150 Sentences With "most classical" | Random Sentence Generator

I studied psychology in college in the most classical sense.

Traditionally, most classical venues have been unwilling to experiment with form, style and content.

"Most Classical literature that we have today was written by elite men," Sammons said.

Today, most classical hallucinogens are still heavily stigmatized due to their Schedule I status.

Most classical economists were sceptical of the idea that the macroeconomy needed much oversight at all.

Faber & Faber; £30 THE LINEAMENTS of Chopin's short, dramatic life are familiar to most classical-music enthusiasts.

The core assumption is that many, if not most, classical concertgoers have a built-in distaste toward modern music.

If classical ballet is about beauty, order, and equilibrium, then Marius Petipa's "The Sleeping Beauty" is the most classical of all.

That's not the resistance of social norms, it's the resistance of segments of capital — it's class struggle in the most classical sense.

You don't necessarily have a ballet, though, because in most classical dance the central meaning is contained in the pas de deux.

He said that most classical economic analysis, including by the International Monetary Fund, "seriously underestimates" the potential impact of higher trade tariffs.

Classicist Mary Beard has suggested that Pompeii, and indeed most classical sites, are in fact collaborations between ancients and modern excavators and conservators.

This kind of selfless objectivity is among the most remarkable features (one of the most classical features, too) of the Indian classical arts.

Finally, Diamonds is set to the familiar rhythm of Pyotr Tchaikovsky, whose music is found in most classical story ballets (like The Nutcracker and Swan Lake).

In most classical pieces there isn't a band or a producer, there are 50 or so musicians working together to produce a masterpiece to the ear.

Techno beats and electronic treatments augment her lead solo violin to produce dance tracks that combine a soaring violin with slick synthetic textures absent from most classical music.

As ever, the paradox of Mr. Verhoeven's style is that it seems to wallow in tastelessness and transgression even as he remains one of the most classical movie craftsmen.

It means that most classical singers can't sing some of the finest and most lucrative vocal repertoire, and that the music they can sing is mostly written for amateurs.

The dance is is subdued and coy, the accompanying score distinctly Western, with only a faint echo of gamelan conjured by that most classical of all European instruments, the harp.

"This is probably the most classical theme you can think of, the thing that's most identified with academicism," Mr. Kaiser said, pointing to paintings made in 1953, 1962, 2000 and 21961.

The exact nature of that horror is ambiguous, and left up to the viewer more than it is in King's novella, but regardless, it's a gory tragedy in the most classical sense.

" As far as the physical confidence of most classical musicians was concerned, she said: "The common joke is the worst thing to ever happen at a classical music performance is the bow.

Batman Begins is the most classical and orchestral of the bunch, The Dark Knight is the harshest and most experimental, and The Dark Knight Rises is the volatile middle, combining and then exalting elements of both.

As Christopher H. Gibbs points out in excellent program notes, the Sixth may be Mahler's most Classical symphony: Imagine, if you can, Haydn writing a "Tragic" Symphony and carrying on in that vein for 80 minutes.

On DVD Jacques Rivette, who died in January at 21960, was in some ways the most classical of French New Wave directors (adapting Denis Diderot and Balzac, celebrating Joan of Arc), and in others the most experimental.

By choosing to present the combination of science, informatics and information technology with the most classical forms of art (including performance art, visual art, digital art and conceptual art), McShine proposes a first definition of data art.

The algorithm that determines which notes fly at you seems to get tripped up by the likes of Daft Punk, but does surprisingly well with most classical music and movie scores, a genre that you would never find in Guitar Hero.

Most classical homeopathic practitioners use the centesimal scale of potencies, although a few use the millesimal.

They retain most Classical syntax and vocabulary but still have some differences from Classical Arabic like the other dialects.

Optical light image of the carbon star VX Andromedae. Most classical carbon stars are variable stars of the long period variable types.

This type of object is typically indefinite according to most classical and modern grammarians. So the al- attached to it is unnecessarily extra.

The classical G# has the same body shape and size as the standard, but a wider neck, nylon strings, and also a slotted headstock like most classical guitars.

Most classical varieties in abstract algebra, such as groups, rings, and Lie algebras are congruence-permutable. Any variety that contains a group operation is congruence-permutable, and the Maltcev term is xy^{-1}z.

A Kindle version, the "Complete Liddell & Scott's Lexicon with Inflections", is also available: it allows searches of most Classical Greek word-forms and supports a growing number of Ancient / Classical Greek texts for this device.

Voice as an instrument like any other. A continuous soundtrack with no break no silence. An odyssey. An ode to the most classical form of electronic music that is Electronica, Ambient, IDM (Intelligent Dance Music) and its heroes.

He was noted for having the most classical dancers as concubines. The imperial celestial dancer, Apsara, was one of these. This practice of drawing from the ranks of royal dancers began in the Golden Age of the Khmer Kingdom.

Sometimes a deity was seen as the ancestor of a clan and family line. Leadership of the family changed over time and depending on the situation. The Celtic deities do not fit most Classical ideas of a "Divine Council" or pantheon.

No system is universally applied or accepted. However, most classical music systems acknowledge seven different major voice categories. Women are typically divided into three groups: soprano, mezzo-soprano, and contralto. Men are usually divided into four groups: countertenor, tenor, baritone, and bass.

The word constituent may be used for either a premise or conclusion. In the context of this article and in most classical contexts, all candidates for consideration as argument constituents fall under the category of truth-bearer: propositions, statements, sentences, judgments, etc.

No system is universally applied or accepted. However, most classical music systems acknowledge seven different major voice categories. Women are typically divided into three groups: soprano, mezzo-soprano, and contralto. Men are usually divided into four groups: countertenor, tenor, baritone, and bass.

It is important to note that most classical and modern biological weapons' pathogens can be obtained from a plant or an animal which is naturally infected.Ouagrham-Gormley S. Dissuading Biological Weapons Proliferation. Contemporary Security Policy [serial online]. December 2013;34(3):473–500.

Let denote the coordinate functionals which assign to every in the coordinate of in the above expansion. They are called biorthogonal functionals. When the basis vectors have norm , the coordinate functionals have norm in the dual of . Most classical separable spaces have explicit bases.

Following on from this, the second movement is of course not the traditional slow movement, but a moderate Menuetto, and the last movement, while lively, is not the standard Allegro. In short, the contrasts in this trio are not as stark as in most classical sonatas.

Davies regards this symphony as part of a seven-member cycle, but not as its conclusion. Instead of ending, the Seventh Symphony forms a harmonic link to the opening of the First Symphony . The composer describes the Seventh as his "most classical" symphony, with particular dependence on the music of Joseph Haydn .

In other words, distributions cannot be multiplied (except for very special cases): unlike most classical function spaces, they are not an algebra. For example it is not meaningful to square the Dirac delta function. Work of Schwartz from around 1954 showed that was an intrinsic difficulty. Some solutions to the multiplication problem have been proposed.

Most classical artist album sales in the UK are from crossover artists. For an album to be classified as classical in the charts, it has to have 60% of the playing time dedicated to "classical or traditional music". Only albums that entirely classical or traditional music qualify for inclusion in the Specialist Classical Albums Chart.

However, when importing the classical code, it must satisfy the dual-containing (or self- orthogonality) constraint. Researchers have found many examples of classical codes satisfying this constraint, but most classical codes do not. Nevertheless, it is still useful to import classical codes in this way (though, see how the entanglement-assisted stabilizer formalism overcomes this difficulty).

