republican Guard Band () is a military band unit of the French Republican Guard. The band is composed of 120 professional musicians from senior national conservatories. It is a part of the National Gendarmerie. As the senior band and field music unit of the French Armed Forces, it is aimed towards active participation as the musical accompaniment in all national events.
These exercises were often combined with apparatus to keep their wrists, elbows and shoulders supple. Clubs and rods are currently being used for this. As the primary purpose of the form slowly moved from exercise to performance art, musical accompaniment gradually enhanced performances and it slowly became an integral part of the art form. Public classes began in the 1880s.
Celebrations included drinking competitions, feasting, song and dance, and climbing a greased pole. Musical accompaniment was provided by triangle, fiddle, drums and a guitar, played by slave entertainers. Crop over festivals continue to play a part of Barbadian culture, and always feature music by performers in sugarcane-cutting costumes, even though many modern performers are not themselves sugarcane- cutters.Millington, pg.
At the moment, only "USB" clips and some video clips are shown on the screen. From 2010 to 2014, artists, called "residents", went on stage, descending from the second floor on the escalator. Now they come out of the street, where people and stars meet them on stage. The musical accompaniment of the numbers, as well as paddles and jingles, is played live.
I Feel the Spirit was Prince Buster's first studio album, released in 1963. The album includes many well known songs such as "Madness", "They Got to Come", "Wash You Troubles Away" and "Black Head Chinaman". The musical accompaniment was by the Drumbago All Stars, Les Dawson Blues Unit and Rico Rodriguez Blues Band. The cover photography was credited to Dezo Hoffmann.
Further musical accompaniment was provided by cymbals (jhanjh), barrel drum (pakhavaj), tabla, and harmonium. Akhyana were recited by Manabhatts belonged to Brahmin caste only thus the Akhyana authored by the person of other castes were given to them for recitation. Nakar is recorded as one such non-Brahmin, Bania caste author in medieval Gujarati literature. They chiefly belonged to south Gujarat.
Both recordings were produced for True North Records by Jonathan Goldsmith. A total of five music videos were created and received regular rotation on MuchMusic. Hoskins True North in 1994. In 1992 and 1994, the band performed and toured as the musical accompaniment for the Heart of Mine Tour, actor and playwright Robert Morgan's one-man stage show about Bob Dylan.
Musical direction is by Philip A. Scheib (April 14, 1894 – April 1969), who also worked on Sidney's Family Tree (1958) and The Juggler of Our Lady (1958). The musical accompaniment often features a distinctive bass harmonica. Deputy Dawg later appeared in episodes of the 1987 series Mighty Mouse: The New Adventures. Deputy Dawg also appeared in the 1999 pilot Curbside.
The overall package was renamed to Shovel Knight: Treasure Trove. ; Silent film : In the earliest days of the film industry, all films were without recorded sound. Once "talkies" became the norm, it became necessary to specify that a particular film was "silent". The term "silent film" is also a misnomer, because silent films were typically presented in theatres with live musical accompaniment.
The musical accompaniment can be anything, from piano solo or guitar duet to jazz-style big band or philharmonic orchestra. In these cases, samba rhythm was provided mainly by a drum player. It always maintained Brazilian flavor, more or less, but strongly influenced by American popular songs in every way. Some were influenced by Argentine-Uruguayan tango and Cuban-Mexican bolero.
The Band of the Ministry of Defense performing in August 2014. The Central Band of the Ministry of Defense is the main operational musical unit of the armed forces. Founded in 1995 in Almaty, it was transferred to Astana in 2012. It provides musical accompaniment for all operational public duties at the Defense Ministry and at all military units in the capital.
At the beginning of the film, subtitles introduce the audience to how and why the film was made. When the action starts, we see a boy meeting an atom. Hesitant at first, he dances for it to the film's musical accompaniment, then bounces it around like a ball. The atom drops to the ground and forms a trampoline, which the boy bounces on.
The festival selected 27 of these films to be shown at the Columbus Theatre. Six festival entries made their U.S. premiere and five made their world premiere. Among the films being shown was Tales of the Uncanny (1919), a five-part German horror film, with live musical accompaniment by Boston composer James Rohr. It was followed by Shelf Life and Freak Out (2004).
The 2000 Toronto International Film Festival, the 25th annual festival, ran from September 7 to September 16, 2000. Along with special events to commemorate the anniversary, there were a total of 330 films screened. There was a special screening of Sergei Eisenstein's Alexander Nevsky featuring musical accompaniment by the Toronto Symphony Orchestra with the Toronto Mendelssohn Choir. Also, 25 digital video shorts were made by attending filmmakers.
Catholic worship was deliberately low key, usually in the private houses of recusant landholders or in domestic buildings adapted for services. Surviving chapels from this period are generally austere and simply furnished. Typical worship consisted of a sermon, long vernacular prayers and an unsung Low Mass in Latin. Musical accompaniment was prohibited until the nineteenth century, when organs began to be introduced into chapels.
During the 1980s, the most popular music styles in Jamaica were dancehall and ragga. Dancehall is essentially speechifying with musical accompaniment, including a basic drum beat (most often played on electric drums). The lyrics moved away from the political and spiritual lyrics popular in the 1970s and concentrate more on less serious issues. Ragga is characterized by the use of computerized beats and sequenced melodic tracks.
The game is usually accompanied by drumming and singing used to boost the morale of the team. The side that has the bones sings, while the other tries to guess. The musical accompaniment is also sometimes used to taunt the other team. Players and spectators may place bets on teams, or individual matches within the game between one guess and the other team's bone hiders.
"Climax" is set in common time. Diplo called the style "Radiohead quietstorm", and both Spin and Rolling Stone agreed that the song was a mix of quiet storm style and electronic music. It is written in the key of C minor, and Usher's voice ranges from B3 to G5. The music is built around a haunting riff, complemented by sparse drum machine and some musical accompaniment.
The dance-dramas of Laos were originally only performed for the royal court. The dance-dramas and musical accompaniment are all very similar to those of Thai and Cambodian classical dances. Lao legends of the first ruler of Lan Xang say that in addition to a large army of Khmer soldiers, he was also accompanied by many female dancers from the court of Angkor.Ray, N. (2007).
David Bowie Heathen Tour at the Beacon Theatre, 2002. With its superior acoustics designed for the musical accompaniment of pre-sound moving pictures, the theater was long the leading Upper West Side venue for R&B;, pop, jam bands and rock concerts. Steely Dan has had many residencies at the theatre. Queen performed numerous concerts as part of their A Night at the Opera Tour in 1976.
In 1918 she took over the management of the Laban School, later renaming it the Bewegungsschule Suzanne Perrottet. She ran the school and taught there until 1979. With von Laban and Mary Wigman she is considered one of the founders of modern Expressionist dance. In 1936 she was hired to teach rhythmic gymnastics, body language, and musical accompaniment at the École Polytechnique Fédérale de Lausanne.
Frankenstein was among the earlier silent films to have an associated cue sheet, providing suggested musical accompaniment. From the cue sheet: The pieces include "You'll Remember Me" from the 1843 opera The Bohemian Girl, the 1852 "Melody in F", "dramatic music" (presumably the "Wolf's Glen" scene) from the 1821 opera Der Freischütz, the 1835 song "Annie Laurie", and the Bridal Chorus from the 1850 opera Lohengrin.
The song was at Svensktoppen for eight weeks during the period 20 December 1987 through 14 February 1988. The theme of the song is that Christmas will light a candle as a symbol of hope for a better world. It has become a Christmas classic in Sweden, and is often included in Christmas music collections. In 1993, Shanes covered the song with musical accompaniment.
In the first round he performed a ballet and contortion routine: The Swan. The musical accompaniment was Ave Maria by Charles Gounod, played on wine glasses, crystal xylophone and bass guitar by the St. Petersburg trio Crystal Harmony. There was a very enthusiastic response from the audience, and he won easily. In the second round the act was: Sun God, based on a classical Indian dance.
The strictly rhythm based songs called as "Kavithangal" and deal with various themes of the Puranas (ancient Hindu scriptures). Each "Kavitham" is composed to suit a specific rhythm. Before each song, the dancers explain the intricacies of the particular rhythm about to be employed and how this rhythm is translated into dance movements. Percussion instruments like the chenda, talachenda and ilathalam (cymbal) form the musical accompaniment.
Rating it 3 out of 5 stars, Michael McCall of Allmusic wrote that "The album features well-crafted lyrics, fastidious acoustic-pop arrangements and his unremarkable voice." A review in Cash Box was positive, saying that McAnally "makes the 'simple life' seem so intriguing, as he touches on every aspect of life" and "delights us with his own style of singing and musical accompaniment".
The first public performance of this restored version was given at the Théâtre du Châtelet in Paris on 30 March 2015, with a newly composed score by Aidje Tafial. A Blu-ray and DVD edition was published in December 2015; it included the musical accompaniment by Aidje Tafial and an alternative one by the Alloy Orchestra.L'Inhumaine: Blu-ray/DVD edition, December 2015. Lobster Films (Paris).
The six Teodori dancers perform exactly the same hand and foot movements in unison, expressing the meaning of the songs through the dance.Fukaya, Words of the Path. The choreography of the Teodori is called Otefuri. The Teodori also requires the full set of musical accompaniment: six men's instruments (hyoshigi, chanpon, surigane, taiko, kotsuzumi, and fue), three women's instruments (koto, shamisen, kokyū), and one or two singers (jikata).
Tovey drifted away from the idea of playing music, and began getting involved in other art forms instead. He later studied visual arts and mime at Leeds Polytechnic. He felt the need to give his mime act some sort of musical accompaniment so he went back to the idea of recording music. The initial musical pieces were formed of sound manipulation using tape recorders.
The Royal Canadian Air Force Band is a 35-member military band which represents the Royal Canadian Air Force in the Canadian Armed Forces. Currently located at Canadian Forces Base Winnipeg, the RCAF Band provides musical accompaniment for ceremonies of the RCAF in Canada. It is home to a wide range of ensembles including the Spitfire Kings rock band that was formerly part of the band.
In December 2000, following the approval of the new BBC Four, BBC Knowledge's programming was realigned to better reflect the new channel. A single ident was utilised instead featuring a circle made out of different materials which would move forward and off the screen at the viewer. These could be made with a variety of objects. The musical accompaniment followed the choral and instrumental style.
This 1925 silent western showcases Tucson and the surrounding area in remarkable detail. A surviving print of the film was tracked down by historian Demion Clinco, acquired and digitized by the Tucson Historic Preservation Foundation Live piano accompaniment in conjunction with the Tucson Jazz Festival thanks to Jeff Haskell. The film was screened in 2016 as part of the Tucson Film Fest with live musical accompaniment.
Eight because it takes eight persons to plait the Maypole. The engine or Tuk Band can have a minimum of three members. It provides the musical accompaniment for the members of the Ship to perform their manoeuvres as well as for the plaiting of the Maypole. Each ship was traditionally named after British warships but bearing the initials of the "Barbados Land Ship" BLS before it.
On 24 March 2008 Artificial Eye released a 3 disc UK edition, which includes five short films and a new musical accompaniment by Éric le Guen. On 14 August 2012 a Blu-ray Disc version was released by Kino International on two discs, remastered from the Cinémathèque Française 35mm film restoration, with a musical score by the Mont Alto Motion Picture Orchestra and a trailer for Fantômas.
The musical premiered at the Signature Theatre, a professional regional theatre in Arlington, Virginia, from January 15 through February 17, 2008, where it was directed by Eric D. Schaeffer, the Artistic Director of the theatre, with musical staging by assistant director Matthew Gardiner. Musical accompaniment consisted of a four-piece band."'Glory Days' Musical, Opening Jan. 22, Examines Life One Year After High School" playbill.
The musical accompaniment consisted only of Gaga on piano, who appeared with a gigantic platinum blonde hair bow. "Speechless" was present on the setlist of Gaga's Monster Ball Tour (2009–2011). During the original version of the concert series, "Speechless" came after performing an acoustic version of "Poker Face". Jane Stevenson from Toronto Star called the performance the emotional high point of the show.
Silent films always had musical accompaniment. In the large picture palaces, such as those in Chicago and Detroit, they would typically have a live orchestra. The smaller palaces, such as the Kalamazoo State Theatre, would have had a chamber group or pipe organ. This was a great improvement from the small town and second run houses which would typically only offer a piano player.
Toy theatres were assembled at home and performed for family members and guests, sometimes with live musical accompaniment. Toy theatre saw a drastic decline in popularity with a shift towards realism on the European stage in the late 19th century, and again with the arrival of television after World War II.Bell, John. "A Short Entertaining History of Toy Theater." Cambridge: Great Small Works, 2008.
Bhangra (Punjabi: ਭੰਗੜਾ) is a form of dance-oriented folk music of Punjab. The present musical Tamak' (r.) and Tumdak' (l.) - typical drums of the Santhal people, photographed in a village in Dinajpur district, Bangladesh.style is derived from non-traditional musical accompaniment to the riffs of Punjab called by the same name. The female dance of Punjab region is known as Giddha (Punjabi: ਗਿੱਧਾ).
One important aspect of Classical Chinese poetry is that it was generally designed to be chanted or sung, with or without musical accompaniment. In fact, folk poetry, almost by definition, was orally composed and orally transmitted. This is because the "folk" were for the most part illiterate, as opposed to the generally literate scholarly classes; however, even the poems of the scholarly classes were intended to be sung or chanted.
Moore decided to use a film in the public domain to avoid any rights issues. He looked through the Prelinger Archives to find a film which matched the mood he wanted for the Chroma Key album. One of the first films he found was the social guidance film Age 13. "It was kind of rich for musical accompaniment and the cinematography and everything is really beautiful, kind of surreal," Moore said.
Musical accompaniment was provided by long-time accompanist Patrick Healy on piano and the Slovak Symphony Orchestra conducted by Allan Wilson. In November 2014, it was announced that Kearns' debut solo album, With a Song in My Heart, had been submitted for consideration for a 57th Annual GRAMMY Award nomination in four categories – including "Best Classical Solo Vocal Album." The news was released by Kearns' agent and publicist Kirsten Fedewa.
She described meeting him, "I used to sing, with a heavy guitar, Western style numbers. Once I met Kevin he gave me one instruction: 'Throw that guitar out the window.' Although I did not throw it out any window, I am now singing without any of my own musical accompaniment." Jacobsen's older brother, Col Joye, was an established pop singer and regular performer on Bandstand, a TV music show.
Around Genroku era, Nagauta ('長歌' long song), which has consistent story, appeared. Apparently, Kengyo ('検校' blind official often engaged in music) started to compose Nagauta in Edo. The famous composers are Asari-kengyo and Sayama- Kengyo, and it seems that before long composers in Kamigata also took this style for their work. In the course of time, Nagauta came to be used as musical accompaniment of Kabuki.
Guinness World Records Limited Cribbins recorded it at the Abbey Road Studios with musical accompaniment, directed by Johnnie Spence. Sound effects were added by the producer George Martin, who would later become famous for his work with the Beatles."Old music: Bernard Cribbins – Right Said Fred", The Guardian, 2 May 2012. Accessed 18 January 2016 The B-side was the comedy love song "Quietly Bonkers", another Dicks-Rudge composition.
"LA Who Am I to Love You" is a poem by American singer and poet Lana Del Rey from her first poetry collection, Violet Bent Backwards over the Grass (2020). The poem was recorded by Del Rey for her spoken word album-of-the-same name with musical accompaniment by Jack Antonoff. The song was released onto digital outlets on July 27, 2020, the day before the album's release.
Originally, there were five roles in Beijing opera, but the last role "Mo" became a part of "Chou". Beneath the whimsical persona of the , a serious connection to the form of Peking opera exists. The is the character most connected to the , the drums and clapper commonly used for musical accompaniment during performances. The actor often uses the in solo performance, especially when performing , light- hearted verses spoken for comedic effect.
Ray Pulman autobiographical essay, undated Pulman was also a member of the Association of Fundamentalists Evangelising Catholics. The subordinate standard followed by the church is the Savoy Declaration of Faith and Order, drawn up in 1658. It uses the King James Version of the Bible and worshippers sing psalms, hymns and paraphrases without musical accompaniment. The church is associated with the Sovereign Grace Mission and the Bible Institute.
The seven-minute song features gospel-like vocals in the chorus, along with a predominantly organ- and piano-based musical accompaniment. Lyrically, the song is about a drug addict who is undergoing a crisis of faith. "Moment of Surrender" was praised by critics, many of whom called it one of the album's stand-out tracks. The song was compared to the group's earlier ballads "With or Without You" and "One".
He finished a tour with Schäffer The Darklord as of 25 November 2007 and started another tour on 1 November 2008 with MC Lars and YTCracker. As of June 2010, he's been touring with alternative rock musicians, Wheatus, on their UK leg of their 10th anniversary tour; on occasion providing guest vocals on some of their live jams, as well as Wheatus offering musical accompaniment on some of his tracks.
Unusually for Italian operas of the day these works were composed for women's voices only. With the exception of his penultimate opera for the family, Scherzo, the musical accompaniment was scored for two pianos only. In 1838 Balducci returned to the public theatre for a final time with his opera Bianca Turenga which was performed at the Teatro San Carlo. Arias from the work were later published in Milan by Ricordi.
The Special Forces Command Band the official service band of the country's Special Operations Command. On 18 June 2018, training began for over 40 soldiers of the SFC Directorate of Band to form a new musical unit. This was intended on making all three service branches self-reliant in terms of musical accompaniment. Much of the training was provided by its associated band from the Uganda People's Defence Air Forces.
Examples include the "Water Dragon Tune" (shui long yin), which generally denotes the arrival of an important person, and "Triple Thrust" (ji san qiang), which may signal a feast or banquet. The final type of musical accompaniment is the percussion pattern. Such patterns provide context to the music in ways similar to the fixed-tune melodies. For example, there are as many as 48 different percussion patterns that accompany stage entrances.
During a search, they are met by Gildersleeve's sister, Jean (Ginny Simms), and her troop of girl guides. Bergen successfully finds a specimen and rushes back to the lodge to phone the institute, leaving Charlie to flirt with the girls. At the McGee's party that night, Fibber arranged for bandleader Ray Noble to provide the musical accompaniment. Charlie continues romancing the girl guides and Fibber talks to Bergen about Cadwalader's scheme.
T. Gallagher, Glasgow: The Uneasy Peace : Religious Tension in Modern Scotland, 1819–1914 (Manchester: Manchester University Press, 1987), , p. 9. Worship, in chapels within the houses of members of the aristocracy or adapted buildings was deliberately low key. It typically involved an unsung Low Mass in Latin. Any form of musical accompaniment was prohibited by George Hay, who was vicar apostolic of the Lowland District in the period 1778 to 1805.
Jewel of the Organist The 'Organist' or 'Director of Music' provides musical accompaniment to lodge proceedings, although there is no set form. Many lodge rooms are equipped with a pipe organ or electronic organ, and in others, there is provision for a wider range of instruments. In other places, the Director of Music operates recorded or digital music systems, such as at the Grand Lodge of Austria in Vienna.
The tonkori, an onomatopoeic description of the sound the instrument produces, is a plucked string instrument and generally has five strings made out of gut. Unfretted and played open, the tonkori is limited in tones by the number of strings. The tonkori is played by both men and women and commonly serves as musical accompaniment to yukar or dances and rituals, although solo-performances have been noted as well.
From the 1960s to the 1970s, under the leadership of Sastro Sabdo and Narto Sabdo Ngesti Pandawa reached its peak of popularity and became an icon of Semarang. Ngesti Pandawa became a point of reference for other wayang orang groups in that era. Its theatrical scenery, musical accompaniment, costume, choreography, and stage tricks were emulated by other wayang orang groups. The popularity of Ngesti Pandawa attracted the attention of President Sukarno.
"Jeanie Deans" is a song which celebrates Jeanie Deans, the heroine of Sir Walter Scott's 1818 novel, The Heart of Midlothian. It was probably performed in music halls around the end of the 19th century as it is found in a 'broadsheet' of that period.Cf. National Library of Scotland: Broadside sheet in NLS: Probable period of publication: 1880-1900 shelfmark: L.C.Fol.70(118b) Its musical accompaniment is not given.
In February 2002 Spanjaard took care of the musical accompaniment for the wedding of Prince Willem-Alexander and Máxima Zorreguieta. She was particularly moved by Adiós Nonino from Ástor Piazzolla with Carel Kraayenhof on bandoneón. The success of the performance led to another CD-recording with the same performers including the Concertgebouw Kamerorkest and the Nederlands Kamerkoor. Since August 2001 Ed Spanjaard was appointed chief conductor of the Limburgs Symfonie Orkest.
The orchestra was unofficially founded on November 1924 at the famous Moscow cinema "Ars", located on Arbat Street. In 1924 in Ars he first time instead of the usual for that time pianist tapёra he made the orchestra. Such a change in the musical accompaniment of films became popular among the spectators. Since then, under the direction of conductor David Blok, the orchestra began to play in other theaters.
He specifically employed French musicians in the westernization of the military bands in the country. The Iranian Armed Forces maintains military bands in the Islamic Revolutionary Guard Corps and the Islamic Republic of Iran Army. The latter maintains military bands across its branches, including the Ground Forces, Air Force, and Navy. Prior to 1979, the Bands of the Imperial Immortal Guard provided musical accompaniment for official events of state.
Greek odes were originally poetic pieces performed with musical accompaniment. As time passed on, they gradually became known as personal lyrical compositions whether sung (with or without musical instruments) or merely recited (always with accompaniment). The primary instruments used were the aulos and the lyre (the latter was the most revered instrument to the ancient Greeks). There are three typical forms of odes: the Pindaric, Horatian, and irregular.
Other performances in the 2018-2019 season include Weill's Suite from The Threepenny Opera, Ravel's Piano Concerto in G Major, Harbison's Remembering Gatsby, Gershwin's Rhapsody in Blue, Tchaikovsky's Romeo and Juliet Overture, Daugherty's Raise the Roof, Rimsky-Korsakov's Scheherazade, as well as live musical accompaniment to films Sherlock Jr., Fadeaway with Koko the Clown and Sure-Locked Homes with Felix the Cat and a collaboration with Cirque de la Symphonie.
The church has an active congregation. It is located in the more impoverished part of Riga, south-east of the old town, behind the imposing Latvian Academy of Sciences building. There is a particular ministry to young people, with some services offering lively musical accompaniment and leadership by young people. There is an active children's ministry and the church claims to have the largest Sunday School in Latvia.
In 1982, she decided to finance a tour of Spain to "show what Mexico is". With the money she earned singing in California, she hired Pepe López's Mariachi México 70 as her musical accompaniment. Before she left for Spain, Mexican journalist Jacobo Zabludovsky interviewed her and gave her television programs to promote her tour of Spain. She sang in the Spanish cities of Bilbao, Zaragoza, Torremolinos, Marbella, Madrid, and Barcelona.
In addition to its star, The Jack Smith Show featured other singers as co-stars. At various times during the show's run they included Eugenie Baird, Dinah Shore, Ginny Simms,Martha Tilton, the Clark Sisters and Margaret Whiting. The program also featured guests, including Dorothy Shay, Kay Starr, Ella Fitzgerald, Martha Raye and The Pied Pipers. Musical accompaniment was by Earl Sheldon and his orchestraAlicoate, Jack, Ed. (1949).
James N. Gilmore and Sidney Gottlieb. IU Press, 2018, p. 16-17 Dafora and Assen's presentation of voodoo practices and musical accompaniment of the witches' speeches with drumbeats were popular with audiences, critics, and with Welles himself. The involvement of Assen, Dafora, and diasporic African musical and dance tradition added a powerful feeling of authenticity to the Haitian setting that became part of the folklore surrounding the production.
The parade was inspected by the commander of the Reserve Front, Marshal of the Soviet Union Semyon Budyonny, with musical accompaniment by a combined band made up of the Central Military Band of the People's Commissariat of Defence, the Band of the Dzerzhinsky Division, and the Staff Band of the Moscow Military District, both under the baton of Colonel Vasily Agapkin, then the Director of Music, Staff Band of the MMD.
But she later confessed that her performance in Show Boat scared her. "There I was, cracking every night, unable to be heard from the musical accompaniment, with Mama holding on to my sister Diana's hand. As a result I was disillusioned with my singing and with my course then--nursing," Legaspi told in an interview. But the then 16-year-old Celeste Legaspi didn't give up her singing.
Portrait is the second album by the American pop group The Walker Brothers. Released in 1966 the album was their most successful and reached number three on the UK Albums Chart. The group's musical accompaniment was directed by Ivor Raymonde and Reg Guest and produced by John Franz. Receiving good to mixed reviews the album was first released in both Mono and Stereo LP formats in August 1966.
In late 1910, the Thanhouser company released a list of the important personalities in their films. The list includes G.W. Abbe, Justus D. Barnes, Frank H. Crane, Irene Crane, Marie Eline, Violet Heming, Martin J. Faust, Thomas Fortune, George Middleton, Grace Moore, John W. Noble, Anna Rosemond, Mrs. George Walters. Musical accompaniment for the silent films were not provided by the studios, and the Thanhouser productions were no exception.
It was drawn primarily from the types of old English hymns, ballads, and folk songs which the settlers likely carried with them. Lamar Stringfield, American composer and conductor, has been credited with composing the original music for the play.North Carolina Highway Historical Marker H-94, North Carolina Department of Cultural Resources His contribution is not noted in the original program. The new Hammond electric organ was used to provide musical accompaniment.
Brescia influenced two students who would later make names for themselves in Ecuadorian contemporary music: Segundo Luis Moreno and Luis H. Salgado. Marcelli left for San Francisco in 1910 and, due to Ecuador's increasing political unrest, Brescia left the country in 1911. By 1914, he had settled in San Francisco teaching voice and composing music. In 1919, Brescia wrote the musical accompaniment to Life, a Grove Play performed at the Bohemian Grove.
"On August 24, 1930, a Chamberlin Day took place at the Weberg brothers' airport [in Denison], which at that time was known as ‘Weberg Airways Inc.'" Around 18,000 people came out to airfield to wish Chamberlin well and to celebrate the airfield's renaming as Chamberlin Field. Entertainment consisted of around 46 planes taking part in aerial maneuvers and races accompanied by several town bands, bugle corps, and drum lines providing musical accompaniment.
A click track is a series of audio cues used to synchronize sound recordings, sometimes for synchronization to a moving image. The click track originated in early sound movies, where optical marks were made on the film to indicate precise timings for musical accompaniment. It can also serve a purpose similar to a metronome, as in the music industry, where it is often used during recording sessions and live performances.Gavin Harrison (August 2003).
Dead City Radio is a musical album by Beat Generation author William S. Burroughs, which was released by Island Records in 1990. It was dedicated to Keith Haring. The CD is a collection of readings by Burroughs set to a broad range of musical compositions. It was produced by Hal Willner and Nelson Lyon, with musical accompaniment from John Cale, Donald Fagen, Lenny Pickett, Chris Stein, and alternative rock band Sonic Youth, among others.
