His jokes settled into a new and far more piercing rhythm.
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We will be back NEXT WEEK with more piercing insights into YOUR heart!!!!
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Some of the references have become even more piercing now that Ms. Grant has updated them.
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I know that the mile is more piercing to him than if I got into a yelling match.
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But the visualization shows the midsection buzz transforming into a more piercing screech to overcome the pump's din.
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Because, sure, every plot point and character remains at arms length and out of focus, but that only makes them more piercing.
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But it suffers from comparison with "Loving", which is more deftly scripted, its characters more fleshed out and its critique of segregation laws more piercing.
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The previous productions — the martial masterpieces "Julius Caesar" and the "Henry IV" plays — may have offered more piercing insights into Shakespeare's perceptions of masculinity, as actresses manned up into macho postures.
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At first glance a standard crime story, the novel is "a more piercing tale of investigation, one revealing how the mind drives on its own 'wheels within wheels,'" wrote our reviewer.
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In my memory of them they're more piercing than they turn out to be on the page, where they state only what's plainly true: We are born of two and we die alone.
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The high-pitched yelps at the end of every winning point cut through the roars of the near-capacity crowd and grew ever more piercing as she took control after losing the opening game.
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The roads that once permitted easy photography of the White House have long been closed by the Secret Service; those decades of physical barriers were now seemingly fused with other, more piercing barriers to our democracy.
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And there are deeper indignities still — more piercing than any parking lot glowering or dinner table slight — when John Nadler feels the full weight of his status as America's loneliest supporter of Donald J. Trump: Acquaintances in the hometown Mr. Nadler has known for nearly three decades will not look him in the eye.
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The major evolution of explosive harpoons has supported the evolution of hand thrown harpoons which are propelled by a gun or a ballistic type system. The biggest goal behind this improvement was to ensure there was more piercing capabilities to better deliver the harpoons. Harpoon guns were better optimized to ensure accurate deliverance of the harpoons themselves.
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The dilruba and its variant, the esraj, have a similar yet distinct construction style, with each having a medium-sized sitar-like neck with 20 heavy metal frets. This neck carries a long wooden rack of 12–15 sympathetic strings,known as the taraf strings,and 2-3 jawari strings.By the jawari strings one can give emphasis on the vadi,samvadi,nayeshwar notes. Jawari helps in producing a more piercing sound.
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Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's) and the Vienna horn uses double-piston valves, or pumpenvalves. The backward-facing orientation of the bell relates to the perceived desirability to create a subdued sound in concert situations, in contrast to the more piercing quality of the trumpet. A horn without valves is known as a natural horn, changing pitch along the natural harmonics of the instrument (similar to a bugle). Pitch may also be controlled by the position of the hand in the bell, in effect reducing the bell's diameter.
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The novel won the 1999 National Book Critics Circle Award for fiction and the 2000 Gold Dagger award for crime fiction. Albert Mobilio of The New York Times wrote: > Under the guise of a detective novel, Lethem has written a more piercing > tale of investigation, one revealing how the mind drives on its own "wheels > within wheels." Unlike the stock detective novel it shadows, the thriller in > which clarity emerges on the final page, Motherless Brooklyn immerses us in > the mind's dense thicket, a place where words split and twine in an ever- > deepening tangle. Gary Krist of Salon.
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Pitch is controlled through the adjustment of lip tension in the mouthpiece and the operation of valves by the left hand, which route the air into extra tubing. German horns have lever-operated rotary valves. The backward-facing orientation of the bell relates to the perceived desirability to create a subdued sound, in concert situations, in contrast to the more-piercing quality of the trumpet. Three valves control the flow of air in the single horn, which is tuned to F or less commonly B. The more common "double horn" is found almost exclusively in the German design, only rarely in the French horn, and never in the Vienna horn.
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In old style jazz bands, the cornet was preferred to the trumpet, but from the swing era onwards, it has been largely replaced by the louder, more piercing trumpet. Likewise the cornet has been largely phased out of big bands by a growing taste for louder and more aggressive instruments, especially since the advent of bebop in the post World War II era. Jazz pioneer Buddy Bolden played the cornet, and Louis Armstrong started off on the cornet but his switch to the trumpet is often credited with beginning of the trumpet's dominance in jazz. Cornetists such as Bubber Miley and Rex Stewart contributed substantially to the Duke Ellington Orchestra's early sound.
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One inscription tells us, "He suffered from the illnesses of his subjects more than from his own; the pain that affected men's bodies was for him a spiritual pain, and thus more piercing." This declaration must be read in light of the undeniable fact that the numerous monuments erected by Jayavarman must have required the labor of thousands of workers, and that Jayavarman's reign was marked by the centralization of the state and the herding of people into ever greater population centers. Historians have identified many facets in Jayavarman's intensive building program. In one phase, he focused on useful constructions, such as his famous 102 hospitals, rest houses along the roads, and reservoirs.
