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65 Sentences With "more medieval"

How to use more medieval in a sentence? Find typical usage patterns (collocations)/phrases/context for "more medieval" and check conjugation/comparative form for "more medieval". Mastering all the usages of "more medieval" from sentence examples published by news publications.

If you want to get a little more medieval about it, you could talk about a televisual feast.
Before computers and microwaves and honey-glazed BBQ ribs and even laced up trainers, the world looked a little more medieval.
Mr de Hamel has catalogued more medieval manuscripts than anyone in history; everyone, not only academics, should listen to what he has to say.
The branches stung like holy hell, somehow making the sauna, which I didn't think could get any more painful, something even slightly more medieval.
Will the song be reinterpreted to sound more medieval in the show — maybe with some harps and lutes in place of The Weeknd's typical slick '80s-inspired synth?
This week on KING OF THE ROAD —VICELAND's show following Thrasher's demented, competitive skateboarding road trip—things will get a little less radical and a lot more medieval.
On this point, we will have to wait until next season to learn whether Game of Thrones turns out to be more medieval than modern, now that winter has finally come.
Image: Screengrab via YouTubeAdam Savage's One Day Builds series for Tested has taken him everywhere from making faux Apollo-era spacesuit parts to a ping pong machine gun, but this time he went a little more medieval.
This fall, a handful of designers are offering new takes on the classic design: Jessica Biales debuts a series of collegiate styles with enamel rugby stripes running across the face, while Elie Top channels a more medieval look, offering silver and 18-karat gold rings with a different stone accent for every element (carnelian for fire, green agate for water).
The frazione extends several kilometers further to the NE into the Apennine range and the hamlet of Ponze at 904 m altitude, with one more medieval church and a good view of central Umbria.
The bell tower and the south portal are also 18th- century additions. In the 20th century, an extensive renovation of Silves Cathedral suppressed many of the Baroque additions and returned the building to a more "medieval" look.
Remains of Roman roads have been nearby, yet, even though Roman pottery has also been found along the wall, researchers consider the site to be more medieval than Roman primarily due to the re-use of a carved sandstone column base in the wall.
Lovato's later poems were easily distinguishable from his earlier poems because of their differences not just in style but also in content and theme. Lovato's later poems became more concentrated on the subjects such as politics and morality.Witt, 2000, p. 103. Stylistically Lovato's later poems were more medieval in character.
Tiggy (born 1970 as Charlotte Vigel) is a Romanian-Danish bubblegum/Eurodance artist. Tiggy's style is similar to fellow Danish bubblegum artists Aqua and Toy-Box who are famous for their childlike lyrics and catchy rhythms, although several of her songs have a more Medieval fantasy focus than other bubblegum artists.
The last third of the songs in the album concern Guillaume Seznec. The album was recorded at l'Abbaye Royale de Fontevraud. It also marks the arrival of Christophe Le Helley into the group, which would give the band a more medieval sound, as well as a rare appearance by former member Bernard Baudriller.
Falconer was a Swedish power metal band from Mjölby, formed in 1999 by the former guitarist of Mithotyn, Stefan Weinerhall. Falconer carry on many of the traditions set by Weinerhall's previous band and play a fusion style of power metal that utilizes folk instrumentation and melody to create a more medieval sound.
The text often attacks the Protestants and tries to instill hatred towards them even hinting that the Protestants should be punished and persecuted for their beliefs. Therefore, there is a marked difference between the dedications (Daukša's original works that show clear influence of Renaissance and humanism) and the translated sermons that are more medieval.
The church contains more medieval fittings and furniture than any other Cheshire church. Between the nave and the chancel is a screen, and there are parclose screens between the aisles and the chapels. The chancel screen, dated 1500, is elaborately carved with representations of birds, roses, vines and foliage. It has ten bays with lierne vaulting.
The silence is only interrupted by the sound of drums and trumpets. The pasos are escorted by marching bands playing funeral music. The funeral march composed by Thalberg is widely performed and considered to be the unofficial hymn of the town of Zamora. Some of the parades have a more medieval set up, including polyphonic male choirs and drums.
How much of Renaissance intellectual history is part of modern philosophy is disputed:Brian Leiter (ed.), The Future for Philosophy, Oxford University Press, 2006, p. 44 n. 2. the Early Renaissance is often considered less modern and more medieval compared to the later High Renaissance. By the 17th and 18th centuries the major figures in philosophy of mind, epistemology, and metaphysics were roughly divided into two main groups.
