122 Sentences With "more sentimental" | Random Sentence Generator

You're going to be more sentimental and weepy than usual.

Vintage college swag has more sentimental value than monetary value.

But the reasoning she provides is more sentimental than one might expect.

Would a card suffice, or do they like more sentimental, personal gifts?

But she considers one of the film's more sentimental scenes her favorite.

" She continued, getting even more sentimental: "You are my best friends for life.

The story, though, is less intense and more sentimental than his best work.

"It was more sentimental to me to do what I can," he said.

Lauer's eyes were already tearing up by this point, and then it got more sentimental.

The Glass Castle movie is a more sentimental, more sanitized version of the shocking book.

This next ad is more sentimental than harrowing, or at least it tries to be.

Mr. Hall, working in a more sentimental, multiplex-friendly mode, makes the same point here.

But recent events have induced sentimentality, and that book makes me more sentimental than any other.

At Pierozek, which opened last November in this historically Polish neighborhood, pierogi are something more sentimental.

To make it even more sentimental, write a heartfelt inscription inside for when baby grows up.

Don't worry, you're not broken—you're just more sentimental than your tough ram horns make you look!

The plays were dutifully faithful to the books; the films often made the endings softer or more sentimental.

When Offenbach returned to Paris, his home since age 14, the fashion had tilted toward more sentimental plotlines.

"Sometimes you have to let the poison out," Oberst told the crowd before returning to a more sentimental repertoire.

Meanwhile, some of the more sentimental choices, such as Chicago, Pittsburgh and possibly Detroit, may have a tougher go of things.

In fact, it might be time for the Starboy to start keeping his more sentimental pieces of athleisure under lock and key.

WATCH THIS: Queer Eye's Bobby Berk Brings PEOPLE Inside His Immaculate Los Angeles Loft Elsewhere, the furnishings hit a more sentimental note.

You'll find far more sentimental items in the Berkshire Hathaway CEO's wallet, including photos of both his children and grandchildren as kids.

People reports that the actor was posted another photo of himself as a child with a more "sentimental" message earlier in the day.

He picks a more sentimental path, which leads Major, following the example of Jason Bourne, on a quest to discover who she truly is.

However, Williams also revealed that songs like "Happy" had a much more sentimental affect on him — to the point of bringing him tears of joy.

Ultimately, in the collection of images, one can see the painter and contemporary image maker that is Miller vying against the Miller who is more sentimental.

The last scenes may belong in a different, more sentimental novel, but by this point you will want difficult, damaged Polly to find her happy ending.

In the early 1700s, the Baroque gave way to the more sentimental Rococo style, typified by soft pinks and blues, light curves and amorous gods and maidens.

In the same way that America is more sentimental than serious about the people that fight and die in our abstracted and boundless and endless wars—quick to pay solemn and tearful tribute to the heroism of The Troops, but notably less keen on paying for their more mundane and more concrete and more vital needs—the NFL is more sentimental than serious about its own vaunted values.

And while Boyega took a comical route to celebrate the big day, Ridley, 24, went for a more sentimental post, sharing a series of photos from the film.

Ultimately, in the collection of images, one can see the painter and contemporary image maker that is Miller vying against the Miller who is a more sentimental chronicler.

WATCH: Hugh Jackman on His and Wife Deb's Decision to Adopt As for what she got the man who has everything, Lee revealed that she went much more sentimental.

The more sentimental believers in the "special relationship" between the United States and the United Kingdom focus on synchronous developments in American and British politics during the past century.

And that they will be curious enough about the world to want to bring us back, like a more sentimental take on Encino Man, or a real-life Futurama.

There are signs, even during the more sentimental sections of the book, of some deeper darkness we haven't been shown, one that Victor hasn't allowed himself to look directly at.

While his mixes are often wide-reaching pop culture kaleidoscopes that spin together Rihanna and reggaeton with hard-edged edits and originals, his LP is more focused—and more sentimental.

There's no doubt this year's trip to Canada will result in more sentimental moments between the royal couple, especially if Prince George and Princess Charlotte make the trip across the pond!

But there's another, more sentimental bent to it as well, said Spiller, who has a "beautiful" personal collection of coins and bills, which are marked, bent or torn in unique ways.

Prince's description of the corresponding tattoos, while a little less informative, is even more sentimental: "You are with me and I am with you ❤," he wrote on his own Instagram.

Camerota made sure that along with a more sentimental parting gift of framed photographs, she included some very small T-shirts to replace the ones that got wet during last year's hurricane.

His wife, who manages the John Prine business, said that for all the care that her husband takes to avoid cheap sentimentality in his songs, she has never met anyone more sentimental.

It's a financial innovation on the concept of virtual gifts, such as digital roses and chocolates, more commonly used in online communities and which have more sentimental value than any tangible economic worth.

A more sentimental heart would have experienced curiosity or sympathy for the girl whom she had replaced; a more inventive mind would have seen herself as that deaf-mute, growing up in silence.

At the same time, after his long absences from the game and a looming threat that he might never return, a more sentimental bond seems to have grown between Woods and his galleries.

