78 Sentences With "most avant garde" | Random Sentence Generator

His own theatre, the Gogol Centre, is one of Moscow's most avant-garde.

"All The Love" by Kate Bush is from her most avant-garde album The Dreaming.

Nicotine limits would be one of the most avant-garde tobacco policies in the world.

More than any other city, London is home to some of the most avant-garde fashion houses in the world.

This might be Songdo's most avant-garde integration, and only seven employees are needed to handle the entire city's garbage.

Renowned as the most avant-garde of the 20th-century couturiers, Elsa Schiaparelli founded her maison in the late 1920s.

But Yamaha's most avant-garde hybrid is the Disklavier, a piano that also looks like an acoustic but is fully digital.

"People very happily go to the most avant-garde art exhibitions and get what they can out of it," he said.

One of the most avant-garde obesity policy experiments is happening in Chile, where health officials are trying to revolutionize nutrition labeling.

Sehgal isn't the first artist I've seen work with the public, nor is his work necessarily the most avant garde of its type.

Superhot explains its rules with subtle visuals Video games have it tough; the most avant-garde creations need to communicate how to read unfamiliar mechanics.

Most avant-garde horn players then were letting go of the piano and all other chordal instruments, not to mention the structures of song form.

Beyond staging some of London's most avant-garde theater productions, there is a large bar that hosts club nights for as many as 250 people.

It became a seminal work, giving life to the homonymous artistic and cultural movement that's been one of the most avant-garde and absurd in history.

"She was an avant-garde artist whose most avant-garde work was her own life," said the art historian Ozlem Gulin Dagoglu, who is writing a monograph on her.

Through the showbiz magic known as "pressuring Showtime into giving him final-cut authority," Lynch recently pulled off the single most avant-garde hour of TV in the medium's history.

I can confirm, after visiting it in the rain and mud on Wednesday, that it will be the most avant-garde show court in professional tennis, and one of the most intimate.

Though perhaps ultimately the most avant-garde of all the approaches was the one evinced by both Anna Wintour, a co-chairwoman of the event, and Ms. Kawakubo herself: Ignore the dress code entirely.

Both Steve Rubell, a co-owner of Studio 54, and Steve Mass, the owner of the Mudd Club, are depicted, but the second act focuses on the downtown outpost, approximating its most avant-garde sounds.

Italian architects used what had been an amalgamation of highland villages centuries earlier as "an ideal blank canvas", according to UNESCO's description, to practice what were, at the time, some of the world's most avant garde designs.

As the official supermodel in the family and peak Cool Teen™, it falls on Kendall's shoulders to test out all of the latest, most avant garde fashions and report back to her siblings on her findings.

What do you get when you pair Japanese designer Rei Kawakubo and her label Comme des Garçons (the epitome of fashion at its most avant-garde) with Italian designer Alessandro Michele's very specific brand of maximalism at Gucci?

Characters who broke the fourth wall had long been a feature of Bergman's films, but in the manner of theatrical asides; after Bergman's 1966 breakthrough "Persona," his most avant-garde-influenced picture, the practice was more starkly cinematic.

The focus of the Met Museum's 2017 exhibition, The Art Of The In Between, and the theme of that year's Met Gala, Japanese designer Rei Kawakubo and her label Comme des Garçons, epitomize fashion at its most avant-garde.

And those who think that the worth of art must be judged according to the moral and political commitments of its creator ultimately consign all art to the dustbin, since even the most avant-garde artists are creatures of their time.

So Europe's crustiest old monarchy often supported some of the most avant-garde artistic projects of the day, such as the Vienna Secession movement of 1897, in the interests of strengthening the universal language of art and architecture that might unite the empire.

Last year's monumental Broken Flowers EP (the first joint release between PC Music and major label Columbia Records) was probably the most avant garde thing A-listed by Radio One since those dudes tried to get John Cage's "4'33" to Christmas number one.

After years of litigation and delays, the new and expanded French Open is at last on its way, and this construction site, which will occupy the corner of these elegant municipal gardens, will eventually become one of the most avant-garde tennis stadiums in the sport's history.

Barely covered was Olivia Wilde - the bodice of her Valentino dress was little more than two narrow vertical panels - while the Givenchy gown of Rooney Mara, nominated for supporting actress in "Carol," was considered by fashion watchers as the most avant-garde of the night with its dramatic side split and cut-out diamond at the midriff.

