Meantime, more and more synthetic chemicals continue to hit the market.
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Economy travelers can expect to see more "synthetic leather" seat covers, which have superior wipeability.
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With a more synthetic sound, Vernon and his peers are freed from the responsibility of giving a voice to everyone else's humanity.
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But this time around she wrings a little more synthetic magic from her stated insistence on incorporating new instruments into her pieces.
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Just be aware that if your musical tastes lean toward the more synthetic and darker realms, these are just not the buds for you.
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Though Ryan's voice remains unmistakable on Furies, the band's music is much more synthetic, using drum machines, sequencers, and synthesizers as the basis of every song.
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"Drive" is something else altogether, an austere take on bone-dry techno from a duo that would become known for their efforts to breathe life back into music's more synthetic corners.
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Hull said the use of more synthetic materials in construction has made smoke more toxic, with insulation products such as polyisocyanurate (PIR) producing high yields of hydrogen cyanide and carbon monoxide when burned.
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Midnight Odyssey's I, Voidhanger labelmate, 27-year-old Californian Jacob Buczarski of Mare Cognitum, takes a decidedly more synthetic, atmospheric, and more properly metal approach, confronting the cosmos in a more reflective and philosophical way.
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The shop sells juices and smoothies made from natural ingredients, but the presentation of the drinks looks much more synthetic: The Galaxy beverage series features swirling colors illuminated by a flashing light planted inside the cup.
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If this estimate held, Pardo told me, it would translate to almost 10,000 more synthetic opioid overdose deaths compared to 2017, or about a third more than the over 28,000 synthetic opioid overdose deaths (excluding methadone) that actually happened that year.
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The first contraceptive pill, Enovid-403, which was first approved by the US Food and Drug administration in 1960, contained 10,000 micrograms (μg) of the progestin norethynodrel and the equivalent of 220μg of the synthetic estrogen ethinyl estradiol—which means that women back then got dosed with more progestin in a single day's pill than they do now in an entire 250-day pack, and more synthetic estrogen than women now get in four days' worth of pills.
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Regarding its electronic-heavy nature, Blue would later describe the album as "more synthetic" compared to Deadsy's 2006 follow-up.
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Beast 3 contained a total of 24 tracks again featuring ethnic instrumentation, but this time dabbling with the addition of some more synthetic sounds.
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In the Odia language, generally, separate words are used to express syntactic relationships which imparts an isolating tendency, while using inflectional morphology could have made the language more synthetic.
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Retrieved 2011-02-16. The film's score garnered him an Oscar nomination, though he lost again to fellow composer John Williams for Spielberg's E.T. the Extra- Terrestrial. Goldsmith later returned in 1986 to compose the more synthetic score to Poltergeist II, the first of two sequels.Clemmensen, Christian.
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In tiles form, terracotta had a renewal as a hallmark of mid-century public buildings. It lost steam in the 1960s with the introduction of more synthetic materials on the mass market. The industry was sustained by the need for replacement blocks for old buildings, hollow clay tile, and now rainscreen.
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In 1974, she made two polychrome sculptures at the École Le Londeau in Noisy-le- Sec. In 1978, Holley painted a mural in entrance hall of the Tour Helsinki. In 1998, Holley's works became simpler and more synthetic. In 2007, a retrospective was held in her honor at the Roybet Fould Museum in Courbevoie.
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Because this symbol could not be reproduced easily at small sizes, the club commissioned technical draftsman Raúl Felices to design a more synthetic emblem. As a result, a new symbol was released in 1928. It has remained until present days. During Héctor Domínguez's presidency, the abbreviation CGE (Club de Gimnasia y Esgrima) at the center of the shield was replaced by GELP (Gimnasia y Esgrima La Plata).
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137 Bressal himself was killed in 750 but the Dál Fiatach retained the kingship.AU 750.10, Mac Niocaill, pg.137 The king list in the Book of Leinster places his reign immediately after his father's and state he ruled for one year. This is the chronology followed by the later and more synthetic Annals of the Four Masters which state that he was killed at Dun Celtchair (near Downpatrick).
