The filters in the Camera are less garish and more naturalistic.
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Mr. Kiwanuka's 2012 debut album, "Home Again," offered more naturalistic folk-soul.
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Carhart-Harris added that there were also benefits to a more "naturalistic" trial.
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What could be a more naturalistic setting for a play than a family gathering?
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Stephanie Nelson's set for "Good Samaritans" is more naturalistic than those of most Maxwell productions.
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That future could be a hellscape of screens and beeps, or it could be more naturalistic.
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And the larger soundstage allows sound designers to create richer, denser, more naturalistic environments than ever before.
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There's a lot of classical training in it, but it's very much embedded underneath a more naturalistic veneer.
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Yet even as our virtual interactions have become more naturalistic, technical constraints have forced them to remain visually simple.
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"20th Century Blues" might be a better play if it were harsher, more naturalistic, its focus not so soft.
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The fiery yellow and red "Mill in Sunlight" (1908) marks a complete departure from his prior, more naturalistic landscapes.
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In "Miss Jane," Watson's design is less elaborate and his intentions less gothic and more naturalistic, but no less ambitious.
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The more stylized, pearlescent and unpredictable the text and score, the better; banality creeps in whenever things get more naturalistic.
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Even weighed down by addiction, Mr. Williams's acting was sharp — perhaps even more naturalistic — but off camera, his life was deteriorating.
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Later, using offset lithography, he was able to expand his color range and adopt a more naturalistic style, often working from photographs.
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Also apparent in this last painting are intimations of volumes about the nose: a glimmer of the more naturalistic style to come.
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Colors are a little bit more subjective: Google seems to lean toward the iPhone's more naturalistic look more than Samsung's vivid colors.
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Backing far, far away from the 45-second "you look beautiful tonight!" schtick lead toward more naturalistic chatter among the various anchors. Pleasant!
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The humor is less broad than usual, the acting more naturalistic, the flashbacks fewer and easier to follow, the family relationships less complicated.
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But that's still enough time for people living with limb loss today to someday benefit from these advanced and more naturalistic prosthetics, Clark noted.
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It's the origin story of the Joker character, inspired by the DC Comics oeuvre but significantly departing from it toward a more naturalistic style.
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"This may be be achieved by using more naturalistic approaches or looking at changes in electrophysiology," or the study of abnormal heart rhythms, the researchers concluded.
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Verrocchio responded with an elegant, rather sassy David, more naturalistic and triumphant than Donatello's downcast Hellenistic predecessor, that sashays over the first gallery of this show.
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If you want something more naturalistic, try the family drama "Parenthood"; the final season runs out of juice, but the first four are lovely and distinctive.
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" The Times adds, though, that the pictures are certainly more naturalistic: there's no airbrushing or carefully placed lighting, and the end result feels "more impromptu than posed.
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Like those predecessors, "False Flag" is less fancy and more naturalistic than its American counterparts, with a dry humor and a low-key efficiency in generating suspense.
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The Super AMOLED "Infinity Display" looks damn good — so Apple taking a more naturalistic route for its next generation of phone screens might be a good move.
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Many of the series' younger performers, trained to act in the more naturalistic single-camera style, gradually seemed to get lost in the face of the new format.
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Jake-Jamie Ward, YouTube's 24-year-old Beauty Boy, favors a more naturalistic approach; his popular video primer "Makeup for Men" includes tips on blemish concealing and beard navigation.
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While the colony's work resulted in more naturalistic portrayals and an appreciation of customs, it also contravened the wishes of communities who did not want to be photographed or sketched.
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World has an earthier, more naturalistic color palette than the kaleidoscopic 3DS games, and its new lighting engine looks particularly stunning in HDR if you have the TV to match.
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Together they indicate that her style has changed over the years, growing at once more abstract and more naturalistic, but her view of the ethical mission of art has not.
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" Variety praised her co-star's more naturalistic work: "Crawford gives a quiet, remarkably fine interpretation of the crippled Blanche, held in emotionally by the nature and temperament of the role.
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Television comedy, at its best, is a much different place — darker, more complicated, more naturalistic — than it was when this conventional sitcom with then-unconventional characters was last produced in 2006.
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It's a hell of a lot more naturalistic a portrayal of dating than, say, 10-on-1 group dates or skydiving with a virtual stranger (hey, Nick and Vanessa), and that's something audiences can appreciate.
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It's the austere corridors from 1994 with more naturalistic textures and environmental effects — a fondness for random puffs of steam puts parts of the aesthetic around 2007, based on an informal poll of Verge authors.
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"By the time he did this portrait, in 22012, he had been painting visibly pregnant women for 226 years, and his style evolved over the years to become more and more naturalistic," Ms. Hearns said.
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The Pixel 2 is part of an effort to fix that, but even so, the more "naturalistic" color tuning on the Pixel 2 XL (and, to a lesser extent, the smaller Pixel 2) just looks a little off.
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The proceedings slowly become more naturalistic over the course of the first scene; all the while, Abigail kneels at her prostrate cousin's bed, smiling eerily at the audience as the town begins to whip itself up into madness.
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Ultimately the goal for both Hugh and I was to do something very different, something more humanist, something more naturalistic and something more evocative of a genre which has inspired me for a long time: the American western.
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" The idea is "to make these sets and locations feel as if they're absolutely not lit by us, but only by Mother Nature or some candles," he said, "so that it feels more naturalistic, albeit enhanced in some cases.
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The book concludes with a heartbreaking series of portraits of Sutcliffe's victims as they might look today if they had survived — all of them more naturalistic than Una's self-portraits as a blank female form in a plain white frock.
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Oxidizing the silver changed its color and produced a matte effect that is "more subtle than the usual silver surface and more naturalistic," Ms. Church said, adding that the "wild and natural look" was enhanced by the gap at the front.
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In Atomic Blonde, someone who's a little more hammy (like McAvoy) is hammy in a way that perfectly aligns with the film's brooding tone, while someone who's more naturalistic, like Marsan, tweaks that naturalism just enough to tilt toward ham.
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"We want to make these sets and locations feel as if they're absolutely not lit by us, but only by mother nature or some candles or what have you, so that it feels more naturalistic albeit enhanced in some cases," he said.
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In more naturalistic interpretations — such as that provided by Ian McKellen and Patrick Stewart in Sean Mathias's 2013 Broadway revival — those eternally linked pals give affecting resonance to the idea of being with someone you can neither live with nor live without.
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This episode's director Becky Martin, and one of its writers, Rachel Axler, find a good balance in this half-hour between the basic elements of farce — spontaneous fibbing, mistaken identities, a breakneck pace — and the more naturalistic acting rhythms and overlapping dialogue that "Veep" demands.
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If "Straight White Men" seemed bigger and more naturalistic than her typical work when it played Martinson Hall, a 199-seat black box theater at the Public, it was still aptly disorienting, maintaining the aura of surrealism that came from her years on the experimental vanguard.
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But it's Witherspoon who shines the brightest, thanks to one simple but bold choice: She dials up her Reese Witherspoon-ness — that brittle, slightly overbearing quality she's had in all her best roles, stretching back to 1999's Election — as far as she can, even though everything around her is much more naturalistic and her storyline is the least outwardly salacious.
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Cotterell, 175 Parthian rhyta continued the Achaemenid style, but in the best the animals at the terminal (or protome) are more naturalistic, probably under Greek influence.
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From Murnau, Ford learned how to use forced perspectives and chiaroscuro lighting, which the American director then integrated into his own more naturalistic and direct filmmaking style.
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Earlier studies, such as that by Glenberg & Kaschak (2002), examined motor resonance in responses to sentences presumably given after the sentence was read. In contrast, results of this study revealed that motor resonance had dissipated before the end of the sentence, with motor resonance occurring on the verb. This study made use of comprehension questions rather than sensibility sentences. The researchers have argued that this created a more naturalistic reading situation, so it could be argued that the results of this study are deemed more suitable because they are in regards to more naturalistic language.
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From the Saint Sebastian Triptych His earliest works are simple compositions with bright colors and typically lack dimensional depth. Gradually Biondo's figures gained more ornamentation and detail and a more naturalistic appearance. The figures also became more spontaneous in their arrangements.
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The river channel was modified to create a more naturalistic setting incorporating backwaters, wetlands and riverside tree planting – all designed to create more sustainable drainage and reduce flooding. This restoration also gave the park a new entrance, adventure playground and tennis courts.
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Other works employ a more naturalistic approach to represent details such as the palms of the artist's hands, or the whorls in his children's hair. Kim also paints landscapes and makes photographic assemblages.Grace Glueck, Art in Review, The New York Times, Dec 9, 2005.
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Various individuals have created web videos that use deepfake software to re-create some of the notable previous uses of virtual actors and de-aging in film. Journalists have tended to praise these deepfake imitations, calling them "more naturalistic" and "objectively better" than the originals.
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In the eighties there was a definite improvement in the scenic design, and second the definite change in orientation from conventionalism to more naturalistic. It was also during this period stage managers were introduced. They were the modern directors and producers. Before, things related to theatre were very chaotic.
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Icons depict the spiritual dimension of their subject rather than attempting a naturalistic portrayal. In modern use (usually as a result of Roman Catholic influence), more naturalistic images and images of the Father, however, also appear occasionally in Orthodox churches, but statues, i.e. three-dimensional depictions, continue to be banned.
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Their work was apolitical, heavily inspired by Byzantine art—within that context, Bassarab remained the more naturalistic, preserving elements of perspective.Petru Comarnescu, "Note. Grupul Grafic", in Revista Fundațiilor Regale, Nr. 2/1940, p.476 Founders of Grupul Grafic also included Aurel Mărculescu, who was both Jewish and an anti-fascist.
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In Spain, he worked with Francisco Pradilla, who had a major influence on his style. His most important period, however, came during his stay in Venice, where his style became more Naturalistic and he began producing still- lifes.Brief biography @ MCN Biografías. He also became devoted to painting en plein aire.
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From then on he adopted a new, less culturalistic and more naturalistic scientific stance, incorporating elements of ethology, primatology, neuroscience, psychology and evolutionary theory. He also changed the name under which he published; until that point he had published as J. D. Freeman, but from then on he published as Derek Freeman.
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At the same time, Damsleth lost his professional contact with publishing houses. Damsleth prolifically produced propaganda posters, almost 200 in all. He drifted away from modernism, a style considered "degenerate" by national socialists, and painted in a more naturalistic style. At the beginning of the war, his posters depicted normal, working people.
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Among the pictographs are two human figures wearing feathered headdresses. There are also "raked anthropomorph" motifs, possible comet figures, and many more naturalistic elements. The Burro Flats Painted Cave pictographs are some of the best preserved Native American art in Southern California. Archaeologists estimate the paintings to be several hundred years old.
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Prado Guide, pg 76, 79 Being the gateway to the New World, Seville became the cultural centre of Spain in the 16th Century, and attracted artists from across Europe, drawn by lure of commissions for the growing empire, and for the numerous religious houses of the wealthy city.Prado Guide, pg 84 Starting from a strongly Flemish tradition of detailed and smooth brushwork, as revealed in the works of Francisco Pacheco (1564-1642), over time a more naturalistic approach developed, with the influence of Juan de Roelas (c. 1560-1624) and Francisco Herrera the Elder (1590-1654). This more naturalistic approach, influenced by Caravaggio, became predominant in Seville, and formed the training background of three Golden Age masters: Cano, Zurbarán and Velázquez.
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Cascade In 1837, Grand Duke Paul Friedrich returned Schwerin to its capital status. As a summer residence, Schloss Ludwigslust was preserved from further alterations. In the mid-nineteenth century, much of the park was re-landscaped in the more naturalistic English landscape garden manner, under the direction of a garden designer with an extensive clientele among the German aristocracy, Peter Joseph Lenné.GardenGuide:Schloss Ludwigslust ; Ludwigslust Palace Garden, official brochure Water near the schloss was recast in more naturalistic manner and the surrounding woodland edges were varied, with clumps of trees as outliers, but the main axia Hofdamenallee centered on the palace, still stretches dead straight through the woods, and the narrow Great Canal, laid out at an angle to one side, still extends a kilometer and a half.