The architecture world--like an art world dominated by critics, and a literature world dominated by creative writing programs--was producing buildings that nobody liked. Many architects, in Wolfe's opinion, had no particular goal but to be the most avant-garde. In .

After being outed, she eventually retreats to the sanctuary of the freedom of the forest. Trifonia Melibea Obono is considered one of the most avant-garde and brave Black African voices in former colonial Spanish Africa. The book is her second major novel published in Spanish.

Cluster's 1979 release Grosses Wasser was produced by ex-Tangerine Dream member Peter Baumann and once again featured a wide variety of styles, including some of the most avant-garde material since the demise of Kluster, particularly during the middle section of the title track, which occupied all of side 2.

The Pope Villa in Lexington, Kentucky, USA, was designed by Benjamin Henry Latrobe in 1811 for Senator John Pope. It is one of only three extant Latrobe residences in the United States. As one of Latrobe's most avant-garde designs, the Pope Villa has national significance for its architect and unique design.Pope Villa Brochure The Bluegrass Trust for Historic Preservation.

Bulanda & Mucha Architects is a Polish studio for architecture with headquarters in Warsaw. The practice is led by its founders Andrzej Bulanda and Włodzimierz Mucha. It's recognized as one of the most active and most avant-garde architectural firm that designing modern architecture in Poland, and also as one of leading Polish architects. Its most important design is the BRE Bank building in Bydgoszcz.

Heather Phares of AllMusic considered Stewart's stylistic choices "provocative" and the album Stewart's "most avant-garde ... in years". She added that the album considered the "more progressive aspects" of Simone's music. Kyle Fowle of Slant Magazine thought the album to be Xiu Xiu's "most ambitious ... in years". He thought Stewart's vocal style was out of place on "Don't Explain" and "Just Say I Love Him".

Twelve issues of 291 were printed over the next fourteen months, showcasing some of the most avant-garde art and design of the times. Unfortunately, the magazine did little to revive the status of the gallery. Stieglitz continued to present some outstanding shows, but the overall effect of the mounting war tension on the economy could not be overcome. In 1916 Stieglitz met Georgia O'Keeffe.

This served to confirm Gear's reputation as being one of the most avant-garde painters of his day. The painting was renamed 'Spring Landscape' by the Suter Trustees and was influential on New Zealand artists; possibly inspiring Colin McCahon (such as his 'Titirangi Kauri' paintings from 1953) and most certainly Irvine Major, whose 1967 exhibition 'Nelson in Abstract Form' owed much to this work.

Pioneering artistic photographers such as Stieglitz, Edward Steichen, Alvin Langdon Coburn, Gertrude Käsebier and Clarence H. White all gained critical recognition through exhibitions at 291. Equally important, Stieglitz used this space to introduce to the United States some of the most avant-garde European artists of the time, including Henri Matisse, Auguste Rodin, Henri Rousseau, Paul Cézanne, Pablo Picasso, Constantin Brâncuși, and the Dadaists Francis Picabia and Marcel Duchamp.

Among his credits are the last recorded work by Coltrane (The Olatunji Concert) and Interstellar Space, an album of duets recorded earlier in 1967. Ali "became important in stimulating the most avant-garde kinds of jazz activitie," playing what Coltrane described as "multi- directional rhythms". After Coltrane's death, Ali performed with his widow, pianist Alice Coltrane. During the early 1970s, he ran Ali's Alley, a loft club in New York City.

Alexandria won the 2013 Criticos Prize for literature on themes from ancient or modern Greece. The Senecans: Four men and Margaret Thatcher, his memoir of the 1980s and 90s, was published in September 2016. The critic, Stuart Kelly, described Stothard as 'one of the most avant-garde practitioners of the form'. He was chairman of judges for the Man Booker Prize for Fiction (2012) and President of the Classical Association.

Gustavo Becerra-Schmidt (August 26, 1925 – January 3, 2010) was a Chilean composer. Becerra-Schmidt was born in Temuco, studied in Santiago, and lived in Germany since 1973, where he taught at the University of Oldenburg since 1974. Becerra was a prolific Chilean composer. His catalogue includes hundreds of compositions that goes from the most traditional to the most avant-garde, from popular songs to large scale cantatas, symphonies and oratorios.

