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21 Sentences With "most profligate"

How to use most profligate in a sentence? Find typical usage patterns (collocations)/phrases/context for "most profligate" and check conjugation/comparative form for "most profligate". Mastering all the usages of "most profligate" from sentence examples published by news publications.

In practice, though, baseball's tax on its most profligate spenders has really been a Yankees tax.
Not even the most profligate investor spends that kind of coin if it believes the market is crumbling.
The Republican Party under Trump is now the most profligate and debt-driving party in the nation's history.
Both parties have capitulated to these voters, but the one ostensibly dedicated to fiscal conservatism has been the most profligate.
It seems corruption scandals alone aren't enough to get fired in the Trump administration, and Pruitt is hardly the most profligate spender.
While building up can create more capacity in katchi abadis, authorities must also take aim at the most profligate users of land, Hasan said.
If baseball's most profligate spenders determined that the smart play was to work on the cheap, well, maybe that's how things should be after all.
After all, a growing student loan burden and spiraling housing costs contribute a lot more to millennials' money woes than even the most profligate brunch habit.
What is this art, if not a product of its time and place — and what is its time and place, if not one of the most profligate flowerings of evil in human history?
The first was about how the most profligate clubs—namely, the Qatar-backed Paris Saint-Germain and Manchester City, which is owned by Sheikh Mansour bin Zayed al-Nahyan, a member of Abu Dhabi's royal family—had been able to defy the sport's spending rules.
1, chap. 4, 57. It contained "the most profligate and impious productions of Voltaire, Diderot, Boulanger, La Mettrie, and of other Deists or Atheists of the age, and this under the specious pretence of enlightening ignorance".Barruel, Vol.
Their divorce was granted by a Dublin court in February 1738, and cost Laetitia money, her friendship with Swift who damned her "as the most profligate whore in either kingdom", and Adair. She began to write and sell her productions. She sold Worsdale poetry that he claimed for himself. In 1737, she wrote a feminist prologue for Worsdale's A Cure for a Scold as well as a performed but unpublished opera farce called No Death but Marriage.
Farmer, p. 301 The Court of Session reversed the magistrates' pleas, but Rev Robert Wodrow complained of plays as "seminaries of idleness, looseness and sin." A pamphlet of the time described actors as, "the most profligate wretches and vilest vermin that hell ever vomited out... the filth and garbage of the earth, the scum and stain of human nature, the excrement and refuse of all mankind." In 1729, the Scots Company of Comedians, formed for dramatic entertainments, was forced to close.
He described the pre-internet corporate music industry as "a system that ensured waste by rewarding the most profligate spendthrifts in a system specifically engineered to waste the band's money," which aimed to perpetuate its structures and business arrangements while preventing bands (except for "monumental stars") from earning a living. He contrasted it with the independent scene, which encouraged resourcefulness and established an alternative network of clubs, promoters, fanzines, DJs and labels, and allowed musicians to make a reasonable income due to the system's greater efficiency.
H. G. Farmer, A History of Music in Scotland (Hinrichsen, 1947), , p. 301. The Court of Session reversed the magistrates' pleas, but Rev Robert Wodrow complained of plays as "seminaries of idleness, looseness and sin". A pamphlet of the time described actors as, "the most profligate wretches and vilest vermin that hell ever vomited out... the filth and garbage of the earth, the scum and stain of human nature, the excrement and refuse of all mankind". In 1729, the Scots Company of Comedians, formed for dramatic entertainments, was forced to close.
Another view, ca. 1831. By the late 1830s, blackface acts and Bowery-style melodrama had come to eclipse traditional drama in popularity for New York audiences. Simpson adapted, booking more novelty acts and entertainments that emphasized spectacle over high culture.Henderson:51 The patronage changed, as well, as the New York Herald noted: > On Friday night the Park Theatre contained 83 of the most profligate and > abandoned women that ever disgraced humanity; they entered in the same door, > and for a time mixed indiscriminately with 63 virtuous and respectable > ladies.
Lefroy and Austen would have been introduced at a ball or other neighbourhood social gathering, and it is clear from Austen's letters to Cassandra that they spent considerable time together: "I am almost afraid to tell you how my Irish friend and I behaved. Imagine to yourself everything most profligate and shocking in the way of dancing and sitting down together."Quoted in Le Faye (2004), 92. Austen wrote in her first surviving letter to her sister Cassandra that Lefroy was a "very gentlemanlike, good-looking, pleasant young man".
Luke 7 is considerably longer than the other narratives, and the host of the party in Luke, Simon the Pharisee, fails to offer the usual or expected acts of hospitality for a guest: water for the feet, a kiss (for the cheek), and oil for the head (cf. Luke 7: 44-6). Further, the uninvited guest, an interloper from the city, fills the void created by the religious leader, taking over the role of the host and fulfilling it in the most profligate manner. See James L. Resseguie, “The Woman Who Crashed Simon’s Party: A Reader-Response Approach to Luke 7:36-50,” in Characters and Characterization in Luke-Acts, ed.
So while the exact influence of Tom Lefroy on Pride and Prejudice continues to be debated, it does seem certain that his presence in Austen's life is in some way reflected in the novel. In a letter dated Saturday (9 January 1796), Austen mentioned: > You scold me so much in the nice long letter which I have this moment > received from you, that I am almost afraid to tell you how my Irish friend > and I behaved. Imagine to yourself everything most profligate and shocking > in the way of dancing and sitting down together. I can expose myself > however, only once more, because he leaves the country soon after next > Friday, on which day we are to have a dance at Ashe after all.
Because of these similarities, efforts have been made to reconcile the events and characters, but some scholars have pointed out differences between the two events."The Anointing of Jesus" The Anointing of Jesus For example, the Lucan account is considerably longer than the other gospel narratives, and the woman fills the void created by the host, Simon the Pharisee, when he neglects the usual or expected acts of hospitality such as the anointing of the head with oil, a kiss for the cheek, and water for the feet. Further, the anonymous woman is identified as a “sinner” and welcomes Jesus in the most profligate manner.James L. Resseguie, “The Woman Who Crashed Simon’s Party: A Reader- Response Approach to Luke 7:36-50” in Characters and Characterization in Luke- Acts, ed.
Simon the Leper is sometimes identified with Simon the Pharisee (see Shimon ben Gamliel), who is mentioned in the Gospel of Luke as the host of a meal during which the feet of Jesus are anointed by a penitent woman.Sir William Smith, A dictionary of the Bible, Volume 2 1863 p. 78 Because of some similarities, efforts have been made to reconcile the events and characters, but some scholars have pointed out differences between the two events. For example, the Lucan account is considerably longer than the other gospel narratives, and the woman fills the void created by the host, Simon the Pharisee, when he neglects the usual or expected acts of hospitality such as the anointing of the head with oil, a kiss for the cheek, and water for the feet. Further, the anonymous woman is identified as a “sinner” and welcomes Jesus in the most profligate manner.James L. Resseguie, “The Woman Who Crashed Simon’s Party: A Reader- Response Approach to Luke 7:36-50” in Characters and Characterization in Luke- Acts, ed.

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