Those who cover themselves with the scarfskin of goods seem to look more modernistic and polished than primitive and barbarous people do.
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Even though he was a great admirer of the French romantic school and even knew some influence by César Franck, his musical style evolved towards more modernistic traits. He died in Brussels.
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However, his description of such events as the Battle of Crécy in 1346 was fairly accurate according to historian Kelly DeVries.DeVries, 162. Both Kenneth R. Bartlett and Green state that Villani's Cronica represented a departure from medieval chronicles in that a more modernistic approach was taken in describing events and statistics, yet still medieval in that Villani relied on divine providence to explain the outcome of events.Bartlett, 35-36.
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Ibn Abidin is an excellent example of how the fatwa system worked in reality.Gerber (1999), 1-21 Ibn Abidin had a more modernistic view. Being a mufti of the Ottoman era, he was influenced not only by the Islam scholars, but by the Ottoman's, which does not follow the general rules listed above. He also went back and shortened, edited, and added his own opinion to the Damascus mufti before him, Hamid al-Imadi.
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Dahl came from a literary family; his father being the translator and provost Jákup Dahl. His own poetry has been described as more modernistic than that of many previous Faroese poets. His family also contained musicians like his grandfather Georg Casper Hansen, and Dahl himself was noted as a composer. In youth he did not know how to transcribe his compositions so would work on them in his head before performing them at cultural events.
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Isozaki's early projects were influenced by European experiences with a style mixed between "New Brutalism" a "Metabolist Architecture" (Oita Medical Hall, 1959-1960), according to Reyner Banham. His style continued to evolve with buildings such as the Fujimi Country Club (1973–74) and Kitakyushu Central Library (1973–74). Later he developed a more modernistic style with buildings such as the Art Tower of Mito (1986–90) and Domus-Casa del Hombre (1991-1995) in Galicia, Spain.
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The co-curricular activities have also increased to 21. During lunch time, students dined under an air of classical music; a tradition that still remains today, but in a more modernistic form. A more recent tradition has also been embarked upon: the playing of the National anthem of Jamaica at the beginning of school. The House system was introduced in January 1962; two years after the school first opened its doors and the first inter-house sports competition in March 1962.
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Another film version was made for video in 2000, directed by Gale Edwards and Nick Morris. It was shot entirely on indoor sets including graffiti on the wall. Webber, the composer, has stated in the making-of documentary that this was the version closest to what he had originally envisioned for the project. He chose Gale Edwards to direct after seeing her interpretation of the musical in Dublin, which featured a more modernistic and sinister approach than the original stage productions.
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Ficke was displeased by what he saw as the inaesthetic nature of contemporary experimentation, which was the main motivation for the Spectra hoax, intended as a satire of modern poetry. His collaborators on the Spectra hoax were fellow poets Witter Bynner (writing as 'Emanuel Morgan') and Marjorie Allen Seiffert (writing as 'Elijah Hay'). Ironically, his experience writing Spectra influenced him to begin experimenting with other forms; Christ in the Desert was his first more modernistic work, without traditional meter or rhyme scheme.
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Even at that early stage, the four houses she designed clearly belonged to the Amsterdam School. The successful part she had played in the project was noticed by H. T. Wijdeveld who commented on the fine work a woman had, for the first time, executed in the field of architecture. In subsequent years, Kropholler undertook further projects in the style of the Amsterdam School, receiving international recognition in 1925 when she was awarded a silver medal for her architectural work in the Dutch exhibit at the Paris Decorative Arts Exposition. In the late 1920s, her work took on a more Modernistic approach.
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Lara Secondary College is a public co-educational secondary school located in Lara, Australia, which shares fences with a local primary school Lara Primary School. Lara secondary college accommodates approximately 900 students from years 7–12. The school officially opened, taking just year 7 students, on the current site in 2003. As of 2008 Lara Secondary College was a complete secondary school having grades from year 7 to 12 attending At the beginning of the 2012 school year, all of the renovations had been completed and a new more modernistic building had been built for the year 7 and 8 students.
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Thomas's Dunolly Gardens (1939) on the block between 78th and 79th streets and 34th and 35th avenues are an atypical garden apartment complex where the architecture has a more modernistic appearance. The corner windows, considered very innovative in the 1930s, lent a Moderne/Art Deco style to the exteriors, and gave the apartment interiors a more spacious feeling. As the last garden apartment project in his career, Dunolly Gardens' represents perhaps Thomas's crowning achievement in providing expertly laid-out, light and air-filled apartments, sharing the interior, common garden space that typify the Jackson Heights historic district.
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The film has a more modernistic setting than the 1973 version, including such elements as TV screens, vests and machine guns. In the main roles, it starred Glenn Carter as Jesus, Jérôme Pradon as Judas, and Reneé Castle as Mary Magdalene. Other cast members are Fred Johanson as Pontius Pilate, Michael Shaeffer as Annas, Frederick B. Owens as Caiaphas, Rik Mayall as Herod, Tony Vincent and as Simon Zealotes, Cavin Cornwall as Peter; Pete Gallagher, Michael McCarthy and Philip Cox as the first, second and third priests respectively and various others as part of the ensemble.
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Evangelicals held the view that the modernist and liberal parties in the Protestant churches had surrendered their heritage as Evangelicals by accommodating the views and values of secularism. At the same time, the modernists criticized fundamentalists for their separatism and their rejection of the Social Gospel. A favored mode of fighting back against liberalism was to prohibit the teaching of Darwinism or macro-evolution as fact in the public schools, a movement that reached its peak in the Scopes Trial of 1925, and resumed in the 1980s. The more modernistic Protestants largely abandoned the term "evangelical" and tolerated evolutionary theories in modern science and even in Biblical studies.
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