Between Kingdom Hearts and her recently-helmed soundtrack for Final Fantasy XV, Shimomura's work in the 21st century has taken on a more sentimental quality afforded by her newfound access to large orchestras.

Instead, she and the others keep yelling and spinning their wheels as Zeitlin — who proves more sentimental about childhood than Barrie — keeps the parts whirring, casting about for meaning that never fully comes.

But to have them all in one place, to see how well they've worked together and gelled, it has been just an enormous privilege, and so I have been getting more sentimental about that.

The actor got even more sentimental, posting a sexy snapshot of Watts, 47, sitting in a chair in knee-high boots and black floral patterned dress as she bashfully looked away from the camera.

He began to have visionary moments, time-travelling moments, when he spoke to his dead best friend, Ed Booth, or happily sang selections from the hit parade of 1938—"Flat Foot Floogie" or more sentimental tunes that he directed at my mother.

In her first appearance since the split, at the filming of the NBC special A Very Wicked Halloween, which celebrates the musical Wicked's 15th anniversary, Grande appeared not only sans her engagement ring, but also sans one of her more sentimental Davidson-inspired tattoos.

Just buy yourself some fancy lingerie and claim it's for them; otherwise one of you will end up being more sentimental and making the other person want to cough up their appendix by gifting them tickets for a gig that doesn't happen for another five months.

She was also asked about her favorite fashion accessory, which you would think would be her three pairs of Alexander McQueen armadillo heels that former fiancé Taylor Kinney purchased for her at auction considering she keeps them under glass dome display cases, however, it's actually something much more sentimental.

But New Girl is more sentimental than Girls, and more nostalgic for its own past, and so the jokes feel slightly more stagnant — Nick leaves a bowl of mashed potatoes under his bed for months; Schmidt melts into a mumbling mannequin when he finds out about Cece's past relationships.

The pilot contained a reasonably interesting idea — Cedric's character mistrusted the Pollyannaish newcomers because he felt they had no reason to befriend him other than his skin color — but the show is primarily invested in selling the more sentimental notion that overcoming racism is simply a question of individual good will.

Those purchases, such as Gaugin's "Magician of Hiva Oa," are on display in the show, as is a Picasso portrait of a picnicking family, "La Famille Soler," that is exhibited next to a gauzy, traditional painting by Rodolf Otto of a German peasant family of parents and children to illustrate the Nazi taste for more sentimental, realistic works.

Unlike more sentimental accounts of the relationship between Roosevelt and Churchill, like Jon Meacham's engaging best seller "Franklin and Winston," Hamilton's trilogy presents the American as more exasperated than enamored when it came to his London partner, leery of the prime minister's latest schemes and intrigues and constantly maneuvering to keep the war heading in the right direction.

His work feels comfortably nestled between traditional gender roles, more gadget-prone and geeky than many female artists get, but more sentimental, emotional, and vulnerable than the output of men with a high tech IQ. Reilly is the rare tech nerd more likely to attempt to data-map the workings of the human heart than to build a robot girlfriend.

A distinct evolution seems perceptible in Churton's work, from the structured theologigal and philosophical preoccupation of his early work, towards the rather more sentimental, national and poetic work of later years.

The painting of this era has a more sentimental tone, with sweet and softer shapes. It highlight Gregorio Vásquez de Arce in Colombia, and Juan Rodríguez Juárez and Miguel Cabrera in Mexico.

The sermons, however, are conventional in substance. Several volumes of letters were published after his death, as was Journal to Eliza. These collections of letters, more sentimental than humourous, tell of Sterne's relationship with Eliza Draper.

Larger containers such as plastic storage containers (Tupperware or similar) or ammunition boxes can also contain items for trading, such as toys or trinkets, usually of more sentimental worth than financial. Geocaching shares many aspects with benchmarking, trigpointing, orienteering, treasure- hunting, letterboxing, waymarking and Munzee.

Awards are typically low-cost and provide more sentimental than monetary value. T-shirts are popular awards. Moreover, AERC recognizes year-end accomplishments (such as top season mileage) and lifetime horse and rider mileage accomplishments. Various regional clubs and organizations offer further recognitions and awards.

In the 1950s he had been working on reforming liturgical music in the diocese by advocating the replacement of the more sentimental devotional music with liturgical music and participation by the laity. He also advocated teaching children Gregorian Chant so as to lead the congregation in singing.

The Dutch Courtesan was a popular work at the time, and was performed and adapted several times during the Restoration era, the most famous adaptation being Aphra Behn's The Revenge; or, a Match in Newgate. However, this adaptation is more sentimental and less morally complex than Marston's original.

This Marinera is typical from the highland and mountain regions of Peru. It usually has a minor tone and is characterized by a slower movement. This marinera is also repeated twice, and then is followed by a "fuga de huayno". The second part is more sentimental than the first one.

