133 Sentences With "most cohesive" | Random Sentence Generator

Her alliance was arguably the most cohesive group in the entire game.

They are its most cohesive and consistent effort to do so to date.

Across Survivor history, the most successful alliances have been the most cohesive ones.

The epidemic brought about the most cohesive, cogent and heroic period in the movement's history.

"It's just about figuring out what's the most cohesive and what makes the most sense together."

It's a maturation, and in its stylistic diversity manages to be his most cohesive work yet.

"His political team is actually the most cohesive it has been since the start," Parscale tweeted.

It feels like our most cohesive effort to date, from the song selection to the album art.

Although it functions through loose links to smaller organizations, Sinaloa is considered one of the most cohesive.

In 1989, she released her fourth album, and conceptually it was the most cohesive album she'd released.

His newest LP with the band, Hot Spring, which is premiering below, is his most cohesive collection yet.

"Earfquake" is best heard within the context of "Igor," Tyler, the Creator's best and most cohesive album to date.

Both artists are hands-down stars of one of the strongest and most cohesive biennials I've see anywhere in years.

Lorde's sophomore effort "Melodrama" is one of the decade's finest, most cohesive albums, on which each song enhances the others.

He recommended three shows, including "one of the strongest and most cohesive biennials I've see anywhere in years" at the Hammer.

There's not a bum track in the bunch, making it not only one of their most cohesive albums, but possibly their best.

Individually, they may have never reached this stage of international tours, a dedicated fanbase and a sound coalescing into its most cohesive self.

Richard Alston's "Rejoice in the Lamb," set to Benjamin Britten's cantata adaptation of a poem by Christopher Smart, was the most cohesive offering. Derivative?

"Taylor Swift's talent remains intact on 'Reputation,' her most focused, most cohesive album yet," she quotes Randy Lewis of the Los Angeles Times saying.

Experts don't all agree on the exact sequence, so we've pulled together the most cohesive — yet still tentative — timeline to the future of transportation.

Around the corner, local gallery Yautepec's installation, featuring work by Natalia Ibáñez Lario and Ryan Perez, is one of the most cohesive in the fair.

A third, Streetcore, which was released posthumously in 2003, stands as one of the most cohesive and important records of Strummer's long and decorated career.

Void Bastards The latest game from Remedy Entertainment, makers of Max Payne, Quantum Break, and Alan Wake, is its most cohesive, polished, and engaging yet.

The band's latest album, Fergean, marks their fourth full-length since 2011's infamous Herder Is Harder demo, and is definitely their most cohesive effort to date.

SNUB: Nicki Minaj Was Completely Shut Out This summer, Minaj released the strongest, most cohesive set of her career — but was completely shut out of the 61st Grammys.

I can see why you think The Boy with the Arab Strap is the most cohesive album front-to-back but this album really flows from song to song.

It turns out they have quite a bit of clout, considering they are currently the largest, most cohesive constituency in a party that cannot afford many defections or abstentions.

A mixture of song, dance and journalistic narratives, "The Fall" reminds us that even the most cohesive movements are made up of disparate parts that will never entirely mesh.

Indeed, the most cohesive portion of the biography is that in which we learn a little about Christie's creative process: her titles, her motifs, her means of crafting plots.

The most cohesive section is the middle, between "Preschooled," which focuses on the very young, and "Preposterous," a non sequitur of a finale that deals, partly, with speed-dating seniors.

It reduces all of American politics to a symbolic culture war battle, in which Trump's team has the largest and most cohesive demographic bloc while actively demoralizing some key progressive constituencies.

" The airline continued to operate until the mid-1970s, Mr. Smith continued, when "the fall of Saigon signaled the end of America's largest and most cohesive Aerial Empire without a name.

"Igor" is his most cohesive, sonically rich, and innovative project to date, hailed as "meticulously crafted" (Rolling Stone) and "the work of a perfectionist giving shape to his more radical ideas" (Pitchfork).

The Senate Intelligence Committee has the the most cohesive and robust of an investigation going so far, with both the Republican chairman and the Democratic ranking member similarly minded about its purpose and scope.

His latest album Baby Need Food, which was produced almost entirely by Robbie Anthem, is his most cohesive to date and reveals an artist who is steadily maturing both musically and as a person.

It was highly unusual for a mayor to get so involved in choosing a speaker, and the party establishment, especially in Queens and the Bronx where the machines are most cohesive, keenly resented it.

With Hitman 1003, which launches on November 13th, IO Interactive finally has all the pieces in place to deliver the most cohesive version of the game since Hitman: Blood Money more than a decade ago.

It's not the thought-out, coherent strategy that a studio like Marvel has pursued, but it does show that the studio is dedicated to working within this world to provide the most cohesive universe it can.

And now there's Black Ops 4, a game that takes elements from all of the above and remixes them in a clever way to create the most cohesive, forward-looking COD game in a long time.

This new record is not only our most complex in terms of the intricacy of each member's parts, but it's also the most cohesive in terms of how we arranged those parts in each individual track.

Still, under all these sophomoric attempts at masking their talents, Rozwell Kid makes perfectly constructed rock jams that are catchy as all hell, and Precious Art is now their most cohesive body of work to showcase them.

Their debut EP is one of the most cohesive, catchy, and cool collections from a rising band this year—combining the heady rush of Haim, Fleetwood Mac's melodic nous, and a power pop magic dust all their own.

A clear majority of white evangelical women, even in the face of the #MeToo movement and renewed claims of marital infidelity against the president, continue, along with white evangelical men, to form Mr. Trump's most cohesive block of support.

The exhibition's intellectual peak, however, may lie in the galleries devoted to residential architecture; it is in these that the curators can make the most cohesive arguments for including Yugoslavia's "concrete utopia" in the architectural canon of the 20th century.

No Mercy Bad Poet is the producer's most cohesive effort to date, an amalgamation of all the trippy synthetics and buzzy beats that concerned his previous output, but instead of a collection of tracks, the LP coalesces into an existential narrative.

