200 Sentences With "more poetic" | Random Sentence Generator

He's the quieter, more poetic guitarist in King Ly Chee.

Has there ever been a more poetic setting of the stage?

" A more poetic version read: "How's it feel being in Podesta's pocket?

But I like making things a little more poetic and less obvious.

"It seems more poetic," he said, "that I should scatter her ashes."

Storytelling pace can be more poetic and less built like attention-span-deficit theater.

It's a much more poetic cadence than having a circuslike celebration that's a coronation.

It takes a more poetic approach, though, to get to the heart of the matter.

Better, and more poetic, would be "air computing": it is everywhere and gives things life.

Williams specified minimalism — no doors or windows — but he meant something more poetic by it.

Who defines what the ground truth that determines whether one poem is more poetic than another?

If this sounds like a much more poetic version of yourself, then you are in luck.

In what ways did you find it more poetic and personal than what you've done before?

Her work shows Dean and Ramona becoming attached, but in a lighter and more poetic fashion.

Jimmy Causey could not have picked a more poetic time to make his second prison break.

It'll also encourage you to reflect on the world from a more poetic, and less logical, standpoint.

What would be a more poetic end to the show than Rebecca's spirit greeting Jack in the afterlife?

These works may help you lighten up, but others offer more poetic means of momentary, THC-free escapism.

" And he said Trump doesn't want to be surrounded by A-list stars in for a more "poetic cadence.

You're going to be foggy-headed—but you'll also see the world in a more poetic, non-linear way.

"Outlaw country music is given much more poetic license than gangster rap, and I listen to both," he said.

The artists tweaked the phrase to be more poetic, and the resulting work is a meditation on landscape and tradition.

Yet the swath of self-revelation that emerges in these interviews is, in fact, more poetic and revealing than the essays.

The presenting astronomers run a galaxy-meets-fashion blog and wrote their scripts themselves, which read almost more poetic than academic.

But there are also more poetic parts, tales of the Adonis as a refuge where men found companionship and romance before AIDS.

They gave singers more demure outfits, put them on sparkly stages and changed the content of their songs to make them more "poetic".

" In more poetic terms, the machine is learning more than just colors, with Pritch describing it as having "learned something inherent to pictures.

Although I also play with gravity, I think I do it in a different way, maybe a less technical but more poetic one.

Porter initially settled on calling himself a "jack-of-all-trades," but a little later, a more poetic turn of phrase occurred to him.

But pull up the League's campaign manifesto, dig past the strident anti-immigration and anti-Muslim rhetoric, and suddenly the tone turns more poetic.

This is in part because, much like the arrangement of Letdown's images, the project's organizing logic is more poetic and associative than narrative and linear.

"well i don't see YOUR acceptance letter anywhere, who gets the last laugh nowwww"Others took the sheet as an opportunity for more poetic expression.

This retrograde will be activating the sector of your chart that rules your mind, logic, and communication, so expect to feel a little more poetic.

The landscape feels like a quieter and more poetic place to think about civil disobedience, and to get into the poetics of being a dissident.

Ward unspools the story of her difficult coming-of-age as it felt, foregoing the pacing of a conventional memoir for something more poetic and visceral.

I am energized by highlighting particular elements of sports practices and transforming what appears to be familiar and often overlooked into something more poetic and unknown.

" She says, "Looking at the collection of Galerie Number 8, I thought it would be interesting to link the political to more poetic, empowering, fictional visions.

Homer's wine-dark sea looks even more poetic with a tangy Sherry Chery (sic) Lady cocktail (vodka, mastic liqueur, cherries, lemon; 9 euros, or about $10.30).

The installation is one of the more poetic works of the fair, as these empty containers appear to conserve the void the ghostly saints left behind.

There's something that happens when you start painting, it adds another layer of interpretation so it doesn't seem so direct and feels more poetic in a way.

And he becomes more poetic in his recollections of his life as he shares memories from his time in the military and his love for his wife.

Mr. Koudelka first became known for up-close images of confrontations taken during Russia's 1968 invasion of Prague, but he is equally adept at gentler, more poetic images.

" The conversion was more poetic than devotional in spirit, Mariani speculates, but, perhaps, "being a surety lawyer—he opted to sign on the dotted line at the end.

They often come off as series of conventional paragraphs—what looks to me as bricks of text arranged in walls of white—no more poetic than any other prose.

"Marriage responds to the universal fear that a lonely person might call out only to find no one there," he wrote in one of the court's more poetic opinions.

This pour allows the coffee grounds to "bloom," which is a more poetic way of describing the release of carbon dioxide that was trapped as the beans were roasted.

There is no way of knowing how many more poetic codices (the special term for these books) might have existed once upon a time, but have since been destroyed.

They had their own place in soccer's lexicon: the prosaic "utility player" in English, and the more poetic tuttofare ("does everything") in Italian, or todoterreno ("all terrain") in Spanish.

Mine isn't linked to that James Bond legacy, but I feel closer to this ideal of a man; he's more poetic, and doesn't need to hide behind his suits.

Smoking just helps to free my mind, slow my thoughts down and think about everything not only in a more poetic way but in a more creative way in general.

But the news also comes at a tricky time for Nest — which one of my more poetic colleagues who shall remain unnamed likes to refer to as a garbage fire.

The exposition comes awkwardly in The Dark Tower, with an unapologetic frankness that makes some of the potentially more poetic, mythic reveals land with all the grace of a dropped anvil.

Barbara Drudi, a professor of art history at the Academy of Fine Arts of Florence, said Mr. Gendel's neorealist photographs of Sicily "were more poetic" than those taken by Italian neorealists.

A more poetic potential end comes just before: The stage has emptied, Mr. Khan has disappeared, and a gramophone — doubling as a searchlight — scans the darkened theater, shining into the unknown.

Having 22018 years of Holzer's work in one place means it's possible to trace lines of activity that are subtler and more poetic than the broad strokes she's most known for.

Nevertheless, her art always took a more poetic, expansive approach to questions of politics and society, and made heavy use of metaphor — above all, metaphors of eating and speaking, language and food.

It suggested that while left hemiplegics respond well to straightforward instruction ("Raise your arm as best you can"), right hemiplegics do better with more poetic descriptions ("Imagine you're reaching for the stars").

Characters in movies have been known to speak in more poetic and easily quotable dialogue than the rest of us humans, who only occasionally create lasting glory from the building blocks of English.

Composed of photographs from her trip and sculptures woven from hair she lost during chemo, the exhibition forms an abstracted portrait that is more poetic and reflective than Wilke's bleak presentation of illness.

The scenes he paints, which seem at least partially inspired by real life experiences, mine different traditions for iconographies that might transform the banality of ordinary existence into something more poetic and thoughtful.

And there are many pieces of video and performance art in which rivers serve a more poetic function, like William Lamson's "Action for the Delaware" (2011) and Marie Lorenz's Tide and Current Taxi series.

"Salt Fat Acid Heat," hosted by Samin Nosrat and based on her book of the same name, is the latest sumptuous, educational, globally minded food show, and it's among the more poetic in the genre.

Likewise, when you slide the bar, located at the bottom of your screen, to the right, a flurry of emojis is emitted and the lines of text change into much more poetic and abstract perceptions.

The veteran composer Chaya Czernowin's 2016 work "Ayre: Towed" (an abbreviation of a much longer and more poetic title) initially established a coolly grave air, thanks to plumes of ominous percussion and slowly bowed strings.

Another part of the vision was to enter the space of the more poetic, artistic games that move the boundaries of what a game experience can be, using game mechanics to convey emotions and narrative.

Mercury is retrograde, but you nutty Pisces people love it— you don't care for the details and fine print, so when Mercury is retrograde and the world is thinking in a more poetic fashion, you're happy.

"Kayla loved the Patsy jumpsuit as she thought it really fit her personality and body, however, she wanted to personalize it by changing the embroidered tulle on the jumpsuit to something more poetic," Arodaky tells PEOPLE.

The situation, one of the more poetic conclusions to a Mueller case, arose because Manafort forfeited his apartment in Trump Tower in Manhattan as part of his conspiracy, foreign lobbying and money laundering guilty plea deal.