Hayward, pp. 178–179 Hayward calls Rebecca, with her "open-mouthed passivity" and "pre-Raphaelite curls", "almost a caricature of Dicken's more sentimental and less felicitous heroines".Hayward, p. 179 She believes that many of Todd's scenes with Rebecca are heavily iconic, with symbolic representations of the Virgin Mary and Freudian images of Todd's own feminization.

The style of his composition is richly symphonic and classical (occasionally jazz). The use of sophisticated compositional techniques, as well as complicated harmony writing such as fugue can often be heard in his work, demonstrating his solid training in the western classical music. He also uses keyboard instruments to deliver more sentimental soundtracks to good effect.

Viola Walden, John R. Rice: The Captain of Our Team(Murfreesboro, TN: Sword of the Lord Publishers, 1990), 527. Rice had been a major participant in shaping the two most important divisions of late twentieth-century fundamentalism, the split between fundamentalists and neo-evangelicals and then the creation of two fundamentalist factions: Rice's more sentimental and irenic; Jones's more academic, doctrinal, and confrontational.

In France, the film was released in the shorter version at the big theaters and in the longer version at the art house theaters. At the Cannes' press conference, Arnaud Desplechin stated that the former one is "more sentimental" and the later one is "more intellectual". The film also screened at the Vancouver International Film Festival, the New York Film Festival, and the Philadelphia Film Festival.

The Marinera Serrana or Marinera Andina is typical of the highlands and mountainous regions of Peru, having a more indigenous "Andean" vibe than the rest of Marineras. It usually has a minor tone and is characterized by a slower movement. This marinera is repeated twice, and then is followed by a "fuga de huayno". The second part is more sentimental than the first one.

This resulted in a series of fast-talking comedy pictures featuring newsmen.Doherty, pg. 187. The Front Page, later re-made as the much less cynical and more sentimental post-Code His Girl Friday (1940), was adapted from the Broadway play by Chicago newsmen, and Hollywood screenwriters, Ben Hecht and Charles MacArthur. It was based on Hecht's experiences working as a reporter for the Chicago Daily Journal.

During the 19th century, the Pierrot character became less comic, and more sentimental and romantic, as his hopeless adoration for Columbine was emphasized.Chaffee and Crick, p. 347 Also in the 19th century, Pierrot troupes arose, with all the performers in whiteface and baggy white costumes.The leading character Canio in the opera Pagliacci is costumed and made up on the lines of the Commedia dell'arte Pierrot.

Ben Brantley, theatre critic for The New York Times, has said that Wilson's plays reflect "disenchantment with the state of the nation...A couple plays, at least, featured embittered Vietnam veterans. At the same time, he harked back to the era of more sentimental plays – of portraits of losers on the margins of life."Lunden, Jeff. "For Lanford Wilson, The Plays Were Always Personal" NPR, March 25, 2011.

They can hardly focus on something if it doesn't have a beat. Frank is actually the more intelligent of the two, often getting annoyed at Len's lack of understanding. Len is the more sentimental one, who seems to have a thing for small animals and things that don't exactly matter to anyone else. Even though they seem upbeat for their music, the two of them are almost never on the same page, even though they're conjoined.

During the second half of the nineteenth century, the movement's pre-existing interests in history and legend entered a new stage, and poetry became more sentimental and intimate. This change was due to the influence of German poetry and a renewed popular interest in Spanish poetry. The Postromantic school departed significantly from its other European contemporaries, with the exception of Heinrich Heine's German poetry. Poetry continued to be Romantic, while prose and theater adhered more to Realism.

Van Alphen is best remembered for the verses he wrote for children, which are still taught in kindergartens all over the country. Van Alphen was an exponent of the more sentimental school along with Rhijnvis Feith (1753–1824), whose romances are steeped in Weltschmerz. In Hendrik Tollens (1780–1856) some the power of Bilderdijk and the sweetness of Feith were combined. He is best known for celebrating the great deeds of Dutch history in a series of lyrical romances.

He is described as being muscular and tall, with tan skin, sienna-colored eyes and naturally dark, but sun-bleached hair. His survival skills are an asset to the group, and he is considered responsible and capable by most other characters, but his rational thinking sometimes becomes a bother to the more sentimental humans. In the film he is portrayed by Max Irons. Jamie Stryder – Jamie is Melanie's brother and is 14 years old when he first meets Wanderer.

Throssel began to photograph shortly after arriving on the Crow Reservation, but it was not until 1905 that "Throssel submitted his first set of photographs, twenty-nine in number, for copyright."Albright, 26 This same year Throssel met ethnographer and photographer Edward S. Curtis. Curtis' influence on Throssel was apparent in Throssel's 1907 set of copyrighted images. In this series Throssel employed vivid lighting with sometimes-staged arrangements, lending towards a much more sentimental view of Crow life.

In 1874, he went to Paris, where he was to spend nearly the rest of his life. He quickly made the acquaintance of the Impressionists, who had just had their first group exhibition. Zandomeneghi, whose style of painting was similar to theirs, would participate in four of their later exhibitions, in 1879, 1880, 1881, and 1886. Like his close friend Edgar Degas he was primarily a figure painter, although Zandomeneghi's work was more sentimental in character than Degas'.

