In France in 1793, no woman was more relentlessly slandered than Marie Antoinette.
|
|
Homeland Could the first episode of this new season of "Homeland" be any more relentlessly grim?
|
|
"Well, I've been taken out of context in the past, but never more relentlessly than with regard to this comment," McConnell writes.
|
|
Users post text, images, and more relentlessly on Facebook, where teams of thousands cannot scramble fast enough to scrub them off the site.
|
|
Venus and Serena were the ones who followed the lead of Monica Seles and took the game to a new, more relentlessly aggressive place from the baseline.
|
|
Edgerton masterfully humanizes Paul as someone constantly wrestling with the weight of his decisions — which only makes his choice to give in to fear again and again that much more relentlessly disturbing.
|
|
Wilson's curatorial approach to his own art production collapses ethnography, commerce, and culture in a way that globalization did in the early modern period and in a way that it does even more relentlessly now.
|
|
One of the only elements of modern life even more relentlessly unpleasant than online sparring is the advertising trend sometimes called "brand Twitter," where corporations lean on winking tongue-in-cheek voices to convey hipness and relatability.
|
|
Leave the walled garden at the coalition headquarters, with its flower beds, slightly forlorn trees and memorial stones to fallen comrades, and the mood could hardly be more lean and business-like, or more relentlessly focused on fighting terrorists who might harm America.
|
|
Robert Palmer of The New York Times noted "Mr. (Milton) Nascimento, and Brazilian pop in general, combine African- derived rhythms that tend to be more flowing and buoyant than their North American funk counterparts with a melodious pop lyricism based on relatively complex, jazzy harmonies, and Maurice White has done something very similar on Earth, Wind and Fire's Powerlight album." Vanity Fair found that "Earth, Wind & Fire's oddysey of uplift, Powerlight is, impossible as it may seem, even more relentlessly cheerful than its predecessor Raise!, a concoction designed to do precisely that to listeners' spirit".
|
|
While drinking with a fellow conventioneer from Texas named Charley, as a practical joke, he calls his sister in Los Angeles, who turns out to be none other than Mrs. Hardy. Fortunately, nothing comes of this. But then fate closes in even more relentlessly; While Stan and Ollie are en route home from Chicago, their supposed ship arriving from Honolulu sinks in a typhoon and the wives head to the shipping company's offices to find out any news about the survivors. At the same time, Stan and Ollie, blissfully unaware of the shipwreck as yet, return home as though from Honolulu and are confused by the empty houses.
|
|
McLelland, surveying gay men's magazines from the mid to late 1990s, indicates that most manga stories were simply pornographic, with little attention to character or plot, and that even the longer, serialized stories were generally "thinly developed". McLelland characterizes Barazoku as containing "some well-crafted stories which might be better described as erotic rather than pornographic", while the manga in G-men were "more relentlessly sexual", with less attention to characterization and mood. The 1990s saw increased media focus on LGBT people in Japan, and a large increase in the production of such works written by gay men. Gengoroh Tagame has been called the most influential creator of gay manga in Japan to date.
|
|