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The figures in this period were stiff and only meant to be hung on the wall after ceremonies.Teiwes 41. Starting around 1900, the figures began to have a more naturalistic look to them as a result of the white man’s interest and trade. The price of dolls in this period was on average about $0.25 (adjusted for today’s currency).
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Several shades of blue are often seen, green, yellow, two different shades of red. Frequently two shades of the same colour are placed closely together with no outlining between the two colours. This feature is regarded as characteristic for Mughal Indian carpets. The floral design of Indian carpets is often more naturalistic than in their Persian and other counterparts.
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The club symbol, or "brevet", depicted a guinea pig flanked by oversized RAF "wings". Two artistic renditions were used: the first showed the guinea pig sitting upright and with his ears swept back, perhaps in imitation of a pilot at the controls of his aircraft; while the second showed a more naturalistic guinea pig on all fours.
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Gregor was noted as initiating the trend in opera productions where the stage director began to assert greater influence compared to the previous dominance of opera singers. In addition, the company provided a more naturalistic style of opera productions. He presided over several notable productions, including 19 premieres. From 1910 to 1918, he led the Vienna State Opera.
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A few years later the latter was followed by a collection entitled Storia delle scienze, which he coordinated for UTET (1962). Abbagnano's defined his philosophy as "positive existentialism". His "philosophy of possible" condemned other existentialists for either denying human possibility or exaggerating it. In his later work he tended to adopt a more naturalistic and scientific approach to philosophy.
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Miniature scenes had new informality, with no strong framing forms at the edges. This allowed for continuity beyond the frame of view to be vividly defined. The Limbourgs developed a more naturalistic mode of representation and developed portraiture of people and surroundings. Religious figures do not inhabit free open space and courtiers are framed by vegetation.
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Group II (150-200 AD): Male figures began to be portrayed with beards, a trend brought into fashion by the Emperor Hadrian. Roman influences are also depicted in the rendering of the hair, which becomes thicker and longer. A more naturalistic style emerges in the depictions of eyes and wrinkles on brows. Pupils are sometimes marked by drilled holes.
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Although there are still formal planted beds, in recent years the planting scheme has become more naturalistic in style, reflecting modern tastes. A statue of the goddess Sabrina was presented by the Earl of Bradford in 1879. The inscription on the statue is based on a poem by John Milton (1608–1674). In myth, Sabrina was a nymph who drowned in the Severn.
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The low Tudor arch was a defining feature. Some of the most remarkable oriel windows belong to this period. Mouldings are more spread out and the foliage becomes more naturalistic. During the reigns of Henry VIII and Edward VI, many Italian artists arrived in England; their decorative features can be seen at Hampton Court Palace, Layer Marney Tower, Sutton Place, and elsewhere.
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The Mandelbrot Tree is a very closely related fractal using rectangles instead of line segments, slightly offset from the H-tree positions, in order to produce a more naturalistic appearance. To compensate for the increased width of its components and avoid self-overlap, the scale factor by which the size of the components is reduced at each level must be slightly greater than .
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For the last quarter century of her life, after her father's death in 1944, Orovida resumed oil painting, with a marked shift in style and choice of subject. Her work became more naturalistic and somewhat more akin to the Pissarro tradition. She melded her Asiatic leanings with a more substantial European look. The result has been compared to dry fresco.
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In general, the representation of the Buddha on these coins is already highly symbolic, and quite distinct from the more naturalistic and Hellenistic images seen in early Gandhara sculptures. On several designs a mustache is apparent. The palm of his right hand bears the Chakra mark, and his brow bear the urna. An aureola, formed by one, two or three lines, surrounds him.
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Cover of the 2002 paperback edition of Caricature Caricature is a book collection of nine comic short stories by Daniel Clowes. In contrast to earlier Clowes collections such as Lout Rampage! and Orgy Bound, Caricature concentrates on the more naturalistic, character-focused side of Clowes's output displayed in Ghost World. It includes some of his most admired short stories, including "Immortal, Invisible", "Gynecology" and the title story.
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Early grottos were mainly of the shell grotto type, mimicking a sea-cave, or in the form of a nymphaeum. The shells were often laid out in strict patterns in contemporary decorative styles used for plasterwork and the like. Later there was a move towards more naturalistic cave-like grottoes, sometimes showing the early influence of the Romantic movement. The porch of Scott's Grotto today.
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The Sisala also once used masks, but they have virtually disappeared. The Léla, Nunuma, Winiama and Nuna have influenced the styles, use and meaning of masks among their Bwa and Mossi neighbors. Masks carved of wood represent bush spirits, or spirits that take animal forms. These animal forms may be more naturalistic among the Nunuma and Nuna or more stylized among the Léla and Winiama.
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It is known that Lorenzetti engaged in artistic pursuits that were thought to have their origins during the Renaissance, such as experimenting with perspective and physiognomy, and studying classical antiquity.Chiara Frugoni, Pietro and Ambrogio Lorenzetti, (Florence: Scala Books, 1988), 37. His body of work clearly shows the innovativeness that subsequent artists chose to emulate. His work, although more naturalistic, shows the influence of Simone Martini.
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David Scott Milton (September 15, 1934 - January 13, 2020) was an American author, playwright, screenwriter, and actor. His plays are known for their theatricality, wild humor, and poetic realism, while his novels and films are darker and more naturalistic. As a novelist, he has been compared to Graham Greene, John Steinbeck, and Nelson Algren. Ben Gazzara’s performance in Milton’s play, Duet, received a Tony nomination.
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K. rooperi is valued in horticulture for its architectural qualities and late season flowering, and is equally at home in the mixed flower border and in more naturalistic plantings. It is hardy down to . It requires a situation in full sun, which is reliably moist but well-drained. Excessive dryness may prevent flowerheads from forming, while bad drainage can cause the crown to rot.
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Characteristic of his work is a hushed and nearly melancholic reverie amidst pastoral landscapes largely devoid of human presence. Fine examples of these qualities include The Vladimirka Road, (1892), Evening Bells, (1892), and Eternal Rest, (1894), all in the Tretyakov Gallery. Though his late work displayed familiarity with Impressionism, his palette was generally muted, and his tendencies were more naturalistic and poetic than optical or scientific.
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Highfill et al., p. 228 Because he worked with many actors from the early days of Restoration theatre, such as Thomas Betterton and Elizabeth Barry at the end of their careers, and lived to see David Garrick perform, he is a bridge between the earlier mannered and later more naturalistic styles of performance. The Apology was a popular work and gave Cibber a good return.
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The Secret World is a comedy radio series using impressionists broadcast on BBC Radio 4. Using many of the creative team from the long-running series Dead Ringers, and originating as part of Radio 4's Happy Mondays pilot strand in 2008, the Secret World takes a subtler, more naturalistic approach, using famous figures in various bizarre yet humdrum situations, the comedy arising from the juxtapositions of contrasting characters and situations.
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Theatre took on many alternate forms in the West between the 15th and 19th centuries, including commedia dell'arte and melodrama. The general trend was away from the poetic drama of the Greeks and the Renaissance and toward a more naturalistic prose style of dialogue, especially following the Industrial Revolution. Theatre Royal, Drury Lane in the West End. Opened in May 1663, it is the oldest theatre in London.
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The improvement of quality went along with a doubling of output during this period. Athens became the dominant producer of fine pottery in the Mediterranean world, overshadowing nearly all other production centres.Oakley: Rotfigurige Vasenmalerei, in: DNP 10 (2001), col. 1142 One of the key features of this most successful Attic vase painting style is the mastery of perspective foreshortening, allowing a much more naturalistic depiction of figures and actions.
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Stylistically, the Charioteer is classed as "Early Classical" or "Severe" Βαγγέλη Πεντάζου - Μαρίας Σαρλά, Δελφοί, Β. Γιαννίκος - Β. Καλδής Ο.Ε., 1984, p. 144. (see Greek art). The statue is more naturalistic than the kouroi of the Archaic period, but the pose is still very rigid when compared with later works of the Classical period. One departure from the Archaic style is that the head is inclined slightly to one side.
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Portrait of Orazio Gentileschi by Lucas Emil Vorsterman after Sir Anthony van Dyck, c. 1630 Orazio Lomi Gentileschi (1563–1639) was an Italian painter. Born in Tuscany, he began his career in Rome, painting in a Mannerist style, much of his work consisting of painting the figures within the decorative schemes of other artists. After 1600, he came under the influence of the more naturalistic style of Caravaggio.
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His trips included Italy (1901-1903 and 1905-1907), Greece (1902), Spain and Morocco (1905), Bruges (1909) and Gotland (1910). Throughout his work, he attempted to forge a connection between writing and graphic expression; publishing two works with text to advance his goal: Livets Skov (Living Forest) and Forvandlede Blomster (Transformed Flowers). Asger Jorn considered some of his early works to be forerunners of Surrealism. His later works were more naturalistic.
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The history of Western visual arts in general, until the modern era, has had a focus on symbolic, arranged presentation, and (aside from direct personal portraiture) was heavily dependent on stationary artists' models in costume – essentially small-scale with the artist as temporary audience. The Realism movement, with more naturalistic depictions, did not begin until the mid-19th century, a direct reaction against Romanticism and its heavy dependence on stylized format.
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This feature required considerable thickening of the old walls and the addition of flying buttresses along the flanks of the nave. The capitals of the nave piers are richly carved, some with classical acanthus leaves, others with more naturalistic vegetation, and incorporating a range of animals and human figures. Around the walls, the springers and corbels are similarly decorated with a rich variety of naturalistic or grotesque (and sometimes humorous) figures.
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His house-poets, led by Ibsen and Hauptmann, supplied him with pieces that one could by no means call naturalistic. They used more naturalistic means, but they also omitted and increased. . . . . [However] there was no longer a stilted language, no idealized decoration, no off-the-ground stage style. The Brahms theater was true, honest, decent, manly. One did not pretend in Brahm’s theatre, one played as lifelike as possible.
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These exhibits were the zoo's first attempt at constructing more naturalistic exhibits instead of simply displaying animals in cages. In 1949, the Children's Zoo opened with a grant from the Sarah Mellon Scaife Foundation. The Children's Zoo contained interactive exhibits and play areas for children, including a simulated large chunk of cheese that was inhabited by dozens of live mice. In 1967, the AquaZoo, a large aquarium, opened to the public.
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At the time of its completion, the AquaZoo was the only aquarium in Pennsylvania and the second largest aquarium in the United States. In 1980, the zoo's Master Plan was put into effect. This plan called for extensive renovations and the construction of more naturalistic exhibits. The Asian Forest, which opened in 1983, was the first area of the zoo that utilized this new philosophy of naturalistic exhibits.
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Here she leaves behind her parodies of earlier authors for a more naturalistic plot. "The Watsons is an experiment in turning fiction into life and life into fiction" and a "repository of classic Austen ingredients". The latter includes particularly the theme of being an outsider within the family and the consequent search for belonging. The talk also raised the possibility that Austen's fragment might really have been meant as a novella.
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In this study two types of experiments were used to understand the way in which individuals interpret words in survey interviews, aptitude tests, and instructions accompanying an experiment. One experiment was a factorial experiment, and the other was a more naturalistic investigation. Participants were required to interpret ordinary survey concepts such as: household furniture. The results show that an investigators actions influence the participants’ answers in both experiments.
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He was elected Principe of the Accademia di San Luca, the Roman artists' professional association, in 1662, but his last years were neither profitable nor prolific. Among his pupils were Jean-Baptiste Forest, Antonio Gherardi, and Giuseppe Bonati. With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola differs from the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi.
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During his childhood, he would often create drawings using pencil with little influence from others in his life. During the 1940s, Kiugak began creating sculptures out of ivory. After meeting with Houston, Kiugak transitioned to stone sculpture as this was widely popular in southern art markets. Many of his sculptures at this time were of more naturalistic human figures with themes of hunting and other traditional Inuit activities.
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Symbols of domesticity decline, likely related to an increase in wealth during this time. Group III (200-273 AD): Funerary sculpture becomes more naturalistic in style, beards continue to be shown on depictions of men and are raised slightly from the face. Curves and folds in clothing are depicted much more smoothly than previous categories and regular curves are broken up. Female figures are no longer shown with attributes of domesticity.
