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18 Sentences With "most unnatural"

How to use most unnatural in a sentence? Find typical usage patterns (collocations)/phrases/context for "most unnatural" and check conjugation/comparative form for "most unnatural". Mastering all the usages of "most unnatural" from sentence examples published by news publications.

The far room glows with a most unnatural shade of green.
"You do the most unnatural thing, which is running backward, turning and then sprinting," Newman said.
It is the most unnatural and undemocratic thing that we literally never have had a woman president or vice president.
" — much as Shakespeare's ghost instructs Hamlet, "If thou didst ever thy dear father love / … Revenge his foul and most unnatural murder.
It is on this massive artificial lake that I came across one of the most unnatural scenes imaginable in the 21st century.
For though humanity aspires to achieve immortality, our cells teach us that a life without death is the most unnatural fate of all.
Schmidt convincingly establishes the conditions — as did Carter, in very different terms — in which that most unnatural of acts could occur, the apparent murder by a child of her parents.
Management is an unnatural act, as Ben Horowitz has written, and engineering management may be the most unnatural of all, because engineers are a unique bunch: persuadable by logic yet driven by ego.
The orchid, once an aristocratic rarity, now a ubiquity — you can buy them at Home Depot — is still the most unnatural-looking flower of the natural world, dizzying in its opulent, adamant oddity.
The end of high school is usually marked by an excruciating photography session where you're forced to smile for a long period of time while standing against a fake tree with your arms folded in the most unnatural way imaginable.
On his return home from his second tour in 1847, aboard the SS Cambria, he attracted the attention of the explorer John Palliser who "was not a little surprised, on entering the state-cabin, to hear the most unnatural shrill little pipe exclaiming, 'Waiter! bring me a Welsh rabbit'."Palliser, John. 1853. Solitary Rambles and Adventures of a Hunter in the Prairies, John Murray, London, 326 p.
As to complaints of the Internationale and radical satires being sung, and that controversial material was being read, some, Miller admitted were "of communist and socialist persuasion". Also adding to embarrassment, women from Camp TERA "escaped" and visited a men's CCC camp nearby. A teacher at Camp TERA, Harry Gersh, commented, "It was a most unnatural environment for these women. No one had thought that sexual isolation would be a problem".
Churchill wrote "This was the most hateful decision, the most unnatural and painful in which I have ever been concerned". Relations between Britain and France were severely strained for some time and the Germans enjoyed a propaganda coup. Somerville said that it was "...the biggest political blunder of modern times and will rouse the whole world against us...we all feel thoroughly ashamed...". The attack revived Anglophobia in France but demonstrated British resolve to continue the war and rallied the British Conservative Party around Churchill (Neville Chamberlain, Churchill's predecessor as prime minister, was still party leader).
Application of the remedy of > rescission, within the bounds of the narrow exception to the doctrine of > caveat emptor set forth herein, is entirely appropriate to relieve the > unwitting purchaser from the consequences of a most unnatural bargain. The opinion makes reference to a number of popular books and films featuring ghosts, including Shakespeare's Hamlet and the 1984 movie Ghostbusters and uses supernatural idioms throughout (e.g., "plaintiff hasn't a ghost of a chance", "I am moved by the spirit of equity", and "the notion [...] is a hobgoblin which should be exorcised from the body of legal precedent").
The Brain The symbol of the corpus callosum is represented in most shots involving Cross and Kyle, with Cross on the left and Kyle on the right, each representing their respective sides of the brain. The show Rob Hathaway: Interactive Children's Programming eventually addresses the corpus callosum in one of the episodes Cross watches later on in the film. Robots The recurring theme of TaB cola was conceived due to the hot pink color of the can. Nagy thought that hot pink was the most unnatural color of the spectrum, so Cross's constant consumption of the cola is intended to convey her mental status as robotic.
When infants acquire their native language, they don't do it by breaking the language down into little pieces of grammar and vocabulary, or by looking in a dictionary, so this is seen as the most unnatural way to learn a language. It is believed that children acquiring their language learn by listening to and mimicking the broadest and most basic outline of the language. Any infant with the physical capability can acquire the language spoken around them by the age of two or three. As they advance, they begin to speak in phrases, but may only pronounce the sounds at the beginning and end of a phrase while humming through the rest.
Malevole further incites Pietro against the pair by declaring the situation most unnatural, as cuckolding is a creation of woman rather than God, and by highlighting the incestuous nature of the adultery. As the enraged Pietro rushes off to confront Mendoza, Malevole meets with his friend Celso. It is revealed that Malevole is, in fact, Altofronto, the former Duke of Genoa, deposed in a political coup staged by Mendoza on behalf of Pietro, made powerful through an alliance with Florence solidified by his marriage to Aurelia. Malevole, with the help of his spy Celso, has been learning the strengths, weaknesses, and secrets of his enemies, biding his time in the usurper's court until the opportune moment to strike presents itself.
Out of the Storm (1920) received generally negative feedback from the audience. As the fourth movie out of eleven adapted from a novel, original text’s author Gertrude Atherton is certainly no stranger to adaptations onto the big screen. The plot was praised for its ability to “hold one’s interest by reason of its melodramatic moments, which are punctuated by other scenes that lack reality”, but the largest disappointment was certainly the performance that lead actress Castleton failed to deliver. Critics from the Exhibitors Herald described Castleton’s acting as “unnatural and stilting”, and was the “most unnatural and unempathetic of the entire cast.” They further stated that she “plays it with too much restraint”. This left audiences unsatisfied, considering castleton having “a very good account of herself” in other films. One redeeming factor from critics were that the shipwreck scene was “one of the best shipwreck scenes” to be produced at that time.

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