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28 Sentences With "muddiness"

How to use muddiness in a sentence? Find typical usage patterns (collocations)/phrases/context for "muddiness" and check conjugation/comparative form for "muddiness". Mastering all the usages of "muddiness" from sentence examples published by news publications.

By every other metric, Mr. Trump is a master of muddiness.
"It suggests more muddiness in the factual record than actually exists," she wrote.
But again, I'm pleasantly surprised — the elegant textures melt beautifully onto my skin without any muddiness.
At JuneBaby, the fish, from an Idaho farm, is firm, tight, fresh and free of bottom-feeder muddiness.
Image: GizmodoThe Kraken headset had only a hint of muddiness in the bass I've encountered on some of Razer's previous products.
The muddiness of its message lets the bus at least attempt to do what much protest art fails to: spark dialogue between members of opposing parties.
The muddiness of the Hulls' clay soil has long made farming difficult and has not helped in their efforts to rent their land to other farmers.
While such stringent policies may help avoid the muddiness that led to the He scandal, they have a clear downside: They also block the use of less questionable technology.
The only formal characteristic all the work has in common is a certain muddiness of color or texture that documents, or seems to document, the struggle of its making.
The only formal characteristic all the work has in common is a certain muddiness of color or texture that documents, or seems to document, the struggle of its making.
His paint handling resembles some thick but detached version of Van Gogh, or as others have mentioned, Alfred Jensen, and though it gives a first impression of muddiness, the color is quite articulate.
Director David Leitch captures the fistfights and car chases cleanly and sharply, without too much CG muddiness and with plenty of cheer-worthy moments; I practically convulsed with glee at several points during one particularly thrilling ride through London.
" De Quincey had seen as a warning the escalating addiction of Coleridge, who, for his part, recognized in De Quincey a doppelgänger, their "two faces, each of a confused countenance," blended with the same mixture of "muddiness and lustre.
Newcomers can make do with the printed menu's Hunan-style fish fillets and soft tofu, which have none of the muddiness you find at many Sichuan and Hunan restaurants in New York, and leave a slow, tangy burn that rewards spoonful after spoonful.
Mud Creek is named for its muddiness, which is especially pronounced following storms.
Making handwashing facilities accessible (inclusive) to everyone is crucial to maintain handwashing behaviour. Considerations for accessibility include age, disability, seasonality (with rains and muddiness), location and more. Important aspects for good accessibility include: Placement of the technology, paths, ramps, steps, type of tap, soap placement.
Worcester Telegram and Gazette (Worcester, Massachusetts). September 22, 2002. Chuck Campbell of the Knoxville News Sentinel said the album "often sounds like it's lacking a focal point" and "that Hanley struggles for a sense of purpose as she works her way through the enervating muddiness".Campbell, Chuck.
Farming continued causing erosion, and in 1984 was evident by muddiness of the Kinyeti River in the rainy season downstream from a potato project. A tea project was launched at Upper Talinga in 1975, opening a route for people to move into the mountains through the Ateppi valley. The result was an increase in hunting, hillside farming, and erosion.
European carp (Cyprinus carpio) are present within both Longneck and Pitt Town Lagoons. Carp are of concern as they are believed to compete with native species and contribute to muddiness of the water and loss of aquatic vegetation. The national park retains its ability to demonstrate the reasons for its natural and cultural significance, and the interplay between the values for which it was established.
The main soil series are the Watson-Berks-Alvira series, the Chenango-Pope-Holly series, and the Berks-Weikert-Bedington series. The watershed is in the ridge and valley region of the Appalachian Mountains. Mud Creek is named for its muddiness. An area near it was settled as early as 1772 and several bridges were built across it and its tributaries in the 20th century.
He said, "It's a really basic plug‑in, and I used a very [19]80s‑sounding gated reverb." Once he had the sound, he rolled off the bottom to "take the muddiness out". It was actually double reverbed; the gated reverb was only on the snares and the toms, and the rest of the kit as a whole had another plate reverb, which came off the Lexicon 960, for smoothing it out.
Kosbach is a village on the outskirts of Erlangen, Germany. The village is known locally for its own Kirchweih festival, the Kosbacher Karpfen Kirchweih, which is a celebration at which carp is consumed en masse. The village is surrounded by carp ponds. The ponds are lined with nets, a month or so before the festival the nets are raised so the fish are off the bottom and the muddiness is rinsed away.