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Website of Nigel Hess, Awards Page Wycliffe is played by Jack Shepherd, assisted by DI Doug Kersey (Jimmy Yuill) and DI Lucy Lane (Helen Masters). Each episode deals with a murder investigation. In the early series, the stories are adapted from Burley's books and are in classic whodunit style, often with quirky characters and plot elements. In later seasons, the tone becomes more naturalistic and there is more emphasis on internal politics within the police.
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68, 108 photographs In his early paintings, Tuke placed his male nudes in mythological contexts, but the critics found these works to be rather formal, lifeless and flaccid.Wallace; Catching the Light pp.53–54 From the 1890s, Tuke abandoned mythological themes and began to paint local boys fishing, sailing, swimming and diving, and also began to paint in a more naturalistic style. His handling of paint became freer, and he began using bold, fresh colour.
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In July 2010, Zodiac Zoos decided that the park did not fit into its current holdings, and sold the zoo to Jos Nooren. Zodiac Zoos had planned to move the zoo, but these plans fell through and for now the zoo will remain in its current location. While owned by Zodiac Zoos, many of the exhibits were updated to more naturalistic settings. The new owner plans to continue improvements to the zoo.
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The term is an abbreviation of the term , which literally means "wild-warrior style". The style was created and pioneered by I, an actor in the Edo period, and has come to be epitomized by his successors in the line of actors. Roles such as the leads in and are particularly representative of the style. is often contrasted with ("soft" or "gentle") style, which emerged around the same time but focuses on more naturalistic drama.
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Generally they were appreciated from a raised position, either the windows of a house, or a terrace. Clipped hedges above eye level may be laid out in the form of a labyrinth or garden maze. Few such mazes survived the change of fashion towards more naturalistic plantings in the 18th and 19th centuries, but many were replanted in 20th-century restorations of older gardens. An example is behind the Governor's Palace, Colonial Williamsburg, Virginia.
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Beto Rockfeller is often mentioned as a turning point for the telenovela format in Brazil. It abandoned the melodramatic, artificial tone of previous shows for a more naturalistic approach, with the presence of a morally ambiguous protagonist and the use of colloquial language; characters would often mention actual news and gossips of the time. It also was the first telenovela to use contemporary pop hit songs in its soundtrack, rather than purely orchestral music.
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They were therefore able to select their own cast of performers, rather than being obliged to use the actors already engaged at the theatre. They chose talented actors, most of whom were not well-known stars and did not command high fees, and to whom they could teach a more naturalistic style of performance than was commonly used at the time. Carte's talent agency provided many of the artists to perform in the new work.
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The animals will become more naturalistic with a unique program developed for the fur and wool of animals. The characters have the new opportunity to raise their eyebrows; to move in different flexible ways allowing them to express a new set of emotions. The movie also features more special effects as evident in the polar battles with a Troll army. The animators refined lighting and shooting systems that added a subtle layer to the movie.
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Jean-Luc Godard said, "Cinema is not a dream or a fantasy. It is life." In the pre-history of the lifecasting movement, the introduction of lightweight, portable cameras during the early 1960s, as used in the Cinéma vérité and Direct cinema movements, changed the nature of documentary filmmaking. Technological improvements in audio and the invention of smaller, less intrusive cameras brought about more naturalistic situations in documentary films by Robert Drew, Richard Leacock, the Maysles Brothers and others.
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Oudolf's overall approach to planting has evolved since the 1980s when he and his wife Anja opened their nursery, at Hummelo, in Gelderland. His early work with perennials consisted of block-type groupings based on structure and texture. More recently Oudolf's gardens has experimented with a variety of approaches, which, broadly speaking, are more naturalistic, often using blends of species. The change in style has been described as a shift from a painter's perspective to one informed by ecology.
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Taoists took a broader, more naturalistic/metaphysical view on the relationship between humankind and the Universe, and considered social rules to be at best a derivative reflection of the natural and spontaneous interactions between people, and at worst calcified structure that inhibited naturalness and created conflict. This led to some philosophical and political conflicts between Taoists and Confucians. Several sections of the works attributed to Chuang Tzu are dedicated to critiques of the failures of Confucianism.
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Jensen demolished the conservatories in each of the West Park System parks in favor of one grand conservatory at Garfield Park. At the entrance to the garden, the area closest to the busy roadway intersection, Jensen placed a monumental garden shelter, known as Flower Hall, and a formal reflecting pool. The designer of the structure is unknown, however, it was possibly Jensen himself, or his friend, prairie school architect Hugh Garden. East of the building, the garden becomes more naturalistic.
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Cast-iron necklace. Held at the Birmingham Museum of Art. At first the style of the designs, especially during the Napoleonic period, was Neo-Classical, incorporating plenty of fretwork and moulded replicas of cameos. From 1810 the style changed slightly to a miniature form of Gothic Revival, incorporating the pointed arch and rose widow of the Gothic cathedral, combined with less austere, more naturalistic motifs such as butterflies, trefoils (a plant with three leaflets such as clover) and vine leaves.
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Ottavio, by contrast, wears the browns of the upper right-hand passage, an area of the painting that cuts him physically from the pope. His pose is awkward and difficult to interpret, but he is rendered in a more naturalistic manner than his brother.Phillips- Court (2011), 127 Alessandro has a distracted, brooding expression. He holds the knob of Paul's backrest, in an echo of Raphael's portrait where Clement VII holds the chair of Leo X as an indicator of his ambitions of succession.
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They use their own hands and their instruments are lying on the floor and are clearly recognizable. The depiction is more naturalistic than the earlier representations as it discounts the miraculous and makes the technical procedure take centre stage.Oliver Decker, Commodified Bodies: Organ Transplantation and the Organ Trade, Routledge, 24 Apr 2014, p. 73 During his Calvinist period (roughly 1579 to 1585) Ambrosius was responsible for a set of engravings called The Fate of Mankind that strongly criticised, even ridiculed, the Catholic clergy.
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The Delhi gate was open, and his father Humayun regained the throne. The period of the artist's life in Kabul today carries very few works, among them "Portrait of a young writer". Mir Sayyid Ali is considered a master of the genre of portraiture, but Persian portraits were to a large extent conditioned and idealized character than were significantly different from the Mughal portrait, which was much more naturalistic. However, the "Portrait of a young writer" belongs to the best Persian portrait miniatures.
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A Benin Bronze depicting the Benin's Oba palace from the British Museum The Benin Bronzes are more naturalistic than most African art of the period. The bronze surfaces are designed to highlight contrasts between light and metal. The features of many of the heads are exaggerated from natural proportions, with large ears, noses, and lips, which are shaped with great care. The most notable aspect of the works is the high level of the great metal working skill at lost-wax casting.
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This more naturalistic style of acting is largely influenced by Konstantin Stanislavski's theory of method acting, which involves the actor fully immersing themselves in their character. ;Filmstock : Film stock is the choice of black and white or color, fine-grain or grainy. ;Aspect ratio : Aspect ratio is the relation of the width of the rectangular image to its height. Each aspect ratio yields a different way of looking at the world and is basic to the expressive meaning of the film.
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Webster, p. 11. From the 7th century onwards more naturalistic designs became popular, showing a plasticity of form and incorporating both animals and people into the designs.Webster, p. 11. In the 10th century, Carolingian styles, inspired by Classical imagery, began to enter from the continent, becoming widely used in the reformed Benedictine monasteries across the south and east of England.Webster, p. 20. The Norman conquest introduced northern French artistic styles, particular in illuminated manuscripts and murals, and reduced the demand for carvings.
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The Brechtian staging of the final courtroom scene (which depicted the Jury as consisting of the Common Man and several sticks bearing the hats of the various characters he has played) is changed to a more naturalistic setting. Also, while the Duke of Norfolk was the judge both historically and in the play's depiction of the trial, the character of the Chief Justice (Jack Gwillim) was created for the film. Norfolk is still present, but plays little role in the proceedings.
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Mūlasarvāstivādin and later Chinese texts such as the Abhiniṣkramaṇa Sūtra give two types of explanation for the long gestation period: the result of karma in Yaśodharā and Rahula's past lives, and the more naturalistic explanation that Yaśodharā's practice of religious austerities stunted the foetus' growth. Buddhist studies scholar John S. Strong notes that these alternative accounts draw a parallel between the quest for enlightenment and Yaśodharā's path to being a mother, and eventually, they both are accomplished at the same time.
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He also replaced footlights with more naturalistic lighting. Antoine believed each play should have its own unique environment. The Théâtre Libre was the first of its kind and inspired the opening many theatres, including the Freie Bühne , (Free Stage), in Berlin that opened in 1889 as well as the Independent Theatre Society in London that opened in 1891. Out of these two theatres grew Freie Volksbühne, (Free People's Stage), and the Stage Society in 1899 and the Abbey Theatre at Dublin in 1901.
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He is considered one of the most important Frisian landscape painters of the Dutch Golden Age. His landscapes were either idealized in the Italian manner or more naturalistic and depicting recognizable features of his native Friesland region. The Italianate landscapes seem to be influenced by the work of Salvator Rosa, but also by Haarlem painters such as Jan van Goyen and Salomon van Ruysdael. Mancadan also served as a government official, and apparently did not begin painting until midway through his life.
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Netnography offers a less intrusive research experience than ethnography, because netnography uses mainly observational data. Netnography is more naturalistic than personal interviews, focus groups, surveys, and experiments, which the qualities are largely influenced by the researcher. In addition, participants may alter their reactions/answers when involving in the interviews, focus group and surveys. The main advantage of netnography is that individuals reveal information, including sensitive details, unasked and voluntarily online naturally, and the netnographer could gain this organic information through observation.
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They adjoin the tradition of Middle Age farce and ancient mime. In Komedija šesta (published in 1873), a farce similar to the fifth and reminiscent of French mediaeval farce, the plot entangles itself: a housemaid was smitten with the lord, but so was the midwife; having found this out, the woman pretends to be dead, and the priest calms the situation. The social criticism of this comedy was stronger; the language was more crude, and the situation harsher and more naturalistic.
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Oxford University Press. Web. 14 October 2020 His landscapes represent a move away from the Mannerist tradition of landscapes painting in Flemish art towards a more naturalistic approach exemplified by looser brushwork and an emphasis on atmospheric effects. He was the first Flemish landscape painter who painted dune landscapes as the primary feature of his landscapes. While his loose brush handling shows the influence of Rubens and Adriaen Brouwer, his restrained palette shows his awareness of developments in the Dutch Republic.
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Any of the division lines composing the variations of the field above may be blazoned with most of the different line shapes; e.g. paly nebuly of six, Or and sable. One very common use of this is barry wavy azure and argent; this is often used to represent either water or a body of water in general, or the sea in particular, though there are other if less commonly used methods of representing the sea, including in a more naturalistic manner.
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By accepting donations, memberships and grants, the Aquarium was able to fund increased services and to renovate exhibits. Taylor's goby, Trimma taylori, is named in his honor. In 1990, Dr Bruce Carlson was appointed the fourth director, a post he had held in an interim capacity since the departure of Dr Taylor in 1986. Carlson had previously worked closely with Dr Taylor and others to design new and more naturalistic exhibits that focused on the marine life of Hawaii and the western Pacific.
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The text is reprinted from From this point, Taylor began to use bounced and reflected light gaining a more naturalistic look, whereas the use of direct light was still the common practice by his contemporaries. Because it was necessary for London to look unpopulated in Seven Days to Noon, the first of three "end of the world films" Taylor worked on, it was necessary for him to arise at five- o-clock in the morning during a seven-week shoot.
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Pablo Picasso presents a divergent view of his subject, with a brighter figure standing before a mirror which reflects a darker mirror image. While the face of the woman herself is split into both yellow and more naturalistic colors, they contrast in their application of make-up or natural skin, suggesting a two-fold nature of beauty. The reflection in the mirror is distorted and discolored, possibly representing the woman's dislike for herself. The colors used here are dark and make her look very old.
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Inness painting Evening in 1875 after returning from a years-long trip to Italy and France. His European travels inspired him to paint more naturalistic works in the style of the Barbizon school - a contrast to Inness' earlier works painted in the more romantic style of the Hudson river school. This shift can be seen in the more manipulated, organized style of Evening in which Inness arranged painting elements in horizontal bands. Inness' work also makes effective use of silhouettes cast by the setting sun.