Time for the Moon Night is more sentimental and dreamlike compared to GFriend's previous albums. According to member Umji, the group wanted to "set a new direction toward producing thought-provoking and sentimental music". "Love Bug" is an upbeat song with a retro jazz sound, "Flower Garden" is retro synth-pop, and "Tik Tik" has a funky sound with Nu- disco beat. "Bye" is a pop ballad and "You Are My Star" is a sentimental song for GFriend's fans.

936–937 In his more sentimental poems, Lovinescu notes, Feraru showed influences from Romanian traditionalists and Symbolists: Anghel, Panait Cerna, George Coșbuc, and Ștefan Octavian Iosif; his poems of homesickness no longer relevant to the modern and "evolved capacity for expression."Lovinescu, pp. 203–205 According to novelist Dem. Theodorescu, who reviewed his poetry for Adevărul, Feraru could not hide his Romanian poetic soul in "the iron discipline of American life"—"his childhood was his nationality".

Cappelli & Company featured musical segments, puppets, montages, in studio sing-alongs with an audience of kids, and a variety of human interest pieces. Cappelli would usually play a role in most musical segments, which were taped in locations away from the show's main set. These segments featured original songs by Cappelli, ranging from the lighthearted "Brusha-Brusha Brush Your Teeth" to the more sentimental "Lindsay's Bakery". Various children would appear in necessary roles to help illustrate the actions/stories of each song.

Like Toshiki Satō, Imaoka's sex scenes are often sparser than the norm for a pink film, and not given much emphasis. According to Sharp, "[Imaoka's] films possess the same deadpan comic touch that masks a painfully honest emotional core, although Imaoka's peculiar brand of pathos is less wry and more sentimental." Further, he writes, "Imaoka's particular strength is his understated depiction of characters trapped in a rut, desperately reaching out for something they secretly know they can't have."Sharp, p. 324.

Portrait of a Lady (de Crayer) From then onwards, his work was more influenced by Anthony van Dyck, whose emotionally charged interpretation of religious subjects appealed to his sensibility. His work became more dynamic in conception. He also was influenced by van Dyck's portrait series for the 'Iconography' (Icones Principum Virorum), a collection of portraits of leading personalities of van Dyck's time. Between 1638 and 1648 de Crayer's compositions displayed a lighter tonality and his figures become softer and more sentimental in appearance.

Licitar Hearts in Samobor The tradition of making and giving Licitars stretching as far back as the 16th century. Licitar makers, known as Medičari, were highly regarded in society, and their Licitars very much sought after (licitars were more sentimental than giving a bouquet of roses). Even today the tradition is kept alive by a select few who covet the art in family secrecy, and their methods of production have scarcely changed.Licitar; toplo srce hrvatskoga puka One Licitar still takes over a month to make.

Edited by A. W. Ward and A. R. Waller. Robertson originally fashioned the story as a novel, David Garrick: A Love Story, which was first printed in 1864 as a serial in the magazine The Young Englishwoman."Peeps into the Past" However, in the 1865 printing in book form, Robertson says in his preface that it was the other way around, and his novel was adapted from his play. While the plots are virtually identical, the tone of the novelisation is much more sentimental and somber.

New York: The Macmillan Company, 1938: 43. Apart from "Rip Van Winkle" and "The Legend of Sleepy Hollow", both of which were immediately acknowledged as The Sketch Book’s finest pieces, American and English readers alike responded most strongly to the more sentimental tales, especially "The Broken Heart", which Byron claimed had made him weepJones, 183. and "The Widow and Her Son". In Britain, the book did much to promote Americans as legitimate writers, and their work as legitimate literature a concept that surprised English critics.

Retrieved: 1 February 2016. It was included in the British Film Institute (BFI) DVD compilation Land of Promise: The British Documentary Movement 1930-1950 (2008)."Britain at Bay." letterboxd.com. Retrieved: 1 February 2016. Britain at Bay also was released in Panamint's series of propaganda shorts, Britain At War (2005) by the GPO/Crown Film Unit, the second volume was subtitled Under Fire. Film reviewer Anthony Nield described it as offering "... a more sentimental approach ..." than other more heavy-handed propaganda films of the era.Nield, Anthony.

The first works of modern fiction in France were primarily pastorals. The celebrated Astrée (1610) of Honoré d'Urfé, the earliest French novel, is structured in this style. Though the focus of this work is more sentimental than action-oriented, it would become the inspiration for a vast body of literature that would take on many and diverse forms. There was a side of the Astrée that encouraged an extravagant love of glory, that spirit of "panache," which was now rising to its height in France.

While much of the show is directed toward radio comedy, a portion is usually devoted to some more sentimental and sometimes dark stories put together by Keillor and others. The program occasionally also features political satire. At the beginning of the June 5, 2004, show (broadcast from Meadowbrook Musical Arts Center in Gilford, New Hampshire), Keillor announced that former U.S. President Ronald Reagan had died. A member of the audience hooted and cheered loudly, but Keillor, a staunch Democrat, gave the Republican Reagan a warm tribute in the form of a gospel song.