Clinker often is reused as a cheap material for paving footpaths. It is laid and rolled, and forms a hard path with a rough surface that presents less risk of slipping than most loose materials. In sufficient thickness such a layer drains well and is valuable for controlling muddiness. However, if laid without sufficient adhesive, it needs frequent rolling and addition of more clinker to maintain the path in good condition if it is subject to heavy foot traffic.
There is no evidence that this route operated. Lympne airport in 1953 was owned by the British Ministry of Civil Aviation. It would not solve the airfield’s big problem – the muddiness that was causing aircraft to get stuck. Silver City, who were by far the major users of the airport with their Bristol Freighter car ferry service, therefore decided to build their own airfield at Lydd. Just seven months after that decision, and named Ferryfield, the new airport opened on 13 July 1954, with some of the airline’s operations moving from Lympne immediately. On 1 May 1954 Air Kruise had been taken over by British Aviation Services (BAS), trading as Britavia, who owned Silver City Airlines.
The harbor connects the city to Bou Regreg via canal, and ships entered the harbor from the canal by passing through the arch of the gate. The gate is also known as a place where the sultan Abu Yusuf Yaqub dispatched his naval fleet to attack the city of Algeciras several times in 1285, in which joined by around 36 warships. The name "Mrissa" means muddiness, and this is because Bou Regreg and linked canal contained a lot of sands from the surrounding land, and the ships brought muddy water which disseminated in front of the gate when they were docking. Today, the scene is no longer observable due to the canal was depleted after the construction of roads connecting Rabat and Salé, as a solution to mitigate the relatively long distance and inconvenience of the canal.
Instead of being incorporated into a full-range system, concert subwoofers can be supplied with their own signal from a separate mix bus on the mixing console; often one of the auxiliary sends ("aux" or "auxes") is used. This configuration is called "aux-fed subwoofers", and has been observed to significantly reduce low-frequency "muddiness" that can build up in a concert sound system which has on stage a number of microphones each picking up low frequencies and each having different phase relationships of those low frequencies. The aux-fed subwoofers method greatly reduces the number of sources feeding the subwoofers to include only those instruments that have desired low-frequency information; sources such as kick drum, bass guitar, samplers and keyboard instruments. This simplifies the signal sent to the subwoofers and makes for greater clarity and low punch.
Greil Marcus criticized the singing as "simply impossible to pay attention to for more than a couple of minutes at a time" and accused "Is Your Love in Vain?" of sexism, claiming Dylan was "speak[ing] to the woman like a sultan checking out a promising servant girl for VD." In the UK, reviews were positive, with Michael Watts of Melody Maker proclaiming it Dylan's "best album since John Wesley Harding". NME's Angus MacKinnon hailed it as Dylan's "second major album of the 70s." In contrast to the record's still mixed reputation, Q Magazine has given the album a 5 star rating on re-release on two occasions, pointing out that the original muddiness of the production was part of the reason the record has so long been critically overlooked. When Dylan embarked on his European tour, he would be greeted by a generally warm audience reception, and his single, "Baby, Stop Crying" (the lyrics of which were allegedly inspired by Robert Johnson's "Stop Breaking Down"), would chart in the top ten throughout Europe, and reached number 13 on the UK Singles Chart with the album peaking at number 2 on the album chart.
The paint actually soaked into the surface of the canvas, showing no three-dimensional qualities. Frankenthaler’s painting Mountains and Sea would stand as Louis’s primary influence in his shift from mimicry of German Expressionism to his more recognizable work with staining.Millard, “Morris Louis,” 253. After Greenberg introduced Louis to the technique, he championed the artist’s paintings as “pure” paintings, more so even than Greenberg’s previous prodigy, Jackson Pollock. Louis’ paintings are divided into several groups, Tet belonging to the Veils II series. Louis used his staining technique throughout his short career, and his ability to mix both “muddiness and density” allow individual pigments to be simultaneously highlighted and muted within the same canvas. As Charles Millard describes, Louis’s works were finely articulated, yet distinctly indistinct, embodying a conflation of clear intent and chaotic chance.Millard, “Morris Louis,” 255. While there are portions on Tet’s surface that are undoubtedly muddy, the density and depth within the murky concentrations of pigment reveal Louis’ ability to create a pseudo- illusionistic surface, more so even than his contemporary Barnett Newman’s pulsing pigments, seen in works such as Vir Heroicus Sublimis.

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