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Alan, Jane and Francis play the roles of an idyllically happy trio enjoying youth; Alan in particular represents the archetype of a sensitive 19th-century student. Mike Budd points out realist characters in stylized settings are a common characteristic in Expressionist theatre. However, David Robinson notes even the performances of the more naturalistic supporting roles in Caligari have Expressionist elements, like Hans-Heinz von Twardowski's "strange, tormented face" as Alan. He also cites Feher's "large angular movements", especially in the scene where he searches the deserted fairground.
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At this stage the image will look similar to a negative, in which shadows are white. A contact- print onto a fresh sheet of photographic paper will reverse the tones if a more naturalistic result is desired, which may be facilitated by making the initial print on film. However, there are other arrangements for making photograms, and devising them is part of the creative process. Alice Lex- Nerlinger used the conventional darkroom approach in making photograms as a variation on her airbrushed stencil paintings,Lange, B. (2004).
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Important influences on De Vadder were the late landscapes of Peter Paul Rubens as well as the landscapes of Adriaen Brouwer. De Vadder's style is freer in composition and, with its loose, broad brushwork , reminiscent of Rubens' style. His landscapes represent a departure from the Mannerist tradition of landscapes painting in Flemish art as represented by artists such as Denis van Alsloot in favor of a more naturalistic approach. Rather than the densely populated forests of van Alsloot, he depicted landscapes in which emptiness dominates.
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The Hands of Orlac (German: Orlacs Hände) is a 1924 Austrian silent horror film directed by Robert Wiene and starring Conrad Veidt, Alexandra Sorina and Fritz Kortner. The film was also released as Die Unheimlichen Hande des Doktor Orlac. The film's plot is based on the book Les Mains d'Orlac (1920) written by Maurice Renard. Wiene had made his name as a director of Expressionist films such as The Cabinet of Dr. Caligari (1920), and in The Hands of Orlac combined expressionist motifs with more naturalistic visuals.
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All these coins were minted in gold under Kanishka I, and are in two different denominations: a dinar of about 8 gm, roughly similar to a Roman aureus, and a quarter dinar of about 2 gm. (about the size of an obol). The Buddha is represented wearing the monastic robe, the antaravasaka, the uttarasanga, and the overcoat sanghati. In general, the representation of the Buddha on these coins is already highly symbolic, and quite distinct from the more naturalistic and Hellenistic images seen in early Gandhara sculptures.
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Dewi continued acting for a further four decades, appearing in her final feature film, Pedang Ulung (Grand Sword), in 1993, fifteen years before her death. Wijaya, meanwhile, has continued acting through 2008's Ayat-Ayat Cinta (Verses of Love). Meanwhile, Iskak, who was praised for having a more naturalistic acting style than her stage-trained fellow actors, soared to popularity. She formed a girl group, the Baby Dolls, together with Rima Melati, , and Baby Huwae, and acted in a further eight films before retiring from cinema in 1963.
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After moving from the outdated Great Ape House in 2002, the Bornean orangutan were relocated to a new exhibit in Tiger Trail that featured a large outdoor "primadome." Originally intended only as a temporary home, work eventually began on August 17, 2014, on a $6 million new orangutan exhibit called Orangutan Canopy. The Zoological District along with many donors helped make Orangutan Canopy possible. The 3,400 square foot exhibit, which houses six Bornean orangutans in a more naturalistic outdoor environment than their previous two enclosures offered, opened to the public in May 2015.
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The 4 poshest garden grottoes Tatler 27 July 2015; retrieved 30 July 2018 The Grotto at Margate has 2000 square feet of mosaic, using some 4.6 million shells. By the end of the 18th century, fashion had moved on to more naturalistic cave-like structures, like the weathered rock and crystal "Crystal Grotto" at Painshill in Surrey, before falling out of favour altogether. Many were demolished or have fallen into disrepair, but some 200 grottos of all types are known to have survived in some form in the UK.
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The film was a massive popular success, and Indriati, who was praised for having a more naturalistic acting style than her stage-trained fellow actors, saw the greatest popularity of her co-stars. The following year Indriati appeared in another of Ismail's film, Sengketa (Conflict, 1957). She again played the daughter in a family fraught with difficulties. After this film, Indriati completed two productions with Djuprihadi's Stupa Film, both under the direction of Wim Umboh: Djuara Sepatu Roda (Roller Skating Champion, 1958) and Tiga Mawar (Three Roses, 1959).
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Attention to tea-making quality has been a classic Chinese tradition.The Classic of Tea All teas, loose tea, coarse tea, and powdered tea have long coexisted with the "imperially appointed compressed form". By the end of the 14th century, the more naturalistic "loose leaf" form had become a popular household product and by the Ming era, loose tea was put to imperial use. In Japan, tea production began in the 12th century following Chinese models, and eventually evolved into the Japanese tea ceremony, meant to be exclusive to political and military elites.
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The zoo's great apes were moved to the Lester E. Fisher Great Ape House in 1976, named for the zoo's outgoing director, and the original Primate House was later renovated and reopened in 1992 as the Helen Brach Primate House, featuring more naturalistic settings. Marlin Perkins, who gained fame as the host of the television program Zoo Parade and later, Wild Kingdom, was director of the zoo from 1944 until 1962. He created and recruited a citizens group to support the Zoo's mission, the Lincoln Park Zoological Society.
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Artemisia's works tend to reflect that training and as such are similar in style to Caravaggio's, but with less focus on dramatic setting and lighting seen in his works and more focus on the people involved and their characterizations. Her paintings are also less idealistic in portraying people and more naturalistic and even a bit mischievous, which can be seen in Esther before Ahasuerus where Esther is painted to look more like a normal woman rather than an idealized one, while Ahasuerus is made to look more comedic than a king would normally be depicted.
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Zalis also notes that such difficulties in assessing Aderca's stylistic category have to do with the single motivation of his protagonists, often an erotic one, which "circumscribes" their whole existence. Zalis sees Aderca's work as superficially indebted to the more naturalistic modernist school, through its vitalism, but ultimately "bookish" in character. With his literary theory, Aderca sought to import Western modernism, acclimatizing its diverse components to a Romanian context. His various works are more or less explicitly indebted to Expressionism, which they mimic in altering traditional narrative techniques.
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BestZOO is a small zoo in Best, North Brabant, Netherlands. It opened in 1930 as Vleut the Zoo, and was owned and operated by the van Laarhoven family until purchased by Zodiac Zoos in 2007. Zodiac Zoos upgraded many of the old exhibits to more naturalistic settings, but sold them to Jos Nooren in 2010 before all upgrades were completed. The zoo participates in several European Association of Zoos and Aquaria (EAZA) European Endangered Species Programmes (EEP) programs, including Edwards's pheasant, black-and-white ruffed lemur, Colombian spider monkey and Sri Lankan leopard.
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The Modern British Paintings, Drawings and Sculpture, volume II. London: Oldbourne Press; cited at Artist biography: John PIPER b. 1903. Tate. Accessed February 2014. He turned from abstraction early in his career, concentrating on a more naturalistic but distinctive approach, but often worked in several different styles throughout his career. Piper was an official war artist in World War II and his wartime depictions of bomb-damaged churches and landmarks, most notably those of Coventry Cathedral, made Piper a household name and led to his work being acquired by several public collections.
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Director William Witney remains a favorite of director Quentin Tarantino. In a The New York Times interview, Tarantino spoke eloquently about Witney's prowess as a director, specifically mentioning Witney's work with Roy Rogers programmers. He detailed how Witney gradually moved Rogers into more naturalistic costumes such as jeans and flannel shirts, and how occasionally the camera would follow Rogers' horse Trigger for much of a film, going off and having adventures with other animals before returning to Rogers. Tarantino and a reporter screened Witney's Roy Rogers movie The Golden Stallion together during the aforementioned interview.
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Her design was inspired by her European ventures, especially from the Italian Renaissance gardens, and consisted of establishing a sophisticated relationship between the architectural and natural environments, with formal terraced gardens stepping down a steep slope and transitioning to a more naturalistic aesthetic approaching the creek. In 1928 her husband accepted the position as the first Director of The Huntington Library (1927–41) in San Marino, California. They moved to California, but Farrand had trouble building a clientele in that state. William Hertrich had long standing dominion of the Botanical Gardens at the Huntington.
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Self- portrait mug shot of Alphonse Bertillon, who developed and standardized this type of photograph, 22 August 1900 A typical mug shot is two-part, with one side-view photo, and one front-view. The background is usually stark and simple, to avoid distraction from the facial image (as distinguished from a casual snapshot in a more naturalistic setting). Mug shots may be compiled into a mug book in order to determine the identity of a criminal. In high- profile cases, mug shots may also be published in the mass media.
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The Pittsburgh Zoo opened on June 14, 1898, as Highland Park Zoo, after Christopher Lyman Magee donated $125,000 (about four million dollars when adjusted for inflation) for the construction of a zoological garden in Pittsburgh's Highland Park. Like most other zoos of the time, the Pittsburgh Zoo more closely resembled a menagerie than an actual zoo. However, as time progressed, the animal exhibits eventually became more naturalistic, and the zoo's goal became more focused on conservation. In 1937, the bear exhibits were built under the Works Progress Administration.
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Cowan stated that the change was done to give his clothes a "feel of the comic book", while McDuffie said it represented a growth that Virgil was passing through. This maturation made possible to "explore some of the darker places in his world," and to have more varied conflicts, as the villains have also become more mature. He described it is as "a natural outgrowth of all that, as is the new, more naturalistic look of the show." This change followed the second-season premiere—"The Big Leagues"—when Static meets Batman and Robin.
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Her most typical work favours strong outlines and sweeping diagonals, often with stern, unsmiling faces.Die Stadt, coloured crayon on black paper, 35x23cm However, there are also gentler, more naturalistic depictions, particularly of trees, that look back to German Romanticism of the nineteenth century, also powerful woodcut-like pen and ink portraits that owe much to Dürer. She very rarely dated her work. On works where a date appears it is very likely that they have been subsequently added to make them appear earlier than they in truth are.
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He was awarded a medal in 1870 for one of his first landscape paintings. Impatient to receive a travel scholarship, he took off on his own in 1873 and went to Düsseldorf, but was not pleased with their teaching methods and later felt that he had wasted his time there. Finally, in 1874, he obtained a trave scholarship and went to Paris via Brussels. His feelings about his studies in Germany were confirmed when he visited the Salon and was exposed to the more Naturalistic styles prevalent there.
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"The rest of them, they fall into all kinds of traps. We're going to try to do our best... and one of the ways we have to do it is be more naturalistic than the graphic novel, because it's very over-the-top," said Slade. There was also concern expressed that while the vampires needed to communicate, talking might lessen the effect. To counter this, a fictional vampire language, with click consonants, was constructed with the help of a professor of linguistics and the nearby University of Auckland.
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Norwegian heraldry has roots in early medieval times, soon after the use of coats of arms first appeared in continental Europe. Some of the medieval coats of arms are rather simple of design, while others have more naturalistic charges. The king-granted coats of arms of later times were usually detailed and complex. Especially in the late 17th century and the 18th century, many ennobled persons and families received coats of arms with shields containing both two and four fields, and some even with an inescutcheon above these.
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Dupain was keen to restart the studio with this new perspective and abandon what he called the "cosmetic lie of fashion photography or advertising illustration". Refusing to return to the "cosmetic lie" of advertising, Dupain said: > "Modern photography must do more than entertain, it must incite thought and > by its clear statements of actuality, cultivate a sympathetic understanding > of men and women and the life they live and create." Dupain's documentary work of this period is exemplified in his photograph "Meat Queue". He used a more naturalistic style of photography, "capturing a moment of everyday interaction [rather than] attempting any social comment".
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Portrait of a Lady, 1460. National Gallery of Art, Washington. Van der Weyden moved portraiture away from idealisation and towards more naturalistic representation.Van Der Elst (1944), 76 The Early Netherlandish masters' influence reached artists such as Stefan Lochner and the painter known as the Master of the Life of the Virgin, both of whom, working in mid-15th-century Cologne, drew inspiration from imported works by van der Weyden and Bouts.Borchert (2011), 247 New and distinctive painterly cultures sprang up; Ulm, Nuremberg, Vienna and Munich were the most important artistic centres in the Holy Roman Empire at the start of the 16th century.
