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27 Sentences With "most conceptual"

How to use most conceptual in a sentence? Find typical usage patterns (collocations)/phrases/context for "most conceptual" and check conjugation/comparative form for "most conceptual". Mastering all the usages of "most conceptual" from sentence examples published by news publications.

This is the most "conceptual" photo I think I took.
I wanted to find out what you think about the world's most conceptual building project.
Or are the most conceptual, time-intensive, elaborate, original and expensive garments deserving of that designation?
These are some of her most accessible creations, but they're also some of her most conceptual and challenging.
Even the most conceptual examples of art books play with the performative aspect of words waiting to be read.
I would like you speak to you, the biggest multinational DIY company in Britain, about the world's most conceptual building project.
Fifteen color prints on white paper, with handwritten sentences, break the cold abstraction of most conceptual images by evoking the lived experience of torture.
Over the weekend, the Mean Girls star visited Mauritius with her boyfriend Egor Tarabasov, hitting the island beaches in her most conceptual oceanfront apparel.
The young English designer Matty Bovan brought a boisterous jolt of energy to the opening day of London Fashion Week with his most conceptual collection to date.
The building's southernmost exterior is crowned by the British artist Antony Gormley's inhabitable sculpture of a crouching man, which doubles as the property's priciest and most conceptual suite.
It was perhaps the most conceptual piece at the fest and the antidote to the short attention span syndrome that develops from seeing so much music in so little time.
You know, people have asked me before if I would ever do a concept record, and I think probably the most conceptual I've ever been is just this kind of "the world as Dave sees it" approach.
In the first, most conceptual phase, McMaster and Shea show how generalization plays a central role in resolving the often conflicting goals of Cartographic design as a whole: functionality vs. aesthetics, information richness vs. clarity, and the desire to do more vs. the limitations of technology and medium.
Conceptual clustering is a machine learning paradigm for unsupervised classification developed mainly during the 1980s. It is distinguished from ordinary data clustering by generating a concept description for each generated class. Most conceptual clustering methods are capable of generating hierarchical category structures; see Categorization for more information on hierarchy. Conceptual clustering is closely related to formal concept analysis, decision tree learning, and mixture model learning.
T.I.P. is undoubtedly the film/mic star's most conceptual album to date. T.I. is the persona we hear in songs like "My Love" and "Why You Wanna". T.I.P., on the other hand, takes care of the much more gutter material like "Bring Em Out" and "You Don't Know Me". T.I. stated that the LP would give you doses of T.I. and T.I.P. solo records as well as the two collaborating on the same track.
The event-driven process chain (EPC) is a conceptual modeling technique which is mainly used to systematically improve business process flows. Like most conceptual modeling techniques, the event driven process chain consists of entities/elements and functions that allow relationships to be developed and processed. More specifically, the EPC is made up of events which define what state a process is in or the rules by which it operates. In order to progress through events, a function/ active event must be executed.
"We experience a lot more skepticism. He says that there's all this decadence in Christian music, and that we're all in it for the money." The result was "the most conceptual album Petra's ever done" and another hit. Within five weeks of its release, the album hit No. 1 on CCM Magazine's sales chart,Tremblay, Susan, "Petra: Music built on solid rock", The Free Lance-Star (Fredericksburg, Va.), January 30, 1988, Town & Country Page 5 where it joined the title track and "Don't Let Your Heart Be Hardened" at the top of their respective charts.
The cosmic entities are beings of unbelievably great levels of power (the weakest of whom can destroy entire planets) who exist to perform duties that maintain the existence of the universe. Most do not care at all about "lesser beings" such as humans, and as a consequence, their acts are recurrently dangerous to mortals. When dire threats threaten the universe, it is not uncommon for these beings to gather together to discuss the threat and even act on it. Most conceptual entities are simply interested in furthering their essential function or to keep the balance with an opposing force.
She starts eating a peeled egg and she spits it out into a milk glass while the three unknown men are filming her. The music video ends with Banks' on top of one of the unknown men, she stomps on his head and it deflates, making a squeaky toy noise. DIY called it "an uncomfortable, fast−paced nightmare, and Banks' most conceptual video to date." Gabriel Aikins from Substream Magazine described it as "darkly weird and memorable", while Kirsten Spruch from Baeble Music said that "although it's creepy as hell, Banks' artistic vision is very real and true".
Since both naïve and scientific conceptions are grounded in the same broad pool of sub-conceptual resources, conceptual change is seen as the reorganization of these resources. The reorganization is seen as involving the gradual increase in the degree of coherence and consistency in the application of knowledge systems composed of a heterogeneous collection of resources. Most conceptual change researchers can be seen as adhering to one or the other of the above four perspectives. In addition, theoretical accounts of conceptual change have varied on another dimension – the extent to which the process of change should be seen as a “rational” or purely “cognitive” process, as opposed to one involving emotional, motivational and socio-cultural elements.