Singers frequently appear, sometimes with a literal function (to deliver "The Motherland Song," during a patriotic school concert), sometimes with a more poetic, associative one (singing a Tartar lullaby that suggests Nureyev's loneliness after his defection).

" Passard himself remains more poetic on the subject, explaining that he decided to devote the entirety of his art to vegetables in order to "master the raw materials" and transform any vegetable he touches into a "grand production.

Mercury in Pisces will find that your partners will be especially talkative and eager to share their many feelings with you—even though you may find that they have a more poetic way of saying things than you do!

While some Lewton pictures are more conventionally "thrilling" than others — "The Curse of the Cat People" (22016) is an unusual kind of sequel and features a tone more poetic than spooky — most of the movies still carry strong scares.

To hear Harris speak in front of a large audiences now, when her voice rises for emphasis, you can hear the cadences of traditional black preachers — an almost lyrical quality that can turn an excoriation into something more poetic.

While her last exhibition in New York, Dark Roads (2017–193) at A/P/A Institute, New York University, focused on the politics of migration, displacement, and refugees, the exhibition at Luhring Augustine guides us towards a more poetic reading of Zarina's works.

Richard Goldstein, a former rock critic for the Village Voice, believes this may be why band names in the 60s changed from straightforward ones like The Beatles and The Animals to more poetic ones like Jefferson Airplane and The Peanut Butter Conspiracy.

There is one more poetic touch: The dangers the plant now faces may be mitigated by the surviving wild coffee of Kafa, which still holds, deep in its forests, the ring of power in the form of primal yet diverse genetic material.

For while the voice of Lucia is funnier, sharper and more poetic than the deliberately flat and inexplicit prose of his previous books, and the American landscape he depicts is far more terrifying than any Kafkaesque prison, this novel gradually loses focus as it develops.

And in Smugtown, Jim Broadbent's Archmaester Ebrose asks Samwell if he can think of a more poetic title for his forthcoming fantasy epic A Chronicle of the War Following the Death of King Robert I. How about A Gamble of Chairs or Naked Lunch?

It takes virtually no skill: You simply sweep the hair back at the nape of the neck (is there a body part more poetic or demurely beautiful, both in name and in form?) and use an elastic to twirl it around into a neat whorl.

According to the catalogue essay by Dudley Andrew, these films , however, were an aide-memoire for Jean, immersing him in Pierre-Auguste's milieu and helping him complete Renoir, My Father, a book first conceived in 1941 and published in 1962, a family history more poetic than accurate.

By 1963, he was already working in a more poetic, associative register in "To Parsifal," which begins with what sounds like excerpts from scratchy maritime radio transmissions ("Pacific Standard Time, west, southwest, 14, partly cloudy"), an abrasive opening for what emerges as a meditation on the American West.

If, in pairs and singles skating, it seems like the air is increasingly being sucked out of routines to make room for more jumps — it's worse when they're crammed into the second half in order to score more points — ice dance pushes skating to a more poetic place.

The beautiful line about war breaking out on the border between grapes and citrus fruit may seem more considered or more original (or just more lyrical and, hence, more "poetic"), but it belongs to the same voice, the same mouth, as a laugh is related to a yawn.

"The Night They Raided Minsky's," by the way, was directed by William Friedkin, much better remembered today for "The French Connection," one of the defining New York movies of the '70s, both timeless and entirely of its time, its grainy collage of battered locations growing more poetic each time you see it.

Painters here include the 87-year-old Jo Baer, a Minimalist who later moved into a more poetic vein; midcareer figures such as Dana Schutz, Frances Stark, Carrie Moyer and Ulrike Müller; and younger artists such as Shara Hughes, an abstractionist, and Celeste Dupuy-Spencer, who paints fragile scenes of daily Los Angeles life.

Well over half the artists, though, were new to me; their art ranges from the soporifically one-note (bananas hanging from a chandelier, nations' flags knotted together, a boat with black hands rising from the hull) to the freer and more poetic, as in a free-standing painting with collaged photographs by Louisa Marajo.

Dylan has been labeled a "topical songwriter" since that period, but he spent only a short period writing songs like "When The Ship Comes In" and "The Times They Are A Changin'" Instead, Dylan quickly became annoyed by the constraints of folk music and pushed into other areas, writing more poetic and psychedelic material and less overtly political songs.

"Our paintings have always been recognized as a turning point in Turner's work in a movement that began in the teens and accelerated in the '20s," said Susan Grace Galassi, the senior curator at the Frick Collection who organized the show, "moving away from naturalism towards a more poetic treatment of topographical subject matter, and towards a more imaginative treatment of light and color."

For now, let's presume we're speaking of song recordings, which like books sit on the shelf and are more or less fixed in time.) Dylan's lyrics use more poetic techniques than practically anyone's (Paul Simon and Joni Mitchell are his only peers in the American songwriting canon), but they are not poems, because, without the music to back them up, they don't have that depth of reference and history that qualifies them as literature.

For an example of a more poetic poem, see "Evening Twilight"; for a prosaic example, see "The Bad Glazier".

French is my home, my roots. It's where I live first. French is a more interior energy, more poetic. But, when I sing in English, there are different emotions.

Lyrically, the album is darker and more poetic than previous material. The album includes a hidden track containing a spoken word poem accompanied by piano keys and distorted synth sounds.

Later his drawing became lighter and more poetic; he shifted his attention from people to things, particularly landscape. His final mode reveals highly sensitive visions of Lisbon, Sintra and the Algarve.

Although the album at times boasts an edgy rock style, particularly the title track, others are more poetic and introspective. Overall, it is less rock-infused than The Outsider. Texas Monthly compared its sound to Dylan's mid-period. McCord, Jeff.

'The Breviary Hymns and Missal Sequences in English Verse, (Edward Bagshawe, trans.), London. The Catholic Truth Society. 1900 The reviewer in The Month gave it a favourable review, while noting that it was a more literal translation than John Henry Newman's more poetic one.

16(2): 175-196. The Hindu king gave permission in perpetuity (or, in the more poetic expression of those days, "as long as the world and moon exist") for Jews to live freely, build synagogues, and own property "without conditions attached".Three years in America, 1859–1862 (p.

"Chinese Philosophy." Collected Writings of Jin Yuelin. Vol. 2. Gansu People's, 1995. 531-50. Print. p.533 He explains Chinese philosophy as being more poetic in that it has “bareness and disconnectedness”,Jin, Yuelin. "Chinese Philosophy." Collected Writings of Jin Yuelin. Vol. 2. Gansu People's, 1995. 531-50. Print. p.

The Hindu king gave permission in perpetuity (or, in the more poetic expression of those days, "as long as the world and moon exist") for Jews to live freely, build synagogues, and own property "without conditions attached".Three Years in America, 1859–1862, (p. 59, p. 60) by Israel Joseph BenjaminRoots of Dalit History, Christianity, Theology, and Spirituality (p.

Peñarroya graphic style evolved over the years toward greater statism, abandoning kinetic curves and symbols.Ramírez (12/1975), pp. 100-101. An author of a later generation, Joan March, described Peñarroya humor as more subtle, but also more poetic than other authors of Bruguera.March, Joan in Comic Story-4, magazine Bruguelandia, Editorial Bruguera, Barcelona, 26/10/1981, page 64.

Müšyl ([], ) means crater in the Mari language.Команда Кочующие, Озеро Морской Глаз - Мушыл In early documents it was known only by its Mari name, written in the Russian text with Mari diacritics.Агроклиматический справочник по Марийской АССР, 1961 Later, Russian-speaking tourists were inspired by the sea-like colour of the water to give it the more poetic Russian name.

These qualities also appear in the frescoes of Biblical and classical subjects that Michelangelo painted on the ceiling of the Vatican's Sistine Chapel. The frescoes, painted from 1508 to 1512, rank among the greatest works of Renaissance art. David by Michelangelo, 1501-1504 Raphael's paintings are softer in outline and more poetic than those of Michelangelo.

According to later books such as Female Mulan, her family name is Zhu (), while the Sui Tang Romance says it is Wei (). The family name Hua (), which was introduced by Xu Wei, has become the most popular in recent years in part because of its more poetic meaning. In Chinese, her given name () literally means "magnolia".