What follows is an incomplete list of the most classical theorems in Riemannian geometry. The choice is made depending on its importance and elegance of formulation. Most of the results can be found in the classic monograph by Jeff Cheeger and D. Ebin (see below). The formulations given are far from being very exact or the most general.

One of the most classical teams is the basketball team, which was already popular before the football team was installed. They had won several national championships. Their local games are played in the gymnasium "Morris 'Moe' Williams", located inside the university. The most known rivalry is against the Águilas de la UPAEP, another private school in Puebla city.

Most classical force fields implicitly include the effect of polarizability, e.g., by scaling up the partial charges obtained from quantum chemical calculations. These partial charges are stationary with respect to the mass of the atom. But molecular dynamics simulations can explicitly model polarizability with the introduction of induced dipoles through different methods, such as Drude particles or fluctuating charges.

These are shoden, chūden and jōden gokui. An administrative license also exists which represents ultimate authority over the issuing of these licenses. This administrative license is called a menkyo kaiden. As with most classical schools of budo, there was no technical ranking system similar to the kyū/dan system commonly associated with modern forms of budo.

Most classical cannabinoids are 21-carbon compounds. However, some do not follow this rule, primarily because of variation in the length of the side- chain attached to the aromatic ring. In THC, CBD, and CBN, this side-chain is a pentyl (5-carbon) chain. In the most common homologue, the pentyl chain is replaced with a propyl (3-carbon) chain.

Unlike most classical texts that praise Bole for skill in evaluating horses, the (c. 3rd century BCE) Daoist "Horses' Hooves" chapter of Zhuangzi blames him for going against the Dao of horses. > A horse's hooves can tread upon frost and snow, its hair can withstand the > wind and the cold. It eats grass and drinks water; it prances about briskly.

Tamil prosody defines several metres in six basic elements covering the various aspects of rhythm. Most classical works and many modern works are written in these metres. Tolkappiyam represents the older tradition in Tamil prosody while yapparungalam and yapparungalakkarigai represent the later tradition. The prosodic structure of literary works from the Sangam era has to be analysed according to the Tolkappiyam.

The haras was first established during the rule of Muawiyah I (r. 661–680), the first Umayyad caliph. Most classical accounts reported that he established the haras after an assassination attempt on him. He appointed a mawla, Muslim Abu Abdullah as its chief, and built a guarded room for him inside the mosque that was surrounded by haras members during prayer time.

Most Classical Chinese verse consists of multiple couplets or pairs of lines (), which are considered to be somehow especially related to each other by such considerations as meaning, tone-structure, or parallelism. A common rhyme scheme is the rhymed couplet, so that generally in rhymed poetry, the even numbered lines rhyme. Sometimes these couplets appear by themselves, for example one-half on each side of a door.

Most classical liberals also supported legislation to regulate the number of hours that children were allowed to work and usually did not oppose factory reform legislation.Richardson, p. 33. Despite the pragmatism of classical economists, their views were expressed in dogmatic terms by such popular writers as Jane Marcet and Harriet Martineau. The strongest defender of laissez-faire was The Economist founded by James Wilson in 1843.

Vasari records Parmigianino painting two works in gouache in Bologna "for Master Luca di Leuti". Four preparatory drawings for the work survive (one each) in the Royal Collection at Windsor Castle (RCIN 990346), the Galleria nazionale di Parma (inv. 510/5), the British Museum (1905,1110.18) and the Ashmolean Museum (inv. 446). It is his most classical and Raphaelesque work, drawing on his Madonna with the Blue Diadem.

After he moved to Moscow he turned his attention increasingly to discontinuous processes and operators, in connection firstly with nonlinear control systems and then with a mathematically rigorous formulation of hysteresis which encompasses most classical models of hysteresis and is now standard. He also became actively involved with the analysis of desynchronized systems and the justification of the harmonic balance method commonly used by engineers.

In the years following Gödel's theorems, as it became clear that there is no hope of proving consistency of mathematics, and with development of axiomatic set theories such as Zermelo–Fraenkel set theory and the lack of any evidence against its consistency, most mathematicians lost interest in the topic. Today most classical mathematicians are considered Platonist and readily use infinite mathematical objects and a set-theoretical universe.

The most "classical", according to Anthropologist, Mércio Pereira Gomes, happened in Caxias, in south Maranhão, where local farmers, wanting more land to extend their cattle farms, gave clothing owned by ill villagers (that normally would be burned to prevent further infection) to the Timbira. The clothing infected the entire tribe, and they had neither immunity nor cure. Similar things happened in other villages throughout South America.

Five binary trees on three vertices, an example of Catalan numbers. Enumerative combinatorics is the most classical area of combinatorics and concentrates on counting the number of certain combinatorial objects. Although counting the number of elements in a set is a rather broad mathematical problem, many of the problems that arise in applications have a relatively simple combinatorial description. Fibonacci numbers is the basic example of a problem in enumerative combinatorics.

Most classical elegies were actually love poems, not laments. In English literature since the 16th century CE, the elegy has come to mean specifically a poem of lamentation. Additionally, it may be written in any meter the poet chooses. Key poets who shaped the genre After Theocritus' first idyll (early 3rd century BCE), the earliest Greek pastoral elegy is Bion of Smyrna's poem lamenting the death of the mythological figure Adonis.

The Sympathetic nervous system and Parasympathetic nervous system can offset each other. One of the most classical example is called Vagal Escape. Vagal escape is characterized by a reduction in blood pressure due to muscarinic stimulation which is then compensated for stimulation from the sympathetic system to increase heart rate and thus blood pressure. When the heart is continuously stimulated via the vagus nerve, initially there is stoppage of heart beat.

Sonsino, Rifat. The Many Faces of God: A > Reader of Modern Jewish Theologies. 2004, page 22–23 Most "classical" Reconstructionist Jews (those agreeing with Kaplan) reject traditional forms of theism, though this is by no means universal. Many Reconstructionist Jews are deists, but the movement also includes Jews who hold Kabbalistic, pantheistic (or panentheistic) views of God, and some Jews who believe in the concept of a personal God.

He became particularly popular during this time and had much continued demand for ecclesiastical work. His work at the Klosterkirche of Ebrach Abbey, Oberfranken was emulated by those who worked under him for an Augustine monastery. His style changed during his career from rococo to classical upon his assumption of the position of court sculptor, and finally back to rococo. 1790 saw him at his most classical in a life-size statue of the Virgin.

Di sma undar jordi, or simply di sma, are legendary vættir-like creatures found in folklore from the island of Gotland, Sweden. The name can roughly be translated as "the small ones underground". Di sma are said to take care of farms and the people and animals that live there, as long as one does not anger them. The most classical example of doing so is to mindlessly scald them when disposing hot water outdoors.

In 2007, ABS-CBN bought the rights to make Maruja into a TV series. Maruja was supposed to be included in Sineserye Presents: The Susan Roces Cinema Collection, which featured Susan Roces' most classical films. It was supposed to star Sheryl Cruz and Ruffa Gutierrez. But even before production began, the Ravelos stated that Mars Ravelo's name should be included in the title because Maruja is his work and not the movie firm's.

A passive attack on a cryptosystem is one in which the cryptanalyst cannot interact with any of the parties involved, attempting to break the system solely based upon observed data (i.e. the ciphertext). This can also include known plaintext attacks where both the plaintext and its corresponding ciphertext are known. While most classical ciphers are vulnerable to this form of attack, most modern ciphers are designed to prevent this type of attack above all others.