By Dave LeBlanc Toronto Star, Jan. 6, 2008 He was a Genie Award nominee for Musical Score in a Non-Feature at the 1st Genie Awards in 1980 for his work on the CBC documentary series Dieppe 1942. The same year he scored the Canadian horror film The Changeling, starring George C. Scott. In 1994 Wilkins arranged and conducted the musical accompaniment for jazz pianist Oliver Jones' album From Lush to Lively.
Many insights to this opera are found in Leonard Bernstein's analysis of it in his sixth and last Norton lecture from 1973, "The Poetry of Earth". Bernstein stated that Oedipus rex is the most "awesome product" of Stravinsky's neoclassical period. Much of the music borrows techniques from past classical styles and from popular styles of the day as well. However, Stravinsky purposely mismatches the text subjects (in Latin) with its corresponding musical accompaniment.
In re- working the Greek originals, the Roman comic dramatists abolished the role of the chorus in dividing the drama into episodes and introduced musical accompaniment to its dialogue (between one-third of the dialogue in the comedies of Plautus and two-thirds in those of Terence).Brockett and Hildy (2003, 49). The action of all scenes is set in the exterior location of a street and its complications often follow from eavesdropping.
Even in the silent film era, films were shown with sounds, often with musical accompaniment by a pianist or an orchestra keeping time with the screen action. The first synchronization was a turning recording device marked with a white spot. As the white spot rotated, the cameraman hand cranked the camera to keep it in sync with the recording. The method was then repeated for playback, but with the projectionist hand cranking the film projector.
John Sinclair (born October 2, 1941) is an American poet, writer, and political activist from Flint, Michigan. Sinclair's defining style is jazz poetry, and he has released most of his works in audio formats. Most of his pieces include musical accompaniment, usually by a varying group of collaborators dubbed Blues Scholars. As an emerging young poet in the mid-1960s, Sinclair took on the role of manager for the Detroit rock band MC5.
Released on February 17, 2017 with a running time of about 39 minutes. The album was produced by Grammy award-winning producer Mitch Dane, with musical accompaniment including many of the members from the band Jars of Clay. It was recorded at Sputnik Sound where demoing, pre-production and tracking were completed in 3 weeks. The album was mastered by Chris Athens, Published by Jetty Rae LLC and distributed by Tone Tree Music.
Pepe Jaramillo is the primary artist with three exceptions, which are noted. Because all of his recordings "contain only authentic Latin rhythms, they became popular for both listening and dancing," and he frequently recorded under variations of the name "Pepe Jaramillo & His Latin American Rhythms." Geoff Love was long associated with Pepe, and was the most frequent director of the musical accompaniment for Pepe's piano artistry. Geoff Love also arranged many of Pepe's recorded songs.
The Guyana Defence Force Band Corps is the official musical unit of the GDF whose role is to provide musical accompaniment for ceremonial functions of the GDF. The members were drawn from the Rifle Companies and the defunct Volunteer Force and were brought out during regimental military parades. The Guyana Defence Force Steel Band would soon follow the main band's lead after its own establishment in 1970, three years after the original band was founded.
Moon has released several of her lectures as recordings. She has also released the musical accompaniment to those lectures as stand alone albums. Her first full-length record, Floralaldehyde, was released in 1996 (re-released in 1999). Notable works include Scientifically Speaking with Irene Moon, a series of her lectures and music, From Field Station A (1997, re-pressed 2004), and the soundtrack to the Thin Wax Line, an animated bee propaganda film.
The Eshuva are the Harákmbut-language sung prayers of Peru's Huachipaire people. They are sung as an expression of Huachipaire religious myths to summon nature spirits, to help alleviate illness or promote well-being, as part of traditional ceremonies, and during the initiation of the new Eshuva singers. Eshuva songs are performed without musical accompaniment. Since they are sung only in the Harákmbut language, they help safeguard the Huachipaire people's language, values, and worldview.
Victor Herbert Melodies, Vol. 1 is a studio album featuring five 78 rpm phonograph records recorded by artists Bing Crosby, Frances Langford, Florence George and Rudy Vallee celebrating the music of Victor Herbert. The recordings were made in December 1938 by Decca Records, who were probably aware that a film called The Great Victor Herbert was being made by Paramount Pictures. Victor Young and His Orchestra provided the musical accompaniment to all of the tracks.
Papers Jael Goldfine defined the song as the "musical accompaniment to Swift's newly radicalized political identity, the Democrat-voting, Dixie Chicks-defending, nice-girl-no-more that she crafts in Miss Americana". Cosmopolitans Starr Bowenbank also labelled the song as Swift's "most political song to-date". Nylons Layla Halabian termed the song as a "hopeful anthem over a shimmering pop production", that "encourages the youth to challenge the establishment and secure a safer future".
Berg Encyclopedia of World Dress and Fashion; Australia, New Zealand, and the Pacific Islands Vol 7 Part 11: Polynesia Around 1930, the costumes changed yet again to be more revealing and more traditional. Hibiscus bark became the standard material for grass skirts, men no longer wore pants underneath, and women started showing their midriffs. The dress also changed according to type of musical accompaniment. For compositions using drums and membranophones, natural materials were used.
Moulin Rouge was originally released in 1928 as a silent film with live musical accompaniment, running approximately 130 minutes. The following year, it was edited and re-released with a sychronised score composed by John Reynders, which included various sound effects. This version ran for 86 minutes and is available from several budget DVD labels. In 2017, the film was restored in HD to close to its original running time, at 127 minutes.
The Starlight Social started as an add-on event that included champagne and possibly meeting guests. After the introduction of the VIP Pass in 2015 it became a VIP only event. Dessert buffet or finger food platters have been provided in previous years, and it is a chance to socialize in a smaller setting than the dance or karaoke. In 2018 the Starlight Social also included a live musical accompaniment by the Newfoundland Symphony Orchestra.
Carson was born on German Street in Ancoats, Manchester. Her father William Brown Carson, who was Scottish, ran a flour mill and her mother, Mary Clarke (Tordoff) was an amateur singer. As a child, she took piano lessons while attending Church of England school, Carson performed with her younger sister Nellie as a singing act called the Carson Sisters. In 1913 she became a cinema pianist providing the musical accompaniment for silent films.
The musical premiered in the United Kingdom at the Watermill Theatre in Newbury, where it ran from 11 April to 18 May 2019, before embarking on a UK tour. Directed by Michael Fentiman, the production is noted for using the actor-muso approach, where the actors themselves provides the musical accompaniment. The original Watermill cast included Audrey Brisson as Amélie and Chris Jared as Nino. Danny Mac later joined the cast as Nino.
Da Ponte agrees, and they begin work. At the rehearsal several months later, Joseph is frustrated to find that his opera has no music, and Wolfgang explains that Rosenberg has crippled his finale by declaring that the use of ballet has been forbidden by the Emperor. Joseph replies that he will simply change the old custom. He instructs Salieri to fix the problem, and Salieri tells Wolfgang to recommence the rehearsal with musical accompaniment.
Instead, he may have adapted it for musical accompaniment. That these skolia were written, not only by poets like Alcaeus, Anacreon, Praxilla, Simonides, but also by Sappho and by Pindar, shows in what high esteem skolia were held by the Greeks. "The gods of Olympos sang at their banquets". The Epitaph of Seikilos, dated to the first century CE, found with the original music in the ancient Greek notation, is the oldest complete example of ancient Greek music.
Crane's work has been published in literary journals and magazines, and he has self-published three chapbooks between 1991 and 1994, including The Book of Screams, An Almost Summer and Joan of Arc was a fire eater. Ten of Crane's poems appeared in the collection Loose Kangaroos in 1998. Crane's first collection of poetry, The Lightmaster, was published in 1999 by Phoebe Press. He released Not Mad Just Raving, a CD of spoken word with musical accompaniment.
I Need You is an extended play by the American pop group The Walker Brothers. It was released in 1966 reached number one on the UK EP Chart. It was released following the group's second UK #1 single when the group were at the height of their popularity. The EP was produced by John Franz, Ivor Raymonde and Reg Guest directed the musical accompaniment and the group's live backing band The Quotations performed on "Everything's Gonna Be All Right".
For the première in Berlin Giuseppe Becce was engaged, probably the most prominent film composer in Germany at this period. His musical accompaniment borrowed from a wide range of classical, mostly romantic, music of all types. Next to works by famous composers such as Tschaikovsky, Bizet, Massenet, Sibelius and Verdi he used works by less well- known composers, such as the Hans Heiling overture by Heinrich Marschner, the overture from the opera Yelva by Carl Gottlieb Reissiger and others.
The New York Times, 14 June 1987, p. LI22The New York Times14 June 1987, P. New York Region In accordance with the ecumenical and liturgical guidelines for interfaith marriage ceremonies, Serry performed sacred music reflecting a variety of religious traditions, including: Catholicism, Protestantism, Judaism, and Eastern Orthodox. His brief concerts were presented prior to each wedding ceremony on both the organ and the piano. Musical accompaniment was often provided for vocal soloists, hazzans, as well as cantors.
He conceived the Ocarina Orchestra as an ensemble that could be musically effective without requiring technical expertise. Morrow has played in a variety of musical contexts over the years, including Derek Bailey’s Company at London’s ICA in 1981. He has also provided sympathetic musical accompaniment for numerous poets over the years, including Allen Ginsberg. In April 1980 Morrow and Swedish sound poet Sten Hanson organized the 12th International Sound Poetry Festival, at Washington Square Church in New York City.
He was one of seven illustrious percussionists, including Shelly Manne, Jack Sperling, and Larry Bunker, who contributed to the soundtrack of the John Wayne film Hatari!, playing African instruments on the soundtrack album, The Sounds of Hatari, and its title track. He played for the soundtrack of the TV miniseries Roots. He also played the musical accompaniment for Tinker Bell in the 1953 Disney cartoon film Peter Pan and for the nose tinkle in the TV series Bewitched.
After Meiji period, again Jiuta was promoted toward Tokyo (formerly Edo), then spread out rapidly. Today Jiuta is popular in traditional music field across Japan except Okinawa. However, in Tokyo, the impression of Jiuta is musical accompaniment of Jiutamai ('地歌舞' Jiuta dance), it is regarded that the music is composed according to the character of Jiutamai; elegant and quiet feeling. However, the truth is that Jiutamai was created as dance accompaniment of Jiuta, not opposite.
Beyond Our Ken (1958–64) was a radio comedy programme, the predecessor to Round the Horne (1965–68). Both programmes starred Kenneth Horne, Kenneth Williams, Hugh Paddick, Betty Marsden and Bill Pertwee, with announcer Douglas Smith. Musical accompaniment was provided by the BBC Revue Orchestra. The title is a pun on the first name Kenneth, which hinges on the familiar expression 'beyond our ken' (ken being a now mainly Northern English and Scots word meaning 'knowledge or perception').
Reunion is erroneously attributed to Cage in James Pritchett's book The Music Of John Cage. Rain Forest is a sound installation created from constructed sculpture and everyday objects such as a metal barrel, a vintage computer disk, and plastic tubing which served as a musical accompaniment. (David Tudor and Composers Inside Electronics Inc.: Rain forest V (variation 1)) In 1969, Tudor set up India's first electronic music studio at the National Institute of Design in Ahmedabad.
Actors Una Merkel and James Gleason were also brought in to participate in more contemporary sketches with Burns. The musical accompaniment also changed with Gordon Jenkins and Ray Sinatra (cousin of Frank Sinatra) becoming the musicians of the program. The 1943–1946 years proved to be the best and highest-rated years of the program. The beginning of season four saw the departure of vocalist Simms on the program and the inclusion of her replacement singer Shirley Ross.
Not long after Wallace's decisive defeat, People's Songs went bankrupt and disbanded. A spinoff, however, People's Artists, showed somewhat more vitality. The Thanksgiving after Wallace's defeat, People's Songs decided to put on a fundraising Hootenanny that included folk dances from many lands. A group of People's Artists, comprising Seeger, Hays, Fred Hellerman, and Ronnie Gilbert, worked up a musical accompaniment to the dances, which they called (in the "One World" spirit of the Progressive movement) "Around the World".
It was originally written by Gaye as a religious ode to life, but Motown singer-songwriter Kenneth Stover re-wrote it as a more political first draft. Upon hearing Gaye's preliminary mix of Stover's draft, Townsend protested and claimed that the song would be better suited with sexual and romantic overtones, particularly "about making sweet love."Townsend (2001), p. 4. Gaye and Townsend rewrote the song's lyrics together with the original arrangements and musical accompaniment of the demo intact.
His intimate portrayal of a totally unconventional but non-dysfunctional family garnered multiple domestic and international awards. Kim's third feature film Late Autumn was a remake of Lee Man-hee's 1966 classic Manchu set in Seattle. It was also critically acclaimed and became the highest-grossing Korean film in China. Kim then joined the restoration project and re-directed Crossroads of Youth (1934) by "performing" Korea’s oldest known silent film with live narration (by the byeonsa) and musical accompaniment.
An instrumental interlude follows, which repeats the musical accompaniment to the Chipmunks' singing. Near the end of the interlude, Dave tells the Chipmunks to get ready to sing again, compliments Simon and Theodore for singing well and scolds Alvin for singing a little flat. Alvin again hesitates to respond, so Dave yells at him again, and Alvin again answers, "Okay!" The Chipmunks reprise the last four lines of the vocal, followed by another instrumental performance of the music.
Solo John/Solo Scott is a split-EP by the American pop group The Walker Brothers members John Walker and Scott Walker. It was released in 1966 reached number four on the UK EP Chart. While the EP was released as two solo efforts due to it being released while the group was active it is generally categorised as a Walker Brothers release. The EP was produced by John Franz with musical accompaniment directed by Reg Guest.
Wennerberg was a most remarkable type of the lyrical, ardent Swedish aristocrat, full of the joy of life and the beauty of it. In the long roll of his eighty-four years there was scarcely a crumpled rose-leaf. His poems, to which their musical accompaniment is almost essential, have not ceased, in half a century, to be universally pleasing to Swedish ears; outside Sweden it would be difficult to make their peculiarly local charm intelligible.
In the Land of Hi-Fi was a Patti Page album issued by Mercury Records on its EmArcy label. Musical accompaniment was by Pete Rugolo and his Orchestra. The catalog number of the monaural version, first released in 1956, was MG-36074, and of the stereophonic version, released in 1958, it was SR-80000. It was later reissued as Mercury MG-20516 (mono) and SR-60192 (stereo), titled Patti Page With The Pete Rugolo All Stars.
I Wish You a Merry Christmas was a long-playing vinyl album of Christmas themed songs recorded by Bing Crosby for his own company, Project Records, and issued by Warner Bros. (W-1484) in 1962. The tracks were arranged by Bob Thompson, Peter Matz and Jack Halloran and each conducted the orchestra for their own arrangements. The musical accompaniment was recorded on 23 and 25 July 1962 and Crosby over-dubbed his vocals on October 5, 1962.
Kleinke is a musician, and plays guitar, mandolin, bass and banjo in folk, bluegrass and sacred music settings. He currently serves as Music Director for Congregation Shir Tikvah (Portland, OR); is the founder and leader of Nashir Neshama, a Jewish kirtan group based in Portland; and provides musical accompaniment for kirtan events and yoga classes. In the late 1980s, Kleinke wrote musician profiles and album reviews for Acoustic Guitar, Bluegrass Unlimited, Frets, Banjo Newsletter, and the Old Time Herald.
While working as a clerk, he amassed a huge working knowledge of thousands of pieces of music. He could recall most in an instant. He used this knowledge to create a list of music, he believed, provided the best background music for the film. Once the compiled list was complete, he would publish these suggestions in the form of a “Cue Sheet.” Theater musicians could follow the “Winkler Cue Sheet creating the perfect musical accompaniment for the film.
Carey Landry (born 1944) is an American composer of Catholic liturgical music. Among his compositions are "Abba, Father", "Hail Mary, Gentle Woman", "Only a Shadow", and a musical accompaniment to the traditional verses "Peace Is Flowing Like a River". He and his wife, Carol Jean Kinghorn, have released several albums and collections of music through their publisher, Oregon Catholic Press. He has a master's degree in theology from The Catholic University of America and lives in Indianapolis, Indiana.
Taj focuses on belly dance as being an artistic medium through which to communicate features of Egyptian culture. Taj rejects the floorwork that is common in other approaches (such as the Turkish style), believing the upright posture of the classical Egyptian genre to be more culturally representative. Her interpretation of musical accompaniment is influenced by the vocal style of the late Egyptian singer and actress Umm Kulthum. Taj performs through The Egyptian Cultural Performing Arts Society Inc.
For example, the song Pour combien appears as an uncompromising condemnation of capitalist consumerism which tends to change love into a simple economic good. Bertrand Bitz also possesses a distinctive style. In his songs, lyrics are always in the foreground and are subtly underlined by a musical accompaniment made of uncluttered lines. In 2003, at this time singer of Hillside, a Swiss pop-rock group based in Sierre, Bitz released the album entitled Instants volés (Stolen instants).
Anderson was born in Columbus, Ohio in 1954. He spent his childhood in Rochester, New York, and San Rafael, California before moving as a teenager to Lafayette Hill, Pennsylvania near Philadelphia. He started making films at that time, shooting on 8mm stock and composing and recording musical accompaniment. After graduation from Plymouth-Whitemarsh High School in Pennsylvania, he moved to Illinois where he attended Northwestern University in Evanston, studying Radio/TV/Film and Music Theory & Composition.
The theatrical form of Der Silbersee is difficult to classify and most closely resembles a singspiel, though with greater dramatic demands placed on the acting. As in his other works, Weill uses a broad variety of forms (songs, arias, duets, quartets, choruses), musical styles (tango, funeral march, waltz, polka, foxtrot, march) and conventions (revenge aria, moritat, Totentanz, and dialogue spoken over elaborate musical accompaniment, i.e., melodrama). The orchestration requires a string section plus 13 other instruments.
Older But No Wiser is a 1995 album by the Irish folk group, The Clancy Brothers and Robbie O'Connell. This was the Clancy Brothers' final album, released almost four decades after the group's first album, The Rising of the Moon. It was also their third album for Vanguard Records. The songs on Older But No Wiser are notable for their thicker musical accompaniment than was typical of Clancy recordings, as well their first use of female back-up singers.
When Bessie died, Harvey stated it would cause Shep to die of a broken-heart. While A Dog's Love was released little more than a month before Shep's death in early November 1914, two more films had yet to be released. Both The Barrier of Flames and Shep, the Sentinel would be released posthumously. Official musical accompaniment for works of this period were very rare and only one studio, Vitagraph, regularly made suggestions available to exhibitors.
Hip hop or rap music,Encyclopædia Britannica article on rap, retrieved from britannica.com: Rap, musical style in which rhythmic and/or rhyming speech is chanted ("rapped") to musical accompaniment. This backing music, which can include digital sampling (music and sounds extracted from other recordings by a DJ), is also called hip-hop, the name used to refer to a broader cultural movement that includes rap, deejaying (turntable manipulation), graffiti painting, and break dancing.AllMusic article for rap, retrieved from AllMusic.
The T'heydin is an oral tradition that is handed down the generations through the imitation of the musical talents of the ancestors and is performed on festive occasions with musical accompaniment. The griots live in all regions of Mauritania, although some regions are better known for their griot families. The regions of Hodh, Tagant-Assaba, Trarza-Brakna and Adrar are particularly well known for its griots. The population of griots is currently estimated to stand at over a thousand.
Morgan dedicated the album to her father, whom she claims introduced her to such music. Among the songs covered were "Fly Me to the Moon", "I've Got the World on a String", and "Good Morning Heartache". For this album, Landis returned to production duties, while musical accompaniment was largely handled by pianist Beegie Adair and the Nashville String Machine, a session string ensemble. Morgan performed ten concerts in 1998 which promoted the album, with Adair and a small orchestra accompanying her.
Terezka's Academy of Danse Orientale is now one of the pre-eminent schools in Sydney. One of her innovations is classes and workshops accompanied by live musicians, a rare opportunity for dancers at intermediate and advanced levels to experience live musical accompaniment. In 1991 Terezka hosted an evening with live musicians for the first Bellydance-a-thon, an event that turned into the annual Sydney Middle Eastern Dance Festival. In 1992 Terezka retired from performance on the Arabic nightclub and restaurant circuit.
One of the staples of the PBS Kids Bookworm Bunch were music video interstitials that aired at the end of each program before the credits. These spots initially replaced promotions for Elliot Moose, which are the only materials as of late that are still considered to be lost. These music videos were essentially montages of scenes from all of the shows with musical accompaniment. Each of the songs was performed by musician Nancy Cassidy, appearing on three albums released between 1986 and 1992.
Weaver was also a recording artist, with most of his tracks being spoken-word recordings with musical accompaniment. Dennis Weaver discography on Discogs He released several singles and albums between 1959 and 1984, most notable of which was his eponymous Im'press Records LP in 1972, the cover of which featured a portrait of Weaver in character as McCloud; it was the first of seven albums he recorded. Weaver's 1972 LP release From 1973 to 1975, Weaver was president of the Screen Actors Guild.
As a member of The Missingmen, Watson performed on Lou Barlow's Sentridoh III album. In 2000, Watson performed with Vinny Golia, Mark Trayle, and drummer Vince Meghrouni at Society for the Activation of Social Space through Art and Sound. With The Chance Band, Watson provided musical accompaniment to Jean Baudrillard's poetry for the album Suicide Moi. Watson joined Emil Amos and Steve Shelley as "Tom Watson and His Clients" to perform at Swiss Institute Contemporary Art New York in April 2017.
There she performed and continued her training with Marc Sempere, promoter of the collective Compartir Dóna Gustet, and with Jasmin Martorell, a vocal coach who had been a disciple of Montserrat Caballé. At the musical level, Arnal bases her background on the oral tradition of the Iberian Peninsula. According to the artist, she wants to approach tradition from the perspective of free culture in the digital age. She has published three albums, with the musical accompaniment of Marcel Bagés on the electric guitar.
The Not So Strange Emanuel Case by Dan Schneider, Cosmoetica, accessed May 6, 2006. Emanuel is also credited with creating a new literary genre, jazz-and-blues haiku, which he has read to musical accompaniment throughout Europe and Africa. For this creation he was awarded the Sidney Bechet Creative Award in 1996. He was also awarded the Dean's Award for Distinguished Achievement in 2007 from Columbia University's Graduate School of Arts and SciencesInterview with James Emanuel by Dan Schneider, Cosmoetica, accessed Sept.
Director Guy Ritchie used the soundtrack from the film The Dark Knight by Hans Zimmer as temporary music during editing. Zimmer was pleased when Ritchie asked him to do the score but was told to do something completely different. Zimmer described his score to Ritchie as the sound of The Pogues joining a Romanian orchestra. For the musical accompaniment, composer Hans Zimmer used a banjo, cimbalom, squeaky violins, a "broken pub piano" and other unconventional instruments such as the Experibass.
As members of the Beat generation began to embrace aspects of African-American culture during the 1950s, the art of jazz poetry shifted its focus from racial pride and individuality to spontaneity and freedom. In this case, both jazz poetry and jazz music were seen as powerful statements against the status quo. Jack Kerouac would often have musical accompaniment for his poetry readings. His colleague, musician and composer David Amram, would often play the piano or bongos as Kerouac read.
On the morning of 16 September, the military parade participants march to the Zocalo to take their places. Since 2013 a card stunt formation also is part of the parade proper, showing delicate pictures and human graphics. Musical accompaniment is provided by the buglers, (since 2013) cavalry and artillery trumpeters and drummers of the Massed Corps of Drums of the Mexican Army and the massed military bands and combined choirs from both the Secretariats of National Defense and the Navy.
Merced's performance in Pregones's play El bolero fue mi ruina [The Bolero Was My Downfall] (1997–2002, restaged 2005) has received significant critical reception. In this one-man show (with live musical accompaniment), Merced portrays two Puerto Rican characters: Loca, an incarcerated transvestite bolero singer, and Nene Lindo [Pretty Boy], her boyfriend, whom she murdered. This Spanish-language play was directed by Rosalba Rolón. It is an adaptation of a short story by the deceased Puerto Rican gay author Manuel Ramos Otero.
A duodrama is a theatrical melodrama for two actors or singers, in which the spoken voice is used with a musical accompaniment for heightened dramatic effect. It was popular at the end of the 18th and the beginning of the 19th century. Closely related to opera, the most famous example were the 1775 works Ariadne auf Naxos and Medea by Georg Benda. Mozart admired Benda's work and used similar techniques in Zaide (1780) and Thamos, König in Ägypten (c. 1773-1780).
Jack Kerouac had released Poetry for the Beat Generation and Blues and Haikus (1959) following the publication of The Dharma Bums. Both albums featured jazz-based accompaniment, however, for Readings by Jack Kerouac on the Beat Generation, Kerouac had decided to record the album solely in spoken word. Despite having no musical accompaniment, biographer Gerald Nicosia stated that "the musicality of Kerouac's art is best exemplified by the Readings album." Several readings on the album are from several of Kerouac's written works.
Environments is a series of LPs, cassettes, 8-Track cartridges and CDs created by producer and sound recordist Irv Teibel (1938-2010) for Syntonic Research Inc. between 1969 and 1979. The series consists of recordings of natural sounds such as a seashore with crashing waves or a thunderstorm with falling rain, without musical accompaniment. The series helped ignite a worldwide interest in field recordings which resulted in many imitations being released throughout the 1970s, 1980s and 1990s both with, and without, music (i.e.
Further musical accompaniment was provided by the duo Barb Jungr & Michael Parker, who assisted Clary when he performed a musical number at the end of each show. Various celebrity guests made appearances, usually assisting in a game round, including Harry Enfield, Nicholas Parsons, Dora Bryan, Barbara Windsor, Fenella Fielding, Bill Oddie, The Beverley Sisters and Mike Smith (who had worked with Clary previously on the ITV comedy game show Trick or Treat and was a regular target of Clary's jokes).
Mr Nice Guy is an EP by Danish actress, singer songwriter Trine Dyrholm containing three songs ("Avenuen", "Spejlet" and "Stille") composed for the comedy show of same name "Mr. Nice Guy" showing at the Bellevue Teatret. The lyrics of the released EP are those of Peter Lund Madsen and Anders Lund Madsen and music is by Kim Larsen. The songs were sung by the leading actress for the comedy play Trine Dylholm and musical accompaniment by Emil de Waal's band.
Her screen debut was in The Sea Tiger (1927). Her early films included Show Girl (1928), which had Vitaphone musical accompaniment but no dialog, and its musical sequel Show Girl in Hollywood (1930), both released by Warner Brothers and both based on novels by J.P. McEvoy. In these two films, White appeared as Dixie Dugan. In October 1929, McAvoy started the comic strip Dixie Dugan with the character Dixie having a "helmet" hairstyle and appearance similar to actress Louise Brooks.
It is also included as a bonus feature on the 1997 laserdisc, 2003 DVD, and 2008 DVD & Blu-ray releases of Sleeping Beauty. According to the opening credits, Grand Canyon is "a pictorial interpretation of Ferde Grofé's Grand Canyon Suite", much as the animated segments in Fantasia are pictorial representations of music, and the film is strongly related to its soundtrack. Grand Canyon is one of Walt Disney's more unconventional and experimental works, as it has musical accompaniment, but no dialogue or narration.