Whisky is a Turkish rock band founded by Kamil Özaydın in 1979. They are known to be the first Turkish hard rock and heavy metal band. The band used to rehearse in a basement in Istanbul in their early years. After a while, songwriter Ahmet Dağaşan joined the band and wrote more poetic lyrics for Whisky.

The New Creatures verses are more poetic in structure, feel and appearance. These two books were later combined into a single volume titled The Lords and The New Creatures. These were the only writings published during Morrison's lifetime. Morrison befriended Beat poet Michael McClure, who wrote the afterword for Jerry Hopkins' biography of Morrison, No One Here Gets Out Alive.

His newer, more poetic version used the Vulgate more. This Arabic translation is significant as it represents a turning point in the cultural assimilation of native Christians. Only thirty years prior, Álvaro had publicly denounced the use of Arabic amongst Christians. Hafs, on the other hand, fully embraced the Arabic language and his Psalms were translated in Arabic rajaz verses.

In 1887, Huntley became the first instructed student of John Emmett Richardson (pen name, TK). From 1894, the "Work" commanded her undivided time and effort. The Dream Child, the first result of that interest, was written in 1889, and published in Boston, 1892. The books stands for the earlier, more poetic, and less exact treatment of the "Great Law" than her later writings.

The single features an additional song, "Passion and Pain Taste the Same When I'm Weak", written by Lo and Finneas. He also programmed, engineered and produced the track. It is an ambient ballad that is four minutes long, with a melody composed of background noise and percussions. Lo described it as a "beautiful, kind of" and "more poetic ballad" than "Bikini Porn".

Wright did not subscribe to the tenets of the International Style, but evolved what he hoped would be an American, in contrast to a European, progressive course. Wright's style, however, was highly personal, involving his particular views of man and nature. Wright was more poetic and firmly maintained the 19th-century view of the creative artist as unique genius. This limited the relevance of his theoretical propositions.

Bible commentaries suggest that the term may refer to Gutium. In all other cases in the Bible, is the plural of and means "nations". One of the more poetic descriptions of the chosen people in the Hebrew Bible, and popular among Jewish scholars, as the highest description of themselves: when God proclaims in the holy writ, , or "a unique nation upon the earth!" ( and ).

A number of additional factors contributed to the label—lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", some harmonic language was imported from jazz and 19th- century classical music, the album format overtook singles, and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening, not dancing.

Repomies (voiced by Kari Hietalahti) is the Captain of the Pasila precinct, a man with a moustache and heavy medication. He is nearing retirement and often displays antiquated manners. He keeps on getting more confused and more poetic, until someone usually reminds him to take his pills. He is extremely gullible and many episodes involve him ending up as the victim of the main perpetrator.

It remained the standard biography of Fourier until the 1980s. Like most of Fourier's disciples, Pellarin took pains to emphasise the aspects of Fourier's doctrine that sounded reasonable, not his more 'poetic' beliefs. He was one of the first historians of the Fourierist school and of early French utopian socialism more generally. He also wrote numerous other works on sociological, economic, philosophical and anthropological topics.

At Watertown, he met his future wife, Lydia Dodge Cabot. He announced their engagement to his father in October, 1833. Theodore and Lydia were married four years later on April 20, 1837.For Parker's time in Watertown and engagement, see Grodzins, American Heretic, 36; an earlier and more poetic account is in Henry Steele Commager, Theodore Parker: Yankee Crusader (Boston: Unitarian Universalist Association, 1947), 23.

Sturua's dialogue with the audience acquired an even more philosophical tone and focused more on thoughts of eternity, and on the fine line between life and death. The metaphorical language of more recent interpretations is palpably more poetic and includes the fantasy "Styx", inspired by the music of Giya Kancheli (2002); two new versions of Hamlet staged in Tbilisi (2001, 2006); and Waiting for Godot (2002).

Siegfried and the Rhine Maidens (1888–1891), National Gallery of Art, Washington, DC The 1880s and 1890s are thought of as Ryder's most creative and artistically mature period. During the 1880s, Ryder exhibited frequently and his work was well received by critics. His art became more poetic and imaginative, and Ryder wrote poetry to accompany many of his works. His paintings sometimes depicted scenes from literature, opera, and religion.

Within the genres of prose poetry and vers libre, the poems of Illuminations bear many stylistic distinctions. Though influenced by the earlier prose poems of Charles Baudelaire, the prose poems differ starkly from Baudelaire's in that they lack prosaic elements such as linear storytelling and transitions. Because of these differences, Rimbaud's prose poems are denser and more poetic than Baudelaire's. These differences also contribute to the surrealist quality of Illuminations.

Najdi uses Persian literature's figures of speech to make his style unique. Considering Najdi's works through linguistic point of view, in some of his stories what we have is actually poetry. Language is a base for Praise and poetry and it is the language that forms a poem for its poet and a story for its writer. Language in Najdi's work is more poetic rather than a social reality.

The stunt renewed interest in Booth's tour. James O'Neill also alternated the roles of Othello and Iago with Booth. The American actor William Marshall performed the title role in at least six productions. His Othello was called by Harold Hobson of the London Sunday Times "the best Othello of our time,"Jet magazine, 30 June 2003 continuing: > ...nobler than Tearle, more martial than Gielgud, more poetic than Valk.

II, in 2019. In 1992, for example, he presented Les Cinq Livres ou La Clef du Secret des Secrets by Nicolas Valois in a style that some would describe as “inspired” and which, in any case, clearly changes tone, going from an academic style to a resolutely more poetic tone:. “May this Saturn bind you to the pot if you have grasped this mercury that one cannot read without cooking it.

The new year brought about a number of changes in Karam's career lives. Her new album was set to be released in the summer, and her personal changes were showing in her new album Rouh Rouhi. It was similar to the Maghroumeh album, but had a number of tweaks in the vocal and musical styles. The musical arrangements were heavily detailed and technical, and the lyrics were more poetic than all other Karam albums.

The central panel, sometimes called The Mystic Marriage of St. Catherine, depicts the Virgin enthroned with Child. Saints Catherine and Barbara sit before her, John the Baptist and John the Evangelist stand behind. The panels capture the essence of Memling's style, which Ridderbos describes as serene and filled with "sublime peace". The Baptist's decapitation portrayed by Memling, is subdued and restrained, and the apocalyptic scenes on the opposite panel are "more poetic than horrific".

" Hughes wrote, directed and performed in Dress Suits to Hire (1987).Holly Hughes: Polymorphous Perversity and the Lesbian Scientist, interview with Rebecca Schneider, TDR, Vol. 33, No. 1 (Spring, 1989), pp. 171–83 Critic Stephen Holden commented, in reviewing the play, "While Ms. Hughes's more poetic writing recalls Sam Shepard, the campy B-movie side of her sensibility shows her to be equally in tune with John Waters's movies and Charles Busch's drag extravaganzas.

Souvenir de Mortefontaine (Recollection of Mortefontaine) is an 1864 oil-on- canvas painting by French artist Jean-Baptiste-Camille Corot. It is a scene of tranquillity: a woman and children quietly enjoying themselves by a glass- flat, tree-flanked lake. Generally acknowledged as one of his masterpieces, it is among the most successful of Corot's later, more poetic works. The painting captures an idealized scene while still drawing from the real world.

The subjects varied from textured walls and graffiti, to fish, faces, leaves and grass, particularly from his trips to Japan. The quilts were assembled in a fashion similar to the pieces in his Icon-era, using distinct, often "visually paradoxical" panels. They had become less formal and more "poetic." In 2004, James expanded his digital fabric designs to a mass market when he created two collections for Donna Wilder's FreeSpirit fabric company.

There are two other versions as to the origin of the city's name. One is that the path through which the river flows around the city forms the shape of three hearts. The other, more poetic version, tells the story of three cowboys, who while passing through the town from Goias, came upon three women, Jacyra, Jussara, and Moema. The women captured their attention, and the cowboys fell in love with them.

People who are more poetic than me lie on their pillows, listening to the soughing of the wind in the pines from the forest, or the roaring of the crashing waves of the sea. For me myself, I have to hear the tram ringing to fall sleep … The apartment is the most ideal place to escape. People who are tired of the metropolis often long to retreat to the tranquil and peaceful countryside.