In addition to its wealth of talent, Team Netherlands is one of the most cohesive squads in the tournament because many of its best players grew up together on the two islands, which have a combined population of just 250,000.

Airbnb's approach is not the first to match those who need aid with housing — joining the ranks of organizations like France's SIGNA and UK-based Refugees at Home — but it is the most cohesive and simplified approach the company has presented to date.

The sweet spot of this era lands between 2007 and 2009, when Longstreth surrounded himself with a full band, creating the most cohesive version of Dirty Projectors—able to accurately and precisely convey Longstreth's wildest ramblings without ever having to reign them in.

Not only has she upended numerous assumptions and myths about the brain and rewritten some of the most fundamental rules about how brains are constructed — she has also proposed one of the most cohesive and evidence-based frameworks for human brain evolution to date.

Early in the runway show, a male model wore a shirt featuring the now-iconic phrase from Big Little Lies' Laura Dern's Renata Klein: "I will not, not be rich" and it became clear it was a theme for Smith's most cohesive runway collection to date.

Conway said Americans should talk about what the flag means instead of focusing on players who take a knee during the anthem "The flag, I still think is the most cohesive, unifying symbol in our nation ... at a time when we feel very fractured and divided," Conway said.

Two months after the defeat of Hillary ClintonHillary Diane Rodham ClintonTop Sanders adviser: Warren isn't competing for 'same pool of voters' Anti-Trump vets join Steyer group in pressing Democrats to impeach Trump Republicans plot comeback in New Jersey MORE, the most cohesive message from congressional Democrats is: blame Russia.

Google still has to demonstrate that Assistant benefits consumers in actual use on all these devices, but it looks like the company has one of the most cohesive and coherent strategies around hardware it's managed to muster ever, so it's an exciting time for fans of Google's software and services looking for a more tailored device experience.

It was not Golden State's most cohesive effort of the season — Kerr described his team's defense as "horrific" — but none of that matters much when your team shoots 21 of 45 from 3-point range, or when Curry and Klay Thompson combine to collect 373 points, or when you outscore your opponent in transition by 47-1.

It's the most cohesive album of her career, as close to a concept as she'll ever come, except for "6 Inch," a song right in the middle Lemonade penned by The Weeknd (and clearly the spiritual sister to "In The Night") that explores his favorite topics: women who grind and the darkest hours of the day.

There's also concern, multiple senior GOP aides told CNN, that some of Cohn's top aides at the National Economic Council -- considered by senior Republicans to be one of, if not the, most cohesive and effective policy teams in the White House, and central players themselves in the legislative push on taxes and financial regulation scale-back -- may soon leave as well.

The project's Paul Ravenwood (joined as of 2016 by drummer Josh Thieler of Slaves BC) has always poured his heart, soul, and stories into this music, which straddles the half-obscured likes between Appalachian folk, bluegrass, and atmospheric black metal (a niche formula which would've been unheard of pre-Panopticon'sKentucky album, but makes quite a lot of sense when forged by Ravenwood's capable hands), but this latest album is perhaps his strongest, most cohesive effort to date.

Max Mertens, writing for Pitchfork, called the album Mighty's "most cohesive and narratively ambitious project to date". The album won the 2019 Polaris Music Prize, making Mighty the first hip-hop artist and first black woman to win the award.

St. Andrew's Episcopal Church is now a condominium rebuilt in 2010 from its early twentieth-century roots. The Valparaiso High School is an elementary school. The Washington Street area remains as one of Valparaiso's most cohesive and architecturally significant neighborhoods.

It even included a U.S. Post Office. With It was deemed significant as the "most cohesive group of early commercial buildings that formed one of Breckinridge County's most prosperous railroad towns that continues to thrive today." Most of the buildings are one- and two-story brick structures.

Most powder- catalyzed beds utilize this group. Group B The particle size lies between 40 and 500 µm and the particle density between 1.4-4g/cm3. Bubbling typically forms directly at incipient fluidisation. Group C This group contains extremely fine and consequently the most cohesive particles.

Although not as lauded as his previous efforts, The Predator was well received. Entertainment Weekly called it "Ice Cube's strongest, most cohesive work yet". Spin called it a record that "demands to be heard" (1/93, p. 61). Q included it in its "90 Best Albums of the 1990s" (12/99, p. 74).

It's probably one of the most cohesive albums from Sebastian to date. Listening from start to finish, you truly feel like you’ve experienced a musical journey. [...] The album, while not without its flaws, is definitely one of the most artistically complex records we've heard from an 'Australian Idol' artist to date. It's rich, multi-layered and engaging.

Mark Deming of Allmusic gave the album 3.5 out of five stars, calling it, "unusually focused and coherent-sounding" even as it transcends narrow genre definitions. PopMatters' Ron Hart awarded the album a 9 out of 10, agreeing that it is the most cohesive release from The Young Fresh Fellows and declared it their best album.

Sliver & Gold is the eighth studio album by the Swedish rock band Backyard Babies, released on March 1, 2019 by Gain Music Entertainment. The band cite it as their most cohesive record to date. On the Internet many references mangle the name of the album in "Silver & Gold" changing the real album word Sliver with the word Silver.

Will Hermes of Rolling Stone wrote, "Banks clearly encouraged them [her collaborators] to swing for the fences: The distressed sonics get as extreme as Low got on last year's Double Negative, albeit in much different context. It's thrilling, gutting stuff". Roisin O'Connor from The Independent viewed III as "Banks's most cohesive album to date because she's no longer restricting herself to exploring one feeling at a time".

There are two types of slate in the Val Lumnezia: North of the river Glogn the slate of the Adula Alps predominates, whereas South of the river Glogn the Lugnez slate can be found. (These strata run with an inclination of 75° towards the North West). The former has weathered substantially, the latter is more resistant. The most cohesive slate mass stretches across and area of approximately .

Clinton also appears with Kendrick Lamar on the song "Wesley's Theory" from the album To Pimp a Butterfly. In March 2017, Clinton appeared on the Adult Swim television series FishCenter Live. The Outlines Samuel Argyle described it as "[t]he episode that makes the most cohesive narrative sense." Clinton and the Parliament Funkadelic are slated to headline the seventh annual Treefort Music Fest in Boise, Idaho in 2018.