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In 2000 with Presidential Kikis Konstantinou, Anorthosis crest was changed again as a part of the attempt to modernise and to capitalise on new marketing opportunities. The new badge featured a more naturalistic blue phoenix, standing over the fire. It lasted for the next 11 years, with some modifications such as the use of different colours, birds and including some stars for the celebrations of the titles. For the centenary season the new Presidential Savvas Kakos, Anorthosis announced tender for the emblem in 100 years this was accompanied by the words '1911–2011' on the top and bottom of the crest respectively.
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Most of the elements found in the coat of arms originate in the Great Seal of Vermont designed by Ira Allen. Whereas the Great Seal of Vermont is reproduced in a single color and is reserved for embossing and authenticating state documents, the coat of arms is a more naturalistic and colorful representation of many of the same elements. The Coat of arms of Vermont was first used in 1807 on $5 bank notes of The Vermont State Bank . One of these notes is in the special collections of the Vermont History Center in Barre, Vermont.
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Mary Jane's Mishap, a landmark dark comedy made by Brighton School pioneers G. A. Smith and Laura Bayley and released months before The Great Train Robbery, is far more sophisticated in its editing and framing. Porter's style heavily prioritized action over character, with most figures remaining indistinguishable in wide shots; the staging inconsistently mixes stylized theatrical blocking with more naturalistic action. The film also leaves many narrative points ambiguous, requiring explanations to be filled in by a live narrator or by audience imaginations. However, the film successfully collected many popular themes and prevalent techniques of the time into a single accessible narrative.
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His second wife was the daughter of Sir Charles Cottrell, a high-ranking courtier of Charles II. Colonel Robert Dormer-Cottrell, the grandson of the house's builder, inherited Rousham in 1719 and began the huge transformation of the gardens to its current appearance. Initially he employed Charles Bridgeman to lay out the gardens in the new and more naturalistic style that was becoming popular. Bridgeman's layout of the garden was completed circa 1737. Rousham was then inherited by the Colonel's brother, General James Dormer (1679–1741), who called in William Kent to further enhance and develop the garden that Bridgeman created.
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Euripides reduced the use of the chorus and was more naturalistic in his representation of human drama, making it more reflective of the realities of daily life. Socrates emphasized reason to such a degree that he diffused the value of myth and suffering to human knowledge. For Nietzsche, these two intellectuals helped drain the ability of the individual to participate in forms of art, because they saw things too soberly and rationally. The participation mystique aspect of art and myth was lost, and along with it, much of man's ability to live creatively in optimistic harmony with the sufferings of life.
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It was also a stage for new writing whose subject matter or form had been rejected in other theatres. Over a seven-year period, until 1894, the Théâtre Libre staged some 111 plays. His work had enormous influence on the French stage, as well as on similar companies elsewhere in Europe, such as the Independent Theatre Society in London and the Freie Buhne in Germany.Mitter and Shevtsova (2005, 3) Theatrical tour poster, 1903 Le Théâtre Antoine, boulevard de Strasbourg, Paris Antoine opposed the traditional teachings of the Paris Conservatory, and focused on a more naturalistic style of acting and staging.
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In Baroque art, the continuing fascination with classical antiquity influenced artists to renew and expand their approach to the nude, but with more naturalistic, less idealized depictions, perhaps more frequently working from live models. Both genders are represented; the male in the form of heroes such as Hercules and Samson, and female in the form of Venus and the Three Graces. Peter Paul Rubens, who with evident delight painted women of generous figure and radiant flesh, gave his name to the adjective Rubenesque. While adopting the conventions of mythological and Biblical stories, Rembrandt's nudes were less idealized, and painted from life.
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Forest Passage (formerly Asian Forest) contains several species from Eastern and Southeast Asia, and simulates a journey from the Himalayas to Indonesia. This section features some of the most critically endangered big cats of Asia, including Amur leopards, and Siberian tigers, as well as several other Asian animals, such as Komodo dragons, snow leopards, and red pandas. This section, opened in 1983, is the result of the zoo's Master Plan of 1980, which was dedicated to create more naturalistic exhibits than what existed at the time. In January 2017, the Pittsburgh Zoo's only snow leopard, Chaney, died of cancer at 17.
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In 1769, landscape architect Lancelot ‘Capability’ Brown was employed to lay out the grounds in keeping with the new taste for more naturalistic landscape. He eliminated all trace of the earlier formal gardens, including the canal on the west front and the avenues running east to west. These were replaced with grassland and trees, with the planting of cedars and over 2,200 oak and ash saplings. Brown also turned the lakes into a single expanse of water by removing the dam between the Upper Long Pool and the Middle Pool to make way for his Upper Bridge.
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An observation tower east of the zoo that overlooks the lake, and the "castle" that houses small mammals followed by 1937. The tower is a creation of a steel faced with limestone and the roof is topped with a spherical ornament reported to be a compression chamber from the city's first fire engine. A feline house was constructed in 1977 using artificial artwork to create more naturalistic surroundings for the animals. A new elephant house opened in 1978 and housed the zoo's elephants until 1990 when a decision was made to stop exhibiting them, and the building was converted into an education facility.
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Made and used by the BaKongo people of western Zaire, a nkisi (plural minkisi) is a sculptural object that provides a local habitation for a spiritual personality. Though some minkisi have always been anthropomorphic, they were probably much less naturalistic or "realistic" before the arrival of the Europeans in the nineteenth century; Kongo figures are more naturalistic in the coastal areas than inland. As Europeans tend to think of spirits as objects of worship, idols become the objects of idolatry when worship was addressed to false gods. In this way, Europeans regarded minkisi as idols on the basis of false assumptions.
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Plato's student Aristotle did not maintain his former teacher's geometric view of the elements, but rather preferred a somewhat more naturalistic explanation for the elements based on their traditional qualities. Fire the hot and dry element, like the other elements, was an abstract principle and not identical with the normal solids, liquids and combustion phenomena we experience: > What we commonly call fire. It is not really fire, for fire is an excess of > heat and a sort of ebullition; but in reality, of what we call air, the part > surrounding the earth is moist and warm, because it contains both vapour and > a dry exhalation from the earth.
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He was the fifth of the six children of William Brown, a yeoman farmer and Ursula, née Hall, who had also worked in the big house on the Kirkharle estate. Lancelot attended the village school in nearby Cambo until the age of 16. In 1732, the young Brown began work at the Kirkharle estate, learning many skills in gardening, planting & land reclamation, leaving to further his career in 1739. Sir William Loraine, 4th Baronet, inherited the estate in 1755 aged 6 & when he came of age, Brown produced a design plan for him to replace the early C18th formal gardens with a more naturalistic landscape, probably around 1770.
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We had some actors who were pretty good, and we had a living room. So we had to find out how to make a living room feel like more than just a living room. And, that led to a whole Twilight Zone type story... I was craving a more naturalistic type of dialogue, where people overlap and it's very messy, where people talk more like real humans talk. And so, we planned the story for a year, including the twists and turns and reversals and betrayals so that we had a really tight puzzle – almost like a fun house that we knew we could lead the actors through.
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Don Adolfo Holmberg, nephew of the first director, took over as directory in 1924 and headed the zoo until 1944, after which a succession of political appointees let the zoo deteriorate. In 1991 the zoo was privatized, and the program to get the animals out from behind bars and into more naturalistic habitats began. The zoo's last polar bear, Winner, died of fever in 2012. In December 2014, a Buenos Aires court ruled that a 29-year-old female Sumatran orangutan named Sandra living at the zoo was a "non-human person" who was entitled to some basic rights and could be liberated from her enclosure.
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He had contributed some articles to New Scientist. In 1979, Robert Banks Stewart recommended him for the post of script editor on Doctor Who. Bidmead was primarily responsible for a "back to basics" approach for his yearlong tenure on Doctor Who, attempting to curb the more playful and fantasy oriented approach of his predecessor Douglas Adams in favour of a more naturalistic and scientific style of presentation. Most noticeable in the more serious portrayal of Tom Baker's Doctor, this approach proved controversial and ratings suffered, although this has been attributed to the tough timeslot for Bidmead's season which saw the show competing against Buck Rogers in the 25th Century on ITV.
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When asked about her approach to Joanna, she said that she relied on her imagination and empathy for the character, clarifying she was not a method actress. During a 2018 interview with Peter Travers, Knightley cited Last Night as one of four films that meant the most to her; she enjoyed it for the collaboration with the cast and crew and the more naturalistic style of acting. Tadjedin approached the male leads based on how their chemistry with Knightley. After watching Sam Worthington in the 2004 film Somersault, Tadjedin sent him the script for Last Night, and met with him on-set for the 2009 film Avatar.
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113–14 Instead of writing a piece for production by a theatre proprietor, as was usual in Victorian theatres, Gilbert, Sullivan and Carte produced the show with their own financial support. They were therefore able to choose their own cast of performers, rather than being obliged to use the actors already engaged at the theatre. They chose talented actors, most of whom were not well-known stars and did not command high fees, and to whom they could teach a more naturalistic style of performance than was commonly used at the time. They then tailored their work to the particular abilities of these performers.
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Balch planned to make The Bridge of the Gods a mythic prelude to more naturalistic novels he would write to illustrate crucial events in Northwest history, but only Genevive: A Tale of Oregon survives complete. Edited and published posthumously in 1932 by Alfred Powers, then a professor at the University of Oregon, the novel is dedicated to "one, now dead, whose name gives the book its title and whose character is portrayed in its pages."Balch, Genevieve, p. iii. The titular heroine is Genevra Whitcomb, a young woman whom Balch loved and who died unexpectedly at age nineteen in January, 1886.Wiley, pp. 88-93.
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Van de Velde had been influenced by the German painter Adam Elsheimer to develop his paintings in a more naturalistic direction than his tutor and to adopt a low viewpoint and a triangular composition. In addition to landscapes, van de Velde also painted genre and military paintings.Esaias Vanden Velde biography in De Groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature He died in The Hague in 1630, where he had been Court Painter to the Prince Maurits and Frederick Henry. According to the RKD, he was influenced by Roelant Savery and Jan van de Velde.
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Intended for use to emboss official documents, the seal is not intended for decorative use, the single exception being a large version carved in hardwood and affixed to the Vermont Pavilion at the Expo 67 World's Fair. That seal was later used as a backdrop behind the podium in the Vermont State House Press Briefing Room, which is now the minority party's caucus room. The large wooden Great Seal of Vermont has been moved to the working offices of the governor of Vermont at The Pavilion. A more naturalistic and colorful armorial representation of the elements of the seal can be seen in the coat of arms of Vermont, which is found on the Vermont flag.
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His first big success, London Assurance (1841) was a comedy in the style of Sheridan, but he wrote in various styles, including melodrama. T. W. Robertson wrote popular domestic comedies and introduced a more naturalistic style of acting and stagecraft to the British stage in the 1860s. A change came in the late 19th century with the plays on the London stage by the Irishmen George Bernard Shaw and Oscar Wilde and the Norwegian Henrik Ibsen, all of whom influenced domestic English drama and vitalised it again. The Shakespeare Memorial Theatre was opened in Shakespeare's birthplace Stratford upon Avon in 1879; and Herbert Beerbohm Tree founded an Academy of Dramatic Art at Her Majesty's Theatre in 1904.
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The Emperor Jahangir receiving his two sons, an album-painting of c 1605-06 Mughal painting developed during the period of the Mughal Empire (16th - 18th centuries) and was generally confined to miniatures either as book illustrations or as single works to be kept in albums. It emerged from the Persian miniature painting tradition introduced to India by Mir Sayyid Ali and Abd al-Samad in the mid 16th century. It soon moved away from its Safavid origins; with the influence of Hindu artists, colors became brighter and compositions more naturalistic. The subject matter was predominantly secular, mainly consisting of illustrations to works of literature or history, portraits of court members and studies of nature.