They must therefore be developed within a monist worldview (the conviction that there is one world and one world only, and that everything within this one world can affect everything else). In a more poetic vein, Bataille describes his atheology as “the art of non-knowledge”. He rather advocates a syntheist religion without a core set of beliefs. Participatory festivals with utopian themes such as Burning Man are considered examples of syntheistic practice.

By the end of 2006, they recorded several songs for Bigas Luna's Yo soy la Juani soundtrack. In October 2007, they released their second album, La Luz de la Mañana. The music of Facto delafé y las flores azules is halfway between indie pop and hip hop, with melodies and structures more characteristic of rock, soul or electronic music. Although the lyrics contain a certain level of criticism, they are more poetic than aggressive.

Chris Taylor called the Force "largely a mystery" in Star Wars. Taylor ascribes the "more poetic, more spiritual ... and more demonstrative" descriptions of the Force in The Empire Strikes Back to Lawrence Kasdan, who co-wrote the film, but says the film does little to expand audiences' understanding of it. In 1997, Lucas said that the more detail he articulated about the Force and how it works, the more it took away from its core meaning.Bouzereau, p.

For the EP, Chan produced the instrumentals first, and Chana would then write the lyrics and melodies with him. Chana based her lyrics on past relationships and break-ups, while Chan looked to Manu Chao's music for inspiration. She said that she had difficulty during the recording process due to the personal nature of the lyrics. Although she found it more challenging to write lyrics in Spanish, Chana felt the language was more poetic than English.

Critics have differed widely and radically over the worth of Webster's Appius and Virginia. For Dugdale Sykes, the play is "Firmly constructed, lucid in style, and with a simple, coherent plot," which "is utterly unlike The White Devil and The Duchess of Malfy [sic], those profounder and more poetic tragedies...."Sykes, p. 108. Other critics have rendered harsher judgements, regarding the play's black-and-white morality as simplistic and uninteresting compared to Webster's other, more complex tragedies.

Tape hiss, projector clicks, fireworks, fragments of human voices move around sometimes contrapuntal, sometimes monophonic arrangements. The time signatures are generally or . The lyrics of The Man Who Ate The Man are more poetic than rock'n'roll inspired, and concern city relationships ("Benny's Insobriety" and "Without Word") or similar, but set against a rural backdrop ("A Sad Ha Ha (Circled My Demise)" and "The Only Witching You'll be Doing"). The themes explore control, loss, reverence, worth, relationship-pacts.

In an interview with Cynan Jones about The Dig, the author spoke about "triggering reactions [in the reader], without being overtly shocking." He also explained his use of more poetic language for some characters over others to keep them apart or "mirror" an aspect of their character. In using "physical and natural allegories" to say things about people, the reader should "understand the reference instinctively." He mentioned writing like "Steinbeck, for example, with The Long Dry".

Mac Miller's lyrical focus and subject is different from that of his previous major mixtape Best Day Ever. Also, the instrumentals on the songs have a psychedelic influence to the typical hip hop beat. While most songs' lyrics are rapped, hit songs such as "Clarity", "Angels (When She Shuts Her Eyes)", and "The Question" featuring Lil Wayne are performed in a more poetic way. "Desperado" ends with the introduction to "Lucy in the Sky with Diamonds" by the Beatles.

As noted by Alexander Wynne: Some scholars such as Wynne and Analayo generally hold that these texts were memorized in fixed form, to be recited verbatim (in contrast to other forms of oral literature, such as epic poetry) and that this was affirmed during communal recitations (where there is little room for improvisation), while others argue that they could have been performed in more poetic and improvisational ways (L.S. Cousins, Rupert Gethin) through the use of basic lists or formulas.

At the coast of Wales, Richard has just returned from a trip to Ireland and kisses the soil of England, demonstrating his kingly attachment to his kingdom. This image of kingship gradually fades as Bolingbroke's rebellion continues. Richard starts to forget his kingly nature as his mind becomes occupied by the rebellion. This change is portrayed in the scene at Flint Castle during which the unity of the two bodies disintegrates and the king starts to use more poetic and symbolic language.

Suddenly Bob bursts in and interrupts this scene of coitus at the very point of climax presenting it as a moment of triumph, drowning out Joe's protestations. Like Henry in Embers, Words cannot express what is beyond words, and so, it is up to Music to communicate the climactic moment. When Joe gets to speak again he has calmed down. In a gentle expostulatory manner Joe describes the scene as the couple collect themselves before changing his tone to a more poetic one.

After the meeting of Central Committee in October 1953, the three became leaders of the party: Aidit as the secretary general, with Lukman and Njoto as Aidit's first and second deputies respectively. Njoto was made responsible for agitation and propaganda. In 1953, Njoto took over the leadership of Harian Rakjat, replacing the founder Siauw Giok Tjhan. In Harian Rakjat he wrote under the pen name Iramani, and used a softer and more poetic than his sharper writing in Bintang Merah.

Departing on March 5, 1046, Khusraw took a less than direct route, heading north toward the Caspian Sea. Throughout his travels he kept a minutely detailed journal which clearly describes many facets of life in the Islamic world of the 11th Century. Nasir Khusraw compiled the Safarnama in a later period of his life, using notes that he had taken along his seven-year journey. His prose is straightforward, resembling a travelogue as opposed to his more poetic and philosophical Diwan.

When an adjective modifies a noun, the linker nga links the two. Example: Ido nga itom = Black dog Sometimes, if the linker is preceded by a word that ends in a vowel, glottal stop or the letter N, it becomes acceptable to contract it into -ng, as in Filipino. This is often used to make the words sound more poetic or to reduce the number of syllables. Sometimes the meaning may change as in maayo nga aga and maayong aga.

The song received widespread critical acclaim. Hannah Mylrea of NME opined that "The Lakes" is more poetic and romantic than any song on the standard edition of Folklore, and praised the song as "allusive". Rolling Stone's Brittany Spanos wrote that the song channels Romantic-era poetry, by depicting unconditional love "within a controversial life and painful experiences". In agreement, Wren Graves, writing for Consequence of Sound, also found the song to be Romantic, inspired by "one of the great periods in English literature".

In Scottish Gaelic, another language which developed on the island of Great Britain, the Saxon tribe gave their name to the word for England (Sasunn); similarly, the Welsh name for the English language is "Saesneg". A romantic name for England is Loegria, related to the Welsh word for England, Lloegr, and made popular by its use in Arthurian legend. Albion is also applied to England in a more poetic capacity,. though its original meaning is the island of Britain as a whole.

Diamonds and Rain is the second studio album from Christian alternative rock band The Choir, released in 1986. It is the first release under the band's new moniker after dropping "Youth" from their name. The original title of the album was Love and Fear, but the band was encouraged to find a more poetic way of expressing those themes—hence Diamonds and Rain. The black-and-white photograph on the rear of the album was the band's first choice for the front cover.

A more poetic side to him comes out as he leaves poems on trees to Rosalind. When Rosalind sees these poems she strikes up a relationship with him as Ganymede, and the two act out a relationship between Orlando and Rosalind under the guise that it will cure Orlando of his love for her. By the end of the story he is married to Rosalind and reinstated in his wealth and station. He is portrayed as exceptionally strong in both body and in his devotion to love.

Kaye Donachie (born 1970 in Glasgow) is a contemporary British painter based in London. Her modest-sized, figurative paintings make use of figurative imagery relating to modernism, domesticity, longing, and utopian counter- cultural movements. Stacy Martin describes her most recent show as embodying a "fascination with heroines and literary inspiration [which] runs throughout all her projects along with her subtle nods to romanticism making for a collection that is more 'poetic than narrative' in effect." Donachie shows at Peres Projects in Berlin and Maureen Paley in London.

There are vast differences in translation between the Sidney Psalter and the KJV, to the extent that each line in Sidney's Psalms differs almost entirely. Sidney tends to take one image from the original Psalm and elaborate on it to an extent that one line from the KJV can be conveyed in an entire stanza. This reflects the differences of purpose behind the two translations. Whilst the KJV is meant as a literal English translation of the word of God, Sidney had more poetic and artistic intentions.