Bevington (1962, 179). Consequently, the play's theme and dramatic structure are more medieval than classical.Bevington (1962, 179). Only one copy of the play is extant, which the British Museum holds.See the introductory note to the facsimile edition (Farmer, 1910); this edition is available online - see below. It was published by William Griffith of Fleet Street, London for sale at his shop in St. Dunstan's churchyard.
Versions for infantry weighed 3 ½ pounds while a version for cavalry and artillery weighed 7 pounds. They sold for $5–7. A more medieval-looking type of armor was made by the Atwater Armor Company, also of New Haven. It consisted of four large plates of steel held on the body by broad metal hooks over the shoulders and a belt around the waist.
In 1822, the north side of the Cloister was knocked down, ostensibly due to disrepair. This decision was controversial, provoking protests from the fellows and in the contemporary press, and it was rebuilt shortly afterwards. In the early 1900s, renovations were performed, and it was returned to a more medieval character. Student rooms were installed in the (very large) roof space in the 1980s.
The nave of Tewkesbury Abbey Garter banner of the late Hastings Ismay, 1st Baron Ismay in Tewkesbury Abbey The church itself is one of the finest Norman buildings in England. Its massive crossing tower is noted in Pevsner's Buildings of England to be "probably the largest and finest Romanesque example in England". Fourteen of England's cathedrals are of smaller dimensions, while only Westminster Abbey contains more medieval church monuments.
Owing to the oblong shape of the bays, the shorter transverse arches are pointed; however, since the other ribs are rounded, the overall appearance is Romanesque. In places remnants of the mediaeval paintwork are visible in the vaulting. More medieval paintwork is visible in the east end window openings. The eastern part of the crypt under the presbytery has been converted into a chapel dedicated to St Ithamar.
However, surviving records are predominantly written in Latin, and their authors would usually translate vernacular terms into Latin, so that historians are faced with researching a Gaelic society clothed in Latin terminology. Even names were translated into more common continental forms; for instance, Gilla Brigte became Gilbert, Áed became Hugh, etc.Broun (1995). As far as written literature is concerned, there may be more medieval Scottish Gaelic literature than is often thought.
The Sanctuary features seven windows designed by Louis Comfort Tiffany. Prominent families worked directly with Tiffany Studios to make each window to the family’s instruction – thus each window is unique. Later, the church commissioned a different East Coast studio to produce the remaining windows along the north and south elevations of the sanctuary in a more medieval style. Although these windows appear to be the oldest, they are the newest in the collection.
The church was substantially altered both externally and internally, in an attempt to make the church appear even more medieval. The renovation was considered remarkable at the time, and led to the church being called the "national shrine of Gotland". Today, the renovation has been described instead as a "harsh and loose reconstruction of the Middle Ages". It remains a clear example of the ideas of cultural heritage conservation prevalent at the time.
From the album De Grot van de Beer (The Cave of the Bear, album 207) onwards, the comic book is made by Claus Scholz (artist) and Martin Lodewijk (scenarist). The style of the series was completely revamped, mainly because the series obtained a more medieval character, and because Scholz has a different drawing style than Biddeloo. Martin Lodewijk wrote stories for De Rode Ridder until 2012, with album 235th being his last.
King's College chapel retains more medieval woodwork than any other Scottish church, including the choir stalls and screen. The Cromwell Tower was a building built during the 1650s-60s during the period of the Commonwealth of England, Scotland and Ireland, although finished after Charles II had been reinstalled as King. It was used for accommodation and had an ornate turret at its top. It continues its function as an observatory to this day.
At this time all the other longstanding members left the band and the recording was put out as a Jethro Tull album. Pegg coped with this, and subsequent changes of style. The next album, Broadsword and the Beast (1982) had a heavier sound and more medieval theme and Pegg joined the band on stage in pseudo-medieval costume beside a Viking ship. In 1983 Pegg recorded his first solo album, The Cocktail Cowboy Goes It Alone (1983).
In addition to more medieval pursuits, Falkener was interested in humanism: he knew and taught on classical and humanist authors, appreciating their linguistic and artistic abilities in particular. He published and edited important introductions to and commentaries on song collections and religious texts. Falkener's first printed astrological predictions were published for the years 1494–95; 1506 saw the first edition of his Introductorium astronomiae Cracoviensis elucidans almanach. He bequeathed his personal library to the Kraków Academy.
