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28 Sentences With "most subdued"

How to use most subdued in a sentence? Find typical usage patterns (collocations)/phrases/context for "most subdued" and check conjugation/comparative form for "most subdued". Mastering all the usages of "most subdued" from sentence examples published by news publications.

On Tuesday, he gave one of his most subdued and on-message speeches of the cycle.
These sharply angled scarlet mules will pump up the fun factor of even the most subdued outfit in your rotation.
When asked about the initial response to the film, the not-so jovial Penn attempted to give the most subdued answer possible.
CANNES, France — Critics have called "Julieta," the latest by the Spanish director Pedro Almodóvar in competition at the Cannes Film Festival, his most subdued film yet.
Yet even in the most subdued scenes, there is a sense of unease; his 1949 self-portrait "The Revenant" is set in a room seemingly charred by smoke.
" Breitbart, the right-wing website that embraced Mr. Trump during the election campaign, was, perhaps surprisingly, the most subdued, going with the blandly factual "The Inauguration of President Donald Trump.
Throughout its 12-episode run, Insatiable crawls its way through a series of tired, stale gags, punching ever further downward, to finish with the most subdued of whimpers in its finale.
And at the Musée d'Orsay in Paris, he evoked the wreckage of time through the most subdued gestures, like a Rodin installed backward and a carpet exhumed from the museum's trash.
It was instead an announcement with the gentlest and most subdued of jazz hands, as if to say: Observe, we are about to publish a book by a political pundit of minor notoriety.
In the most subdued election campaign in living memory, Maduro's main rival has failed to ignite the masses or bring into his fold major opposition leaders, who are boycotting the vote on grounds it is rigged.
NEW YORK (Reuters) - Even as U.S. stocks remain near highs and daily gyrations for stock prices are the most subdued in more than half a century, some options-based measures point to investors positioning for increased volatility.
Intended to represent the physical remnants of imperial power, Raqs' draped white robe is the most subdued contender — particularly since it's up against a sculpture by Londoner Heather Phillipson, who combines dessert and drones to present a sleek, seductive work with sinister undertones.
As with so many high-school rom-coms, the main character is the most subdued in of a group of goofy friends, is caught in a love triangle, and has parents that don't make him keep the bedroom door open when he has "guests" over.
On the album's final and most subdued track, "Skyscraper" (which features the vocal work of Julien Baker), Bolm reflects on one of those brighter memories—bringing his mother on a trip to New York City in her final months, a place she'd always wanted to visit.
"Anoonsblush" (1988) may be one of the most subdued paintings in the show, but even it draws the viewer into a fantastical space of manifold textures, mottled and shimmering fields of paint, and, within them, pebbles and splinters that magically bind together their respective areas of blue and brown.
In the President's words -- "honored" was how he described his feelings -- in his several attempts to touch the North Korean despot, and in his optimistic prediction of success, I detected a Donald Trump at his most subdued as he faced a moment in Singapore that was all about making impressions.
Tatakae! Ouendan, as one of the most subdued songs in the game due to its use of soft bells and chimes replacing the high- pitched whistling used for most of the game's songs. The stage involves helping a recently deceased young man deliver a final message to his lover.
The Big Takeover called it "one of this year's most subdued and moving releases." Men's Vogue called it "a masterful soundtrack to self-reflection." The album also featured contributions from members of The Wrens, Guster, Maplewood, and The Hold Steady. In 2009, Two Dark Birds recorded a song for an Esopus Magazine compilation based on the Guy Maddin film The Saddest Music in the World.
In the review for AllMusic, Lee Bloom said "Jordan's style is perhaps the most subdued of the first generation bebop pianists; his touch is gentle, his chords are simply constructed, and his preference for medium tempos is evident. Though not the most flashy of beboppers, Jordan is quite an excellent composer. ...Overall, an enjoyable session despite a piano with less than perfect intonation and an unfortunately dry drum sound".
Even Vincent Canby, whose opinion of the film was negative overall, praised Roeg for being able to "maintain a sense of menace long after the screenplay has any right to expect it". The use of Venice locations was highly praised. Julie Christie and Donald Sutherland also received praise for their performances. Variety considered Sutherland to be at his most subdued but also at his most effective, while Christie does her "best work in ages".
