The president issued a very rash statement and misrepresented my views in the most one-dimensional way possible.
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That's right, one of the most one-dimensional characters has two sides, one played KJ Apa and one played by his stunt double named Matthew Mylrea.
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So for today's clip, let's travel back to 1984, as arguably the most one-dimensional scoring blueliner of all time gets a chance to show what he can do in his own end.
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The biggest problem with the pilot of This Is Us, as I explained after it aired, was that trying to bury the twist reduced all of the show's characters to the most one-dimensional versions of themselves.
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Shirin is Peri's friend who is considered to be the most one-dimensional character of the three. She is an Iranian girl who has no interest in the matter of religion. In the book she is denoted as the "Sinner".
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In algebra, the Krull–Akizuki theorem states the following: let A be a at most one-dimensional reduced noetherian ring,In this article, a ring is commutative and has unity. K its total ring of fractions. If B is a subring of a finite extension L of K containing A then B is a one-dimensional noetherian ring. Furthermore, for every nonzero ideal I of B, B/I is finite over A. Note that the theorem does not say that B is finite over A. The theorem does not extend to higher dimension.
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We can then identify G with its image in GL(V), although in practice it is sometimes convenient to let G be a covering group. Although prehomogeneous vector spaces do not necessarily decompose into direct sums of irreducibles, it is natural to study the irreducible PVS (i.e., when V is an irreducible representation of G). In this case, a theorem of Élie Cartan shows that :G ≤ GL(V) is a reductive group, with a centre that is at most one- dimensional. This, together with the obvious dimensional restriction :dim G ≥ dim V, is the key ingredient in the Sato–Kimura classification.
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Battlefield Earth received polarized mixed reviews, with some critics, and readers, considering the book Hubbard's most enjoyable sci-fi work and a classic of the genre, while others consider it to be genuinely terrible. The book had a negative reception from some literary critics: The Economist, for instance, called Battlefield Earth "an unsubtle saga, atrociously written, windy and out of control" while in the science fiction magazine Analog, Thomas Easton criticized it as "a wish- fulfillment fantasy wholly populated by the most one-dimensional of cardboard characters." Other critics pointed to the book's slipshod writing, such as "the ineffably klutzy destruction of the planet of the evil Psychlos by atomic bombs, which turns it into a 'radioactive sun'". Punch sarcastically commended Hubbard's "excellent understanding of evil impulses, particularly deviousness, which helps with the plot, and [he] is well-enough aware of his weaknesses not to dwell upon frailties like love, generosity, compassion".
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