The Yardbirds asked him if he would manage them. They were looking for a replacement for their original manager, Giorgio Gomelsky. With the group's bassist, Paul Samwell-Smith, Napier-Bell then co- produced the Yardbirds’ first studio album—Roger the Engineer. He oversaw the entry of Jimmy Page into the group and produced the group's next single, "Happenings Ten Years Time Ago", considered one of the most avant garde rock records of the time.

La Bastarda was written by Trifonia Melibea Obono, a Spanish-speaking black woman from Equatorial Guinea. It is her second major novel in Spanish, and third overall. Obono has been described by ABC and Casa Africa as one of the most avant-garde and brave Black African voices in former colonial Spanish Africa. Obono is considered Spanish when at home in Equatorial Guinea, while being considered a negra while living in Spain.

Ethel Spears was born in Chicago, Illinois, on October 5, 1903, and grew up in the Beverly area. After high school, she entered the School of the Art Institute of Chicago (SAIC), where she studied textiles and earned a certificate after completing a three- year program. Having already lost interest in textiles, she immediately re- enrolled in SAIC to study fine arts. Spears chose to study under the most avant-garde member of the faculty, muralist John W. Norton.

The music video for "Cocoon" was directed by Eiko Ishioka and was shot in April 2001 in New York City. One of Björk's most avant-garde music videos, it: "plays with minimalist white for both costume and bleached eyebrows, treating Björk as a geisha whose makeup extends over her entire nude body". Red threads emerge from her nipples and circulate between her breasts and nose, finally enveloping her in a cocoon. Björk actually wore a very close-fitting body suit.

She was exposed to art at an early age by her family environment. She lived in England and then in Germany, where she discovered the most avant-garde of artistic forms. She took influence from interacting with members of the group Zero, Beuys, John Cage, Gregory Corso, John Coltrane, and she befriended Gotthard Graubner and Reiner Ruthenbeck. In the late 1960s, she lived in New York, where she met Dennis Oppenheim, and came into contact with the New York art scene.

He also played the piano and accordion for various musicals such as Big in 1998. He joined the keyboard harmonica orchestra P-blot in 1996 and was considered "the most avant-garde man" of the group because of his acute and clear playing. Through his various activities in Tokyo he dealt with many genres of music and learned different aspects of composition, arrangement, and music production. In recent years he has mainly worked as a composer of soundtracks for anime, often collaborating with director Takahiro Omori.

According to Morley, Haig was the "enigmatic fourth man" in a New Pop quartet which also included Billy Mackenzie, Jim Kerr and Martin Fry, all of them deemed potential pop saviours in a parallel universe where Morley deemed Dollar "the most avant-garde group in the world". Even by Morley's standards the statement was hyperbolic, although the writer would later go some way towards validating it by directing ZTT signing Propaganda to cover Josef K's song "Sorry for Laughing" on their debut album A Secret Wish in 1985.

Kohner used the earnings from his banking and other businesses to buy an estate of 28.000 acres near Szolnok, Hungary, with the goal of transforming it into a model farm and university study center. Professors and students from the Agrarian University of Budapest used this land as an experimental laboratory and it ultimately became one of the most avant-garde farming system of all time.Alessandra Farkas: Pranzo di Famiglia, Sperling&Kupfer; Editori, 2006 Kohner was also a talented musician. He plays the cello and had a vast collection of Stradivarius and Guarneri violins.

According to historian David Simonelli, further to "Tomorrow Never Knows" in 1966, "Strawberry Fields Forever" and "Penny Lane" "establish[ed] the Beatles as the most avant-garde [pop] composers of the postwar era". He also says: > With this double-sided single, the Beatles planted the flag of Romanticism > squarely at the center of psychedelic rock. They emphasized innocence, > childhood as purity, improvisation, and the spirits of individuality and > community united as one. For the next three to five years, these ideals > would dominate rock music on both sides of the Atlantic.

Castrillo broke onto the Filipino arts scene in 1966, when he held his first one-man show at the Northern Motors showroom in Makati. That same year, his first major public sculptures were unveiled – “The Virgin” at La Loma Cemetery and “Youth’s Cry of Defiance” in Fort Santiago, both in Metro Manila. During the 1970s, the height of Martial Law under the Marcos dictatorship, Castrillo was considered to be the most avant- garde sculptor in the Philippines.Daoana, op cit. By the 1980s, Castrillo’s reputation as a leading artist in his country was beyond dispute.