For the remainder of the Second Empire, Bonaparte found the core of his support lay in the peasantry. Resistance to the coup d'état was most strongly present in the normally republican regions, again suggesting continuity. When in the most widespread popular uprising of the 19th century they organized protests against the coup d'état that numbered 100,000 strong, it was in mainly Protestant areas that The Mountain derived its most cohesive support.

Consistently termed her most cohesive work, this album remains one of French music's most celebrated artifacts from the 1990s. The best recognized single is "Tandem". Of prime importance are the lyrics by Serge Gainsbourg: every other line is dripping in innuendo or double entendre, including the album's title. Due to this, each song has up to three different interpretations, depending on the point of view of the listener.

Despite that, he praised the game's finale and considered that it brought a proper closure to the Crysis trilogy. In contrast, Donlan commented that it was not quite the conclusion the series deserved. Rorie thought that the story was more mature than its predecessors, despite having a relatively weak start and short length of about six hours. Bertz opined that the story was the most cohesive of the titles in the series.

AllMusic's Steve Huey praised the album, calling it "their most cohesive, consistent material to date". The popularity of "Whip It" garnered the band a number of television appearances, including The Merv Griffin Show,Devo on The Merv Griffin Show American Bandstand and two appearances on the sketch comedy and variety show Friday's. A planned appearance on The Lily Tomlin Show was canceled when Tomlin saw the video for "Whip It" and objected to the content.

Hammill has said, "although a fairly extreme musical statement, [the album] contains some of our most cohesive work". Though "Theme One" did not chart as a single in the UK, John Peel replaced Martin's original orchestral version with the group's before closing down Radio 1 each night. The BBC subsequently carried on using Van der Graaf Generator's version. Martin enjoyed the group's cover, calling it "a powerful recording that respected the original".

The years 1950–1970 were without the glory of the previous years due to an aging team. Despite 2 cups in the 1950s, the next decade was without a major trophy during the whole of that decade. In the latter part of the 1960s one of the most cohesive and formidable teams in the history of Leinster cricket began to emerge. After 22 years, Phoenix won the John Player Senior cup in 1973.

It was originally released on Ayers' own Banana Productions label (via Virgin/Caroline). The Confessions of Dr. Dream and Other Stories marked Ayers' move to the more commercial Island record label and is considered by many to be the most cohesive example of Ayersian philosophy. The production was expensive, with Ayers quoting the recording costs in a 1974 NME interview as exceeding £32,000NME, 31 August 1974 (a vast figure at the time).

Williams found herself without a record label and turned to Kickstarter to fund this recording. For AllMusic Guide, Marcy Donelson gave the album a positive review, praising the line-up of guest musicians and Williams' cover of "Johnny Appleseed" in particular. In the Colorado Springs Independent, Loring Wirbel criticizes her "noticeable formula" for songwriting but concludes that the album is, "her most cohesive set since 2003's The Beauty of the Rain".

Carmine Crocco, known as Donatello or sometimes DonatelliTommaso Pedio, Storia della Basilicata raccontata ai ragazzi, p. 264 (5 June 1830 - 18 June 1905), was an Italian brigand. Initially a Bourbon soldier, later he fought in the service of Giuseppe Garibaldi. Soon after the Italian unification he formed an army of two thousand men, leading the most cohesive and feared band in southern Italy and becoming the most formidable leader on the Bourbon side.

Several reviewers welcomed Swift's new musical direction. In the words of Chris Willman from Variety, the album is a reminder Swift is among the few pop stars who are willing to experiment with different musical styles. The Guardian's Laura Snapes complimented the album for being both the most cohesive and the most experimental among Swift's releases. Entertainment Weeklys Maura Johnston deemed the album a bold move for a pop star like Swift to challenge its audience.

Although the album was not as commercially successful as its predecessors, it was very well received by some critics who noted on the mature and strong writing by Loeb,Weingarten, Marc. Entertainment Weekly; 8/13/2004 Issue 778, p88-89, 2p, 1c with Stephen Thomas Erlewine calling it "the best, most cohesive record she's made, a clean, crisp collection of well-crafted, gentle tunes that slowly, surely work into the subconscious."[ Review] Stephen Thomas Erlewine. Retrieved August 1, 2007.

A retrospective review by AllMusic said that the album "pursued a stripped-down sound harking back to the group's early-'70s successes," and concluded that "Firefly remains one of the most cohesive albums from Uriah Heep's mid- to late-'70s period". Martin Popoff in his Collector's Guide to Heavy Metal defined the album as "a mixed bag of scroungy, comatose blues ballads, nerdy party rockers and scary prog rock abortions", proving the intensification of "the deconstruction of a once great collective".

Carter later said about Scott-Heron's voice: "He wasn't a great singer, but, with that voice, if he had whispered it would have been dynamic. It was a voice like you would have for Shakespeare." 1974 saw another LP collaboration with Brian Jackson, the critically acclaimed opus Winter in America, with Bob Adams on drums and Danny Bowens on bass. The album contained Scott-Heron's most cohesive material and featured more of Jackson's creative input than his previous albums had.

Tom Sinclair of Entertainment Weekly stated that the band has "turned in an intermittently affecting album that veers between fiery garage rock and rootsy, acoustic-based ruminations. Perhaps mindful of their position as the last alt-rock ambassadors with any degree of clout, they've come up with their most cohesive album since their 1991 debut, Ten." Lyrically, Yield continued with the more contemplative type of writing found on No Code,Mulvey, John. "Interview with Pearl Jam". NME. May 13, 2000.

The album features five tracks written by Cash and backing vocal performances by The Jordanaires (who at this time were also regulars on Elvis Presley's recording sessions for RCA Records). Overall, even though the album is only 29 minutes in length, it is considered one of Cash's most cohesive pieces. This is largely because his sessions with Columbia were completed over a two-month period. That is greatly reduced when compared to the year by year sessions by Sun Records.