It was the most subdued campaign since 1896, partly because of Coolidge's grief, but also because of his naturally non-confrontational style. The other candidates campaigned in a more modern fashion, but despite the split in the Republican party, the results were similar to those of 1920. Coolidge and Dawes won every state outside the South except Wisconsin, La Follette's home state. Coolidge won the election with 382 electoral votes and the popular vote by 2.5 million over his opponents' combined total.
The debut album was mixed by Joel Hamilton. The record received some great reviews. The Big Takeover called it “one of this year’s most subdued and moving releases.” Men’s Vogue called it “a masterful soundtrack to self- reflection.” The album also featured contributions from members of The Wrens, Guster, Maplewood, and The Hold Steady. In 2009, Two Dark Birds recorded a song for an Esopus Magazine compilation based on the Guy Maddin film “The Saddest Music in the World.” Spring 2009 saw the band returning to the studio to start work on their second album.
Most of the prison scenes were filmed among the convicts in a New York City prison in Queens. The courthouse was located at the corner of Catalpa Avenue and 64th Street in Ridgewood. Bernard Herrmann composed the soundtrack, as he had for all of Hitchcock's films from The Trouble with Harry (1955) through Marnie (1964). It is one of the most subdued scores Herrmann ever wrote, and one of the few he composed with some jazz elements, here primarily to represent Fonda's appearance as a musician in the nightclub scenes.
José explains to Ana that he has not only opened and read those letters, but that he knows who has been sending them. Juan, he tells her, has been writing those letters using the family valuable collection of stamps to deceive her. José has set up a small museum of military dress in his study and he offers Ana his protection and some economical compensation if she takes care of the uniforms. Fernando, the most subdued of the three brothers, has moved out of the main house to establish his residence in a nearby cave where he practices mystical incantations in an effort to levitate.
Kate Kulzick at The A.V. Club gave the episode a "B", calling "After, Before" "the most subdued episode of the season thus far", adding the small character moments of the team still on the Zephyr "are among the episode’s best, their quiet reflection an effective contrast with the action at Afterlife." Christian Holub from Entertainment Weekly also giving the episode a "B". Giving the episode 3.5 stars out of 5, Michael Ahr from Den of Geek thought the May and Yo-Yo pairing served "as a great counterpoint" to Mack and Deke's "goofier adventure" in the last episode. Ahr was intrigued by the revelation that Daisy has a sister, and that May could meet up with Jiaying again in a future episode.
Folklore received widespread acclaim from music critics, who praised its emotional weight and instrospective songwriting, dubbing it as Swift's most subdued and sophisticated body of work yet. At Metacritic, which assigns a normalized score out of 100 to ratings from publications, the album received an average score of 88 based on 27 reviews, indicating "universal acclaim"; it is the highest score for any of Swift's albums. Rob Sheffield of Rolling Stone lauded Swift's songwriting abilities that brought out her "deepest wit, compassion, and empathy", making Folklore her most intimate album so far. Also noting the vivid, well-crafted storytelling filled with imagination and American imagery, Pitchfork's Jillian Mapes considered the album a mature step in Swift's artistry while retaining her core as a celebrated songwriter.
In spite of its title, which stands for Forgive My Attitude, there's a subtlety to her songs – which range across languid bossa nova, jazz and neo-soul – that suggests she is better suited to sophisticated songwriting than shifting scarves." Rolling Stone Australias Jules Lefevre claimed "At the highest points of FMA – which are also the most subdued – Grace Sewell touches a maturity that should belong to a 49-year-old, not someone of 19. Her vocals, a bright mix of husk and honey, drift inexorably close to the untouchable Amy Winehouse on tracks that at times eerily resemble the late singer's debut, Frank. Grace has been quietly assembling FMA for the better part of two years, with help from a glittering cast of producers, including legendary Quincy Jones.
For Idolator, Mike Wass hailed it a "reggaeton-infused, oddball delight", and expressed the opinion that "the most pleasing thing [about 'Medellín'] is the core theme of letting go and taking chances". For Variety, Jem Aswad felt that while "Medellín" was not "the dancefloor-filling that fans might be hoping for, it's a sultry and promising introduction to Madonna's latest era". Sal Cinquemani from Slant Magazine compared the track to Madonna's 1987 single "La Isla Bonita", and highlighted her "sugary harmonies" that "balance out Maluma’s gigolo routine with a dreamy sweetness". In his review of the song, Owen Myers of The Guardian, said it was the singer's "most subdued lead single since 1998’s stately 'Frozen'"; nonetheless, he concluded that the song was a "potent reminder of Madonna's genre-mashing skills" and proved that she's "well equipped to weather the demands of today’s listening trends while bringing global styles into her own world".

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