The Viaduct 1919 (Exhibition of Modern Art, Bourgeois Galleries, New York ) He was born in Corona, Queens, worked for the Federal Art Project and studied at the Art Students League of New York under the tutelage of Robert Henri and Kenneth Hayes Miller. In 1909, he took a six- month leave of absence from his job to study art in Paris. During this time, he was introduced to the styles of Impressionism and Cubism. He exhibited with many of the most avant-garde venues and dealers of the period, including the Society of Independent Artists.

In 1962, Mishima's most avant-garde work, , which at times comes close to science fiction, was published to mixed critical response. in 1961 is considered a parody of the classical Noh play Motomezuka, written in the fourteenth century by the playwright Kiyotsugu Kan'ami. In 1965, was published. This work was a dialogic play by six women, in which Mishima was exploring the mystery of Madame de Sade's last mysterious determination, while revealing the image of Marquis de Sade who was branded as vice, in the confrontational conversation of six women.

The AllMusic review by Scott Yanow stated "This is one of the best showcases for Jack Walrath's trumpet playing. ... The music falls into the wide area of post-bop, more advanced than hard bop but not as free as most avant-garde music. Walrath, who has always had a gift for coming up with memorable song titles (including on this LP "Li'l Stinker," "A Plea for Sanity," and "At Home in Rome"), gives each selection its own purpose and his solos are full of spirit and consistent invention. Recommended".

Reliefs on the Trajan's Column The reliefs of Trajan's Column produced in this period are considered not only masterpieces of Roman civilization, but of ancient art in general. The spiral-shaped column covered with reliefs was an absolute novelty in ancient art and became the most avant-garde arrival point of the Roman historical relief. The artist of the column frieze had in fact fully assimilated Hellenistic (and classical) art, further developing it in the wake of the Roman historical narrative, with motifs taken from the immediacy of life.Bandinelli & Torelli, pg.

Friday Night Lights was also among Johnston's top ten. Writing about this, he noted: "Who'd have thought a tribute to heartland values would turn out to be the most avant-garde show on TV? The music and random close-ups said more than the dialog in Peter Berg's phenomenal football drama, which gave Kyle Chandler and Connie Britton the roles of a lifetime and (if there's any justice)will secure stardom for newcomers Gaius Charles and Taylor Kitsch."Time Out New York, 12/28/2006-1/3,2007, p. 150.

The compositions were the band's most avant garde and orchestral since Nemilovaný svět, a sharp left turn from their increasingly rock-oriented sound. The band continued their hefty touring schedule, although they had ceased travelling to North America due to complications with their booking agency. A live DVD shot in 2003 at a Tokyo performance was released on the Poseidon label in 2006; this set, released as Uz jsme doma v Tokiu (Live in Tokyo), featured a good overview of material from the band's career performed in hornless arrangements.

Schematic of district attractions. Space for Life () is a museum district in Montreal, Quebec, Canada. It brings together the city's four most prominent natural museums: the Montreal Biodome and the Rio Tinto Alcan Planetarium, situated in Montreal's Olympic Park, and the Montreal Botanical Garden and Montreal Insectarium, in the adjacent Maisonneuve Park.Max Harrold, "'It will be the most avant-garde planetarium'; Building to attain high environmental certification," Montreal Gazette, 2 February 2012, A4. Space for Life was established in 2011 as a successor body to Montreal Nature Museums.

Booloominbah is of State heritage significance as one of the largest private country houses built in Australia during the 19th century and amongst the most avant-garde domestic Arts and Crafts style designs of the time. Designed as an interpretation of an English country house, Booloominbah sits in a relatively intact landscape. As such, it is exemplary of the work of architect John Horbury Hunt. As well as being large, it is also extravagant in decoration, in particular the use of stained glass. The fabric substantially demonstrates the wealth and influence of pastoralism in NSW in the late 19th century.

For a short time in 1987–1988, Chicago actually had two such stations, as the "Wave" network was also heard on WTWV-FM, licensed to suburban Des Plaines (now WPPN). In the late 1980s, research firm Cody/Leach conducted a study for WNUA-Chicago; it was through the verbatim responses from listeners that the name "Smooth Jazz" was identified. WNUA then adopted the slogan "Smooth Rock and Smooth Jazz", replacing the old slogan "Music for a New Age" as the station added more vocals and dropped most "avant-garde" instrumentals. Under the direction of General Manager John Gehron, "Smooth Rock" was dropped.

