I HAD just the most marvelous time with that camera.
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In essence, the comprehensive presentation is a dive into one of contemporary film's most marvelous minds.
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In the 22013th century, Balanchine created what many feel are the most marvelous women's roles in the repertory.
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It's one of the most marvelous things to happen to a human being to have a relationship with an animal.
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The young sweethearts Eleonore and Carelis (Ida Praetorius, Andreas Kaas, two of the most marvelous Danish dancers today) truly cooperate.
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Some of the most marvelous accounts in the book tell of the poet's sincere affinity for famous men she's never met.
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Kenji uses mayonnaise on steaks cooked sous-vide, so that when he sautés them in a pan they develop the most marvelous crusts.
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One of the most marvelous aspects of the Outsider Art Fair is the way in which much the work displayed is steeped in stories.
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For some, this showed a new maturity that made him seem, during a shining era for dance, the most marvelous choreographer of the moment.
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The music for the first act of "The Nutcracker" is one of the most marvelous creations in all music theater, but not in this production.
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"The problem of woman is the most marvelous and disturbing problem in all the world," Breton famously proclaimed in his second Surrealist manifesto in 1929.
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Later, Ben tells Midge she is "spectacular," lest we forget Midge is the most marvelous woman in all of New York City, if not the world.
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Of all the sets of variations that have been composed on Paganini's famous theme, Brahms's two books for piano (1863) are surely the most marvelous. (Ms.
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Even the most marvelous mechanical devices can break, and it isn't long before the titular contraption of this new Manhattan show begins to sputter and smoke.
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The most marvelous element of American Ballet Theater's new production of "The Golden Cockerel" was contributed by someone who died 54 years ago: the artist Natalia Goncharova.
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The most marvelous revelations of the Museum of Modern Art's "Judson Dance Theater: The Work Is Never Done" have come in the shape of live performances of works from 1961 to 1978.
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The enchanted forest in "Mononoke" is similar, though with one big difference — that forest is the domain of the Forest Spirit, one of the most marvelous and frightening creatures invented in animation.
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With the most marvelous and specific visual examples from everywhere, it is an obsessively detailed history and explanation of the human drive to symmetry, balance, rhyming and the desire to "fill" space.
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"This is an absolutely phenomenal object, one of the most marvelous, internationally important finds that I've encountered in my career," said Julia Farley, curator of British and European Iron Age Collections at the British Museum.
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"I bid farewell to my companion, the most marvelous of women, a person full of light who will continue illuminating our way for the rest of our lives," her husband wrote in a Facebook post.
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One of its most marvelous features is Simon Pastukh's décor: The first exterior scene is a bizarre but poetic dreamscape in which forked objects, like fire-tipped cactuses but changing in contour, emit puffs of smoke.
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As young prospects like Volkanovski, Magomedsharipov, and Yair Rodriguez, and returning vets like Chad Mendes work themselves onto a collision course, the coming months promise to be a most marvelous kind of chaos in the featherweight division.
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Perhaps the most marvelous part was the discourse at Dre's (Anthony Anderson) office, where different people explain why they voted the way they did without ending up at each other's throats — at least not after the dust has settled.
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I ask (read: beg) my mom if she wants to see Little Women again this weekend — we saw it when I came home for Christmas — because it was truly one of the most marvelous movies I've seen in ages.
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It is in fact reminiscent of the most marvelous dab of all time, belong to none other than this kid: There are different moments in history where there is a rupture in time and continuity—nothing from that point forward can ever be the same.
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Carti's self-titled debut was one of last year's most marvelous surprises: a relaxed, amused collection of keyboard spirals, synth flutes, and enthusiastic ad-libs, smoothed over with echoey polish and a soft glow, so that distinctions between songs collapsed into an immersive wash of sound.
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When Wilder seizes upon an idea that really captivates him, his entire demeanor gives itself over to incredulity, as if he's just been told the most marvelous tale about a mythical creature that walks the forest, or has perhaps been quoted the most outrageous price for a handful of magic beans.
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Authors from both sides considered this outcome a judgement from God, with Ibn Khaldun declaring it "one of the most marvelous of God's interventions in favor of the true faith".
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Cochran made the invitation "final" and stated: "She's the most marvelous thing I ever saw... She's liable to beat anybody, even Willie Hoppe... I could not see any weak spots... She's going to give lots of those players fits." As a warm-up for the competition Katsura gave a number of billiard exhibitions during February 1952.
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In content, much of Jin's critical comments focus on the skill of the author in conveying emotions. Jin praises Romance of the West Chamber as "[one of the most] marvelous [pieces of] writing between heaven and earth". Other comments focus on Yingying. As mentioned above, Jin feels that she is the central character of the play, and a woman of great beauty and character.
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Zamloch, in his most marvelous mystifications, is the most successful operator of his class today, barring none – being the equal of the famous Herman, who has caused wonder among the people of all countries and kingdoms. Zamloch is easy, graceful, courteous and humorous – his every deception practiced with complete success.” In December 1897, the Fresno Bee reported: “Wherever Prof. Zamloch has appeared his performances have been highly praised by the press and public.