Recurrent lyrical themes include poverty and resistance to economic and racial oppression as well as more poetic meditations on spiritual or topical themes. Musically, the "roots" sound and era have a number of distinct features. Drummers developed more complex kick drum patterns based around the "one drop" of rocksteady and incorporated influences from funk and R&B.; The guitar, piano and keyboard patterns in the music were refined from the creative explorations of the early reggae era into the patterns most recognizable as reggae throughout the world.

Grierson, Alberto Cavalcanti, Harry Watt, Basil Wright, and Humphrey Jennings amongst others succeeded in blending propaganda, information, and education with a more poetic aesthetic approach to documentary. Examples of their work include Drifters (John Grierson), Song of Ceylon (Basil Wright), Fires Were Started, and A Diary for Timothy (Humphrey Jennings). Their work involved poets such as W. H. Auden, composers such as Benjamin Britten, and writers such as J. B. Priestley. Among the best known films of the movement are Night Mail and Coal Face.

McGonagall's poems were published by his friends, in a series of books bearing variations on the title Poetic Gems. In the modern era, the entire series is reprinted in a single collection called The Complete McGonagall. Note that the Poetic Gems book in which a particular poem was published has no bearing on when it was written; the "Address to the Rev. George Gilfillan" and "Requisition to the Queen" were amongst McGonagall's earliest written poems, yet they appear in More Poetic Gems and Last Poetic Gems respectively.

That is the reason one finds poetry playing an equal role in Khayyam's compositions as the music or the singer. Khayyam prefers to give full freedom to the poets for expressing their views thereby making the expression of songs more poetic and meaningful. He worked with both his contemporaries in the field of poetry. That's the reason one finds in his account the work profiled by Mirza Ghalib, Daagh, Wali Mohammed Wali, Ali Sardar Jafri, Majrooh Sultanpuri, Sahir Ludhianvi, and among the new ones Naqsh Lyallpuri, Nida Fazli, Jan Nisar Akhtar and Ahmed Wasi.

The book frames the trial as a militaristic conflict, frequently using terms such as skirmish and combatant. Additionally, it includes chapter titles such as "The War Cries and Banners", "The Crusade" and "The Din of Battle Rises".de Camp, Contents Section Each chapter has a quote at the start which holds some relevance to its contents. These include historical examples of conflict between religion and science, such as selections from Darwin's Origin of Species and the Inquisition's Condemnation of Galileo, as well as more poetic statements on human nature from Shakespeare and Lewis Carroll.

Ferdo Šišić's book from 1908 with Herceg-Bosna in the title The term Herzeg-Bosnia () appeared in the late 19th century and was used as a synonym for Bosnia and Herzegovina without political connotations. It was often found in folk poems as a more poetic name for Bosnia and Herzegovina. One of the earliest mentions of the term was by Croatian writer Ivan Zovko in his 1899 book "Croatianhood in the tradition and customs of Herzeg-Bosnia". Croatian historian Ferdo Šišić used the term in his 1908 book "Herzeg-Bosnia on the occasion of annexation".

However, in interpreting Edwardian language, Dawson misuses the term "pump ship" according to Frances Spalding in The Independent. Critic Simon Akam noted that sometimes the recreation of Brooke's language affects Nell's language, making her comments more poetic then her usual dialect. Critic Lorna Bradbury noted how many of the scenes are "wonderful", each evoking further understanding of Brooke as a character. Joanna Briscoe also noted that the novel had a wonderful "sense of time and place" because it treats many elements unique to the period in the Britain very well, including Fabianism and class politics.

Google Books. 2009. 21 May 2009, books.google.com In the preface to Le Spleen de Paris, Baudelaire describes that modernity requires a new language, "a miracle of a poetic prose, musical without rhythm or rhyme, supple enough and striking enough to suit lyrical movements of the soul, undulations of reverie, the flip-flops of consciousness", and in this sense, Le Spleen de Paris gives life to modern language. Baudelaire's prose poetry tends to be more poetic in comparison to later works such as Ponge's Le parti pris des choses, but each poem varies.

After this first book, she wrote The Man with White Slacks in English. The book was published in the United States in 1985, with Vantage Press. Even though, up to that point, both of her released books were written in prose, the second one might be considered a transition towards her most active period, in which she focused on poetry, since The Man with White Slacks prose is more poetic than the short stories in The Transplant. She dedicated the edition to the memory of the man who showed her the way to love butterflies, her father.

Acrobati is the eighth studio album by Italian singer-songwriter Daniele Silvestri, released February 26, 2016 by Sony Music. The album debuted at the top of the FIMI Albums Chart, the first in the singer's career to reach this position. Furthermore, on 4 July 2016, a gold record is certified for the 25,000 copies sold. The record was made in Lecce at Roy Paci's Posada Negro studio and was described by Silvestri as a record intended to "tell stories that would take the listener as far as possible", thus as a work "more poetic than political".

Epitaphs for the Living: Words and Images in the Time of AIDS is a book of photographs () by Billy Howard, published in 1989 by Southern Methodist University Press in Dallas. The photographs are mostly portraits and depict persons infected with AIDS. Underneath each picture is a copy of a handwritten message by the subject, either telling an abbreviated version of the story of their illness or expressing thanks to the family and friends who have stood by them. An introduction of printed text analyzes the social issues discussed by the patients and highlights some of their more poetic lines.

This opinion was shared by Trouser Press, who felt that the album was inconsistent, weighed down by negativity even when trying to express more poetic, pop sentiment. The Los Angeles Times gave the album 2½ stars out of 4, calling it a "solid, enjoyable effort". The reviewer felt that the band was "too rockin' and pop-savvy to make a bad album", but after 11 years as a recording band lacked "the expansiveness of style and imagination to make a great one". The mixed reception was reflected in the album's sales, which were among the lowest in the band's catalog.

Life in Shakespeare's London From Shakespeare's London. New York: H. Holt, 1905 He also points out that people were much more coarse in their discourse during that time and even Queen Elizabeth "swore like a trooper". This could allow Shakespeare to be more crude in his allusions and not hesitate to bring up more indecent sexual imagery without being criticized. During that time in history the bubonic plague was raging throughout Europe, and this meant that many London theaters were frequently shut down, which could have influenced Shakespeare to write more poetic literature and less for a stage audience.

Mœnia is a Mexican electronica/synthpop/ambient group. Popular within the Latin club scene while simultaneously pioneering a darker, more experimental, more poetic side of Spanish-language electronica, Mœnia has had three top-20 hits. Along with Aleks Syntek, Mœnia is often considered one of the first successful experimental Mexican music composers and performers, finding commercial viability in a market normally dominated by Latin ballad crooners, teenage vocal groups and musical styles with more mass appeal like cumbia, reggaeton and ranchera. Mœnia is also popular in other parts of Latin America, including the Argentinian and Chilean music markets, where they have also charted.

Budapest: Past and Future Publishing House (Múlt és Jövő) whose pictures taken in the forests of the Amazon among the Piraoa and Yekuana tribes are her best known,see her illustrations in Soundmaking, magic and personality by Jacqueline van Ommeren. (English translation of Bevrijd de dommen van hun domheid). Amsterdam: Rodopi, 1979. but her more poetic leanings, exemplified in her Droom in het Woud (Dream in the Wood, photographed 1954 in Switzerland and Austria, published 1957) must also have been an influence on Van der Elsken and his decision to move from newspaper reportage to aim to become a magazine photojournalist.

These three different formats are interwoven throughout the text, such that a single page might have portions of each. The standard roman type is used predominantly for the plot and concrete experiences of the characters, but it accounts for less than half of the text of Dézafi. The rest is written in either italics or bold and does not relate directly to the plotline of the book, but rather has a more poetic and abstract significance with regards to Haitian culture. Frequently these sections are related to the titular dézafi (cock fight) and they are often narrated in first person plural.

The "ad infernum" theory positing property ownership "to the center of the Earth" has also been eroded. A review of modern American jurisprudence demonstrates that the theory is more poetic hyperbole than binding law, and that broadly speaking, the deeper the disputed region, the less likely courts are to recognize that the surface owner holds subsurface title. Appraisal studies of subsurface projects such as subways, deep storm drainage tunnels, and particle colliders consistently conclude that such projects, built well below the area that the vast majority of surface property owners ever put to use, do not deprive the surface owners of any value.