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Stuffed toys are made from a range of materials. The earliest were created from felt, velvet, or mohair and stuffed with straw, horsehair, or sawdust. Following World War II, manufacturers began to adopt more synthetic materials into production, and in 1954, the first teddy bear made from easily washable materials was produced. Modern stuffed toys are commonly constructed of outer fabrics such as plain cloth, pile textiles like plush or terrycloth, or sometimes socks.
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This system marries the advantages of both the database and prose type approaches, in that elements are individually linked across both stratigraphy and typology, and yet remain tied in a more synthetic whole through the narrative of the archaeological record. Another focal point of research at the site is the application of conservation.Buccellati, G. and S. Bonetti, Conservation at the core of archaeological strategy. The case of ancient Urkesh at Tell Mozan.
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In a linear regression line example, the original data can be plotted, and a best fit linear line can be created from the data. This line is a synthesizer created from the original data. The next step will be generating more synthetic data from the synthesizer build or from this linear line equation. In this way, the new data can be used for studies and research, and it protects the confidentiality of the original data.
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Vaporwave doesn't just recreate corporate lounge music – it plumps it up into something sexier and more synthetic." In his 2019 book Hearing the Cloud: Can Music Help Reimagine The Future?, academic Emilie Frankel wrote that vaporwave was reduced to "a commercial shell of itself" by those who fetishized the 1980s and "retro synth-pop". He likened the scene to PC Music, a label that "was seen to warp from an ironic affirmation of commercialism, to become just regular pop.
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"Album: Twisted Tongue, Twisted Tongue, Acid Jazz" The Independent: Accessed August 27th, 2009 Liquid funk is very similar to intelligent drum and bass and atmospheric drum and bass, but has subtle differences."THE VINYL WORD" Taipei Times: Accessed August 27, 2009 Liquid funk has stronger influences from soca, Latin, jazz, disco, breakbeat, and funk music, while intelligent D'n'B or atmospheric D'n'B creates a calmer yet more synthetic sound, using smooth synth lines, deep bass and samples in place of the organic element achieved by use of real instruments.
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James Hansen arrested at a demonstration outside the White House, August 29, 2011Hansen and 1,251 other activists were arrested in August and September 2011, at another demonstration in front of the White House. Hansen urged President Obama to reject the Keystone pipeline extension intended to carry more synthetic crude oil from Canada's Athabasca Tar Sands to the Gulf of Mexico. On February 13, 2013, Hansen was again arrested at the White House, along with Daryl Hannah and Robert F. Kennedy, Jr., during a further protest against the proposed Keystone pipeline extension.
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Aalto received the commission to design the building after winning an architectural competition for the project held in 1929. Though the building represents the 'modernist' period of Aalto's career, and followed many of the tenets of Le Corbusier's pioneering ideas for modernist architecture (e.g. ribbon windows, roof terraces, machine aesthetic), it also carried the seeds of Aalto's later move towards a more synthetic approach. For instance, the main entrance is marked by a nebulous-shaped canopy unlike anything being designed at that time by the older generation of modernist architects.
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Kurzweil notes that many thoughts people have are related to their bodies, and reassures that he does not believe in creating a disembodied brain. He reviews all the various body implants that existed when the book was published, explaining that our bodies are already becoming more synthetic over time. Kurzweil says this trend will continue and that the technology will advance from macroscopic implants, to cellular sized insertions, and finally to nanotechnology. alt=Picture of ball and stick model of molecules that look like gears Nanotechnology has the potential to reshape the entire world, Kurzweil exclaims.
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Biomolecular design refers to the general idea of de novo design and additive combination of biomolecular components. Each of these approaches share a similar task: to develop a more synthetic entity at a higher level of complexity by inventively manipulating a simpler part at the preceding level. On the other hand, "re-writers" are synthetic biologists interested in testing the irreducibility of biological systems. Due to the complexity of natural biological systems, it would be simpler to rebuild the natural systems of interest from the ground up; In order to provide engineered surrogates that are easier to comprehend, control and manipulate.