British keyboardist and future music producer Ed Buller helped to create many of the demos made before the band returned. Although never an official member of the Furs, Buller supplied much-needed musical accompaniment at this stage, and would go on to collaborate frequently with the band over the next six years. When the second batch arrived, Rundgren made major revisions and even dropped some tracks entirely. By necessity then, some songs were revised or fully composed in the studio.
34 In 1950, Alan Dale would go on to host a series on CBS which bore the same name as the DuMont series. From June to November 1950, the new Alan Dale Show aired on Friday nights at 11pm ET. Janie Ford did not star in the CBS version; musical accompaniment was provided by the Milt Green Trio, a trumpet/piano/guitar unit.Brooks, Tim & Marsh, Earle (2007). The Complete Directory to Prime Time Network and Cable TV Shows 1946-Present (9th ed.).
The Gardemusik at the 34th Austrian Brass Music Festival 2013 in Vienna The Gardemusik Wien (Guards Band Vienna in English) is one of nine military bands in Austria and is the seniormost band in the Austrian Armed Forces. Unlike its German counterparts in the Bundeswehr, the band lacks a corps of drums, which is the most essential part to the German format. It consists of 60 military musicians who provide musical accompaniment to the Gardebataillon, of which it is the official regimental band.
Buza () is a traditional hand-to-hand Russian folkloric fight. It is expressed as a men's dance battle, combining movements similar to the Tropak and Hopak traditional dances with spinning kicks and sweep kicks, some techniques similar to the Brazilian capoeira. The practice includes the use of traditional Russian costumes, traditional musical accompaniment (optional) and sometimes the use of traditional Russian medieval weapons (such as sticks and knives). Apparently, there are regular full contact competitions between school fighters from different regions.
In 2005 Ditrich took on a management role for the bluegrass band House of Doc."A Look Back At The Year In Manitoba Music". Manitoba Music, December 21, 2005 In 2010 Ditrich performed as part of the musical accompaniment for an original play, Debt the Musical, in British Columbia."Debt the Musical! Review". The Province, January 14, 2010, by Stuart Derdeyn In 2011 he produced part of Calum Hughes' album And That's Okay With Me at the Vancouver studio The Warehouse.
A variety of body postures may be assumed, often with specific meaning (mainly respect or adoration) associated with them: standing; sitting; kneeling; prostrate on the floor; eyes opened; eyes closed; hands folded or clasped; hands upraised; holding hands with others; a laying on of hands and others. Prayers may be recited from memory, read from a book of prayers, or composed spontaneously as they are prayed. They may be said, chanted, or sung. They may be with musical accompaniment or not.
Como's first recording for RCA Victor, "Goodbye Sue", was recorded three months after he began his radio program. Because of the strike, it was recorded without the use of studio musicians. A version of the song with full musical accompaniment was not recorded until 1944 for the V-Disc program. Como performed the song on his Columbia Presents Como radio program with the backing of the Raymond Scott Orchestra and it is one of the selections in this box set.
In 2008 she appeared on Todd Sickafoose's album Tiny Resisters. In 2010 she co- produced a track with Margaret Cho called "Captain Cameltoe" for the comedian's Cho Dependant album. In 2011 she appeared on Rob Wasserman's album Note of Hope, an exploration of the writings of Woody Guthrie with musical accompaniment, though the track in which she appeared, "Voice", was actually recorded 13 years earlier. Also in 2011 she duetted with Greg Dulli on the Twilight Singers record Dynamite Steps.
City Reading (Tre Storie Western) (2003) started as an idea for a collaboration with contemporary Italian writer Alessandro Baricco, known for his unusual characterizations and lyrical, poetic style. Baricco contacted Air in summer 2002 with the idea to marry narration of texts from his book City with live original musical accompaniment. The performance premiered live in November 2002 at Rome's Teatro Valle, and was deemed such a success that both parties resolved to make a full studio recording that resulted in the album.
The film was sold by Méliès's Star Film Company and is numbered 909–911 in its catalogues. It was sold as Rogues' Tricks in the United States, and as The Burglar's Bath in the United Kingdom; Rogues' Tricks is the title used on the title card in a surviving print of the film. A restoration supervised by David Shepard, with a Photoplayer musical accompaniment by Joe Rinaudo, was released on home video in 2008 as part of a Méliès collection.
It shows originality in both the treatment of its biblical theme and its musical accompaniment, since it was sung in its entirety. As all the Occitan plays, sometimes mere fragments, which have escaped destruction, are preserved in about a dozen manuscripts, unearthed within the last forty or fifty years. Generally those plays belong to the 15th century or to the sixteenth. Still, a few are more ancient and may be ascribed to the 14th century or even to the end of the thirteenth.
The young men brought often their instruments with them. The dance turned from a pagan custom into entertainment for young people and was used as a possibility to find a partner. The dance could also be started in a different way, several girls in sarafans would sit next to each other and quietly sing humorous songs, the young men join the girls with soft musical accompaniment . After some time, everyone is standing up and forming a circle and start dancing.
Demand was high for black gospel recordings of the song by H. R. Tomlin and J. M. Gates. A poignant sense of nostalgia accompanied the recordings of several gospel and blues singers in the 1940s and 1950s who used the song to remember their grandparents, traditions, and family roots.Turner, pp. 154–155. It was recorded with musical accompaniment for the first time in 1930 by Fiddlin' John Carson, although to another folk hymn named "At the Cross", not to "New Britain".
The group was reorganized in 1994 as a 12-member Jazz Choir under the direction of Lisanne Lyons. The new group also disbanded the showband, replacing it with a rhythm quartet of student musicians playing guitar, piano, bass and drums. That instrumental group was later replaced with prerecorded musical accompaniment. The group continued in the Jazz Choir format for 10 years, winning the Downbeat Award two years in a row for the most outstanding jazz choir in the United States.
Dent married Ali Christina Flores.Denny Dent Facebook Page Facebook A Denny Dent performance, which he referred to as a "Two-Fisted Art Attack," consisted of him rapidly painting on a black canvas with multiple brushes in both hands, as well as painting with his bare hands, to a musical accompaniment. Over the course of just a few pop/rock songs, he would complete a portrait. His subjects were most often musicians, but also included other entertainers, sports figures, and political leaders.
His next opera, an adaptation of Shakespeare's A Midsummer Night's Dream, is an entirely a cappella work, with the musical accompaniment, including the percussion, sung by a "voicestra" of 15 to 20 voices.Ward, Marvin J. "Composer/Conductor Michael Ching's Latest: Shakespeare Re-configured and Opera Re-imagined". Classical Voice of North Carolina (CVNC). December 2, 2014. The inspiration for the work came when he was invited to become the vocal coach for DeltaCappella, a contemporary a cappella group founded in Memphis in 2007.
A different musical accompaniment composed by Ray Henderson with new lyrics from Buddy DeSylva and Lew Brown also briefly became a nationwide sensation and was widely recorded.Kantor, Michael & Laurence Maslon, Broadway: the American musical. N.Y. Bulfinch Press 2004 pp. 89-90; 96-7. An evocative recreation of that version by choreographer Rod Alexander was featured in the 1956 biopic The Best Things in Life Are Free performed by Sheree North and Jacques d’Amboise leading a stage full of flappers and tuxedoed Johnnies.
Mervyn Nelson (died 17 August 1991) was a stage actor, writer, director and producer. At the age of five, he started acting in vaudeville theatre, and then performed in Broadway theatre shows during the 1940s and 1950s. His stage performances were well reviewed in Billboard. In 1950, he wrote and produced an all-black revue called The Jazz Train which told the story of the history of jazz music and featured musical accompaniment from a number of top jazz performers.
Seven Souls is a 1989 album by New York based music group Material. A collaboration with author William S. Burroughs, the album features his narration of passages from his novel The Western Lands (1987) set to musical accompaniment. The album was re-released in 1997 with bonus tracks, three re- mixes that were added to the beginning of the album. In 1998, a new title, The Road to the Western Lands, was issued, composed of new mixes of the tracks.
Band of the Kyiv Presidential Honor Guard Battalion is a military unit that performs military music with the Kyiv Presidential Honor Guard Battalion. The band is part of the Military Music Department of the General Staff of the Ukrainian Armed Forces. The orchestra of Presidential Guard was created to provide musical accompaniment during official ceremonies involving the President of Ukraine, the Chairman of The Verkhovna Rada of Ukraine, the Prime Minister of Ukraine, the Minister of Defense of Ukraine, and delegations of foreign states.
The Roman comedies that have survived are all fabula palliata (comedies based on Greek subjects) and come from two dramatists: Titus Maccius Plautus (Plautus) and Publius Terentius Afer (Terence).Brockett and Hildy (2003, 48–49). In re- working the Greek originals, the Roman comic dramatists abolished the role of the chorus in dividing the drama into episodes and introduced musical accompaniment to its dialogue (between one-third of the dialogue in the comedies of Plautus and two-thirds in those of Terence).Brockett and Hildy (2003, 49).
The three Kong songs are actually a story with definitive parts and musical accompaniment. The first; 'Krazy Kong', is played over a heavy jungle beat with a reggae back-beat. In this part Barrett begins the story and explains that Kong is somewhat of a newbie to the town and is known as a live-wire who is dodged by men, however young women have a penchant for him. 'Return of Kong' sees Kong seeking Barrett, who he meets whilst taking a late night walk.
The school's after school theater program is known as Back à Dos and it is the heart of the performing arts at IHS. The program enjoys the largest participation of any school sponsored extra-curricular activity other than athletics. Every year, Back à Dos produces at least three major shows, including a set of student-directed one act plays (many of which are original student-written pieces), a musical with live musical accompaniment by IHS musicians, and a play. Past performances include Spamalot, Cabaret, and Spring Awakening.
Besides the verb, the experience itself, which describes the time span of the walk, is called progulka (Russian: прогулка). Walking is so important in Russian culture that gulyat' also is a synonym for "to party". The 19th- century Russian literary critic Vissarion Belinsky described St. Petersburg as the center of urban strolling in that country, by contrast with Moscow. Rural strolls have long been a staple of Russian fiction and songs; Tchaikovsky composed a musical accompaniment to the Nikolay Grekov poem “We haven’t long to stroll”.
Hangad a Capella is the second album recorded by Philippine-based vocal ensemble Hangad. As the title says, all songs in this album were recorded without any musical accompaniment. Most songs in a Capella are arrangements of familiar Filipino religious and inspirational songs; with the exception of two tracks, a Capella was indeed to be a collection of songs composed by Jesuit composers. Hangad a Capella was launched on June 23, 2002, at the Oratory of St. Ignatius at the Ateneo de Manila University, Quezon City.
Music played a key role in Petrolini's theatrical style and is an important ingredient in many of his comedies. Many of his characters sing songs and ditties (filastrocche), or declaim verses to a musical accompaniment. Petrolini was often an interpreter, and sometimes also the author, of popular songs of the day, many of which were released as records. One of the biggest hits of 1926 was Una gita a li castelli – also known as Nanni – written by Franco Silvestri and performed (and arranged) by Petrolini.
Drama is often combined with music and dance: the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs; and some forms of drama have incidental music or musical accompaniment underscoring the dialogue (melodrama and Japanese Nō, for example). In certain periods of history (the ancient Roman and modern Romantic) some dramas have been written to be read rather than performed. In improvisation, the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience.
Drama can be combined with music: the dramatic text in opera is generally sung throughout; as for in some ballets dance "expresses or imitates emotion, character, and narrative action".Encyclopaedia Britannica Musicals include both spoken dialogue and songs; and some forms of drama have incidental music or musical accompaniment underscoring the dialogue (melodrama and Japanese Nō, for example).See the entries for "opera", "musical theatre, American", "melodrama" and "Nō" in Banham (1998). Closet drama is a form that is intended to be read, rather than performed.
"Heartbeat" is a country pop and R&B; song written by Carrie Underwood, Ashley Gorley, and Zach Crowell. It is a sentimental ballad composed in the key of B minor and the sheet music designates a "slow" tempo of 140 BPM. The song alternates between "smooth" verses with a relatively low-key musical accompaniment and a "bombastic" chorus. Country singer Sam Hunt, who is a frequent collaborator of Crowell's, sings backing vocals on the track, leading some publications to label the song a duet.
Vizbor would record songs with a traditional Russian seven-string guitar that was often slightly out of tune. While most Russian Bards relied on a rhythmic strumming pattern as the basis for their musical accompaniment, Vizbor was fond of a slow plucking style epitomized by songs such as "Fanskie Gory". His best-known tune was a romantic ballad called "Solnishko Lesnoe" or "Forest Sun." On a more somber note, his song "Seryoga Sanin" told the story of a free spirited friend who dies tragically.
The Thief of Bagdad is in the public domain and many cheap, unrestored black-and-white copies have been issued on VHS and DVD. A restored version first appeared on US DVD in 1998, distributed by Image Entertainment. It featured original color tinting and a musical accompaniment arranged from the original 1924 music cue sheets and performed in 1975 by Gaylord Carter on a Wurlitzer theater pipe organ. Kino International reissued the DVD in 2004, this time with a longer, improved print and chamber ensemble score.
The Fanfare du Palais National d'Haiti (Fanfare of the National Palace), also known as the Presidential Guard Orchestra () is a police band unit of the Republic of Haiti. The band uses French and American military traditions in its activities, as well as sports many styles native to Haiti and the Caribbean region. It is part of the Security Unit and Presidential Guard (L'Unité de Sécurité et de Garde Présidentielle) in the Haitian National Police. It also provides musical accompaniment to the Armed Forces of Haiti.
Segar was born on December 8, 1894, and raised in Chester, Illinois, a small town near the Mississippi River. The son of a handyman, his earliest work experiences included assisting his father in house painting and paper hanging. Skilled at playing drums, he also provided musical accompaniment to films and vaudeville acts in the local theater, where he was eventually given the job of film projectionist at the Chester Opera House, where he also did live performances. At age 18, he decided to become a cartoonist.
De Lancie then gave the rights for the premiere to Miller. As part of the CBS Symphony, Miller participated in the musical accompaniment on the 1938 radio broadcast of Orson Welles's Mercury Theater on the Air production of The War of the Worlds. Miller also contributed oboe and English horn solos on the Norman Granz-produced "Charlie Parker with Strings" sessions originally released in 1950 on the Mercury label and later reissued on CD by Verve. Miller was the only soloist on these sessions other than Parker.
Pygmalion () is the most influential dramatic work by Jean-Jacques Rousseau, other than his opera Le devin du village. Though now rarely performed, it was one of the first ever melodramas (that is, a play consisting of pantomime gestures and the spoken word, both with a musical accompaniment). It is formed of spoken monodrama with instrumental musical interludes and thus can be credited with spreading a new theatrical genre, especially in German-speaking areas of Europe. He wrote it in 1762, with music by Horace Coignet.
All three are lyric genres in the technical sense that they were strophic songs with either musical accompaniment or introduction on a stringed instrument. But all three genres also have dramatic elements, leading early scholars to characterize them as lyric-dramatic. The origins of the cantigas d'amor are usually traced to Provençal and Old French lyric poetry, but formally and rhetorically they are quite different. The cantigas d'amigo are probably rooted in a native song tradition (Lang, 1894, Michaëlis 1904), though this view has been contested.
These were silent films based on well known tunes such as Abide with Me and On the Banks of Allan Water, designed to be shown with live singers providing a musical accompaniment. Late the same year Malins received a War Office appointment to act as an official cameraman. He was given an honorary rank and sent to the front with an assistant. The pinnacle of the footage shot by Malins and his assistant John McDowell in 1916 is represented in the feature The Battle of the Somme.
The Poppy Girls and the Military Wives choir); singers Gregory Porter, Joss Stone, Jim Radford and James Blunt, the latter two of whom are both military veterans; and the animatronic horse used in the war film War Horse. Musical accompaniment for the event is provided by a military band from the Household Division together with The Countess of Wessex's String Orchestra, joined by musicians of the Royal Air Force (via the RAF Music Services through the RAF Salon Orchestra) and representatives of the Royal Marines Band Service.
During 2016, Harris toured with her show across the UK, An Evening with Anita Harris. With musical accompaniment, she revealed anecdotes from her life in showbusiness, the people she has met and the places she has been. She appeared in ITV's Last Laugh in Vegas, and was a contestant in the BBC's Celebrity MasterChef 2018. In 2019, Harris guest starred in the first episode of Series 20 of Midsomer Murders’ entitled "The Ghost of Causton Abbey" as Irene Taylor, an accomplice to the killer.
Performances remain infused with athleticism and may occasionally include a bit of whimsy that is less common in those of other troupes. In Human Language, as the female dancers dance before them, the male dancers inflate toy balloons and look upward in mimicry of courting behavior of certain bird species. Coming from a story-telling tradition called slap dancing that includes speaking, singing and slapping their bodies, Ieremia incorporates these elements in his choreography. Musical accompaniment includes Samoan indigenous music, Bach and hip hop.
The 1985 Warsaw Victory Day Parade was a military parade (Defiladzie Zwycięstwa) held in Warsaw, the capital of the Polish People's Republic. It was held to commemorate the ruby jubilee (40th anniversary) of the end of the Second World War. The parade featured officers and soldiers of the Polish People's Army who marched in front of the Palace of Culture and Science on Parade Square. 3,000 troops took part in the parade, which had musical accompaniment by the Representative Central Band of the LWP.
The instruments are considerably smaller than those of the gong kebyar. Gamelan angklung is heard in Balinese temples, where it supplies musical accompaniment to temple anniversaries (odalan). It is also characteristic of rituals related to death (pitra yadnya), and is therefore connected in Balinese culture to the invisible spiritual realm and transitions from life to death and beyond. Because of their portability, gamelan angklung instruments may be carried in processions while a funeral bier is carried from temporary burial in a cemetery to the cremation site.
Additionally, musical accompaniment was added as a simultaneous supplement to the plays' dialogue. The action of all scenes typically took place in the streets outside the dwelling of the main characters, and plot complications were often a result of eavesdropping by a minor character. Plautus wrote between 205 and 184 B.C. and twenty of his comedies survive to present day, of which his farces are best known. He was admired for the wit of his dialogue and for his varied use of poetic meters.
It is only natural that many of the early Rattanakosin works should deal with war and military strategy. Some examples are Nirat Rop Phama Thi Tha Din Daeng, Phleng Yao Rop Phama Thi Nakhon Si Thammarat.In the performing arts, perhaps the most important dramatic achievement is the complete work of Ramakian by King Rama I. In addition, There were also verse recitals with musical accompaniment, such as Mahori telling the story of Kaki, Sepha relating the story of Khun Chang Khun Phaen. Other recitals include Sri Thanonchai.
According to Pat Pattison, prosody is "The appropriate relationship between elements, whatever they may be." In this sense, every element in a song can and should create prosody, because prosody is "support for what is being said." In this sense, even the number of lines in a verse or a verse's rhyme scheme can be used to create or enhance prosody. For example, a songwriter might align downbeats or accents with stressed syllables or important words, or create musical accompaniment to the meter of the lyrics.
New York Post said that "for when the rookie threw his warmup pitches, he did so to the accompaniment of a Japanese pop song — a tune unlike any other ever played here … Who else arrives in town with customized musical accompaniment?" NJ.com, said "Like Tanaka, the act is a Japanese sensation. And like Momoiro Clover Z, Tanaka made his presence vociferously known in the Bronx." Tanaka is married to Mai Satoda, former member and former supervisor of the idol group Country Musume and television personality.
Spokane Civic Theatre holds approximately 150 local, state, regional, and national awards for community theatre from the Inlander's Spokie awards to the American Association of Community Theatres' (AACT) Festival. At the 2011 AACTFest,2011 AACTFest Spokane Civic Theatre's production of The 25th Annual Putnam County Spelling Bee received two awards and three nominations. The awards were for Lacey Bohnet as Best Supporting Actress and Nancy Vancil for Best Musical Accompaniment. Nominations were in the areas of Best Lighting Design, Best Supporting Actor, and Best Ensemble.
On Monday 24 April, the Beetles marched out of Gordonvale, accompanied by the Gordonvale band to the outskirts of the town, where they were farewelled with more speeces. They left with a gift of a case of beer from Mr Lancester of the Queen's Hotel. Arriving at McKinnon's Bridge at 12.20pm, the volunteers were escorted into Edmonton with musical accompaniment. A public reception was held at the Edmonton Hall followed by a splendid repast, completed with toasts and a stirring speech by Mr C Butler.
The Queer as Folk soundtracks are the official musical accompaniment to the North American television series Queer as Folk (not to be confused with the original UK program, which has its own separate soundtracks). Five CDs were released overall, each one covering from the first season, to the final. Each soundtrack featured the more prominent remixes from the show, with some songs not making it onto the soundtracks. The first two soundtracks were released by RCA Victor, while the rest were released by The Silver Label.
The original West End production opened on November 28, 1977 at the Astoria Theatre in London which had been converted from a cinema especially for the show by Laurie Marsh. Elvis was portrayed by three performers: Tim Whitnall as Young Elvis, Shakin' Stevens as Middle Elvis in his army and movie star years and PJ Proby as Mature Elvis in his Las Vegas years. Proby was later replaced by Bogdan Kominowski. Live musical accompaniment was provided by the rock and roll revival group, Fumble.
Being the most visible part of the company, the band provides musical accompaniment for all state ceremonies foreign and domestic. Everyone who enters the band must audition prior to joining, which are usually held in the spring. It is an integral part of the Norwegian Military Tattoo, which it participates in due to it being part of the Forsvarets musikk (English: Defence Music). Uniquely, the band consists of about 50% conscript women musicians and field musicians, compared to 17% in the rest of the armed forces.
The novels are published by Kadokawa Ruby Bunko, a publishing company which specializes in Boy's Love titles. The first 16 novels and 3 additional character books were illustrated by Nishi Keiko, while all those that have been released since have been illustrated by Sei Goto. The first and fourth stories in the series were made into a manga which was illustrated by Goto. The series also has a number of audio drama and musical accompaniment CDs released by Sony Music (Liner Notes Music) and June Collections.
He occasionally provides live musical accompaniment for The Comedy Store Players, a comedy improvisation group based in The Comedy Store, London. Sell appeared in an episode of Foyle's War as a pianist and composed the score for the 1984 BBC Television Shakespeare production of Shakespeare's The Life and Death of King John. Sell has also accompanied Barry Cryer and Willie Rushton in their stage show Two Old Farts in the Night. After the interval he played (and sang) a solo: "We are the Boys in the Band".
Peter & the Wolf () is a short Polish-British-Norwegian-Mexican-Swiss stop- motion animated film released in 2006. Written and directed by Suzie Templeton and scenography by Marek Skrobecki, it was made in Se-ma-for Studios in Łódź and has been shown in cinemas, sometimes with live musical accompaniment. The film is based on the story of Peter and the Wolf as set to the music Sergei Prokofiev in 1936. Unlike the usual version of Prokofiev's work, the film has no narrator but relies on music and images to tell the story.
The same parishioner presented a new organ in 1842, which was well received by all and immediately changed the character of worship at the church, which had previously relied on a choir for musical accompaniment. The old font was also restored and repositioned in the church, apparently after being discovered in pieces in the belfry by the vicar. In 1846, a baptistery was formed in one end of the south aisle, some of the windows were reglazed (some with stained glass), a tiled floor was laid and new oak pews were installed. In 1855, Rev.
"Haste to the Wedding" is a jig tune in the English, Scottish and Irish musical traditions. The tune originated during the 18th century, although its original composer is not certain. Written in the standard 8-bar AABB format of Gaelic music, it is traditionally performed on the fiddle, but is a simple tune which can be performed on a variety of instruments, and is frequently adapted for session music. The tune has also been used as the basis for songs, and as musical accompaniment for ceili dances of the same name.
The NFPF publishes DVD sets and books that promote the preservation of American film. For more than a decade, the NFPF's Treasures from American Film Archives DVD series has made available preservation work from the archival community. Created in collaboration with archives, scholars, and musicians, the sets present long unseen American films with new musical accompaniment, onscreen program notes, and a printed catalog. Besides the Treasures DVDs, the NFPF has also published two reference books, The Field Guide to Sponsored Films (2006) and The Film Preservation Guide: The Basics for Archives, Libraries, and Museums (2004).
The album's 70s funk inspired opening track "Wesley's Theory" is a reference to Wesley Snipes and how the actor was jailed for tax evasion; according to Lamar, "no one teaches poor black males how to manage money or celebrity, so if they do achieve success, the powers that be can take it from right under them". "For Free? (Interlude)" sees Lamar rapping in a dense, spoken word-esque manner with musical accompaniment by jazz pianist Robert Glasper. "King Kunta" is concerned with the "history of negative stereotypes all African-Americans have to reconcile".
It is believed that Chai is the only Israeli folk ensemble in North America to perform exclusively to live musical accompaniment. In 1963, a Hebrew teacher at Winnipeg's Talmud Torah school named Leon Berger decided to have his grade 4 class put on a Purim play. Mr. Berger knew a vivacious dance instructor named Sarah Sommer and invited her to choreograph the play. It was a big hit, especially the dance routines, and over the following months Sarah continued to teach dance to the girls she met from Mr. Berger's grade 4 class.
Meanwhile, Tobias and Lindsay seek legal help from Bob Loblaw (Scott Baio) concerning their troubled marriage. With the family's retainer used up because of Lindsay's and Tobias's advances, Bob Loblaw chooses to no longer represent the Bluth family. Attorney Jan Eagleman offers to represent the family, on the condition that they participate in a mock trial in a new reality courtroom show called "Mock Trial with J. Reinhold". Musical accompaniment for the show's theme song and perceived jokes from testifying witnesses is provided by "William Hung And His Hung Jury".
Military bands are considered a traditional component of military culture. They provide the required musical accompaniment to the military's public duties responsibilities, including state arrivals, state dinners, military funerals, guard mounting, change-of-command ceremonies, ship christenings, officer commissioning, promotions and medal ceremonies, and tattoos. Most great powers maintain robust bands programs within their national military establishment to support these missions. In the U.S. bands are also designed to supplement a branch's community relations efforts by projecting a positive image of the U.S. military through performances in parades and other local events.
Zappa played a much earlier version of this piece (via an acetate) on 99.1fm WPLR, Connecticut, radio on April 23, 1975. In this version Zappa introduces Quentin Robert DeNameland as the greatest living "two headed philostopher" known to mankind. Quentin's philosophical spiel (Zappa's voice effected by a variable speed oscillator a la "Dumb All Over" on You Are What You Is) goes on quite a bit longer than the official released Studio Tan versions or the Läther version. The spiel is specifically colored (in a madrigal style) by the musical accompaniment.
Maroni Feast 2007The ancient feast of Maroni (chestnuts) is held annually in San Rocco di Piegara in the penultimate Sunday of October. Autumn welcomes the return of chestnuts and the village is full of people, inviting scents and colored stalls packed with local products. In the main square, a giant "rostidora" cooks quintals of maroni, while enogastronomical stands offer tastings of wine and home-made food. At the celebration, skilled craftsmen offer demonstrations of crafts of ancient culture, such as timber and the production of baskets, with musical accompaniment in the background.