Marston's reputation has varied widely, like that of most of the minor Renaissance dramatists. Both The Malcontent and The Dutch Courtesan remained on stage in altered forms through the Restoration. The subplot of the latter was converted to a droll during the Commonwealth; after the Stuart Restoration, either Aphra Behn or Thomas Betterton updated the main plot for The Revenge, or The Match in Newgate, although this adaptation makes the play both more sentimental and less morally complex. Gerard Langbaine makes a laudatory but superficial comment about Marston in his survey of English dramatic poets.

In 2009, Lex Walker on the Just Press Play website found this episode "sadder and more sentimental" than funny; the episode focuses "less on character development and more on" Diane restarting her life as a waitress after the loss of love, and he said it contradicts "what [Cheers] will grow to be". Nevertheless, he called the episode a true introduction to the series and considered the intertwining stories of Sam and his friends the series' premise. In 2010, Robin Raven from Yahoo! Voices called it one of her top five Cheers episodes.

Whilst at Cambridge, Armitage's interest in religious music and composition declined as that in musical comedy grew. He began writing popular songs, using the stage name Noel Gay. According to Morley the name was derived "from a sign he read on a London bus in 1924: 'NOEL Coward and Maisie GAY in a new revue'." His pseudonym of Stanley Hill was used from time to time for his more sentimental work. After contributing to revues such as Stop Press he was commissioned to write the entire score and lyrics for André Charlot's 1926 revue.

Mariette also collected contemporary French paintings, Although he was immune to the forceful realism of Chardin,Karen Wilkin, "The splendid Chardin" in The New Criterion the more sentimental charm of Greuze found a place on his walls: Greuze's Young Peasant Boy, shown at the Salon of 1763Metropolitan Museum of Art, 32.100.137 had already been purchased by Mariette, together with its pendant, before it was exhibited. Mariette's further published works were not many. In 1750 he published a Traité historique des pierres gravées du Cabinet du Roi, on the hardstone carvings in the royal collection.

The book was spotted by a British publisher, John Lane, who brought out editions in London and New York, assuring Leacock's future as a writer. This was confirmed by Literary Lapses (1910), Nonsense Novels (1911) – probably his best books of humorous sketches—and by the more sentimental favourite, Sunshine Sketches of a Little Town (1912). John Lane introduced the young cartoonist Annie Fish to illustrate his 1913 book Behind the Beyond. Leacock's humorous style was reminiscent of Mark Twain and Charles Dickens at their sunniest — for example, in his book My Discovery of England (1922).

The deaths of Caim and Angelus was intended to be "short and ruthless", but Yasui had it changed to the more sentimental version present in the game. Dialogue from Caim for the scene was cut from the game due to it clashing with his previous portrayal as a mute. Urick was created to be the supportive "big brother" of the party. Although the main characters were designed by Fujisaka, the character Legna, previously known as the "Black Dragon", was designed by Taro Hasegawa, who was also monster designer for both Drakengard and Drakengard 2.

One of these portraits she titled My Favorite Picture of all my works. In this her eyes, are downcast and averted from the lens, a more sentimental effect than the dramatic frontal view of My niece Julia full face shown here. In this portrait, the subject appears to stare assertively at the photographer, as if saying: "I am, like you, my own woman." These are in sharp contrast to the series taken during her long widowhood and mourning for her first husband (1870–1878), with its gaunt pallid facial features.

Tora's Pure Love was the sixth top-grossing Japanese film of 1976. However, Stuart Galbraith IV writes that the film is disappointing in comparison with the previous Tora-san's Sunrise and Sunset (also 1976), more sentimental and less well-plotted than the earlier film. Galbraith judges Tora's Pure Love nevertheless to be funny, and enjoyable for the scenes between series star Kiyoshi Atsumi and actress Machiko Kyō in one of her last appearances. The German-language site molodezhnaja gives Tora's Pure Love three and a half out of five stars.

" Rolling Stones Nick Murray expressed that the duo's "disco revival isn't quite as cheeky as similar efforts from, say, Duck Sauce [...] but songs like 'Sexy Socialite' are clearly meant as clever fun all the same." Jonathan Zwickel of Spin commented, "It's not that Chromeo's run out of ideas—they've been a one- idea band all along. But now they've got more of the world singing along, so their brand of fun suddenly means a little bit more." Benjamin Aspray of PopMatters opined, "For every track that mines neurotic hetero-masculinity for laughs, [...] another is more charitable, which is to say more sentimental.

In the summer of 1852, Fern was hired by the publisher Oliver Dyer at twice her salary to publish a regular column exclusively in his New York newspaper Musical World and Times; she was the first woman to have a regular column. The next year, Dyer helped her find a publisher for her first two books: Fern Leaves from Fanny's Portfolio (1853), a selection of her more sentimental columns, and Little Ferns for Fanny's Little Friends (1853), a children's book. She had to reveal her legal name to the publishers. As it was then still Farrington and disagreeable to her, she tried to keep her name secret.

