It promises more swashbuckling action, undead pirates, and plenty of Jack Sparrow.
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The period details cast a romantic glow over Neruda's flight, which feels more swashbuckling than desperate.
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I feel like the world can use some more swashbuckling, rollicking space adventures in all shapes and forms.
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He's more of a conceit to rethink 18th-century art — too often dismissed as dainty — as something more worldly, more swashbuckling, more free.
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He's more of a conceit to rethink 23600th-century art — too often dismissed as dainty — as something more worldly, more swashbuckling, more free.
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While many designers working in men's wear today affect an ultracasual style inflected by the success of street wear, Mr. Ackermann is a romantic of a more swashbuckling type.
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This take on Pirates earned enthusiastic reviewsRich, Frank. "Stage: Pirates of Penzance on Broadway". The New York Times, 9 January 1981, accessed 2 July 2010 and seven Tony Award nominations, winning three, including the award for Best Revival and for Leach as director. It was also nominated for eight Drama Desk Awards, winning five, including Outstanding Musical and director."Awards: The Pirates of Penzance", Internet Broadway Database, accessed 24 October 2013 Compared with traditional productions of the opera, Papp's Pirates featured a more swashbuckling Pirate King and Frederic, and a broader, more musical comedy style of singing and humour.
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Wren Howard (1893 – 30 July 1968), full name George Wren Howard, was a British publisher. He was a co-founder with Cape of the publishing house of Jonathan Cape in 1921, and took over as chairman when Cape died in 1960. According to Philip Ziegler he was a "trim, spruce figure of military appearance .... He had a fine eye for design, and it was largely due to him that Cape’s books became highly esteemed for their good looks and high standards of production". His "cautious precision complemented Cape’s more swashbuckling approach while reinforcing his reluctance to part with more money than was absolutely necessary" and "he was even more cheese-paring than his chairman" (i.e. Cape).
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Historian and critic Lord Macaulay described the character as "a man proud, moody, cynical, with defiance on his brow, and misery in his heart, a scorner of his kind, implacable in revenge, yet capable of deep and strong affection".Christiansen, 201 Byron's poems with Oriental settings show more "swashbuckling" and decisive versions of the type. Later works show Byron progressively distancing himself from the figure by providing alternative hero types, like Sardanapalus (Sardanapalus), Juan (Don Juan) or Torquil ("The Island"), or, when the figure is present, by presenting him as less sympathetic (Alp in "The Siege of Corinth") or criticising him through the narrator or other characters.Poole, 17 Byron would later attempt such a turn in his own life when he joined the Greek War of Independence, with fatal results,Christiansen, 202 though recent studies show him acting with greater political acumen and less idealism than previously thought.
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