His hand in a sling, and knowing the Clancy brothers in New York, he decided that he would like to make a record with them. He told this to Paddy Clancy, who with the sponsorship of Diane Hamilton and the assistance of his brother Liam founded a record company, Tradition Records, in 1956. Paddy agreed and together he, Tom, Liam, and Tommy Makem recorded an album of Irish rebel songs, The Rising of the Moon, one of the new label's first releases. Paddy's harmonica provided the only musical accompaniment for this debut album.
She was succeeded in 1167 by Herrade of Landsberg, under whose rule the fame of Hohenburg continued to increase. She built the Premonstratensian monastery of Saint Gorgo on the slope of the mountain in 1178, and the Augustinian monastery of Truttenhausen at its foot. Herrade was the author of Hortus deliciarum, a collection of short treatises on theology, astronomy, philosophy, and other branches of learning, also containing some original Latin poems with musical accompaniment, and some beautiful drawings. (The work was destroyed at the conflagration of the Strasbourg library in 1870).
In his childhood, Pace's family lived in an apartment on Strada Mercanti, Valletta, which they shared with his maternal uncle, Vincenzo Ciappara. Ciappara was himself a musician of some repute, and he was Pace's earliest tutor. Pace attended Saint Augustine College in Valletta, where he became very active in the student choir. During frequent visits to his father's workplace at the Commerce movie theatre on Strada Reale in Valletta, Pace became enamoured of the impromptu style of live musical accompaniment played by the resident quartet during screenings of silent films.
As a form of shamisen music, Jiuta was established in Kamigata region in its early stage, then it was performed in Edo around Genroku era. Later Jiuta changed its form as musical accompaniment of Kabuki in Edo, then the new form was called Nagauta. Moreover, due to popularization of the music of Bunraku, the original Jiuta came to have less occasion to be performed. Until the end of Edo period, Jiuta had spread around not only Kamigata but also, to the east, Nagoya, and to the west, Chūgoku region, and Kyusyu region.
Henry Oliver Walker's 1896 Lyric Poetry in the Library of Congress's Thomas Jefferson Building Lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person.Scott,Clive, Vers libre : the emergence of free verse in France, 1886–1914 Clarendon Press, Oxford It is not equivalent to song lyrics, though they are often in the lyric mode. The term derives from a form of Ancient Greek literature, the lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a lyre.Miller, Andrew.
The biggest highlight of Kawagoe Festival is "Hikkawase", or musical battles among floats. About 50 members of different neighborhoods put their respective festival floats as they walk through the down town district. When festival floats from different neighborhoods meet at an intersection or other spot, they make turn the float stage to face each other and begin to battle by performing their dance and music called "Ohayashi". Ohayashi is the musical accompaniment played by five musicians namely 1 flute, 1 large drum, 2 small drums and 1 handbell.
Discover Odin is an album and booklet written by Julian Cope and released in a limited edition in 2001. It was produced in collaboration with the British Museum as a companion CD programme to Cope's two nights of spoken word and music at the museum on 4-5 October 2001 in London. The album comprises a mixture of musical and spoken tracks. In the first track, "The 18 Charms of Odin", Cope provides musical accompaniment to the text of the epic Norse poem Hávamál, in Kevin Crossley-Holland's version, as published in The Norse Myths.
Beecham's Royal Philharmonic Orchestra was the featured orchestra for the film. The score for The Red Shoes was written to "fit the cinematic design," and completed in an unorthodox manner: Easdale composed the score for the film's central ballet sequence based on cartoon drawings and storyboards approved by Helpmann, which were assembled in the correct sequence. A total of 120 drawings were provided to help guide Easdale in writing an appropriate musical accompaniment. As filming of the ballet sequence progressed, the hand drawings were replaced by the corresponding completed shots.
The later Muppet TV series Muppets Tonight (1996–1998) revisited it in a sketch with Sandra Bullock where Kermit the Frog visits a doctor to complain about weird things that happen to him whenever he says the word phenomena, namely the Snouths suddenly appear with musical accompaniment to sing their part of the song. In the Muppets version of "Bohemian Rhapsody" at 00:02:25, the Snouths make a cameo appearance, singing the titular lyric. The song is performed in the 2011 Muppets film, where various celebrities sing with the Snowths in the end credits.
As cinematheque, the museum makes its collection accessible to public and research. The in-house cinema - one of the first municipal theaters of the Federal Republic of Germany - is one of the few places in Germany, in which full historical-film retrospectives and silent films with live musical accompaniment are regularly presented. The museum does not have a permanent exhibition. Yearlong efforts in the 1980s and 1990s to attain a second cinema and an appreciation of the cinema through separation from the Munich Stadtmuseum and a renaming to the Bavarian Film Museum were unsuccessful.
The Ceremony has a nonlinear narrative, jumping back and forth between the present, with Masuo and Ritsuko heading out to find Terumichi, and the past, all the weddings and funerals Masuo attended through his life. Masuo often delivers voice-over narration directed to his relatives about his regrets of the past and his feelings of how they affected his life. The musical score appears mostly during the present day sequences between Masuo and Ritsuko, or in sequences which would otherwise be silent. The ceremonies in the past usually do not have any musical accompaniment.
"Street Rants" features short clips of Doug performing outdoors with "Banjo Randy" McCleary providing a musical accompaniment. Street rants include: "I Am Who I Say I Am", "Equal Justice", "Free Samples", "Founding Fathers", and "A Lesson Learned". McCleary also provides the music for the DVD menus and the "Screen Saver" "Doug Stanhope: Behind the Mullet" shows four clips of Stanhope's earliest stand-up performances. The clips are separated by the type of mullet he had at the time, each of which are given nicknames, including: "Beaver Paddle", "Mudflap", "Camaro Cut", and "Ape Drape".
The Somerville also counts a rentable 31-seat "microcinema" among its screening rooms. The theatre currently operates as a first- and second-run moviehouse, with an emphasis on independent and art house fare. It also regularly hosts live music, dance and comedy performances, with such luminaries as U2, Louis CK, Jonathan Richman, Thomas Dolby, and Arlo Guthrie, having graced its stage. The theatre regularly runs vintage 35mm and 70mm films, silent films with live musical accompaniment, and as of 2016, hosts a yearly "The 70mm and Widescreen Film Festival" in September.
It was here, under the vocal harmony guidance of Brian Wilson, that the Beach Boys sound was established, predominantly influenced by Brian's devotion to the Four Freshmen's arrangements. Musical accompaniment during this formative phase was solely Brian's self-taught piano, but this was quickly expanded by the guitar contributions of Brian's college friend Al Jardine (whose fundamental interest was folk music) and Carl Wilson (whose idol was Chuck Berry). With the failure of Love Sheet Metal, the family was forced to move to a modest two-bedroom house in Inglewood, closer to the Wilsons.
The programming languages FORTRAN and LISP were first developed for the 704, as was the SAP assembler—Symbolic Assembly Program, later distributed by SHARE as SHARE Assembly Program. MUSIC, the first computer music program, was developed on the IBM 704 by Max Mathews. In 1962 physicist John Larry Kelly, Jr created one of the most famous moments in the history of Bell Labs by using an IBM 704 computer to synthesize speech. Kelly's voice recorder synthesizer vocoder recreated the song Daisy Bell, with musical accompaniment from Max Mathews.
It is generally 60 – 106 cm in length and made from wood. The instrument consists of a water-drop- shaped body with a handle, and while there are generally four strings, five- stringed varieties also exist. In Japan, the biwa is generally plucked with a bachi instead of the fingers, and is often used to play gagaku. In addition, it is used as musical accompaniment when blind monks recite scriptural texts, or when reciting The Tale of the Heike, a war chronicle from the Kamakura era (1185–1333).
Blending traditional, gospel, Afro Jazz, jive, doo-wop, swing ragtime and any other musical genre they could incorporate, with or without musical accompaniment they are able to collectively bring the house down in seconds. The JMB were also instrumental in the artistic and musical aspects of the local movie starring Taye Diggs, Drum (2004). Contractual restrictions were cited as being a constant barrier between the JMB and worldwide success, with extensive interest from promoters in the US and Australia. And to date, vandalism of their intellectual property continues.
He was engaged in 1793 by the Royal Circus as composer and musical director; he remained there many years, producing incidental music for dramas, and vocal and instrumental pieces. Sanderson worked closely with John Cartwright Cross, who usually provided words for a long series of burlettas, melodramas and pantomimes. Cross devised a way for the Royal Circus, which became the Surrey Theatre, to get round restrictions on the classic plays they could show: it involved rendering the lines into rhymed couplets, and adding musical accompaniment. Sanderson died about 1841.
Unit's that represented their country included: 154th Preobrazhensky Independent Commandant's Regiment (Russia), 26-member contingent of the Serbian Armed Forces (Serbia). Musical accompaniment was provided by the Armed Forces Band, who performed the national anthem, Allahu Akbar (anthem). Music was also provided by the bands of foreign states, including the Band of the 154th Preobrazhensky Regiment as well as the bands participating in the World Military Music Festival. For the foreign section of the parade, the bands performed Russian military marches, particularly the Preobrazhensky Regiment March, Hero and Farewell of Slavianka.
The song plays at the opening song to the movie immediate after the title credits, and is used multiple times throughout the film to reinforce the notion of Tarzan being torn between two worlds. It appears four times on the soundtrack. The main version of the song appears in the film's opening, as musical accompaniment to a montage involving a leopard killing Tarzan's parents and him being washed upon the shore. It shows the two families Tarzan will call his own: his human family that birthed him and the family of gorillas that raise him.
Brendan Francis "Brush" Shiels (born 24 October 1945, Dublin, Ireland) is an Irish musician from County Dublin, best known for being the frontman of Gary Moore's first band, Skid Row. Brush Shiels had a TV show on RTÉ called Off yer Brush and was twice managed by boyband mentor Louis Walsh. He now appears regularly providing musical accompaniment on the Joe Duffy Liveline radio programme on RTÉ and still performs live around venues in the UK and Ireland. Brush also enjoyed a brief spell as a footballer representing Bohemian F.C. in the 1960s.
Graceful hand and body movements, and musical accompaniment dominated by drums and fiddle, are hallmarks of the art form. Cirebon mask dance might depict the story of Prince Panji from 15th-century East Java, or another Majapahit story. Topeng Klana Kencana Wungu is a Cirebon mask dance in the Parahyangan mask style that depicts the story of Queen Kencana Wungu of Majapahit being chased by the grotesque and rough King Minak Jingga of Blambangan. The Sundanese topeng Kandaga dance is similar to and influenced by Cirebon topeng, where the dancers wear red masks and costumes.
Whenever Sidney Stratton’s apparatus is bubbling, or whenever he is thinking about his stainless fibre, the musical accompaniment to The Man in the White Suit plays a samba created from a series of recorded bubbles, gurgles, woofs, and squirts. These sounds were not made using traditional musical instruments but rather laboratory equipment. According to promotional material at the British Film Institute, London, the music was a collaboration of director Alexander Mackendrick and sound editor Mary Habberfield. The bubble sound was obtained by blowing through a glass tube into a viscous glycerin solution.
Audio samples of Are You Being Served? (media help) The theme song, written by the show's co-writer David Croft and composer Ronnie Hazlehurst, consists of a lift girl (whose voice was provided by Stephanie Gathercole) announcing each floor over the musique concrète sounds of a cash register (which effectively serves as the only percussion instrument) and a simple musical accompaniment. The 1977 Are You Being Served? film has a different version of the theme song which is longer, in a different key and without the floor announcements.
Silent Era. "Dennis James" James had his organ concerto with orchestra debut with the Chicago Symphony at Orchestra Hall in 1984. James toured in the 1980s with silent film stars Lillian Gish and Charles ‘Buddy’ Rogers, providing musical accompaniment on national tour revivals of their motion pictures. The New York Times reported on December 13, 1981 that James would play at the recently restored Pascack Theater in Westwood, New Jersey, a deluxe movie house with facilities for stage productions and a specially built Wurlitzer pipe organ for accompanying silent films.
He later said the album could be interpreted uniquely by listeners; it has been interpreted by writers as a musical accompaniment to dreams and a process of emotional introspection by the producer. Until the Quiet Comes was marketed with two singles and a short film featuring music from the album. Flying Lotus also promoted the album with an international concert tour from October to November 2012, performing at venues in North America and abroad. The album debuted at number 34 on the Billboard 200 and sold 13,000 copies in its first week of release.
The majority of the stories have tended toward slipstream fiction (see interstitial art), but some stories fall into traditional genres such as science fiction, fantasy, and horror fiction. Above each story is the author's suggested musical accompaniment, thus adding to the magazine's intended effect of engaging multiple senses. Sybil's Garage was founded in 2003 by Matthew Kressel and Devin Poore of Hoboken, New Jersey as an experiment in creating their own zine. In May 2007 issues one through four were entered into the permanent collection of the Hoboken Historical Museum.
To thank the boy, the musician begins to teach the boy the zither and becomes his mentor and friend. The film eschews dialogue, yet the animation and music make the film rich in emotion and philosophical ideas. The 18-minute film is regarded by many as the masterpiece of Chinese ink-wash animation. The musical accompaniment of the film is mainly featured by zither, however, "some of the most moving moments of the film unfold purely through the image to the sound of rushing winds or total silence".
Both works were performed in Wollongong in the early 1980s, while the latter was also staged at the Sydney Theatre Company's Wharf Studio. Her next play, A Sporting Chance, was commissioned by the Magpie Theatre Company in South Australia in 1987. It was succeeded by Darlinghurst Nights, developed from the light verse of the noted Australian poet Kenneth Slessor and it was presented, along with musical accompaniment, by the Sydney Theatre Company in 1988. In 1991, Diving for Pearls premiered at the Melbourne Theatre Company, with Peter Cummins in the role of Den.
A keen horse rider and show jumper, Zahawi and his wife Lana own and run a riding school. Zahawi won 'craziest parking ticket of the year' in 2004 for having got a ticket while he was in an ambulance. In January 2011, Zahawi appeared in the Commons debate discussing the end of the Education Maintenance Allowance scheme wearing a musical tie which proceeded to play during his contribution. The Deputy Speaker advised him to be more select when choosing ties to avoid a musical accompaniment to debate in the chamber.
The band during the Independence Day parade in 2018. It provides musical accompaniment for the annual National Independence Day ceremony on Piłsudski Square. A fanfare team from the band is present as soldiers unfurl the Flag of Poland before another fanfare is sounded and musicians of the band alongside singers of the Symphony Orchestra and Choir of the Armed Forces, perform the National Anthem. The Armed Forces Memorial Fanfare (Haslo Wojska Polskiego) is also sounded and after the wreath laying ceremony, Spij Kolego is played by a lone trumpeter of the band.
"When I Was Your Man" was released on January 15, 2013 as the album's second single. It had previously been premiered as the album's third and final promotional single one month and a half prior to its stand- alone release. The track was critically acclaimed, receiving praising for being an "emotional ballad" and for featuring a "minimal musical accompaniment". The song topped the Billboard Hot 100 chart, becoming the singer's fifth number one single in the United States and it reached the top fifteen in several fellow territories.
Each year, an In Memoriam tribute, which honors distinguished members of the Academy of Motion Picture Arts and Sciences who died during the previous year, is included during the televised presentation of the Academy Awards. Listed below are those who were honored on February 22, 2009, at the Kodak Theatre in Los Angeles, California, during the 81st Academy Awards tribute. Paul Newman, who appeared last, is considered to be the featured tribute. At the conclusion of the musical accompaniment, a short dialogue by Paul Newman ended the tribute.
Three kotsuzumis and Noh flute, in Noh A ''''' is a group of performers who provide musical accompaniment for Japanese Noh or kabuki theatre, yose () performances of rakugo, or a festival. In Noh, the hayashi sit along the rear of the stage, facing the audience and fully visible. A distinct and separate group of performers from the chorus, they are purely instrumentalists; the type of instruments featured and the order in which they sit on stage follow established practices. The leftmost performer plays a small taiko, set on a stand before him, with two drumsticks.
With musical accompaniment by the Robert Shaw Chorale, and presented during the Christmas season of 1952, this was one of the few medieval mystery plays telecast on commercial network television. The cast included Thomas Hardie Chalmers, Miriam Wolfe, Hurd Hatfield, and Paul Tripp. During the 1953 presentation "Dry Run", whole sections of a submarine were built inside the studio, and the entire cast was nearly electrocuted when water that was being used for special effects got very close to power cables. Worthington Miner, Martin Manulis, and others produced.
" Sheri Linden from Yahoo! gave a positive review of the concert saying "Gaga's first theater tour is a hot ticket – and the Lady did not disappoint. Borrowing from Madonna, Grace Jones, David Bowie and Daryl Hannah's "Blade Runner" replicant, Gaga put on a compelling show revolving around her mysterious persona, a trio of leather-jacketed dancers, multiple costume changes and props and a lone DJ providing musical accompaniment." Christopher Muther from The Boston Globe reviewed the concert in House of Blues and said "The combination of song and spectacle was crowd- pleasing and exhilarating.
Onya Magazine: Sarah Calderwood She recorded Bushes & Briars accompanied by the Melbourne Symphony Orchestra.FishFineMusic: As Night Falls - Sarah Calderwood In 2011, she released her album As Night Falls accompanied the Tasmanian Symphony Orchestra conducted by Andrew Greene. The 11-track album of traditional songs included collaborations by Mike Scott (vocals), musical accompaniment by Alan Kelly on the accordion, Shane Nicholson, Bob Spencer on guitar, Lee Novak on bass, David Jones on percussions. She was nominated for the ARIA Music Awards in its 26th edition for the category "Best World Music Album" for her album.
Sailors working at a capstan with musical accompaniment Sea shanties are a type of work song traditionally sung by sailors. Derived from the French word 'chanter', meaning 'to sing', they may date from as early as the 15th century, but most recorded examples derive from the 19th century.R. A. Reuss and A. Green, Songs about Work: Essays in Occupational Culture (Bloomington, IN: Indiana University Press, 1993), p. 335. Shanties were usually slow rhythmic songs designed to help with collective tasks on labour-intensive sailing and later steam ships.
She is a mute by choice and communicates mostly through texting, otherwise appearing stoic and completely emotionless. Salt says that the only time Sue ever spoke, she said, "I don't speak because no one listens." Salt tries to stay on her good side because she has a mean streak and a tendency for tazing other people with little or no provocation, which causes Foamy to take an instant liking to her. Sue has since replaced Germaine as Foamy's verbal foil and musical accompaniment, despite her refusal to react to his ranting.
Looking 4 Myself opens with club track "Can't Stop Won't Stop", which contains the melody of Billy Joel's 1983 "Uptown Girl"; it contains a synth heavy hook and incorporates elements of dubstep. "Scream" is another club oriented track, with heavily sexual lyrics. The song makes heavy use of bass—particularly in the chorus—and is noted to be reminiscent of Usher's "DJ Got Us Fallin' in Love" (2010). The third track, "Climax", is a quiet storm-style slow jam, built around a haunting riff, complemented by sparse drum machine and some musical accompaniment.
Danny Bennett felt that younger audiences who were unfamiliar with his father would respond to his music if given a chance. No changes to Tony's formal appearance, singing style, musical accompaniment (The Ralph Sharon Trio or an orchestra), or song choice (generally the Great American Songbook) were necessary or desirable. Accordingly, Danny began regularly to book his father on Late Night with David Letterman, a show with a younger, "hip" audience. This was subsequently followed by appearances on Late Night with Conan O'Brien, The Simpsons, Muppets Tonight, and various MTV programs.
México de mi corazón is an album that honors the Mexican song and features duets with voices such as Carlos Rivera, Pedro Fernández, Paquita la del Barrio, Lila Downs, El Bebeto and Banda MS. Mariachi Gama Mil provides musical accompaniment, and Natalia was granted permission to incorporate choirs with Juan Gabriel. Jiménez served as coach for three seasons of La Voz Kids USA, where she won twice and also as coach of La Voz...Mexico. In 2020, Natalia returned to Spain where she served as judge of the reality show Operación Triunfo.
The songs on Welcome Here Kind Stranger are highly arranged – instruments are heard then disappear as they are replaced by others. Brady added musical accompaniment to his interpretation of "Don't Come Again", a song recorded by Hugh Shields of Eddie Butcher and his wife Gracie singing it in 1975. "I Am A Youth That's Inclined To Ramble" is Number 788 in Sam Henry's Songs of the People. The lyrics of "Jackson and Jane" are from Robin Morton's collection Folk Songs Sung in Ulster, for which Brady wrote a new melody.
Musical accompaniment for the dancers has been provided by live musicians throughout the history of Oireachtas Rince na Cruinne; the only exceptions are the figure dance and Dance Drama championships where pre-recorded accompaniment is increasingly common. Modern practice is that the usual instruments are piano accordion and electronic keyboard, although music has been provided on other traditional instruments such as fiddle. Accompanists at the Worlds are increasingly former dancers or practising teachers, as the demands of providing music for dance competitions require an understanding of the environment.
At noon, the King, his retinue, court officials and guests dined together at the mana sank'a ("house of the table"). It consisted of a great hall with several large round wooden tables. The King and 20 to 30 other individuals sat around the main table, with the remaining tables ranked in importance according to how close they were positioned to the King. During the evening, the King typically dined alone with one of his wives, and often summoned instrumentalists or Arab merchants with a gramophone for musical accompaniment.
In addition, there are many instances of the ticking and chiming of clocks being used as a musical accompaniment. Marilyn Manson was originally involved scoring the music for the game. His composition has been described by American McGee as "very cool" and having "a very beautiful Beatles-in-their-harpsichord-and-Hookah-pipe-days-sound to it." Manson's contributions persisted into the final product, notably the influence of alchemy and the character of the Mad Hatter whose adaptation was somewhat influenced by him; for a time Manson was considered for the voice of the Hatter.
After the operators determine that it is safe to proceed, the gondola rises to the top of the tower to a musical accompaniment, beginning to spin slowly around the central tower and picking up speed as it ascends further. By the time it reaches the top, it is rotating around the tower at its full speed of approximately . The gondola remains at the top of the tower for just over a minute before starting its descent and immediately beginning to slow down. By the time it reaches the bottom of the tower, all rotation ceases.
Reed player Ken Vandermark joined the group and the improvised score was released in 1997 as Dutch Harbor - Where the Sea Breaks Its Back. The film and its soundtrack received some acclaim and Dutch Harbor began touring Europe, with Boxhead Ensemble providing improvised musical accompaniment to every screening of the film. Some of the music performed at the showings appeared in The Last Place to Go, released in 1998. After the tour of Dutch Harbor, Krassner drastically altered the line-up of the group and Boxhead Ensemble started recording studio albums.
Since its establishment, it has provided musical accompaniment for important socio-political and cultural events such as wreath-laying ceremonies, visits of foreign delegations, military parades (particularly the Moscow Victory Day Parade where it has performed since 1982) and military tattoos. It has performed throughout venues such as Red Square, Izmailovsky Park, and Park Fili. It has performed famous compositions by Michael Jackson, Bi-2, and Bon Jovi in the original arrangement. It has performed at the Spasskaya Tower Military Music Festival and Tattoo in Moscow every August ten times.
Woody Allen's 2005 British psychological thriller Match Point is a debate with Crime and Punishment: protagonist Chris Wilton (Jonathan Rhys Meyers) early on is seen reading the book and identifying with Raskolnikov.Goyios, Charalampos Living Life as an Opera Lover: On the Uses of Opera as Musical Accompaniment in Woody Allen's Match Point, Senses of Cinema, Issue 40. Retrieved 21 January 2012. He is a brooding loner who kills a poor girl who loves him because he considers his interests superior to those around him, knows little guilt, and avoids detection through luck.
In 1998, an additional unreleased six remixes (plus one previously released) were introduced on the album The Road To The Western Lands. Spring Heel Jack's remix of the track '"The Road to the Western Lands" from this album was also included on their Oddities album from 2000. In 1990, Island Records released Dead City Radio, a collection of readings set to a broad range of musical compositions. It was produced by Hal Willner and Nelson Lyon, with musical accompaniment from John Cale, Donald Fagen, Lenny Pickett, Chris Stein, Sonic Youth, and others.
In 1953 "Reedy River", an Australian musical written by Dick Diamond featuring bush and Australian folk music, opened first in Melbourne and then as an amateur production at the Sydney New Theatre, and the Bushwhackers were engaged to provide the musical accompaniment for the Sydney version, which saw the addition of one song "Widgegoeera Joe" (alternate title: "The Backblocks Shearer") which Meredith had collected earlier that year from a bush singer named Jack "Hoopiron" Lee.McKenry, Keith. 2014. "More than a Life: John Meredith and the Fight for Australian Tradition." Rosenberg Publishing, 488 pp.
Modern writers to have written Nativity plays include Laurence Housman (Bethlehem, 1902; musical accompaniment by Joseph Moorat c.1919 ); Lucjan Rydel (Polish Bethlehem, 1904); Cicely Hamilton (The Child in Flanders: A Nativity Play, 1922); and Dorothy L. Sayers (He That Should Come, 1938). Jean-Paul Sartre's first play was Bariona ou le fils du tonerre, a nativity play performed on Christmas Eve 1940 while a prisoner of war in a German stalag. Sartre saw Christ as part of the Jewish Resistance to the Roman Empire's occupation, mirroring the French Resistance of Nazi Germany's occupation.
TV Avisen was broadcast for the first time on 15 October 1965 - up until this point, television had already been broadcast regularly in Denmark for 14 years. This was due to an agreement signed between DR and the press in 1926 which guaranteed the press' control of the broadcast of news on television and radio. The agreement remained in place after the introduction of television and was rescinded on 1 July 1964. Initially, TV Avisen mostly consisted of footage from foreign news agencies with a musical accompaniment in the style of a newsreel.
Johannus 'Rembrandt,' an example of a large digital organ Digital church organs are designed as pipe organ replacements or as digital consoles to play existing pipes. They have largely displaced the pipe organ for churches that use an organ for musical accompaniment. The differences in sound timbre between piped and digital instruments are debated, but modern digital organs are less expensive and much more space efficient. Digital organs are a viable alternative for churches that may have a pipe organ and can no longer afford to maintain it.
The scene in which HAL's consciousness degrades was inspired by Clarke's memory of a speech synthesis demonstration by physicist John Larry Kelly, Jr., who used an IBM 704 computer to synthesize speech. Kelly's voice recorder synthesizer vocoder recreated the song "Daisy Bell", with musical accompaniment from Max Mathews. HAL's capabilities, like all the technology in 2001, were based on the speculation of respected scientists. Marvin Minsky, director of the MIT Computer Science and Artificial Intelligence Laboratory (CSAIL) and one of the most influential researchers in the field, was an adviser on the film set.
Singing a saeta. Some processions are silent, with no musical accompaniment, some have a cappella choirs or wind quartets, but many (and especially those historically associated with poorer neighbourhoods) feature a drum and trumpet band behind the image of Christ and a brass band behind the Virgin playing hymns or marchas from a standard repertoire Sevillian terminology for musical groupings is -Banda de Cornetas y Tambores (drum and trumpet/cornet band). -Banda de Musica (full brass band or Marching band) - It is only for the Virgin. The repertoire tends to be more triumphal and celebratory.