In the years after Kilmer's death, poetry went in drastically different directions, as is seen in the work of T. S. Eliot and Ezra Pound, and academic criticism grew with it to eschew the more sentimental and straightforward verse.Perkins, David. A History of Modern Poetry in two volumes: Volume I: From the 1890s to the High Modernist Mode (Cambridge, Massachusetts: The Belknap Press of the Harvard University Press, 1976 - ) and Volume II: Modernism and After (Cambridge, Massachusetts: The Belknap Press of the Harvard University Press, 1987: ), passim. The poem was criticized by Cleanth Brooks and Robert Penn Warren in their textbook Understanding Poetry first published in 1938.

' (Philemon and Baucis) is an opera in three acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré. The opera is based on the tale of Baucis and Philemon as told by La Fontaine (derived in turn from Ovid's Metamorphoses Book VIII). The piece was intended to capitalise on the vogue for mythological comedy started by Offenbach's Orpheus in the Underworld, but Philémon et Baucis is less satirically biting and more sentimental. Originally intended as a two-act piece for the music festival at Baden-Baden, it was instead first performed at the Théâtre Lyrique, Paris, on 18 February 1860 because of the political situation in 1859.

I'm not saying he didn't work very hard and have the best intentions; it's just that his conception and our conception of the intentions were hopelessly at odds." Miller says the story was "old fashioned" and that he and writer Melly "were forced into making" the story "even more old fashioned by making it more sentimental. Gradually I found myself boxed in to a very conventional, almost 1950s studio situation and the final cut was beyond my control." Miller admitted "perhaps what we were doing was something quite dishonest in trying to steal in a realistic film inside the shell of a commercial enterprise.

While the conclusion of the Hildbrandslied is missing, the consensus is that the evidence of the analogues supports the death of Hadubrand as the outcome of the combat. Even though some of the later medieval versions end in reconciliation, this can be seen as a concession to the more sentimental tastes of a later period. The heroic ethos of an earlier period would leave Hildebrand no choice but to kill his son after the dishonourable act of the treacherous stroke. There is some evidence that this original version of the story survived into the 13th Century in Germany: the Minnesänger Der Marner refers to a poem about the death of young Alebrand.

Star Chamber is a one-act play by Noël Coward, one of ten that make up Tonight at 8.30, a cycle written to be performed in alternating groups of three plays, across three evenings. In the introduction to a published edition of the plays, Coward wrote, "A short play, having a great advantage over a long one in that it can sustain a mood without technical creaking or over padding, deserves a better fate, and if, by careful writing, acting and producing I can do a little towards reinstating it in its rightful pride, I shall have achieved one of my more sentimental ambitions."Shaw Festival Study Guide, 2009, p. 4. Accessed 17 March 2010.

Short plays had been popular in the previous century, often as curtain-raisers and afterpieces to longer plays. By the 1920s they had gone out of fashion, but Coward was fond of the genre and wrote several early in his career.Mander and Mitchenson, pp. 25–27 and 52 He wrote, "A short play, having a great advantage over a long one in that it can sustain a mood without technical creaking or over padding, deserves a better fate, and if, by careful writing, acting and producing I can do a little towards reinstating it in its rightful pride, I shall have achieved one of my more sentimental ambitions."Quoted in Morley (2005), p.

Kahin, p. 258. Taylor said the US did not agree with military rule as a principle, and might reduce aid, but Hương was unmoved and said the Vietnamese people "take a more sentimental than legalistic approach" and that the existence of civilian procedure and the HNC was much less pressing than the "moral prestige of the leaders". American military advisers and intelligence officers who liaised with senior junta members found they were unconcerned with any possible legal ramifications of their actions. Later, despite Taylor's pleas to keep the dissolution of the HNC secret in the hope it would be reversed, Kỳ, Thi, Thiệu and Cang called a media conference, where they maintained the HNC had been dissolved in the nation's best interests.

Among the songs they released this year, 'Spring Day' was the reason why they consistently received popular love." Jacques Peterson of Idolator said the band "tugged on the heartstrings with this hit," which he felt is "K-pop's answer to the Mariah Carey classic 'One Sweet Day'." In The Malaysia Star, Chester Chin regarded the song as "the most vulnerable cut" on You Never Walk Alone and opined that it "sees the boys baring their soul, shedding light on a more sentimental side of the group." Reviewing for Vulture, T.K. Park and Youngdae Kim felt that the song "opened a new chapter in [BTS'] aesthetics" by "substituting the group's previous calling card in hip-hop with the romanticism in pop and rock.

She is a proponent of rational dress, and often refuses to wear a corset. (See Deeds of the Disturber for a notable exception.) With the introduction of the Manuscript H fragments in Seeing a Large Cat the reader is introduced to her family's loving perceptions of her, which includes recognition of her extraordinary stubbornness, and utter conviction that she is right, even when she contradicts herself in the assertion. This is dealt with in good humor and affection by her family. Amelia is also addicted to romance (although she denies it vehemently), much more sentimental than she admits to and, despite her disdain for weak-willed women who employ impractical fashion, vain enough to go to great lengths to color her graying hair and hide her efforts particularly from Emerson.