On November 30, Undead Labs had sold more than one million copies of State of Decay. Polygon gave a positive review, praising the survival and role-playing aspects of the game. Reviewer Arthur Gies wrote, "State of Decay is one of the most cohesive, terrifying and engaging open- world games I've ever played." The Australian Classification Board refused classification because "[the game] contains the option of self-administered drugs throughout, in order to restore players' health or boost their stamina".

The clergy, for the most part, emerged as the qualified personnel to manage higher administration in concert with local powerful notables who gradually displaced the old town councils. As elsewhere in early medieval Europe, the church in Hispania stood as society's most cohesive institution. The Visigoths are also responsible for the introduction of mainstream Christianity to the Iberian peninsula; the earliest representation of Christ in Spanish religious art can be found in a Visigothic hermitage, Santa Maria de Lara. It also embodied the continuity of Roman order.

With its rather angular – in places trapezoidally-shaped – summits, the Northern Black Forest rises above the Rhine Plain by more than . By contrast, its eastern slopes descend gradually and there is less of a height difference with its neighbouring regions. Its highest peak is the Hornisgrinde at . Woods cover on average 73% of the whole land area and make the Northern Black Forest the most cohesive forested part of the Black Forest, but there are also extensive areas of so-called "Grinden": treeless, wet heaths, on its highland slopes.

Realizing that the songs were their most cohesive and collaborative material to date, the band decided to self- title the forthcoming LP. The eponymous Little Tybee was mixed by Ben Price, mastered by Joe Lambert, and was released on June 3, 2016 to rave reviews. The band also chose to self-release this record under their newly-formed label, On The Grid. The self-release was funded by a pre-order Kickstarter campaign which raised $21,272. The band's next major outing was in support of CHON and Tera Melos during the summer of 2017.

Melatonin Magik is the ninth studio album by rap artist Canibus. In the years subsequent to its release, the album has been considered to be among his finest and most cohesive work. The album contains a prolonged guest appearance by Professor Griff of Public Enemy who provides introductory or hype vocals on numerous songs. The album also features production from a collective of producers such as Sicknature and ENG, as well as performance appearances by fellow rap artists such as DZK and Warbux of Warlab Records, Blaq Poet, K-Solo, and D12, among others.

Red Dead Redemption 2 received "universal acclaim" from critics, according to review aggregator Metacritic. The game is the highest-rated PlayStation 4 and Xbox One game on Metacritic alongside Rockstar's Grand Theft Auto V, and is the fifth-highest rated game overall, tied with several others. Reviewers praised the characters, narrative, gameplay and combat, open world design, and music. Matt Bertz of Game Informer described the game as "the biggest and most cohesive adventure Rockstar Games has ever created", and GamesRadars David Meikleham felt that it "represents the current pinnacle of video game design".

Barinas is divided into municipalities, which in turn are subdivided into parishes. The twelve municipalities of Barinas are organized according to population conditions (which must be greater than 10,000), economic development, capacity to generate their own income, geographical situation, historical and cultural elements and other factors. They constitute historical institutions of natural law and are considered to be the most cohesive entities after the family. The parishes are considered to be the best places to achieve greater efficiency in the management of local governments, citizen participation and decentralization.

The album was acclaimed as "the sound was bolder and more confident", while "Man O' Sand to Girl O' Sea", "Bachelor Kisses" and "Part Company" were issued as singles. In 1985, the band signed with True Tone Records distributed by Polygram. Liberty Belle and the Black Diamond Express, released in March 1986 on Beggars Banquet Records, received favourable reviews, and showed the band gradually moving towards a smoother and more contemporary sound, while retaining elements of their idiosyncratic early style. McFarlane claims "[it] remains the band's most cohesive and finely crafted statement".

According to a review by HM Magazine, Kekal matured greatly since its previous release, The Painful Experience, especially with its vocals. This album found the band experimenting much more than on previous releases, yet also was considered its most cohesive effort to date. The album was noted for switching between raging intensity and more mellow passages, such as the song "Violent Society", which even included a hip-hop passage. Rock Hard rated the album eight out of ten, comparing the album's guitar work to Iron Maiden, Joe Satriani, and Cynic.

DIY writer Luke Morgan Britton called Plumb the band's most cohesive album so far, in part thanks to the album's short running time. George Lang of The Oklahoman said despite the short track lengths on Plumb, the album was "economical and thoughtfully organized, not loud and fast, (and) engineered to exact specifications, perfect in its construction". Mark Jenkins of Blurt called it a "short yet bountiful album". In a review for the Kidderminster Shuttle, Kevin Bryan wrote that Plumb "serves up a generous helping of the fragmented and deliciously incoherent weirdness which has become the brothers' trademark".

Heather Phares of AllMusic praised Bayley's "fluency at melding R&B; and hip-hop elements into Glass Animals' music" and called it the band's "most cohesive" album to date. Roisin O'Connor of The Independent praised the "analytical detail" in Bayley's lyrics about childhood for making Dreamland a "complex, thoughtful and moving record." Dave Everley of Q wrote, "The nostalgia would be overwhelming were it not for Bayley's ability to offset it with woozy, elastic beats". Hannah Mylrea of NME wrote that the album "is stuffed with effervescent nuggets of pop gold" and praised the "new strength and resilience" of Bayley's personal storytelling.

Norman dynasty Rollo's son and heir, William Longsword, and grandchild, Richard the Fearless, forged the Duchy of Normandy into West Francia's most cohesive and formidable principality. The descendants of Rollo and his men assimilated with their maternal French- Catholic culture and became known as the Normans, lending their name to the region of Normandy. Rollo, through his descendent William I of England, the seventh Duke of Normandy, is the 32nd great-grandfather of Elizabeth II of the United Kingdom. One daughter of Rollo, Gerloc (also known as Adele), who married William III, Duke of Aquitaine, was mentioned by Dudo.

