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Described by Riley as the album's "most derivative cut", "Got to Get You into My Life" was influenced by the Motown Sound and written by McCartney after he had seen Stevie Wonder perform at the Scotch of St James nightclub in February. The horn players on the track included members of Georgie Fame's group, the Blue Flames. To capture the desired sound, microphones were placed in the bells of the brass instruments, and the signals were heavily limited. A month later, a tape copy of these horn parts was superimposed with a slight delay, thereby doubling the presence of the brass contributions.
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Of these three buildings, St. Paul's is the most derivative of other Victorian models, the arrangement of triple aisles of almost equal height, each with an open timber roof is repeated many times in the work of Pugin and his followers. However, the window traceries, which are of the most complex of the three English styles and for which drawings still exist, display Blacket's mastery of Gothic design. For St Mark's, Darling Point, Blacket showed the committee a design based upon an engraving of the church at Horncastle, Lincolnshire. Unlike St. Paul's, St Mark's has a high nave lit by small clerestory windows with trefoil lights above the aisles.
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Attack of the Cybermen was the first of several stories from this season to provoke controversy over its depiction of violence. In 1985, Australasian Doctor Who Fan Club president Tony Howe singled out the crushing of Lytton's hands until they oozed blood as being an instance of "sick, shock violence like Andy Warhol's" that was present for "cheap shock value only". Doctor Who: The Television Companion's own review of the story is similarly critical of the scene, describing it as a "gratuitous incident" which is "unnecessarily nasty and gory". It acknowledges some "saving graces", including Matthew Robinson's "polished direction" and Maurice Colbourne's return, who "manages to give a boost to every scene in which he appears", but states the story is "superficially exciting but it does not stand up to considered scrutiny or repeated viewing", describing it as "one of the most derivative stories that Doctor Who ever turned out".
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