The Cinémathèque Méliès – Les Amis de Georges Méliès is a non-profit French organisation (under French law "association Loi de 1901") created in 1961 to locate, gather, preserve and promote the work of Georges Méliès and restore a French cultural heritage which, in 1945, was considered lost. The rediscovered work is promoted through lectures, "ciné-concerts" (cinema screenings with live music) as in the early days of cinema (explanation, musical accompaniment, movie projector), exhibitions, publications, a documentary and DVDs. So far, the association has managed to collect about 200 films, 145 of which were given to the Cinémathèque française.
The stanzaic form of these poems resembles that of the Nibelungenlied. Following the example of other European epics, the Shmuel-Bukh was not simply recited, but sung or chanted to musical accompaniment; its melody was widely known in Jewish communities. Far from being rhymed adaptations of the Bible, these old Yiddish epic poems fused the Biblical and Midrashic material with European courtly poetry, thus creating an Ashkenazic national epic, comparable to the Nibelungenlied and The Song of Roland.Introduction to Old Yiddish literature, by Jean Baumgarten, Jerold C. Frakes Another influential work of old Yiddish literature is the Mayse-bukh (“Story Book”).
Operationally, The Coldstream Guards currently perform the role of light infantry. The 1st Battalion is based in Windsor at Victoria Barracks as an operational light infantry battalion. The Coldstream Guards laying up their old Colours and receiving the new Colours from Her Majesty The Queen The Corps of Drums, in addition to their ceremonial role, which has been primarily the musical accompaniment of Changing of the Guard for Windsor Castle, has the role of machine gun platoon. All Guardsmen for public duties wear the 'Home Service' Dress tunic in summer or greatcoat in winter and bearskin with a red plume.
This renewed fascination of the classical past was encouraged by the recent discoveries of Pompeii and Herculaneum, and would likely have not been possible outside such a specific geographic and historical setting that allowed the idea of the past made present to become paramount. Along with the influences of the Pompeii and Herculaneum excavations, several other factors came together to popularize neoclassical dress. Starting in the early 1790s, Emma Hamilton began her performances of attitudes, something that was considered by contemporaries as entirely new. These attitudes were based loosely on the ancient practice of pantomime, though Emma's performances lacked masks and musical accompaniment.
They wave one hand, wave two hands, wave hand(s) when circling around, or wave hand(s) with foot movements. The dance, usually performed on level ground, can be classified into grand baishou and small-scale baishou. The grand baishou is performed by over 1,000 dancers when offering sacrifices to Tujia ancestors and is watched by over 10,000 spectators; the small-scale baishou is performed on a small scale when offering sacrifices to ancestors with the same family name. The music of the dance incorporates vocal accompaniment (starting song and baishou song) and musical accompaniment (drum and gong).
The text reflects or comments on and reinforces the major Biblical readings of the day. The major purpose of these musical interludes is to provide musical accompaniment to the non-verbal liturgical aspects of the worship. The first minor proper, the introit, occurs right after the entrance hymn and accompanies the initial censing of the altar. Since the Middle Ages, this Gregorian chant usually is made up of a single verse in a psalm called the refrain. The chant starts with the refrain and then the “Gloria Patri….” is chanted followed by a repetition of the refrain (or antiphon).
Bhangra (Punjabi: ਭੰਗੜਾ) is a form of dance-oriented folk music of Punjab. The present musical style is derived from non-traditional musical accompaniment to the riffs of Punjab called by the same name. The female dance of Punjab region is known as Giddha (Punjabi: ਗਿੱਧਾ). In the music of Bollywood (the centre of India's film industry) and other regional film industries in India, women playback singers have had a significant role, with the sisters Lata Mangeshkar and Asha Bhosle, who have mainly worked in Hindi films, often referred to as two of the best-known and most prolific playback singers in India.
Chaplin playing the cello in 1915 Chaplin developed a passion for music as a child and taught himself to play the piano, violin, and cello. He considered the musical accompaniment of a film to be important, and from A Woman of Paris onwards he took an increasing interest in this area. With the advent of sound technology, Chaplin began using a synchronised orchestral soundtrack – composed by himself – for City Lights (1931). He thereafter composed the scores for all of his films, and from the late 1950s to his death, he scored all of his silent features and some of his short films.
Decisions concerning the duration of the ceremony and the type of musical accompaniment are taken collectively based on the preferences and needs of participants. AOS ceremonies are eclectic, incorporating methods from psychedelic psychotherapy, shamanism and a variety of religious traditions. To compensate for the lack of formal structure, participants are given a thorough interview beforehand and invited to share their experiences with other participants afterwards. As of 2012, AOS ceremonies have begun to be integrated with workshops on a wide range of topics including personal development, communication skills, writing and other forms of creative expression, ecology and transitioning and activism.
Most of the characteristics that distinguish it from other forms of utterance-- rhythm, rhyme, compression, intensity of feeling, the use of refrains--appear to have come about from efforts to fit words to musical forms. In the European tradition the earliest surviving poems, the Homeric and Hesiodic epics, identify themselves as poems to be recited or chanted to a musical accompaniment rather than as pure song. Another interpretation is that rhythm, refrains, and kennings are essentially paratactic devices that enable the reciter to reconstruct the poem from memory. In preliterate societies, these forms of poetry were composed for, and sometimes during, performance.
Snell's scores often showed first- rate craftmanship, but his work has generally been ignored, perhaps because in most cases he chose to simply underscore the dialog as opposed to contributing complementary musical ideas. However, for the 1947 Lady in the Lake, based on the Raymond Chandler novel and set around Christmas time, Snell chose to use a choir singing a cappella without musical accompaniment, providing an austere and effective "black and white" score to accompany the stark black and white cinematography. The moody music echoed Christmas carols. David L. Snell died at home in Glendale, California on March 27, 1967.
The theme songs for Nextwave, Runaways, Achewood, Dinosaur Comics and Killroy and Tina are examples of this. In Japan, such examples of music inspired by a work and not intended to soundtrack a radio play or motion picture adaptation of it are known as an "image album" or "image song", though this definition also includes such things as film score demos inspired by concept art and songs inspired by a TV series but that are not featured in them. Many audiobooks have some form of musical accompaniment, but these are generally not extensive enough to be released as a separate soundtrack.
Petersen had previously already enjoyed a brief spell of success as member of the Beau Brummels; James left after the release of the group's second album and was replaced by Tom Sowell. Under the guidance of producer Lenny Waronker (and Templeman, who emerged as the leader of the group), Harpers Bizarre developed a unique sound which experimented with heavy vocal layering. Most of Harpers Bizarre's recordings are cheerful and airy, both in subject matter and musical accompaniment, often with string and woodwind arrangements. Their music is most closely associated with the sunshine pop and baroque pop genres.
The tradition of annual Japanese performances at the ANU began in 1976, with the first shows taking place in the walkway between the Sports & Recreation building and the Union building. During the 1980s and 1990s, productions became increasingly elaborate, with authentic makeup and costumes, original sets and musical accompaniment, hosted at a number of the theatre facilities around the ANU campus. In 1999, Producer Suzy Styles led the Za Kabuki troupe on their first tour of Japan, with performances in Nara and Kobe. On 11 September 2001, a troupe from Kobe's Konan University returned the favour by performing at the ANU's Llewellyn Hall.
While bass guitar solos are much less common in metal than guitar solos for electric guitar, some metal bassists do play solos. Bass guitar solos are structured and performed in a similar fashion as rock guitar solos, often with the musical accompaniment from the verse or chorus sections. Bass solos are performed using a range of different techniques, such as plucking or fingerpicking. A small number of metal bassists do two-handed tapping styles in which they use both hands to play notes on the fretboard by rapidly pressing and holding the string to the fret.
The marriage record shows that at the time of his marriage George was working as a cashier and living at 108 Field Street in Everton.LiverpoolToffeeWeb Although the Mahon family had links to the established church, the family's burial practices and chapel attendance in Liverpool suggest that they were Nonconformists. By 1879 George Mahon was regularly attending the Great Homer Street Wesleyan Chapel in Everton where he provided musical accompaniment to the choir playing an American organ. Mahon delivered a lecture entitled "An Hour with Nature's Little Things" for the Anfield Wesleyan Literary Society in their chapel's lecture hall on 18 March 1887.
Shop horo of Bulgaria Laz dancers in Armenia, circa 1911 Circle dance, or chain dance, is a style of dance done in a circle or semicircle to musical accompaniment, such as rhythm instruments and singing. Circle dancing is probably the oldest known dance formation and was part of community life from when people first started to dance. Unlike line dancing, circle dancers are in physical contact with each other; the connection is made by hand-to-hand, finger-to-finger or hands-on-shoulders. It is a type of dance where anyone can join in without the need of partners.
In her review for AllMusic, Dacia Blodgett-Williams praised it as "Christian music with an edge", lauding its lyrical content as contemporary without inspiring despair in the listener. She also described Nordeman's musicianship as "strong", though criticizing its musical accompaniment as "sometimes louder than the vocals, making discernment of Nordeman's praise- worthy lyrics difficult." Graeme Lamb of Cross Rhythms described its songs as a deep realization that following Christ can sometimes get messy and unpredictable, and remarked that the quality of her lyrics and vocals bring out her understanding of God sharply. He also lauded Hammond's production on the album as excellent.
The initial airing included musical numbers from the fourth-season episode "The Fat Guy Strangler", the sixth- season episode "Play It Again, Brian", and the eighth-season episode "Business Guy", as well as other numbers, including "You've Got A Lot to See" from "Brian Wallows and Peter's Swallows", "Shipoopi" from "Patriot Games", and "My Drunken Irish Dad" from the episode "Peter's Two Dads". In repeats of the episode the usual main title sequence is replaced by a still shot of the show's logo on a black background, whilst the end credits are shown without any musical accompaniment.
Quicksilver was a television quiz show produced and broadcast in Ireland by RTÉ and hosted by Bunny Carr from 1965 to 1981. The show was broadcast each week from a different Irish town, with a live audience. Competitors were selected from the audience by drawing numbered tickets, prompting many amusing exchanges as they competed for small monetary prizes by answering a series of trivia questions. Musical accompaniment was provided by organist Norman Metcalfe, who frequently provided musical hints to the answers. The centre- piece was a large board with 30 illuminated numbers that indicated remaining prizes.
Although Goldie (of Goldie & the Gingerbreads) was the first artist to record the song, her version was withdrawn following disagreements with Goffin and King over the song's lyrics. Carole King then decided to record "Goin' Back" herself, but ultimately she offered it to Dusty Springfield instead. Springfield went on to have an international hit with the song and, consequently, it is her version that is considered the most well known. Springfield's version of "Goin' Back" was recorded on June 15, 1966 at Philips Studios, Stanhope Place, London, with musical accompaniment by Peter Knight and production by Johnny Franz.
However some Islamic groups and denominations deem music permissible including many Sufi orders who use music as part of their worship. According to some authorities, Islam does allow singing without musical accompaniment within prescribed circumstances—namely that the performer be of the same gender as the audience; there is a well-known hadith in which two small girls were singing to a woman, and the Prophet Muhammad instructed Abu Bakr to let them, stating, "Leave them Abu Bakr, for every nation has an Eid (i.e. festival) and this day is our Eid.".Sahih al-Bukhari, 3931 Sahih al-Bukhari, Vol.
The USAF Heritage Flight formation will normally consist of two or more aircraft representing the different eras of operations, making three passes past the spectators. There will be one pass each from the right and left and then a final pass from behind the crowd with the aircraft performing a separation maneuver to create separation between the aircraft followed a few seconds later by a single simultaneous aileron roll by all the aircraft in the flight. During the flypasts there is a musical accompaniment played through the public address system. The music that is normally played is "We Remember" by Dwayne O'Brian.
Live in Belfast is a live comedy album by English comedian Rowan Atkinson. It was first released in 1980 as a vinyl LP and cassette tape on Arista Records, then re-released in 1996 on CD. It was recorded in front of live audiences at two evening performances at the Grand Opera House in Belfast, Northern Ireland, on 19-20 September 1980. The performances were part of a four-month tour of the United Kingdom. Atkinson was supported by comedy writer Richard Curtis, who appeared doing setups or at the receiving end of jokes, and composer Howard Goodall, who provided musical accompaniment.
The distinguishing characteristics of the American traditional informal freeform solo folk dancing are that it can be done spontaneously, with creativity and self- expression, and may involve only one person. The foot need not be lifted very high off the ground for this form of dance, but the skill and physical exertion required can still be demanding. Even if musical accompaniment is not present, the sound of the foot contacting the dance surface provides a rhythm of its own. While showmanship cannot be totally divorced from this form of dance, the emphasis is more upon making the dance appear almost effortless.
Also in another case an argument arose between her and a driver of Lviv public transportation (route #54). When Farion asked the driver to turn off the music he refused, when she reminded the driver that there is a prohibition of the local authorities for musical accompaniment in public transportation the latter refused stating that does not care. Some sources state that the driver accused Farion of excessive love for the Ukrainian language. Later the driver was fired, while the Russian speaking mass media was pointing also to the fact that the music was in Russian language.
Re- christened "Desi the Three-Armed Wonder Comic," and with Gus now providing musical accompaniment, Marty gets a fresh start on his career. Marty and Gus have a few semi-successful shows and eventually meet Hollywood talent agent Dirk Delta (Rob Lowe), who offers them a job. Marty, Gus and Jackie celebrate this big break and everything seems to be looking up until Marty wakes up the following morning and discovers his third arm has inexplicably vanished. He goes with Gus to see Jackie, who is furious at first but calms down and decides to tell Dirk the truth upon Marty's suggestion.
Two best friends, Johanna and Jeanne, live in the small town of Decazeville, a mining town in France. One year at the Miners' Ball, the music group The Sirens perform, of which Johanna and Jeanne are members. In a spontaneous moment, a new friend of Johanna's (named Luc) discovers Johanna and Jeanne's incredible musical talent and singing ability when they sing a duet together without musical accompaniment. The two girls begin practicing and recording in a studio together with the help of Luc and an arranger, Jasper, and finally manage to record a tape with a few songs.
Musical accompaniment was provided for some numbers by Elizabeth and Jessie, who played the piano and bass drum. The material had strong patriotic and religious themes; in one scene, Jessie was suspended from a cross in an imitation of the crucifixion."Sub-mediocre" Time, March 10, 1930"Four Freaks from Iowa" New York Times, November 17, 1896 The act was received politely by the sisters' neighbors in Marion, but when it went on the road, it received overwhelmingly negative responses from the audiences to which it played. Spectators routinely laughed, heckled, catcalled, booed and threw vegetables at the sisters throughout the entire performance.
Peter Green wrote what would be part 2 of "Oh Well" on a Ramirez Spanish guitar, which he purchased after hearing the instrument on the radio. "Part 1", which Green dismissed as a "throwaway riff", was intended to appear on the flip side of Part 2. The first part of the song features a fast blues guitar riff played by Green, joined subsequently by Danny Kirwan and bassist John McVie, before a musical silence, punctuated only by Mick Fleetwood's cowbell percussion. Green sings a brief verse with no musical accompaniment, before the riff begins again and Kirwan takes a solo.
Matt Bjorke of Roughstock rated the song four stars out of five, calling it "relatable on many levels" and praising the "interesting musical accompaniment". He thought that the "loud guitars are sure to turn off some people", but believed that the song would appeal to fans of Hank Williams, Jr. or Charlie Daniels. Stephen M. Deusner of Engine 145 gave it a "thumbs down", describing it as something "actively, even aggressively bad to the point of insulting, both culturally and musically." He thought that the song stereotyped the urban lifestyle and that the production "topple[d] over into self-parody".
Paddy and Tom Clancy sang with them on occasion, usually in informal folk 'sing-songs' in the Village. Around the same time, Paddy founded Tradition Records with folk-song collector and heiress Diane Hamilton, and in 1956 the Clancy Brothers and Tommy Makem released their first album, The Rising of the Moon, with only Paddy's harmonica as musical accompaniment. However, the Clancys and Makem did not become a permanent singing group until 1959. In the meanwhile, Paddy Clancy signed and recorded established folk artists for Tradition Records, including Alan Lomax, Ewan MacColl, Paul Clayton, Ed McCurdy, Oscar Brand, and Jean Ritchie.
Shofars were used for signifying the start of a war.Joshua 6:4; Judges 3:27; 7:16, 20 They were also employed in processions2 Samuel 6:15; 1 Chronicles 15:28 as musical accompaniment,Psalm 98:6; compare Psalm 47:5 and were inserted into the temple orchestra by David.Psalm 150:3 Note that the "trumpets" described in Numbers 10 are a different instrument, described by the Hebrew word for 'trumpet' (), not ().Sidney B. Hoenig, "Origins of the Rosh Hashanah Liturgy", The Jewish Quarterly Review, New Series, Vol. 57, The Seventy-Fifth Anniversary Volume of the Jewish Quarterly Review (1967), pp. 312–331.
Music on Film – Film on Music (MOFFOM) is a film festival held annually in October in Prague, Czech Republic and dedicated to music films. The 2008 festival presented 58 films and attracted more than 10,000 viewers.MOFFOM - Music on Film - Film on Music MOFFOM focuses on documentaries but also presents concert films, musicals, music-centric dramatic features, music videos and shorts, cine-concerts (film screenings with live musical accompaniment), live performances and film workshops. In 2007 it spearheaded the founding of the Association of Music Film Festivals, which includes similar events in Europe, North America, Asia and the Middle East.
Merry Wives of Windsor, The (1983). In the hands of composer and keyboard player Deena Kaye, the Riverside production of The Merry Wives of Windsor verged on becoming a full-fledged musical, with numerous tunes played by the ragtime band. According to Nan Robertson in The New York Times: > An eight piece ragtime band and Mardi Gras high jinks underscored the > slapstick performance, which sometimes evoked the spastic look and ricky- > tick musical accompaniment of a very early silent flicker movie. The cast is > costumed as 19th-century Southern belles, beaux and bums, the last group > being the disreputable lecherous but appealing Falstaff.
The following is an incomplete list of hip hop festivals, which encapsulates music festivals focused on hip hop music or other elements of hip hop culture. Hip hop music, also called rap music,Encyclopædia Britannica article on rap, retrieved from britannica.com: Rap, musical style in which rhythmic and/or rhyming speech is chanted (“rapped”) to musical accompaniment. This backing music, which can include digital sampling (music and sounds extracted from other recordings), is also called hip-hop, the name used to refer to a broader cultural movement that includes rap, deejaying (turntable manipulation), graffiti painting, and break dancing.
Bass solos are also common in certain styles of punk music. In a rock context, bass guitar solos are structured and performed in a similar fashion as rock guitar solos, often with the musical accompaniment from the verse or chorus sections. While bass guitar solos appear on few studio albums from rock or pop bands, genres such as progressive rock, fusion-influenced rock, and some types of heavy metal are more likely to include bass solos, both in studio albums and in live performances. Players perform bass solos with a range of techniques, such as plucking or finger picking.
For the first time, the festival program was enriched with a new event called “KINO_LIVE,” - a series of film-concerts held in an outdoor venue. In this new screening space – the steps of the Langeronovskiy Descent, masterworks of film were presented with live musical accompaniment. Such works included the films of Georges Melies,Odessa International Film Festival starts on July 15, Odessa City Council's site, July 7, 2011 which were presented to the audiences by the filmmaker’s great granddaughter and great great grandson. Esteban Sapir's Avant-garde Argentinean film Antenna was screened accompanied by the Ukrainian rock group “Еsthetic Education”.
In addition, Burroughs provided vocal samples for the soundtrack of Anderson's 1986 concert film, Home of the Brave, and made a cameo appearance in it. Burroughs reads a passage from his novel Nova Express during the bridge of the title song from Todd Tamanend Clark's 1984 album Into The Vision, which also features Cheetah Chrome from The Dead Boys on guitar. Bill Laswell's Material collaborated with Burroughs to produce the 1989 album Seven Souls, wherein Burroughs recites passages from his book The Western Lands to musical accompaniment. The album was reissued in 1997 with 3 bonus remixes.
The Main Street Cinema is a small movie theater located on Main Street, U.S.A. at Disneyland. The theater plays Disney shorts on six different screens while a recorded musical accompaniment plays. Five of the six shorts are played without sound; these shorts are changed from time to time. The sixth short is always Mickey Mouse's 1928 cartoon classic Steamboat Willie, which is played with its original sound, albeit in an edited version to remove objectionable content; it includes an introduction prepared for a 1950s reissue reminding the viewer when the short was created, and that it is still screening today worldwide.
Danse Macabre organ The Dance macabre organ () was older than the old great organ. It was installed in 1477 on the east side of the north arm of the "transept" in the Danse Macabre Chapel (so named because of the Danse Macabre painting that hung there) and was used for the musical accompaniment of the requiem masses that were celebrated there. After the Church Reformation it was used for prayers and for Holy Communion services. In 1549 and 1558 Jakob Scherer added to the organ among other things, a chair organ (), and in 1621 a chest division was added.
Music is also used in literary drama, although its musical accompaniment is more sparingly used than in opera; again, music communicates the mood or tone of events to the audience. An example is John Pepper Clark's The Ozidi Saga, a play about murder and revenge, featuring both human and non-human actors. Each character in the play is associated with a personal theme song, which accompanies battles in which the character is involved. Traditional Nigerian theatre includes puppet shows in Borno State and among the Ogoni and Tiv, and the ancient Yoruba Aláàrìnjó tradition, which may be descended from the Egúngún masquerade.
Writing for Howlin' Wolf Records, Jason Comerford referred to the film soundtrack as a "dense, bristling effort jam- packed with invention and energy". Journalist Jonathan Barkan of Dread Central and Bloody Disgusting named the musical accompaniment as "one of the great masterpieces of horror music from this century". The score was performed by a string quartet accompanied by Bishara producing sounds on a rusted piano using hammers, files, and other "experimental instruments" of his design. Much of the music was recorded before Wan began shooting the film, the musicians improvising some parts as they went along but following Bishara's broad structure and concept.
He renamed it the Surrey Theatre, being determined to perform Shakespeare and other plays. He reopened on Easter Monday and to avoid trouble with the law, which did not allow dialogue to be spoken without musical accompaniment except at the two patent theatres, he put a ballet into every such production, including Macbeth, Hamlet, and Farquhar's The Beaux' Stratagem. Contemporary reviewers noted that the Lambeth streets teemed with prostitutes.The Railway Age Museum of Garden History (Lambeth Local History) accessed 18 Mar 2007 Elliston left in 1814, and the Surrey became a circus again until Thomas Dibdin reopened it as a theatre in 1816.
Bible Chapels are often more willing to use musical accompaniment in worship and are generally very willing to cooperate with other Christians who share their Evangelical beliefs. In recent years, many of the more progressive assemblies have moved away from their previous aversion to the word "church" and may now be called "Community Church" (especially in Canada, Australia, or New Zealand), or "Evangelical Church" (in the United Kingdom). It is important to note that these distinctions are purely descriptive; they (generally) denote differences in worship and administrative style, not affiliation. Some Brethren churches have Bible names, e.g.
As one of the theatre's original purposes was to exhibit silent films, which typically required musical accompaniment and sound effects, a four manual, 28 rank Barton theatre organ was included in the building's design, with the pipework installed into two chambers that flank the stage. The organ's console is mounted on a movable platform that can be raised to stage level or lowered into the orchestra pit. This instrument underwent an extensive restoration and is the focal point of the organ extravaganza concert held each year in the spring. In 1972, a campaign to "Save the Rialto" was initiated and led by Miss Dorothy Mavrich.
Younger boys compete during the early part of the day, while senior fighters and champions take part during the afternoon. During the match, musicians, whom usually women are gathering and playing drums and gongs as a musical accompaniment to encourage the contestants as well as the spectators. Caci in modern times is often mistaken for a dance, but actually throughout its history until as recently as the 1970s, it was a realistic fighting art. Seasoned fighters were heavily scarred on their upper body, while losers further had the mark of the defeating blow on their face, or worst — having one of his eyes blind.
Brescia and Marcelli gave a concert called "Midsummer Music of Bohemia" at the Tivoli Theatre in San Francisco, with Brescia conducting selections from his Bohemian Club score, and Marcelli leading two movements from his Water Colors. Marcelli joined the Bohemian Club. In 1920, Marcelli wrote the first of an eventual six Grove Plays for the Bohemian Club, the last in 1961. As well in 1920, Marcelli began conducting the house orchestra for silent film showings at the Tivoli Theatre, a position he kept until he was hired away by Sid Grauman in 1922. Marcelli arranged the official musical accompaniment for the silent film Salomé in 1923.
Pobutovi tantsi) can be distinguished from the earlier Ukrainian ritual dances by two characteristics: the prevalence of musical accompaniment without song, and the increased presence of improvisation. The early Hopak and Kozachok developed as social dances in the areas surrounding the River Dnieper, while the Hutsulka and Kolomyjka sprang up in the Carpathian mountains to the west. Eventually, social dances of foreign extraction such as the Polka and Quadrille also gained in popularity, developing distinct variations after having been performed by native dancers and musicians gifted in improvisation. The third major type of Ukrainian folk dancing which developed prior to the modern era were the thematic or story dances (, translit.
Through play selection, set design, costuming and innovative musical accompaniment, the school's annual theatrical productions were seen by the public as an extension of the Fort Worth Circle's international aesthetic. Cynthia Brants (1924-2006) returned to Fort Worth in 1945 with a degree in studio painting from Sarah Lawrence College and a desire to explore the limits of cubism. Brants, a former student at the Fort Worth School of Fine Arts, too became part of the Reeder's network. George Grammer (born 1928) became a student of Kelly Fearing at Texas Wesleyan College in 1945 and quickly proved himself to be one of Fearing's top art students.
The epic, performed since the 14th century, has been sung in verses by master poets who provide their own musical accompaniment on a percussion instrument. It is a unique literary and musical form that reflects in it Arab folk history, customs, beliefs, symbolism and traditions. Proverbs and puzzles derived from the epic are often a part of everyday conversation in many areas of the Middle East. Some of the prominent characters of the epic include Abu zed al-Hilaliy, El Zenaty Kalepha and Zayab Ibn Ganem and there are several places in the Middle East that have been named for heroes mentioned in the epic.
After being a theatre actor for twenty years, he joined the society ', founded in 1908 by the novelist and editor, at the urging of the Sociétaires of the Comédie- Française. That same year, disturbed by the noise of the spectators, he suggested that films should have musical accompaniment. One of the first composers to produce music especially designed for a film was Camille Saint- Saëns, who arranged a piano score for Calmette's The Assassination of the Duke of Guise. Originally the music was played in the theatre, but Calmette later found a way to put musicians behind the screen and synchronize their playing with the film.
