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Plate H is the most fragmentary of the group and is in two pieces. It measures in length by in width and weighing is the lightest of the group.
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Overall most of the finds were vases (some whole, most fragmentary) used as votives in the temples, but also stone statuettes and scarab seals. These are scattered to museums and collections around the world, the earlier material largely brought to Britain (mostly in the British Museum) and the latter to the Graeco-Roman Museum in Alexandria.
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The third castle is the most fragmentary, with only the south-eastern five-stories tower remaining. The typical 18th century Eastern Georgian sauna has a complex interior, each room having a dome and windows in the vaults. The entrance leads to octagonal room with niches. Separate entrances lead to the side rooms and the main bathing room with the pool.
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One of these was a cervical (neck) vertebra, QM F12991, which was assigned to Nanantius eos. The other bone was a partial left tibiotarsus (QM F31813) which was assigned to Nanantius but not placed within Nanantius eos due to possessing a few anatomical differences. In 2009, an unpublished dissertation written by Jingmai O'Connor reported that the holotype tibiotarsus and referred vertebra of N. eos have been lost. As it stands, Nanantius eos is one of the most fragmentary named species of enantiornithean.
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The Dialogue of Pessimism takes the form of a dialogue between a master and his slave valet. In each of the first ten stanzas the master proposes a course of action, for which the slave provides good reasons. Each time, however, the master changes his mind and the slave provides equally good reasons for not pursuing that course of action. The courses of action are: > I. Driving to the palace > > II. Dining > > III. Hunting > > IV. Marriage (“building a house” in Speiser) > > V. Litigation (this is the most fragmentary stanza) > > VI. Leading a revolution (“commit a crime” in Speiser) > > VII.
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The most fragmentary and badly damaged of the texts found in Shuanggudui is a text that the Chinese editors have called "Table" (biao ), an annalistic compilation of events from about 850 to the end of the third century BCE, that is, from the late Western Zhou through the Spring and Autumn period and the Warring States. Some of the strips still carry the horizontal markers that divided the text into rows. The existence of this chronological "Table" in the early second century BCE shows that Sima Qian did not invent this mode of historical representation, as he often gave the impression in his magnum opus the Shiji.
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