But my desire is really more melancholic: to grieve over what's to come.
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That was a reflective time and the more melancholic and cinematic soundscapes came out.
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In "How to Stop Time," Haig has ditched the comedy for something more melancholic.
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The performance aspect is the backbone of American Vandal's second season and, naturally, immediately sets a more melancholic tone.
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Lipa's lines are often more melancholic and raw, possessing a more nuanced stance on things like love and heartache.
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It's more melancholic harder than his past albums; there isn't a mandolin to be found, and most of the songs are as black as the title and the cover.
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The more melancholic, searching and insightful of the two films, Barry is the film we're more likely to remember when the afterglow of the Obama presidency has long receded.
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I wanted to pull it back, and try to create a closure to the story in my version that felt a little more melancholic than the band's definitive version.
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After the performance of a second, even more melancholic song, "There's a Place in Hell for Me and My Friends," the show, for some inexplicable reason, segued to an interview with Beau Bridges.
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If you know "Peter Pan" only from the 1953 Disney cartoon or the 1954 Broadway musical or the 1955 telecast, all now marred by casual, unapologetic racism, then you will experience this version, which ran on Broadway in 1950, as stranger, sexier, more melancholic.
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Goth, which emerged from the gothic rock scene in the UK in the late 70s, was initially seen as a youth subculture, attracting people in their late-teens and early 20s who gravitated towards music with darker, more melancholic lyrics that expressed their own sense of alienation.
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He describes the album as more "melancholic" than previous efforts, but its ten tracks—whittled down from 60 to 70, with help from manager and Broken Social Scene drummer Justin Peroff, mentor Seamus Hamilton, and long walks—balance out its more downcast moments with atmospheric keyboards, gleaming synths, and buoyant melodies.
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Or to use a more melancholic line from the brilliant story "Emerald Blue": Even to his wife and children he had sometimes said that Sunday afternoon was the saddest time of the week: the time when you had to admit that you were no more than the person you were.
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More melancholic essay films such as Pol Merchan's Pirate Boys (2018) and Ana Galizia's Unconfessions (2018) offer visually seductive elegies to punk icon Kathy Acker and Brazilian actor and theater fixture Luiz Roberto Galizia, respectively, while Jodi Darby's Culturetrauma (2017) meditates on the specter (and spectacle) of death more broadly.
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Her first four albums were categorized with "bouncy R&B; songs infused with a joyful mood". However, her fifth album, Wanita, featured more melancholic melodies.
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Throughout the song, a piano melody accompanies Lee Sun-hee until breaks into slower, more melancholic refrains where the soft twang of an acoustic guitar takes the place of the piano.
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With Into, The Rasmus continue to move away from the funk rock sound of their early albums. The mood of this album is more melancholic than that of Hell of a Tester and synthesizers play a more prominent role.
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Her death affected Moreau greatly, and his work after this point contained a more melancholic edge. She was buried at the same cemetery where Moreau himself would later be buried. Moreau became a professor at Paris' École des Beaux-Arts in October 1891. Among his many students were fauvist painters Henri Matisse and Georges Rouault.
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As Myllarguten was known for his improvisations and reshaping of tradition, Håvard was "traditional", and kept his fiddle tunes unchanged. Thus, he became a valuable source for an older tradition. Håvard was reckoned to be introvert, and preferred more melancholic tunes. His tonality, which was passed on after him, was old-fashioned, even "medieval" to some extent.
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On 22 October 2015, Kari Rueslåtten released her sixth full-length album To The North, fusing the acoustic work of her older releases with the darker atmospheres inspired by her home country of Norway. Singles released from this were a cover of The Byrds 1965 song "Turn, Turn, Turn" showcasing it in a darker and more melancholic way and "Battle Forevermore".
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The rhythm section plays simple interlocking notes and beats. Like "Soma", "Hard to Explain" contains processed drum tracks using dynamic range compression and equalization studio techniques to make them sound like a drum machine. The song incorporates spliced ad-libbing extras from Casablancas, a feature also used on "New York City Cops". "Trying Your Luck", the album's mellowest point, follows and shows more melancholic vocals.