Newport unitary authority area, in Wales, has 71 Scheduled monuments. With a neolithic chambered tomb, three Bronze Age sites and seven Iron Age hillforts, it demonstrates a range of prehistoric occupation. However, with an entire Roman town at Caerleon, and Roman villas and forts, it is an important area for Welsh Roman archaeology. It is unlike much of South Wales in having far more medieval sites (28) than modern ones (4), with hardly any industrial monuments.
In 1709 the church and 160 or more medieval dwellings were incinerated by a fire. The Town Hall was rebuilt in 1712 and the layout of the town was redesigned by Prussian architects sent from Schwerin. They focused on incorporating efficiency of movement with fire-resistance, better sanitation and public space. During the Napoleonic Wars French troops were quartered in Boizenburg in 1807. A battle was fought with the retreating French army near Boizenburg in 1813.
The entry porch is decorated with mosaic artistry. Interior doors are between three and four inches thick and have arched heads set into inverted arch architraves which are said to appear more Medieval than Elizabethan. A pair of stained-glass Inglenook windows date the building to AD 1889. The ballroom retains the original set of six stained-glass windows depicting English poets and essayists: Geoffrey Chaucer, William Shakspeare (sic), John Milton, John Bunyan, Edmund Spicer and Francis Bacon.
At this end of the building is Sharington's tower, an octagonal, three-storey tower, topped with a belvedere, balustrade, and stair turret. The east front looks more medieval than the other sides but probably dates from about 1900, however the south end cross-wing appears to be mostly sixteenth century. To the north of the house stands the well-preserved sixteenth century stable courtyard. This has timbered gabled dormer windows and a tall clock-tower at the west side of its north range.
Hot and cold baths were also built in a building adjoining the tower. The engine was moved to a nearby engine house in 1836 then following the establishment of the York New Waterworks Company in 1846 the waterworks were moved to Acomb Landing. The tower was reduced in height and remodelled by G.T. Andrews who gave the tower a more medieval appearance by adding the crenellations. It was retained by the waterworks company who converted it for use as their offices in 1932.
There is late medieval work incorporated into the vault itself. In 2015 and 2016, while restoration work was undertaken, the Ancient Stones were removed from the Lamont Vault. The earth floor was lowered and more medieval bones were revealed; at this time two 17th-century lead coffins were also discovered. It has been suggested that the coffins contain the remains of Sir Coll Lamont 1634 and his wife Dame Barbara Semple, whose initials appear on a lintel above the vault entrance.
Jackie Chan and Jet Li are prominent martial artists who have become major movie figures. Their popularity and media presence has been at the forefront for promoting Chinese martial arts since the late 20th and early 21st centuries. With the continual discovery of more medieval and Renaissance fighting manuals, the practice of Historical European Martial Arts and other Western Martial Arts have been growing in popularity across the United States and Europe. On November 29, 2011, UNESCO inscribed Taekkyon onto its Intangible Cultural Heritage of Humanity List.
According to Dalal, Rudrabhatta influenced later day notable Kannada poets such as Kumaravyasa and Lakshmisha, and Haridasa (carnatic music) composers such as Purandaradasa and Kanakadasa.Dalal (2011), p347 The Kannada scholar L.S. Sheshagiri Rao feels Rudrabhatta was essentially a poet for the learned classes.Sastri (1955), p364Rao in Datta (1988), p1181 However, according to the literary critic Shiva Kumar, though Rudrabhatta's form was ancient, his content is more medieval, making him a poet of transition in Kannada literature. Shiva Prakash and Dalal consider him adept at both the mainstream (marga) and the native (desi) styles of composition.
However, the bulk is displayed in a series of four gilded and painted galleries surrounding a courtyard. An extensive suite of further rooms have now been converted to permanent well-lit galleries, containing the more medieval and Byzantine art in the collection. The palace was renovated for the marriage of Andrea IV Doria Pamphilj Landi to Princess Leopoldina Maria of Savoy, daughter of Louis Victor, Prince of Carignan and Christine of Hesse- Rotenburg in 1767. Work was carried out under the supervision of Francesco Nicoletti, an architect from Trapani.
In 1869, the college of canons was extinguished, although the building continued to function as a parochial church. By 1880, an organ by Peter Conacher was installed in the church. Formal restoration of the Church began in 1930, and lasted the next five years, under the stewardship of the Direcção Geral dos Edifícios e Monumentos Nacionais (DGMEN), resulting in the identification of several additions to the church during the 17th and 18th century. These renovations removed many of the late Baroque additions and gave it a more "medieval" appearance.
