Against Hillary Clinton, Trump has lost his focus and become much more scattershot.
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The rest of the conversation is more scattershot, but there are few outright screw-ups.
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"Lo and Behold" is, by virtue of its scope, one of Herzog's more scattershot endeavors.
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It was also a more scattershot period for Mr. Walker, and much of his work had gone undocumented, the pieces lost.
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Coverage for the drugs is more scattershot than for the operation itself, even though transplanted organs will not last without the medicine.
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Coverage for the latter is more scattershot than for the operation itself, even though transplanted organs will not last without the medicine.
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Compared to the 2015 prequel, "Ten Years Later" is "less emotionally rooted and its parody more scattershot," James Poniewozik wrote in The New York Times.
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My picks this week are, predictably, a little more scattershot: bonkers future-pop from Danny L Harle and Carly Rae Jepsen, sprawling electro-country from Lambchop, and stirring EDM from Porter Robinson and Madeon.
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While sites like Pandora and Spotify later capitalized on streaming music, Hype Machine was a bit more scattershot: it didn't provide the songs, but instead linked out to sites that were posting MP3s, making the site a great place to discover artists who were on the verge of breaking out.
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For as consistent as the show has been when impersonating male members of the Trump administration like press secretary Sean Spicer (played by Melissa McCarthy) or chief adviser Steve Bannon (played by the Grim Reaper), SNL's treatment of the women in the president's inner circle has been far more scattershot.
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As Mark Greif of n+1 writes in "Radiohead, or the Philosophy of Pop": We don't even agree about how the interconnection of pop music and lyrics, rather than the words spoken alone, accomplishes an utterly different task of representation, more scattershot and overwhelming and much less careful and dignified than poetry—and bad critics show their ignorance when they persist in treating pop like poetry, as in the still-growing critical effluence around Bob Dylan.
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"For years Lowndes was the national British bibliography." It is regarded as a "bibliographical classic" although "pleasurably more scattershot than systematic." Lowndes, reduced to poverty, subsequently became cataloguer to Henry George Bohn, the bookseller and publisher. In 1839 he published the first parts of The British Librarian, designed to supplement his early manual, but owing to failing health did not complete the work.
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Alan Sepinwall of Uproxx wrote that the series is "big and it's catty, but it's also smart and elegant, with the old Hollywood setting toning down some of Murphy's more scattershot creative impulses." Emily Nussbaum, in The New Yorker, praised Murphy's ambition and lauded both stars, saying of the series, "Beneath the zingers and the poolside muumuus, the show's stark theme is how skillfully patriarchy screws with women's heads—mostly by building a home in there." Not all reviews were positive. Sonia Saraiya of Variety compared Bette and Joan unfavorably to Murphy's The People v.
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Faye Lewis of Rock Sound said that it "throws down anguished alt-rock and enough crunching guitars and intense lyrics to frighten off Linkin Park comparisons." Jody Rosen of Rolling Stone noted that the album is "oddly inert, lacking both the brute force and big choruses that raised Linkin Park to rap-rock godhead status." August Brown of The Los Angeles Times commenting that "Out of Ashes has moments of spark, it's more scattershot and less ambitious than the music Bennington makes with Linkin Park." Jon Pareles of The New York Times called Out of Ashes "spacious, state of the art pop", but at the same time "shamelessly imitative", citing similarities to Nirvana, Pink Floyd, Green Day and Metallica.
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