In the meanwhile, he edited The Collected Essays of Ralph Ellison, published in 1995, and Flying Home and Other Stories, published in 1996. In 1999, Callahan finished editing the most cohesive part of Ellison's unfinished manuscript, which was released as the standalone novel Juneteenth. After several more years of work, and with the co-editing of Adam Bradley, who started as a student assistant to Callahan in 1994 and eventually completed a doctorate in literature at Harvard University, a publication date (January 26, 2010) was set for a release of the manuscript with supporting notes under the title Three Days Before the Shooting.

Fifth Harmony has received generally positive reviews from music critics. Brittany Spanks from Rolling Stone called the album the group's "most cohesive album yet" and a "satisfying introduction to what Fifth Harmony can be capable of in their new era as a quartet". Marc Snetiker from Entertainment Weekly said the album echoes like a "B side" to their previous album 7/27 but delivers only "a faint aftershock of its quake". AllMusic's Matt Collar described the album as "sophisticated" and said its "undistinguished production" finds the group completing the transformation "from a youthful pop outfit into a mature, adult contemporary R&B; entity".

" Entertainment Weeklys Melissa Maerz wrote that "For all the sentiment, it's the simplest stuff that rings true." The New York Times's Nate Chinen praised the songwriting, saying that "What makes this all feel reasonably unforced is the abiding earnestness in the songwriting." The A.V. Club wrote that the album "it's comforting at worst and occasionally fantastic." Dave Simpson wrote an average review, saying that "Although the variation in styles doesn't make for the most cohesive album, the default mood is still downbeat but anthemic--songs for couples to cling tightly to one another while raising mobiles in the air.

Jarmusch filmed a video for the album song "I Don't Wanna Grow Up". Critic Steve Huey calls it "perhaps Tom Waits's most cohesive album... a morbid, sinister nightmare, one that applied the quirks of his experimental '80s classics to stunningly evocative—and often harrowing—effect... Waits' most affecting and powerful recording, even if it isn't his most accessible." The album won a Grammy Award for Best Alternative Album; in response to the news, Waits told Jarmusch: "alternative to what?!" Waits next appeared in Jarmusch's film Coffee and Cigarettes, where he was filmed having a conversation with the rock singer Iggy Pop.

1, no. 1 (March 1973), pg. 5. While important, Harrington wrote that the union movement could not win political power in its own right, instead arguing that it needed to unite with the "college-educated and issue-oriented" adherents of the so-called "New Politics" in the Democratic Party: > In 1968, the Center-Right of Nixon and Wallace received almost 58% of the > votes; in 1972, in a two-way race, Nixon got over 61%. In 1968, the American > unions were a major, and sometimes sole, force behind Hubert Humphrey, > proving that the organized workers are the most cohesive element that can be > mobilized for social change.

" Pitchfork Media's Ian Cohen remarked that it "ends up less like a living celebration of the past and more like a display case of your favorite synth- pop action figures in their original packaging." David Marchese of Spin wrote that the album "swoons and grooves deliciously, but the lyrics have a distinctly processed flavor". Max Blau of Paste called it "one of the better and most cohesive electronic albums" of 2011. Allmusic's William Ruhlmann said: "Mohager convincingly makes the case that there is more to say in the music of the '80s, even if fashion has banished it to its own radio formats and nostalgia tours.

Agony in the Garden, 1510–1516 This period represents the most cohesive time stylistically for Basaiti's paintings. It was a prosperous decade for Basaiti and included several large commissions such as the high altarpiece at Sant'Andrea della Certosa, the Call of the Sons of Zebedee. This piece in particular marked the beginning of his mature period and is considered by Vasari and many later critics to be one of his best pieces. Unlike the portraits which up until now had been his main artistic endeavors, the Calling of the Sons of Zebedee is a narrative painting which requires more complex composition, and features a detailed and expansive landscape.

For me, Cannibal definitely seems to be this U.K. band's most cohesive work, but I still cannot bring myself to enjoy them quite as much as others rightfully do. While I know that Bury Tomorrow's fanbase will adore Cannibal, I can't help but see it for what it is: a flawed, familiar-sounding melodic metalcore album, with a couple good songs spread out amongst the larger track list. Even so, Bury Tomorrow still seem ahead of many other bargain bin metalcore bands who attempt this sound. They just need one truly great album to cement them as a stand-out act, in my mind.

Cotton is also one of the biggest cash crops. The growth of new industries brought new residential areas which opened to provide homes for the town’s increased population – most notably New Town, a residential neighborhood that would become one of eastern North Carolina’s most cohesive and civic-minded early 20th-century African-American communities. The newly acquired prosperity, improved educational opportunities, and modern municipal services fostered a lively cultural and social life in town, where entertaining diversions and several cultural, civic, and social groups flourished. Even during the Great Depression, economic expansion slowed drastically in Robersonville, but the municipality benefited from state and federal relief programs.

" In his review, Andy Gill of The Independent states, "Flower Boy presents a surprisingly sensitive, thoughtful, even pleasant personality." Jesse Fairfax of HipHopDX stated, "Clocking in at 47 minutes, the album is both Tyler, the Creator's shortest and most cohesive album to date and is full of introspective admissions that logically line up with his public character." Renato Pagnani of The A.V. Club said, "Flower Boy is the first time he's been equally as forthcoming in his actual music. His flow has tightened up, and for a man whose voice basically destined him for rap stardom, he's become even better at stretching his booming baritone into novel shapes, employing a plethora of flows.

The album was quickly met with overall praise from fans and music critics alike. Jesse Richman of Alternative Press writes "The result is an album that feels timeless, even on first impact. It’s the Maine’s best batch of songs since Pioneer, their catchiest material since Can’t Stop Won’t Stop and their most cohesive work to date". The Maine is constantly evolving and changing their sound ever so slightly and luckily fans continue to demand more music and tour dates. Amber Ainsworth of ClickonDetroit says "The guitars are more prominent and defining, while there’s a line between it being entirely a rock album and being something that doesn’t fit neatly into one genre".