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The duo composed together for six months and in March 1999 the album Visionary Landscapes was released. The musical style of Static Movement was not dissimilar to The Frozen Autumn, however with only electronic instruments being used, the result was a more synthetic coldwave sound. The partnership proved fruitful for both parties and so Arianna became a permanent fixture in The Frozen Autumn line-up, Static Movement remaining their "concept research project". After 18 months working on The Frozen Autumn's third album, Emotional Screening Device was released in April 2002 and hailed as the group's best album to date.
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The album and the band's music has received several comparisons to Queen. Rolling Stone's Jody Rosen, called the album a mix of "close harmony chorales, showy key changes, a dash of Queen here, a dollop of Les Miz there". In an interview with Fuse, producer Jeff Bhasker also stated that the album's lead single "We Are Young" "had a Queen/Freddie Mercury vibe to it". Marcus Glimer of The A.V. Club wrote that the album featured "more synthetic elements [keyboards and drum machines]" than their debut album Aim and Ignite, and compared the beat to "All Alone" to a hip-hop track.
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The high correlation between the Umu Chromotest and traditional Ames test for mutagenicity supports it as a reasonable alternative for early-stage testing of the thousands of new pharmaceutical, agricultural and industrial chemicals synthesized every year. Most large chemical manufacturers have the ability to screen 100 or more synthetic chemicals per year with the traditional Ames test, which requires the use of several Salmonella strains. The umu test, using only a single Salmonella strain, could potentially test a greater range of new chemicals with the same resources. The reduction in material expense and labor, as well as its robustness also position it as a suitable screen for complex environmental samples.
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Sain and Blue released the full-length album Urchin Tear Soda in 1999, and then toured the U.S to support it with additional musicians Dhanan Zakheim on bass guitar and guitarist James Webb (recruited from Santa Barbara thrash metal band Asinine, for whom Sain had produced a demo recording earlier that year). The album included a cover of "Set the Controls for the Heart of the Sun" by Pink Floyd. This marks the first time that Trance to the Sun included a cover song on one of their albums, though they have recorded several for various compilations over the years. Urchin Tear Soda was more synthetic and refined than previous releases.
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Inspired by Broadrick's childhood in industrial Birmingham, Rise Above's sound is characterized by heavy distortion, kinetic beats, and noisy production. In keeping with the JK Flesh evolution, nearly all elements of industrial metal are gone from this album and replaced with starker, more synthetic sounds. John Twells of Fact wrote, "The doomy, distorted grind of Godflesh and Jesu is certainly still present, but woven into a wheezing 4/4 template that doesn’t sound a million miles from Andy Stott’s patented 'knackered house' or a Surgeon record on the wrong speed being played through a broken car stereo." Chang Terhune of Igloo Magazine also drew comparisons between Rise Above and the work of Andy Stott.
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Since starting work on a studio album, Avicii stated on multiple occasions that the material on the album will not be a replication of his earlier hits like "Levels" and "Silhouettes" but rather an experimental and more synthetic record. In his own words, he wanted to bring "disruption" to the electronic dance music scene, which he described as "half stuck". Speaking to music magazine Billboard about the new album, Avicii said in response to an earlier conflict at the Ultra Music Festival that he wanted to "bring 15 minutes of something fresh to break [Ultra] up." In context to the listener's reactions to the heavy bluegrass and country music influences, he additionally stated, "We knew people would be provoked".
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Bjorn joins in later in the verse, at "I must've gone to bed...", to add to this "smooth and genial major-key affirmation". Benny's riffs "level...out into a more synthetic plateau" at "And rattling on the roof...", Agnetha's second-last phrase. One more repeat of the "forlorn title hook", and the lead vocals end, the soundscape being swept up by the instruments and backing vocals in a "moving mosaic of sound colours" until the end of the song. Kultur says the song "is portrayed, sophisticated enough, simply by harmonies and minor cadences, topped off with Anni-Frid Lyngstad's obbligato that could just as easily belong in a baroque largo by Handel and Albinoni".
