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14 Sentences With "most melancholic"

How to use most melancholic in a sentence? Find typical usage patterns (collocations)/phrases/context for "most melancholic" and check conjugation/comparative form for "most melancholic". Mastering all the usages of "most melancholic" from sentence examples published by news publications.

D Minor is said to be the most melancholic tone in Western Music.
After they make a pact to "paint the most amazing grafitti on the saddest, most melancholic wall of town" to beautify the neighborhood and make people smile, the duo are swept up by police.
Made up of two brothers and two pals, Melbourne-based band Redspencer plough a decidedly 60s-indebted furrow—all hazy harmonies and interlocking guitar lines—with just a pinch of early Blur at their most melancholic.
Labor Day can be the most melancholic of them all; not only do you get an extra day off to be alone with yourself, but it signifies the transition from summer to fall, a nasty reminder that everything eventually dies.
The concise selection of modestly sized works exhibited at Betty Cuningham Gallery (Christopher Wilmarth, September 6 – October 29) display the different states of Wilmarth's mind, from the start of his short, intense career, to the most melancholic moments before his 1987 suicide.
Shiva remains the most melancholic of them all. All goes well, until Shiva is found almost strangled to death. Everyone suspects Vasu, but Shakthi's father discovers that the murder was attempted by Shalini. In a flashback, it is revealed that Shakthi and Shalini were lovers.
"Girl" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written by John Lennon and credited to Lennon–McCartney. "Girl" was the last complete song recorded for that album. "Girl" is one of the most melancholic and complex of the Beatles' earlier love songs.
"Baby", which has been considered one of the most melancholic songs on the album, contains "oddly placed" and "slightly quirky" major seventh chords. Greenwald called the lyrics "a stream-of-consciousness pleasure, relating the confusing and intoxicating emotions of young love". "Beauty Mark" is an ode to Wainwright's mother, the title referring to the beauty mark above her lip. The song is one of the few up-tempo tracks on the album and contains multiple keyboard overdubs by Brion.
Working On My Farewell is the fourth studio album by the folk-singer John Craigie. It was released in January 2015 on Zabriskie Point Records. Recorded in small studios in Santa Cruz, California, and Portland, Oregon, this album is famous for being Craigie's "electric album", with each song being played on electric guitar – a departure from his primarily acoustic style. Although promoted as electric, it is actually one of Craigie's quietest and most melancholic albums, being compared to Bruce Springsteen's Nebraska and Beck's Sea Change'.
Since its release, On This Perfect Day has received strongly favorable reviews. Elements that were praised included Steverlinck's voice and the dark atmosphere developed by Lucassen; Metal Storm considers it "the darkest and most melancholic [album] the Dutchman has ever released". Metal Storm gave the album a rating of 9/10 while stating that the album enjoyed "a promising line- up" and "emotional vocal work that builds up intensity as it goes". Metal Underground remarked that it is "a bold combination of grit, beauty, and strong themes riding the line between progressive metal and rock".
This tells us that she is afraid of showing such a hobby in public. However, we do know that it is part of her identity when she remarks that woodcarving reminds her of happy times and keeps her jovial during the most melancholic of times. Despite all this reduced self belief, Ruby's identity, obviously as the book is a coming-of-age novel, changes and she becomes more confident, aware and knowledgeable as she grows and matures. She is able to accept who she is for the first time and be herself, despite the number of changes occurring around her.
Leavitt received a BFA from University of Colorado, Boulder and a MFA from Claremont Graduate School. Since moving to Los Angeles in 1965 his work evolved, increasingly referencing themes endemic to the city such as the line between reality and fantasy and the nature of illusion. Leavitt is a contemporary to artists like Allen Ruppersberg, Bruce Nauman, Ed Ruscha, John Baldessari, Bas Jan Ader, Guy de Cointet, and William Wegman, a generation that "distinguished their work from most melancholic Minimal/Conceptual art made in New York and Europe by using deadpan humor, slapstick comedy and the cliche as a way to, as Baldessari put it, 'take conceptual art off of its pedestal, so to speak.'" Leavitt was given a significant survey exhibition by the Museum of Contemporary Art, Los Angeles in 2011, titled Theater Objects.
Between 1980 and 1987 The Dublin City Ramblers scored most of their hits, beginning with "The Rare Ould Times" through "Flight of Earls", "John O'Dreams" to "The Punch and Judy Man," "The Ferryman," and others. In 1981 the band recorded an original ballad called "The Ballad of Bobby Sands, MP". They also had an international success with their rendition of the folk tale "Wind in the Willows" in 1984. The band released an entire original album in 1987, called The Flight of Earls (written by Liam Reilly of Bagatelle) and although the album included foot tapping ballads such as "The Whistling Gypsy", "Right, all Right", "Botany Bay" and "The Dublin Rambler", this album was steeped so much in sadness, emigration and it was seen as their most melancholic, as the mid and late 80s were times of recession, loss and emigration in the Irish Republic.
" Jon Caramanica of The New York Times observed "a boatload of identifying details" in Musgraves' lyrics and called it an "acidic and beautiful" album that is indebted "at least a little bit to Ms. Lambert's durable template." Will Hermes, writing for NPR, said that her "wordplay feels effortless and conversational", and found Musgraves' "spirits of carpe diem and dysfunctional romance" to be "squarely" in the tradition of country music. Grady Smith of Entertainment Weekly said that the album "continually showcases ... her writing prowess" because "Musgraves has a way of injecting humor into even her most melancholic musings." At Paste, Holly Gleason noted Musgraves "sings unvarnished truths" while maintaining "the sunniness that is the right of the young" that is done "With a voice that’s pretty, but brazen, Musgraves has no problem slinging attitude, crying bullshit or coyly advocating same-sex amour/dope-smoking while skewering hypocrisy.

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