That is to say that the hero is alone as the only human being from Earth, swords are the weapon of choice, and while the alien planet has some advanced technology, it is used only in limited applications to advance the plot or increase the grandeur of the setting. In general, the alien planet will seem to be more medieval and primitive than Earth. This leads to anachronistic situations such as flying ships held aloft by anti-gravity technology, while ground travel is done by riding domesticated native animals.
Violence Has Arrived re-attains the brutal focus of the band's earlier albums. It has more of a thrash metal sound than any of their previous albums. It is similar to Scumdogs of the Universe, in that Dave Brockie was the dominant voice of the band again, and the theme is centered on generalized carnage. Gwar takes on more "medieval" themes this time, such as torture ("The Wheel") and conjures up some truly ugly imagery in songs such as "Licksore", "Beauteous Rot", "Immortal Corrupter" and "The Apes of Wrath".
There are a number of accounts of Æthelthryth's life in Latin, Old English, Old French, and Middle English. According to Jocelyn Wogan-Browne, "more medieval vernacular lives [about Æthelthryth] were composed in England than any other native female saint".Wogan-Browne, "Rerouting the Dower" p. 28. Æthelthryth appears in Bede's Ecclesiastical History of the English People, Ælfric's Lives of Saints, Goscelin of Saint-Bertin's Lives of Female Saints, the Liber Eliensis, Marie de France's La vie seinte Audree, the South English Legendary, and a Middle English life in BL Cotton Faustina B.iii, among others.
John II's successor, King Manuel I of Portugal, was a more traditional monarch, happy in the company of high nobles, with a more Medieval outlook, including an eagerness to spread religion and pursue 'holy war'.Subrahmanyam (1997: p. 55) For the first few years of Manuel's reign, the India armadas had been largely handled by the 'pragmatic' party inherited from John II. They saw the India run largely as he had – a commercial venture – and tailored the missions accordingly. But the success of the early Portuguese armadas had now attracted other parties.
At St. Mary's Church at Worstead, Norfolk, the village which gave its name to the cloth, the village church built by local weavers in the fourteenth-century towers over the small community, its tower jutting strikingly above the landscape. In other East Anglian communities, the wealth from wool poured in: Wymondham, Diss, North Walsham, East Harling, Attleborough, Aylsham. The churches basked in the refracted glory of wool wealth. Even in Norwich, which boasts more medieval churches than anywhere in Europe, it was wool money that got the stone lifted, the glass stained and the panels carved.
Ardglass contains more medieval tower-houses than any other town in Ireland, a total of four, reflecting its importance as Ulster's busiest port in the 15th century. It also has probably the most extensive network of warehouses from the period surviving in Ireland. These were important in the substantial grain export trade of the fourteenth and fifteenth centuries. Fortifications survive in the town from the fifteenth century, including Jordan's Castle, the most imposing of a ring of towers built around the harbour to secure the then important Anglo-Norman trading port, King's Castle and Cowd Castle.
This partially ruined the Gothic vault and consequently also the pipe organs and other historical architectural details. The city was re-taken by the Soviets without any resistance offered by the Germans. At the turn of the 1950s and 1960s, the temple was fully restored in the Gothic style and all baroque architectural elements were subsequently removed from the nave and the temple itself, giving it a more medieval look to specifically resemble the original structure present during the coronation of Polish monarchs eight hundred years earlier. On 3 June 1979 Pope John Paul II visited the cathedral.
According to Henri Focillon, Gothic allowed German art "to define for the first time certain aspects of its native genius-a vigorous and emphatic conception of life and form, in which theatrical ostentation mingled with vehement emotional frankness."Focillon, 106 The Bamberg Horseman of the 1330s, in Bamberg Cathedral, is the oldest large post-antique standing stone equestrian statue; more medieval princely tomb monuments have survived from Germany than France or England. Romanesque and Early Gothic churches had wall paintings in local versions of international styles, of which few artists' names are known.Dodwell, Chapter 7 Foolish Virgins, Magdeburg Cathedral, c. 1250.
The old building, which was designed in a more medieval style for the Erie, had a low concrete platform with long set of green pillars stretching to Essex Street. There was a small parking lot behind the station, which had a large entranceway and large bay window. The 1893 station depot burned in 1970. In 1976, the Erie Lackawanna was combined with several other railroads to create the Consolidated Rail Corporation, who continued maintenance of the New Jersey and New York Line for the next seven years, until the newly formed New Jersey Transit took over the station in 1983.