Each myth is presented in the voice of a narrator writing under the Antonines, such as Plutarch or Pausanias, with citations of the classical sources. The literary quality of his retellings is generally praised. Following this, Graves presents his interpretation of its origin and significance, influenced by his belief in a prehistoric Matriarchal religion, as discussed in his book The White Goddess and elsewhere. Graves' theories and etymologies are rejected by most classical scholars.

By 1789, there were 5,694 new lanterns in service. A few years later the most popular revolutionary song, Ça ira! urged Parisians to hang aristocrats from the new lanterns. The predominant architectural style in Paris from the mid-17th century until the regime of Louis Philippe was neo-classicism, based on the model of Greco-Roman architecture; the most classical example was the new church of La Madeleine, whose construction began in 1764.

This list can be adjusted using categories, search phrases and by specifying the CT versions. Users can adjust these with own parameters. To introduce users to the field of cryptography, the organization created multiple graphical interface software containing an online documentation, analytic tools and algorithms. They contain most classical ciphers, as well as modern symmetric and asymmetric cryptography including RSA, ECC, digital signatures, hybrid encryption, homomorphic encryption, and Diffie–Hellman key exchange.

Viparita Karani can be any practice where one is upside down. This can include the asanas of shoulder stand (Sarvangasana), headstand (Sirsasana), or handstand (Adho Mukha Vrksasana). In the Hatha Yoga Pradipika, as in most classical texts on haṭha yoga, viparita karani is listed as a mudra,Hatha Yoga Pradipika III.7 meaning its purpose is for the directing of energy or kundalini upwards within the body, using gravity,Hatha Yoga Pradipika III.

Pieces of wooden art from 17th and 18th century The fourth Chinese domination of Vietnam was quite short- lived, lasting only about 2 decades, yet it was also seen as the harshest domination. Many if not most classical Vietnamese books were burnt, and thus much documentation of the era of independence lost. It is said that a more extreme than-ever process of sinicization was enforced, and countless Vietnamese resources and goods were removed and taken to China.

This is because harmonic analyses in tonal style use only two scales (major and minor) when explaining origins of chord moves. In exchange, the luxuriant modal system (i.e., the entirety of musical modes ever created and their specific harmonies – if existing) offers various plausible origins and explanations for every chord move. However, most classical (Baroque or subsequent) and popular music which makes use of the given chord progression might treat it itself in a tonal manner.

On September 2, 2000 announced in Bolivia to build again soon called Rata Blanca and her partner in Alianza for holding back the band on keyboards. Left for a Latin American tour and closed on 19 December at the Teatro Coliseo. Days later, Alianza presented in Acatraz. Rata Blanca already back to life, edited Grandes Canciones, a compilation with some of the most classical of the group, including an acoustic version of "Mujer Amante" with the current formation.

Ibn Nadim, who was also familiar with Manichean teachings, even identifies Buddha as a prophet, who taught a religion to "banish Satan", although not mention it explicitly. However, most Classical scholars described Buddha in theistic terms, that is apart from Islamic teachings. Nevertheless the Buddha is regarded as a prophet by the minority Ahmadiyya sect, generally considered deviant and rejected as apostate by mainstream Islam. Some early Chinese Taoist-Buddhists thought the Buddha to be a reincarnation of Laozi.

In cryptography, a classical cipher is a type of cipher that was used historically but for the most part, has fallen into disuse. In contrast to modern cryptographic algorithms, most classical ciphers can be practically computed and solved by hand. However, they are also usually very simple to break with modern technology. The term includes the simple systems used since Greek and Roman times, the elaborate Renaissance ciphers, World War II cryptography such as the Enigma machine and beyond.

The concept was first clearly articulated by al-Ghazali (d. 1111), who argued that maslaha was God's general purpose in revealing the divine law, and that its specific aims was preservation of five essentials of human well-being: religion, life, intellect, offspring, and property. Although most classical-era jurists recognized maslaha as an important legal principle, they held different views regarding the role it should play in Islamic law. Some jurists viewed it as auxiliary rationale constrained by scriptural sources and analogical reasoning.

" The lyrics verge between several layers of consciousness but always return to the central occurrence of a holiday in the country that the singer spent with his sweetheart (the "red-robed" Toni Marcus) and/or daughter.Heylin, Can You Feel the Silence? p.359-360 The song ends with the lines: :Put your head on my shoulder :and you listen to the silence :Can you feel the silence? Biographer Brian Hinton believes "The song leaves most classical rock fusions dead in the water.

Percussion instruments may play not only rhythm, but also melody and harmony. Percussion is commonly referred to as "the backbone" or "the heartbeat" of a musical ensemble, often working in close collaboration with bass instruments, when present. In jazz and other popular music ensembles, the pianist, bassist, drummer and sometimes the guitarist are referred to as the rhythm section. Most classical pieces written for full orchestra since the time of Haydn and Mozart are orchestrated to place emphasis on the strings, woodwinds, and brass.

John Myhill (1973) showed that IZF with the axiom of replacement eliminated in favor of the axiom of collection has the disjunction property, the numerical existence property, and the existence property. Michael Rathjen (2005) proved that CZF has the disjunction property and the numerical existence property. Most classical theories, such as Peano arithmetic and ZFC do not have the existence or disjunction property. Some classical theories, such as ZFC plus the axiom of constructibility, do have a weaker form of the existence property (Rathjen 2005).

Specifically, SDOs were expected to have large amounts of surface methane, chemically altered into complex organic molecules by energy from the Sun. This would absorb blue light, creating a reddish hue. Most classical objects display this colour, but scattered objects do not; instead, they present a white or greyish appearance. One explanation is the exposure of whiter subsurface layers by impacts; another is that the scattered objects' greater distance from the Sun creates a composition gradient, analogous to the composition gradient of the terrestrial and gas giant planets.

Critics admired the creations of Urquiza, who sporadically published several poems in more than 10 literary magazines. Although she was in direct contact with the best stridentist and avant-garde Mexican poets of the time, such as Arqueles Vela, she was not influenced by Vela's work and kept in her poetry "the most classical standards of meter and rhyme". At 16, Urquiza collaborated for the Revista de Revistas asking the following question: "What do you think of the new generation?" in interviews with Rafael López, Mariano Azuela, Xavier Villaurrutia, Victoriano Salado Álvarez and Federico Gamboa.

These types of games are referred to as open games, that is, games which are open to transformation. Games which have specified, fixed players, fixed preference structures, fixed optimization procedures, and fixed action alternatives and outcomes are called closed games (characteristic of most classical game theory models). Because its premises derive from social theory generalized game theory emphasizes and provides cultural and institutional tools for game conceptualization and analysis,(Baumgartner et al., 1975, see Burns, 2005) what Granovetter (1985) refers to as the social embeddedness of interaction and social and economic processes.

Most classical columns arise from a basis, or base, that rests on the stylobate, or foundation, except for those of the Doric order, which usually rest directly on the stylobate. The basis may consist of several elements, beginning with a wide, square slab known as a plinth. The simplest bases consist of the plinth alone, sometimes separated from the column by a convex circular cushion known as a torus. More elaborate bases include two toruses, separated by a concave section or channel known as a scotia or trochilus.

Since microphones are not used in most classical music performances,The exception is acoustic enhancement systems which apply a subtle amplification in order to balance the volume in the hall and compensate for acoustic problems. the audition panel will be assessing the auditionees ability to project a strong, room-filling vocal tone. In classical music, in addition to judging singing ability (e.g., tone, intonation, etc.), the audition panel will be judging the applicant's ability to use the appropriate diction and pronunciation of the major languages used in Art music: German, Italian, and French.