Eleven years after his career in Dagestan, he was called to duty on the Armenian soil against the Turks. Finally his skills would be used to save his historic homeland. When Lazarian first got to the area of the military conflict, his role was quiet limited compared to the likes of Count Loris-Melikov and General Arshak Ter-Gukasov. Nevertheless, when duty called upon the general during the strike upon the Aladzhin position, he showed great promise on his front when given the command of the most avant garde divisions in the army, which was the only wheel-transport between Arpachay and Kegacha.

St. George's was founded by a small group of parents who, inspired by the movement for progressive education, rejected the authoritarian ways associated with conventional education. They believed that learning should be a natural and enjoyable activity related to the developmental stages and needs of the child. During most of the 20th century it was notable for being one of the most avant garde, liberal and innovative schools in the province of Quebec, largely due to its child-centered philosophy (which was quite exceptional in the 1930s, and unique in Montreal). St. George's is a day school, however there is a family boarding program for international students.

Unlike the earlier expositions, whose buildings were in the pure Beaux-Arts style, this Exposition featured by some of the most avant-garde architects of the time, including Le Corbusier and two architects from Soviet Russia, Konstantin Melnikov, who designed the Soviet Pavilion, for which he won a gold medal, and the architect Alexander Rodchenko; their buildings, in the new constructivist style, were noted for their assertive modernity and lack of ornament. The pavilion designed by Le Corbusier was called the Esprit Nouveau (New Spirit) and contained his design for the Paris of the future. His vision called for replacing a large part the right bank of Paris with two- hundred-meter tall skyscrapers and giant, rectangular apartment blocks.

Historian David Simonelli writes that, further to the Beatles' "Tomorrow Never Knows" (Revolver, 1966), the band's February 1967 double A-side single, pairing "Strawberry Fields Forever" with "Penny Lane", "establish[ed] the Beatles as the most avant-garde [rock] composers of the postwar era". Aside from the Beatles, author Doyle Greene identifies Frank Zappa, the Velvet Underground, Plastic Ono Band, Captain Beefheart, Pink Floyd, the Soft Machine and Nico as "pioneers of avant-rock". In addition, The Quietus Ben Graham described duos the Silver Apples and Suicide as antecedents of avant-rock. In the opinion of Stuart Rosenberg, the first "noteworthy" experimental rock group was the Mothers of Invention, led by composer Frank Zappa.

Alfred Stieglitz was one of the most active arts promoters in the world in the early 1910s. He was already famous for his own photography, he published the well-known magazine Camera Work and he ran the progressive art gallery 291 in New York. After the Armory Show in 1913, a trio of artists and supporters (de Zayas, Meyer and Haviland) gathered around Stieglitz at his gallery, encouraged by his recent interest in promoting other art forms in addition to photography. In January 1915 they proposed the idea of starting a new magazine that would showcase the most avant-garde art of Europe and the U.S., and at the same time bring attention to Stieglitz's gallery.

In 1967, Marshall Chess formed Cadet Concept Records as a subsidiary of Chess Records. The label's first release was the self-titled debut album of the psychedelic band Rotary Connection, whose members Chess described as "the hottest, most avant garde rock guys in Chicago". As a result of the album's success, Chess felt that he could revive the career of bluesmen Muddy Waters and Howlin' Wolf by recording two albums of experimental, psychedelic blues with members of Rotary Connection as the backing band for the singers, producing the albums Electric Mud and The Howlin' Wolf Album. Chess hoped the new albums would sell well among fans of psychedelic rock bands influenced by Muddy Waters and Howlin' Wolf.

On November 25, 2004, Mulcair launched Quebec's Sustainable Development Plan and tabled a draft bill on sustainable development. Also included was a proposed amendment to the Quebec Charter of Human Rights and Freedoms to create a new right, the right to live in a healthy environment that respects biodiversity, in accordance with the guidelines and standards set out in the act. Mulcair's Sustainable Development Plan was based on the successful European model and was described as one of the most avant-garde in North America. Mulcair followed the proposal by embarking on a 21-city public consultation tour, and the bill was unanimously adopted by the National Assembly of Quebec in April 2006.