The score is testament to the high level of musical attainment of the composer. Anna Amalia draws upon models from both opera seria, opera buffa, and folk song to create a successful dramatic whole, one in which all four protagonists are characterised as much by the nuances provided by the musical accompaniment as by the content and register of the words they speak. The predominantly buffa style, for instance, is ideal for a character like Bernardo who shares its potent mix of humour and humanity. On the other hand the lovers' passion is aptly reflected in the application of the concerted style common to opera seria.
From Scotland With Love is a documentary feature film directed by Virginia Heath, soundtracked by an original studio album by Scottish singer-songwriter King Creosote (Kenny Anderson). The film was commissioned as part of the Cultural Festival accompanying the 2014 Glasgow Commonwealth Games. It was screened with live musical accompaniment on Glasgow Green on 31 July 2014.From Scotland With Love - feature documentary , Sheffield Hallam University, retrieved 4 August 2014David Pollock, Film/Album preview: From Scotland with Love, The Scotsman, 13 July 2014, retrieved 4 August 2014 It was produced by Faction North, Crossover, National Library of Scotland and Scottish Screen Archive in association with BBC Scotland and Creative Scotland.
A phorminx The epinikion was performed not at the games, but at the celebration surrounding the champion's return to his hometown or perhaps at the anniversary of his victory. The odes celebrate runners, pentathletes, wrestlers, boxers, and charioteers; Pindar usually narrates or alludes elaborately to a myth connected to the victor's family or birthplace. The Pindaric ode has a metrical structure rivaled in its complexity only by the chorus of Greek tragedy, and is usually composed in a triadic form comprising strophe, antistrophe, and epode. The odes were performed by a chorus that sang and danced to the musical accompaniment of the phorminx or aulos.
The opening night, participated by the curators and artists, included an exclusive showpiece by live musicians Black To Comm performing improvisational musical accompaniment to Earth (a film by Ho Tzu Nyen). The 10 programmes were beautifully installed in the underground museum, both quiet and grand, making use of large projector screens, multiple television sets and blank walls as canvasses. Each programme had its own unique spatial set up in a minimally constructed space where one could wander and encounter the works without limitations. From 2011 until 2012, the project has been presented in various exhibition venues, cultural institutions and book stores in Asia and Europe.
Look at Life cameras were also offered exclusive access behind the Iron Curtain to present life in the Eastern Bloc, particularly in East Berlin and the Soviet Union. The films were generally narrated in the style typical of newsreel films with a principal voice-over while letting the images tell the story. The narration was generally spoken over the natural sounds of the subject being discussed such as motor traffic or the activities within a workplace and with musical accompaniment. People who were featured in the programmes were seldom heard to speak unless as background sound, their activities and interactions with others generally being commented upon by the narrator.
Cambodia's premier performing art form is Khmer classical dance, or Robam Preah Reach Trop, a highly stylized dance form originating from the royal courts. Originally performed and maintained by attendants of the royal palaces, Khmer classical dance was introduced to the general public in the mid-20th century and became widely celebrated as iconic of Cambodian culture, often performed during public events, holidays, and for tourists visiting Cambodia. Performances feature elaborately costumed dancers performing slow and figurative gestures to the musical accompaniment of a pinpeat ensemble. The classical repertoire includes dances of tribute or invocation and the enactment of traditional stories and epic poems such as the Ramayana.
The patter song is characterised by a moderately fast to very fast tempo with a rapid succession of rhythmic patterns in which each syllable of text corresponds to one note. It is a staple of comic opera, especially Gilbert and Sullivan, but it has also been used in musicals and elsewhere."Patter song", OnMusic Dictionary, Connect For Education, Inc, accessed 2 May 2014 The lyric of a patter song generally features tongue-twisting rhyming text, with alliterative words and other consonant or vowel sounds that are intended to be entertaining to listen to at rapid speed. The musical accompaniment is lightly orchestrated and fairly simple, to emphasise the text.
In England, Tudor court masques developed from earlier guisings, where a masked allegorical figure would appear and address the assembled company—providing a theme for the occasion—with musical accompaniment; masques at Elizabeth's court emphasized the concord and unity between Queen and Kingdom. A descriptive narrative of a processional masque is the masque of the Seven Deadly Sins in Edmund Spenser's The Faerie Queene (Book i, Canto IV). A particularly elaborate masque, performed over the course of two weeks for Queen Elizabeth, is described in the 1821 novel Kenilworth, by Sir Walter Scott. Queen Elizabeth was entertained at country houses during her progresses with performances like the Harefield Entertainment.
The segment "Peter and the Wolf" is an animated dramatization of the 1936 musical composition by Sergei Prokofiev, with narration by actor Sterling Holloway. A Russian boy named Peter sets off into the forest to hunt the wolf with his animal friends: a bird named Sascha, a duck named Sonia, and a cat named Ivan. Just like in Prokofiev's piece, each character is represented with a specific musical accompaniment: Peter by the String Quartet, Sascha by the Flute, Sonia by the Oboe, Ivan by the Clarinet, Grandpa by the Bassoon, the shooting of the Hunters' guns by the Kettledrums, and the evil Wolf primarily by horns and cymbals.
The Special Military Exemplary Band of the Honor Guard () is a special military unit that performs military music for the guard of honor of the Russian Armed Forces that greets foreign government delegations, as well as provide musical accompaniment for national events. It is a branch of the Military Band Service of the Armed Forces of Russia. The band was created in the fall of 1956 by order of the Soviet Government, having performed in the welcoming ceremonies of hundreds heads of state and has played its music at many memorials in the country. The band forms part of the 3rd Honor Guard Battalion, 154th Preobrazhensky Independent Commandant's Regiment.
There are significant differences in the way the story is presented in this film and in the 1922 silent film. The 1941 version, though not a shot for shot redo, does incorporate several key scenes from this film word for word, while adding material that focuses more on the war, including patriotic songs performed by Jeannette MacDonald. The song “Smilin’ Through” was first published in 1919, while the original play was being written. It was used in the play and in all three film adaptions (It was in the musical accompaniment to the silent film.) When Norma Shearer sang the song as Moonyean, she was dubbed by Georgia Stark.
Roopa Ganguly, who also sang two Tagore songs for the film, "Dure Kothao Dure Dure" and "Aaji Bijan Ghare", won the Best Female Playback Singer Award at the 59th National Film Awards. She was awarded with Rajat Kamal (Silver Lotus Award), a certificate and a cash prize of for "her husky and haunting voice that brings a gentle, nostalgic tone and tenor to the film Abosheshey. The languid raw sensuality of her singing is heightened by the absence of musical accompaniment." The film was also screened at the 12th Annual New York Indian Film Festival and International Film Festival of Kerala where it won Netpac Award for Best Asian Film.
The musical accompaniment for Manipuri dance comes from a percussion instrument called the Pung (a barrel drum), a singer, small kartals (cymbals), sembong, harmonium, a stringed instrument called the pena and wind instrument such as a flute. The drummers are male artistes and, after learning to play the pung, students train to dance with it while drumming. This dance is celebrated, states Massey, with the dancer wearing white turbans, white dhotis, a folded shawl over the left shoulder, and the drum strap worn over the right shoulder. It is known as Pung cholom, and the dancer plays the drum and performs the dance jumps and other movements.
The Duprees version of the song is featured in the video game Mafia III, usually on the in-car radio stations but can also be heard as the musical accompaniment to several key cut-scenes. A hard rock cover version by Misfits also plays towards the end of the game (despite that version not being recorded until 35 years after the games' 1968 setting). The song is featured in the 2018 gothic horror film The Nun, a spin-off of The Conjuring 2, when Fr. Burke and Sister Irene sit down to dinner, and again moments later when a demon uses the radio to wake up Fr. Burke.
Johnson City, TN. Ramona first started playing the mandolin when she was six or seven years old. Jones spent his teenage years in Akron, Ohio, where he began singing country music tunes on a radio show on WJW. In 1931, Jones joined the Pine Ridge String Band, which provided the musical accompaniment for the very popular Lum and Abner show. By 1935 his pursuit of a musical career took him to WBZ (AM) radio in Boston, Massachusetts, where he met musician/songwriter Bradley Kincaid, who gave him the nickname "Grandpa Jones" when he was 22 years old, because of his off-stage grumpiness at early-morning radio shows.
Dengaku (田楽) were rustic Japanese celebrations that can be classified into two types: dengaku that developed as a musical accompaniment to rice planting observances and the dengaku dances that developed in conjunction with sangaku. The dengaku celebrated for rice planting was performed by villagers either at the New Year or during the planting season in early summer. It was only in the 14th century that these dances were brought to the cities and incorporated into Noh theater, notably by the playwright and actor Kan'ami. The instrument of dengaku is the sasara, a wooden percussive instrument clapper, though there are other instruments that can be used.
Because video games are (usually) screen-based media, there are strong links between the study of game music and the study of music in other screen-based media (like film and television). Concepts such as diegesis and acousmatics, which originate in film and film audio studies, are broadly applicable to video game music analyses, often with minimal adjustment. Furthermore, there are similarities between video game and film music techniques as varying stages throughout video game music history. For example, Neil Lerner notes a relationship between music in early/silent cinema and game music aesthetics from the 1970s onwards, on the basis of "largely nonverbal communication system[s]" and "continuous musical accompaniment".
The Lou Stein Trio originally provided musical accompaniment during the short run of Tonight! America After Dark, which ran for six months between the Steve Allen/Ernie Kovacs and Jack Paar eras of The Tonight Show, but was later replaced by the Mort Lindsey Quartet, which in turn, was replaced by the Johnny Guarnieri Quartet. José Melis led the band for Jack Paar, and, after a short while of using comic actor Franklin Pangborn, Hugh Downs was Paar's announcer. For most of Johnny Carson's run on the show, the show's band, then called "The NBC Orchestra" was led by Doc Severinsen, former trumpet soloist in Henderson's band for Steve Allen.
A critic of the Beatles' output immediately post-Sgt. Pepper, Ian MacDonald found "Blue Jay Way" "as unfocused and monotonous as most of the group's output of this period", adding that the song "numbingly fails to transcend the weary boredom that inspired it". Writing for Rolling Stone in 2002, Greg Kot considered it to be "one of [Harrison's] least-memorable Beatles tracks … a song essentially about boredom – and it sounds like it". Similarly unimpressed with Magical Mystery Tour, Tim Riley describes "Blue Jay Way" as a song that "goes nowhere tiresomely", with a vocal that "sounds as tired and droning" as the musical accompaniment.
Live music has been an integral part of the contest since its first edition. The main vocals of the competing songs must be sung live on stage, however other rules on pre-recorded musical accompaniment have changed over time. The orchestra was a prominent feature of the contest from 1956 to 1998. Pre-recorded backing tracks were first allowed in the contest in 1973, but under this rule the only instruments which could be pre-recorded had to also be seen being "performed" on stage; in 1997, this rule was changed to allow all instrumental music to be pre-recorded, however the host country was still required to provide an orchestra.
Members of an American jazz dance company perform a formal group routine in a concert dance setting Theatrical dance, also called performance or concert dance, is intended primarily as a spectacle, usually a performance upon a stage by virtuoso dancers. It often tells a story, perhaps using mime, costume and scenery, or else it may simply interpret the musical accompaniment, which is often specially composed. Examples are western ballet and modern dance, Classical Indian dance and Chinese and Japanese song and dance dramas. Most classical forms are centred upon dance alone, but performance dance may also appear in opera and other forms of musical theatre.
The importance of the Service to Tenrikyo followers can be appreciated if one understands that the main theme of the Ofudesaki, the most important of the three Tenrikyo scriptures, has been described as "a development toward the perfection of Tsutome, the Service, through which, alone, human salvation can be realized." See Inoue and Eynon, A Study of the Ofudesaki, xix. During the Service, the text to the Mikagura-uta is sung together with dance movements and musical accompaniment, all of which was composed and taught by Miki Nakayama. The Osashizu (おさしづ "Divine Directions") is a written record of oral revelations given by Izo Iburi.
In Sikhism, Nām Japō (Gurmukhi ਨਾਮ ਜਪੋ), Naam Japna, or Naam Simran refers to the meditation, contemplating various Names of God (or qualities of God), especially the chanting of the word Waheguru, which means "Wonderful Lord" representing the formless being, the creator of all the forms and the being omnipresent in all forms., or less commonly vocal singing of hymns from the Sri Guru Granth Sahib singing of hymns generally is also referred to as Nām Riramon Bunman, sometimes also called Nām Simran. Singing of hymns with musical accompaniment is generally referred to as Kirtan. While contemplating God's names a devotee is able to get Nām, the divine connection with God.
A document of the highly successful The Paul McCartney World Tour, Tripping the Live Fantastic encompasses McCartney's entire musical career from his Beatles hits to his recent hit album, Flowers in the Dirt, while also including some unique covers. Interspersed throughout are occasional soundcheck recordings as well. The title is an allusion to the phrase "tripping the light fantastic", meaning to dance or move to musical accompaniment, originally from the poem L'Allegro by John Milton. Although he had reversed the Lennon–McCartney credits on Wings over America in 1976, McCartney left the credits for his Beatles songs on Tripping the Live Fantastic in their original form.
The song has been used as the musical accompaniment in advertisements for Sony high definition televisions with a number of different themes being used for the adverts. In addition the song has been heard at the beginning and end of advert breaks surrounding the coverage of Formula One events on ITV in the UK in 2008, since Sony assumed the role as the sports main sponsor on the channel. It replaced Iron Maiden's "Can I Play with Madness" after the first 4 rounds of the network's coverage. It was used by professional wrestler Flyin' Brian Pillman as his theme music, when he came to NWA/WCW in 1989.
G. Mahler Symphony of a Thousand – Vienna Boys' Choir – Wiener Singverein – Slovenský filharmonický zbor – Staatskapelle Berlin – Pierre Boulez – Musikvereinssaal (April 2009) The choir is the modern-day descendant of the boys' choirs of the Viennese Court, dating back to the late Middle Ages. The Wiener Hofmusikkapelle was established by a letter from Emperor Maximilian I of the Holy Roman Empire on 30 June 1498, instructing court officials to employ a singing master, two basses and six boys. Jurij Slatkonja became the director of the ensemble. The role of the choir (numbering between 24 and 26) was to provide musical accompaniment for the church mass.
"Bethel A.M.E. Zion Church," in "Locations," in "Underground Railroad: The William Still Story." Buffalo, New York: WNED-TV Buffalo/Toronto (PBS) and 90th Parallel Productions Ltd., retrieved online February 23, 2019. Closely aligned with Philadelphia's Mother Bethel AME Church, "Men preached from the pulpits but the ladies were responsible for organizing benevolent societies and mission circles, teaching classes in the large Sunday Schools attached to both congregations, as well as singing in the choir and providing a musical accompaniment for the Sunday services," according to historian Barbara Goda.Goda, Barbara R. "African- American Women in Berks County’s History," in The Historical Review of Berks County, Winter 2004-2005.
In 1916 he moved to Baltimore where he spent the remainder of his career. Once established in Baltimore, Klasmer assisted the conductor, Gustav Strube in founding the Baltimore Symphony Orchestra, where he played in the violin section for many years. He also began performing and conducting for several local pit orchestras, most notably as the conductor of the pit orchestra at the Hippodrome Theatre, Baltimore.Benjamin Klasmer's Contribution to Baltimore's Musical History in Maryland Historical Magazine 1972 The orchestras he conducted at various Baltimore theaters, including the New Theater, the Garden Theater, the Rivoli, and the Hippodrome, furnished musical accompaniment to silent movies and to vaudeville acts.
The main responsibility for military bands in the SANDF is to provide musical support to the South African Army, as well as indirectly foster high morale and pride. The bands of the SANDF provide musical accompaniment for official ceremonies such as the Armed Forces Day parade and the swearing-in of the President of South Africa.Military bands formed the essence of Armed Forces Day celebrations Bands also perform for heads of State and government, most notably the Elizabeth II, President Bill Clinton, Colonel Muammar Gaddafi and Prime Minister Tony Blair and President Vladimir Putin. Educational requirements include musical knowledge, as well as basic infantry training.
Schumacher argues that viewer loyalty is established primarily through the representation of familiar emotional situations and the everyday problems of the viewers, which means that private stations broadcast predominantly private affairs. Further development of this approach led to creation of reality TV shows, which generate new realities by intervening directly in the actual life of its participants. Such personalisation and dramatization of television precipitated the "Fall of Public Man", in words of Richard Sennett. The strategy of creating viewer loyalty through emotional sensations is reflected in scandalous "special news" that "favor sex and crime topics and employ highly affective commentary style, a clip aesthetic as well as a musical accompaniment borrowed from the crime film genre".
Billy's career changed course in 1922 when one day a potato chip machine took slices from his fingers rather than the potato. He carried on playing 'with left thumb and little finger 'hors-de-combat' but it didn't take 'old Gilbert', the manager, long to notice the difference. He poked his head over the pit rail and said "You young rascal, you've got a bloody cheek" which under the circumstances was rather appropriate, and possibly literally true. So Billy went off to sea to harden up his injured fingers and when the cinema reopened in 1981 Billy Good, by then in his eighties, returned to the cinema to provide musical accompaniment once again to the occasional silent film.
The sketch shows an English academic (played by Terry Jones) coming to a hot and perhaps remote part of Australia and being inducted by the Bruces (Cleese, Chapman, Idle and Palin) into their Philosophy Department, seemingly located in a simple wooden shack. The Bruces are lounging around a wooden table and soon start drinking cans of Foster's Lager. The song was not part of the TV sketch; it first appeared on the Monty Python's 1973 album Matching Tie and Handkerchief as a coda for the album version of the sketch. The song was subsequently included in most of the Monty Python team's live shows, sometimes as a singalong with musical accompaniment provided by a Jew's harp.
Kino Babylon, 1949 Demonstration against the closure of the cinema, 9 January 1990 In the year 1929 the Babylon opened as silent film cinema with an orchestra pit and a cinema organ for musical accompaniment. During the 1948 renovation the orchestra pit was closed and the organ dismantled. A projectionist of the Babylon, Rudolf Lunau, was from the Machtergreifung in 1933 until his arrest in 1934 a member of an illegal resistance cell of the KPD, and held meetings in "his" projection room, where he also hid opponents of the regime who went underground. At the beginning of the 1980s a metal plaque was placed in the foyer of the cinema to commemorate him.
He performed his own one–man musical play We Could Be Heroes at the Bridewell Theatre in 2004. His repertory theatre work at Stoke-on-Trent and Basingstoke included Master Harold & The Boys, the title role in Hamlet, As You Like It, King Lear, A Trip To Scarborough, Amadeus, Juno and the Paycock, Far From The Madding Crowd and Having A Ball. He played Roche in Rat in the Skull at Theater Exchange, Minneapolis, and John Thorpe in Northanger Abbey at Greenwich. At the Almeida Theatre, London, in February 2016 he was Cartwright (Telegin) in Chekhov's Uncle Vanya for director Robert Icke, providing on-stage musical accompaniment to the action on mouth-organ and guitar.
Apart from politicians, such as the Baden Foreign Minister, Alexander von Dusch, the Minister for the Interior, Karl Friedrich Nebenius and Frederick Rettig, officials, mayors and officers of the town guards (Bürgerwehr) of the local towns travelled on a train hauled by the locomotive, Zähringen, with musical accompaniment by the guards regiment, which had already travelled over the line. When the train arrived in Freiburg at 12.40, Mayor Friedrich WagnerGreß, p. 7. welcomed the guests at the still unfinished station building, while cannons on the Schlossberg fired a salute. As early as August 1845, 1,474 passengers used the new express-line carriages to Freiburg and 1,682 passengers departed the city by train, which now operated five services per day.
Though Méliès's films were silent, they were not intended to be seen silently; exhibitors often used a bonimenteur, or narrator, to explain the story as it unfolded on the screen, accompanied by sound effects and live music. Méliès himself took considerable interest in musical accompaniment for his films, and prepared special film scores for several of them, including The Kingdom of the Fairies and The Barber of Seville. However, Méliès never required a specific musical score to be used with any film, allowing exhibitors freedom to choose whatever accompaniment they felt most suitable. When the film was screened at the Olympia music hall in Paris in 1902, an original film score was reportedly written for it.
The success of the Levine-led "Yummy Yummy Yummy" set a pattern for the Ohio Express. They released four LPs and a multitude of singles for Buddah between 1968 and 1970, but the "official" group that appeared on album sleeves and at live shows contributed not a single note to their hit singles. For the year following the release of "Yummy Yummy Yummy", all Ohio Express singles were co-written and sung by Levine, with musical accompaniment by anonymous New York session musicians. Under this arrangement, in 1968 and 1969 the group scored three further top 40 hits in the US, Canada and Australia with "Down at Lulu's", "Chewy Chewy" and "Mercy".
A part-talkie is a partly, and most often primarily, silent film which includes one or more synchronous sound sequences with audible dialog or singing. During the silent portions lines of dialog are presented as "titles"—printed text briefly filling the screen—and the soundtrack is used only to supply musical accompaniment and sound effects. In the case of feature films made in the United States, nearly all such hybrid films date to the 1927–1929 period of transition from "silents" to full-fledged "talkies" with audible dialog throughout. It took about a year and a half for a transition period for American movie houses to move from almost all silent to almost all equipped for sound.
The show offered by Shqiponjat represents metaphorically the long journey that their ancestors have undertaken from the faraway Albanian coast to reach the Calabria territory in Italy at the end of the 15th century. In addition to the typical dances of the Albanian capital Tirana, there are those of Kosovo, in honor of the Albanian national hero, Skanderbeg and those of the northern and southern Albanian regions. Regarding the arbëreshe tradition, we find those linked to the traditional “Vallja” (), to the cycle of seasons or to the theme of love and nostalgia. The arbëresh repertory includes the ancient traditional rhymed and often improvised songs, called “vjershë” (poem), performed without musical accompaniment, sung only by double or triple voices.
Sahaja Yoga describes itself as "a method of meditation which brings a breakthrough in the evolution of human awareness." It aims for "inner awakening" which it equates to "self realization", enlightenment and liberation (moksha). It states that this can be experienced by anyone who sincerely desires to have it through a sitting meditation, placing the hands on different parts of the body in turn, and that self realization requires the subject to forgive "everyone". ISKCON describes meditation as having three different forms, namely japa (recitation of the name of God, using a string of beads), kirtan (public singing of the names of God, in particular Hare, Krishna, and Rama, to musical accompaniment), and sankirtan (kirtan in a group).
Jill Burton (born 1952) is an American improviser, extended vocalist, dancer, performance artist and energy worker. Noted as one of the great foundation improvisors of America, she is also known for incorporating spiritual healing with improvised performance. Active in the American improv scene since the early 1970s, she has lived and worked all over the country, including a ten- year stint in the 1980s as part of the downtown East Village experimental arts community, and six years in Sitka, Alaska, where she worked with Tlingit storytellers providing musical accompaniment for their healing stories. Burton is unusual for a musician in that her work is ephemeral, in-the-moment, and therefore recordings of her work are rare.
The history of the oil- wrestling tournaments as they are known today dates to the Persian Mythical Era, which, according to Ferdowsi's Shahnameh, started in 1065 BC. The legendary pehlivan of this era is called Rostam, a hero depicted to constantly save his country from evil forces. The ceremonial start of oil-wrestling, called by its Persian name "Peshrev" has clear links with old Iranian institutes as the Zurkhane, literally "house of strength". The building consists of a court, around which the men who will perform, arrange themselves, and a gallery for the ostad ("master") or morshed (spiritual leader) and the musicians. Nowadays, the musical accompaniment consists of a drum and recitation of portions of Ferdowsi's Shahname.
With Hammond at a loose end after the failure of both his 'river of gravel' and his tree seat, he begins to wander aimlessly. Meanwhile, Clarkson has ordered some cement to pave over the parts of the lawn which were destroyed by Hammond's giant digger and 14-ton crane. However, despite his estimations, he orders too little, and only a small portion of the lawn is covered. At this point, The Salvation Army brass band arrive to provide entertainment for the team, but their appearance is cut short when Hammond gets stuck in Clarkson's undried cement, and their musical accompaniment drives Clarkson insane, leading him to bend one of their trombones in half and ask them to leave.
This Is the Law was a Canadian panel game show which aired on CBC Television from 1971 to 1976. It presented short, humorous vignettes which ran with musical accompaniment rather than a soundtrack, and challenged panellists to guess which (obscure) law was being broken by the "Lawbreaker" character (portrayed by Paul Soles), who always got arrested at the end of the vignette (Robert Warner starred as the police officer). The vignettes were quite subtle, and more often than not, despite many guesses, the panellists were unable to come up with the law that was actually being broken. The vignettes alternated with depictions of actual court cases, presented in a series of still cartoons, in storyboard format, with narration.
In November 2005 he re- mounted Sweeney on Broadway, with Michael Cerveris playing the "demon barber" and Patti LuPone as Mrs. Lovett. For this production, he received the 2006 Tony Award for Best Direction of a Musical. For Doyle's next project, he moved to the Cincinnati Playhouse in the Park to reinvent Sondheim's Company with a cast led by Raúl Esparza, again with actors who sing, dance and provide their own musical accompaniment (known in England as actor/muso). This production was then produced on Broadway at the Ethel Barrymore Theatre in 2006 and won the Tony Award, Drama Desk Award, Outer Critics Circle Award and Drama League Award for Best Revival of a Musical.
Instead, the Silver Horde, refusing to accept their deaths, steal the valkyries' horses and set off to find other worlds to "do heroic stuff in." Death does not appear to them, as he often does when Discworld characters die, although he subsequently appears to Vena, and is evasive about whether he is "collecting". After the Horde leave with the Valkyries' horses, their first stop is to visit Mazda where he is being punished, cut off his chains, give him something to drink, and leave him a sword so that he may deal with his punisher. The bard, changed by his experience, composes a new style of saga, one with musical accompaniment, about it.
The group signed to Stax Records in 1968, joining their gospel harmonies and deep faith with musical accompaniment from members of Booker T. and the MGs. The Staple Singers hit the Top 40 eight times between 1971 and 1975, including two No. 1 singles, "I'll Take You There", produced by Al Bell and recorded and mixed by Terry Manning, "Let's Do It Again," and a No. 2 single "Who Took the Merry Out of Christmas?" Staples made her first solo foray while at Epic Records with The Staple Singers, releasing a lone single "Crying in the Chapel" to little fanfare in the late 1960s. The single was finally re- released on the 1994 Sony Music collection Lost Soul.
Originally, the Song of the Sibyl was sung in a Gregorian melody and, as it can be seen in the codex previously mentioned, the musical accompaniment that was played in Majorca, with the exception of some variations, was the same documented in other places across the Iberian Peninsula. Today, it cannot be ascertained when the Song of the Sibyl was sung to this Gregorian melody, but most likely until the 16th or 17th century. Oral transmission of the song caused, as it did with the text, the birth of different variations and models. The interest this chant produced amongst early Musicologists and Folklorists of the 19th century led to the transcription of the different known versions of the song.
