However, one of Wall Street's most relentlessly bearish voices was unimpressed.
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The Simpsons is one of the most relentlessly quotable shows on television.
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Sade is one of the most relentlessly quiet famous people on the planet.
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A Gentleman in Moscow is one of the year's most relentlessly charming books.
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We should expect nothing less from the most relentlessly on-message candidate in the running.
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Mr. Turnbull's predecessor, Tony Abbott, most relentlessly repeated it, but it's on high rotation in every government official's playlist.
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Fox isn't the only network relying on such known commodities this season, but it is employing that formula the most relentlessly.
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One irony of Robinson's work is that his organization pursues broad, systemic change via the media apparatuses that most relentlessly personalize every issue.
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Tsehaye is the most relentlessly positive campaigner I know — but even she feels bleak thinking about the rise of the surveillance systems of the future.
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"Of course he wants everyone out on TV defending him," Hogan Gidley, the principal deputy press secretary, said before adding the administration's most relentlessly repeated talking point.
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He seemed a little flat in his singles match, and John Isner was inspired — playing one of his finest and most relentlessly aggressive matches to beat Nadal for the first time, 7-5, 7-6(83), and cut Europe's lead to 12-9.
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Buckley stands in front of a crumpled American flag, smiling a crazy rictus-grin, his right hand seeming to pinch at the air; it is the best image of the most important and one of the most relentlessly flippant conservative journalists of the 20th century.
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The duo of John Sterling and Suzyn Waldman is unlike other radio broadcasts in the sense that where one team might employ a wild card—a play-by-play man prone to curlicues or puns or narcolepsy, say, or a benignly sozzled ex-player given to MC Escher-esque digression—the Yankees employ two of the most relentlessly, intensely weird broadcasters in the sport, at the same time.
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On the other hand, Catholics reject the gospel of "healthy sensuality", which is only a pretty-sounding title, invented to cloak unrestricted concupiscence. Special attention is devoted to the mastering of the passions, because with them above all else the moral combat must be waged most relentlessly. Scholastic philosophy enumerates as passions: love, hatred, desire, horror, joy, sadness, hope, despair, boldness, fear, anger.
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Blazejowski scored 40 or more points in each of her last three games, including the semifinal loss to eventual champion UCLA. Sports Illustrated would call her, "the most relentlessly exciting performer in the history of women's basketball". She set a Madison Square Garden record for either sex with 52 points in a 1977 game against Queens College. Similar to all-time men's collegiate scoring record holder, Pete Maravich, "The Blaze" played during an era without the three-point shot.
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This is kitchen-sink filmmaking at its most relentlessly indie. Part expose and part fall-from- grace epic, Miss Lovely is highly recommended for those who simply love films about filmmaking." Libertas Film Magazine Artist In Residence Aashim Ahluwalia's Miss Lovely Le Monde's Jacques Mandelbaum wrote, "Miss Lovely (is) a splendid film that invites admiration. Through this tragic story set between 1986 and 1993, Ahluwalia films the changing of an era... His direction, full of archival period films, beautifully uses the art of editing, color and off- screen space.
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Stephen Thomas Erlewine of AllMusic cited "Semi- Charmed Life" as evidence that Third Eye Blind can "craft a naggingly memorable hook". David Grad of Entertainment Weekly praised the radio friendly sound of the song, calling it a "nice taste of Third Eye Blind's formula". James Sullivan of Rolling Stone referred to the song as "One of the most relentlessly sunshine-y songs of the Nineties". Justin Joffe of Observer praised "Semi-Charmed Life", commenting that the song is "both poppy and addressed some heavy shit", which gave the band "an edge over their radio- ready contemporaries that many would later imitate with less sincerity".
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The Wild Cherries was an Australian rock group, which started in late 1964 playing R&B;/jazz and became "the most relentlessly experimental psychedelic band on the Melbourne discotheque / dance scene" according to commentator, Glenn A. Baker. The band had several personnel changes, the 1967 line-up featured Keith Barber on drums, Peter Eddey on bass guitar, founder Les Gilbert on keyboards, Lobby Loyde (ex-The Purple Hearts) on guitars, and Dan Robinson on vocals. The band released four singles for Festival Records, including "Krome Plated Yabby" in June 1967 and "That's Life" in November, which peaked into the Go-Set National Top 40. A compilation, The Wild Cherries: That's Life was released in 2007 by Half A Cow Records.
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Mad Max 2 received positive reviews and is regarded by many critics as one of the best films of 1981. The film holds a 93% rating based on 45 reviews on Rotten Tomatoes with an average rating of 8.43/10 and with the consensus, "The Road Warrior is everything a bigger-budgeted Mad Max sequel should be: bigger, faster, louder, but definitely not dumber." Film critic Roger Ebert of the Chicago Sun-Times gave the film three-and-a-half stars out of four, praised its "skillful filmmaking," and called it "a film of pure action, of kinetic energy", which is "one of the most relentlessly aggressive movies ever made". While Ebert pointed out that the film does not develop its "vision of a violent future world ... with characters and dialogue", and uses only the "barest possible bones of a plot", he praised its action sequences.
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" Rahul Desai of Film Companion gave the film a rating of 3.5 out of 5 and said that the movie is a "kind of unrelenting, yet disturbingly clinical kick to the guts. We don’t just double over, but awkwardly keel over in slow motion." Namrata Joshi of The Hindu complimented the movie by saying that, "G Kutta Se is one of the most relentlessly horrifying films one has seen of late—from the first frame to the last—primarily because it presents the patriarchal reality of Haryana in an absolutely stark, straightforward and unadorned way." Suparna Sharma of Deccan Chronicle gave the film a rating of 3.5 out of 5 and said that, "Debutant writer-director Rahul Dahiya’s G Kutta Se is a brutal film that is focused on making us culpable voyeurs to crimes we read about with stunning regularity and yet pretend these are tales from another time, another dimension.
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