Sara Mearns was at her most voluptuous in the "Barber" ballet.
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The images on view in Doi's current exhibition offer some of his most voluptuous compositions ever, all of which seem to float and spread like galaxies expanding endlessly in the far corners of the universe.
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This is when he created some of his hottest, most voluptuous paintings, in which churning male and female sexual body parts flutter and float through splatters and splurges that play off the thick, eggshell-whitish ground suggestive of foamy sea scum.
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20th Century Fox. The episode features American actress Frances Sternhagen as Mrs Bellamy, and glamour model Carmen Electra as herself. According to Jean, Electra's character is "one of the most voluptuous figures" they have ever had on The Simpsons.
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She is a bit uptight and constantly has to keep Getto and the rest of the hockey club in check. ; :The coach of the hockey team, Kentaro was the former captain until his need for glasses sidelined him. ; :Maiko is one of the most voluptuous girls in school and holds the title of Miss Hamatsu High. She is close friends with Soara.
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Her April 2006 GQ cover was the highest-selling issue of that magazine for the year. It was also one of the all-time best selling issues of the publication. The magazine named her "The World's Most Voluptuous Virgin". Victoria's Secret Angels Lima (left), Marisa Miller and Selita Ebanks ride in the Guantanamo Bay Christmas Parade on December 1, 2007 in a Cadillac Eldorado In 2006, Lima ranked as the fifth highest paid supermodel.
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Among his best-known works are the Friday Evening Service (1963) and "Torah Service with Instruments" (1966) for cantor and chorus, and On This Most Voluptuous Night (1982) for soprano and chamber ensemble. Wyner taught for 14 years at Yale, where he was the head of the composition faculty. He also taught at SUNY Purchase, Cornell, Brandeis and Harvard. In 2006, Wyner won the Pulitzer Prize for Music for his piano concerto Chiavi in Mano.
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The Abbess: A Romance is a gothic novel by William Henry Ireland first published in 1799. The text was modelled upon Matthew Lewis's The Monk (1796). The eponymous central character, Mother Vittoria Bracciano, is a similar to that of 'Monk Lewis's Ambrosio as she is similarly motivated by dark and powerful forces. The novel is one of the most voluptuous and salacious gothic novels in terms of its graphic scenes of sex, Roman Catholic religious fervour and torture.
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According to a 'computer read-out' at the beginning of the episodes, he has an IQ of 498 and a height of 6ft 10 inches, and is a Supreme Athlete, a Concert Pianist, Concorde Pilot, Mountain Climber, Diplomat, Space Captain & Genius. Another variation on the opening script said he had 'muscles in places where most other people don't even have places'. Carla - Born in New York on 27 July 1950, Carla was an American and the world's most voluptuous woman. She came from a poor family, and used her beauty to get a job in Star Corps.
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Additionally, dirty talk is more sexual in nature than pillow talk and tends to precede rather than follow lovemaking. The Marquis de Sade, who fancied himself an expert on matters sexual, states in the introduction to The 120 Days of Sodom that "among libertines, it is commonly accepted that the most voluptuous sensations are transmitted by the organs of hearing" -- that is, that dirty talk is the most arousing form of sex. One fictional character in porn films that became associated with the idea of men using sexual dirty talk with women was actor John Leslie's character of 'Jack' in Talk Dirty to Me (1980).
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Excerpt from the beginning of the Mephisto Waltz No. 1 Mephisto Waltz No. 1 is the best-known of the series and, together with No. 3, the most praised musically. Mephisto Waltz No. 1, Der Tanz in der Dorfschenke (The Dance in the Village Inn) is the second of two short works he wrote for orchestra. While the work preceding it, "Midnight Procession" ("Der nächtliche Zug"), is rarely given (though both works have been recorded together), the waltz has been a concert favorite, with its passion, sensuality and dramatics generating an emotional impact. James Huneker described the work's "langourous syncopated melody" as "one of the most voluptuous episodes outside of the Tristan score". The Mephisto Waltz No. 1 is a typical example of program music, taking for its program an episode from Nikolaus Lenau's 1836 verse drama (not from Goethe's Faust).
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