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Bouzouki player in Athens, July 2018 From a construction point of view, the bouzouki can have differences not only in the number of strings but also in other features, e.g. neck length, width, height, depth of the bowl or main body, the width of the staves (the wooden gores or slices of the bowl) etc. These differences are determined by the manufacturer, who in his experience and according to the sound that the instrument should make, modifies his functional elements to achieve a more piercing, deeper or heavier sound. The size and type of the resonating body largely determine the instrument's timbre, while the length of the neck, and by extension the strings, determines the instrument's pitch range, as well as influencing the timbre.
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The sorrow which takes hold of the heart, which has sinned against love, is more piercing than any other pain. It is not right to say that the sinners in hell are deprived of the love of God ... But love acts in two ways, as suffering of the reproved, and as joy in the blessed! (St. Isaac of Syria, Mystic Treatises) The Orthodox Church of America website it is seen as a state of opposition to the love of God, a state into which all humans are born but against which Jesus Christ is the Mediator and Redeemer. Eastern traditions have established their views on Paradise and Gehenna from theologians like Isaac of Nineveh and Basil of Caesarea and the Fathers of the Church.
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A model of the classical taille The taille, also called the taille de hautbois or the alto oboe, was a Baroque tenor oboe pitched in F. It had a straight body, an open bell, and two keys. The instrument was first used in Alcidiane by Jean-Baptiste Lully in 1658 and in French ensembles known as the bandes de hautbois, in which it played the inner lines of polyphonic compositions. J.S. Bach employed it when a low-pitched oboe was needed to double the viola parts in several of his cantatas, but almost exclusively in movements of a jubilant or otherwise loud nature due to its having had a more piercing sound than that of the cor anglais. Today, the instrument is rare outside period ensembles, and a cor anglais is commonly substituted.
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Susanna Dalbiac had accompanied her husband when he left for the Peninsular War, and was with him during the Battle of Salamanca on 22 July 1812, where the two participated in a cavalry charge. The Irish historian William Francis Patrick Napier described Dalbiac in the battle: > "An English lady of a gentle disposition, and possessing a very delicate > frame, had braved the dangers and endured the privations of two campaigns … > In this battle, forgetful of everything but the strong affection which had > so long supported her, she rode deep amidst the enemy's fire, trembling, yet > irresistibly impelled forwards by feelings more imperious than terror, more > piercing than the fear of death." After the battle, Dalbiac searched among the wounded for her husband. Dalbiac's involvement in the battle was reported in such contemporary publications as The Strand Magazine.
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This decision would eventually contribute to Coriolanus's undoing when he was impeached following a trial by the tribunes of the plebs. Montesquieu recounts how Coriolanus castigated the tribunes for trying a patrician, when in his mind no one but a consul had that right, although a law had been passed stipulating that all appeals affecting the life of a citizen had to be brought before the plebs.Montesquieu. The Spirit of Laws, Volume 1, Book XI, Chapter 18. In the first scene of Shakespeare's Coriolanus, a crowd of angry plebs gathers in Rome to denounce Coriolanus as the 'chief enemy to the people' and 'a very dog to the commonalty', while the leader of the mob speaks out against the patricians thusly: > 'They ne'er cared for us yet: suffer us to famish, and their store-houses > crammed with grain; make edicts for usury, to support usurers; repeal daily > any wholesome act established against the rich, and provide more piercing > statutes daily, to chain up and restrain the poor.
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In this aspect, Journalist is a continuation of political themes seen in earlier Hadžić's films such as Protest and The Deer Hunt, as all three films center on a "revolutionary puritan engaged in a futile, obstinate, self- destructive battle against practical deviations of Yugoslav communism". Although some Croatian film critics have described the film as exceptionally daring, Jurica Pavičić found such assessments somewhat overstated, particularly in comparison with films of the Yugoslav Black Wave. Nevertheless, he noted that Journalist was not only much more piercing than other feuilletonist films, but also much more pessimistic: there is no happy end, as the film ends with the message that the establishment always prevails - crushing its opposition in the process - and that the system cannot be fixed. In retrospect, Hadžić saw the film's central theme of journalistic integrity under attack of the powers-that-be still relevant in the early 21st century, a decade after the demise of the one-party system.
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But > being better informed by himself, according as it is recorded in his Life > and Death, printed some years ago, I heard him with all freedom, and to my > great satisfaction, at Woodhouselee old house, being called there by friends > about Edinburgh and Pentland. After this he frequented my house, with > several worthy christians, even in the very heat of persecution; and I > judged it my duty, in all these hazards, to attend the ordinances > administered by him. And this: > In the year 1687, November 30, I was again married unto James Currie, by the > renowned Mr. James Renwick… Some months after this, Mr. Renwick being taken, > I went and saw him in prison… And when he was executed, I went along to the > Greyfriars' churchyard, took him in my arms until stripped of his clothes, > helped to wind him in his graveclothes, and helped to put him into the > coffin. This was a most shocking and sinking dispensation, more piercing, > wounding, and afflicting than almost any before it.
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