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33 Sentences With "more irrational"

How to use more irrational in a sentence? Find typical usage patterns (collocations)/phrases/context for "more irrational" and check conjugation/comparative form for "more irrational". Mastering all the usages of "more irrational" from sentence examples published by news publications.

Their work has suggested that we're actually a lot more irrational than we think.
But even more irrational would be a belief that our righteous indignation will change President Trump's mind.
There are plenty of global crises where he could have been a lot more irrational or destabilizing.
The more irrational and off-base someone is, the easier it should be for you to remove yourself from their traps.
Managers often regard women who are visibly pregnant as less committed, less dependable, less authoritative and more irrational than other women.
My guess is you want to focus on the more irrational side of fear, which is what I want to do, too.
If man is a complex animal, mankind is an even more complicated beast, with many layers and regions, one more irrational than the next.
In Lewis Carroll's world, such a program could only have been dreamed up by a queen of hearts on one of her more irrational days.
"There's probably more irrational worrying than there needs to be," said Sri Reddy, senior vice president of retirement and income solutions at Principal Financial Group.
Harwood: I think most people looking from the outside see more irrational stuff happening in this White House than in any White House that they've seen.
"However, unfortunately, the president's intervention prevented this opportunity, and I was arrested again with an allegation much more irrational and lawless than the first time," Kavala said.
"The allegation that I planned the coup attempt is much more irrational than the charge that I organized Gezi protests and shows a profound ulterior motive," he added.
" — George Washington, to officers of the Army, 1783 "Nothing could be more irrational than to give the people power, and to withhold from them information without which power is abused.
"You're either appealing to the brain, the heart or the genitals, and as you move down the torso, the margins get better, because the decision-making becomes more irrational," Galloway said.
King Arnold (who has been growing madder and more irrational by the day) is sorely lacking in that regard, Randall realizes, and can't be trusted with the secret of the white snake.
Mm-hmm. You're either appealing to the brain, the heart or the genitals, and as you move down the torso, the margins get better because the decision making becomes more irrational. Right.
A far more irrational and dangerous panic will likely emerge when genetically modified humans start appearing among us unless we can have an informed conversation today about the opportunities and challenges of human genetic enhancement.
The shitty thing is, I will continue to do this, because I have an irrational love for this sport and an even more irrational love for my favorite team, made even more indefensible because it is the Jets.
As a consequence, one of the most vivid examples of the importance of a kind and sensible health insurance system has been cordoned off from the active, urgent debate in Congress over whether the health insurance system should be crueler and more irrational.
Sure, he's kind and handsome, but it's a deeper, more irrational urge calling out from her to him —the hope that her childhood wounds will be fixed by who she imagines him to be (hence the boy band song where she envisions him singing that he will solve all her childhood traumas.) Rebecca's infatuation is exacerbated by her many unresolved psychological issues — depression, anxiety, obsessive tendencies — that make her particularly susceptible to getting on the love roller coaster.
The beheading of Spurius Cassius Viscellinus, fresco (1532–1535), Palazzo Pubblico, Siena. Compared to the equilibrated, geometric, and self-assured Florentine style, the Sienese style of painting edges into a more irrational and emotionally unbalanced world. Buildings are often transected, and perspectives awkward. The setting is often hallucinogenic; the colors, discordant.
She immediately reports it to the high school principal. Matters are complicated because Amy and Pete both deny an affair. For this reason, the principal is unable to do anything about it. When Amy decides to break off the affair, Pete will not leave her alone and his actions become even more irrational and possessive than they were before.
He's Carter's son and childhood friends with Keith and Aisha. He joins the military of Neotopia. After discovering that the village had not informed the Neotopian government of Noah's appearance, he kills his father and begins the destruction of his village, Ratt. Gale seeks to completely change the ways of Neotopia in a far more irrational authoritative governmental leadership system.
Lygia resents this arrangement, but eventually falls in love with Marcus. Screenshot of Deborah Kerr from the trailer for the film Quo Vadis Meanwhile, Nero's atrocities become increasingly outrageous and his behavior more irrational. After Nero burns Rome and blames the Christians, Marcus sets out to rescue Lygia and her family. Nero arrests them, along with all the other Christians, and condemns them to be slaughtered in his Circus; some are killed by lions.
Yuan uses both figures to express his fear of aging, and feeling ashamed of his clothes as they become worn out as well. Yuan also wrote this poem on a painting of Lan Caihe, in the Chinese tradition of adding calligraphy to illuminate other artists' illustrations: Yuan's poem, above, describes the appearance and behavior of Lan Caihe, and points out that Lan's behavior was no more irrational than that of people who hurry to build mere material wealth.