From 1999 until 2004, Geers worked as the curator and art consult for Gencor which was later bought out by BHP Billiton. The collection focused on artists and works of art that were central to the Anti-Apartheid Movement spirit.Sue Williamson, South African Art in the Nineties: Part I, II & III, Artthrob In 1997 Geers edited and published Contemporary South African Art, with essays by Okwui Enwezor, Olu Oguibe, and others.Contemporary South African Art, Jonathan Ball Publishers, 1997, Initiated by his move to Brussels in 2000, his later European period is characterized by a more poetic aesthetic.

Here, Geers transferred his incendiary practice into a post-colonial and increasingly global context, suggesting more universal themes like terrorism, spirituality, and mortality. As such, the artist’s life and work can be said to constitute a living archive composed of political events, photographs, letters, and literary texts that serve as a source of inspiration and represent a continuation of his oeuvre. In January 2013 a Geers retrospective called "1988–2012" opened at the Haus der Kunst in Munich. The exhibition divided his life and work into two decade-long periods, the first political phase until 2000, and the later more poetic phase.

92 "We were to bid adieu to the 'Australasian'…She had carried us safely down under." Other less common nicknames include "Straya" ("Australia" pronounced in an exaggerated Strine manner), and "Aussie", which is usually used as a demonym, but occasionally extended to the country as a whole (especially in New Zealand). More poetic epithets used within Australia include "the Great Southern Land" (re-popularised by a 1980s rock song, and not to be confused with the Great Southern region of Western Australia),For example, in: Helen Trinca (14 February 2015). Western values: Perth now and then – The Australian.

To say the least, this > passage of the opinion is more poetic than lucid.Richard H. Stern, Solving > the Algorithm Conundrum: After 1994 in the Federal Circuit Patent Law Needs > a Radical Algorithmectomy, 22 AIPLA Q.J. 167, 187 (1994). The same commentator pointed out that different post-Alappat panels of the Federal Circuit had "embraced diverse interpretations of the decision."Solving the Algorithm Conundrum at 187. It eventually became clear, after the Federal Circuit's 1998 State Street Bank decision, that the Federal Circuit had transitioned to a new patent-eligibility regime in which a patent would be allowed if the invention was able to "produce a useful, concrete, and tangible result."Univ.

Brad Evans is a political philosopher, critical theorist and writer, whose work specialises on the problem of violence. The author of fifteen books & edited volumes, along with over fifty academic and media articles, he holds a Chair in Political Violence & Aesthetics at the University of Bath, United Kingdom. Evans work has centred on the political, philosophical and educational challenges posed by the problem of violence (in its many different forms), insisting upon the pedagogical need for a more "poetic" conversation between critical theorists, artists, writers and cultural produces. In 2011, Evans founded the Histories of Violence project that has grown to have a global user base spanning 148 different countries.

Rivers' early rhyming verse was mainly pastoral, with some poetry touching on love and heartbreak and, in retrospect, was not exceptional although it revealed a keen perception of nature. However, Dr. W.H. Holcomb, a scholarly critic at the time wrote of her book Lyrics that "She stands by this volume ahead of any other Southern poet, and no female writer in America, from Mrs. Sigourney to the Carey sisters, has evidenced more poetic genius". An example of her early poetry, first published anonymously: ::Whistling through the corn field, Whistling a merry air, My feet are deep in the pea-vines, And tangles are in my hair.

The Man Who Ate the Man is an album by the electronic / art rock band Magnetophone. It was released in 2005 on 4AD Records. Equally inspired by pop, electronic pioneers like Morton Subotnick, contemporary electronic artists like Autechre, and Krautrock, Magnetophone have continued to evolve from their debut I Guess Sometimes I Need to Be Reminded of How Much You Love Me (2000). The lyrics of The Man Who Ate The Man are more poetic than rock'n'roll inspired, and concern city relationships ("Benny's Insobriety" and "Without Word") or similar, but set against a rural backdrop ("A Sad Ha Ha (Circled My Demise)" and "The Only Witching You'll be Doing").

Elsewhere he stated: Following suggestions from colleagues, in later speeches and papers Lorenz used the more poetic butterfly. According to Lorenz, when he failed to provide a title for a talk he was to present at the 139th meeting of the American Association for the Advancement of Science in 1972, Philip Merrilees concocted Does the flap of a butterfly’s wings in Brazil set off a tornado in Texas? as a title.Lorenz: "Predictability", AAAS 139th meeting, 1972 Retrieved May 22, 2015 Although a butterfly flapping its wings has remained constant in the expression of this concept, the location of the butterfly, the consequences, and the location of the consequences have varied widely.

192, 204. The language of the Quran has been described as "rhymed prose" as it partakes of both poetry and prose; however, this description runs the risk of failing to convey the rhythmic quality of Quranic language, which is more poetic in some parts and more prose-like in others. Rhyme, while found throughout the Quran, is conspicuous in many of the earlier Meccan suras, in which relatively short verses throw the rhyming words into prominence. The effectiveness of such a form is evident for instance in Sura 81, and there can be no doubt that these passages impressed the conscience of the hearers.

Her trajectory and pictorial work begins with the architecture and the influences of the Neo-expressionism movement of the 80s, which serve her to represent the urban culture. She is interested in the city for its urban planning, the city seen from above, and that is why she often uses the labyrinth as a metaphor for defining the city. Her influences come, mainly, from the abstract expressionism of the American painting and from artists such as Louise Bourgeois, Judy Chicago, Meret Oppenheim, Nancy Spero and Eva Hesse. Her latest works, of a more poetic and political nature, are made to be the viewer who completes them.

Another source says 80,000 copies all told. Though written in the simple language of a favela dweller, the book was translated into thirteen (another source says fourteen) languages and became a bestseller in North America and Europe. It was published in the United States and UK as Child of the Dark: The Diary of Carolina Maria de Jesus in 1962. The book was heavily edited by Dantas, and some critics suspected it a fraud; but the original manuscript was preserved and reprinted in full in 1999, proving not only that de Jesus wrote the book herself, but that she was a much livelier and more poetic writer than Dantas' edition seemed to suggest.

Rodríguez Lozano began his career at the time that Mexican muralism was being established as the main artistic movement in the country. José Vasconcelos invited the artist to participate in the government projects being sponsored but the Rodríguez Lozano refused because he did not believe that art should be used for political messages. His depictions of subjects did not follow the movement either, preferring more poetic interpretations, and for much of his career did not heavily rely on Mexican archetypes, believing that his work was “Mexican” no matter what. His work does show some influence from European art movements, from the time he spent on the continent, especially from the work of Giorgio de Chirico and Pablo Picasso.

This in itself can be problematic, as the KJB Psalm 43 is all of four lines long, whereas Psalter's is a lengthy six stanzas. This immediately would have caused controversy, especially when the Sidney Psalter is deemed to be more poetic than the KJB, while the Sternhold and Hopkins translations are less poetic than the KJB and the Sidney Psalter. The differences in the length of the psalm has been noted by critics, one being Norton, who says that due to the type of differences in the Sidney Psalter, it makes it "unsurprising that the Sidney Psalter should have remained unpublished.... The Sidney Psalter could not appeal to the religious populace." (Norton, 2000, p. 131).

The Turning is an album by Leslie Phillips that was released by Myrrh in 1987 and re-released in 1997 under the name Sam Phillips. This album marks the first time Phillips worked with producer T Bone Burnett. The two married soon after the release of this album, and Burnett would go on to produce more albums for the singer. The Turning stands out as a turning point in Phillips' career as a singer and songwriter; on one side, the cheerful, upbeat pop-rock albums that she recorded in the early 1980s, and, on the other, the quirky 60's music influenced rock and folk albums, with a much darker and more poetic tone lyrically.

Kirkus Reviews also found the poems in the volume unsophisticated yet sensitive to the spoken aspects of poetry, such as rhythm and diction, and considered her prose more poetic and unrestrained than her poetry. A reviewer from Choice called the poems in Diiie "craftsmanlike and powerful though not great poetry", and recommended it for libraries with a collection of African-American literature. Critic William Sylvester, who says that Angelou "has an uncanny ability to capture the sound of a voice on a page", places her poems, especially the ones in this volume, in the "background of black rhythms". Chad Walsh, reviewing Diiie in Book World, calls Angelou's poems "a moving blend of lyricism and harsh social observation".