He earned both praise and criticism for his later works which advance controversial concepts such as other dimensions, dematerialization, and Morph worlds. His most avant garde claims are based on the idea that Paul Dirac's hypothesis of parallel antiparticle worlds is, in fact, correct, and that humans adept at trance meditation can become aware of spiritual dimensions placed at 90° from them left and right—dimensions, Wilde said, that follow Hawking's theory of transverse waves of light. Wilde acknowledged there was no empirical data to support his claim, but anecdotal evidence, gathered from more than two- thousand people whom he taught, stated they had experienced such transcendental 90° perception which led him to conclude these worlds exist.Wilde, Stuart.

The first Ballot for pictures to be chosen from the Annual Exhibition of Local Artists took place in 1835. Edward Burne-Jones was born in Birmingham, spent his first twenty years in the city, and later became the president of the Birmingham Society of Artists (which dates from 1826). He strongly influenced the Birmingham Group, which formed the link between late Romanticism in the visual arts and the Birmingham Surrealists who were prominent in the city's arts in the early and mid-20th century. The Scottish painter William Gear (1915–97) had studied with Fernand Léger in Paris and after World War 2 became the only British member of the Surrealist-influenced COBRA, the most avant-garde movement of the time.

The song was influential on psychedelic rock and, in Chris Ingham's description, it established "the standard and style for the entire psychedelic pop movement that would follow". Walter Everett identifies the song's ending as an example of the Beatles' continued pioneering of the "fade-out–fade-in coda", further to their use of this device on the 1966 B-side "Rain". He cites "Helter Skelter" as a later example, as well as Led Zeppelin's 1969 track "Thank You" and, as a direct response to the Beatles' lead, both sides of the Rolling Stones' August 1967 single, "We Love You" and "Dandelion". According to historian David Simonelli, further to "Tomorrow Never Knows" in 1966, "Strawberry Fields Forever" and "Penny Lane" "establish[ed] the Beatles as the most avant-garde [pop] composers of the postwar era".

Throughout the years, the chorus encompasses a repertoire ranging from Renaissance motets to Mahlerian choral symphonies (the chorus is the first university chorus in Hong Kong which has performed all choral symphonies of Mahler), up to the most avant-garde pieces from composers all over the world. As the pioneer of contemporary choral music, the chorus commissions young Hong Kong composers for new works every year. Recent commission works includes Dennis Wu's Below the Kau To Shan, Andy So's The Flower of Love, Samson Young's When He Said etc., with the most recent one being Lok-yin Tang's Frozen Tears I and II. To lay a better foundation for its never-ending artistic pursuit, CU Chorus established charitable organization status with "CU Chorus Association" (a limited company) in January 2012.

A 1914 advertisement published in The Times listed a number of couturiers with whom Handley-Seymour had agreements to allow her to reproduce their models for her clientele, including Paul Poiret and the Callot Soeurs. Poiret was at that time considered one of the most avant-garde and daring couturiers, meaning that Handley-Seymour was catering to a clientele who expected to be offered the smartest, most fashionable Paris modes. Many of the gowns provided by Madame Handley-Seymour were co-designed and created by Avis Ford, who started out as an apprentice in the 1910s and eventually became chief designer and fitter. Following the retirement of Handley-Seymour and at the request of Queen Mary, Ford opened her own couture establishment in the early 1940s on Albemarle Street, and continued to provide clothing to the Royal Family.

Also in this exhibition in an exclusive way, he showed the Picto series which are volumes, paintings made with a technique based on using colors as a solid material like pigments or other pastes. This creates micro-volumes where the pigment or color can appear to come from inside the picture, in its middle coats or at the surface generating millions of textures and volumes. In the same year he was selected to take part in the International Biennial Exhibition of Contemporary Art in Florence where he showed his most avant-garde work. The international reviews specialized in art was highly impress by his sculptures The Cloth Sailing Ships and reviews are written about his work in international art press, together with an invitation to represent Spain at the Triennial Exhibition of Contemporary Art in Paris.