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Around him are the four symbols of the Evangelists or the Tetramorph, each of which, instead of the book of the Gospel of earlier examples, has a sign or phylactery with his name. On John’s eagle and Luke’s bull can be observed, in particular, the subordination of the figure to its frame—that is, to the available space, even when this involves strange or unnatural distortion of the forms. Here, the way the configuration of these two symbols is dealt with is especially noteworthy. In addition, the pictorial style shows some figurative features of a more naturalistic type, such as the figure and face of Matthew’s angel, which comes closer to the new spirit of Gothic.
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He is described by Ashton Rollins Willard as a "stately and courtly gentleman of the old school, with not too high an opinion of his own attainments", active in a provincial center, and notes that the "general character of Malatesta's work and his persistent adherence to figure painting in the historical Italian manner at a time when the general tendency was toward a more naturalistic form of expression, places him in the same group with Podesti and the other historical painters of the middle period" of 19th century.Ashton Rollins Willard, History of Modern Italian Art (1900); pages 660-662. Adeodato Malatesta died in Modena on December 24, 1891. His son, Narciso, was also a well-known painter.
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The three adjacent Caravaggio canvases in the Contarelli chapel represent a decisive shift from the idealising Mannerism of which Cesari was the last major practitioner, to the newer, more naturalistic and subject-oriented art represented by Caravaggio and Annibale Carracci: they were highly influential in their day. In some ways, most of the plebeian, nearly life-sized inhabitants of Levi's money table are the equivalent, if not modeled by those persons in other Caravaggio paintings, including Caravaggio's famous secular genre painting of The Cardsharps (1595). In this painting, the gloom and the canvassed window appears to situate the table indoors. Christ brings the true light to the dark space of the sitting tax-collectors.
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The vision for a hybrid discipline combines using archaeological theories, tools and methods with sophisticated cognitive experimental models to explore evolutionary history and true human behaviour. In order to create a mutually beneficial hybrid discipline neuroscientists may have to incorporate a more naturalistic behaviour whereas archaeologists will have to subject their study to more rigorous experimental details and analysis of their behaviours of interest. Neuroarchaeology appears set to take its place as a study of human cognitive evolution, based on empirical and hypotheses driven approach.and is a combination of the words "neuro" from 'neuroscience' indicating its connection with the brain sciences and "archaeology" meaning study of human history and prehistory through excavations and other tools.
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There he executed approximately three hundred sketches, which became the source material for several later oil paintings that attracted immediate attention. Bridgman became known as "the American Gérôme", although Bridgman would later adopt a more naturalistic aesthetic, emphasizing bright colors and painterly brushwork. His large and important composition, The funeral rites of a mummy on the Nile (1876-77; Speed Art Museum, Louisville), exhibited at the Paris Salon in 1877 and Royal Academy of Arts in 1881, bought by James Gordon Bennett, Jr., brought him the Cross of the Legion of Honor. The painting was later purchased by the famous American collector Wendell Cherry who donated it to the Speed Art Museum in Louisville, Kentucky in 1990.
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Repton's ornamental lake The National Register of Historic Parks and Gardens lists of the gardens and surrounding parkland at grade II. An early engraving shows a walled forecourt to the south of the original hall, with a large stone gateway carved with Sir Randolph Crewe's arms and motto. The forecourt had terraces, balustrades and a path decorated with diamond patterns. As depicted in a painting of around 1710, the grounds were laid out in extensive formal walled pleasure gardens with parterres. During the 18th century, the park was landscaped in a more naturalistic style for John Crewe (later the first Baron Crewe) by Lancelot Brown (before 1768), William Emes (1768–71), and Humphry Repton and John Webb (1791).
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Griffith realized that theatrical acting did not look good on film and required his actors and actresses to go through weeks of film acting training. Lillian Gish has been called film's "first true actress" for her work in the period, as she pioneered new film performing techniques, recognizing the crucial differences between stage and screen acting. Directors such as Albert Capellani and Maurice Tourneur began to insist on naturalism in their films. By the mid-1920s many American silent films had adopted a more naturalistic acting style, though not all actors and directors accepted naturalistic, low- key acting straight away; as late as 1927, films featuring expressionistic acting styles, such as Metropolis, were still being released.
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Albert Marquet, 1906, Fécamp (The Beach at Sainte-Adresse), oil on canvas, 64.5 x 80 cm Albert Marquet, 1916, Port of Marseilles, oil on canvas, 65 x 81 cm, Ohara Museum of Art Albert Marquet, 1919, La femme blonde (Femme blonde sur un fond de châle espagnol), oil on canvas, 98.5 x 98.5 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris Albert Marquet (27 March 1875 – 14 June 1947) was a French painter, associated with the Fauvist movement. He initially became one of the Fauve painters and a lifelong friend of Henri Matisse. Marquet subsequently painted in a more naturalistic style, primarily landscapes, but also several portraits and, between 1910 and 1914, several female nude paintings.
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Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide ), Francesco Primaticcio took charge of the artistic direction at Fontainebleau. Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography.
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The name may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists and is considered to have started the Early Italian Renaissance in painting with his works in the mid- and late-1420s. He was one of the first to use linear perspective in his painting, employing techniques such as vanishing point in art for the first time. He moved away from the International Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more naturalistic mode that employed perspective and chiaroscuro for greater realism.
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However, Manning only completed 21 issues; the rest were reprints of previous issues or new stories by others (#23–28). The original concept is a deliberate inversion or update of the Tarzan mythos, the syndicated comic strip which Russ Manning had previously illustrated. Where Tarzan was a human raised as a noble savage feral child by African great apes who saw the world through his naturalistic upbringing and opposition to the rules and limits of civilization, Magnus was a human raised by a benevolent robot named 1A, who saw mankind becoming an ever more decadent and complacent human civilization doomed by its ever-increasing dependence on robots. In one case, the hero is a throwback to a hardier and more naturalistic time.
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He was interested in fantastic themes, particularly horror and science fiction, from an early age, and recalls devising childhood schemes to convince his parents to allow him to watch late night horror movies. He was fascinated with both classic representations of horror such as Dracula, Frankenstein and Dr Jekyll and Mr Hyde, and more modern examples including "short stories in the form of Weird Tales magazine, Alfred Hitchcock's Anthology, and the Pan Book of Horror Stories". He produced fiction pieces in response to English writing assignments that were far more extensive, elaborate and inventive that expected, and always of a fantastic nature. His teachers made attempts to steer him towards writing in a more naturalistic style, but he eventually won them over with his persistence and inventiveness.
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This type of work is specific to computational linguistics and has applications that could vastly improve understanding of how language is produced and comprehended by computers. Work has also been done in making computers produce language in a more naturalistic manner. Using linguistic input from humans, algorithms have been constructed which are able to modify a system's style of production based on a factor such as linguistic input from a human, or more abstract factors like politeness or any of the five main dimensions of personality. This work takes a computational approach via parameter estimation models to categorize the vast array of linguistic styles we see across individuals and simplify it for a computer to work in the same way, making human-computer interaction much more natural.
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In the mid-1970s, he replaced Chris Achilleos as regular jacket illustrator for Doctor Who novelisations from Target Books but his cartoon- style artwork proved less popular than Achilleos's more naturalistic style and he completed only four covers. In the 1970s, he was also a cartoonist for the Radio Times, taking over the main back-page cartoon from Marc Boxer in 1979. He had a short stint as a political cartoonist for the New Statesman, before returning to academia and lecturing at the Central School of Art and the Royal College of Art. For a time, he worked as cover artist for The Spectator but, in 1992, he moved to The Times, as its leader-page cartoonist, at the invitation of its newly appointed editor, Peter Stothard.
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During this period sculpture became more naturalistic, and also expressive; there is an interest in depicting extremes of emotion. On top of anatomical realism, the Hellenistic artist seeks to represent the character of his subject, including themes such as suffering, sleep or old age. Genre subjects of common people, women, children, animals and domestic scenes became acceptable subjects for sculpture, which was commissioned by wealthy families for the adornment of their homes and gardens; the Boy with Thorn is an example. The Barberini Faun, 2nd-century BC Hellenistic or 2nd-century AD Roman copy of an earlier bronze Realistic portraits of men and women of all ages were produced, and sculptors no longer felt obliged to depict people as ideals of beauty or physical perfection.
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Similarly, a teacher-implemented intervention that utilizes a more naturalistic form of ABA combined with a developmental social pragmatic approach has been found to be beneficial in improving social-communication skills in young children, although there is less evidence in its treatment of global symptoms. Neuropsychological reports are often poorly communicated to educators, resulting in a gap between what a report recommends and what education is provided. It is not known whether treatment programs for children lead to significant improvements after the children grow up, and the limited research on the effectiveness of adult residential programs shows mixed results. The appropriateness of including children with varying severity of autism spectrum disorders in the general education population is a subject of current debate among educators and researchers.
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The property passed through two further generations of the Gore family before being sold to Sir Drummond Smith, a London banker, in 1786. He made extensive changes both to the park and the house, which until that time had remained unaltered from Wren's original design. The contours of the parklands were smoothed and flattened to present a more naturalistic outlook in keeping with the style of Capability Brown that was in vogue at the time and the interior of the house was extensively remodelled along the entire south range of reception rooms with the exception of the library, which retained its seventeenth century ceiling. The drawing room and sitting rooms were given moulded and carved plaster ceilings in the rococo style, complete with cherubs and garlands.
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The new badge featured a more naturalistic non-heraldic lion, in white and not blue, standing over the C.F.C. initials. This lasted for the next 19 years, with some modifications such as the use of different colours, including red from 1987 to 1995, and yellow from 1995 until 1999, before the white returned. With the new ownership of Roman Abramovich, and the club's centenary approaching, combined with demands from fans for the popular 1950s badge to be restored, it was decided that the crest should be changed again in 2005. The new crest was officially adopted for the start of the 2005–06 season and marked a return to the older design, used from 1953 to 1986, featuring a blue heraldic lion holding a staff.
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The Queen commissioned Durant to produce a memorial to her uncle, King Leopold I of Belgium, for Saint George's Chapel in Windsor Castle. The monument, showing the king reclining with his hand on a lion in front of two angels in relief holding the flags of England and Belgium, was unveiled at Windsor in 1867 where it remained until 1879 when it was moved to Christ Church in Esher. Durant's style of working further developed over time, becoming more naturalistic and further embracing the use of polychromatic marble, a technique promoted by de Triqueti, for example in her 1871 portrait of a child, Nina Lehmann. During her life, Durant promoted equal access for women to education, the vote and to professional careers.
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He worked as a decorative artist and studied at Accademia di Belle Arti di Brera in Milan and had some success as a painter, but eventually grew tired of the strictures of the academy and relocated with his family to Brianza in the foothills of the Alps where he adopted a more naturalistic approach, capturing the landscapes and daily lives of the workers. A visit from the art dealer and critic Vittore Grubicy, who had discovered and promoted Segantini, around the end of 1886 or beginning of 1887 with news of the latest developments in painting sparked Segantini's interest in Symbolism and Divisionism; from that point on he began to produce more allegorical studies, often set in the bleak, snowy, clearly lit landscapes of the Alps.
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Several studies have produced group results that stutterers using the SpeechEasy show greater reductions in reading than for monologue and conversation. Using AAF was effective in reducing stuttering in scripted telephone calls and giving presentations according to two studies. Another study examining the effects of the SpeechEasy in more naturalistic situations (conversation and asking questions of strangers outside the clinic) found that the SpeechEasy failed to show a significant effect following 6 months of use, though individual subjects varied in their response. A further study examining the use of the device during phone and face to face conversation also found wide variations in stuttering reduction, with just under half exhibiting stable improvement over the course of the 4 months of the study.
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The 1870s was a time of rich ornamentation and eclecticism in the arts. The treatment of Gothic canopies which were a feature of so many windows began to change from the brightly coloured, two-dimensional, playful appearance of the 1850s and 60s to an appearance of having been carved from fine white limestone. Tudor and Renaissance architectural details made an appearance and were often used without reference to the nature of the real architecture that enclosed the window. The art of painting canopies in this manner was diligently maintained until after World War I. The Gothic style of figure painting began to give way to a more naturalistic style in which the figures seem more three-dimensional and portrait-like.
