"He may speak big but can't deliver in the end and doesn't quite know where he wants to go," Fenby said, noting that China prefers more "formalistic" leaders.
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Gapon's services were innovative and informal and his church rapidly grew in size, negatively affecting other more formalistic local churches, whose priests lodged complaints against him. Nevertheless, Gapon continued to enjoy the support of the bishop in his position and was largely satisfied with his station in life.
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Justice Scalia took a more formalistic approach to constitutional interpretation than his benchmates by looking at the text of the statute itself and, seeing no reference express or implied to the limitation of any form of expression, deciding that there can be no First Amendment question present at all. Language he used later in his opinion demonstrates the originalist views that characterized Justice Scalia's tenure on the bench.
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Praising Otto Preminger and "the greatest American artist—Howard Hawks", Godard raises their harsh melodramas above the more "formalistic and overtly artful films of Welles, De Sica and Wyler which Bazin endorsed".Brody, pp. 29–30 At this point Godard's activities did not include making films. Rather, he watched films, and wrote about them, and helped others make films, notably Rohmer, with whom he worked on Présentation ou Charlotte et son steak.
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A more formalistic approach used by the EU courts to assess abuse was known as per se illegality.In the case of Tomra the General Court and the Court of Justice reaffirmed the ‘formalistic’ approach. This approach was normally used on rebate systems or loyalty discounts even though it is a benefit to consumer welfare by lowering prices.Report on analysis of loyalty discounts and rebates under Unilateral conduct Laws, prepared by the Unilateral Conduct Working Group.
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Church of San Lorenzo in Turin. In the Church of San Lorenzo (1670–87) in Turin, Guarino Guarini, a Theatine monk and mathematician, used interlacing bands or ribs reminiscent of Islamic domes at Iznik or Cordoba, or the . The four years he spent in Paris may have influenced the emphasis on forced perspective and optical effects in his domes, in contrast to the more formalistic architectural design of Rome at that time. He used form, color, and light to give the illusion of greater height in his centralized domed churches.
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Peepers received positive reviews and was noted for its decidedly different sound compared to Polar Bear's earlier records. On the Metacritic website, which aggregates reviews from critics and assigns a normalized rating out of 100, Peepers received a score of 78, based on 1 mixed and 8 positive reviews. The Independent write that Peepers is "a little more formalistic than before" but conclude that "the resoluteness of the Bear in their Britishness .... is one of the rowdier pleasures of the age". The Guardian awarded the album 4 stars, complimenting the "freshness" given to the music by Rochford's choice of recording and rehearsal techniques.
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In this way, the more formalistic or abstract aspect of her cinema, with a structural vocation, is pierced by an emotional tone, at the same time as it gives rise to false clues about ambiguous fictions. Her films include Footnotes to a House of Love (2007), My Tears Are Dry (2009), Cry When It Happens (2010), A Lax Riddle Unit (2011), The Room Called Heaven (2012), Live to live (2015) and 025 Sunset Red (2016) —premiered at the MoMA— In addition to the MoMA, her works have been shown at the Lyon Biennial, the Rotterdam International Film Festival and the Museo Nacional Centro de Arte Reina Sofía in Madrid.
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Christopher Baldy graduated from the Buffalo School of Law in 1910, in the days when UB was a private school. He died a bachelor and left most of his estate, initially valued at $1.4 million, to his three brothers, stipulating that when they died, the remainder would be a gift to UB. A surrogate judge in 1973 approved using the Baldy funding to start a new program in law and social policy, a subject area favored by UB’s law dean, Red Schwartz, a sociologist and the first-ever non-interim dean of an American law school who was not a lawyer. Schwartz was a key figure in the Law and Society movement that emerged in the 1960s and sought to explore how the law actually interacted with society, as opposed to the more formalistic, theoretical and academic approach that permeated legal scholarship for much of the 20th century. Five years later, under then-Dean Thomas Headrick, the program in law and social policy was formalized into the Baldy Center.
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