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"Not for All the Love in the World" is the second single from the album Let's Bottle Bohemia by Irish Alternative Rock band The Thrills. It was released on 15 November 2004. The single marked a significant change in the band's direction as a slower, more melancholic release. The song reached number 38 on the Irish Singles Chart and number 39 on the UK Singles Chart.
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The band went on to release the follow-up album When the Black Sunn Rises...the Holy Men Burn in 2000 on the Colorado label Game Two/Berserker Records. Following Michael Avery's departure to law school in 2004, the band added Chris Hill and Trent Giardino. With the addition of the two new guitarists, the band's sound grew darker, and more melancholic. In 2004, the band released the Lost Words Demo.
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Executive producer Paco Martín helped them get out their first album, Salida de emergencia, with only instrumental songs. The next album, Gente Impresentable added the voice and the lyrics of Jesús H. Cifuentes (Cifu) to the powerful instruments. Their celtic rock style was combined with protest and other more melancholic lyrics. Through the years their music mixed with different styles such as Caribbean music, flamenco, electronic music or reggae.
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She then directed Meek's Cutoff, a Western starring Michelle Williams. It competed for the Golden Lion at the 67th Venice International Film Festival in 2010. In 2013, her film Night Moves debuted in competition at the 70th Venice International Film Festival. The film was considered a shift in tone from her other slower and more melancholic films due to the story suggesting a more intense thriller about a secret plot to blow up a dam.
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Elisabeth is described as a very devout Catholic, who devoted a lot of her time to her religious duties, and became known for her ascetic life style. As newly married, she was seen as vivid and jolly, but she became more melancholic and depressive by age. Maximilian gave no political influence or tasks to Elisabeth, but she spent a great deal of effort on charity. She died after a long period of illness.
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Tricky performing in 2008. Tricky left Massive Attack to release his debut album Maxinquaye, co-produced by himself and Mark Saunders and prominently featured singer Martina Topley-Bird. The album was successful and Tricky consequently attained international fame, something he was notably uncomfortable with. The Maxinquaye album review by Rolling Stone read: "Tricky devoured everything from American hip-hop and soul to reggae and the more melancholic strains of '80s British rock".
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OffBeat Alex Rawls said the EP was more "wintry" than "Christmas-y", more melancholic than celebratory, and only "Wish You Well" evoked a warm, joyous tone. One reviewer for Skope Magazine described the collection as "whimsical". "Christmas Time Is Here" in particular received positive critical reception. Moore and Rawls called the song the best track on the EP. Rawls called it the collection's "finest moment", having "evocative sounds that swell and recede".
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He commented: "The lyrics were the hardest part. The music… leans towards my more melancholic, introspective soulful side, which is where I love to sing, but lyrically it took me a long time. I wanted it to be about my life, in a way, and I went right back to... it sort of starts in 1976." He added that every song on the record is rooted in a real life experience, saying: "every line on this record happened".
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Eventually, Pleasant was left without money, so his wife suggested that they turn their home into a boarding house. The business was going well, but Pruitt, who barely worked, began growing more and more melancholic. His worsening behavior resulted in him having problems with how the house was managed, which caused some boarders to leave, and thus, quarrels between him and his wife began. No longer feeling love towards her, Pleasant began plotting to kill her.
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Although it is nearly a minute longer and includes drums, which the demo lacked. This is the version of the song that was included on the album, Dahlia. Released on December 11, 1995, the second single "Longing ~Setsubou no Yoru~", only includes Toshi's vocals and a symphony, and is much more melancholic than the other. This single's third track is an English version of the song, where, instead of Toshi singing, Yoshiki reads the lyrics as one would a poem.
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During the "golden age of girl groups", lyrics were disparate, ranging from songs about mean dogs to underage pregnancy. However, common sentiments were also found in ideas like new love, pining after a crush or lover, and heartache. Some songs sounded upbeat or cheerful and sang about falling in love, whereas others took a decidedly more melancholic turn. Groups like The Shangri-Las, with the song "I Can Never Go Home Anymore" sang about the darker side of being in love.
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The World Is Ours is the third full-length album by the German heavy metal band Farmer Boys. This album has only one reference to farm life, unlike the numerous references in their two previous albums. The album is their most successful record to date, climbing its way to 27th in the German charts and remained there for five weeks. The album features more melancholic melodies and has more industrial metal and nu metal sound in comparison with their previous albums.