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Present throughout the manuscript are detailed geometric motifs, most visible on buildings, textiles and in evocations of grass, water and ground. The work exhibits fine detail and precision and crisply drawn lines. To promote the storytelling nature of the book, the illustrations often feature registers to break up sections of the composition; one section may be devoted to an enemy group and another to the Ottomans themselves, for example. Animals in the Süleymannâme vary between being depicted with traditional colors and being depicted with outlandish colors. In “Death of Huseyin Pasa,” the horses are more naturalistic, painted in primarily black and brown. On the contrary, “Death of Ahmed Pasa” features a blue speckled horse, a far cry from a horse's actual likeness.
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Unusual for films of this period, the main character is not presented as a gallant Southerner who is eager to fight in the war. However, consistent with practice when the film was made, black characters were played by non-black actors in blackface. Another 1915 film, The Birth of a Nation, used whites in blackface to represent all of its major black characters, but reaction against that film's racism largely put an end to this practice in dramatic film roles, although blackface continued to be used in comedies. The acting in the film has also been noted to have been much more naturalistic than had been common in prior silent films, with cutting and camera angles aiding the actor's use of facial expressions and pauses to convey dramatic tension.
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Wiene asked the actors to make movements similar to dance, most prominently from Veidt, but also from Krauss, Dagover and Friedrich Feger, who played Francis. Krauss and Veidt are the only actors whose performances fully match the stylization of the sets, which they achieved by concentrating their movements and facial expressions. Barlow notes that "Veidt moves along the wall as if it had 'exuded' him ... more a part of a material world of objects than a human one", and Krauss "moves with angular viciousness, his gestures seem broken or cracked by the obsessive force within him, a force that seems to emerge from a constant toxic state, a twisted authoritarianism of no human scruple and total insensibility". Most of the other actors besides Krauss and Veidt have a more naturalistic style.
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He performed with Axelrod in Lvov from 1889 to 1891, then in Budapest with Josef Eskraiz, Shramek, and Veinstock, back to Lvov where he played in several Goldfaden plays Rabbi Yosselmann, The Tenth Commandment, Judith and Holofernes and Baron Rothschild. From there he went on to Budapest again, then to Bucharest, where he joined the Jigniţa Theater as an actor and (from 1897) a director of the company. Beginning in 1904, he had great success with the more naturalistic repertoire of Jacob Gordin; in 1906 he played in one of the many Yiddish productions of Karl Gutzkow's Uriel Acosta, before heading to New York City, where he performed with Jacob Adler, Boris Thomashefsky, Max Morrison, and others. He loved the New York Yiddish audience, who showed more enthusiasm than any he had ever known.
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Detail of a chariot from a late Geometric krater attributed to the Trachones workshop on display at the Metropolitan Museum of Art People and animals are depicted geometrically in a dark glossy color, while the remaining vessel is covered by strict zones of meanders, crooked lines, circles, swastikas, in the same graphical concept. Later, the main tragic theme of the wail declined, the compositions eased, the geometric shapes have become more freely, and areas with animals, birds, scenes of shipwrecks, hunting scenes, themes from mythology or the Homeric epics led Geometric pottery into more naturalistic expressions.Geometric periods of pottery at Greek-thesaurus.gr One of the characteristic examples of the Late Geometric style is an oldest surviving signed work of a Greek potter Aristonothos (or Aristonophos) (7th century BC).
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The Academy was set up to conserve and perfect the auxiliary language Volapük, but soon conflicts arose between conservative Volapükists and those who wanted to reform Volapük to make it a more naturalistic language based on the grammar and vocabulary of major world languages. In 1890 Schleyer himself left the original Academy and created a new Volapük Academy with the same name, from people completely loyal to him, which continues to this day. Under Waldemar Rosenberger, who became the director in 1892, the original Academy began to make considerable changes in the grammar and vocabulary of Volapük. The vocabulary and the grammatical forms unfamiliar to Western Europeans were completely discarded, so that the changes effectively resulted in the creation of a new language, which was named "Idiom Neutral".
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According to the Mūlasarvāstivāda tradition, and numerous other later sources, however, Rāhula is only conceived on the day of Prince Siddhārtha, and is born six years later, when Prince Siddhārtha becomes enlightened as the Buddha. This long gestation period is explained by bad karma from previous lives of both Yaśodharā and of Rāhula himself, although more naturalistic reasons are also given. As a result of the late birth, Yaśodharā needs to prove that Rāhula is really Prince Siddhārtha's son, which she eventually does successfully by an act of truth. Historian has argued that Prince Siddhārtha conceived Rāhula and waited for his birth, to be able to leave the palace with the king and queen's permission, but Orientalist Noël Péri considered it more likely that Rāhula was born after Prince Siddhārtha left his palace.
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According to the Mūlasarvāstivāda tradition, and numerous other later sources, however, Rāhula is only conceived on the day of Prince Siddhārtha, and is born six years later, when Prince Siddhārtha becomes enlightened as the Buddha. This long gestation period is explained by bad karma from previous lives of both Yaśodharā and of Rāhula himself, although more naturalistic reasons are also given. As a result of the late birth, Yaśodharā needs to prove that Rāhula is really Prince Siddhārtha's son, which she eventually does successfully by an act of truth. Historian has argued that Prince Siddhārtha conceived Rāhula and waited for his birth, to be able to leave the palace with the king and queen's permission, but Orientalist Noël Péri considered it more likely that Rāhula was born after Prince Siddhārtha left his palace.
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Owing to complaints about the difficult patterns in the language morphology, on 30 October 2017 Quijada published a tentative outline for a new version of the language, addressing learners' desires for a more agglutinative morphophonology, including a restructured Formative outline, and extended use of Adjuncts for shortened expression of the grammar to further create phonaesthetics. Quijada has considered mandating verbal categories expressed in Formatives to be redundantly spoken aloud in Adjuncts to be more naturalistic. Despite the complexity of the language, intended only as an experiment without concern for the constraints of human learnability, he has published several updates for a new language predicated off of the original grammar, most recently in November 2019. The new language will feature an expanded lexicon and writing system that can be handwritten.
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According to the Mūlasarvāstivāda tradition, and numerous other later sources, however, Rāhula was only on the day of Prince Siddhartha's renunciation, and was born six years later, when Prince Siddhārtha became enlightened as the Buddha. This long gestation period was explained by bad karma from previous lives of both Yaśodharā and of Rāhula himself, although more naturalistic reasons are also given. As a result of the late birth, Yaśodharā needed to prove that Rāhula was really Prince Siddhārtha's son, which she eventually did successfully by an act of truth. Historian H.W. Schumann has argued that Prince Siddhārtha conceived Rāhula and waited for his birth, to be able to leave the palace with the king and queen's permission, but Orientalist Noël Péri considered it more likely that Rāhula was born after Prince Siddhārtha left his palace.
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Beppu offers a wide range of cultural experiences, from an annual international music festival, to the unabashed Hihokan Sex Museum, which nevertheless must follow the law and suspend a glass plate above ancient art with frosted areas censoring the overlarge genital depictions. The elaborate public aquarium "Umi-tamago" on the shoreline outside Beppu features basketballing sea otters, performing archer fish, and puzzle-solving octopuses, along with more naturalistic displays of freshwater and marine fish from around the world. Near the marine park, Mount Takasaki Monkey Park rises steeply from the shoreline. Two distinct troupes of wild macaque monkeys make regular visits to the feeding grounds here, which were initially established to entice the monkeys away from raiding the region's fruit crops, a behaviour that brought them into conflict with farmers.
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Following World War I Metzinger moved increasingly toward a classical treatment of subjects—as Picasso and several other Cubists—in response to both a growing interest in the classicism and pressures of post- war conservatism; a phenomenon that would encompass a wide range of sectors including music, philosophy, literature and the fine-arts.Alex Mittelmann, 2012, Jean Metzinger, Divisionism, Cubism, Neoclassicism and Post Cubism Paul Cézanne, 1890-1894, Fruit and a Jug on a Table, oil on canvas, 32.4 x 40.6 cm, Museum of Fine Arts, Boston Paul Cézanne, c.1895, La vase paillé (Ginger Jar and Fruit), oil on canvas, 73 x 60 cm, Barnes Foundation, Pennsylvania Fruit and a Jug on a Table has many characteristic features one would expect to find in Metzinger's work between 1916 and 1919. This painting shows Metzinger on the verge of adopting a more naturalistic stance.
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This painting suggests that Giovanni's work was generally flatter and more decorative than Antonio's more naturalistic style. Giovanni d'Alemagna and Antonio Vivarini ran an shop in Venice that specialized in multi-tiered, multi-paneled altarpieces and fanciful Gothic frames, which they subcontracted to various woodworkers. Giovanni and Antonio signed and dated the triptych representing the Enthroned Madonna with Child and Saints for the wall behind the officers' bench of the recently expanded meeting room of the Scuola della Carità (now part of the Gallerie dell'Accademia, a result of the collaboration made in 1446 for this room of the hotel. Resembling an altarpiece but functioning as an inducement to good decision making, this monumental painting shows the four doctors of the Church (Sts Gregory and Jerome at the left, Ambrose and Augustine at the right) in a courtyard around a massive Madonna and Child.
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At the apex of the tympanum, on a cloud, and angels bearing the insignia of the Passion. The attempts at drama and grimacing expression that show various images of this facade away of the full French classicism and put in relation to a more naturalistic trend of clear Hispanic flavor. It considers this facade akin to the Judgment of the western facade of the Cathedral of León and the iconographic theme of the cathedrals of Reims and Chartres, although its most obvious reference is the neighbor Door of the Sarmental, whose perfect balance, however, can not achieve. The facade of the portal of the Coronería extends upwards with a large window of stepped triple bow and on it, needles by respectives marked spires, a gallery of three ogival arches, with mullions and tracery of three quadrilobulates circles.
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Before this lead actors would rarely rehearse their parts with the rest of the cast: Edmund Kean's most famous direction to his fellow actors being, "stand upstage of me and do your worst." Melodramas, light comedies, operas, Shakespeare and classic English drama, pantomimes, translations of French farces and, from the 1860s, French operettas, continued to be popular, together with Victorian burlesque. The most successful dramatists were James Planché and Dion Boucicault, whose penchant for making the latest scientific inventions important elements in his plots exerted considerable influence on theatrical production. His first big success, London Assurance (1841) was a comedy in the style of Sheridan, but he wrote in various styles, including melodrama. T. W. Robertson wrote popular domestic comedies and introduced a more naturalistic style of acting and stagecraft to the British stage in the 1860s.
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The following outline is provided as an overview of and topical guide to health sciences: Health sciences - are those sciences which focus on health, or health care, as core parts of their subject matter. These two subject matters relate to multiple academic disciplines,(and as such) both STEM disciplines, as well as emerging patient safety disciplines (such as social care research), and are both relevant to current health science knowledge. Health sciences’ knowledge bases are currently diverse, with intellectual foundations that are sometimes mutually-inconsistent. There is currently an existing bias in the field, towards high valuation of knowledge deriving from controlling views on the human agency (as epitomized by the epistemological basis of Randomized Control Trial designs); compare this against the more naturalistic views on human agency taken by research based on Ethnography for example).
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Cook Park was on a swamp...Both Cook Park and Machattie Park were designed and developed in the grand Victorian style with wide sweeping paths, a pond, a fernery and towering exotic trees reminiscent of "The Old Country". This was not only because that style was "the flavour of the day" but it was the background that both Patterson and Lynch knew. In describing Machattie Park, Gutteridge, Haskins & Davey state: 'The design of Machattie Park is typical in many respects of the great Victorian era of Parks and Gardens where there was a return to the more formal French and Italian styles of design, as opposed to the more naturalistic English style of the 18th century. All manner of new styles were being adopted at this time along with the enormous influx of new and exotic plants being introduced from all over the globe.
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There is also thought to be a different addition into this law, namely Leviticus 13:46b, and Leviticus 14:8b, adding the clause expelling lepers from society, backed up by an addition to the narrative giving a very thin account of Moses carrying out such expulsion. It is generally considered, in critical scholarship, that this change is due to an increasing strictness concerning hygiene, evident also in the additions thought present in laws such as that concerning clean and unclean animals. Likewise, the ritual of the Red Heifer at Numbers 9:1-13, in which water of cleansing is produced, is generally thought by academic criticism to be early. The idea of this liquid, with which to wash away ritual uncleanliness, is thus thought to have become superseded by the more naturalistic idea that such uncleanliness merely needs to be atoned for, by a sacrificial offering, an idea represented elsewhere.