The first few bars of Pizzicato from Sylvia Influenced by Adam, Coppélia makes extensive use of leitmotifs for character and mood, and contains some vivid musical scene-painting.Craine, Debra and Judith Mackrell. "Delibes, Clément Philibert Léo", The Oxford Dictionary of Dance, Oxford University Press, 2010. Retrieved 14 January 2020 Delibes greatly enlarged on Adam's modest use of leitmotifs: each leading character is accompanied by music that portrays him or her; Noël Goodwin describes them: "Swanilda in her entry waltz, bright and graceful; Dr. Coppélius in stiff, dry counterpoint, the canonic device ingeniously applied also to Coppélia, the doll he has created; Franz in two themes, each sharing the same melodic shape of the first four notes, but the second having a more sentimental feeling than the sprightly first theme".

181 Victorian critics of the 19th century, who were hostile to Sterne for the alleged obscenity of his prose, used Ferriar's findings to defame Sterne, and claimed that he was artistically dishonest, and almost unanimously accused him of mindless plagiarism. Scholar Graham Petrie closely analysed the alleged passages in 1970; he observed that while more recent commentators now agree that Sterne "rearranged what he took to make it more humorous, or more sentimental, or more rhythmical", none of them "seems to have wondered whether Sterne had any further, more purely artistic, purpose". Studying a passage in Volume V, chapter 3, Petrie observes: "such passage...reveals that Sterne's copying was far from purely mechanical, and that his rearrangements go far beyond what would be necessary for merely stylistic ends".

Zabalbeascoa sees Miralles's work in general, and the cemetery in particular, as being architecture "which 'naturally' adapts itself to a given site" but cannot be termed simply organic architecture. His work is "more than simply interpreting the programme [brief] or observing a site's geographical landscape, however attentively, his architecture explores pre-existing traces in the cultural landscape of each project." The cemetery can thus be considered as architecture of the land that involves a humanisation of the brief and appreciation of the topography - that is, the visible, physical land as well as the memories contained within it. This is seen by Zabalbeascoa in contrast to the particular form of critical regionalism which prevailed in the Spanish architectural scene of the 1970s which had tended towards a more sentimental or scenographic type of architecture.

Frederick and Salvay's underscores for Full House, which were more sentimental and instrument-heavy than on earlier hit Perfect Strangers, became the signature sound the two are also most recognized for. There is much speculation that Frederick inspired the creation of one of the series' main characters. When Full House was in early development in 1986 (under the working title House of Comics), the role eventually given to star John Stamos was that of Adam Cochran, one of three comedians sharing a house in San Francisco. Once the format was revised and the original pilot set to shoot, Stamos' character became Jesse Cochran (later renamed Jesse Katsopolis as a nod to Stamos's Greek ethnicity), the super-cool rock musician brother- in-law of Danny Tanner (played in the unaired pilot by John Posey, before Bob Saget became available for the role).

The title Acnalbasac Noom appears in the lyrics of the song "Casablanca Moon", and is Casablanca Moon with the words written backwards. The track titles on Acnalbasac Noom are identical to those on Slapp Happy, except for the track sequence, and that "Haiku" on Slapp Happy is replaced by "Charlie 'n Charlie" on Acnalbasac Noom. An instrumental version of "Charlie 'n Charlie" had been released as the title tune of Slapp Happy's first album, Sort Of. Musically, Acnalbasac Noom is arranged quite differently from Slapp Happy: it has a raw and unsophisticated "rock" feel about it, whereas Slapp Happy tends to be more sentimental and "dreamy" with complex arrangements, including a string orchestra. While the unsophisticated feel of Acnalbasac Noom still appeals to many fans, it was the sentimental sound on Slapp Happy that the band became best known for.

The two newly married couples set up house together in High Street, Marylebone, and Morland for a while appeared to have become a reformed character. He was now becoming known by such engravings from his pictures as the large 'Children Nutting' (1783), and several smaller and more sentimental subjects published in 1785, like the ' Lass of Livingston.' To 1786, the year of his marriage, is said to belong the series of 'Letitia or Seduction' (well known from the engravings published in 1789), in which with much of the narrative power of Hogarth, but with softer touches, the 'Progress' of Letitia is told in six scenes admirable in design, and painted with great skill, finish, and refinement. About this period he was fond of visiting the Isle of Wight, where he painted his best coast scenes, and studied life and character in a low public-house at Freshwater Gate, called the Cabin.