Most classical liberals, who believed in free trade and low taxes, opposed Confederation because they feared it would result in Big Government. The struggle over Confederation involved a battle between a staunchly individualist economic philosophy and a comparatively collectivist view of the state's proper role in the economy. According to Smith, the victory of the statist supporters of Confederation over their anti-statist opponents prepared the way for Sir John A. Macdonald's government to enact the protectionist National Policy and to subsidize major infrastructure projects such as the Intercolonial and Pacific Railways.Smith, Andrew. 2008.

First passage percolation is one of the most classical areas of probability theory. It was first introduced by John Hammersley and Dominic Welsh in 1965 as a model of fluid flow in a porous media. It is part of percolation theory, and classical Bernoulli percolation can be viewed as a subset of first passage percolation. Most of the beauty of the model lies in its simple definition (as a random metric space) and the property that several of its fascinating conjectures do not require much effort to be stated.

Cadherin-16 is a protein that in humans is encoded by the CDH16 gene. This gene is a member of the cadherin superfamily, genes encoding calcium- dependent, membrane-associated glycoproteins. Mapped to a previously identified cluster of cadherin genes on chromosome 16q22.1, the gene localizes with superfamily members CDH1, CDH3, CDH5, CDH8 and CDH11. The protein consists of an extracellular domain containing 6 cadherin domains, a transmembrane region and a truncated cytoplasmic domain but lacks the prosequence and tripeptide HAV adhesion recognition sequence typical of most classical cadherins.

The following description is primarily applicable to static discontinuous recrystallization, which is the most classical variety and probably the most understood. Additional mechanisms include (geometric) dynamic recrystallization and strain induced boundary migration. Secondary recrystallization occurs when a certain very small number of {110}<001> (Goss) grains grow selectively, about one in 106 primary grains, at the expense of many other primary recrystallized grains. The mechanism of secondary recrystallization is a small and uniform primary grain size, achieved through the inhibition of normal grain growth by fine precipitates called inhibitors.

Puligo's Vision is widely regarded as the piece that epitomizes his most classical phase and was praised by Vasari to be the finest of his works. Puligo based this piece on Perugino's painting on the same subject. Despite the difference in the settings of the two painting, it is apparent that the way in which Puligo has arranged the poses of the figures completely duplicates those within Perugino's piece. There are only four figures in the scene, all of whom appear to have inactive stances, amplifying the overall quietude present within the composition.

The Rüstem Pasha Mosque, Mihrimah Sultan Mosque, Ibrahim Pasha Mosque, and the Şehzade Mosque, as well as the türbes (mausoleum) of Suleiman the Magnificent, Roxelana and Selim II are among Sinan's most renowned works. Most classical period designs used the Byzantine architecture of the neighboring Balkans as its base, and from there, ethnic elements were added, creating a different architectural style. Examples of Ottoman architecture of the classical period, aside from Turkey, can also be seen in the Balkans, Hungary, Egypt, Tunisia and Algiers, where mosques, bridges, fountains and schools were built.

The first piece Beckel wrote for the ISO was Three Sketches for Orchestra, a jazz-based, rhythm-section-inclusive piece that "funnels down" to a trombone concerto. While well received, Beckel quickly learned of imminent issues: most pops orchestra directors balk at needing to hire a rhythm section to play the piece, and most classical trombonists don’t improvise. Later, Celebrations, written for the birth of Beckel’s son, was the beginning of gravitating to writing more concert music than jazz. Beckel’s first true non- jazz composition was Night Visions.

Textual criticism originated in the classical era and its development in modern times began with classics scholars, in an effort to determine the original content of texts like Plato's Republic.Habib 2005, p. 239 There are far fewer witnesses to classical texts than to the Bible, so scholars can use stemmatics and, in some cases, copy text editing. However, unlike the New Testament where the earliest witnesses are within 200 years of the original, the earliest existing manuscripts of most classical texts were written about a millennium after their composition.

The former is highly intricate and energetic, drawing on manuscript painting, while the font shows the Mosan style at its most classical and majestic. The bronze doors, a triumphal column and other fittings at Hildesheim Cathedral, the Gniezno Doors, and the doors of the Basilica di San Zeno in Verona are other substantial survivals. The aquamanile, a container for water to wash with, appears to have been introduced to Europe in the 11th century. Artisans often gave the pieces fantastic zoomorphic forms; surviving examples are mostly in brass.

Most classical, non-classical, and hybrid synthetic cannabinoids have stereospecificity (one stereoisomer is usually much more potent than the other(s)). For example, HU-210 is the (–) enantiomer of 11-OH-Δ8-THC-DMH and a full agonist of the CB1 receptor; the (+) enantiomer of 11-OH-D8-THC-DMH, known as HU-211, is a NMDA receptor antagonist and is largely inactive as a cannabinoid. On the other hand, aminoalkylindoles, eicosanoids, and the other new synthetic cannabinoid groups typically do not have an asymmetric center, so they are usually not stereospecific.

It is considered improper for the lesser hendecasyllable to use a word accented on its antepenultimate syllable (parola sdrucciola) for its mid-line stress. A line like "Più non sfavìllano quegli òcchi néri", which delays the caesura until after the sixth syllable, is not considered a valid hendecasylable. Most classical Italian poems are composed in hendecasyllables, including the major works of Dante, Francesco Petrarca, Ludovico Ariosto, and Torquato Tasso. The rhyme systems used include terza rima, ottava, sonnet and canzone, and some verse forms use a mixture of hendecasyllables and shorter lines.

Maqāṣid (aims or purposes) of sharia and maṣlaḥa (welfare or public interest) are two related classical doctrines which have come to play an increasingly prominent role in modern times. They were first clearly articulated by al-Ghazali (d. 1111), who argued that maslaha was God's general purpose in revealing the divine law, and that its specific aim was preservation of five essentials of human well-being: religion, life, intellect, offspring, and property. Although most classical-era jurists recognized maslaha and maqasid as important legal principles, they held different views regarding the role they should play in Islamic law.

The opening scene introduces Venus and Ascanio, the son she had by Aeneas. (In most classical sources, Venus/Aphrodite is the mother of Aeneas.) The goddess vaunts the charms of Alba and invites her son to go and rule there. She urges him not to reveal his identity to Silvia, a nymph to whom he is betrothed, but to introduce himself to her under a false identity to test her virtue. While shepherds summon their promised ruler, Fauno reveals that the smiling face of Aceste, a priest, is a sign that the day will be a day of supreme happiness.

Like most classical ciphers, strip ciphers can be easily cracked if there is enough intercepted ciphertext. However, this takes time and specialized skills, so the M-94 was still good enough during the early years of World War II for its intended use as a "tactical cipher"; in a similar way to the more modern DRYAD and BATCO. The M-138-A was stronger because slips with new alphabets could be issued periodically, even by radio using more secure systems like SIGABA. Both were replaced by the M-209 mechanical rotor machine as these became available.

The 13.1 meters high column, made of polished sandstone and dating from the 3rd century BC, was brought from Ambala in the 14th century under orders of Feroz Shah. It was installed on a three-tiered arcaded pavilion near the congregational mosque, inside the Sultanate's fort. In centuries that followed, much of the structure and buildings near it were destroyed as subsequent rulers dismantled them and reused the spolia as building materials. In the pre-independence era, due to lack of auditoriums in the capital, most classical music performances were staged here or at Qutub complex.