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Two other scenes by Cimabue, painted on wood panels of similar size, have been identified as parts of the same polyptych: Virgin and Child with Two Angels in the collection of the National Gallery in London (discovered in Suffolk in 2000) and The Flagellation of Christ, in the Frick Collection in New York since 1950. Christ Mocked is one of only a dozen works that have been attributed to Cimabue, none of which were signed by the artist. It shares similarities with Cimabue's other works in the way that the facial expressions and buildings are depicted and in the use of light and perspective. The National Gallery describes the polyptych as representing "a crucial moment in the history of art" as it comes from a time when Italian painters began to move away from the Byzantine tradition towards a more naturalistic representation of events.
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Because Blaise desired a more naturalistic story, Blaise and producer Chuck Williams produced a two- page treatment of a father-son story in which the son is transformed into a bear, and in the end, remains a bear. Thomas Schumacher, then-president of Walt Disney Feature Animation, approved the revised story and proclaimed, "This is the idea of the century." Tab Murphy, who had co-written the screenplays for The Hunchback of Notre Dame, Tarzan and Atlantis: The Lost Empire, came on board to write an early draft of the script. After the project was green-lit, Blaise, Walker, and the story artists embarked on a research trip in August 1999 to visit Alaska where they traveled on the Valley of Ten Thousand Smokes and Kodiak Island, as well as traveling through Denali National Park and the Kenai Fjords National Park, where they visited Exit and Holgate Glacier.
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He pioneered the wagoto style in the plays of Chikamatsu Monzaemon. It a soft, emotional, and naturalistic style of theatre, which would stand in sharp contrast to the bombastic, bold aragoto style created by his contemporary in Edo, Ichikawa Danjūrō I. The aesthetics and philosophy of wagoto would continue to shape and define Kamigata kabuki from then on, and actors from the two regions would more often than not experience great difficulties in adapting to the styles of the opposite region, and appealing to their audiences. Kamigata style uses fewer stage tricks (keren) than Edo kabuki, and more subdued makeup, costuming, props and sets. In addition to its more naturalistic and realistic style, Kamigata kabuki was originally far more strongly influenced by jōruri, the puppet theatre of Osaka, and thus to some extent, laid greater importance upon plot than did Edo kabuki, which focused far more heavily on dance.
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" Her 1882 performance of Fédora was described by the French critic Maurice Baring: "A secret atmosphere emanated from her, an aroma, an attraction which was at once exotic and cerebral... She literally hypnotized the audience", and played "with such tigerish passion and feline seduction which, whether it be good or bad art, nobody has been able to match since." In 1884, Sigmund Freud saw Bernhardt perform Theodora, writing: She also had her critics, particularly in her later years among the new generation of playwrights who advocated a more naturalistic style of acting. George Bernard Shaw wrote of the "childishly egotistical character of her acting, which is not the art of making you think more highly or feel more deeply but the art of making you admire her, pity her, champion her, weep with her, laugh at her jokes, follow her fortunes breathlessly and applaud her wildly when the curtain falls... It is the art of fooling you." Ivan Turgenev wrote: "All she has is a marvelous voice.
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At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 67, based on 24 reviews, indicating "generally favorable reviews". MusicOMH London writer Michael Hubbard wrote, "Noah's Ark has a dreamlike quality to it." Sarah Peters, a former music editor and staff writer for LAS wrote, "Symbolically, the guiding light is important to all who have journeyed on Noah's Ark, and CocoRosie have presented a lesson in love, through hardship, that may not have been as powerful otherwise." In comparison to the sisters' previous work, writer Johnny Ray Huston of the San Francisco Bay Guardian noted, "Their new album, Noah's Ark (Touch and Go), has a more restless feel than their debut – the scratchy, tiny, Victrola-sounding vocals of La Maison sometimes give way to a more naturalistic recording style." Another review came from Heather Phares, writer for allmusic, who commented on the album’s vibe in particular.
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Following the science-fiction innovations of the Silver Age, the comics of the 1970s and 1980s became known as the Bronze Age, as fantasy gave way to more naturalistic and sometimes darker themes. Illegal drug use, banned by the Comics Code Authority, explicitly appeared in comics for the first time in Marvel Comics' story "Green Goblin Reborn!" in The Amazing Spider-Man No. 96 (May 1971), and after the Code's updating in response, DC offered a drug-fueled storyline in writer Dennis O'Neil and artist Neal Adams' Green Lantern, beginning with the story "Snowbirds Don't Fly" in the retitled Green Lantern / Green Arrow No. 85 (September 1971), which depicted Speedy, the teen sidekick of superhero archer Green Arrow, as having become a heroin addict. Jenette Kahn, a former children's magazine publisher, replaced Infantino as editorial director in January 1976. DC had attempted to compete with the now-surging Marvel by dramatically increasing its output and attempting to win the market by flooding it.
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" He also opined that "though analog synthesizer remains definitional of the M83's sound, they open the arrangements to include more naturalistic instrumentation as well. The approach allows this band named for a galaxy to seem more grounded, and yet more universal, than ever before." Brian Howe of Pitchfork noted that Saturdays=Youths songs "disperse in all directions: Producers Ewan Pearson and Ken Thomas spread the melodies and beats into a sound world of uncommon vibrancy and pristine clarity, mounted on a massive yet now more proportionate scale", adding that the album "meaningfully diversifies M83's catalog while retaining Gonzalez's indelible fingerprint." Drowned in Sounds Alex Denney commented that "Gonzales has taken a dive head-first into the lexicon of '80s pop culture and emerged with a clutch of winning tracks that borrow openly from any number of pin-ups of the era and glaze them in his breathy, expansive shoegaze sound his to generally winning effect.
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World of Darkness opened in 1969 and was the world's first major exhibit designed specifically to introduce the public to nocturnal animals such as the Chinese leopard cat (Prionailurus bengalensis chinensis), bay duiker, Pallas's long-tongued bat, spiny mouse, lesser mouse lemur, small spotted genet, lesser spear-nosed bats, spotted skunk, fat tailed lemurs Jamaican fruit bat, Mohol bushbaby, cloud rat, Hoffman's two-toed sloth, rock cavy, pygmy slow loris, short-tailed bats, striped skunk, grey- legged night monkey, sand cat, Rodriguez flying fox, brush-tailed porcupine, broad-snouted caiman, sand boa, and marine toad. Built by Morris Ketchum, Jr. & Associates, the house was built where the zoo's Rocking Stone Restaurant stood until 1942. The exhibit used red-lights to dimly illuminate the enclosures within the windowless building. Like all nocturnal exhibits, the house ran on a reversed lighting schedule, which simulated night and day at opposite times to allow visitors to view nocturnal animals in a more naturalistic setting.
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In the German folk version collected by the Grimm Brothers, it is of a hundred tricks that the fox brags, "and a whole sackful of cunning".Grimms' Fairy Tales, New York 1894, p.281-2; online version The fox is known for his craftiness in Western fables, and sometimes the fabulists go into more naturalistic detail in their retellings. In the contemporary poem "The Owl and the Nightingale", for instance, the nightingale, arguing that its one ability (to sing in summertime) is worth more than all the skills of the owl, describes some of the fox's devices, the feints and devious courses it takes to outwit the dogs: "The fox can creep along the hedge and turn off from his earlier route, and shortly afterwards double back on it, then the hound is thrown off the scent" (þe uox kan crope bi þe heie an turne ut from his forme weie an eft sone kume þarto þonne is þe hundes smel fordo).
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Early on in his career, Manning went against the then-popular formalistic approach to landscape design and emphasized a more naturalistic approach of native plants and naturalistic groupings. The formal gardens of the late nineteenth century relied heavily on a more symmetrical design and extensive use of ornament. Manning describes his wild gardening as “that form of floriculture which is concerned with planting in a nature-like manner colony of hardy plants that require a minimum of care” (Karson, 2001). In his early, unpublished essay “The Nature Garden,” Manning writes: :I would have you give your thoughts to a new type of gardening wherein the Landscaper recognizes, first, the beauty of existing conditions and develops this beauty to the minutest detail by the elimination of material that is out of place in a development scheme by selective thinning, grubbing, and trimming, instead of by destroying all natural ground cover vegetation or modifying the contour, character, and water context of existing soil. This idea of selective thinning and pruning was at the core of Manning’s landscape theory.
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He condemned institutionalized Christianity for emphasizing a morality of pity (Mitleid), which assumes an inherent illness in society: In Ecce Homo Nietzsche called the establishment of moral systems based on a dichotomy of good and evil a "calamitous error", and wished to initiate a re-evaluation of the values of the Christian world. He indicated his desire to bring about a new, more naturalistic source of value in the vital impulses of life itself. While Nietzsche attacked the principles of Judaism, he was not antisemitic: in his work On the Genealogy of Morality, he explicitly condemned antisemitism and pointed out that his attack on Judaism was not an attack on contemporary Jewish people but specifically an attack upon the ancient Jewish priesthood who he claimed antisemitic Christians paradoxically based their views upon. An Israeli historian who performed a statistical analysis of everything Nietzsche wrote about Jews claims that cross-references and context make clear that 85% of the negative comments are attacks on Christian doctrine or, sarcastically, on Richard Wagner.
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Despite the disparate nature of the Priestly Code, it is nevertheless believed possible to identify a few authors who have worked on more than one of the laws. The most noticeable of these is an author who writes, unlike the remainder, in the style of a teacher, and is consequently sometimes referred to, in critical scholarship, as the priestly teacher (Pt). The laws typically ascribed to this supposed author are either started by a phrase such as this is the law of..., as is the case, for example, with Numbers 19:14-22; or end with a colophon of the form this is the law of [subject A], [summary of the law concerning subject A], [subject B], [summary of the law concerning subject B], ..., as is the case with Numbers 6:1-21, and the more naturalistic parts of Numbers 5 (the portion thought by critics to be the later version of the remainder). Another aspect of the "priestly teacher's" apparent style is a concentration on atonement for uncleanliness and sin, particularly via rituals involving "wave offerings".
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According to a 2007 review study in Pediatrics, "The effectiveness of [EIBI] in [autism spectrum disorder] has been well-documented through 5 decades of research by using single-subject methodology and in controlled studies... in university and community settings." It further stated, "Children who receive early intensive behavioral treatment have been shown to make substantial, sustained gains in IQ, language, academic performance, and adaptive behavior as well as some measures of social behavior, and their outcomes have been significantly better than those of children in control groups." However, the study also recommended to later generalize the child's skills with more naturalistic ABA-based procedures, such as incidental teaching and pivotal response treatment, so their progress is maintained. Another review in 2008 described DTT as a "'well-established' psychosocial intervention for improving the intellectual performance of young children with autism spectrum disorders..." In 2011, it was found that the intervention is effective for some, but "the literature is limited by methodological concerns" due to there being small sample sizes and very few studies that used random assignment, and a 2018 Cochrane review subsequently indicated low-quality evidence to support this method.
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Extensive river landscape with the Angel appearing to Balaam's ass In his 1622 Forest landscape (Wallraf–Richartz Museum) Fouquier, Jacques, Waldlandschaft, Köln, Wallraf-Richartz-Museum & Fondation Corboud, Inv.-Nr. 1884 he broke with this tradition by abandoning the wide panoramic landscapes in favour of a narrow focus on the depiction of a dark tree and a group of trees. In this development he followed in the footsteps of Gillis van Coninxloo a generation before him. He does not follow van Coninxloo in the direction of-a more naturalistic display of leaves, but he maintains the abbreviated, schematic treatment of foliage to concentrate rather on the new compositional ideas: uniform space in the foreground and middle ground rather than the stratification of the foreground, middle ground and distant portions and the romantic rocks of the de Momper school, only occasional perspective into the distance, greater ability to draw the viewer into the image, and above all a harmonization of color with more emphasis on light and the direction of the light: The color scheme, especially in the background, points to later developments in the 17th century such as seen in the works of Gaspard Dughet and Jacques d'Arthois.
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