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Departamento de Filología Española II y Teoría de la Literatura, Malaga, 2013. In 1911, Arturo Reyes and Ricardo Leon were awarded the prize Fastenrath for their poetic collection Béticas (1910) and he became a correspondent of the Royal Spanish Academy. As a person, he is remembered like an emotional one, enthusiastic and humble at the same time. In his works one can find reflected also both his spontaneity and profundity, while also revealing a persistent more melancholic side of his character.
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The trumpets were written in treble clef, but as Spillane could only read bass clef, he had to rewrite these arrangements before he could learn them. Like he did while learning the songs for On Avery Island, Spillane spent hours every day practicing and writing more arrangements in the basement. Toward the end of the recording sessions, Schneider and Spillane worked together to seamlessly combine their differing arrangements. Schneider's parts were more melancholic while Spillane wrote chaotic and boisterous parts.
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This album had a more melancholic atmosphere, and the tempo of most songs was slower than on her first album. In Tehran she had a job at CBS Records, but the Iranian Revolution was growing more and more severe, the CBS office in Tehran closed, and Karen Alexander lost her job. Although by that time many foreigners were already leaving the country, Karen and her husband decided to stay. Eventually, the situation became too dangerous and she fled with her family in 1979.
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The song, a slower, longer and more melancholic version of the track earlier released under the name of Crazy Elephant, failed to chart. Reverting to the successful band name Hotlegs, in early 1971 Godley, Creme and Stewart recorded the album Thinks: School Stinks, which included "Neanderthal Man". They then recalled Gouldman for a short tour supporting The Moody Blues, before releasing a follow-up single "Lady Sadie" b/w "The Loser". Philips reworked their sole album, removed "Neanderthal Man" and added "Today" and issued it as Song.
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Trevi Fountain, Rome The theme of third section, "The Trevi Fountain at Noon" (La fontana di Trevi al meriggio), "takes on a triumphal character. Fanfares sound. It is as if Neptune's chariot, drawn by river-horses and followed by a cortege of sirens and tritons, were passing on the radiant surface of the water, only to vanish while muted chimes sound in the distance." The final section, "The Villa Medici Fountain at Sunset" (La fontana di Villa Medici al tramonto), portrays a much more melancholic atmosphere.
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In 2010, they recorded Bowe's score for the film "The Death of an Imam", which was nominated for a regional Emmy and won the Best of Festival Award at the Broadcast Education Association's Festival of Media Arts. Following the release of the Icicles’ dark “Renegade Parade” album, DeVault found she needed an outlet for the more melancholic side of her writing—particularly after her struggle with postpartum depression. During that period, Bowe was living in France and teaching at CELSA Paris. He began sharing song ideas with the Michigan-based DeVault remotely.
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" Jo Timbuong of The Star thought "Where'd You Go" is similar to Eminem's song "When I'm Gone", noting the former as "more melancholic." A reviewer of the Scripps Howard News Service stated that Shinoda's rapping is "a smidge closer to Eminem than he is to Vanilla Ice." Numerous critics pointed to "Kenji" as a standout from The Rising Tied. A reviewer for The Argonaut felt that the inclusion of audio samples from his relatives "bring the track to life and make the listener truly envision the horrors of these camps.
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After receiving an invitation to sing at the local music hall, the Mogador, he unfortunately chooses to sing a slower, more melancholic song. Met with a mixture of indifference and hostility by the crowd, the Mogador's owner, Bessie Bellwood, calls the performance "horrible". Disappointed, he walks away and quietly begins to sing "Half and Half and Half" to himself, causing Bellwood to instantly change her opinion. Her job offer, however, has a catch: Saunders has to use a new name; he chooses George Leybourne, after his home town.
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Like its predecessor, All the Pretty Horses (1992), The Crossing is a coming-of-age novel set on the border between the southwest United States and Mexico. The plot takes place before and during the Second World War and focuses on the life of the protagonist Billy Parham, a teenage cowboy; his family; and his younger brother Boyd. The story tells of three journeys taken from New Mexico to Mexico. It is noted for being a more melancholic novel than the first of the trilogy, without returning to the hellish bleakness of McCarthy's early novels.