1111), who argued that maslaha was God's general purpose in revealing the divine law, and that its specific aim was preservation of five essentials of human well-being: religion, life, intellect, lineage, and property. Although most classical-era jurists recognized maslaha and maqasid as important legal principles, they held different views regarding the role they should play in Islamic law. Some jurists viewed them as auxiliary rationales constrained by scriptural sources (Quran and hadith) and qiyas (analogical reasoning). Others regarded them as an independent source of law, whose general principles could override specific inferences based on the letter of scripture.

His second project, a collaboration with Gregory Lewis Way, was an edition of a number of 12th- and 13th-century French fabliaux, taken from the collection edited by Pierre Jean Baptiste Legrand d'Aussy. Ellis provided the preface, notes and appendix, Way the translations, and woodcuts were commissioned from Thomas Bewick and other engravers. Ellis's contribution was later praised in The Gentleman's Magazine as including "some of the purest and most classical passages of Addisonian composition which this age has produced". The two volumes of Fabliaux, or Tales were published in 1796 and 1800, and a three- volume edition, with corrections, appeared in 1815.

Zero-sum games are a special case of constant-sum games in which choices by players can neither increase nor decrease the available resources. In zero-sum games, the total benefit to all players in the game, for every combination of strategies, always adds to zero (more informally, a player benefits only at the equal expense of others). Poker exemplifies a zero-sum game (ignoring the possibility of the house's cut), because one wins exactly the amount one's opponents lose. Other zero-sum games include matching pennies and most classical board games including Go and chess.

Classical liberals were also divided on free trade as Ricardo expressed doubt that the removal of grain tariffs advocated by Richard Cobden and the Anti-Corn Law League would have any general benefits. Most classical liberals also supported legislation to regulate the number of hours that children were allowed to work and usually did not oppose factory reform legislation. Despite the pragmatism of classical economists, their views were expressed in dogmatic terms by such popular writers as Jane Marcet and Harriet Martineau. The strongest defender of laissez-faire was The Economist founded by James Wilson in 1843.

The design of most classical columns incorporates entasis (the inclusion of a slight outward curve in the sides) plus a reduction in diameter along the height of the column, so that the top is as little as 83% of the bottom diameter. This reduction mimics the parallax effects which the eye expects to see, and tends to make columns look taller and straighter than they are while entasis adds to that effect. There are flutes and fillets that run up the shaft of columns. The flute is the part of the column that is indented in with a semi circular shape.

Like most classical ciphers, the Playfair cipher can be easily cracked if there is enough text. Obtaining the key is relatively straightforward if both plaintext and ciphertext are known. When only the ciphertext is known, brute force cryptanalysis of the cipher involves searching through the key space for matches between the frequency of occurrence of digrams (pairs of letters) and the known frequency of occurrence of digrams in the assumed language of the original message. Cryptanalysis of Playfair is similar to that of four-square and two-square ciphers, though the relative simplicity of the Playfair system makes identifying candidate plaintext strings easier.

Both drift diffusion (DD) and the hydrodynamic (HD) models can be derived from the moments of the Boltzmann transport equation (BTE) using simplified approximation valid for long channel devices. The DD scheme is the most classical approach and usually solves the Poisson equation and the continuity equations for carriers considering the drift and diffusion components. In this approach, the charge transit time is assumed to be very large in comparison to the energy relaxation time. On the other hand, the HD method solves the DD scheme with the energy balance equations obtained from the moments of BTE.

A simplicial set is a categorical (that is, purely algebraic) model capturing those topological spaces that can be built up (or faithfully represented up to homotopy) from simplices and their incidence relations. This is similar to the approach of CW complexes to modeling topological spaces, with the crucial difference that simplicial sets are purely algebraic and do not carry any actual topology. To get back to actual topological spaces, there is a geometric realization functor which turns simplicial sets into compactly generated Hausdorff spaces. Most classical results on CW complexes in homotopy theory are generalized by analogous results for simplicial sets.

Melam at Tripunithura Poornathrayeesa Temple Panchari Melam is a percussion ensemble, performed during temple festivals in Kerala, India. Panchari Melam (or, simply, panchari), is one of the major forms of chenda melam (ethnic drum ensemble), and is the best-known and most popular kshetram vadyam (temple percussion) genre. Panchari melam, comprising instruments like chenda, ilathalam, kombu and kuzhal, is performed during virtually every temple festival in central Kerala, where it is arguably presented in the most classical manner. Panchari, however, is also traditionally performed, with a touch of subtle regional difference, in north (Malabar) and south-central Kerala (Kochi).

Although this piece is primarily Baroque, certain passages seem to follow the traditional lines of classical tragedy. In spite of the legerity of the plot concerning the lovers, the theme of death appears several times. Of course, there is the false death of Clindor which plunges the play into the atmosphere of tragedy; like Pridamant, the spectator is faced with emotions of terror and pity which are the two great theatrical sentiments according to Aristotle. However, the two passages that are the most classical in nature are the monologues of Isabelle (Act IV, scene 1) and of Clindor (Act IV, scene 7.

The many instructional books of the time show no standard playing technique but rather a reliance upon earlier traditions. For example, they often recommend that the right hand be supported on the guitar's table although the Spanish guitarist Nicario Juaralde took the modern view, warning against a loss of right-hand freedom. The thumb and first two fingers were mainly used for plucking with, in the 19th century, a free stroke (tirando) more commonly than the rest stroke (apoyando) that was favoured in the 20th century. Unlike most classical guitarists today, players were divided as to whether or not use fingernails.

The Shindō Yōshin-ryū syllabus is heavily influenced by two different lines of Yōshin-ryū, the Akiyama Yōshin-ryū (Tenjin Shin'yō-ryū) and Nakamura Yōshin Koryu (Totsuka-ha Yōshin- ryū). As a student of the teachings of Hōzōin-ryū, Kashima Shinden Jikishinkage-ryū, Hokushin Ittō-ryū, Totsuka-ha Yōshin Koryū and Tenjin Shin'yō-ryū, Matsuoka Katsunosuke consolidated many concepts of these various traditions into the foundational Shindō Yōshin-ryū. The curriculum of Shindō Yōshin-ryū is organized in a manner consistent with most classical schools of budo. The teachings are divided into three levels represented by the issuing of teaching licenses.

Sir Roger Aubrey Baskerville Mynors (28 July 190317 October 1989), often cited as R. A. B. Mynors, was an English classicist, textual critic, and medievalist who held the senior chair of Latin at the universities of Oxford and Cambridge. He is most renowned for his contribution to the study of manuscripts, from which most classical texts are reconstructed. Mynors' academic career spanned most of the 20th century and straddled both of England's two oldest universities. Having been educated at Eton College, he read Classics at Balliol College, Oxford and spent the early stages of his academic career as a fellow of the college.

Even at Versailles, the home of the most classical of all French gardens, a small English landscape park with a Roman temple was built and a mock village, the Hameau de la Reine (1783–1789), was created for Marie Antoinette. The monopteros in the Munich Englischer Garten The new style also spread to Germany. The central English Grounds of Wörlitz, in the Principality of Anhalt, was laid out between 1769 and 1773 by Prince Leopold III, based on the models of Claremont, Stourhead and Stowe Landscape Garden. Another notable example was The Englischer Garten in Munich, Germany, created in 1789 by Sir Benjamin Thompson (1753–1814).