It featured a wide variety of styles, including some of the most avant-garde material created by Moebius and Roedelius since the demise of Kluster with Conrad Schnitzler's departure in 1971, particularly during the middle section of the title track, which occupied all of side 2. Other tracks, including "Manchmal" and both the opening and closing sections of "Großes Wasser" continued the gentle, melodic style of the previous three albums, while others echoed the rhythmic style of Zuckerzeit, albeit with more of an edge. Steven and Alan Freeman, writing in their book The Crack in the Cosmic Egg, describe the title track, in part, as "...a lengthy suite growing out of silence with atmospheric Florian Fricke-like sustained piano tones, via bizarre crackling electronics onto almost tribal-industrial rock percussives." Großes Wasser was first reissued on CD by Sky Records in 1992.

The Los Angeles Times said that the show had lost its innocence, while The Boston Globe said the event was "out of sync with the real-life tone of the show." Others were more positive, though, with Variety saying "faith should be shown in showrunner/writer Jason Katims" while The New York Times said "to hold Friday Night Lights to a measure of realism would be to miss what are its essentially expressionistic pleasures." Time Out magazine's Andrew Johnston included the series in his list of the ten best TV shows for both 2006 and 2007, stating "Who'd have thought a tribute to heartland values would turn out to be the most avant-garde show on TV? The music and random close-ups said more than the dialogue in Peter Berg's phenomenal football drama."Time Out New York, 12/28/2006-1/3/2007, p. 150.

Before she set off for her advanced master study at the University of Padua and the Technical University of Catalonia, she released her most avant-garde music project OUTIM – Once Upon a Time in Mingrelia, a work combining journeys to Georgia and Eastern Black Sea of Turkey, writing a book, constructing a house with local materials and carpenters, recording a music album using her own lyrics as well as the words of the Mingrelian poet Xhelimishi Xasani.This album was also recorded with Limbo in Bristol, UK. Mircan's third album "Sala" was reviewed by FROOTS magazine and described as a Pre-Raphaelite tapestry, a genius work full of juxtapositions. In 2010, she was awarded the best film music award at 47th Antalya International Golden Orange Film Festival with the music she has produced for the film "Kar Beyaz/White as Snow" directed by Selim Gunes. The film music was produced in collaboration with musicians in Turkey, Australia and England.

The Irish poet and folklorist Ella Young, as well as the local press, described the relaxed social intercourse in this counterculture world.Carmel Pine Cone: 1 November 1935, p. 6; 14 February 1936, p.11. In 1928 the Steffenses helped to create The Carmelite, a publication that was offered as an alternative to the town’s somewhat stodgy local paper, the Carmel Pine Cone. With contributions by numerous leftist literati, including Jeffers, Martin Flavin, Lewis and the Steffenses, along with theatre, dance and art reviews by feminist artists such as Alberta Spratt, Jennie V. Cannon and Roberta Balfour, The Carmelite became one of California’s most controversial publications. Its illustrations ranged from Weston’s enigmatic photos to the “anarchist” prints of James Blanding Sloan. The Steffenses also arranged for public exhibits of Europe’s most avant-garde art, including Dada, Surrealism and the paintings of Paul Klee. Ella wrote on various topics and once reported on the very unusual meeting between the popular Modernist artists John O’Shea and Frederick O’Brien.The Carmelite, 3 April 1929, p. 3.

John Yau, Jean Croti, Inhabiting Abstraction, The Brooklyn Rail, 2011Laurette E. McCarthy, Walter Pach, Walter Pach (1883-1958): The Armory Show and the Untold Story of Modern Art in America, Penn State Press, 2011 The Montross exhibition introduced some of the most avant-garde French art of the time to the New York art scene, causing a sensation and once again forcing American artists to rethink their ideas about art. This exhibitions demonstrated that there existed an even more radical approach in art than that offered by the Futurists and Cubists, who were considered at the time to represent the most extreme forms of art.Francis M. Naumann, Conversion to Modernism, Chapter Seven, The Art of Painting in Two Dimensions, Part 2: The Paintings, Drawings, Watercolors, and Collages of 1916 Edgar S. Thomson, Brooklyn Bridge, 1895, Brooklyn Museum, Brooklyn Public Library Painters suspended on cables of the Brooklyn Bridge, 7 October 1914 After Gleizes returned to Europe, Stella became interested in the Bridge as a motif. In Paris, from 1911 to 1912, Stella had been in contact with the Cubists and Italian Futurists, who admired contemporary concepts of the future, including motion, speed and technological triumphs of humanity over nature.