The setting of the world has been described as "strongly reminiscent of Arab culture", "with horses and camels, swords and arrows, the world feels more medieval than futuristic." The men of Earth only live to about 30 years old due to "defective genetic traits" It is later discovered that Earth is an experiment run by humans who live on Mars, who have men and women, and that Mother is also a man who has his mind controlled and has had organ transplants. Mother is a ruse by the experimenters to camouflage the true source of the boys, they are genetically engineered on Mars.Matsui, Midori.
Margrétar saga is an Old Norse-Icelandic saints' saga that tells the story of St Margaret of Antioch. There are three versions of the saga based on at least two translations, and it is extant in more medieval and post-reformation copies than any other saint's legend. Its popularity appears in part to be due to the text's use in childbirth contexts, which was a uniquely Icelandic development of a popular European tradition. The date of the legend's first translation into Old-Norse Icelandic is unknown, but based on the dating of its earliest manuscripts it is taken to have occurred some time before 1300.
It also appeared in an episode of Bait Car as it was playing loudly on the stereo of the "stolen" car. The Seattle Mariners played it on the sound system at Safeco Field when Alex Rodriguez batted as a Texas Ranger, as a mocking gesture towards his record-breaking $252 million contract. It has been parodied by the Brobdingnagian Bards as "If I Had a Million Ducats", replacing the objects and banter with more medieval and Renaissance references. The song became an ice cream flavour in May 2009 when the band partnered with American ice cream company Ben & Jerry's to create "If I Had 1,000,000 Flavours".
Instead, it is more similar in style to heavy metal bands such as Helloween and Iron Maiden, although the lyrics sometimes approach darker subjects. Stormborn (2014) marks a thematic shift of the band's lyrics into more medieval fantasy topics, with numerous references to the hit TV series Game of Thrones. From War of Dragons (2017), the lyrical themes have departed completely into medieval fantasy themes, with a particular emphasis on dragons and keeping up with the references to Game of Thrones, which are carried on in the newest album Rise of the Dragon Empire (2019). In 2009 the band signed a worldwide deal with the label Blistering Records for their third album release, titled Tabula Rasa.
He held the post until 1949, overseeing the production of fifteen volumes, covering Oxfordshire and Warwickshire as well as Sussex, and was succeeded by Ralph Pugh. Salzman's other academic works included biographies of Henry II (1914) and Edward I (1968), as well as the general studies English Life in the Middle Ages (1926), England in Tudor Times (1926), and A Survey of English History (1930). He wrote a pair of popular collections – Medieval Byways (1913) and More Medieval Byways (1926) – of short essays on individual topics, "cookery" or "memories", built around extracts from contemporary records and providing an insight into medieval life seen from an unusual angle. In 1926 he published a play, The Girdle of Venus.
The Catholic Revival had a more penetrating impact by transforming the liturgy of the Anglican Church, repositioning the Eucharist as the central act of worship in place of the daily offices, and reintroducing the use of vestments, ceremonial, and acts of piety (such as Eucharistic adoration) that had long been prohibited in the English church and (to a certain extent) in its daughter churches. It influenced Anglican theology, through such Oxford Movement figures as John Henry Newman, Edward Pusey, as well as the Christian socialism of Charles Gore and Frederick Maurice. Much work was done to introduce a more medieval style of church furnishing in many churches. Neo- Gothic in many different forms became the norm rather than the earlier Neo- Classical forms.
The focal point of the facade, the gatehouse, has multi-faceted turrets at its corners, In 1885, the gatehouse was given a Gothic makeover, which included raising its height and adding the fan vaulting to the ceiling of the passage leading, not to a great base court, as such grandiose architectural feature would suggest, but to a small glazed inner courtyard (the Winter Garden). The north wing was included in the remodelling work of 1805 and given ogee headed windows in the delicate Strawberry Hill Gothic style, popular at turn of the 19th century; it was a forerunner of the more medieval ecclesiastical Gothic style that was to characterise the architecture of the 19th century, and employed at Ashton Court during the 1885 alterations.
The former Jones and Laughlin building was designed by MacClure and Spahr in the Jacobean Revival style, which was popular in England during the 17th century and can be described as a mix between the more medieval Tudor style and the later Renaissance styles. This architectural style often includes round arches and curved or scrolled, rather than stepped or peaked, gables and parapets. Red brick with stone trim is also commonly found in authentic British examples from the 17th century. The former Jones and Laughlin building is distinctly in the Jacobean Revival style, as the exterior is red brick with sandstone trim and it features numerous rounded arches, such as the one leading into the vestibule on the northwestern facade of the building.