Quantum nondemolition (QND) measurement is a special type of measurement of a quantum system in which the uncertainty of the measured observable does not increase from its measured value during the subsequent normal evolution of the system. This necessarily requires that the measurement process preserve the physical integrity of the measured system, and moreover places requirements on the relationship between the measured observable and the self-Hamiltonian of the system. In a sense, QND measurements are the "most classical" and least disturbing type of measurement in quantum mechanics. Most devices capable of detecting a single particle and measuring its position strongly modify the particle's state in the measurement process, e.g.

It is usual to distinguish two main kinds of theories about the semantics of donkey pronouns. The most classical proposals fall within the so-called description-theoretic approach, a label that is meant to encompass all the theories that treat the semantics of these pronouns as akin to, or derivative from, the semantics of definite descriptions. The second main family of proposals goes by the name dynamic theories, and they model donkey anaphora -and anaphora in general- on the assumption that the meaning of a sentence lies in its potential to change the context (understood as the information shared by the participants in a conversation).

Members of an American jazz dance company perform a formal group routine in a concert dance setting Theatrical dance, also called performance or concert dance, is intended primarily as a spectacle, usually a performance upon a stage by virtuoso dancers. It often tells a story, perhaps using mime, costume and scenery, or else it may simply interpret the musical accompaniment, which is often specially composed. Examples are western ballet and modern dance, Classical Indian dance and Chinese and Japanese song and dance dramas. Most classical forms are centred upon dance alone, but performance dance may also appear in opera and other forms of musical theatre.

And among the Sara Madjingay, the mbang (chief) of the village of Bédaya controls religious rituals that preserve and renew the social order. Even after the coming of Islam, the symbols of such authority reinforced the rulers of nominally Islamic states such as Wadai, Kanem-Borno, and Bagirmi. Finally, most classical African religions involve belief in a supreme being who created the world and its inhabitants but who then retired from active intervention in human affairs. As a result, shrines to a high god are uncommon, and people tend to appeal to the lesser spirits; yet the notion of a supreme being may have helped the spread of Christianity.

The historicity of the Trojan War is still subject to debate. Most classical Greeks thought that the war was a historical event, but many believed that the Homeric poems had exaggerated the events to suit the demands of poetry. For instance, the historian Thucydides, who is known for being critical, considers it a true event but doubts that 1,186 ships were sent to Troy. Euripides started changing Greek myths at will, including those of the Trojan War. Near year 100 AD, Dio Chrysostom argued that while the war was historical, it ended with the Trojans winning, and the Greeks attempted to hide that fact.

William Roberts, in his history of Christie's, claimed his "success as an auctioneer was only one degree less than his abilities as an author". William Henry Ireland (under the pseudonym 'Satiricus Sculptor, Esq.'), in his satire Chalcographimania (1814), favourably described Christie's skills as a dealer, being "the most classical of our auctioneering fraternity, having been gifted with scholastic education [...] As a vendor he ranks very fair". Despite this, he ridicules Christie for mistaking a painting of Frans Floris (under the name 'Florus') for a "chef-d'œuvre — Florentine", an anecdote he refers to as "supris[ing]" for Christie's "knowledge of several schools of painting", while hinting at his inferiority to his father.

Harmony refers to the "vertical" sounds of pitches in music, which means pitches that are played or sung together at the same time to create a chord. Usually this means the notes are played at the same time, although harmony may also be implied by a melody that outlines a harmonic structure (i.e., by using melody notes that are played one after the other, outlining the notes of a chord). In music written using the system of major-minor tonality ("keys"), which includes most classical music written from 1600 to 1900 and most Western pop, rock and traditional music, the key of a piece determines the scale used, which centres around the "home note" or tonic of the key.

A variety of guitar picks A "guitar pick" or "plectrum" is a small piece of hard material generally held between the thumb and first finger of the picking hand and is used to "pick" the strings. Though most classical players pick with a combination of fingernails and fleshy fingertips, the pick is most often used for electric and steel-string acoustic guitars. Though today they are mainly plastic, variations do exist, such as bone, wood, steel or tortoise shell. Tortoise shell was the most commonly used material in the early days of pick-making, but as tortoises and turtles became endangered, the practice of using their shells for picks or anything else was banned.

As Roman imperial power effectively ended in the West during the 5th century, Western Europe entered the Middle Ages with great difficulties that affected the continent's intellectual production dramatically. Most classical scientific treatises of classical antiquity written in Greek were unavailable, leaving only simplified summaries and compilations. Nonetheless, Roman and early medieval scientific texts were read and studied, contributing to the understanding of nature as a coherent system functioning under divinely established laws that could be comprehended in the light of reason. This study continued through the Early Middle Ages, and with the Renaissance of the 12th century, interest in this study was revitalized through the translation of Greek and Arabic scientific texts.

Gris was presented to the public as one of the 'purest' and one of the most 'classical' of the leading Cubists.Christopher Green, Juan Gris, MoMA, Grove Art Online, Oxford University Press, 2009 Pablo Picasso, 1918, Arlequin au violon (Harlequin with Violin), oil on canvas, 142 x 100.3 cm, Cleveland Museum of Art, Ohio Gris claimed to manipulate flat abstract planar surfaces first, and only in subsequent stages of his painting process would he 'qualify' them so that the subject-matter became readable. He worked 'deductively' on the global concept first, then consecrated on the perceptive details. Gris referred to this technique as 'synthetic', in contradistinction from the process of 'analysis' intrinsic to his earlier works.

In 1912-1916, he made several shows in cities along Volga River, Tiflis, Erivan, and various towns in Iran and Turkey. His most classical role was the character of Isgandar in "The Dead Men" ("Ölülər") satirical comedy by Jalil Mammadguluzade, performed in Baku in 1916. After the Sovietization of Azerbaijan, M. A. Aliyev organized the "Free Critical and Promotional Theatre" in Baku, and from 1924 till the end of his life worked at the Azerbaijani State Dramatical Theatre. Aliyev was also known as a cinema actor, and played in "In the name of God" ("Bismillah"), "Haji Qara", "The Game of Love" ("Məhəbbət Oyunu"), "The Diamond" ("Almaz"), "The Lights of Baku" ("Bakının İşıqları") and several other films.

Rousseau and the garden's founder had visited Stowe a few years earlier. Other early examples were the Désert de Retz, Yvelines (1774–1782); the Gardens of the Château de Bagatelle, in the Bois de Boulogne, west of Paris (1777–1784); The Folie Saint James, in Neuilly-sur-Seine, (1777–1780); and the Château de Méréville, in the Essonne department, (1784–1786). Even at Versailles, the home of the most classical of all French gardens, a small English landscape park with a Roman temple was built by the Petit Trianon and a mock village, the Hameau de la Reine, Versailles (1783–1789), was created for Marie Antoinette. The new style also spread to Germany.

The scene the term describes began in 1960, when Yoko Ono, one of the early Fluxus artists, opened her loft at 112 Chambers Street, in a part of Lower Manhattan later named Tribeca, to be used as a performance space for a series curated by La Monte Young and Richard Maxfield. Prior to this, most classical music performances in New York City occurred "uptown" around the areas that the Juilliard School at Lincoln Center and Columbia University would soon occupy. Ono's gesture led to a new performance tradition of informal performances in nontraditional venues such as lofts and converted industrial spaces, involving music much more experimental than that of the more conventional modern classical series Uptown.Kyle Gann, American Music in the Twentieth Century, p.

