Kourtney, sometimes the most abrasive Kardashian sister, is at her most willfully warm and inviting.
|
|
There's no need to go out in search of the most abrasive scrub on the market.
|
|
Most soaps will do the trick — it doesn't necessarily take the most abrasive and pestilent products around.
|
|
It's Harmony Korine selecting the most abrasive, obtrusive music he could find to match his abrasive, obtrusive film.
|
|
It reminded me how I devoured every episode and season of Girls on HBO, even at its most abrasive.
|
|
GOP voters had their choice of over a dozen candidates and picked the loudest, most abrasive one of the bunch.
|
|
And everyone in baseball had a bone to pick with Durocher, who was one of the most abrasive personalities of that or any era.
|
|
Like Dendritic Arbor and Knelt Rote before them, the trio draw from the most abrasive qualities of each discipline in order to inflict maximum damage.
|
|
It's his most accessible release yet—with songs as immediate as the plaintive and mournful "Hope" and the disquieting "Crime"—but at other moments, his weirdest and most abrasive.
|
|
Wild Country used Dura Weave fabric in the harness that proved to be both flexible and durable despite my attempts to grate it against Joshua Tree's most abrasive chimneys.
|
|
I'm curious to know what the brief was for this, the most abrasive composition in living memory, but it's safe to assume the words "toon" and "shots" appeared in bold and all-caps.
|
|
The movie is mostly too incompetent to be fun — Yeardley Smith (voice of Lisa Simpson) delivers one of the most abrasive performances ever committed to screen — but the AC/DC score is pretty great.
|
|
For he and Kenney, that means not only rabidly exploring the most abrasive elements of multiple genres, but also giving their listeners the opportunity to question what they're hearing, as well as the wider world around them.
|
|
That's Sinan's approach, and much of the film — the most absorbing scenes as well as the most abrasive — consists of his arguments, harangues and bull sessions with people who sometimes unwittingly become the target of his resentment.
|
|
Despite the band members' insistence that they've gotten fatter, slower, and more alcoholic-y in their absence, it doesn't show on their fourth record, which might just be their loudest and most abrasive collection of songs to date.
|
|
PLoS ONE. 2016 Apr 12;11(4):e0153250. Whitening toothpastes are found to be one of the most abrasive types of toothpastes, according to the RDA Scale, detailed below.Demarco FF, Meireles SS, Sarmento HR, Dantas RV, Botero T, Tarquinio SB. Erosion and abrasion on dental structures undergoing at-home bleaching.
|
|
He said it is Frith's "good humor and wit" that stops this work from becoming "purely assaultive skronk", and added that "there is a cheerfulness to even his most abrasive work that makes it far more listenable than that of many of his other ... colleagues of the period".
|
|
The Melvins slowed down punk rock to developed their own slow, heavy, sludgy sound. When they contributed four tracks to Deep Six they were regarded as one of Seattle's top bands. Soundgarden provided the most abrasive sound on the album after having formed only a year before. The U-Men contributed minimalist punk with "Sabbath" style metal.
|
|
The most abrasive are shot blasting (with metal shot) and sandblasting (with sand). Moderately abrasive variants include glass bead blasting (with glass beads) and plastic media blasting (PMB) with ground-up plastic stock or walnut shells and corncobs. Some of these substances can cause anaphylactic shock to individuals allergic to the media.Travis McEwan, "Edmonton worker allergic to walnuts dies after inhaling particles at worksite," CBC News, 23 October 2017.
|
|
The track incorporates a sample of Nina Simone's 1965 song "Feeling Good" through an Auto-Tune voice processor. Both rappers discuss their futures as fathers on the track, flowing smoothly over mellow, lightly psychedelic synthesizer tones. Both Justin Vernon and La Roux appear on "That's My Bitch", spitting off hooks over a quick, melodic beat, with West at his most abrasive lyrically. On "Welcome to the Jungle", Jay-Z laments personal losses and overcoming struggles.
|
|
Hovercraft was an instrumental experimental rock group that formed in Seattle, Washington in 1993. It was co-founded by its core duo of guitarist/samplist/tape looper Ryan Shinn, and bassist Beth Liebling. Liebling and Shinn would use the pseudonyms "Sadie 7" and "Campbell 2000", respectively, throughout the duration of the band's history. Hovercraft has been cited as one of the most abrasive, non-commercial sounding bands ever to receive major-label distribution for its albums.
|
|
It left behind a bowl shape, deepest at the base of the headwall where the glacial ice had been the deepest and most abrasive. The bowl shape extended to its northeast edge, where there was a terminal moraine of smaller rocks and debris which had been deposited by the glacier. When the bowl-shaped crater filled with water, this terminal moraine acted as a natural dam, helping to contain the water in the newly formed cirque lake.
|
|
It has been described as "a palate-cleanser during the course of the record". The last song recorded for Post, Björk has said she decided to include it, "just to make it absolutely certain that the album would be as schizophrenic as possible, that every song would be a shock". The following track, "Enjoy", a song concerning the links between sex and fear, has been considered as "decidedly trippy", and "Posts most abrasive track". NME described it in its 1995 review as, "a dark and deranged techno thing".
