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13 Sentences With "more luscious"

How to use more luscious in a sentence? Find typical usage patterns (collocations)/phrases/context for "more luscious" and check conjugation/comparative form for "more luscious". Mastering all the usages of "more luscious" from sentence examples published by news publications.

That can take the very pointed sound and make it sound more luscious.
Since Conrad's been pregnant, she said, her already famous locks have gotten even more luscious.
As Momoa grew older, his hair would only grow more luscious, his expression only more fierce.
A high near 76 today is made even more luscious by crystalline skies and a slight breeze.
At the gallery we see the images accompanied only by their titles, where they frequently evoke very oblique New Yorker cartoons and are larger and more luscious than in the book.
According to Bamforth, for more than half a century, Guinness has put nitrogen gas into its beer at the packaging stage, which gives smaller, more stable bubbles and delivers a more luscious mouthfeel.
Before I went down to the sprawling lower level where Monáe and I would talk, I poked my head into a few of the rooms on the first floor, all filled with recording equipment and more luscious tropical plants.
Eyelash enhancers with drug ingredients might promise more "luscious" lashes, "improved lash appearance," or "stronger, healthier-looking lashes," but as long as they stick to promising only appearance improvements, they are just cosmetics, exempt from the extensive and costly clinical trials needed to prove the safety of the same ingredients sold as a prescription drug.
The Allmusic review said "If anything, Getz's tone became even more luscious through the years yet he never seemed to lose his fire".
Bazhbeuk-Melikyan is noted for his depiction of the female figure: magicians, jugglers, exotically costumed women, and nudes. Like his friend Gudiashvili, he painted voluptuous women, but his were more intensely executed and more passionate. He led a quiet protest against the prudish Soviet authorities who had a puritanical attitude to sex. Influenced by Böcklin, he created carefully finished canvases; later works, inspired by Rembrandt, were more luscious.
The portrait of Perugini, who had also exhibited at the Grosvenor Gallery was a wedding gift by Millais, presented on her marriage to Charles Perugrini. It is an example of Millais' later style of portraiture that is looser, more luscious and sketch-like than the naturalism of the Pre-Raphaelite Brotherhood. In showing the picture at the Grosvenor, "Perugini advertised herself as part of a cultured, educated and artistic family" Denney, Colleen (2000). At the Temple of Art: The Grosvenor Gallery, 1877–1890.
Miguel and Tulio were rewritten as petty swindlers, and the setting of the film was changed to a more luscious paradise. Additionally, the romance was toned down, and new clothing was designed for Chel. Producer Bonnie Radford explained, "We originally thought it would be rated PG-13 and so we skewed it to that group...But then we thought we could not exclude the younger kids so we had to tone the romance down." Finn and Silverman left the project in 1998 following disputes over the film's creative direction, and were replaced by Eric "Bibo" Bergeron and Don Paul.
The song is in the 12/8 time signature, in the key of E and begins (on "If you wear red tonight ...") with a I–IV–ii7–V7 chord progression (E–A–F#m7–B7) in which the word "tonight" (B melody note) appears as a "delicately haunting" 4th above the F#m7, creating a suspension. The melodic pitches of this first two bar phrase are repeated (with initial repetition of the G# melody note) on "remember what I said tonight," except that the B melody note on the second "tonight" is now backed by a ♭VII (D) chord that shapes the B melody note into a more "luscious" 6th. The chorus ("Yes it is, it's true. Yes it is, it's true") involves a I (E chord) – III (G# chord) – IV (A chord) – I (E chord) progression in which the major III (G#) chord appears for the first time in the song to propel the Plagal drop from IV (A) to the tonic I (E) chord.

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