Graves into Gardens was met with generally positive reviews. Joshua Andre in his 365 Days of Inspiring Media review praised the album in his review, saying, "I reckon their latest offering is one of the most cohesive ever- yep even more so than Hallelujah Here Below." At CCM Magazine, Dan McIntosh rated the album three-point-five stars out of five, he acknowledged that the collection has "some truly standout tracks," but bemoaned the overall length saying, "this album could have used a little editing." Herb Longs of The Christian Beat gave the album five out of five stars and said that it "dynamically showcases the collective talents of the group while spotlighting a number of special guests".

Upon its release, Only Human received mixed to positive reviews. Digital Spy editor Lewis Corner gave Only Human a predominately positive review, calling the album "one of her most focused and cohesive records to date". Corner criticised, however, that some songs should not have made it onto the album ("Beats N Bass") and that they "never really peaks the way it should"("Coming Up for Air"); he called one track "thin and limp" ("Throwback"). The website Entertainmentwise praised the singer's latest release, calling it "most cohesive collection' to date"; they praised such songs as "I Don't Care", "Waiting For Lightning" and the title track, explaining that the latter had "affecting vulnerability that nicely counterbalances the brash confidence found elsewhere".

Glenn Gamboa of Newsday gave Meaning of Life a four-star rating. Praising it as the best album of Clarkson's career, he wrote that it presented a "chance to declare her ambitions and deliver on them" for her "most cohesive album yet". The Boston Globe correspondent Isaac Feldberg commented that Clarkson "has perhaps never sounded as confident or comfortable as she does" on the album, and that she "channels her delight at [her] newfound freedom into songs that, while signaling a new stage in her career, appear to flow directly from both her heart and soul." Mike Nied of Idolator shared a similar sentiment, saying that "returning to her roots had truly opened a wealth of opportunities" for Clarkson.

" Andy Kellman of AllMusic gave a four-out-of-five star rating, noting several tracks were "as innocent, universal, and inviting as anything else in Janet's past", and called the songs "Rock with U" and "2Nite" "irresistible, grade-A dance floor tracks". Sal Cinquemani of Slant Magazine described it as Jackson's "most cohesive album in a while", giving three-out-of-five stars. Dan Gennoe of Yahoo! Music UK gave it seven out of ten stars saying "Still, if not perfect, there's plenty to like on Discipline, and while none of it is exactly vintage Janet, there's enough here to keep the Jackson name on pop's A-list for a little while longer.

In the early part of the 1960s, the centre of gravity of mainstream poetry moved to Northern Ireland, with the emergence of Seamus Heaney, Tom Paulin, Paul Muldoon and others. In England, the most cohesive groupings can, in retrospect, be seen to cluster around what might loosely be called the modernist tradition and draw on American as well as indigenous models. The British Poetry Revival was a wide-reaching collection of groupings and subgroupings that embraces performance, sound and concrete poetry as well as the legacy of Pound, Jones, MacDiarmid, Loy and Bunting, the Objectivist poets, the Beats and the Black Mountain poets, among others. Leading poets associated with this movement include J. H. Prynne, Eric Mottram, Tom Raworth, Denise Riley and Lee Harwood.

Currier House entrance Currier dining hall with its stone fountainBecause of its distance from most of the other residential houses, its physical layout (which places most of the house's social space near the entrance), and its small size (it has the smallest population of any house), many Currier residents consider the house to have one of the strongest and most cohesive house communities of Harvard's residential houses. Students routinely rank Currier's dining hall highest among Harvard dining halls in food quality. In 2005, Currier renovated a common space known as the "Fishbowl" to create an entertainment center complete with a big screen projector and surround sound system. In early 2006, Currier painted many of its interior walls to produce a more colorful atmosphere.

Reviewing the album in The Independent, Simon Price called it Vampire Weekend's "most cohesive and convincing effort yet" featuring their most accessible compositions. Ryan Dombal from Pitchfork said the singing suited the music fluidly on songs that sounded more natural and dynamic than the band's previous work. Alexis Petridis, lead critic for The Guardian, believed Vampire Weekend successfully avoided the gimmicky sounds of their previous albums and wrote more genuine lyrics dealing with mortality rather than "arch depictions of moneyed young Wasp lives". Slant Magazines Jesse Cataldo said the songs may sound dense and wordy, but they would be "immediately potent on a purely visceral level" for listeners, "striking a perfect balance that makes for what's perhaps the best album of the year".

" Heather Phares of AllMusic felt that the production enhanced the album's introspective tone and called the album "their most cohesive collection of songs to date" and "an impressive, if flawed, map of Modest Mouse's ambitions and fears." Melody Maker praised The Moon & Antarctica as being "beyond anything else they've ever achieved". Robert Christgau of The Village Voice remarked that Isaac Brock "may be every bit the ass he claims, but basically he seems chagrined that he was ever so inept or unlucky as to get caught up in this, as the saying goes, downward spiral. And unlike other rock pessimists we might name, he's so modest about it that he ends up with an uplifting representation of human life as damn shame.

Megan Rozell from the Seattle Post-Intelligencer said the album wraps up the loose ends of Everything in Transit and The Glass Passenger, tying them "together to create a mind-blowing sound" throughout the record. She continued, admitting that it comes across "such a more powerful way that it is sure to bring in more fans and keep dedicated fans close". Sputnikmusic staff writer Steve M called it "another piano-rock album" in the same strain of Something Corporate with the "lyrical maturity" of Passenger and the "fun elements" of Transit while remaining McMahon's "most cohesive work yet". According to the reviewer, the album "guarantees results for long-time fans" but "doesn't attract the kind of attention needed to spark a fresh interest" in the group.

Writing for NME, Rhian Daly called the album "a beautifully confident return from one of pop's most underrated stars, and a quietly defiant wrestling back of the narrative surrounding her", while Leah Greenblatt of Entertainment Weekly praised the album's "lightness" despite its "heavy messaging". Mikael Wood of the Los Angeles Times named Rare as Gomez's "most meaningful solo disc" and opined that it embraces "an infectious spirit of adventure". Similarly, Vultures Craig Jenkins wrote that the album is "almost inarguably Selena Gomez's best album". In a mixed review, Pitchforks Quinn Moreland stated that the album was her "most cohesive record to date" but that "[Gomez's] introspection can only go so deep when it's paired with sleek, easy songwriting that lets her slip by".

