Another version employed a more photographic approach, with scenes from San Francisco.
|
|
More photographic proof I'm actually here at #SDCC if you just ignore the time-stamp.
|
|
There is more photographic evidence of Hillary Clinton dancing in a clurb than there is of Melania Trump.
|
|
The flaws in the Pixel's image help it produce more credible results, or at least results that feel more photographic.
|
|
Those designs seemed motivated by the challenges of hyperrealism, 23 percent airbrushed representations that, at first glance, seemed more photographic than painterly.
|
|
It's closer to what the Galaxy S27 or the iPhone XS do in that regard, but I prefer the Pixel's more photographic images.
|
|
Most bulky, pro-minded lens cases don't have built-in batteries, so you're stuck with a decision between more juice or more photographic firepower.
|
|
Once you snap a pic, you can then submit it to be evaluated, and as your skills improve you'll get access to more photographic tools, like zoom functionality.
|
|
In other works, Boersma takes a more painterly approach, allowing the brushstrokes to remain more visible, feeling utterly surreal when viewed in quick succession to his more photographic paintings.
|
|
If you have a little more photographic know-how, though, you might want an app like Halide, which is designed to let you push the cameras to the limit.
|
|
Of Caravans and Canvas and many more photographic works are showing in galleries and other locations across Sydney from May 5 to 20, as part of Head on Photo Festival 2018.
|
|
By adding a third camera to the back of an iPhone, Apple would have more photographic data to use with the phone's portrait mode and other advanced features, but the real benefit would be the addition of new depth-sensing tech and enhanced zooming.
|
|
They were often produced in sets (of four, eight or twelve), and exported internationally, mainly to England and the United States. Both the models and the photographers were commonly from the working class, and the artistic model excuse was increasingly hard to use. By 1855, no more photographic nudes were being registered as académie, and the business had gone underground to escape prosecution.
|
|
More photographic material was used and art director Tom Wolsey was important in helping photographers like Terence Donovan and Don McCullin become established. Mike Dempsey said of Wolsey's work: "The look of the magazine was dynamic in its use of typography, space to breathe and wonderful images."Tom Wolsey: My Kind of Town Mike Dempsey, Royal Designer for Industry, 31 July 2013. Retrieved 2 June 2014.
|
|
With the launch of the first Bond film, Dr. No in 1962, however, Pan chose to use film tie-in covers for future editions.The Art Of Sam Peffer MI6 The Home of James Bond 007, 21 October 2007. Retrieved 23 March 2014. This was part of a growing trend by British paperback publishers in the 1960s to use more photographic covers or to buy in "second rights" painted images from abroad.
|
|
A special case, called stereophotogrammetry, involves estimating the three-dimensional coordinates of points on an object employing measurements made in two or more photographic images taken from different positions (see stereoscopy). Common points are identified on each image. A line of sight (or ray) can be constructed from the camera location to the point on the object. It is the intersection of these rays (triangulation) that determines the three-dimensional location of the point.
|
|
The main benefit of medium-format photography is that, because of the larger size of the film or digital sensor (two to six times larger than 35 mm), images of much higher resolution can be produced. This allows for bigger enlargements and smooth gradation without the grain or blur that would characterize similarly enlarged images produced from smaller film formats. The larger size of the film also allows for better control of the depth of field and therefore more photographic creativity. Cameras with a bellows typically support 'tilt and shift' of the lens.
|
|
Marie Helvin (born August 13, 1952) is a British-based American former fashion model, who worked extensively with David Bailey—to whom she was married between 1975 and 1985. In the 1970s and 1980s she appeared in many fashion stories for British Vogue and posed for a series of nude photographs made by Bailey, which were published in his 1980 book Trouble and Strife. They would collaborate on four more photographic books and continued to work on multiple stories for the British, French and Italian editions of Vogue.
|
|
Around this time, she also started to experiment with embossing the prints, which added visual depth to the works. 1969 saw Chizuko-san win a prize at the International Print Triennial for her piece, Star, Star, Star A. The use of embossing would carry into Chizuko's work in the 1970s and was used to create pseudo-optical illusions within the prints. While flying to Australia, Chizuko and Hodaka often traveled together to destinations around the world, and occasionally held joint exhibitions. In the early 1970s, Hodaka began incorporating zinc plates, allowing for the use of more photographic images in his work.
|
|
Soth made several more photographic books including Last Days of W, a book about a country "exhausted by George W. Bush's presidency". He has photographed for The New York Times Magazine, Fortune and Newsweek. Soth, using the pseudonym Lester B. Morrison, created Broken Manual over four years (2006–2010) an underground instruction manual for those looking to escape their lives. Soth investigates the places in which people retreat to escape civilization, he photographs monks, survivalists, hermits and runaways. He concurrently produced the photo book From Here to There: Alec Soth’s America an overview of Soth’s photography from the early 1990s to the present.
|
|
By the mid-1970s he was also emphasizing a photorealistic style, making aspects of the drawings appear more photographic. Many of his drawings are based on photographs, but none are exact reproductions of them.Ilppo Pohjola (author): Kari Paljakka and Alvaro Pardo (producers): Daddy and the Muscle Academy: Tom of Finland: United Kingdom: Oracle Home Entertainment: 2002. The photographic inspiration is used, on the one hand, to create lifelike, almost moving images, with convincing and active postures and gestures while Laaksonen exaggerates physical features and presents his ideal of masculine beauty and sexual allure, combining realism with fantasy.
|
|
105-107 This would mean each magazine of film would have 33% more shooting time and a production that shot the same overall length of time as a four-perforation film would use 25% less film. The proposal also points out that the 2.00:1 aspect ratio can be achieved using standard spherical lenses, which, compared to their anamorphic counterparts, are cheaper, faster (require less light), and have more photographic depth of field and less visual imperfections. There are also a greater selection of spherical prime and zoom lenses than there are anamorphic lenses. 3-perf also results in a quieter camera than 4-perf as there is less intermittent movement per frame.
|
|