Films of the silent era were typically projected with musical accompaniment. Originally, the accompanying music varied not only by film but by venue, and often featured the performance of a live pianist or even, in larger theaters, a full orchestra. The first 30 years of the 20th century also saw the development of the photoplayer and the theatre organ, specialized instruments designed specifically for in-theater entertainment and to accompany silent film, which were installed in hundreds of theaters between 1900–1930, and which eventually usurped the solo pianist and orchestras in most places. But even up until the introduction of sound film, music was substandard or absent entirely in some locations.
Often the request was for medical care or therapeutic equipment to help a chronically ill child, or might be for a hearing aid, a new washing machine, or a refrigerator. Many women broke down sobbing as they described their plights. The winning contestant was selected by the audience using an applause meter; the harsher the contestant's situation, the likelier the studio audience was to ring the applause meter's highest level. The winner, to the musical accompaniment of "Pomp and Circumstance", would be draped in a sable-trimmed red velvet robe, given a glittering jeweled crown to wear, placed on a velvet-upholstered throne, and handed a dozen long-stemmed roses to hold while her list of prizes was announced.
The 1982 film Pink Floyd – The Wall opens with "The Little Boy that Santa Claus Forgot" performed by Lynn. The ending of Stanley Kubrick's black comedy film about the triggering of World War III (and the nuclear annihilation of civilization), Dr. Strangelove, shows several minutes of nuclear explosions, with a musical accompaniment of the 1953 version of We'll Meet Again with Vera Lynn and an armed services chorus. A preserved example of the WD Austerity 2-10-0 class of steam locomotives at the North Yorkshire Moors Railway is named Dame Vera Lynn. One of two new boats for the Woolwich Ferry service, which were delivered via Tilbury in autumn 2018, was named Dame Vera Lynn in her honour.
Differences can include the texts of prayers, the frequency of prayer, the number of prayers recited at various religious events, the use of musical instruments and choral music, and whether prayers are recited in the traditional liturgical languages or the vernacular. In general, Orthodox and Conservative congregations adhere most closely to tradition, and Reform and Reconstructionist synagogues are more likely to incorporate translations and contemporary writings in their services. Also, in most Conservative synagogues, and all Reform and Reconstructionist congregations, women participate in prayer services on an equal basis with men, including roles traditionally filled only by men, such as reading from the Torah. In addition, many Reform temples use musical accompaniment such as organs and mixed choirs.
There have also been two independent productions of Bond films: Casino Royale (a 1967 spoof starring David Niven) and Never Say Never Again (a 1983 remake of an earlier Eon-produced film, 1965's Thunderball, both starring Connery). In 2015 the series was estimated to be worth $19.9 billion, making James Bond one of the highest-grossing media franchises of all time. The Bond films are renowned for a number of features, including the musical accompaniment, with the theme songs having received Academy Award nominations on several occasions, and two wins. Other important elements which run through most of the films include Bond's cars, his guns, and the gadgets with which he is supplied by Q Branch.
They contributed the book to Jacob's Journey, a musical accompaniment to a 1973 production of Joseph and the Amazing Technicolor Dreamcoat, which was however soon dropped. Around this time an unbroadcast television pilot entitled Bunclarke With an E was recorded based on a Hancock's Half Hour script, with Arthur Lowe and James Beck, but Beck died before the project could be developed as a series. Another series from this period, Casanova '73 (1973) with Leslie Phillips in the lead, was described by The Times in its obituary of Galton as "disappointingly typical of their later work." While both writers continued to work after Steptoe and Son ended, including several projects with Frankie Howerd, they had no further high-profile successes.
In 2008, they published Tantra for Erotic Empowerment: The Key to Enriching Your Sexual Life (Llewellyn), a workbook based on their online course, with a foreword written by Tristan Taormino. Also in 2008, they wrote and appeared in two instructional DVDs for the Alexander Institute: Tantric Sexual Massage for Lovers and Advanced Tantric Sex Secrets; and made a guest appearance in Tristan Taormino's Chemistry 4, teaching an impromptu Tantra class to the cast. 2011 saw the release of Ananda Nidra (Projekt Records), a meditation CD set featuring musical accompaniment by Steve Roach and Black Tape for a Blue Girl. The final book in their trilogy of Tantra-related titles, Great Sex Made Simple: Tantric Tips to Deepen Intimacy and Heighten Pleasure (Llewellyn), appeared in 2013.
Capitol Theatre runner Samuel Roxy Rothafel commissioned conductor Ernö Rapée to compile a musical accompaniment that included portions of songs by composers Johann Strauss III, Arnold Schoenberg, Claude Debussy, Igor Stravinsky and Sergei Prokofiev. Rotafel wanted the score to match the dark mood of the film, saying: "The music had, as it were, to be made eligible for citizenship in a nightmare country". Caligari had its Los Angeles premiere at Miller's Theater on 7 May 1921, but the theatre was forced to pull it due to demonstrations by protestors. However, the protest was organized by the Hollywood branch of the American Legion due to fears of unemployment stemming from the import of German films into America, not over objections to the content of Caligari itself.
The name chapel transferred to the musical ensemble, and their director was known as chapel master."El afianzamiento de la Capilla de Música durante el siglo XVI" at The musicians of the Sistine Chapel and the Capella Julia were among the most famous of such groups of performers in the 16th century. Other examples of such chapels with a history going back to the Middle Ages include the Music Chapel of the Cathedral of Pamplona.Capilla de Música de la Catedral de Pamplona The genesis, development and organisation of such a musical chapel is documented for the Basilica of Tongeren, at the time one of the towns in the Prince-Bishopric of Liège: in the 15th century twenty canons are responsible for musical accompaniment of the religious services.
The series was devised and written by Clary with the fellow comedian and writer Paul Merton, and was produced by Clary's production company Wonderdog Productions (named after his beloved pet whippet, "Fanny the Wonderdog", who also regularly appeared on the show)."Farewell to Fanny", BBC News, 2 June 1999. Clary was accompanied by two co-hosts, his "steadfastly heterosexual" pianist, Russell Churney, who provided musical accompaniment and a foil for Clary's teasing, and announcer/scorekeeper/assistant "Hugh Jelly" (played by actor Philip Herbert) - a large man with a booming voice, usually dressed almost as flamboyantly as Clary himself. Hugh Jelly appeared from the second episode onwards, while Clary's assistant in the first episode was "Barbara Lomax" (played by Jane Janovic).
In Cornwall, several Mummer's Day celebrations are still held; these used to be sometimes known as "Darkie Day" (a corruption of the original "Darking Day", referring to the darkening or painting of the faces) and involved local residents dancing through the streets in blackface to musical accompaniment. The origins of blacking-up for Mummer's Day have no racial connotations; the tradition is pagan in origin and goes back to the days of the Celts. When minstrel songs were part of British popular culture, at least one festival (Padstow) used such songs, including the words "He's gone where the good niggers go". The traditional wedding day chimney sweep, that is considered to be good luck, sometimes has a partially blacked up face to suggest smears of soot.
Ludovico Magnasco receiving the new constitution for the choir from Pope Paul III in 1545 Pope Sixtus IV, who reigned from 1471 to 1484, established the Cappella Musicale Pontificia as his permanent personal choir. It sang in the chapel of the Apostolic Palace which Sixtus had renovated to become his private chapel, originally called the Cappella Magna and later known as the Sistine Chapel. The choir was and remains all-male and sang without musical accompaniment (a cappella). It initially consisted of between 16 and 24 singers with the men singing the bass, tenor, and alto parts and pre-adolescent boys singing the soprano parts, although from the mid-16th century, adult castrato singers began to replace the boy singers.
Despite occasional theoretical diversity, the actual practice of translation has hardly changed since antiquity. Except for some extreme metaphrasers in the early Christian period and the Middle Ages, and adapters in various periods (especially pre- Classical Rome, and the 18th century), translators have generally shown prudent flexibility in seeking equivalents—"literal" where possible, paraphrastic where necessary—for the original meaning and other crucial "values" (e.g., style, verse form, concordance with musical accompaniment or, in films, with speech articulatory movements) as determined from context. Samuel Johnson In general, translators have sought to preserve the context itself by reproducing the original order of sememes, and hence word order—when necessary, reinterpreting the actual grammatical structure, for example, by shifting from active to passive voice, or vice versa.
It scored zero points along with three other countries out of the eighteen which entered in total. Past the Eurovision Song Contest, of which the zero point result has hurt her solo career before it even fully began, she was mainly active with the Botho-Lucas-Chorus, where she stayed as chorister as main profession for 30 years,As stated by Ulla Wiesner notably for their musical accompaniment on the German TV show Musik ist Trumpf. Furthermore, there are several songs existing in the Brilliant-Musik archives, which was founded by Werner Tautz, who wrote several songs for Wiesner, together with Heinz Kiessling and Hans Gerig. Wiesner released an album called Twilight Mood in 1970 with Addy Flor and his Orchestra.
The same order was presented in the Tso Chuan (Commentary of Tso), attributed to Tso Chiu-Ming, probably compiled in the 4th century BC. Much later, Ming dynasty (14th-17th century) scholar Chu Tsai Yu recognized three groups: those instruments using muscle power or used for musical accompaniment, those that are blown, and those that are rhythmic, a scheme which was probably the first scholarly attempt, while the earlier ones were traditional, folk taxonomies.Margaret Kartomi, 2011, Upward and Downward Classifications of Musical Instruments-musicology.ff,cuni.cz) More usually, instruments are classified according to how the sound is initially produced (regardless of post-processing, i.e., an electric guitar is still a string-instrument regardless of what analog or digital/computational post-processing effects pedals may be used with it).
In the 1960s and 1970s, influenced by Western rock bands, a modified rock combo called kugiran (an acronym of "kumpulan gitar rancak", meaning rhythmic guitar bands) often accompanied singers. From the 1970s to 1980s, a Western orchestral sound also became popular as musical accompaniment in albums, which is widely assumed to be due to the influence of RTM Orchestra. Other musical forms such as Indian, Islamic and other Asian popular music have also exerted their influences at various times, and many international trends in music surfaced in Malaysian pop. Hindustani music had a long influence on many traditional types of music in the Malay Peninsula, for example in the use of instruments such as the tabla and in the vocal styles of the singers.
Because of the sparse nature of the music, performances of Enoch Arden are largely dependent on the speaker rather than the pianist. Criticisms of the piece as a musical work per se do not do it justice, as it was never intended to be primarily a piece of music but a dramatic presentation with musical accompaniment. Enoch Arden was popular in its day, but slipped into obscurity when fashions changed and recitations, declamations and melodramas came to be considered passé. In recent years the work has attracted some notable names in both the speaker's role, including Dietrich Fischer-Dieskau, Jon Vickers, Michael York, Claude Rains, Benjamin Luxon, Patrick Stewart and Gwyneth Jones, and the pianist's role, including Glenn Gould, Emanuel Ax, and Marc-André Hamelin.
Martin Nievera and Regine Velasquez performed a duet of "The Prayer", while Sarah Geronimo sang the People Power Revolution anthem "Magkaisa" ("Unite"); "Your Heart Today" by Filipina singer Maria Teresa Abellare Llamedo Cruzata aka Dulce; "Hindi Kita Malilimutan" ("I Will Never Forget You") by Zsa Zsa Padilla; and "Bayan Ko" ("My Country") by Lea Salonga. The artists later joined the APO Hiking Society in singing another song from the 1986 People Power Revolution, "Handog ng Pilipino sa Mundo" ("The Gift of Filipinos to the World"). The Philippine Philharmonic Orchestra provided musical accompaniment for the service. Aquino's flag-draped casket paused at the steps of Manila Cathedral for departure honours, after which a brass band performed four ruffles and flourishes and the national anthem.
According to art historian Scott MacDonald, the film's allegorical qualities and purposeful ambiguity invite multiple interpretations. Begotten was first conceived as an experimental theater piece with dance and live musical accompaniment, but Merhige switched to film after deciding that his vision would be too expensive to achieve as a production for live audiences. Antonin Artaud and philosopher Friedrich Nietzsche were major influences on Begotten, as Merhige believed their ideas and theories had not been explored in film to their full extent. The film's visual style was inspired by Georges Franju's documentary short Blood of the Beasts, Akira Kurosawa's Seven Samurai, Stan Brakhage's The Act of Seeing with One's Own Eyes, and the German Expressionist film The Cabinet of Dr. Caligari.
"I Feel Love Comin' On" was a 1967 song that became an international success for the African-American singer Felice Taylor. The song was written and produced by Paul Politi and Barry White, and recorded with musical accompaniment by the Bob Keane Orchestra. The song had been planned as the third single release of Taylor after her two charting hits in the United States "It May Be Winter Outside (But in My Heart It's Spring)" and "Under the Influence of Love". When the release did not materialize, Mustang Records (a subsidiary of Bronco Records), the original holder of rights to the song, leased it to President Records in 1967 for release in the UK. The single proved a commercial success there, peaking at No. 11 in the UK Singles Chart.
For the Sydney production, Meredith's Bushwhackers group were selected to provide the musical accompaniment; Hood spent some time "hanging around backstage" and, when Kempster had to take three months leave to perform his national service, the nineteen year old Hood, then known as Alec, deputised for him playing the part of "Snowy". (Hood also later took on the part of "Bob the Swagman" for a time, otherwise played by Cecil Grivas). Alex Hood and Chris Kempster at Australia's National Folk Festival, Easter 2000 Hood (with banjo) plays at a reunion of the Rambleers in 2002; other members (L-R) are Barbara Lisyak, Harry Kay and Chris Kempster Former members of the Rambleers photographed at the Ilawarra Folk Festival at Jamberoo, 2002. L-R: Barbara Lisyak, Chris Kempster, Alex Hood and Harry Kay.
In 1981, Nino Amico suggested that Fratricide Punished was a play adapted for performance by puppets, sparking mild academic debate as well as the imagination of theater producers. The Hidden Room Theatre company, following up on the extensive research done by Tiffany Stern on Amico's claims, produced a puppet version that included live musical accompaniment and pyrotechnics. The initial production was performed in Staunton, Virginia at the American Shakespeare Center's reproduction of the Blackfriars Theater and went on for a full run in Austin, Texas. The company also performed Fratricide Punished at Shakespeare's Globe Theater, University College, Oxford, and the Shakespeare Institute, as well as at Villanova University in Philadelphia, Pennsylvania, with a talk from noted Shakespeare scholar Zachary Lesser of the University of Pennsylvania, and at other universities.
A workshop production is a form of theatrical performance, in which a play or musical is staged in a modest form which does not include some aspects of a full production. For example, costumes, sets and musical accompaniment may be excluded, or may be included in a simpler form. One common purpose of a workshop production is to provide a preview staging of a new work in order to gauge audience and critical reaction, following which some parts of the work may be adjusted or rewritten before the work's official premiere. Because a workshop production generally pays less for the rights to perform the play, workshop productions also provide an opportunity for smaller theatres to generate increased publicity by staging a popular or highly anticipated work for which a full production might be too costly.
" Although he began his residence at Annapolis with the conservative program inherited from his predecessor, in the six years he worked in Annapolis the orchestra developed a reputation for the accessibility of its concerts and the dynamism of its performances. Amid controversy regarding non- renewal of his contract, Dunner left Annapolis in 2003 moving to Chicago and took up the post of music director at the renowned Joffrey Ballet Company, pledging to ensure that the dancers never performed without live musical accompaniment. By the end of 2003, he had already made his mark on the ballet orchestra, the Chicago Sinfonietta. Hedy Weiss, dance critic of the Chicago Sun Times, called his Christmas 2003 performance of The Nutcracker "masterful," praising the way he adjusted rhythm and tempo "to support, even inspire, the performer's perfect balance.
Unaware of the extensive local coverage of the disaster, Guthrie responded with a poem, which, when it was first written, featured only rudimentary musical accompaniment, with Guthrie chanting the song rather than singing it. In the poem, Guthrie assigned symbolic names to the dead: "Goodbye to my Juan, goodbye Rosalita; adiós, mis amigos, Jesús y María..." A decade later, Guthrie's poem was set to music and given a haunting melody by a schoolteacher named Martin Hoffman. Shortly after, folk singer Pete Seeger, a friend of Woody Guthrie, began performing the song at concerts, and it was Seeger's rendition that popularized the song during this time. It has been suggested by the Three Rocks Research website that, in fact, "Deportee (Plane Wreck at Los Gatos)" betrays Guthrie's lack of understanding regarding the Bracero Program.
Local poet Linda Marshall gave a special tribute entitled "Havoc In Far Headingley" after the plaque was unveiled, before the 1957 comedy The Smallest Show on Earth was shown. 100th birthday celebrations continued with more classic films, including a screening of Singin' in the Rain introduced by Labour MP Gerald Kaufman, and culminated with a silent film showing with live musical accompaniment, in conjunction with the Leeds International Film Festival. Leeds North West MP Greg Mulholland tabled an early day motion in the House of Commons, calling on his fellow politicians to congratulate "Leeds' oldest cinema in continuous use [...] as it celebrates the centenary of its founding" along with Charles Morris and the Northern Morris Group for their role in saving Cottage Road and "similar historic cinemas up and down the country".
In 1889, the recent purchasers of The Washington Post newspaper—Frank Hatton, a former Postmaster General, and Beriah Wilkins, a former Democratic congressman from Ohio—requested that Sousa, the leader of the United States Marine Band, compose a march for the newspaper's essay contest awards ceremony, in conjunction with a campaign to promote the newspaper under new ownership. Sousa obliged; "The Washington Post" was introduced at a ceremony on June 15, 1889, “with President Benjamin Harrison in attendance” before “a huge crowd on the grounds of the Smithsonian Museum.” It quickly became quite popular in both the United States and EuropeWashington Post Company History (1875 to 1899) as the standard musical accompaniment to the two-step, a late 19th-century dance craze. This led to a British journalist dubbing Sousa "The March King".
The two musical panels are commonly known by variants of the titles Singing Angels and Music-making Angels, and are both 161 cm × 69.3 cm. Each features a choir; on the left angels gather behind a wooden carved music stand positioned on a swivel, to the right a group with stringed instruments gather around a pipe organ, played by a seated angel, shown full-length. The presence of the two groups on either side of the Deësis reflects a by then well-established motif in representations of the heavens opening; that of musical accompaniment provided by celestial beings.Pächt (1999), 124, 151–152 As was common in the Low Countries in the 15th century, the angels are dressed in liturgical robes, a custom that migrated from Latin liturgical drama to the art of the period.
Torah scrolls are escorted to a new synagogue in Kfar Maimon, Israel, 2006 Inauguration of a Torah scroll (, ; Ashkenazi: ) is a ceremony in which one or more Torah scrolls are installed in a synagogue, or in the sanctuary or study hall of a yeshiva, rabbinical college, university campus, nursing home, military base, or other institution, for use during prayer services. The inauguration ceremony is held for new and restored scrolls alike, as well as for the transfer of Torah scrolls from one sanctuary to another. If the Torah scroll is a new one, the ceremony begins with the writing of the last letters of the scroll in the home of the donor. All scrolls are then carried in an outdoor procession to the scroll's new home, characterized by singing, dancing, and musical accompaniment.
The festivities include the ritual dance-procession called "caracol" (also spelled "karakol", meaning "prayer through dancing" or "pasayaw na pananalangin"), also danced in other festivals within the province of Cavite and thus serves as the local equivalent of Manila's Buling-Buling of the district of Pandacan. During the eve of the fiesta, the Virgin is placed on a float or andas during the dance-procession, which is then carried on the shoulders by her devotees (mostly male). The two-tiered float is heavily decorated with curtains and flowers. From the church, majority of those who participate in the Caracol procession also dances to the lively tune of "Pandanggo" or any Philippine folk music provided by the town's brass marching bands, hired to provide musical accompaniment to the procession or via sound trucks blasting recorded music.
Commercials for the University of Michigan Health System's "The Michigan Difference" campaign have featured the words to the chorus of "The Victors" over pictures of children in hospital beds, amputees and post-surgical patients living active lives, and doctors performing surgery. The musical accompaniment to these commercials is a light chamber orchestra/pop rendition of the fight song. UM alumnus Gerald R. Ford, the 38th President of the United States, often had the Naval band play the fight song prior to state events instead of "Hail to the Chief".. He also selected the song to be played during his December 2006 funeral procession at the U.S. Capitol. The Michigan Marching Band played this march for him one final time when his casket arrived at the Gerald R. Ford International Airport in Grand Rapids, Michigan.
Beach huts at Great Yarmouth, Norfolk The noted bathing boxes at Brighton in Australia are known to have existed as far back as 1862. The bathing boxes are thought to have been constructed and used largely as a response to the Victorian morality of the age, and are known to have existed not only in Australia but also on the beaches of England, France and Italy and Cape Town at around the same time. They had evolved from the wheeled bathing machines used by Victorians to preserve their modesty. George III gave royal approval to the new fashion when he took a medicinal bath at Weymouth to the musical accompaniment of ‘God Save the King.’, while Queen Victoria installed one at Osbourne House on the Isle of Wight in the 1840s.
Les Vingt-quatre Violons du Roi were founded in 1626 under Louis XIII. As part of the Musique de la Chambre they played in the musical accompaniment to festivities and official events at the Versailles court. Within five years, by 1631, the British royal court of Charles I had copied the structure (“treble violins,” “contratenor violins,” “tenor violins,” “low- tenor violins” and “bass violins,” to use the terms applied in London at the time), but with a total of fourteen instruments (3, 2, 3, 2, and 4). In the 1670s, Charles II, who lived at Versailles during the British Interregnum, exactly matched the forces of Les Vingt-quatre Violons du Roi, as he had experienced them as Louis XIV’s guest, showing the influence by place and time of the French formation.
A handful of shows early in the tour featured Trey instructing the audience on what to look out for (with the correct assumption that tape trading would effectively spread the word), and those signals featured heavily in the various jams and song intros during this year. Another bit of audience participation premiered this year in the form of the "Big Ball Jam", where three giant beach balls would be unleashed into the audience. Each of the melodic performers would follow one particular ball and provide musical accompaniment as it would make its journey around the venue, and back towards the stage. While this often resulted in a chaotic, discordant jam, this quickly became a popular fixture of Phish shows and remained a part of their act for a few years, before the venues got to be too big.
Contemporary Cheriyal Dolls The traditional art form became an inseparable part of the profession of the story-telling, balladeer community known as Kaki Padagollu. They displayed the scrolls and accompanied by music and dance went from village to village narrating and singing their ballads based from their rich folklore which was rooted in the Puranas and Indian Epics, enlivening many a lazy village evening. In a typical recitation, the storyteller-balladeer would wander from village to village in a team of usually five people, with two to narrate the story while the others would provide a simple but hectic musical accompaniment with the harmonium, tabala and castanets. The stage would also be a simple affair (many times even to the extent of being a rough and ready fixture), erected on four poles with a horizontal bar on which the scrolls could be displayed.
Collectors peruse limited edition prints made available for sale at Chuck Sperry's opening reception of "Heaven of Many a Tangled Hue" at Spoke Art Gallery, San Francisco, CA. April, 2018. In 2013, Sperry created an art installation in a seaside chapel on a promontory square visible around the Golfo de Poeti in the village of Tellaro, Italy. He transformed the church into a temple of the muses, projected onto the face of the church a psychedelic liquid light show commissioned for the occasion of Grateful Dead light show maestro Bill Ham, and played a specially commissioned musical accompaniment by The Young Gods singer and composer, Franz Treichler. And in 2014, Sperry's poster art was exhibited as a part of La Fête du Graphisme sponsored by the French Ministry of Culture and Communication and the Paris City Council.
Thunderbolt (as well as his next three sound films) used source music that arose directly from the mise en scène.Weinberg, 1967. p. 57 Sternberg experimented with asynchronous sound effects which served to augment or supplement the visual effects, or as he framed the process, “To be correctly and effectively used, sound had to bring to the image a quality other than what the lens included, a quality out of the range of the image. Sound had to counterpoint or compensate the image, add to it – not subtract from it.”Williams, 2009. Throughout Thunderbolt, Sternberg “uses sound to paint audio images” through “complementary and contrapuntal juxtaposition.”Axmaker, 2005Williams, 2009. Rather than the external and complementary musical accompaniment of silent films, Sternberg’s scores arise organically with the mise-en-scène and form a key component of the film.
"Chestnut Mare" was intended to be used during a scene in which the play's eponymous hero attempts to catch and tame a wild horse, a scene that had featured a deer in Ibsen's original. While the majority of "Chestnut Mare" had been written specifically for Gene Tryp, the musical accompaniment to the song's Bach-like middle section had actually been written by McGuinn back in the early 1960s, while on tour in South America with the Chad Mitchell Trio. Musically, "Chestnut Mare" echoes the sound of the Byrds' mid-1960s recordings, with McGuinn's chiming 12-string Rickenbacker guitar sitting alongside guitarist Clarence White's country-style acoustic and electric guitar picking. Lyrically, the song's spoken verses recount the story of one man's quest to tame a wild horse, and, as such, it echoes the familiar Byrds' themes of nature and freedom.
As a term of literary criticism, "occasional poetry" describes the work's purpose and the poet's relation to subject matter. It is not a genre, but several genres originate as occasional poetry, including epithalamia (wedding songs), dirges or funerary poems, paeans, and victory odes. Occasional poems may also be composed exclusive of or within any given set of genre conventions to commemorate single events or anniversaries, such as birthdays, foundings, or dedications. Occasional poetry is often lyric because it originates as performance, in antiquity and into the 16th century even with musical accompaniment; at the same time, because performance implies an audience, its communal or public nature can place it in contrast with the intimacy or personal expression of emotion often associated with the term "lyric".Marian Zwerling Sugano, The Poetics of the Occasion (Stanford University Press, 1992), p. 5.
Step aerobics in a gym A dance aerobics class Aerobics is a form of physical exercise that combines rhythmic aerobic exercise with stretching and strength training routines with the goal of improving all elements of fitness (flexibility, muscular strength, and cardio-vascular fitness). It is usually performed to music and may be practiced in a group setting led by an instructor (fitness professional), although it can be done solo and without musical accompaniment. With the goal of preventing illness and promoting physical fitness, practitioners perform various routines comprising a number of different dance-like exercises. Formal aerobics classes are divided into different levels of intensity and complexity and will have five components: warm-up (5–10 minutes), cardiovascular conditioning (25–30 minutes), muscular strength and conditioning (10–15 minutes), cool-down (5–8 minutes) and stretching and flexibility (5–8 minutes).
The song was the second consecutive entry with a nonsense title to win the contest (after Massiel's triumph in 1968 with "La La La"), and became infamous in the comedy world - most notably inspiring Monty Python's Flying Circus to parody it with "Bing Tiddle-Tiddle Bong" (Python precursor I'm Sorry, I'll Read That Again had previously had Bill Oddie do something similar with a song for which the title was rendered entirely in sound effects). The Python parody song was part of the "Europolice Song Contest" sketch in the "How To Recognize Different Parts of the Body" episode in 1970. Lyrically, the song is a plea from the singer to her lover to "cuddle me tight". She then goes on to explain that "my heart goes boom bang-a-bang boom bang-a-bang when you are near", complete with appropriate musical accompaniment.
