At most shows, the bikini division is the most saturated with competitors.
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The second-most saturated state is Florida, where operators have deployed across 10 cities.
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The fresh shades run the gamut: Ambrosia is the most saturated plum-pink we've seen.
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The company's footprint is most saturated in Los Angeles, where it has 30 stores, according to Green Street.
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The Marcal paper towel was the most saturated after a minute The dyed water covered most of the towel.
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India has one of the world's most saturated and fastest-growing media markets, boasting thousands of options in print, television and online journalism.
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However, as with any new fangled device, the smart light bulb market grows on the daily — and is possibly the most saturated smart device market out there.
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No, it's not the most saturated or contrasty viewing experience you'll ever get on a mobile computer, but then neither is a MacBook Pro or Surface Book when used for its intended purpose as a mobile computer.
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The mobile market slipped 29 percent in 21, research company Gartner says, although it expects growth of 20.8806 percent in 2019, driven by replacement cycles in the largest and most saturated markets China, the United States and Western Europe.
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The mobile market slipped 1.2 percent in 2018, research company Gartner says, although it expects growth of 1.6 percent in 2019, driven by replacement cycles in the largest and most saturated markets China, the United States and Western Europe.
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" Barry told me, in an e-mail, that he still found the colors unduly lurid: "The various scholars reconstructing the polychromy of statuary always seemed to resort to the most saturated hue of the color they had detected, and I suspected that they even took a sort of iconoclastic pride in this—that the traditional idea of all-whiteness was so cherished that they were going to really make their point that it was colorful.
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In the last line, blue, the most saturated colour after red, is darkened by mixing it with red, thus referring to the black A at the beginning of the sonnet.
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Systems that use additive color processes usually have a color gamut which is roughly a convex polygon in the hue-saturation plane. The vertices of the polygon are the most saturated colors the system can produce. In subtractive color systems, the color gamut is more often an irregular region.
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It is the home of the mute swan (pictured), native to temperate regions of Europe and western Asia, in time of moult arriving in numbers reaching up to 2,000 birds. Many species of wild animals live in the forest, among them: deer, elk, moose, wild boar, hare, fox and recently reintroduced lynx. On wetlands, most saturated with water, beaver lodges can be found. The symbol of the park is a white stork with nests scattered over many local villages.
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On modern computers, it is possible to calculate an optimal color solid with great precision in seconds or minutes. The MacAdam limit, on which the most saturated (or "optimal") colors reside, shows that colors that are near monochromatic colors can only be achieved at very low luminance levels, except for yellows, because a mixture of the wavelengths from the long straight-line portion of the spectral locus between green and red will combine to make a color very close to a monochromatic yellow.
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The saturation of a color is determined by a combination of light intensity and how much it is distributed across the spectrum of different wavelengths. The purest (most saturated) color is achieved by using just one wavelength at a high intensity, such as in laser light. If the intensity drops, then as a result the saturation drops. To desaturate a color of given intensity in a subtractive system (such as watercolor), one can add white, black, gray, or the hue's complement.
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SQDGs have been found in all photosynthetic plants, algae, cyanobacteria, purple sulfur and non-sulfur bacteria and is localised in the thylakoid membranes, being the most saturated glycolipid.Janero, Barrnett, 1981 SQDGs have been found to be closely associated with certain membrane proteins. In some cases the (electrostatic) interactions may be very strong, as suggested by the inability of saturated SQDG molecules associated with purified chloroplast CF0-CF1 ATPase to exchange with other acidic lipids.Pick et al., 1985 It was shown also that SQDGs protect CF1 against cold inactivation in the presence of some ATP.
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In 1981 Karl Huggins modified the US Navy 6 compartment model using M values derived to follow the Spencer no-decompression limits. The tables are exclusively for no-decompression diving and are presented in the same format as the US Navy tables. A major difference from the US Navy tables is that the repetitive group designators represent nitrogen levels in all tissues, unlike the USN table which represent only the 120-minute compartment. The Huggins repetitive group indicates a percentage of the M0 for the most saturated tissue, and this is intended to make the tables more applicable to multilevel diving procedures.
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Claude Lévi-Strauss explained the sonnet, not by the direct relation between vowels and colours stated in the first line, but by an analogy between two oppositions, the opposition between vowels on the one hand, between colours on the other. While the phoneme /a/ generally evokes the colour red, Rimbaud associates it, like a provocation, with black. In fact, the A (most saturated phoneme) is opposed to E (silent e), as black is opposed to white. The red of the I, a more truly chromatic colour, then opposes the achromatic black and white that precede it.
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The human color space is a horse-shoe- shaped cone such as shown here (see also CIE chromaticity diagram below), extending from the origin to, in principle, infinity. In practice, the human color receptors will be saturated or even be damaged at extremely high light intensities, but such behavior is not part of the CIE color space and neither is the changing color perception at low light levels (see: Kruithof curve). The most saturated colors are located at the outer rim of the region, with brighter colors farther removed from the origin. As far as the responses of the receptors in the eye are concerned, there is no such thing as "brown" or "gray" light.
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So, in general, there is no such thing as the combination of spectral colors that we perceive as (say) a specific version of tan; instead, there are infinitely many possibilities that produce that exact color. The boundary colors that are pure spectral colors can be perceived only in response to light that is purely at the associated wavelength, while the boundary colors on the "line of purples" can each only be generated by a specific ratio of the pure violet and the pure red at the ends of the visible spectral colors. The CIE chromaticity diagram is horseshoe-shaped, with its curved edge corresponding to all spectral colors (the spectral locus), and the remaining straight edge corresponding to the most saturated purples, mixtures of red and violet.
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The "deepest possible decompression stop" for a given profile can be defined as the depth where the gas loading for the leading compartment crosses the ambient pressure line. This is not a useful stop depth - some excess in tissue gas concentration is necessary to drive the outgassing diffusion, however this depth is a useful indicator of the beginning of the decompression zone, in which ascent rate is part of the planned decompression. A study by DAN in 2004 found that the incidence of high-grade bubbles could be reduced to zero providing the nitrogen concentration of the most saturated tissue was kept below 80 percent of the allowed M value and that an added deep stop was a simple and practical way of doing this, while retaining the original ascent rate.
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Erwin Schrödinger showed in his 1919 article ' (Theory of Pigments with Highest Luminosity) that the most-saturated colors that can be created with a given total reflectivity are generated by surfaces having either zero or full reflectance at any given wavelength, and the reflectivity spectrum must have at most two transitions between zero and full. Thus two types of "optimal color" spectra are possible: Either the transition goes from zero at both ends of the spectrum to one in the middle, as shown in the image at right, or it goes from one at the ends to zero in the middle. The first type produces colors that are similar to the spectral colors and follow roughly the horseshoe-shaped portion of the CIE xy chromaticity diagram, but are generally less saturated. The second type produces colors that are similar to (but generally less saturated than) the colors on the straight line in the CIE xy chromaticity diagram, leading to magenta-like colors.
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