Recording sessions for The Notorious Byrd Brothers took place throughout the latter half of 1967 and were fraught with tension, resulting in the loss of two members of the band. Rhythm guitarist David Crosby was fired in October 1967 and drummer Michael Clarke left the band midway through recording, returning briefly before finally being dismissed after completion of the album. Additionally, original band member Gene Clark, who had left the group in early 1966, rejoined for three weeks during the making of the album, before leaving again. Author Ric Menck has commented that in spite of these changes in personnel and the conflict surrounding its creation, The Notorious Byrd Brothers is the band's most cohesive and ethereal-sounding album statement.

In the review at UAE Daily the United Arab Emirates reviewer said, "One of the prime reasons why Luck By Chance works is because [of] the writing...Right from the characters, to the individualistic scenes, to the way Zoya puts them in a sequence, Luck By Chance is easily one of the most cohesive scripts this side of the Atlantic. If Zoya's writing is superb, her execution of the written material deserves distinction marks".Exclusive Movie Review: LUCK BY CHANCE , UAE Daily, retrieved on 2009-01-30 The Times of India said, "Luck By Chance highlights how the film industry give regards to everything else but the story when making a movie and ironically weaves a fascinating story using that paradox". Noyon Jyoti Parasara of AOL.

Entertainment Weeklys Marc Sneticker felt the song shows off their "vocal excellence when allowed some breathing room." Brittany Spanos of Rolling Stone cited "Don't Say You Love Me" - along with "Make You Mad" - as one of the album's most "infectious jams" which they assert themselves in romantic relationships. Mike Nied from Idolator wrote that "Don't Say You Love Me" "sets the scene" for one of the group's most "tender" vocal performances. MTV News's Ross McNeilage named it a "brilliant song" further opining that "Don't Say You Love Me" helps the album to be their most "cohesive and fully released body of work. Gerrick Kennedy from Los Angeles Times called it a "road trip song where you’re looking at mountains and lakes.

Thematically the poem is one of Coleridge's most cohesive constructs, with the narrative plot more explicit than previous works such as the fragmented Kubla Khan which tend to transcend traditional composure. Indeed, in many respects the consistency of the poem – most apparent from the structural formality and rhythmic rigidity (four accentual beats to every line), when regarded alongside the unyielding mysticism of the account – creates the greatest juxtaposition in the poem. Parenthetically, Coleridge described such mysticism and vagueness in his notes to The Rime of The Ancient Mariner as "mesmeric" in an attempt to justify his unconventional ideas as being profound in their stark originality. While some modern critics focus upon lesbian and feminist readings of the poem, another interesting interpretation is the one that explores the demonic presence that underscores much of the action.

The album was well received by music critics. Timothy Monger of AllMusic called it Cope's best work in years and said "His ongoing contempt of right-wing politics, his anti-religious stance, and his frequent references to Pagan gods could, in many cases, make for a pretty unpalatable listen, but somehow Cope pulls it off with humor and a kind of weirdo audacity that few can wield with any conviction." Uncut's David Cavanagh said that the album was among Cope's "finest recent work, equal parts mission statement and sonic eccentricity." Pete Redrup of The Quietus called it Cope's "most cohesive and enjoyable album since 1994's Autogeddon", while The New Yorker called the music "impressive", sounding like "a less polished version of My Nation Underground, with some vintage Who thrown into the mix".

" Chris Gibbons of XXL described Redemption as "the most cohesive of Jay Rock's albums", adding that "he puts up a career high" and "at 44 minutes, the album breezes by without many frills. Rock raps, makes his point, and gets out quickly after, allowing the TDE vet to chalk up his biggest win yet. Online hip hop publication HotNewHipHop praised Redemption for "a pretty well-rounded scope of emotions and moods, despite having no discernible thematic throughline." Kenan Draughorne of HipHopDX believed that "Redemption shines brightest when the music itself matches Rock’s dynamic performance and infuses enough energy for him to seize the moment." Clayton Purdom of The A.V. Club concluded that Redemption is "bleak but ultimately inspirational — and a spotlight on Jay’s resilience", praising Jay Rock's performance and the album's thematic presence.

It feels like a similar event." Gavin Miller of Drowned in Sound in his 8/10 review said that Moonbuilding 2703 AD is "an album heaving with ideas, but just coherent enough to stick together as one piece of work" and went on to say that the album is a "great little re-introduction to all things Orb." Benjamin Aspray of Slant Magazine starts off his 3.5 stars out of 5 review by saying "With Moonbuilding 2703 AD, the Orb makes a full circle back to the long-form conceptual terrain of 1991's game-changing Adventures Beyond the Ultraworld and its follow-up, U.F.Orb. The album sustains a progressive composition over four distinct parts, forgoing instant gratification for slow builds and subtle variations, culminating in the Orb's most cohesive work in ages.

Clam Point New Construction 385x385px Clam Point (also known as Harrison Square) is a sub-neighborhood in Boston, Massachusetts, USA, noteworthy for its collection of substantial Italianate Mansard residences. The area is known to have the most cohesive, intact collection of mansion-scale mid 19th-century housing in Boston, and includes the Park, Everett, Freeport, Mill, Ashland, Blanche Streets, and Victory Road in the Dorchester neighborhood of Boston. In the past decade the historic area has attracted a new wave of development due to its location on a prime strip of waterfront overlooking Dorchester Bay and its proximity to the Red Line. Among the architects represented in the district are Luther Briggs, Jr., who also designed the Mount Wollaston Cemetery and John A. Fox, who also designed Tewksbury Hospital, both also on the National Register of Historic Places.