Digital Spy praised the episode, awarding it a perfect 5 out of 5 and summing it up as "smart, scary [and] superb". They praised Moffat's script and the development of Clara's character, and closed their review by stating, "Intelligent, romantic and just scary enough, 'Listen' is either a moody tale of the supernatural or it's a clever reflection on the mind's own ability to fool and govern itself, but either way it's brilliant". Radio Times labelled the episode as "the most conceptual episode in the entire history of Doctor Who", and stated, "You're blowing our minds, Moffat". Writing for The Guardian, Dan Martin called the episode "phenomenally good", and suggested its script was one of Moffat's best ever.
A year after, at 1991, she exhibited Ouróboros, an object made ip of unbound books forming the mythical serpent that devours itself, at the Facultad de Filosofía y Letras. In 1992, her most conceptual work was created with the installation of Espacio disponible (Space available) at the Centro Cultural Recoleta. For this piece Maresca placed a signboard advertising the availability of the space "for any purposes" and included her name and telephone number and two dates. A few months later and with the help of colleagues, Maresca published in El Libertino fourteen erotic photographs of herself under a title suggesting a connection to the ad she had earlier presented and again including her name and telephone number.
Naturally, it is a self-consistent LP of 9 compositions devoted to one character. In 2007, the Safe released a milestone LP Minory Vesny (Minors of Spring). New versions of 13 songs of various years absolutely do not resemble a compilation, and its long-awaited concert sound gives the album even more integrity. "…The gorgeous 'Marihuana', three tracks from the very old and the most conceptual album and the following… eight naturally fabulous tracks that one after another, logically and without pauses, set up an internal spring which releases all its bliss-out accurately at "Mastodon" track…" (Pavlov's quote from Я& newspaper.) Mikhail Larionov unexpectedly passes away on 5 October 2007, just one month before their jubilee concert commemorating 20 years of the band.
A term that not long after would also be used as an umbrella to group bands with a hard- to-pin-down style, like the neo-surf pop of Super Ratones (from Mar del Plata), and neo-fusionists La Portuaria with their world music touches. "Nuevo Rock" would be the dominant form of rock in Argentina until the middle of the decade when it lost ground to so-called "rock suburbano". In 1992, Soda Stereo presented Dynamo, their sixth album, arguably the most conceptual (the other being "Signos"), and the most experimental to that point. It apparently took fans by surprise, and was the lowest seller of the group's works (it didn't help that in the middle of all this the band changed labels; Sony wouldn’t promote a band that was leaving, and BMG wouldn't promote another label's album). Babasónicos, 2006.
In 1966–68, during his most conceptual period, Polke used a Rollei camera to capture ephemeral arrangements of objects in his home and studio.Raphael Rubinstein (27 August 2011), Sigmar Polke Art in America Magazine. In 1968, the year after he left the art academy, Polke published these images as a portfolio of 14 photographs of small sculptures he had made from odds and ends—buttons, balloons, a glove. From 1968 to 1971, he completed several films and took thousands of photographs, most of which he could not afford to print. During the 1970s, Polke slowed his art production in favor of travel to Afghanistan, Brazil, France, Pakistan, and the U.S., where he shot photographs (using a handheld 35mm Leica camera)Sigmar Polke: Photographs, 1968–1972, February 20 – May 20, 2007 Getty Center, Los Angeles. and film footage that he would incorporate in his subsequent works during the 1980s.
The vanguard in culturally conservative Argentina, futurists and cubists like Xul Solar and Emilio Pettoruti earned a following as considerable as that of less abstract and more sentimental portrait and landscape painters, like Raúl Soldi. Likewise, traditional abstract artists such as Romulo Macció, Anselmo Piccoli, Eduardo Mac Entyre, Luis Felipe Noé, and Luis Seoane co-existed with equal appeal as the most conceptual mobile art creators such as the unpredictable Pérez Celis, Gyula Kosice of the Argentine Madí Movement, and Marta Minujín, one of Andy Warhol's most esteemed fellow Conceptual artists. The emergence of avant-garde genres in Argentine sculpture also featured Pablo Curatella Manes and Roberto Aizenberg, and constructivists such as Nicolás García Uriburu and Leon Ferrari, one of the world's foremost artists in his genre, today. In the 1960s and 1970s, many of these figures' abstract art found their way into popular advertising and even corporate logos.
Many of Stimming's releases under Diynamic are of a classically-informed nature, including analogue instrument samples such as the violin. Stimming's music has been characterized by “heartstring-tugging tunes and acoustic feel.” In 2008, Stimming had his breakthrough hit, “Una Pena”, which contained worked vocals by the Chilean folklore-singer Violeta Parra. In 2009 Stimming released his debut album “Reflections” to great acclaim earning him an Ibiza DJ Award in the category of ‘Best Newcomer’ in 2010. In 2012 Stimming and a friend reworked his track “November Morning” into a classical arrangement, and had the new version performed by the Brandenburgisches Staatsorchester Frankfurt (Oder) and recorded. Stimming's third album, “Stimming”, was recorded on the Baltic coast and released in 2013. In 2016 Stimming released his fourth, and most conceptual, LP “Alpe Luisa” which was mostly produced over the period of one month in a secluded cabin in the Dolomites in Northern Italy. In 2018 Stimming released his fifth album ‘Exodus’, in cooperation with the German neo-classical pianist, Lambert (pianist) via the Berlin-based Kryptox label.

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