It is even more irrational in the sense that the creation of new products, calling for the disposal of old products, fuels the economy and encourages the need to work more to buy more. An individual loses his humanity and becomes a tool in the industrial machine and a cog in the consumer machine. Additionally, advertising sustains consumerism, which disintegrates societal demeanor, delivered in bulk and informing the masses that happiness can be bought, an idea that is psychologically damaging. There are alternatives to counter the consumer lifestyle.
In Slayers NEXT, Zelgadis states that Seyruun has a "runaway princess," also implied to be Naga. Naga had originally planned to simply challenge to a duel and defeat the famed teenage sorceress Lina Inverse to inherit her supposed title of the "Invincible Dark Lord" (which Naga apparently invented herself). However, as the story progressed, her obsession with Lina has quickly became more complicated and in some ways even more irrational. Naga becomes associate with Lina, is traveling with her supposed archrival and aiding her in battle, yet also often turning against her whenever someone offers Naga enough gain from it.
Emma pleads with Mickey and Davey to let her and Clive go, saying she does not care about their 'selfish' plans, and Katy tells her they are not robbing the bank for themselves, but to save the retirement home. Mickey, growing more irrational and tired of the friendliness of his fellow bank robbers, decides to leave and takes Emma and Clive with him to a side room where he ties them up, and sits down to rest. Soon after, Mickey dies and turns into a zombie. Realising shooting him in the head is failing to kill Mickey, Terry destroys him with a hand-grenade he confiscated earlier.
Harlan's behaviour becomes ever more irrational, driving Lillian away from him and into the arms of building supervisor Larry Longacre (McGill); he believes another deranged resident known as the Contessa is planning to run away with him, and puts potential residents off the room where he hid the vagrant's body with his bizarre behaviour. However, eventually a young couple of newly-weds, Alphonse and Jeanette Flourescu move in. Harlan attempts to dissuade Alphonse from opening the bed but is unsuccessful. Alphonse looks at the bloody but empty bed as a terrified Harlan throws himself through the apartment window to his death on the street below.
Skanderbeg's view of the situation worsened with news coming from Albania, which strengthened his opinion that his time in Italy was becoming more and more irrational. His pessimism grew once he found out that Venice was now pressuring Paul into refusing Skanderbeg aid since they wished to put an end to the war and capitulate Krujë. During the first days of February, news arrived from the Republic of Ragusa that the campaign was nearing its end and that if the necessary actions were not brought up to speed, Albania would fall along with Venice's possessions. Skanderbeg's requests for proper aid were continually rejected on the basis that Italy's peace must first be secured and instead Paul ordered Ferdinand to award to Skanderbeg what tribute would have been given to Rome.
Zansky's cycle History as Ruin, which began in 1992 with an exhibition at Berry-Hill Galleries, Exit Art and the Aldrich Contemporary Museum of Art, consists largely of 200 individually carved and painted 4 X 8 foot wooden reliefs and freestanding sculptures. In a catalog essay by Donald Kuspit, he states: “There is nothing like Zansky’s work in modern art, certainly not in contemporary art. It holds its own with Goya’s “Quinta del Sordo” paintings, and extends their fantasy into more irrational terra incognita than Goya ever imagined in his worst dreams.” In 1994, Zansky began a series of works collectively titled Traces. For the catalog essay on Zansky’s solo show at Berry-Hill Galleries, Inc., New York, NY, Thomas McEvilley wrote: “Zansky’s work participates in a common thematics of the post-Modern moment – a reconsideration of the relationship between nature and culture.
However, as the Underground Man points out in his rant, such dreams are based on a utopian trust of not only the societal systems in place but also humanity's ability to avoid corruption and irrationality in general. The points made in Part 1 about the Underground Man's pleasure in being rude and refusing to seek medical help are his examples of how idealised rationality is inherently flawed for not accounting for the darker and more irrational side of humanity. The Stone Wall is one of the symbols in the novel and represents all the barriers of the laws of nature that stand against man and his freedom. Put simply, the rule that two plus two equals four angers the Underground Man because he wants the freedom to say two plus two equals five, but that Stone Wall of nature's laws stands in front of him and his free will.
In a July 30, 2002 editorial for the Gazette, retired West Virginia State College economist Aaron Metz identified two issues arising from the affair; freedom of speech and "freedom from fear", writing "Freedom of speech suffers in an environment of fear. Katie was afraid to go to school because law and order ceased to exist there." Metz observed that the story had caught the attention of Poles, some of whom wanted Sierra to come and study in their country, and to the Japanese, whose response he called "more irrational", saying they "didn't want her; they just wanted to get that T-shirt in their hands" and were "making fun of West Virginia, a state 50th in education, for expelling a good student - a sort of sideshow using Katie and her T-shirt on TV for entertainment". In the context of adult control of adolescent expression, a December 2003 editorial in the Gazette wrote that the Sissonville High's administrators "overreacted" in Sierra's case, feeding a backlash against the student instead of "taking advantage of her youthful energy and curiosity to craft meaningful civics lessons".

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