Bisbort wrote about his criticisms of its concept and the idea of the group, "who went East, got a shot of knowledge, came back West, had lots of money at their disposal ... and decided to cut an album guaranteed to give shortcut answers to the question for the multitude". He did not dismiss the album entirely, and recognised the group's musical talents. Tom Von Malder, for The Daily Herald, thought Yes "seldom disappoints", but named Tales an exception, with "Ritual" being the only track that lives up to the strong material on Close to the Edge and Yessongs as it is the "most cohesive, most lyrical of all". He thought the remaining three sides have some good music, but are too scattered, and claimed the album's concept is "a bit too obtuse for a rock album".

He added "Instead of sprinkling one or two hits among a lot of filler, the hitmaker has finally recruited the right team and found her voice over sparkling mid-tempos and frenetic bangers. The album has the distinction of being her most cohesive and is one of the strongest to drop in 2017" and compared the album to Christina Aguilera's Stripped. In a positive review, Aidin Vaziri of the San Francisco Chronicle wrote that Lovato "feels jilted, and conjuring the battle cries of pop predecessors like Christina Aguilera and Kelly Clarkson, she unleashes on exes and backstabbing friends with the kind of vocal firepower best appreciated from a safe distance". Los Angeles Times writer Mikael Wood praised the album's tracks as "catchy and funny and sexy and daring", and wrote that Tell Me You Love Me "presents a singer burning with purpose".

" The album came under scrutiny from an additional two cents piece by Jesus Freak Hideout's Alex Caldwell, describing the collection as "the tale of two albums," calling the first six tracks "being creative, energetic and compelling" yet the remainder are "b-sides that shouldn't have made the record." Christopher Smith was more optimistic in his Jesus Freak Hideout additional two cents piece, saying that the duo have crafted "their most cohesive album yet," deeming it "a highlight pop release of 2018." In a NewReleaseToday review, Kevin Davis believes "The album once again demonstrates multi-talented musicianship with creative, insightful lyrics and ear-grabbing melodies." Brandon Callies, in a positive On Tour Monthly review, optimistically expressed that the collection will impress the Christian pop fanbase, whilst asserting that the songs "really push the boundaries of what contemporary Christian music generally has to offer.

Titled in Korean "A Nice Guy the Likes of Which You Would Never Find Anywhere in the World," it tells the story of a man who goes to prison for the woman he loves (Park Si-yeon), but is betrayed by her when she marries a business mogul for money. To get his revenge, he intentionally approaches her step-daughter (Moon Chae-won) to seduce her in order to provoke his ex-lover, creating complicated feelings of love and conflict among the three of them. Lee used the dualism of good and evil, love and revenge, to make her most cohesive, thematically strong drama yet, aided by director Kim Jin-won's unobtrusive yet unerring eye for detail. The cast's acting was praised across the board by viewers and critics, particularly Song for his nuanced portrayal, and The Innocent Man received high ratings throughout its run.

" Steven Ecott of Cross Rhythms rated the album seven squares out of ten, remarking that "In truth there is nothing that really separates 'Fight The Silence' from the hundreds of other metalcore records that are released every year." At New Release Tuesday, Mary Nikkel rated the album four stars out of five, noting how the album has no "major innovations", yet believing it does contain all of the "best of hardcore and nu-metal industrial sensibilities to create a solid offering." Jay Heilman of Christian Music Review rated the album four-and-a- half stars, writing that the release "is sure to please the masses of crazy Christian metal-core and mainstream fans alike." At The Christian Music Review Blog, Brad Johnson rated the album four-and-a-half stars out of five, stating that this is "For Today's most cohesive, purposeful and comprehensive release yet.

" Carol Cooper of The Village Voice called Discipline "the most cohesive deep-groove album from La Jackson since Control." NOW Magazine reviewer Bryan Borzykowski called it "her most modern and club friendly" album, and commented saying "Jackson wouldn't want us to call it a comeback, but it sure sounds like one." Ann Powers of the Los Angeles Times gave it a three out of four rating, saying "Its 22 tracks should be two albums: The first, a club-directed missile helmed by "Darkchild" Rodney Jerkins and Jackson's beau, Jermaine Dupri, could reassert Jackson's primacy among glamazon hit makers; the second, a bedroom bound ladies' favorite co-authored by soul dauphin Ne-Yo, would remind fans of Jackson's gift for creating truly tender smut." The Boston Globe music critic Joan Anderman criticized the album, saying "Jackson's decision to recycle the nympho routine one more time is just boring [...] A quarter century into her career, it was Jackson's moment to take a breath, dig a little deeper, and make a bold - or at least a different - statement.

Longtime family member and former Bonanno loyalist Natale Evola was leader of what remained of the former Bonanno faction, while Phil Rastelli had gained a great deal of influence with the younger, up and coming members of the crime family and was now the leader of the "young turks" faction. By promoting Evola to underboss and Rastelli to consigliere, Sciacca hoped to align the Bonanno crime family and bring it back to the level of power and influence within the New York Mafia it once occupied. In terms of numbers the Bonanno crime family had always been one of the smaller of the Five Families, but it was also one of the most cohesive and well structured crime families because most of its administration was family members related by blood or marriage. Sciacca hoped to at least mend the broken ties among members and re-align the three most influential factions within the Bonanno crime family, effectively removing the last of the rivalries and hostilities that were still present, creating cohesion and stability.

" Peter Harvey of Record Mirror & Disc hailed Wood's multiple talents but felt he worked too hard on Mustard, calling it "a complex mish-mash of styles and ideas which only add up to the eccentric experimenting of a studio/musical dilettante." He did however hail the "camp" style of the title track and "You Sure Got It Now" as "a refreshing progression." In 1999, Edsel Records released a CD edition of Mustard with seven bonus tracks, all of which were A- or B-sides to non-album singles, two of which had appeared on the 1977 Australian release of the album which was renamed The Wizzard Roy Wood. In a review of the Edsel reissue, Stephen Thomas Erlewine of AllMusic hailed Mustard as "a shining, glittering pop record" with an attractively smooth flow, and concluded that "Mustard might not equal the brilliantly maverick Boulders, yet it's easily one of the best, most cohesive records Wood ever made and one of the few to capture him as a (relatively) focused pop craftsman.