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The famous designs by Hans Holbein the Younger (1497–1543) for his Dance of Death series were drawn in 1526 while he was in Basel. They were cut in wood by the accomplished Formschneider (block cutter) Hans Lützelburger. William Ivins (quoting W. J. Linton) writes of Lützelburger's work: "'Nothing indeed, by knife or by graver, is of higher quality than this man's doing,' for by common acclaim the originals are technically the most marvelous woodcuts ever made."Ivins, p. 234.
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If it was a "rhythm" number, he would think of Billy May, or perhaps Neil Hefti or some other favored arranger. Jenkins considered Sinatra's musical sense to be unerring. His changes to Riddle's charts would frustrate Riddle, yet he would usually concede that Sinatra's ideas were superior. Barbara Sinatra notes that Sinatra would almost always credit the songwriter at the end of each number, and would often make comments to the audience, such as "Isn't that a pretty ballad" or "Don't you think that's the most marvelous love song", delivered with "childlike delight".
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Specifically, al-Maqrizi focuses on the Madrasa of Sarghatmish's origins by describing the history of Sarghatmish himself, which has been explained above. Al-Maqrizi then goes on to explain the architectural details as well as the impact of the building in the community. Al-Maqrizi comments on the building itself by saying, "The madrasa became one of the most marvelous and beautiful structures, and one of the most delightful also on the interior." It seems that the Madrasa of Sarghatmish's elegant construction affected people in Cairo so much that some wrote poetry about the structure.
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Many public places and private houses in Shaki are decorated with shebeke, a wooden lattice of pieces of coloured glass, held together without glue or a single nail. The technique is complex and known only to a few artisans who pass their meticulous craft from generation to generation. The Palace of Shaki Khans which was a summer residence of Shaki Khans, still remains one of the most visible landmarks of Shaki. Constructed in 1762 without a single nail is one of the most marvelous monuments of its epoch.
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The narrator (Kipling) is visiting a chemist friend who is experimenting with short-wave radio. He is attempting to make contact with another enthusiast, several miles distant. They are passing a restless night, concocting the most marvelous cocktails from the chemicals at hand, and the narrator succeeds in drugging Mr Shaynor, the chemist’s assistant, who is suffering from last stage consumption. "Again he sought inspiration from the advertisement" Shaynor has all the night been expressing his approval of a certain young lady in a toilet-water advertisement, and as he slips into a trance, he begins to indite poetry towards her.
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1420, is thought to have been either Jan van Eyck or his brother Hubert. According to Georges Hulin de Loo, Hand G's contributions to the Turin-Milan Hours "constitute the most marvelous group of paintings that have ever decorated any book, and, for their period, the most astounding work known to the history of art".Pächt (1999), 179 Jan van Eyck's use of oil as a medium was a significant development, allowing artists far greater manipulation of paint. The 16th- century art historian Giorgio Vasari claimed van Eyck invented the use of oil paint; a claim that, while exaggerated, indicates the extent to which van Eyck helped disseminate the technique.
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The stained glass of the mansion is one of its outstanding features. When Dr. John Coolidge, one-time Director of Harvard's Fogg Art Museum, visited Louisville, he said that Spalding University had the most marvelous display of nineteenth- century stained glass he had ever seen. Erected in 1942, the Administration Building, which was attached to the front wall of the 1871 building, fills not only the space of the two lots north of the original building but also that of the former terrace in front of the mansion. The old stained glass street number, 851, no longer faces the street, but it still gleams brightly in the passageway between the newer building and the old Whitestone mansion.
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When Amarcord opened in New York, critic Vincent Canby lauded it as possibly "Fellini's most marvelous film... It's an extravagantly funny, sometimes dreamlike evocation of a year in the life of a small Italian coastal town in the nineteen-thirties, not as it literally was, perhaps, but as it is recalled by a director with a superstar's access to the resources of the Italian film industry and a piper's command over our imaginations. When Mr. Fellini is working in peak condition, as he is in Amarcord (the vernacular for "I remember" in Romagna), he somehow brings out the best in us. We become more humane, less stuffy, more appreciative of the profound importance of attitudes that in other circumstances would seem merely eccentric if not lunatic."Canby, Vincent.
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Hands A–E are French, from before the division of the work, Hands G–K are Netherlandish from after it, and Hand F has been attributed to both groups.Kren & McKendrick, 85 & n.9 on 87 crucifixion by Hand H, Turin The dating of the Hand G miniatures has been placed at various points between 1417 and the late 1430s. The pages attributed to him are universally agreed to be the most innovative; Hulin de Loos described these miniatures as "the most marvelous that had ever decorated a book, and, for their time the most stupefying known to the history of art. For the first time we see realized, in all of its consequences, the modern conception of painting... For the first time since antiquity, painting recovers the mastery of space and light"Quoted Kren & McKendrick, 83 Hulin de Loos thought these the work of Hubert van Eyck, who, like most art historians of the time, he also believed to be the main artist of the Ghent Altarpiece.
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