" Jesse Fairfax of HipHopDX said, "Where he has yet to master the art of making complete songs ("Uncle Al" clocks in under a minute long) and his diction tends to lacks clarity, Earl paints pictures in a manner more poetic than just about all within his peer group." Kevin Ritchie of Now said, "Despite all the gifted-beyond-his-years hype, that over-arching concerns still feel inextricably teenaged, albeit precociously so." Simon Vozick-Levinson of Rolling Stone said, "His rhyme schemes are as complex as ever, and these resolutely unpop beats – sticky-icky sample collages from producers including Pharrell, RZA and himself – are an ideal canvas. But his subject matter has undergone a drastic overhaul.

While it shares a sense of prevailing entropy with the previous song on the album, "Gates of Eden", the critique in "It's Alright, Ma (I'm Only Bleeding)" is more direct and less allusive. Author Michael Gray has commented that although the vitriol Dylan unleashes towards his targets is similar to his earlier political protest songs, "It's Alright, Ma (I'm Only Bleeding)" is a transitional song in that it does not express optimism in the possibility of political solutions. Instead, Dylan sings in a new prophetic voice that would become his trademark. However, with the political pessimism comes a more poetic vision than in his earlier protest songs, along with a more complex figurative language.

In Old English, they were most commonly termed gār and spere, although some texts contain more poetic names, such as æsc ("[item made of] ash wood"), ord ("point"), and þrecwudu ("[thing of] wood for harming"). When used as a throwing-spear or javelin, they were typically called a daroþ ("dart"). The spears themselves consisted of an iron spearhead mounted on a wooden shaft, often made of ash wood, although shafts of hazel, apple, oak, and maple wood have been found. There is little evidence as to the ordinary length of these spears, although estimates based on grave goods indicate that their length ranged from 1.6 to 2.8 metres (5 ft 3 in–9 ft 3 in).

In 1989 the American Indian language scholar John D. Nichols published an article in International Journal of American Linguistics titled "The Wishing Bone Cycle": a Cree "Ossian"? In this article he argued that Norman's supposed Cree transcriptions were faked and consisted of words copied out of a dictionary and used improperly. Also in 1989, in the same issue of International Journal of American Linguistics, the American Indian language scholar Robert Brightman published an article titled "Tricksters and Ethnopoetics" in which he argued that the trickster cycle which appears in "The Wishing Bone Cycle" was originally recorded by the American linguist Leonard Bloomfield from the Cree story teller Maggie Achenam in 1925 and that Norman took Bloomfield's prose version and rewrote it in more poetic language.

Utagawa Hiroshige (, also ; ), born Andō Hiroshige (; 1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints.

Troy (, Troía, , Ílion or , Ílios; and ;Trōia is the typical Latin name for the city. Ilium is a more poetic term: Hittite: 𒌷𒃾𒇻𒊭 Wilusa or 𒋫𒊒𒄿𒊭 Truwisa; ) was a city in the northwest of Asia Minor (modern Turkey), southwest of the Çanakkale Strait, south of the mouth of the Dardanelles and northwest of Mount Ida.The region inherits these names from Roman provincial or regional names in late Classical antiquity: Asia Minor ("lesser Asia"), or Anatolia ("place of the rising sun") now Turkish Anadolu The location in the present day is the hill of Hisarlik and its immediate vicinity. In modern scholarly nomenclature, the Ridge of Troy (including Hisarlik) borders the Plain of Troy, flat agricultural land, which conducts the lower Scamander River to the strait.

Rather, she strings crisp and enigmatic fragments into enchanting collages." Moreland continued: "Birgy’s unapologetic commitment to her inner code. This is her reality, and sometimes it can be stranger—and certainly more poetic—than fiction" and concluded that "Even at its most inexplicable, there’s not a moment on Dolphine that feels careless." Diva Harris of The Quietus described Dolphine as a collection "of shimmering dirges which could just as easily soundtrack ancient woodland or the night sky as the deepest imaginable depths of the sea" and noted that the album's "whimsy" is accompanied by "grit and tough shit": "For all of Dolphines cuteness – every crying spider, wind chime, and faerie – there’s an equal and opposite: a trollish man touching a woman without consent, a steaming dirty nappy, another murder.

30px Although there is no clear evidence that the flower's name derives directly from the Greek myth, this link between the flower and the myth became firmly part of western culture. The narcissus or daffodil is the most loved of all English plants, and appears frequently in English literature. Many English writers have referred to the cultural and symbolic importance of Narcissus, for instance Elizabeth Kent (Flora Domestica, 1823), FW Burbidge (The Narcissus, 1875), Peter Barr (Ye Narcissus Or Daffodyl Flowere, 1884), and Henry Nicholson Ellacombe (The Plant-lore & Garden-craft of Shakespeare, 1884). No flower has received more poetic description except the rose and the lily, with poems by authors including John Gower, Spenser, Constable, Shakespeare, Addison and Thomson, together with Milton (see Roman culture, above), Wordsworth, Shelley and Keats.

Due to Egypt's dominance of the media and arts, the "Sharqi" Arabic spoken in the region has come to be perceived by Tunisians, as "lighter", more poetic and artistic, more humorous, more romantic and even more beautiful than the local [Tunisian] variety. Again, because of its dominance in the media and the arts, Arabic speakers throughout the Arab world are much more familiar with "Sharqi" varieties than they are with "Maghrebi" varieties. A common yet incorrect belief about speech interactions in the Arab speaking world is that when speakers of different varieties of the language come into contact with one another, the default language for communication is Modern Standard Arabic (Fusha). In her study conducted in London, S'hiri examined the social reasons for Tunisian Arabs to converge linguistically to speakers of "Sharqi Arabic".

AllMusic reviewer Stephen Thomas Erlewine wrote, "Since he recorded the album by himself, they aren't as powerful as most band's primal sonic workouts, but the results are damn impressive for a solo musician." Rolling Stones Alex Foege described the record as a "remarkable yet coolly understated solo debut" and felt that "the album's only disappointment is that despite its home-studio feel, it ultimately reveals little about its creator." New York described both the overall melodies and Grohl's singing as derivative of the grunge sound, but praised the "tight Beatlesesque harmonies" and lyrics that "key into the more poetic moments of dudespeak." Robert Christgau wrote in The Village Voice that the band shows "spirit" but lacks an "identity" and cited the songs "Big Me" and "This Is a Call" as highlights.

Sydney Pollack directed a film adaptation in 1985, starring Meryl Streep, Robert Redford and Klaus Maria Brandauer. The film received heavily mixed reviews from critics but, nonetheless, won seven Academy Awards, including Best Picture, Best Director for Pollack and Best Adapted Screenplay The film is less a direct adaptation of the book than it is a love story. Written by Kurt Luedtke and drawing heavily on two biographies of Blixen, it is a compressed chronological recounting of Blixen's Kenyan years that focuses particularly on her troubled marriage and her affair with Finch Hatton. Some of Blixen's more poetic narration and a few episodes from the book do appear in the film, such as Blixen's work running supply waggons during the war, the farm's fire and its financial troubles, and her struggles to find a home for her Kikuyu squatters.

Progressive rock (shortened to prog or prog rock; sometimes called art rock, classical rock or symphonic rock) is a broad genre of rock music that developed in the United Kingdom and United States throughout the mid- to late 1960s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Prog is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism.

"...And Call Me Roger"": The Literary Life of Roger Zelazny, Part 2, by Christopher S. Kovacs. In: The Collected Stories of Roger Zelazny, Volume 2: Power & Light, NESFA Press, 2009. He wrote it in present tense, constructed an entire chapter in poetry, and made the concluding chapter into the script of a play. He never intended it to be published, but when Samuel R. Delany heard about it from Zelazny, Delany convinced a Doubleday editor to demand that Zelazny give him the manuscript."...And Call Me Roger"": The Literary Life of Roger Zelazny, Part 2, by Christopher S. Kovacs. In: The Collected Stories of Roger Zelazny, Volume 2: Power & Light, NESFA Press, 2009. Consequently, Zelazny dedicated the novel to Delany. Unlike other books by Zelazny, such as Lord of Light or the series The Chronicles of Amber, this novel is more poetic in style, and contains less straightforward action.