It is categorised as a radio-intermediate galaxy, lying between radio-quiet and radio-loud sources. The source of activity in the AGNs is a supermassive black hole (SMBH) lying at the centre of the galaxy. The mass of the SMBH at the centre of NGC 7213 is estimated to be between and based on the mean velocity dispersion or (3-47) × 106 (10) based on the polarization of broad Hα emission. NGC 7213 has been found to be a low-luminosity X-ray source. The 2-10 keV spectrum of NGC 7213 resembles the spectrum of Seyfert I galaxies, but also contains significant emission lines from FeXXV and FeXXVI, which are observed in LINERs and are not present in most classical Seyfert galaxies.

Both concentrated on the appearance of a wide range of minerals, where they came from, and how they were extracted and used.Harris, 45–50 While Pliny and others wrote on how to detect fake or imitation gems, some, like Jean d'Outremeuse (d. 1400), described how to make them in coloured glass, which by the Late Middle Ages was recommended for use in church metalwork.Vauchez, 822; Harris, 17 Most classical lapidaries are lost; of the 38 works listed by Pliny (in Book XXXVII), only Theophrastus' text survives.Harris, 55 There are hundreds of different medieval texts, but most are mainly based on a number of large works which were redacted, translated and adapted in various ways to suit the needs of the individual manuscript.

The distinction and significance of the building, first designed as a church, is derived from its mixed architectural style, which has elements drawn from all three of the Egyptian Revival, classical Greek and Art Deco genres. The Egyptian influences – a style found nowhere else in Leeds other than Temple Works (1836) in Holbeck – include the papyrus- based capitals topping its pilasters, and the three entrances with moulded stone architraves with amphorae above. Several pediments comprise the most classical part of the design; a Greek key pattern adorns the decorative gate piers – Portland stone by dressed gritstone walls, while a disc motif is prominent on each of the main elevations. Art Deco characteristics are found mostly internally, particularly the foyer and auditorium.

Most "classical compatibilists", such as Thomas Hobbes, claim that a person is acting on the person's own will only when it is the desire of that person to do the act, and also possible for the person to be able to do otherwise, if the person had decided to. Hobbes sometimes attributes such compatibilist freedom to each individual and not to some abstract notion of will, asserting, for example, that "no liberty can be inferred to the will, desire, or inclination, but the liberty of the man; which consisteth in this, that he finds no stop, in doing what he has the will, desire, or inclination to doe."Hobbes, T. (1651) Leviathan Chapter XXI.: "Of the liberty of subjects" (1968 edition).

Under the bridge a lever-activated string mute system was also implemented, in contrast to Fender basses' glued on or screwed in foam mutes. This setup did not prove particularly popular, however, and was phased out in favor of Gibson's new "3-point bridge". The string guard was also removed; a bridge guard was introduced and the knobs were replaced with the witch-hat design. In 1969 and 1970, the headstock was replaced with a slotted one (similar to those on most classical guitars), with tuning keys mounted at ninety degrees downwards behind the head. Between 1962 and 1965, Gibson produced a more expensive version called the Gibson EB-0F, which while superficially near identical, bar a longer pickguard also featured a built-in Fuzz box.

The carillon comprises 51 bells with a gross weight of ; the biggest bell weighs about , the smallest only . The carillon has a range of four octaves, so most classical and modern music can be performed on this instrument. The Peter and Paul carillon is a gift to Saint Petersburg from the Government of Flanders and from more than 350 sponsors from different countries. The contribution was presented in the name of Her Majesty Queen Fabiola of Belgium, the Belgian King Boudewijn Fund, the Government of Flanders, the authorities of various Flemish cities and communities, including businesses, and financial institutions, cultural communities, schools and universities, and also ordinary citizens of Belgium, Russia, England, Germany, Lithuania, the Netherlands, New Zealand, Portugal, the USA and Japan.

For example, adding more money to an economy would be expected only to raise prices, not to create more goods. The quantity theory of money dominated macroeconomic theory until the 1930s. Two versions were particularly influential, one developed by Irving Fisher in works that included his 1911 The Purchasing Power of Money and another by Cambridge economists over the course of the early 20th century. Fisher's version of the quantity theory can be expressed by holding money velocity (the frequency with which a given piece of currency is used in transactions) (V) and real income (Q) constant and allowing money supply (M) and the price level (P) to vary in the equation of exchange: :M\cdot V = P\cdot Q Most classical theories, including Fisher's, held that velocity was stable and independent of economic activity.

Mela's descriptive method follows ocean coasts, in the manner of a periplus, probably because it was derived from the accounts of navigators. He begins at the Straits of Gibraltar, and describes the countries adjoining the south coast of the Mediterranean; then he moves round by Syria and Asia Minor to the Black Sea, and so returns to Spain along the north shore of the Euxine, Propontis, etc. After treating the Mediterranean islands, he next takes the ocean littoral—to west, north, east and south successively—from Spain and Gaul round to India, from India to Persia, Arabia and Ethiopia; and so again works back to Spain round South Africa. Like most classical geographers he conceives of the continent as surrounded by sea and not extending very far south.

In the first phase, from about 1968 through the mid-70's Langs worked with a classical psychoanalytic approach, focused on the transference and on the analysis of dreams, dreams being interpreted in terms of disguised wishes and fantasies.Langs 1973; Langs 1974 he was already concerned at this date with the distinction between intrapsychic fantasies and experiences of reality. This distinction, according to him, cuts across both conscious and unconscious realms, thus permitting a careful look at unconscious perceptions (as opposed to unconscious fantasies). Unconscious perceptions became crucial for Langs' psychoanalytic psychotherapy because, whereas most classical psychoanalytic notions of the unconscious mind suggest that unconscious contents are purely intrapsychic fantasies, Langs insisted that some unconscious experiences are unconscious perceptions of reality, a point with substantial implications for therapeutic practice.

One of the most classical, quite old, is that of Johnson-Mehl-Avrami. The model proposed by Jean-Baptiste Leblod is in fact based on this classical model by generalizing it on two points: 1) it considers any number of phases and transformations between these phases, and not just two phases and a single transformation; 2) the transformations can remain, after an infinitely long time, partial, and not necessarily complete as in the Johnson-Mehl-Avrami model (this is linked to the existence, in the new model, of fractions "at equilibrium" of the phases towards which the system evolves after an infinite time, not necessarily equal to 0 or 1 but which can take any value between these limits). The Leblond model is designed for applications in the thermometallurgical treatment of steels; this explains its success with the modellers of these treatments.

After Enkidu dies of a disease sent as punishment from the gods, Gilgamesh becomes afraid of his own death, and visits the sage Utnapishtim, the survivor of the Great Flood, hoping to find immortality. Gilgamesh repeatedly fails the trials set before him and returns home to Uruk, realizing that immortality is beyond his reach. Most classical historians agree that the Epic of Gilgamesh exerted substantial influence on both the Iliad and the Odyssey, two epic poems written in ancient Greek during the 8th century BC. The story of Gilgamesh's birth is described in an anecdote from On the Nature of Animals by the Greek writer Aelian (2nd century AD). Aelian relates that Gilgamesh's grandfather kept his mother under guard to prevent her from becoming pregnant, because he had been told by an oracle that his grandson would overthrow him.

Most of Tse's songs were based on the Cantopop rock genre such as some of his top hits "front, back, left, right" (前前後後左左右右), "Exposure" (曝光), and "Lonely Base" (寂寞堂口). Some of his songs were produced in Tse's own 'Nic Production', which was revealed in several TVB interviews. Tse featured his flame guitar and a flamethrower in the music video of his widely popular song and one of his most classical pop rock songs, "Live Viva" (活著 VIVA). He has sung a number of duets with fellow Cantopop singers, namely "Love" (愛) with Charlene Choi, "Second Life" (第二世), "Amen" (阿門) both with Joey Yung, "Kid" (細路) with Eason Chan, "You Can't Stop Me" with Sam Lee and Stephen Fung, and "Beauty and the Beast" with Meilin.