The vanguard in culturally conservative Argentina, futurists and cubists like Xul Solar and Emilio Pettoruti earned a following as considerable as that of less abstract and more sentimental portrait and landscape painters, like Raúl Soldi. Likewise, traditional abstract artists such as Romulo Macció, Anselmo Piccoli, Eduardo Mac Entyre, Luis Felipe Noé, and Luis Seoane co-existed with equal appeal as the most conceptual mobile art creators such as the unpredictable Pérez Celis, Gyula Kosice of the Argentine Madí Movement, and Marta Minujín, one of Andy Warhol's most esteemed fellow Conceptual artists. The emergence of avant-garde genres in Argentine sculpture also featured Pablo Curatella Manes and Roberto Aizenberg, and constructivists such as Nicolás García Uriburu and Leon Ferrari, one of the world's foremost artists in his genre, today. In the 1960s and 1970s, many of these figures' abstract art found their way into popular advertising and even corporate logos.

Two well-known works in which the animals carry on intellectual debates are The Owl and the Nightingale (13th century), involving a dispute between two birds quarreling over who is more useful to man, and Geoffrey Chaucer's Parliament of Fowls (1382?). In the former the argument is loud and vindictive, with the nightingale condescendingly insulting the owl for having a toneless and depressing singing voice; the owl defends her voice as warning and correcting men, and in turns threatens the nightingale. In Chaucer's shorter and more sentimental poem, a formel (a female eagle) has three suitors who submit their cases to an assembly of birds; the birds all have different agendas and cannot reach a decision, and 'Nature' must finally intervene by giving the formel the right to choose her own spouse. In the end the formel opts to delay being married to anyone for a year.

Ferrer in costume in an unnamed play at Maple Leaf Gardens Ferrer may be best remembered for his performance in the title role of Cyrano de Bergerac, which he first played on Broadway in 1946. Ferrer feared that the production would be a failure in rehearsals, due to the open dislike for the play by director Mel Ferrer (no relation), so he called in Joshua Logan (who had directed his star-making performance in Charley's Aunt) to serve as "play doctor" for the production. Logan wrote that he simply had to eliminate pieces of business which director Ferrer had inserted in his staging; they presumably were intended to sabotage the more sentimental elements of the play that the director considered to be corny and in bad taste. The production became one of the hits of the 1946/47 Broadway season, winning Ferrer the first Best Actor Tony Award for his depiction of the long- nosed poet/swordsman.

He was reunited with Luppi in 1987, cast in a supporting role in El Año del conejo ("The Year of the Rabbit") a divorce comedy made during Luppi's own contentious separation from wife and former co- star Haydée Padilla. During an era in which Argentine cinema often revisited the traumas lived during the 1976–83 dictatorship, Dumont was cast in a leading role as an aging, targeted intellectual in Fernando Solanas' Sur ("South," 1987), one of the defining films on the subject. Working in varied genres, he also starred in a crime caper, Juan Carlos Desanzo's Al filo de la ley ("On the Edge of the Law," 1992) and was reunited with director Eduardo Calcagno in El Censor ("The Censor," 1995), a surreal historical drama loosely based on Miguel Paulino Tato's notorious tenure as National Film Rater (censor) during the 1970s. Turning to more sentimental work in his later years, Dumont traveled to Cuba to play an aging businessman in the throes of hopelessness in Diego Musiak's Historias clandestinas en la Habana ("Hidden Stories in Havana," 1996).

Describing the origins of the film, Clair said, "Having passed a part of my childhood near Versailles, I could not forget the cavalry officers, their galloping in the forest of Viroflay, the rumors of their adventures, a duel which the newspapers talked about and in which two of those officers died...."René Clair, Four Screenplays; translated from the French by Piergiuseppe Bozzetti. (New York: Orion Press, 1970). p.436. Elsewhere he commented, "For me it is a very sentimental film, even more sentimental because it is situated in the period of my childhood. I put into it things that I saw."Michel Aubriant & Hervé Le Boterf, "Entretien avec René Clair", in Cinémonde, 2 mai 1957, p.33; quoted in translation by Celia McGerr, René Clair. (Boston: Twayne, 1980). p.199. Clair's aim was to create a portrait of provincial life in the years before 1914, and close attention was paid to the fashions of the period and the rituals of military life.Georges Charensol & Roger Régent, 50 Ans de cinéma avec René Clair.

Mary Stuart, from La réforme du théâtre (Library of the Royal Conservatory of Brussels, B-Bc, FC-2-MM-073) Page from the sketchbook of M. Malibran (Library of the Royal Conservatory of Brussels, B-Bc, FC-2-MM-075) One of the most attaching parts of the collection, this section holds several artworks given to the diva during her tournées, such as this very delicate, signed and dated bust of white marble,This bust, signed « F. Giungi in Bologna anno 1834 », was probably presented to Malibran during her visit to this city. a large gold medal commemorating her interpretation of Norma at La Scala (1836) and some fifteen portraits of her – lithographs, black-lead drawings, pastels or photographic reproductions – including an interesting lithograph (1851) from her nephew Léon Viardot. Other documents have a more sentimental value: they include Malibran's travel watercolours as well as a small sketchbook by her hand, revealing her unsuspected drawing talent. This aptitude also transpires in the two surprising La Réforme du Théâtre volumes, an initiative of the singer to modernize theatre costumes and assembling some fifty colour projects.