Israeli military bands reached what is considered to be their golden age during the late '60s and mid-'70s. At the time, many famous and well-off actors and musicians based in Israel received their musical education not from a music school, but rather from military bands within the Army, which as a general rule were inspired at first by the musical traditions of the British Armed Forces. Today, the Israel Defense Forces Orchestra, which has similarities to American and British military bands plus a mix of the Russian tradition with its trumpeters stationed at front of the band, is the flagship ensemble of the IDF and responsible for live musical accompaniment at all national events taking place in the capital of Tel Aviv and Jerusalem. Additionally, bands are also found in the Education and Youth Corps of the IDF's Manpower Directorate.
The Maryborough Chronicle reported that "the memorial was planned, supervised and built by returned soldiers and it is understood it is the first of its kind in the Commonwealth." The ceremony included an Anzac Day service, conducted by local priests, one of whom was also a returned soldier. The opening ceremony was performed by William Brand, who represented Burrum in the Queensland Legislative Assembly, the memorial was opened by Miss Adie, daughter of long- term Isis councillor and chairman of the Directors of the Isis Central Sugar Mill Company, Alex Adie and the soldier's room was opened by Mrs H Epps, wife of the Shire Clerk and mother of James Epps who features in the memorial. The Childers Town Band provided extensive musical accompaniment and the Union Jack was unfurled at the top of the building.
A visit in January 2010 revealed that the general store building is now occupied by an antique shop, the Drytown Post Office is housed in an adjacent, newer building which is also an antique shop, and the Drytown general store is now in a second separate, newer building nearby. At the time of the January 2010 visit there was a sign on the door of the post office building stating that the post office was closed in April, 2009, and efforts were being made to reopen it. From 1959 to about 1994 — before the Mother Lode tourist boom — a summer theater company called the "Claypipers" staged comedic melodramas interspersed with "olio" (song and dance) acts to mostly standing room only audiences. Musical accompaniment for both was provided by the incomparable Dottie Rodgers on the piano at stage left.
In 1998, Braden King and Laura Moya co-directed Dutch Harbor: Where the Sea Breaks its Back about crab fishing on Unalaska Island, Alaska. King's short films include the award-winning Home Movie and The Story of the Lark, a film about Laurie Anderson that was released with her 2010 album Homeland (Nonesuch Records) as well as music videos featuring Sonic Youth, Will Oldham, Sparklehorse, Chan Marshall, Tortoise (band), Low, and Yo La Tengo. Non-narrative work includes Heaven is a Place / Nothing Ever Happens (2007), a film and video installation commissioned by Chris Doyle for the 50,000 Beds exhibition at the Aldrich Contemporary Art Museum and The Story is Still Asleep, a multi-channel video piece with live musical accompaniment that premiered at the 2008 Sundance Film Festival. In 2005, King directed Looking for a Thrill: An Anthology of Inspiration, an interactive DVD project commissioned by Thrill Jockey Records.
Monument in the middle of Bebelplatz The memorial in memory of the burning of books is located on the Bebelplatz in the centre of Berlin next to the Unter den Linden. The memorial commemorates the 10th of May 1933, when students of the National Socialist Student Union and many professors of the Friedrich- Wilhelms-Universität (today Humboldt-Universität) under the musical accompaniment of SA- and SS-Kapellen, burnt over 20,000 books from many, mainly Jewish, communist, liberal and social-critical authors, before a large audience at the university's Old Library and in the middle of the former Kaiser-Franz-Josef-Platz (1911–1947), now Bebelplatz. The memorial is a 5x5x5 metre underground room which is set into Bebelplatz. It is located at the height of the backfilled western ramp of the Lindentunnel, which was demolished for the construction over a length of 25 metres.
This celebration originated in Medieval times (1247) and has been held in Algemesí on the 7 and 8 September to great popular acclaim since then. The traditional ritual acts of the event have been passed from generation to generation and are rich in: oral expression (theatre), music (63 compositions), dance and performances reminiscent of the Roman, Christian, Moorish and Jewish cultures which have woven the very fabric of this land and which are manifest in the creation of the musical instruments, melodies and costumes that are an integral part of this Festivity. The music of the traditional dolçaina and tabal, and the pieces for orchestra and timpani that provide musical accompaniment for the “Muixeranga” human towers and the dance performances of the “bastonets”, “pastoretes”, “carxofa”, “arquets”, “llauradores” and “tornejants”, recreate and stimulate a collective memory, transmitting universal messages of highly artistic visual and aural sentiments. Dance of Llauradores.
Miller and Austin co-produced 45 RPM singles from 1962 to 1966, first pressing them with the "Teenbeat Records" label and in 1966, with the "Teenbeat Club Records" label. In 1962, Teenbeat Records was located at 109 S. 3rd St., Suite 302, Las Vegas. The first Teenbeat Records single was recorded in 1962 by the Teenbeats, titled "Surf Bound", and written by Larry Chernoff. In 1966, Miller and Austin co-produced two other 45 RPM singles on Teenbeat Club Records: "It's Your Time"Included as track 18 of Pebbles, Volume 1, (BFD-5016) backed with "Little Girl" (TB 1006) (listed as one top 100 rarest 45 RPM singles) by The Weeds, a local Las Vegas band; and a cover of the Rolling Stones' "Get Off of My Cloud" backed with "Red Roses For A Blue Lady" (TB 1004) featuring Charlie White Eagle, with musical accompaniment and background vocals by The Weeds.
The 1883 Hill and Son pipe organ, located in the north-eastern corner of the transept Prior to the installation of a pipe organ, a seraphine and then a harmonium were used for musical accompaniment. The first organ was installed above the gallery at the western end of the church by William Davidson at the request of the rector J. C. Corlette, and was transferred to the south transept in about 1879, where it remained until 1882 when it was sold to St Bartholomew's, Pyrmont, and later St Luke's, Northmead. The 1883 Hill and Son organ, including 844 pipes, costing a total of £550, was installed in 1884, and located in the north-east corner of the transept. It is still in use, with original pipework, making it faithful to the original tones. The organ was refurbished and rebuilt in 1950, 1975, and 2008.
Glaser was a member of the mainstage cast of The Second City during the mid-1990s, performing alongside future Saturday Night Live head writer Adam McKay and cast member Rachel Dratch, as well as future Mr. Show and 30 Rock cast member Scott Adsit. In Second City's award-winning revue Pinata Full of Bees, which was directed by Tom Gianas, Glaser sang about the importance of not betraying a friendship by pretending not to have legs in order to play in a wheelchair basketball league. He also provided musical accompaniment for the show's climax by drumming in a demonic pig mask, and appeared onstage throughout the show to pass judgement on audience members for laughing at jokes he considered socially irresponsible. Early in his television career, Glaser wrote and occasionally performed on the short-lived sketch comedy programs The Jenny McCarthy Show on MTV and The Dana Carvey Show.
Some of his Urdu ghazals have been sung by Ustad Rashid Khan, Ustad Ahmed and Mohammed Hussain, Hariharan, Sonu Nigam, Kavita Krishnamurthy, Arijit Singh, Javed Ali, Anup Jalota, Bhupinder Singh, Mitali Mukherjee and the Shyamal-Saumil Munshi brothers. His Gujarati ghazals have had been sung with musical accompaniment composed by the singers Purushottam Upadhyay, Parthiv Gohil, Sadhana Sargam, Ashitand Hema Desai, Aalap Desai, the Shyamal-Saumil Munshi brothers, Naynesh Jani and Bhupinder Singh. He has edited several books, including Vismi Sadini Gujarati Kavya Mudra (with Chandrakant Sheth, Yogesh Joshi and Urmila Thaker), Best of Miskin (2013; selected ghazals of Rajesh Vyas 'Miskin', Shabda Sathe Maro Sambandh (2013; with Anil Chavda), Yogesh Joshini Shreshtha Vartao (2008; with Urmila Thakar; selected short stories of Yogesh Joshi), Maru Satya (2006; with Ankit Trivedi), Prem Vishe (with Anil Chavda) and Sahityama Dariyo (with Praful Raval and Rajendra Patel.
Present-day Christian religious bodies known for conducting their worship services without musical accompaniment include many Oriental Orthodox Churches (such as the Coptic Orthodox Church), many Anabaptist communities (such as the Amish, Old German Baptist Brethren, Old Order Mennonites and Conservative Mennonites), some Presbyterian churches devoted to the regulative principle of worship, Old Regular Baptists, Primitive Baptists, Plymouth Brethren, Churches of Christ, Church of God (Guthrie, Oklahoma), the Reformed Free Methodists, Doukhobors, and the Byzantine Rite of Eastern Christianity. Certain high church services and other musical events in liturgical churches (such as the Roman Catholic Mass and the Lutheran Divine Service) may be a cappella, a practice remaining from apostolic times. Many Mennonites also conduct some or all of their services without instruments. Sacred Harp, a type of folk music, is an a cappella style of religious singing with shape notes, usually sung at singing conventions.
Among the Maranao, pieces played by using bagu and andung scales (equivalents of the binalig and dinaladay scales used by the Maguindanao), and in contrast to Maguindanao pieces, the kutiyapi is also used as an accompanying instrument to bayoka or epic chants. Examples of older andung pieces include Kangganatan and Mamayog Akun. The Kudyapi (kotyapi) has also been as one of the instruments in several older light ensembles, including that of the kasayao-sa-singkil/kasingkil ensemble, the original musical accompaniment to the singkil dance (now rarely used in favour of conventional kulintang ensembles). This ensemble pairs the kotyapi with a jaw harp (kubing), suling, a pair of small double-headed drums known as gandangan (a drum now rarely used among the Maranao in favor of the single-headed dadabuan) and a single kulintang, in accompaniment to the bamboo poles used in the dance.
The album consists of Bingo's reading his poems to an improvised musical accompaniment by WFMU DJs R. Stevie Moore, Bob Brainen, Dennis Diken, Dave Amels, Chris Bolger and Chris Butler, and engineered by Amels. Often, while performing live, the background music to his frantic, poetic incantations is nothing more than a cassette tape inserted into a cheap cigar-box tape recorder and miked. Bingo's poetry often contains hilarious rhyme schemes, extended stream-of- consciousness rambling, and crude language, with titles like "Up Your Jurassic Park" and "I Love You So Fucking Much I Can't Shit". He penned hyper- caffeinated odes to Madonna, Tupac Shakur, and Beavis and Butthead, and had his "Everything's O.K. at the O.K. Corral" (a dreamy reminiscence of the cowboy movie serials by an old nurse-attended man) featured on a 1996 CD produced by the famed Greenwich Village coffeehouse Fast Folk Cafe.
For the Reference Round, each person was handed a reference book, such as the Oxford English Dictionary, The Journal of Sports Economics, a list of patents granted by the United States Patent and Trademark Office or a volume of the Encyclopedia Britannica, from which they derived their final IDK. From this round the audience chose two winners who were given a single topic for an IDK and the audience then chose the final winner. For Episodes 6 through 8, only the first round's audience winner was given a Certificate of Impressive Knowledge and the Reference Round was played solely by the panelists so that the final round always faced a panelist off with an audience member. Episode 9 replaced the Reference Round with a lightning round of questions individually tailored to each panelist, and Episode 10's panelist round required each one to sing a meaningful song from childhood with live musical accompaniment by Dan Zanes and Friends.
It was the librettist himself, Yvan Goll, writing to Nino Frank, who commended the "mimicry" in the production staged by the "MA" cabaret, "with the musical accompaniment by a twenty year old composer in which the Marseillaise, French bugle calls, the Funeral march and modernist blues harmonies make my verses resonate even more aggressively than in Royal Palace", referring to a Kurt Weill opera which also featured lyrics by Goll, and which had its Paris premier just two days after the "MA" cabaret in Berlin premiered "Paris Burns". Evidently Bruinier used the French national anthem, generic horn signals, death marches and other traditional themes in his material, and distorted them using modern jazz and blues harmonies and rhythms. Goll was particularly struck by the rhythmic dimension: "A hall full of youngsters who were completely carried along by the rhythms".Both quotations come from a letter sent by Yvan Goll to Nino Frank on 7 March 1927, here reproduced from: Ricarda Wackers: Dialog der Künste.
The film La Possibilité d'une île, directed by Houellebecq himself and based on his novel, premiered in France on 10 September 2008. It was a critical and commercial failure, sometimes even considered as one of the worst films ever made in France, alongside Bernard Henri Levy's Le Jour et la Nuit, although some authors found him intriguing and recognized redeeming qualities. American rock singer and "godfather of punk" Iggy Pop released in 2009 the unusually quiet album Préliminaires, which he described as influenced by his reading of Michel Houellebecq's novel The Possibility of an Island (one track 'A Machine for Loving' even consists in the singer merely reading a passage from the book over a musical accompaniment.). The author considered it a great honour, as he was himself deeply affected as a teenager by Iggy Pop's music with The Stooges, even going so far as to say that he was, for once, "completely happy".
While selling glasses and gloves on the market, Eugene also found a half-time job as an audio engineer in local Palace of culture "Rovesnik", where he provided musical accompaniment of rehearsals in the studio of modern song "Silver trill" managed by a voice teacher Nelli Ambartsumian. As Eugene had a talent for singing he was suggested to study singing more professionally. In 2007 Eugene took part in the local festival "Zhodino Spring" and received his first Grand Prix as a winner in category of performers of 16 to 25 years old, and also a color TV set "Gorizont" as a prize. In 2009 he became a finalist of the "New voices of Belarus" competition while taking part in a casting of vocalists to Presidential orchestra and performed the song "Friendship" at "Musical nights in Mir Castle" together with a famous Belarusian singer, one of the competitors of "Eurovision 2013" Alyona Lanskaya.
Part of Murphy's success has been his wide-ranging taste in music and the eclectic choices of musical accompaniment he has made for his dance works. The breakthrough work Some Rooms (1983), which received enormous acclaim, featured a selection of existing music by composers Keith Jarrett, Joseph Canteloube, Francis Poulenc, Benjamin Britten and Samuel Barber, whereas other works featured newly commissioned original music. Hate (1982) had a score by noted Australian composer Carl Vine, and his successful 1985 production Boxes featured original music by composer and musician Iva Davies, who was then the lead singer with popular Australian rock band Icehouse. In May 2007, the company announced that Tanja Liedtke would be its new artistic director; however on 17 August of that year Liedtke was accidentally killed in a traffic accident in the northern suburbs of Sydney In December 2007, Executive Director Noel Staunton launched the company's 2008 season, announcing three guest choreographers, Meryl Tankard, Rafael Bonachela and Aszure Barton, to create new works for the company.
This troupe has served not only to the development of theatrical art, but also the development of professional musical art in the south of Kyrgyzstan. The repertoire of the troupe, in addition to theatrical productions have been numerous concerts, also carried out the processing of folk melodies for the musical accompaniment of performances that contributed to the formation of professional musicians. In the future, this troupe became the basis for the creation of the Osh State Academic Uzbek Music and Drama Theater named after Babur. Babur Theatre in Osh is the oldest theater in Central Asia, after the Uzbek National Academic Drama Theatre named after Hamza in Tashkent (founded in 1913–27 in February 1914) Founder of Osh Uzbek Drama Theater Rahmonberdi hajji Madazimov in connection with the departure to the city of Uzgen in 1932 left the theater and died at the end of May 1933 in the town of Uzgen.
Then the sentinels of the outgoing unit surrender their posts to the sentinels of the incoming unit, and then the incoming unit presents arms as the outgoing unit marches out with an NCO or Warrant officer leading the old and new guard sentinels. Similar protocols are followed every hour by the honour guards stationed at the gates of the seats of the Chamber of Deputies and the Senate, at the tomb of the unknown soldier at the Altare della Patria, and at the gates of the Quirinal Palace. In these cases, a sub- officer leads the incoming unit in front of the standing guards, and leads the outgoing unit after they have surrendered their posts. Units forming for the regular mounting in various parts of Rome come from, aside from servicemen from the Carabineri, various units of the Italian Army, Navy, Air Force and the Financial Guard, and even the Italian State Police, and their respective bands provide the musical accompaniment to the Quirinal Palace ceremony.
He contributed guitar and also co-producing to two Primal Scream albums, XTRMNTR (2000) and Evil Heat (2002), and became a touring member of the band between 1996 and 2006. During this time, Shields composed music for the Canadian contemporary dance group La La La Human Steps and recorded four songs for Sofia Coppola's 2003 film Lost in Translation—which earned him nominations for a British Academy of Film and Television Arts (BAFTA) award for Best Film Music, an Irish Film and Television Academy (IFTA) award for Best Music in a Film, and an Online Film Critics Society award for Best Original Score. In 2008, Shields released The Coral Sea, a collaborative live album with Patti Smith, on which he provided musical accompaniment to Smith's reading of her book of the same name. My Bloody Valentine reunited in 2007, commenced on a worldwide tour and began completing their third studio album, m b v, which they had begun in the late 1990s.
Lyricist Leo Robin and composer Ralph Rainger wrote three songs for the film: "She Was a China Tea-cup and He Was Just a Mug", performed offscreen by an unidentified male vocalist; "Thank Heaven For You", sung onscreen by Rudy Vallee; and "My Bluebird's Singing the Blues", sung onscreen by Baby Rose Marie. A fourth Robin-Rainger song, "Look What I've Got", originally featured in the slightly earlier film A Bedtime Story, is heard as an instrumental, supposedly played by "Ah Phooey and His Manly Mandarins" in a broadcast from a radio station that calls itself "The Voice of Long Tung"; it provides the musical accompaniment for an otherwise silent he-and-she undressing scene. Cab Calloway and His Harlem Maniacs perform 1932's "Reefer Man", written by Andy Razaf (lyrics) and J. Russell Robinson (music). Library of Congress page on this film, which cites Jazz on the Screen by David Meeker (used with permission) as its source for musical information.
The lion is also symbolic for the Sinhalese people; the term derived from the Sanskrit Sinhala, meaning "of lions" while a sword- wielding lion is the central figure on the national flag of Sri Lanka. The lion is a common motif in Chinese art; it was first used in art during the late Spring and Autumn period (fifth or sixth century BC) and became more popular during the Han Dynasty (206 BCAD 220) when imperial guardian lions started to be placed in front of imperial palaces for protection. Because lions have never been native to China, early depictions were somewhat unrealistic; after the introduction of Buddhist art to China in the Tang Dynasty after the sixth century AD, lions were usually depicted wingless with shorter, thicker bodies and curly manes. The lion dance is a traditional dance in Chinese culture in which performers in lion costumes mimic a lion's movements, often with musical accompaniment from cymbals, drums and gongs.
Over the next 15 years, film as an academic discipline grew immensely, leading to the formation of both the Film Studies Program and the Film Study Center in 1982. During the 1980s, the 16mm archive burgeoned with film donations by Yale alumni Spencer Berger, Ralph Hirshorn, and others, while Yale’s 35mm archive was born with hundreds of rare prints of television programs produced by Herbert Brodkin, and collections such as those of the pioneering experimental director Mary Ellen Bute, a 1926 alumna of the Yale School of Drama. In 2013, the Film Study Center began its monthly screening series "Treasures from the Yale Film Archive," showcasing 35mm prints from the archive's collection. The screenings feature introductions by Film Study Center staff as well as Yale faculty, and have also included guest filmmakers such as Michael Roemer, Warrington Hudlin, Tamar Simon Hoffs, Norman Weissman, and Frank and Caroline Mouris, as well as musical accompaniment for silent films by Donald Sosin.
The actors walk in sync (except when entering or exiting), always on one of four rotationally symmetric paths (e.g., when one actor is at a corner, so are all others; when one actor crosses the stage, all do so together, etc.), and never touch – when walking around the stage, they move in the same direction, while when crossing the stage diagonally, where they would touch in the middle, they avoid the center area (walking around it, always clockwise or always anti-clockwise, depending on the production).The version published in 1992 in French by Les Éditions de Minuit instructs the characters to walk anti-clockwise when walking around the centre point (diagram page 15), but a 1981 television version, produced by Beckett (available on YouTube: Quad I+II (play for TV)) shows the characters walking anti-clockwise around the perimeter of the square and clockwise around the centre point. In the original production, the play was first performed once, and then, after a pause, an abbreviated version is performed a second time, this time in black and white and without musical accompaniment.
During the brief history of the infamous and controversial Tjakrabirawa Regiment, its honor guard detachment sported a military band that played during national holidays and state visits by foreign leaders to Jakarta. The band in its current capacity was created in January 1976 when the current Paspampres (then Paswalpres) was established and the band's first musicians formed up partly of personnel from the Kodam Jaya Headquarters Band which, for over a decade, served operationally as part of the joint Satgas Pomad Para task force during state visits and national holidays. It is the main band that plays at official ceremonies and receptions for high-ranking officials that visit Indonesia, including heads of state, heads of government, and diplomatic delegations, as well as in providing musical accompaniment to state ceremonies (including oath taking ceremonies), parades, accreditation ceremonies of ambassadors, and various community events. The band is based in Jakarta, the national capital, and is the official band stationed in the Merdeka Palace within Jakarta during ceremonies of national importance and during state visits to the Republic, a duty it alternates from either the Merdeka Palace and/or at the Bogor Palace in Bogor, West Java.
The album features several snippets from various points at Whitley's career, including: a performance that he gave at age eight on Buddy Starcher's television show in Charleston, West Virginia; a radio show performance given as a member of the Lonesome Mountain Boys in 1971; two interviews from the radio countdown show American Country Countdown (then hosted by Bob Kingsley); and an interview with Ralph Emery. Also included are "Lucky Dog" and "Would These Arms Be in Your Way," both of which were included on only the compact disc release of his 1988 album Don't Close Your Eyes, as well as "I Never Go Around Mirrors" from that album and "Between an Old Memory and Me" from 1989's I Wonder Do You Think of Me. These latter two songs were added because they were among Whitley's favorite songs that he recorded. Three of the new songs — "Backbone Job," "I Want My Rib Back" and the title track — had already been recorded by Whitley as demos, with new musical accompaniment added by producer Garth Fundis. The rest of the songs on the album were to have been included on an album that was never released.
The Republic of Korea Armed Forces (South Korean Armed Forces) maintains a number of bands including the Republic of Korea Air Force Band, the Republic of Korea Army Band, the Republic of Korea Navy Band, the Republic of Korea Marine Corps Band. In addition to the main bands of the service branches, the Republic of Korean Armed Forces also maintains a Traditional Daechwita Band of the Armed Forces, as well as military bands in its military academies, including the Band of the Korea Military Academy, the Band of the Korea Naval Academy, and the Band of the Korea Air Force Academy. When military bands were originally formed in South Korea, American military music was the primary type of musical accompaniment used by ROK bands, as the bands were formed with United States assistance, with later influences from bands of the other armed forces which assisted the ROKAF during the Korean War (Canada and Greece for example). Later on in the 1970s, Korean martial and traditional music were incorporated into the repertoire of the bands, including modernized adaptations of folk songs for performances during concerts.
Soohyun earned an entry on Billboard's chart for "I'll be there", becoming the first U-KISS soloist to gain that recognition. The release was followed by a concert tour, "SOOHYUN (from U-KISS) FIRST SOLO LIVE 2017 with JUN", featuring musical accompaniment by a live band. Performances were held on July 23 in Osaka and July 25 in Tokyo, with an encore performance later added on September 9 in Tokyo, due to popular demand. As part of an ongoing endorsement, the TETSU restaurant chain collaborated with Soohyun and Jun on special signage, menu, and prize giveaways at their Tokyo locations during July–August. U-KISS contributed a song, "RUN A WAY", to the OST for KBS2's TV drama Manhole, which aired August–September and starred Jaejoong from JYJ. On August 20, U-KISS performed at The Star of Asia music festival in Kazakhstan, where they were presented with a special prize trophy during the broadcast on KAZAKH TV. On September 6, NH Media reported that Kiseop had suffered second degree burn injuries due to an explosion that took place during the group's "FLY" music video filming.
In 2003, seeking collaborators for an opera taking the "War on Terror" as its subject, Burstein advertised for a librettist. The post was filled by controversial Welsh playwright Dic Edwards, and the two subsequently wrote the opera Manifest Destiny. Manifest Destiny was set in London, Palestine, Afghanistan, Washington, D.C. and Guantanamo Bay and featured a thematic backdrop of the contemporary unrest in the Middle East (including the Second Intifada) and the aftermath of the Al-Qaeda attacks (including the invasions of Afghanistan and Iraq, and the establishment of Guantanamo Bay.) Its central plot element dealt with the plight, motivations and fate of several Palestinians drawn into the world of suicide bombing tactics, which they ultimately rejected in favour of a wounded yet hopeful peace with their neighbours. The opera also heavily satirised the geopolitical landscape. The first act was premiered at the Cockpit Theatre, London, 2003. A subsequent full-length performance (with minimal staging) was put on at the Tricycle Theatre, London in 2004 (produced by Corin Redgrave). A fully staged production followed, staged at the 2005 Edinburgh Festival Fringe. For each of these productions, Burstein provided the sole musical accompaniment (on piano).
Musical accompaniment therefore arose in the earliest dance, so that ancient Egyptians attributed the origin of the dance to the divine Athotus, who was said to have observed that music accompanying religious rituals caused participants to move rhythmically and to have brought these movements into proportional measure. The same idea, that dance arises from musical rhythm, is still found in renaissance Europe in the works of the dancing master Guglielmo Ebreo da Pesaro who speaks of dance as a physical movement that arises from and expresses inward, spiritual motion agreeing with the "measures and perfect concords of harmony" that fall upon the human ear, while, earlier, Mechthild of Magdeburg, seizing upon dance as a symbol of the holy life foreshadowed in Jesus' saying "I have piped and ye have not danced",Matthew 11:17 writes; Thoinot Arbeau's celebrated 16th century dance-treatise Orchésographie, indeed, begins with definitions of over eighty distinct drum-rhythms.Lincoln Kirstein, Dance, Dance Horizons Incorporated, New York, 1969, p. 157 Helen Moller As has been shown above, dance has been represented through the ages as having emerged as a response to music yet, as Lincoln Kirstein implied, it is at least as likely that primitive music arose from dance.
Ex. 1 A figured bass line, and a realization for theorbo (Thomas Mace, 1676) (play) Audio simulation Ex. 2 Four realizations of a short figured bass (1753) (play) Ex. 3 A figured bass, and a guitar realization (Nicola Matteis, 1682) (play) Ex. 4 Bach MS: the keyboard part is thought to be an extremely rare transcription of a live Bach realization (play)p repeat on the lute stop. Caccini unfigured bass, Dowland realization (play) Ex. 6 Jacopo Peri: early voice and figured bass, and a continuo realization; (play) (a) without and (b) with keyboard realization Ex. 7 Harmony realized in the solo instrument itself (a) without (b) with the technique (play) Corelli sonata fragment (b) + continuo realization by Antonio Tonelli (play) Ex. 9 Duet for two viols, with optional harpsichord realization (Antoine Forqueray, 1747))The piece was designed for two viols and harpsichord, or any two of those: Without, and with, the harpsichord option (play) Composers of the Baroque era seldom wrote out the musical accompaniment (called the basso continuo, or simply continuo). Performers were expected to realizeThe word is thus spelled in both British and American English. one to suit the occasion, guided by no more than a bare sketch called a figured bass (or thorough bass).

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