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As a musical (as opposed to a mixing) style, tech-house uses the same basic structure as house. However, elements of the house 'sound' such as realistic jazz sounds (in deep house) and booming kick drums are replaced with elements from techno such as shorter, deeper, darker and often distorted kicks, smaller, quicker hi-hats, noisier snares and more synthetic or acid sounding synth melodies from the TB-303, including raw electronic noises from distorted sawtooth and square wave oscillators. Some producers also add soulful vocals and elements (David Chambers), and equally as much raw electronic sounds in their music. However, a rich techno-like kick and bassline seems to be a consistency amongst tech house music.
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Richardson said that Goldfinger "is the most preposterous specimen yet displayed in Mr. Fleming's museum of super fiends", and, referring to the novel's central character, observed that "the real trouble with Bond, from a literary point of view, is that he is becoming more and more synthetic and zombie-ish. Perhaps it is just as well." In The Manchester Guardian, Roy Perrott observed that "Goldfinger ... will not let [Bond's] close admirers down". Perrott thought that overall "Fleming is again at his best when most sportingly Buchan-ish as in the motoring pursuit across Europe"; he summarised the book by saying that it was "hard to put down; but some of us wish we had the good taste just to try".
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Songs from Madonas galerts were re-recorded later the same year for the proper Dzeltenie Pastnieki debut album, Bolderājas dzelzceļš (The Railroad of Bolderāja; usually misspelt as Bolderājas dzelzsceļš, even on the 2003 CD release). A majority of songs on it were written or co-written by NSRD core members Hardijs Lediņš and Juris Boiko, and date back to material recorded earlier by Seque - a pre-electronic version of NSRD and also the name of their record label. Additionally, it was Lediņs who named the band, after an early song, "Dzeltenais viltus pastnieks" ("The Sham Yellow Postman"). For their second album, Man ļoti patīk jaunais vilnis (1982, I Really Like New Wave), Dzeltenie Pastnieki added Roberts Gobziņš (vocals, lyrics), whom Streiķis had met at a choir rehearsal, and partially gave up the guitar/bass/drums setup for a more synthetic sound.
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Music journalist Stuart Coupe described it as "less heartfelt, more synthetic" and it was "about as scintillating as counting your toes for 40 minutes; Oh well, everything can't be great – we've got to have some yard stick for measuring the good Australian albums!" Late that year Simon Kershaw (ex-Go 101) joined on keyboards. The album provided more singles, but the group could not match the chart success of their earlier material. In November 1987, Carne told Karen Middleton of The Canberra Times of his disappointment in their record company's choice of producers for Terrain and their previous management: "[w]e could've basically produced the album ourselves and probably done an equally [good] or better job, but unfortunately record companies want names of producers on the album ... [a]nd the guys we're dealing with on our level ... are just really average and you end up doing the job anyway".
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On 4 September 2019 via Instagram, Marina first announced Love + Fear (Acoustic), a digital extended play that features acoustic versions of songs from Love + Fear. That same day, an official press release by Atlantic Records and Neon Gold Records confirmed her news, with the release describing the EP as a collection of "powerful" stripped-down songs. In an interview with Billboard published on 13 September 2019, Marina stated that the acoustic versions of songs from her previous albums had become popular with fans, which prompted the idea of releasing an acoustic-dedicated EP. Marina also revealed how she determined what songs from Love + Fear were to be re-recorded for Love + Fear (Acoustic), saying: > Well, I think sometimes when the production is more [...] synthetic > sometimes some songs don't carry as well acoustically, but I think it's more > just to do with the structure of the song and the ease of singing it. Like, > it's down to how comfortable I feel singing it, so I've picked songs that > felt very natural and easy for me to sing.
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