The AllMusic review by Matt Collar notes "the Israeli-born Cohen (who studied at Boston's Berklee College of Music) was known as a boundary-pushing maverick whose various projects found him moving from extroverted bop standards to groove-oriented klezmer jazz, avant-garde improvisation, and expansive, ambient soundscapes. Cross My Palm with Silver finds Cohen achieving a better balance between his exuberant post-bop inclinations and his more poetic, classical, avant-garde side ... it's Cohen and his bandmates' deft improvisational skill and wide artistic sensibility, straddling straight-ahead jazz, classical, and the avant-garde, that helps make Cross My Palm with Silver such a bright spot in his discography". In The Guardian, John Fordham wrote "often echoing the spaciousness and quiet melodic strength of last year’s compositionally dominant Into the Silence. The sense of ensemble conversation is more urgent, however, befitting the leader’s search for music that cherishes active empathy in a fractured world".

This is what David refers to in the beginning of his film when he cites "the famous Lulu's diary" as an inspiration for his work. Jaime N. Christley notes some other cinematic influences, saying that, "the real point of origin is either Peter Watkins's docudrama The War Game (which won the documentary Oscar for 1967) or Luis Buñuel's Land Without Bread, depending on where you draw the fault lines." James McBride identified his more immediate American context for making the film: > I entered the world of movies when cinema vérité work like the Maysles > brothers' and Richard Leacock's and D. A. Pennebaker's was new and exciting, > and when a lot of underground filmmakers were trying to use the medium in a > more poetic way, as an exercise in different kinds of liberation—you know, > from personal liberation to liberation from the classical forms of > filmmaking. So there were a lot of alternatives to Hollywood moviemaking > then.

Wertheimer, Solomon Aaron in Jewish EncyclopediaReif 2000, p. 71Golb 2004, p. iFor the Hebrew name, see this auction From a letter of recommendation written for Obadiah by Baruch ben Isaac, the head of a large yeshivah in the city of Aleppo, Syria, Wertheimer published only the more poetic parts, mostly the lament for the plight of the Palestinian Jews in verse from the introduction; from what remained, hardly anything but the names could be deduced: "This letter was written in his own hand by our mas[ter Baru]kh ... son of ... [Isaac] ... that it might be kept by Obadiah the Proselyte [for use] in all communities of Israel to which he might go." It took another 30 years for the letter first to make its way into the Bodleian Library (where it remains to this day) and then to attract the attention of Hebrew Union College professor Jacob Mann, who finally published it in its entirety in 1930.

A modular tiled floor made from paintings bought at thrift stores and flea markets becomes a stage for sculptures, including a tree composed of copper pipes, concrete, and VHS tape and a golden hay bale. In the production of a concretized uncanny, Rocklen attempts to achieve a fantasy of material alchemy that strips objects of their purpose and familiarity while revitalizing their use, circulation, and value." Trinie Dalton, writing in the 2008 Biennial Catalogue, remarked, "Ry Rocklen’s sculptures paradoxically reflect at once a respect for the Duchampian sculptural tradition and an anarchic rebellion against art historical constraints. Collecting cast-off objects from the streets, dumps, or thrift stores, he doctors and assembles them into readymade sculptures charged with an eccentric delicacy that gives them a second, more “poetic” life. Rocklen strategically capitalizes on the viewer’s mental and emotional associations, as Robert Rauschenberg did for his Combines, by selecting objects as much for their cultural connotations as their form.

Eric Voegelin, The Collected Works, Vol. 31, 40. Professor Boczek argues: > Coetsier is able to employ Voegelin’s thought to analyze Hillesum for two > reasons: first because Voegelin carried out extensive diagnoses of the > spiritual disorder that grounds modernity as well as an exhaustive exegesis > of the divine/human encounter as constitutive of human nature. And second, > “the rich philosophical and religious symbolisms” in Hillesum’s less > technical and more poetic Letters and Diaries make them an excellent source > that both illustrates and substantiates Voegelin’s work as revealed in the > “Drama of Humanity.” The nature and definition of what it is to be human > emerge in these symbols, i.e., reason as a sensorium of transcendence and > the metaxy as the site of the “flow of presence” with its human and divine > poles. Voegelin’s theoretical apparatus can shed light on the core > development Hillesum underwent in the process of writing about her rich > interior life. While Voegelin offered a systematic analysis of the Greek > philosophers’ insights into humanity, Coetsier demonstrates the remarkable > adequacy of Voegelin’s philosophy for interpreting Etty Hillesum’s writings.

When the "progressive" label arrived, the music was dubbed "progressive pop" before it was called "progressive rock", with the term "progressive" referring to the wide range of attempts to break with standard pop music formula. A number of additional factors contributed to the acquired "progressive" label: lyrics were more poetic; technology was harnessed for new sounds; music approached the condition of "art"; some harmonic language was imported from jazz and 19th-century classical music; the album format overtook singles; and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening, not dancing. Critics of the genre often limit its scope to a stereotype of long solos, overlong albums, fantasy lyrics, grandiose stage sets and costumes, and an obsessive dedication to technical skill. While progressive rock is often cited for its merging of high culture and low culture, few artists incorporated literal classical themes in their work to any great degree, and only a handful of groups purposely emulated or referenced classical music.

The new era in Sindhi poetry heralded by Miyun Shah Inyat soon found its greatest exponent in Shah Abdul Latif (1689–1752) who was in his twenties or younger when Shah Inat died. According to oral tradition, Shah Abdul Latif is said to have met the elderly Shah Inat one more than one occasion, when they would recite to each other some of their parallel verses on common themes. Whether or not this is true, there remains no doubt that young Shah Abdul Latif was strongly influenced by the form and technique used by Miyun Shah Inat, and within the framework of his own poetic genius he adopted them, to the extent of using some of the same idioms and expressions, though with a more precise skill and insight. Shah Abdul Latif reached higher in the realm of ideas than Miyun Shah Inat who, as a pioneer, was mainly concerned with the contents of his new themes and experiments in the use of idiom and imagery to render the description more vivid and more poetic.

Possible elements of the prophetic dance are biblical symbols or representations of what one wants to achieve prophetically - making prophetic acts then - such as flags, banners, robes and veils denoting that "Yahweh is my flag", "The Lord of hosts", "His Flag about me is Love", bundles of wheat and baskets of fruits and bread (spiritual harvests of new or physical lives), clay vases (human nature), chandelier, wine, olive oil and essential oils (myrrh, nard acacia, etc.), fire and water (symbols of the Holy Spirit). The dance may have ethnic, martial (marches, sports and fights), intense or mild, symbolic, indicative or iconic movements, wide or directed (to people, geographical directions and localities), use of flags and banners, designating spiritual warfare or seizure of territories (spiritually); scepter and sticks, crown, representing the Sovereign Lord Jesus or being more poetic and passionate in a more intimate worship or being more extravagant and loose, showing freedom, joy, spiritual ecstasy. Just as it can be simple and dispense with apparatuses, using only the intimate prophetic sense or there is no occasion for Christian feasts or specific prophetic acts.

War ended in 1918 and already in 1919 plans were well advanced for two orphanages; one in Amatrice across the mountains to the east of Rome, and a second in Gioia del Colle, far to the south, near Bari. War had left the principal nation states of Europe close to bankruptcy, and there was no longer so large a class of people as before 1914, willing to part with significant amounts of cash for Christian philanthropy. Semeria and Minozzi desvised a strategy which between November 1919 and July 1920 involved splitting up. Minozzi took what Semeria later described as "the more prosaic part" ("la parte più prosaica"), staying in Italy to continue with the work of looking for sites, organising land clearance and building preparations, looking after relations with local authorities and coordinating funding appeals in Italy and neighbouring countries, while Semeria took the "more poetic part", travelling to the United States of America where there were American dollars and the "generous hearts of our emigrants" ("i cuori generosi dei nostri emigranti").