Wool made England rich, and the staple port of Norwich "in her state doth stand With towns of high'st regard the fourth of all the land", as Michael Drayton noted in Poly-Olbion (1612). The wealth generated by the wool trade throughout the Middle Ages financed the construction of many fine churches, so that Norwich still has more medieval churches than any other city in Western Europe north of the Alps. Throughout this period Norwich established wide-ranging trading links with other parts of Europe, its markets stretching from Scandinavia to Spain and the city housing a Hanseatic warehouse. To organise and control its exports to the Low Countries, Great Yarmouth, as the port for Norwich, was designated one of the staple ports under the terms of the 1353 Statute of the Staple.
More medieval cookbooks have survived into the present day written in Arabic than in any other language. Classical Arabic culinary literature is comprised not only of cookbooks, there are also many works of scholarship, and descriptions of contemporary foods can be found in fictional and legendary tales like The Thousand and One Nights. Some of these texts predate Ibn Sayyar al-Warraq's Kitab al-Tabikh, the earliest known book of medieval Arabic cuisine. The Persian language Ḵusraw ī Kawādān ud rēdak-ēw, translated into Arabic after the conquest of the Sasanian Empire by Arab armies in the 7th century, was a guide to the sophisticated culinary and court culture of the time, written as a fictionalized narrative about an orphan descended from priestly roots who learns the ways of Khosrow I's court.
The universe of Thief is a dark fantasy setting and is centered mostly on a dense, sprawling metropolitan complex known only as "The City", which has some resemblance to 18th/19th century London, but with an altogether more Medieval culture, reflected in the style of dress and semi-feudal social structure, a lack of firearms but widespread use of magic. It is a steampunk metropolis constantly being fought over by a corrupt aristocracy, an order of religious fanatics and a horde of vengeful woodland beings, all under the eye of a secret organization. The world is highly superstitious and does have a noticeable problem with the supernatural and the undead are very common. Technology is unnaturally varied in a way that they have access to electricity and use it for light and industry but nothing else.
Sabine Lutzenberger, the "main voice" of Helium Vola. Like all succeeding albums, the debut is a concept album. Here, Horn connects the sinking of the Russian nuclear submarine Kursk in 2000 (the album is dedicated to the victims) and the reactions to this tragedy with songs about youth; its love and how older generations deal with the younger.Interview with Michael Kuhlen (February 4, 2002), “Helium Vola – Umtriebiger Minnesänger”, Obliveon Metal und Gothic Magazin (retrieved 30 November 2018). The song structures are still following a rather "classical" pop scheme, which dissolves more and more in the following albums that feature more medieval madrigal-likeInterview with Michael Schäfer (May 2004), “Helium Vola - Liod”, Orkus Magazin 5/2004 (retrieved 30 November 2018). or hymn- likeColour-Ize Blog (February 22, 2013) "Helium Vola ‘Wohin?’ – Searching for a direction" (retrieved 30 November 2018). styles in the pieces.
Beside the altar, and perhaps two centuries older than this woodwork, lies a monument to an early 14th-century Welsh knight, David ap Madoc: it depicts his hand clutching his sword, and a cat-like lion on his flowery shield. The most outstanding medieval survival is the mosaic of stained glass (dated 1503) in a south window, including figures of saints and the feet of Christ pierced by a huge golden nail. According to tradition, this glass was once in the big window above the altar, and was preserved from destruction during the Civil War by being buried in the mighty iron-bound oak chest which stands below its present position. There is more medieval glass in the window by the font, near the Elizabethan memorial to Thomas ap Rice, who died ‘at cock-crow’ on a Sunday in 1582.
By the second half of the eighteenth century, the abbey, by then partially roofless and overgrown with trees and ivy, had become a famous ruin that attracted the attention of artists, dramatists and poets. In the nineteenth century, Netley became a popular tourist attraction (the novelist Jane Austen was among those who visited) and steps were taken to conserve the ruins. Archaeological excavations directed by Charles Pink and Reverend Edmund Kell took place in 1860.. Retrieved on 31 July 2008 During the same period the owners decided to remove many of the Tudor additions to the building to create a more medieval feel to the site, resulting in the loss of much evidence of the abbey's post-Dissolution story.. Retrieved on 4 July 2008 In 1922, the abbey was passed into state care by the then owner, Tankerville Chamberlayne, one time M.P. for Southampton. Conservation and archaeological work on the abbey has continued.

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