The type of musical notation varies a great deal by genre or style of music. In most classical music, the melody and accompaniment parts (if present) are notated on the lines of a staff using round note heads. In classical sheet music, the staff typically contains: # a clef, such as bass clef or treble clef # a key signature indicating the key—for instance, a key signature with three sharps is typically used for the key of either A major or F minor # a time signature, which typically has two numbers aligned vertically with the bottom number indicating the note value that represents one beat and the top number indicating how many beats are in a bar—for instance, a time signature of indicates that there are two quarter notes (crotchets) per bar. Most songs and pieces from the Classical period (ca.

They achieve this by lifting the forehand, raising the neck and making it bigger by flexing the poll, while at the same time transforming their gaits to emphasize more upwards movement. When fighting, the horse will collect because in collection he can produce lightning speed reactions for kicking, rearing, spinning, striking with the front feet, bucking and jumping. This natural ability to collect is visible in every horse of any breed, and probably inspired early trainers to reproduce that kind of behavior in more controlled circumstances. This origin also points out why, according to most Classical dressage trainers, every healthy horse, regardless of its breed, can perform classical dressage movements, including the Haute Ecole jumps, or Airs above the ground, even though it may perform them a little differently from the ideal performance due to the build of its body.

The Sun, which has no similar surface of high atomic number to act as target for cosmic rays, cannot usually be seen at all at these energies, which are too high to emerge from primary nuclear reactions, such as solar nuclear fusion (though occasionally the Sun produces gamma rays by cyclotron-type mechanisms, during solar flares). Gamma rays typically have higher energy than X-rays. For example, modern high-energy X-rays produced by linear accelerators for megavoltage treatment in cancer often have higher energy (4 to 25 MeV) than do most classical gamma rays produced by nuclear gamma decay. One of the most common gamma ray emitting isotopes used in diagnostic nuclear medicine, technetium-99m, produces gamma radiation of the same energy (140 keV) as that produced by diagnostic X-ray machines, but of significantly lower energy than therapeutic photons from linear particle accelerators.

The endocrine system involves a number of feedback mechanisms, so that often one hormone (such as thyroid stimulating hormone) will control the action or release of another secondary hormone (such as thyroid hormone). If there is too much of the secondary hormone, it may provide negative feedback to the primary hormone, maintaining homeostasis. In the original 1902 definition by Bayliss and Starling (see below), they specified that, to be classified as a hormone, a chemical must be produced by an organ, be released (in small amounts) into the blood, and be transported by the blood to a distant organ to exert its specific function. This definition holds for most "classical" hormones, but there are also paracrine mechanisms (chemical communication between cells within a tissue or organ), autocrine signals (a chemical that acts on the same cell), and intracrine signals (a chemical that acts within the same cell).

Furthermore, where "the standard position of most classical religions and the religions of antiquity" had viewed science as "but one of several valid modes of knowing" having "an important and rightful place in the Great Chain of Being" alongside "theology and mysticism", this point of view "is now generally called epistemological pluralism". This perspective though too, according to Wilber, "was given perhaps its clearest statement by such Christian mystics as St. Bonaventure and Hugh of St. Victor: every human being has the eye of flesh, the eye of mind, and the eye of contemplation" [emphasis added]. As Wilber notes however, the underlying 'problem' as posed has been further obfuscated by a set of 'new paradigms' which "in effect replace the eye of contemplation with the eyes of mind and flesh". Consequently, he further clarifies that "the eye of flesh is monological; the eye of mind is dialogical; and the eye of contemplation is translogical" [emphasis added].

La capricciosa coretta premiered on 27 January 1795 under the title La scuola dei maritati to "rapturous applause" despite the presence of a large claque which had been hired to hiss the performance, partly by supporters of "real" Italian composers as opposed to the Spanish interloper, Martín y Soler, and partly by devotees of Brigida Banti who was also performing at the King's Theatre during that season and was the arch- rival of Anna Morichelli, the prima donna of La Capricciosa. The critic from the Morning Chronicle wrote of the premiere: > It is not easy to speak in adequate praise of this composition. The variety > and beauty of the airs strike the most uninformed as forcibly as the most > classical ear, and we are persuaded that they will all find their way to the > English Theatre, and strike John Bull as pleasantly as they have the more > refined taste of the Italian cognoscenti.Della Chà, Lorenzo (2007).

In many Western classical poetic traditions, the metre of a verse can be described as a sequence of feet, each foot being a specific sequence of syllable types — such as relatively unstressed/stressed (the norm for English poetry) or long/short (as in most classical Latin and Greek poetry). Iambic pentameter, a common metre in English poetry, is based on a sequence of five iambic feet or iambs, each consisting of a relatively unstressed syllable (here represented with "-" above the syllable) followed by a relatively stressed one (here represented with "/" above the syllable) — "da-DUM" = "- /" : - / - / - / - / - / So long as men can breathe, or eyes can see, - / - / - / - / - / So long lives this, and this gives life to thee. This approach to analyzing and classifying metres originates from Ancient Greek tragedians and poets such as Homer, Pindar, Hesiod, and Sappho. However some metres have an overall rhythmic pattern to the line that cannot easily be described using feet.

As Stewart Shapiro explains in his Thinking About Mathematics, Russell's attempts to solve the paradoxes led to the ramified theory of types, which, though it is highly complex and relies on the doubtful axiom of reducibility, actually manages to solve both syntactic and semantic paradoxes at the expense of rendering the logicist project suspect and introducing much complexity in the PM system. Philosopher and logician F.P. Ramsey would later simplify the theory of types arguing that there was no need to solve both semantic and syntactic paradoxes to provide a foundation for mathematics. The philosopher and logician George Boolos discusses the power of the PM system in the preface to his Logic, logic & logic, stating that it is powerful enough to derive most classical mathematics, equating the power of PM to that of Z, a weaker form of set theory than ZFC (Zermelo-Fraenkel Set theory with Choice). In fact, ZFC actually does circumvent Russell's paradox by restricting the comprehension axiom to already existing sets by the use of subset axioms.

The Stockholm Maritime Museum (1931-1934) by Ragnar Östberg Skogskyrkogården, cemetery (1917-1940) by Gunnar Asplund and Sigurd Lewerentz Puu-Käpylä workers' housing area, Helsinki (1920-25) by Martti Välikangas Interest in Nordic Classicism, especially in its most classical form, arose in the late 1970s and early 1980s at the height of postmodernism when critics, historians and architecture teachers were looking for historical precedents for the architecture of such architects as Michael Graves, Leon Krier and Robert Stern. Nordic classicism provided that precedent, especially with such seminal buildings as Gunnar Asplund's Scandia Cinema in Stockholm (1924), Listers District Courthouse (1917–21), Villa Snellman in Djursholm (1917–18) and Stockholm Public Library (1920–28), as well as the landscape and buildings of the Skogskyrkogården Cemetery, Stockholm (1917–1940) by both Asplund and Sigurd Lewerentz. In regards to architectural style, there were several precedents or reasons which account for the rise of Nordic Classicism. First was the existing classical tradition, borne from the architecture of Absolutism - that is, the classical architectural symbols of power of the Swedish and Danish monarchies - down to the vernacular, for instance in terms of considerations for symmetry, detailing and proportion.