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He slips into unconsciousness and dies of hypothermia. The 1902 version describes a similar situation with a different plot. Though the structure and story line are similar in both, in 1902 the weather is not as cold and horrendous, no dog follows the protagonist, the fire is not doused, and the man (named Tom Vincent) suffers only from permanent frostbite and survives to become a more melancholic but wiser person. The 1908 "To Build a Fire" is an oft-cited example of the naturalist movement that portrays the conflict of man vs. nature.
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On 2 May 2005 their second album "Une Vie plus tard" was released on Active Entertainment/Pias. It was more melancholic than their first album, and the group used some important effects. The key tracks are "Embrasse-moi" and "Les Amants du paradis", as well as "Quand viendra l'heure", a duet with Nicola Sirkis, the second single released from the album. The singles "Embrasse-moi" and "Quand viendre l'heure" received regular radio airplay, at the same time as the videos were regularly played on music television channels, and the group began to become known.
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Epica Etica Etnica Pathos (Epic, Ethics, Ethnic, Pathos) is the last studio album released by the Italian punk rock band CCCP Fedeli alla linea in 1990. It sounds completely different from their previous works, and could be considered as the “real” first album by C.S.I.. The short, fast, hard music, with stripped-down instrumentation and punk rock melodies were substituted by a more melancholic and declamatory vein. The album sessions made use of original, and unique techniques for recording instruments and sound effects in rock music. It was directly played, and recorded in a farmhouse in the Emilia Romagna countryside.
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David DeFeis also created his own recording studio called: "The Hammer of Zeus" (sometimes also called "The Wrecking Ball Of Thor"). In September 2006, after 6 years without an all-new studio album, the band released its 11th full-length Visions of Eden. The album revolves heavily around Gnostic beliefs and critically revisits the traditional Christian mythology with regards to the creation of the Earth and the Biblical accounts of Adam and Eve. An even darker, more melancholic drama than the House of Atreus saga, the story revolves around Lilith, the first wife of Adam and a symbol of female strength and independence.
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If commercial radio would just get behind her, the world could be her oyster once again." TNT said "Her new album, Signal Hill has just been released to an eager Australian music press and it looks like another success. The opener 'As Sweet As You Are' skips and jumps with happiness, but Brumby also uses her sometimes smokey voice to good effect with more melancholic tracks such as 'Eventide'." Time Off (Brisbane) said "After a musical hiatus of some four years, [Brumby] returns with a positive attitude and upbeat tempo on Signal Hill, an album that should continue to see her star rise.
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A baby she'd been carrying from her affair with Johnny miscarried at an early stage, and her periods resume. In the present, her pet dog dies as well, and she buries him on the beach. Growing ever more melancholic, she engages in further sex games with the submissive Simpson who listens with compassion to Jessica's ramblings about her life with Johnny, until she re-calls a final recollection which changes her mind about Johnny. Several months earlier, during a vacation getaway to Venice, Italy, Johnny bought Jessica an expensive bracelet from a local vendor (an uncredited Lucio Fulci) to symbolize their love for one another.
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The album is written in three tunings, which mark the basic changes in emotion. The first half ("Take The Night Off" to "Devil's Resting Place") has a darker, more melancholic tone, whereas the second half ("Undine" to "Saved These Words") has a more upbeat and open tone, if not jubilant. Marling has stated that there is a greater cohesion to 'Once I Was An Eagle', in terms of themes and the development of the music. Many critics have noted that the first half feels more like a continuous idea, intensified by the first four songs ("Take The Night Off", "I Was An Eagle", "You Know" and "Breathe") which flow together as one.
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The album includes one of the group's best-known songs: a cover of Neil Young's "Only Love Can Break Your Heart". The cover quite differs from the original in that the original's mostly major chord progression is turned here into mostly minor, which emphasises a more melancholic feel. It is also arranged in 4/4 (as opposed to the original's waltz time), with a driving piano-bass-drum section. Andrew Weatherall later remixed the song to further emphasise the dub bassline; this remix was featured on both releases of the single and on the compilation Casino Classics (on American and European versions of the single, a Flowered Up remix is erroneously featured instead of the Andrew Weatherall mix).