|
|
Worn silver linings on copper cookware can be restored by stripping and re- electroplating. Copper cookware lined with a thin layer of stainless steel is available from most modern European manufacturers. Stainless steel is 25 times less thermally conductive than copper, and is sometimes critiqued for compromising the efficacy of the copper with which it is bonded. Among the advantages of stainless steel are its durability and corrosion resistance, and although relatively sticky and subject to food residue adhesions, stainless steel is tolerant of most abrasive cleaning techniques and metal implements.
|
|
It's been called the most abrasive Zao record to date. Steve Albini's live to analog-tape production (with no computer "fixing") and the band's decision to track all of the drums, bass and guitar live lends an accurate representation of the band's live sound. Dan Weyandt's vocals are given the same treatment as he sang with a hand-held microphone through an amplifier to simulate an over-driven P.A. at a small club show. Instead of adding the melodic elements that were introduced on the album The Funeral of God, it takes a somewhat raw, black metal- influenced sound.
|
|
Spectrum of Death is the debut album by American band Morbid Saint. It was recorded at Opus Recording (later known as Wave Digital) once they removed the 2 inch tape machines in favor of Akai Digital Audio Machines) in Gurnee, Illinois. It was produced by Eric Greif and engineered by Al Pangeliron. It is often hailed as one of the best thrash metal albums ever made, as well as one of the fastest and most abrasive in the genre; which led Morbid Saint being compared to other thrash metal bands like Kreator, Slayer, Sadus, and Demolition Hammer.
|
|
Grindcore, or simply grind, emerged during the mid–1980s as an extreme music genre characterised by heavily distorted, down-tuned guitars, high speed tempo, blast beats, songs often lasting no more than two minutes (some are seconds long), and vocals which consist of growls and high-pitched screams. It drew inspiration from some of the most abrasive music genres – including death metal, industrial music, noise and the more extreme varieties of hardcore punk. Grindcore, as such, was developed during the mid-1980s in the United Kingdom by Napalm Death, a group who emerged from the crust punk scene."Crustgrind," "Grindcore Special" part 2, p.
|
|
Industrial music is a genre of music that draws on harsh, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, concentrations of artists and labels vital to the genre also emerged in the United States, namely in Chicago.
|
|
In her early years, she is very sentimental about Mr. Bear, a stuffed animal that her mother gave to her after Michelle was born (this was the focal point of the season two episode "Goodbye Mr. Bear"). She and Jesse are the most abrasive when it comes to how they feel about Kimmy Gibbler. In Fuller House, Stephanie volunteers to give up her life in London to move back into her childhood home to help take care of her sister's three kids. Kimmy volunteers to move in as well much to Stephanie's dismay but she soon puts her abrasive feelings aside, and becomes friends with her.
|
|
The most abrasive and discordant outgrowth of punk was noise rock, which emphasised loud distorted electric guitars and powerful drums, and was pioneered by bands including Sonic Youth, Big Black and Butthole Surfers.. SWANS, an influential band from New York can easily, but mistakenly, be categorised as noise rock, but are more correctly identified as part of the No Wave scene which included Lydia Lunch, and James Chance & The Contortions. These bands were documented by Brian Eno on the seminal compilation album No New York. A number of prominent indie rock record labels were founded during the 1980s. These include Washington, D.C.'s Dischord Records in 1980, Seattle's Sub Pop Records in 1986.
|
|
Lowery revealed in interviews that there were seven songs recorded during the sessions for La Costa Perdida that were not released, which would be included on a follow-up album to be finished in 2013. In August 2013, the band revealed on its Facebook page that it was tracking songs for the album, with Urbano on drums again. The band stated that the album would be a Southern California- themed sequel to the Northern California theme of La Costa Perdida. On March 2, 2014, the band announced a title for the new album El Camino Real which was released on June 3, 2014 in the United States and on June 23, 2014 in the UK. In contrast to the previous album, it featured some of the band's most abrasive and intense music, mixing elements of prog-rock and punk with the band's trademark eclecticism.
|
|
Originally inspired by comedy metal bands Green Jellÿ and GWAR, the Chicken Heads' first incarnation as Joe and the Chicken Heads produced their most abrasive material, boasting a sound predominantly grounded in heavy metal and hardcore and mixed with elements of ska punk and funk rock. Contemporary reviews of the band's shows drew comparisons such as "Fishbone meets GWAR" or "GWAR meets The Aquabats", while some reviewers coined unique terms like "doom ska" and "chicken-doom-ska-rock" to describe their mix of styles. Following their name change to The Radioactive Chicken Heads, the band began transitioning into a less thrashy and more melodic style of punk rock, emphasizing an offbeat eclectic edge inspired by the likes of The Residents and Oingo Boingo, while also expanding their sound into occasional one-off genre experiments in styles ranging from reggae to rockabilly. The Chicken Heads' 2005 album Growing Mold featured a mix of punk, rock and blues songs interspersed with accordion and marimba- driven instrumentals, while their 2008 follow-up Music for Mutants returned to an entirely punk, rock and metal-oriented sound although with an increased use of keyboards and brass instruments.
|
|