How to use most insipid in a sentence? Find typical usage patterns (collocations)/phrases/context for "most insipid" and check conjugation/comparative form for "most insipid". Mastering all the usages of "most insipid" from sentence examples published by news publications.
It punishes critics of Fey's most insipid characters with vicarious retribution.
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Historically, politician spouse Twitter is one of the most insipid parts of Twitter.
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But dragnetting my epistolary efforts to approximate my verbal style at its most insipid?
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It seems that TV genres created and consumed by women are often lumped into the "guilty pleasure" category, while even the most insipid male-targeted programs are simply pleasurable.
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Samuel Pepys, who wrote the oldest known comments on the play, found A Midsummer Night's Dream to be "the most insipid ridiculous play that ever I saw in my life". Dorothea Kehler has attempted to trace the criticism of the work through the centuries. The earliest such piece of criticism that she found was a 1662 entry in the diary of Samuel Pepys. He found the play to be "the most insipid ridiculous play that ever I saw in my life".
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" "Timber" or "Discoveries" John Milton, 1632: "What need'st thou such weak witnes of thy name?" John Milton, 1632: "On Shakespeare" was Milton's first published poem & appeared (anonymously) in the 2nd folio of plays by Shakespeare (1632) as "An Epitaph on the admirable Dramaticke Poet, W.SHAKESPEARE". Samuel Pepys, 1662: "...it is the most insipid ridiculous play that ever I saw in my life..." Samuel Pepys, diary entry for 29 September, 1662: "This day my oaths of drinking wine and going to plays are out, and so I do resolve to take a liberty to-day, and then to fall to them again. To the King's Theatre, where we saw "Midsummer's Night's Dream [sic]," which I had never seen before, nor shall ever again, for it is the most insipid ridiculous play that ever I saw in my life.
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During the years of the Puritan Interregnum when the theatres were closed (1642–1660), the comic subplot of Bottom and his compatriots was performed as a droll. Drolls were comical playlets, often adapted from the subplots of Shakespearean and other plays, that could be attached to the acts of acrobats and jugglers and other allowed performances, thus circumventing the ban against drama. When the theatres re-opened in 1660, A Midsummer Night's Dream was acted in adapted form, like many other Shakespearean plays. Samuel Pepys saw it on 29 September 1662 and thought it "the most insipid, ridiculous play that ever I saw ..." After the Jacobean / Caroline era, A Midsummer Night's Dream was never performed in its entirety until the 1840s.
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" Slant Magazine reviewer Paul Schrodt described La Roux's sound as "frosty, uniquely British, deliberately affected, and anything but casual", but felt that "it's the band's attempts at vulnerability ('Cover My Eyes') that make for the most insipid listens." Pitchforks Joshua Love noted that "La Roux delivers icy but irresistible throwback pop that hearkens back explicitly to fellow femme-led Brits Yazoo and the Eurythmics." The Guardians Alexis Petridis wrote, "The sound is authentically tinny, bass being something that most synthpop pioneers seemed to think the gleaming 'Music Of The Future' could do without. The rhythms tend to a clipped, funkless boom- crash that listeners of a certain vintage may find difficult to hear without picturing a school disco dancefloor packed with fourth-formers trying to 'do' robotics.
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