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She noted that by the end, the writing became more melancholic. An article in New York felt that Ciccone would profit from the book's sales, by including the same content that was already known about the singer. Nicholas Fonseca from Entertainment Weekly gave the book a rating of C+, and felt that although the book had some "surreally humorous life-in-a- bubble moments", it was counterbalanced by the authors' attempt to "psychoanalyze" Madonna, "a ludicrous exercise given that she is already the most overexposed woman of her generation". Molly Friedman believed that Life with My Sister Madonna only helped to enhance Madonna's reputation as a "bad girl", which was missing from the singer's repertoire for a long time.
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After the European success of their previous album, E.S.P., the Gibb brothers began to work on the One album in early 1988. In March, their brother Andy suddenly died and the Bee Gees took a break until November when they returned to the studio to complete the album, but this time they shifted to Mayfair Studios in London, making One their first album since Mr. Natural to be recorded partly or fully in the British capital, though "Ordinary Lives" was started before Andy Gibb's death. The style of One was more melancholic than E.S.P., and heavily influenced by the loss of their brother. The album was dedicated to Andy and the song "Wish You Were Here" was written as a tribute to him.
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" Thom Jurek of AllMusic praised the record's eclectic musicianship combined with uplifting and introspective lyrics, calling it "an invigorating, infectious set that reaffirms Turner's faith in music's power to motivate and heal." Alexis Petridis of The Guardian found some of the material weary with its earnestness and rousing bombast, but said that they were outweighed with more melancholic tracks like "Silent Key" and "Song for Josh", concluding that, "For all its flaws, Positive Songs for Negative People feels like the work of someone who knows exactly what he’s doing." Ryan Reed of Paste noted that the songs throughout were marred by a mixture of embarrassing lyrics with soaring choruses, concluding that "Turner leaves behind considerable wreckage with Positive Songs—in ways both cathartic and clumsy. And as usual, he goes down swinging.
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The song is briefly used in the 2018 film Bumblebee in a scene where the title character plays it to encourage Charlie, serving as an in-joke for viewers familiar with the song's history in the franchise. In 1997, Bush re-recorded the song and "Dare" (another song from The Transformers: The Movie) for the BotCon exclusive soundtrack CD Til All Are One. Bush submitted a different re-recorded version of the song from his album In This Life for the 2007 live action Transformers film, but it was not included on the final soundtrack. He later recorded another version, subtitled "Sam's Theme", for possible inclusion in the 2009 sequel Revenge of the Fallen. The 2009 version differs markedly from the original and 2007 versions, adding rap verses and being more melancholic in tone, with it being described as a "redux a la Linkin Park".
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The symphony is in three movements (rather than the conventional four), and lasts 40–45 minutes: #Allegro moderato (E-flat minor, ends in E-flat major) #Largo (A-flat major) #Vivace (E-flat major) The first movement is characterized by an overall sombre mood, which Prokofiev described as "the painful results of war". It contains three themes: The first, on 1st violins and violas, is like the winds of a graveyard; the second, played by oboes, is slower and more melancholic; the third theme is played by the cor anglais accompanied by a lugubrious marching rhythm. The ensuing development section builds up tension using elements from the first theme before reaching an excruciating climax, the aftermath of which is the ghostly pulsating echoes on horns. The recapitulation only consists of the second and third themes, while the coda contains a final struggle until a C-flat major (enharmonically B major) climax, eventually to recede into silent despair, ending in E-flat major with a minor plagal cadence.
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Although the movie was a commercial flop, Dalida received favorable reviews. In January 1963 at Cortina d'Ampezzo, Dalida was awarded with the Oscar Mondiale del Successo dei Juke Box award for the most listened artist on the jukeboxes in Europe. Later the same month, she made a shift from yé-yé covering Ben E. King's "Stand by Me" as "Tu croiras", which was followed by an equally more melancholic string of recordings such as "Le jour du retour", a summer number one hit in Canada, and "Eux" that later peaked at number two in Argentina and was recorded in five languages. "Eux" was awarded with the Oscar mundial du success du disque for drawing the most international sales by a French artist in 1963, and Dalida named her fourteenth studio album after it. The 1963 world tour was prolonged into 1964 only with several short breaks. The tour's French leg started on 11 April 1964, after which Dalida traveled 30,000 kilometers solely by car during its five-month run, with a public attendance over 200,000.
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